Ferry Time Quotes

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Have you also learned that secret from the river; that there is no such thing as time?" That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.
Hermann Hesse (Siddhartha)
All broken hearts are circumstantial. Every lovelorn jerk is the victim of bad timing, good intentions, and someone else’s poor decision making.
Joshua Ferris (Then We Came to the End)
... the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future.
Hermann Hesse (Siddhartha)
When you're on a Ferris wheel all anyone ever talks about is being on the Ferris wheel and the view from the Ferris wheel and whether the Ferris wheel is scary and how many more times it will go around. Dating is like that. Nobody who's doing it ever talks about anything else. I have no interest in dating.
John Green (Turtles All the Way Down)
We loved killing time and had perfected several ways of doing so. We wandered the hallways carrying papers that indicated some mission of business when in reality we were in search of free candy.
Joshua Ferris (Then We Came to the End)
Taren Ferry folk had a reputation for slyness and trickery. If you shook hands with a Taren Ferry man, people said, you counted your fingers afterwards.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
We told him to get on with it. We liked wasting time, but almost nothing was more annoying than having our wasted time wasted on something not worth wasting it on.
Joshua Ferris
How long does a building stand before it falls? How long does a contract last? How long will brothers share the inheritance before they quarrel? How long does hatred, for that matter, last? Time after time the river has risen and flooded. The insect leaves the cocoon to live but a minute. How long is the eye able to look at the sun? From the very beginning nothing at all has lasted.
David Ferry (The Epic of Gilgamesh)
almost nothing was more annoying than having our wasted time wasted on something not worth wasting it on
Joshua Ferris (Then We Came to the End)
Lovers do things together! They rent videos, they ride Ferris wheels, they go out for pizza, they play Scrabble. They . . . they talk!' 'Talk?' He lifted his head and frowned, his eyes puzzled. 'We talk all the time, Raine. I've never had such talkative sex.' 'That's just it!' She wiggled, flailed, but couldn't budge him. 'Two minutes alone with you, and I'm flat on my back. Every single time!' A slow, knowing grin spread over his face. 'Is this your way of telling me you want to be on top?
Shannon McKenna (Behind Closed Doors (McClouds & Friends #1))
How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.
Toni Morrison
One of the strange things about friendship is that time together isn't cancelled out by time apart. One doesn't erase the other or balance it on some invisible scale. You can spend a few hours with someone and they will change your life, or you can spend a lifetime with a person and remain unchanged.
Michael Robotham (The Night Ferry)
We found ourselves wanting to hurry time along, which was not in the long run good for our health. Everybody was trapped in this contradiction but nobody ever dared to articulate it.
Joshua Ferris (Then We Came to the End)
Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.
Robert Greene (The 48 Laws of Power)
Time's a reach, too, you know, just like the one that lies between the islands and the mainland, but the only ferry that can cross it is memory, and that's like a ghost-ship—if you want it to disappear, after awhile it will.
Stephen King (Dolores Claiborne)
It probably wouldn't last. It never does. But it would come back around again. That's how life works. And that's why it's important to treasure the peaceful times-so you can persevere through the other kind.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
When they fall in love with a city it is for forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves, their stronger, riskier selves. And in the beginning when they first arrive, and twenty years later when they and the city have grown up, they love that part of themselvers so much they forget what loving other people was like - if they ever knew, that is.
Toni Morrison (Jazz (Beloved Trilogy, #2))
The Clock on the Morning Lenape Building Must Clocks be circles? Time is not a circle. Suppose the Mother of All Minutes started right here, on the sidewalk in front of the Morning Lenape Building, and the parade of minutes that followed--each of them, say, one inch long-- headed out that way, down Bridge Street. Where would Now be? This minute? Out past the moon? Jupiter? The nearest star? Who came up with minutes, anyway? Who needs them? Name one good thing a minute's ever done. They shorten fun and measure misery. Get rid of them, I say. Down with minutes! And while you're at it--take hours with you too. Don't get me started on them. Clocks--that's the problem. Every clock is a nest of minutes and hours. Clocks strap us into their shape. Instead of heading for the nearest star, all we do is corkscrew. Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and round from number to number, dice the time of our lives into tiny bits until the bits are all we know and the only question we care to ask is "What time is it?" As if minutes could tell. As if Arnold could look up at this clock on the Lenape Building and read: 15 Minutes till Found. As if Charlie's time is not forever stuck on Half Past Grace. As if a swarm of stinging minutes waits for Betty Lou to step outside. As if love does not tell all the time the Huffelmeyers need to know.
Jerry Spinelli (Love, Stargirl (Stargirl, #2))
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
Joshua Ferris (Then We Came to the End)
My day has been a pleasant one. My joys have far exceeded my sorrows and my friends have brought me far more than my enemies have taken from me.
Frederick Douglass (Life and Times of Frederick Douglass (Annotated): This Edition Includes John Brown Address at Harper's Ferry)
You should work extra hard to be your best selves. True evil has a hard time operating in the face of strenuous manifestations of good. Especially if you act right away. The longer you let evil hang around and get a grip on you, the harder it is to get rid of it.
Jean Ferris (Twice Upon a Marigold (Upon a Marigold, #2))
Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.
Laini Taylor (Lips Touch: Three Times)
Sometimes friends do foolish things. My father told me that true friends are like gold coins. Ships are wrecked by storms and lie for hundreds of years on the ocean floor. Worms destroy the wood. Iron corrodes. Silver turns black but gold doesn't change in sea water. It loses none of its brilliance or colour. It comes up the same. It survives shipwrecks and time.
Michael Robotham (The Night Ferry)
It was good, too, to remember how hard a lot of people had to work to keep a kingdom running well, and that it was simply good manners to let them know, from time to time, how valued they were.
Jean Ferris (Twice Upon a Marigold (Upon a Marigold, #2))
I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.
Kathleen Glasgow (Girl in Pieces)
We had any number of clocks surrounding us, and every one of them at one time or another exhibited a lively sense of humor.
Joshua Ferris (Then We Came to the End)
I was already at one remove before the Internet came along. I need another remove? Now I have to spend the time that I'm not doing the thing they're doing reading about them doing it? Streaming the clips of them doing it, commenting on how lucky they are to be doing all those things, liking and digging and bookmarking and posting and tweeting all those things, and feeling more disconnected than ever? Where does this idea of greater connection come from? I've never in my life felt more disconnected. It's like how the rich get richer. The connected get more connected while the disconnected get more disconnected. No thanks man, I can't do it. The world was a sufficient trial, Betsy, before Facebook.
Joshua Ferris (To Rise Again at a Decent Hour)
All people in relationships ever do is talk about their relationship status. It like a Ferris wheel. When you're on a Ferris wheel all anyone ever talks about is being on the Ferris wheel and the view from the Ferris wheel and whether the Ferris wheel is scary and how many times it will go around. Dating is like that. Nobody who's doing it ever talks about anything else.
John Green (Turtles All the Way Down)
At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
One way or another, all the bridges between that time n this one have been burned. Time's a reach, too, you know, just like the one that lies between the islands and the mainland, but the only ferry that can cross it is memory, and that's like a ghost-ship - if you want it to disappear, after awhile it will.
Stephen King (Dolores Claiborne)
It happened all the time. Maybe someone had a legitimate gripe that deserved airing. Maybe someone had a compliment that shouldn't go unspoken. No one said a thing. So long and stay in touch, that's usually all we said. Take care of yourself, good luck. We said nothing about affection, appreciation, admiration.
Joshua Ferris (Then We Came to the End)
It avails not, time nor place--distance avails not, I am with you, you men and women of a generation, or ever so many generations hence, Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you are refresh'd by the gladness of the river and the bright flow, I was refresh'd, Just as you stand and lean on the rail, yet hurry with the swift current, I stood yet was hurried, Just as you look on the numberless masts of ships and the thick-stemm'd pipes of steamboats, I look'd.
Walt Whitman (Leaves of Grass)
Did you know, young lady," said Watkin to her, "that the Book of Revelation was written on Patmos? It was indeed. By Saint John the Divine, as you know. To me it shows very clear signs of having been written while waiting for a ferry. Oh, yes, I think so. It starts off, doesn't it, with that kind of dreaminess you get when you're killing time, getting bored, you know, just making things up, and then gradually grows to a sort of climax of hallucinatory despair.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
That life is not for me. Clearly I did not inherit whatever gene it is that makes it so that when you linger in a place you start to put down roots. I’ve tried, a number of times, but my roots have always been shallow; the littlest breeze could always blow me right over. I don’t know how to germinate, I’m simply not in possession of that vegetable capacity. I can’t extract nutrition from the ground, I am the anti-Antaeus. My energy derives from movement—from the shuddering of buses, the rumble of planes, trains’ and ferries’ rocking.
Olga Tokarczuk (Flights)
She is more memory than reality. She belongs to a time of teenage crushes, first kisses, crowded lecture halls and smoky pubs. Even if she had lived, we might have had nothing in common except the past.
Michael Robotham (The Night Ferry)
I had never thought much of genealogy. A lot of wasted time collecting the names of the dead. Then stringing those names, like skulls upon a wire, into an entirely private and thus irrelevant narrative, lacking any historical significance. The narcissistic pastime of nostalgic bores.
Joshua Ferris (To Rise Again at a Decent Hour)
I sat wondering: Why is there always this deep shade of melancholy over the fields arid river banks, the sky and the sunshine of our country? And I came to the conclusion that it is because with us Nature is obviously the more important thing. The sky is free, the fields limitless; and the sun merges them into one blazing whole. In the midst of this, man seems so trivial. He comes and goes, like the ferry-boat, from this shore to the other; the babbling hum of his talk, the fitful echo of his song, is heard; the slight movement of his pursuit of his own petty desires is seen in the world's market-places: but how feeble, how temporary, how tragically meaningless it all seems amidst the immense aloofness of the Universe! The contrast between the beautiful, broad, unalloyed peace of Nature—calm, passive, silent, unfathomable,—and our own everyday worries—paltry, sorrow-laden, strife-tormented, puts me beside myself as I keep staring at the hazy, distant, blue line of trees which fringe the fields across the river. Where Nature is ever hidden, and cowers under mist and cloud, snow and darkness, there man feels himself master; he regards his desires, his works, as permanent; he wants to perpetuate them, he looks towards posterity, he raises monuments, he writes biographies; he even goes the length of erecting tombstones over the dead. So busy is he that he has not time to consider how many monuments crumble, how often names are forgotten!
Rabindranath Tagore
Doug Swieteck,' Mr. Ferris said, 'do you know the basic principle of physical science?' A trick? 'No,' I said, sort of slow. 'The basic principle of physical science is this: no two bodies can occupy the same space at the same time. Do you understand that?' 'I think so,' I said. 'Do you understand what the principle means?' I shook my head. 'It means, Doug Swieteck, that in this class, you are not your brother.
Gary D. Schmidt (Okay for Now)
But now, now he needed to let himself rest when it came time to rest, and to move on when it came time to move on, and to do so in the direction of the moving on.
Joshua Ferris (The Unnamed)
...who'd walk to school on Monday and who'd have to pass the smoking heap of what used to be their neighborhoods because when adults are haunted, it's the kids who get the worst frights...The word "aftermath" came to mind. I guess it means the time after something terrible happens when you do the math to figure out what has been added and what's been subtracted.
Emil Ferris (My Favorite Thing Is Monsters, Vol. 1 (My Favorite Thing Is Monsters, #1))
I thought about Mother’s life, the part of it I knew. Going to work every day, first on the ferry then on the bus. Shopping at the old Red-and-White then at the new Safeway - new, fifteen years old! Going down to the Library one night a week, taking me with her, and we would come home on the bus with our load of books and a bag of grapes we bought at a Chinese place, for a treat. Wednesday afternoons too when my kids were small and I went over there to drink coffee and she rolled us cigarettes on that contraption she had. And I thought, all these things don’t seem that much like life, when you’re doing them, they’re just what you do, how you fill up your days, and you think all the time something is going to crack open, and you’ll find yourself, then you’ll find yourself, in life. It’s not even that you particularly want this to happen, this cracking open, youre comfortable enough the way things are, but you do expect it. Then you’re dying, Mother is dying, and it’s just the same plastic chairs and plastic plants and ordinary day outside with people getting groceries and what you’ve had is all there is, and going to the Library, just a thing like that, coming back up the hill on the bus with books and a bag of grapes seems now worth wanting, O god doesn’t it, you’d break your heart wanting back there.
Alice Munro
Bereavement is sometimes like wading across a succession of snowfields with no landmark in sight. You are a lone small figure in a vast barren landscape. Other times it’s like a Ferris wheel ride. Like being strapped into a swinging spinning bucket. The dizzying dislocation from familiar grounded reality.
Glenn Haybittle (Byron and Shelley)
I know I should have ignored her. I should have called. Many times I almost did. I got as far as picking up the phone. Sometimes I even dialed your parents' number but then I wondered what I'd say to you. We had left it too long. How would we ever get around the silence, which was like an elephant sitting in the room?
Michael Robotham (The Night Ferry)
Really neat that human beings conquered the Earth invented poetry and mathematics and the combustion engine, discovered that time and space are relative, built machines big and small to ferry us to the moon for some rocks or carry us to McDonald's for a strawberry-banana smoothie. Very cool we split the atom and bestowed upon the Earth the Internet and smartphones and, of course, the selfie stick. But the most wonderful thing of all, our highest achievement and the one thing for which I pray we will always be remembered, is stuffing wads of polyester into an anatomically incorrect, cartoonish ideal of one of nature's most fearsome predators for no other reason than to soothe a child.
Rick Yancey (The Last Star (The 5th Wave, #3))
Have you also learned that secret from the river; that there is no such thing as time? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.
Hermann Hesse (Siddhartha)
Phoebe was thinking, Insubordinate. What a lovely word. And when was the last time she'd heard a nice-looking young man use it? Why-never, that's when. What a treat. And to have a ruler who could say conscientious and citizenry in the same sentence. Lovely.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
When you’re on a Ferris wheel all anyone ever talks about is being on the Ferris wheel and the view from the Ferris wheel and whether the Ferris wheel is scary and how many more times it will go around. Dating is like that. Nobody who’s doing it ever talks about anything else.
John Green (Turtles All the Way Down)
Saigon had also changed names after it changed hands, but they couldn't bring themselves to call it Ho Chi Mind City. Neither could the taxi driver who ferried them from their hotel to the house, even though he was too young to remember a time when the city was officially Saigon.
Viet Thanh Nguyen (The Refugees)
Last winter, she’d walked this path with Min, heading for the Christmas Fair--there’d been a ferris wheel and skating, mulled wine, minced pies. At an air-rifle booth, Min had missed the target five times in a row. “Cover”, he’d said. “Don’t want everyone knowing I’m a trained sharpshooter.
Mick Herron (Dead Lions (Slough House, #2))
When you’re on a Ferris wheel all anyone ever talks about is being on the Ferris wheel and the view from the Ferris wheel and whether the Ferris wheel is scary and how many more times it will go around. Dating is like that. Nobody who’s doing it ever talks about anything else. I have no interest in dating.
John Green (Turtles All the Way Down)
Mr. Ferris didn't say anything the whole time. He sat next to me and listened. And when I finished, I looked at him. He was crying. I'm not lying. He was crying. I don't think it was because how hard I hit him. I know how the Black-Backed Gull feels when he looks up into the sky. Maybe, somehow, Mr. Ferris does too.
Gary D. Schmidt (Okay for Now)
The photograph is in my hand. It is the photograph of a man and a woman. They are at an amusement park, in 1959. In twelve seconds time, I drop the photograph to the sand at my feet, walking away. It’s already lying there, twelve seconds into the future. Ten seconds now. The photograph is in my hand. I found it in a derelict bar at the gila flats test base, twenty-seven hours ago. It’s still there, twenty-seven hours into the past, in its frame, in the darkened bar. I’m still there, looking at it. The photograph is in my hand. The woman takes a piece of popcorn between thumb and forefinger. The ferris wheel pauses. Seven seconds now. It’s October, 1985. I’m on Mars. It’s July, 1959. I’m in New Jersey, at the Palisades Amusement Park. Four seconds, three. I’m tired of looking at the photograph now. I open my fingers. It falls to the sand at my feet. I am going to look at the stars. They are so far away. And their light takes so long to reach us… All we ever see of stars are their old photohraphs.
Alan Moore (Watchmen)
Every pilot has two bags, an experience bag and a luck bag. When he first starts out his experience bag is empty and his luck bag is full. Every time the pilot survives doing something stupid or dangerous, he takes a little out of the luck bag and puts it in the experience bag. The trick is to fill the experience bag before the luck bag runs out.
Kerry McCauley (Ferry Pilot: Nine Lives Over the North Atlantic.)
A fun thing to do to let off steam after layoffs began was to go into someone's office and send an email from their computer addressed to the entire agency. It might say something simple like "My name is Shaw-NEE! You are captured, Ha! I poopie I poopie I poopie." People came in in the morning and their reaction was so varied. Jim Jackers read it and immediately sent out an email that we read, "Obviously someone come into my office last night and compossed an email in my name and sent it out to everyone. I apologise for any inconvenience or offence, although it wasn't my fault, and I would appreciate from whoever did this a public apology. I have read that email five times now and I still don't understand it.
Joshua Ferris (Then We Came to the End)
Others just liked having their useless shit around in the place where they spent most of their time.
Joshua Ferris
I encouraged my patients to floss. It was hard to do some days. They should have flossed. Flossing prevents periodontal disease and can extend life up to seven years. It’s also time consuming and a general pain in the ass. That’s not the dentist talking. That’s the guy who comes home, four or five drinks in him, what a great evening, ha-has all around, and, the minute he takes up the floss, says to himself, What’s the point? In the end, the heart stops, the cells die, the neurons go dark, bacteria consumes the pancreas, flies lay their eggs, beetles chew through tendons and ligaments, the skin turns to cottage cheese, the bones dissolve, and the teeth float away with the tide. But then someone who never flossed a day in his life would come in, the picture of inconceivable self-neglect and unnecessary pain— rotted teeth, swollen gums, a live wire of infection running from enamel to nerve— and what I called hope, what I called courage, above all what I called defiance, again rose up in me, and I would go around the next day or two saying to all my patients, “You must floss, please floss, flossing makes all the difference.
Joshua Ferris (To Rise Again at a Decent Hour)
The score," the megaphone on the ferry around Manhattan said, from time to time, without further explanation, "is one to nothing." to the foreigners, unaware perhaps that a World Series was in progress, this may have seemed an obscure instruction, or a commentary on the sights. "In the top of the fifth," it said, with some excitement, as we rounded Wall Street, "the score is five to one.
Renata Adler (Speedboat)
Adam,' I say, 'had good times and he had bad times.' I pause here and glance at Nana, see that she is crying silently, the way I cried at the duck pond in the park. I was going to say something more about the bad times- how Adam's bad times were different from most people's, and that I'll never really understand them. But now that I see Nana's tears, see her start to reach for Papa's hand, then pull back and fold her hands in her lap again- now that I see Nana, I change my mind. I think we should remember that Adam was one of those people who could lift the corners of our universe,' I say. I clear my throat. 'Thank you.' As I slide into our pew I realize I feel older. I think of Janet and Nancy and find that nonw I can brush them away. And I understand that Adam and I are not as alike as I had thought. I remembered the tortured look on Adam's face the night of the Ferris wheel and the look of happiness, happiness, and realize that Adam's decision to take his life was not made easily. It took a certain kind of courage. Just not the kind of courage I chose. I settle between Mom and Dad, and they take my hands and smmile at me. No tears. I squeeze their hands. ~pgs 177-178; Hattie on life
Ann M. Martin (A Corner of the Universe)
She no longer lived in a world of speculation or recall and would take nothing on faith when the facts were but a few clicks away. It drove me nuts. I was sick to death of having as my dinner companions Wikipedia, About.com, IMDb, the Zagat guide, Time out New York, a hundred Tumblrs, the New York Times, and People magazine. Was there not some strange forgotten pleasure in reveling in our ignorance? Would we just be wrong?
Joshua Ferris (To Rise Again at a Decent Hour)
Every time a seismic shift takes place in our economy, there are people who feel the vibrations long before the rest of us do, vibrations so strong they demand action—action that can seem rash, even stupid. Ferry owner Cornelius Vanderbilt jumped ship when he saw the railroads coming. Thomas Watson Jr., overwhelmed by his sense that computers would be everywhere even when they were nowhere, bet his father’s office-machine company on it: IBM. Jeffrey Preston Bezos had that same experience when he first peered into the maze of connected computers called the World Wide Web and realized that the future of retailing was glowing back at him.
Gary Vaynerchuk (The Thank You Economy (Enhanced Edition))
Before embarking on a voyage, first speak with the ancient sailors, listen to and understand the winds, then patiently make a boat and sail. Yet, even then, be open to other dreams, changes, circumstances. Throughout our lives, we limit ourselves to fixed goals, only to get on the local ferry and just travel the distance between two known points. Yet, we create an illusion of freedom and choice, accompanied by a sense of independence. Thus, we carefully study weather reports, ride on the port side on odd numbered days, starboard on holidays, have tea at fixed times, never speak with those who wear glasses, always smile at those who wear green and of course allow ourselves just the slight possibility of a dream about jumping ship and going off to our island one day. C'est la vie? Our predictably totalitarian lives are an insult to the human spirit.
Gündüz Vassaf (Prisoners of Ourselves: Totalitarianism in Everyday Life)
Strength, beauty, intelligence – all natural gifts received at birth – are self-evidently qualities, but not on a moral plane. You can use your strength, your beauty or your intelligence to commit the most wicked crime, and you demonstrate by this alone that there is nothing inherently virtuous about natural gifts. Therefore, you can choose what use to make of them, whether good or bad, but it is the use that is moral or immoral, not the gifts themselves. ‘Free will’ becomes the determining factor of the morality of an action. With this idea, Christianity revolutionised the history of thought. For the first time in human history, liberty rather than nature had become the foundation of morality.
Luc Ferry (A Brief History of Thought: A Philosophical Guide to Living (Learning to Live))
I pictured Becs and myself together, squabbling, but always over little things, while I rotted away at the core from love of Ferris. It was hopeless. ‘Here.’ I laid my hands on the table, palms up, and jerked my head at them, ‘put yours on top.’ Ferris did not move. ‘Please,’ I said. He laid his cold hands on mine and I curled my fingers, folding his within them. ‘Now,’ I said, ‘I’ve neither accepted nor refused. Speak it out plainly, tell me and I’ll do it.’ He cried, ‘Don’t put it onto me! Choose for yourself.’ ‘This is choosing. Tell Aunt I will do whatever you’ll have me do, and that’s my answer.’ I kept hold of his fingers. We stayed there silent and motionless for some time, while the candles burnt down. At last he said quietly, ‘It is a lot to give up.’ ‘Well. My history is bad enough without bigamy,’ I replied, at which he smiled but made no reply. The candles were half burnt. I took one and rose. ‘Goodnight, Ferris.’ ‘Goodnight, Jacob.
Maria McCann (As Meat Loves Salt)
I was already at one remove before the Internet came along. I need another remove? Now I have to spend the time that I’m not doing the thing they’re doing reading about them doing it? Streaming all the clips of them doing it, commenting on how lucky they are to be doing all those things, liking and digging and bookmarking and posting and tweeting all those things, and feeling more disconnected than ever? Where does this idea of greater connection come from? I’ve never in my life felt more disconnected.
Joshua Ferris (To Rise Again at a Decent Hour)
When Norway fell to the Germans the following year, he established the Norwegian Air Force training base known as Little Norway in Canada, to train pilots who’d escaped the Nazis. After handing that task to others, Balchen ferried bombers for the British.
Mitchell Zuckoff (Frozen in Time: An Epic Story of Survival and a Modern Quest for Lost Heroes of World War II)
Did you," so he asked him at one time, "did you too learn that secret from the river: that there is no time?" Vasudeva's face was filled with a bright smile. "Yes, Siddhartha," he spoke. "It is this what you mean, isn't it: that the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future?" "This it is," said Siddhartha. "And when I had learned it, I looked at my life, and it was also a river, and the boy Siddhartha was only separated from the man Siddhartha and from the old man Siddhartha by a shadow, not by something real. Also, Siddhartha's previous births were no past, and his death and his return to Brahma was no future. Nothing was, nothing will be; everything is, everything has existence and is present." Siddhartha spoke with ecstasy; deeply, this enlightenment had delighted him. Oh, was not all suffering time, were not all forms of tormenting oneself and being afraid time, was not everything hard, everything hostile in the world gone and overcome as soon as one had overcome time, as soon as time would have been put out of existence by one's thoughts?
Hermann Hesse
I can’t help but be attracted to pregnant women. Unless they’re malnourished. I’ll see a malnourished pregnant woman on the subway sometimes, big in the belly but with stick-figure arms and hair like a rat’s, and I want to buy her a space heater. I want to yell at her parents. I remember going up to this real malnourished-looking pregnant lady on the G train one time and asking her if she’d like a free dinner at Junior’s. She couldn’t believe I was trying to pick her up on the G train, a pregnant woman with a ring on her finger. I hadn’t noticed the ring. It was one hell of a big ring. I tried to convince her that I wasn’t trying to pick her up. I offered to give her fifty bucks for cooking oil. That just made matters worse. Turns out she was a famous model. I’ve seen her on billboards.
Joshua Ferris (To Rise Again at a Decent Hour)
For a long time thereafter I stared almost steadily at the bright and ostentatious VERIZON sign on top of one of the tallest buildings—the only branded skyscraper in Manhattan, a fucking blight marring the skyline—and I thought, Why couldn’t those cunts have flown into that building?
Joshua Ferris (To Rise Again at a Decent Hour)
It was another blind date; this time her uncle had set her up. The plan: Meet outside of her fancy Midtown Manhattan office building. How would she recognize him? "I'll be the guy with the hole in his boot," he told her. And there he was, covered in dust from his construction job, with a big hole in his fraying boot. What was supposed to be one drink turned into two . . . then a ride on the Ferris wheel in Toys R Us . . . then dinner. He wrote her this note exactly two months after their first date, delivering it rolled up and tied with a string, along with two red roses. They were married in July 2006. (return
Bill Shapiro (Other People's Love Letters: 150 Letters You Were Never Meant to See)
The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.
Leo Tolstoy (War and Peace)
Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from?
Anton Chekhov (Short Stories)
its own lunch counter, and how when filled to capacity the wheel would propel 2,160 people at a time three hundred feet into the sky over Jackson Park, a bit higher than the crown of the now six-year-old Statue of Liberty. He told Rice, “I want you at once if you can come.” He signed the letter: George Washington Gale Ferris.
Erik Larson (The Devil in the White City)
Mrs. Convoy leaned into the desk, flattening her knuckles on it like a linebacker bracing against the hard earth, and with eyeballs floating above her bifocals asked why I felt it necessary to sit in my own waiting room during peak hours. I told her, she said, “And how is the ‘complete experience’?” I told her, she said, “And do you think the ‘complete experience’ might be enhanced by a dentist who tends to his patients in a timely manner?” I told her, she said, “We will not get a reputation for being a drill-and-bill shop just because you tend to patients in a timely manner. Jesus Mary and Joseph,” she said. “Sometimes I think we all work for Toots the Clown.
Joshua Ferris (To Rise Again at a Decent Hour)
As time passed and Harry flew and flew and flew, he forgot all about the fog, the city below him, and just about everything. Nothing in the world seemed to matter but wings, and sky, and motion. The free and endless kind of motion that people are always looking for in a hundred different ways. Flying was the way a swing swoops up; and the glide down a slide. It was the shoot of a sled downhill without the long climb back up. It was the very best throat-tightening thrills of skis, skates, surfboards and trampolines. Diving boards, merry-go-rounds, Ferris wheels, .roller coasters, skate boards and soap-box coasters. It was all of them, one after the other, all at once and a thousand times over.
Zilpha Keatley Snyder (Black and Blue Magic)
Have you also learned that secret for the river; that there is no such thing as time?” A bright smile spread over Vasudeva’s face. “Yes, Siddhartha. Is this what you mean? That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere, and that the present only exists for it, not the shadow of the past, nor the shadow of the future?” “That is it,” said Siddhartha, “and when I learned that, I reviewed my life and it was also a river, and Siddhartha the boy, Siddhartha the mature man and Siddhartha the old man, were only separated by shadows, not through reality.” He spoke with delight, but Vasudeva just smiled radiantly at him and nodded his agreement.
Deepak Chopra (Ageless Body, Timeless Mind: A Practical Alternative To Growing Old)
His expression I remember from the first time I met him. Open, direct. But no longer anonymous. I know certain telling details now. Like he can't stand his brother and he gets one haircut a year. He likes Raymond Chandler and John Irving, Wallce Stegner and Joan Didion. That he loves the blues and songs that tell stories. Riding the ferries just to be on water. His favorite flavor is caramel.
Judi Hendricks (Bread Alone)
I saw it myself. An endless succession of mongrels and malingerers, the laziest dropouts who fancied themselves explorers. He made his policy clear: he was not responsible for their food, their shelter, their safety, or their health. He didn't waste his time discouraging them because frankly there was no discouragement they could not withstand. All of the energy they could have put into their intelligence they had used to develop their tenacity. But what I quickly learned was that their tenacity was for going, not for staying. Once they were out on the trail they fell like flies. Some took a day, two days, others were gone in a matter of hours, and Dr. Rapp never stopped for them. He remained beautifully consistent: he was to work and he would continue to work. He would not ferry back the weak and the lame. They had chosen to get themselves in and they would simply have to figure the means to get themselves out. People were quick to accept these terms until they themselves were weak. Then they changed their tune entirely, then they said Dr. Rapp was heartless. They couldn't slander him as a scientist but they said no end of scurrilous things about him as a man. He hadn't rescued them! He hadn't been their father and mother! I will tell you, none of that troubled his sleep. If he had made them his responsibility, either by dissuading them from their ambitions or by bailing them out of their folly, the greatest botanist of our time would have been reduced to a babysitter. It would have been an incalculable blow to science, all in the name of saving the stupid.
Ann Patchett (State of Wonder)
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
It is certain that she had represented something quite different for me in Balbec. But even when we consider it insufficient at the time, our intimacy with the woman we love creates between her and us, despite its painful shortcomings, social ties that outlast our love and even the memory of that love. Then, in the woman who is now no more to us than a means, a path toward others, we are just as astonished and amused to discover in our memory the original special appeal of her name for the other being we once were, as if, after giving a cabman an address on the Boulevard des Capucines or on the rue du Bac, thinking only of the person we are going to see there, we were to remind ourselves that these names were once those of the Capuchin nuns whose convent stood there and of the ferry across the Seine.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
As Ted sat, feeling the evolution of the afternoon, he found himself thinking of Susan. Not the slightly different version of Susan, but Susan herself — his wife — on a day many years ago, before Ted had begun folding up his desire into the tiny shape it had become. On a trip to New York, riding the Staten Island Ferry for fun, because neither one of them had ever done it, Susan turned to him suddenly and said, "Let's make sure it's always like this." And so entwined were their thoughts at that point that Ted knew exactly why she'd said it: not because they'd made love that morning or drunk a bottle of Pouilly-Fuisse at lunch — because she'd felt the passage of time. And then Ted felt it, too, in the leaping brown water, the scudding boats and wind — motion, chaos everywhere — and he'd held Susan's hand and said, "Always. It will always be like this.
Jennifer Egan
And you?' 'Ah. I'm coping.' He said it simply, but it caused something in my heart to crack a little. 'It's not for ever,' I said, as we stopped. 'I know.' 'And we're going to do loads of fun stuff while you're here.' 'What have you got planned?' 'Um, basically it's You Getting Naked. Followed by supper. Followed by more You Getting Naked. Maybe a walk around Central Park, some corny tourist stuff, like the Staten Island ferry and Times Square, and some shopping in the East Village and some really good food with added You Getting Naked.' He grinned. 'Do I get You Getting Naked too?' 'Oh, yes, it's a two-for-one deal.' I leant my head against him. 'Seriously, though, I'd love you to come and see where I work. Maybe meet Nathan and Ashok and all the people I go on about. Mr and Mrs Gopnik will be out of town so you probably won't meet them but you'll at least get an idea of it all in your head.
Jojo Moyes (Still Me (Me Before You, #3))
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Like I said earlier, Jase was the only one of our four sons who stayed the course and never deviated to the right or left. He always looked straight ahead; he never drank, never cursed, and always lived his life the way God wanted him to live. I think one of the reasons Jase and Willie never strayed too far is because they were so involved in the youth group at White’s Ferry Road Church. Willie’s only problem was that he believed he was a ladie’s man until he met Korie. He was always jumping from one girl to the next until he settled down. It really made an impact on both of them. Jase was always looking out for his brothers. Even though Jase and Willie were very competitive growing up, Jase always had Willie’s best interest at heart. One time, Willie and Jase were at a friend’s house in high school. Jase walked into the basement and found Willie playing strip poker with some other kids. “What are you doing?” Jase asked him. “Playing strip poker,” Willie replied. “You’ve stripped enough,” Jase told him. “Let’s go.
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
The Sydney of this time was a different place to the honeymoon city I'd visited with Damien. That one was the crescent of the bridge, the rolling waves beneath the ferry, the shaded streets in The Rocks where we'd bought touristy postcards to send home. Everywhere was so lush, everything blue and green. This Sydney was more or less the space between Campsie and Dulwich Hill. Suburban streets, 7-Eleven hot chocolate, stream, car fumes, perc in my nose and throat, light dancing across the scratched Perspex of train window.
Jennifer Down (Bodies of Light)
I think that there have been displays of an impoverished reading of the book. I get the distinct feeling at times that certain critics have not risen above a 10th grade level of reading and that they approached the book with expectations of preconceived notions that then drive a very boneheaded reading. In other words they don't allow the book's rules to establish themselves before applying their own aesthetic criteria to it which I think is a mistake. I think a careful and adult reader allows the book to establish its world and then evaluates it on how well it does so. I also think a smart critic does not drag behind him or her like a dead horse whatever presuppositions the first book might have indicated where the second book might be about or what kind of freedom the writer might be exploring as a writer. All of those things I find unfortunate when I read a review that seems misbegotten. But I'm not sure that this is not a new phenomenon and it would be a Sisyphean task to argue against a misreading because those misreadings are an inherent part of the critical apparatus.
Joshua Ferris
And I will stroll the merry way And jump the hedges first And I will drink the clear Clean water for to quench my thirst And I shall watch the ferry-boats And they'll get high On a bluer ocean Against tomorrows sky And I will never grow so old again And I will walk and talk In gardens all wet with rain Oh sweet thing, sweet thing My, my, my, my, my sweet thing And I shall drive my chariot Down your streets and cry Hey, it's me, I'm dynamite And I don't know why And you shall take me strongly In your arms again And I will not remember That I even felt the pain. We shall walk and talk In gardens all misty and wet with rain And I will never, never, never Grow so old again. Oh sweet thing, sweet thing My, my, my, my, my sweet thing And I will raise my hand up Into the night time sky And count the stars That's shining in your eye Just to dig it all an not to wonder That's just fine And I'll be satisfied Not to read in between the lines And I will walk and talk In gardens all wet with rain And I will never, ever, ever, ever Grow so old again. Oh sweet thing, sweet thing Sugar-baby with your champagne eyes And your saint-like smile.... - Sweet Thing
Van Morrison (Lit Up Inside: Selected Lyrics)
Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect
David Foster Wallace (The Pale King)
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate.
Bill Bryson (A Short History of Nearly Everything)
My first impression of him was that he was free spirited, clever, funny. That proved to be completely inaccurate. We left the party together and walked around for hours, lied to each other about our happy lives, ate pizza at midnight, took the Staten Island Ferry back and forth and watched the sun rise. I gave him my phone number at the dorm. By the time he finally called me, two weeks later, I’d become obsessed with him. He kept me on a long, tight leash for months—expensive meals, the occasional opera or ballet. He took my virginity at a ski lodge in Vermont on Valentine’s Day. It wasn’t a pleasurable experience, but I trusted he knew more about sex than I did, so when he rolled off and said, “That was amazing,” I believed him. He was thirty-three, worked for Fuji Bank at the World Trade Center, wore tailored suits, sent cars to pick me up at my dorm, then the sorority house sophomore year, wined and dined me, and asked for head with no shame in the back of cabs he charged to the company account. I took this as proof of his masculine value. My “sisters” all agreed; he was “suave.” And I was impressed by how much he liked talking about his emotions, something I’d never seen a man do. “My mom’s a pothead now, and that’s why I have this deep sadness.” He took frequent trips to Tokyo for work and to San Francisco to visit his twin sister. I suspected she discouraged him from dating me.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Yes, Siddhartha,” he spoke. “It is this what you mean, isn’t it: that the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future?” “This it is,” said Siddhartha. “And when I had learned it, I looked at my life, and it was also a river, and the boy Siddhartha was only separated from the man Siddhartha and from the old man Siddhartha by a shadow, not by something real. Also, Siddhartha’s previous births were no past, and his death and his return to Brahma was no future. Nothing was, nothing will be; everything is, everything has existence and is present.
Hermann Hesse (Siddhartha)
When preparing for a trip, we can read about architecture and restaurants. But what ultimately breathes life into the daydreams of anticipation are the people we encounter when we're actually there, including those we merely pass on the street or, in this case, the stairwell. I thought, too, of the man on the pier who offered his hand to steady me as I stepped off the ferry, and of the old woman in the public restroom who motioned for me to come and share with her the sole tiny sink. The possibility of these wordless interactions, to which we can be particularly attuned when alone, didn't cross my mind when I was anticipating my days in Istanbul. I had envisioned ships and minarets, the Grand Bazaar and the Hagia Sofia, yet not these faces, not these moments that silently transmit the warmth of a city.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Both adults have always worked," observes Cox, writing with business journalist Richard Alm. "Running a household entails a daunting list of chores: cooking, gardening, child care, shopping, washing and ironing, financial management, ferrying family members to ballet lessons and soccer practice... the idea that people at home don't work isn't just insulting to women, who do most of the housework. It also misses how specialization contributes to higher and higher living standards. At one time, both adults worked exclusively at home. The man constructed buildings, tilled the land, raised livestock. The woman prepared meals, preserved food, looked after the children. Living standards rarely raised above the subsistence level." But as men went to work outside the home- "gaining specialized skills and earning income that allowed the family to buy what it didn't have the time, energy or ability to make at home"-- living standards rose. ------ Michael Medved quoting Cox and Alm, "10 Big Lies about America" page 224
Michael Medved (The 10 Big Lies about America)
Each scenario is about fifteen million years into the future, and each assumes that the Pacific Plate will continue to move northwest at about 2.0 inches per year relative to the interior of North America. In scenario 1, the San Andreas fault is the sole locus of motion. Baja California and coastal California shear away from the rest of the continent to form a long, skinny island. A short ferry ride across the San Andreas Strait connects LA to San Francisco. In scenario 2, all of California west of the Sierra Nevada, together with Baja California, shears away to the northwest. The Gulf of California becomes the Reno Sea, which divides California from Nevada. The scene is reminiscent of how the Arabian Peninsula split from Africa to open the Red Sea some 5 million years ago. In scenario 3, central Nevada splits open through the middle of the Basin and Range province. The widening Gulf of Nevada divides the continent form a large island composed of Washington, Oregon, California, Baja California, and western Nevada. The scene is akin to Madagascar’s origin when it split form eastern Africa to open the Mozambique Channel.
Keith Meldahl
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
Let us pause for a moment and consider the structure of the atom as we know it now. Every atom is made from three kinds of elementary particles: protons, which have a positive electrical charge; electrons, which have a negative electrical charge; and neutrons, which have no charge. Protons and neutrons are packed into the nucleus, while electrons spin around outside. The number of protons is what gives an atom its chemical identity. An atom with one proton is an atom of hydrogen, one with two protons is helium, with three protons is lithium, and so on up the scale. Each time you add a proton you get a new element. (Because the number of protons in an atom is always balanced by an equal number of electrons, you will sometimes see it written that it is the number of electrons that defines an element; it comes to the same thing. The way it was explained to me is that protons give an atom its identity, electrons its personality.) Neutrons don't influence an atom's identity, but they do add to its mass. The number of neutrons is generally about the same as the number of protons, but they can vary up and down slightly. Add a neutron or two and you get an isotope. The terms you hear in reference to dating techniques in archeology refer to isotopes—carbon-14, for instance, which is an atom of carbon with six protons and eight neutrons (the fourteen being the sum of the two). Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny—only one millionth of a billionth of the full volume of the atom—but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would be only about the size of a fly—but a fly many thousands of times heavier than the cathedral. It was this spaciousness—this resounding, unexpected roominess—that had Rutherford scratching his head in 1910. It is still a fairly astounding notion to consider that atoms are mostly empty space, and that the solidity we experience all around us is an illusion. When two objects come together in the real world—billiard balls are most often used for illustration—they don't actually strike each other. “Rather,” as Timothy Ferris explains, “the negatively charged fields of the two balls repel each other . . . were it not for their electrical charges they could, like galaxies, pass right through each other unscathed.” When you sit in a chair, you are not actually sitting there, but levitating above it at a height of one angstrom (a hundred millionth of a centimeter), your electrons and its electrons implacably opposed to any closer intimacy.
Bill Bryson (A Short History of Nearly Everything)
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way . Le Gentil set off from France a year ahead of time to observe the transit (of Venus) from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate
Bill Bryson
I left Brookstone and went to the Pottery Barn. When I was a kid and everything inside our house was familiar, cheap, and ruined, walking into the Pottery Barn was like entering heaven. If they really wanted people to enjoy church, I thought back then, they should make everything in church look and smell like the Pottery Barn. My dream was to surround myself one day with everything in the store, with the wicker baskets and scented candles, the brushed-silver picture frames. But that was a long time ago. I had already gone through a period of buying everything there was to buy at the Pottery Barn and decorating my apartment like a Pottery Barn outlet, and then getting rid of it all during a massive upgrade. Now everything at the Pottery Barn looked ersatz and mass-produced. To buy any of it now would be to regress in aspiration and selfhood. I didn’t want to buy anything at the Pottery Barn so much as I wanted to recapture the feeling of wanting to buy everything from the Pottery Barn. Something similar happened at the music store. I should try to find some new music, I thought, because there was a time when new music could lift me out of a funk like nothing else. But I wasn’t past the Bs when I saw the only thing I really cared to buy. It was the Beatles’ Rubber Soul, which had been released in 1965. I already owned Rubber Soul. I had owned Rubber Soul on vinyl, then on cassette, and now on CD, and of course on my iPod, iPod mini, and iPhone. If I wanted to, I could have pulled out my iPhone and played Rubber Soul from start to finish right there, on speaker, for the sake of the whole store. But that wasn’t what I wanted. I wanted to buy Rubber Soul for the first time all over again. I wanted to return the needle from the run-out groove to the opening chords of “Drive My Car” and make everything new again. That wasn’t going to happen. But, I thought, I could buy it for somebody else. I could buy somebody else the new experience of listening to Rubber Soul for the first time. So I took the CD up to the register and paid for it and, walking out, felt renewed and excited. But the first kid I offered it to, a rotund teenager in a wheelchair looking longingly into a GameStop window, declined on the principle that he would rather have cash. A couple of other kids didn’t have CD players. I ended up leaving Rubber Soul on a bench beside a decommissioned ashtray where someone had discarded an unhealthy gob of human hair. I wandered, as everyone in the mall sooner or later does, into the Best Friends Pet Store. Many best friends—impossibly small beagles and corgis and German shepherds—were locked away for display in white cages where they spent their days dozing with depression, stirring only long enough to ponder the psychic hurdles of licking their paws. Could there be anything better to lift your spirits than a new puppy?
Joshua Ferris (To Rise Again at a Decent Hour)
An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish. “How long did it take you to catch them?” the American asked. “Only a little while,” the Mexican replied in surprisingly good English. “Why don’t you stay out longer and catch more fish?” the American then asked. “I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket. “But… What do you do with the rest of your time?” The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.” The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.” He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually to New York City, where you could run your expanded enterprise with proper management. The Mexican fisherman asked, “But, señor, how long will all this take?” To which the American replied, “15-20 years, 25 tops.” “But what then, señor?” The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.” “Millions señor? Then what?" “Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll in to the village in the evenings where you could sip wine and play your guitar with your amigos.
Tim FERRIS
Nietzsche's case is an especially interesting one for whoever wishes to undertake a critical examination of the “neotraditionalist” path. Two main reasons justify this evaluation: ― Nietzsche's work, on the one hand, explicitly and in an exemplary manner articulates the critique of democratic modernity and the denunciation of the argumentative foundation of norms: in this way it permits us ―better than does the work of other philosophers― to grasp all that is involved, within the choice between tradition and argumentation, in the rejection of the latter. ― On the other and perhaps more important hand, the way Nietzsche went about this rejection illustrates in a particularly significant fashion one of the main difficulties this type of philosophical projects comes up against: the neotraditionalist avoidance of democratic modernity makes it necessary to look for and ―we insist on this― whatever could be today's analogue of a traditional universe: the analogue, for (as Nietzsche knew better than anyone) it is out of question that in a time when “God is dead”, tradition should function as it does in theological cultures, in which whatever renders the value of tradition “sacred” and gives it its power is never unrelated to its rootedness in the divine will or in the world order supposed to express this will. Situating as he does his reflections at the same time after the “death of God” and after the (inseparably associated) discovery that the world once “dedivinized”, appears to be devoid of any order and must be thought of as “chaos”, Nietzsche take into account the end of cosmological and theological universe, an end that in general defines the intellectual and cultural location of the Moderns: we are thus dealing here, by definition and, we could say, at the stage of working sketch (since Nietzsche is, in philosophy, the very man who declared the foundations of the traditional universe to be antiquated), with a very peculiar mixture of antimodernism and modernity, of tradition and novelty ―which is why the expression “neotraditionalism” seems perfectly appropriate here, right down to the tension expressed within it. The question is of course one of knowing what such a “mixture” could consists of, both in its content and in its effects. Since, more than most of the representative of ordinary conservatism, Nietzsche cannot contemplate a naïve resumption of tradition, his “neo-conservative” approach permits us to submit the traditionalist option to an interrogation that can best examine its limitations and unintended consequences ―namely: what would a modern analogue of tradition consist of?
Luc Ferry (Why We Are Not Nietzscheans)
3 INCIDENT IN THE ENGLISH CHANNEL Not long afterwards, a Belgian ferry, the Oudenbourg, was steaming its way from Ostende to Ramsgate. In the straits of Dover the duty officer noticed that half a mile south of its usual course there was something going on in the water. He could not be sure that there was no-one drowning there and so he ordered a change of course down to where the perturbance was taking place. Two hundred passengers on the windward side of the ship were shown a very strange spectacle: in some places a vertical jet of water shot out from the surface, and in some of those vertical jets there could be seen something like a black body thrown up with it; the surface of the sea for one or two hundred yards all around was tossing and seething wildly while, from the depths, a loud rattling and humming could be heard. "It was as if there was a small volcano erupting under the sea." As the Oudenbourg slowly approached the place an enormous wave rose about ten yards ahead of it and a terrible noise thundered out like an explosion. The entire ship was lifted violently and the deck was showered with a rain of water that was nearly boiling hot; and landing on the deck with the water was a strong black body which writhed and let out a sharp loud scream; it was a newt that had been injured and burnt. The captain ordered the ship full steam astern so that the ship would not steam straight into the middle of this turbulent Hell; but the water all around had also begun to erupt and the surface of the sea was strewn with pieces of dismembered newts. The ship was finally able to turn around and it fled northwards as fast as possible. Then there was a terrible explosion about six hundred yards to the stern and a gigantic column of water and steam, perhaps a hundred yards high, shot out of the sea. The Oudenbourg set course for Harwich and sent out a radio warning in all directions: "Attention all shipping, attention all shipping! Severe danger on Ostende-Ramsgate lane. Underwater explosion. Cause unknown. All shipping advised avoid area!" All this time the sea was thundering and boiling, almost as if military manoeuvres had been taking place under the water; but apart from the erupting water and steam there was nothing to see. From both Dover and Calais, destroyers and torpedo boats set out at full steam and squadrons of military aircraft flew to the site of the disturbance; but by the time they got there all they found was that the surface was discoloured with something like a yellow mud and covered with startled fish and newts that had been torn to pieces. At first it was thought that a mine in the channel must have exploded; but once the shores on both sides of the Straits of Dover had been ringed off with a chain of soldiers and the English prime-minister had, for the fourth time in the history of the world, interrupted his Saturday evening and hurried back to London, there were those who thought the incident must be of extremely serious international importance. The papers carried some highly alarming rumours, but, oddly enough, this time remained far from the truth; nobody had any idea that Europe, and the whole world with it, stood for a few days on the brink of a major war. It was only several years later that a member of the then British cabinet, Sir Thomas Mulberry, failed to be re-elected in a general election and published his memoirs setting out just what had actually happened; but by then, though, nobody was interested.
Karel Čapek (War with the Newts)