Ferdinand Quotes

We've searched our database for all the quotes and captions related to Ferdinand. Here they are! All 100 of them:

For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
I have never voted in my life... I have always known and understood that the idiots are in a majority so it's certain they will win.
Louis-Ferdinand Céline
To hell with reality! I want to die in music, not in reason or in prose. People don't deserve the restraint we show by not going into delirium in front of them. To hell with them!
Louis-Ferdinand Céline
The sadness of the world has different ways of getting to people, but it seems to succeed almost every time.
Louis-Ferdinand Céline (Journey to the End of the Night)
I’m almost never serious, and I’m always too serious. Too deep, too shallow. Too sensitive, too cold hearted. I’m like a collection of paradoxes.
Ferdinand de Saussure
An unfamiliar city is a fine thing. That's the time and place when you can suppose that all the people you meet are nice. It's dream time.
Louis-Ferdinand Céline (Journey to the End of the Night)
There's no tyrant like a brain.
Louis-Ferdinand Céline (Journey to the End of the Night)
And for all I know he is sitting there still, under his favorite cork tree, smelling the flowers just quietly
Munro Leaf (The Story of Ferdinand)
If you aren't rich you should always look useful.
Louis-Ferdinand Céline (Journey to the End of the Night)
That is perhaps what we seek throughout life, that and nothing more, the greatest possible sorrow so as to become fully ourselves before dying.
Louis-Ferdinand Céline (Journey to the End of the Night)
My trouble is insomnia. If I had always slept properly, I'd never have written a line.
Louis-Ferdinand Céline (Death on the Installment Plan)
Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn't enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I've never been able to kill myself.
Louis-Ferdinand Céline (Journey to the End of the Night)
You can lose your way groping among the shadows of the past.
Louis-Ferdinand Céline (Journey to the End of the Night)
The plain truth, I may as well admit it, is that I've never been really right in the head.
Louis-Ferdinand Céline (Journey to the End of the Night)
Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.
Louis-Ferdinand Céline (Journey to the End of the Night)
When it becomes really impossible to get away and sleep, then the will to live evaporates of its own accord.
Louis-Ferdinand Céline (Journey to the End of the Night)
Philosophizing is simply one way of being afraid, a cowardly pretense that doesn't get you anywhere.
Louis-Ferdinand Céline (Journey to the End of the Night)
I crawled back into myself all alone, just delighted to observe that I was even more miserable than before, because I had brought a new kind of distress and something that resembled true feeling into my solitude.
Louis-Ferdinand Céline (Journey to the End of the Night)
I like it better here where I can sit just quietly and smell the flowers.
Munro Leaf (The Story of Ferdinand)
Love is like liquor, the drunker and more impotent you are, the stronger and smarter you think yourself and the surer you are of your rights.
Louis-Ferdinand Céline (Journey to the End of the Night)
The beginning of genius is being scared shitless.
Louis-Ferdinand Céline (The Church: A Comedy in Five Acts (Green Integer))
I warn you that when the princes of this world start loving you it means they are going to grind you up into battle sausage.
Louis-Ferdinand Céline (Journey to the End of the Night)
The worst part is wondering how you’ll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where you’ll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe it’s treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn’t enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I’ve never been able to kill myself.
Louis-Ferdinand Céline
An Immense hatred keeps me alive... i would live for a thousand years if i were certain of seeing the whole world croak.
Louis-Ferdinand Céline
Without language, thought is a vague, uncharted nebula.
Ferdinand de Saussure (Course in General Linguistics)
The most powerful weapon on earth is the human soul on fire.
Ferdinand Foch
When men can hate without risk, their stupidity is easily convinced, the motives supply themselves.
Louis-Ferdinand Céline (Journey to the End of the Night)
so many vaginas, stomachs, cocks, snouts, and flies you don't know what to do with them ... shovelsfull! ... but hearts? ... very rare! in the last five hundred million years too many cocks and gastric tubes to count ... but hearts? ... on your fingers! ...
Louis-Ferdinand Céline (North (French Literature))
A man should be resigned to knowing himself a little better each day if he hasn't got the guts to put an end to his sniveling once and for all.
Louis-Ferdinand Céline (Journey to the End of the Night)
When you stay too long in the same place, things and people go to pot on you, they rot and start stinking for your special benefit.
Louis-Ferdinand Céline (Journey to the End of the Night)
...the new world, the communo-bourgeois, sermonizing, Tartuffian, automobilistic, alcoholic, gluttonous and cancerous world has only two anxieties: ass and bank account...
Louis-Ferdinand Céline
Poor people never, or hardly ever, ask for an explanation of all they have to put up with. They hate one another, and content themselves with that.
Louis-Ferdinand Céline (Journey to the End of the Night)
There's something sad about people going to bed. You can see they don't give a damn whether they're getting what they want out of life or not, you can see they don't even try to understand what we're here for. They just don't care.
Louis-Ferdinand Céline (Journey to the End of the Night)
People don't deserve the restraint we show by not going into delirium in front of them.
Louis-Ferdinand Céline
The church says the earth is flat; but I have seen its shadow on the moon, and I have more confidence even in a shadow than in the church.
Ferdinand Magellan
Love is the infinite placed within the reach of poodles. I have my dignity!
Louis-Ferdinand Céline (Journey to the End of the Night)
I hadn't found out yet that mankind consists of two very different races, the rich and the poor. It took me ... and plenty of other people . . . twenty years and the war to learn to stick to my class and ask the price of things before touching them, let alone setting my heart on them.
Louis-Ferdinand Céline (Journey to the End of the Night)
troubles are as endless as pleasures are brief ...
Louis-Ferdinand Céline (North (French Literature))
In the kitchens of love, after all, vice is like the pepper in a good sauce; it brings out the flavor, it’s indispensable.
Louis-Ferdinand Céline (Journey to the End of the Night)
You can lose your way groping among the shadows of the past. It's frightening how many people and things there are in a man's past that have stopped moving. The living people we've lost in the crypts of time sleep so soundly side by side with the dead that the same darkness envelops them all. As we grow older, we no longer know whom to awaken, the living or the dead.
Louis-Ferdinand Céline (Journey to the End of the Night)
A God who counts minutes and pennies, a desperate sensual God, who grunts like a pig. A pig with golden wings, who falls and falls, always belly side up, ready for caresses, that’s him, our master. Come, kiss me.
Louis-Ferdinand Céline (Journey to the End of the Night)
None but a coward dares to boast that he has never known fear.
Ferdinand Foch
Life must go on, even if it's no joke...just pretend to believe in the future.
Louis-Ferdinand Céline (North (French Literature))
C'est peut-être ça qu'on cherche à travers les vie, rien que cela, le plus grand chagrin possible pour devenir soi-même avant de mourir.
Louis-Ferdinand Céline (Voyage Au Bout De La Nuit)
only a complete alcoholic can think life is funny ... any life! ...
Louis-Ferdinand Céline (North (French Literature))
whenever they get a chance, never fear, people make you waste hours and months ... they use you as a wall to bounce their bullshit off of ... blah! and blah! and blahblahblah! ... you put up with it for an hour, you'll need two weeks to recover ... blah! blah!
Louis-Ferdinand Céline (North (French Literature))
We've no use for intellectuals in this outfit. What we need is chimpanzees. Let me give you a word of advice: never say a word to us about being intelligent. We will think for you, my friend. Don't forget it.
Louis-Ferdinand Céline (Journey to the End of the Night)
There is no rest for the humble except in despising the great, whose only thought of the people is inspired by self-interest or sadism.
Louis-Ferdinand Céline (Journey to the End of the Night)
There is something sad about people going to bed. You can see they don’t give a damn whether they’re getting what they want out of life or not, you can see they don’t ever try to understand what we’re here for. They just don’t care. Americans or not, they sleep no matter what, they’re bloated mollusks, no sensibility, no trouble with their conscience. I’d seen too many troubling things to be easy in my mind. I knew too much and not enough. I’d better go out, I said to myself, I’d better go out again. Maybe I’ll meet Robinson. Naturally that was an idiotic idea, but I dreamed it up as an excuse for going out again, because no matter how I tossed and turned on my narrow bed, I couldn’t snatch the tiniest scrap of sleep. Even masturbation, at times like that, provides neither comfort nor entertainment. Then you're really in despair.
Louis-Ferdinand Céline (Journey to the End of the Night)
I'd take cyanide no problem if it was that or throwing a cat out in the street, even a moth-eaten, mangy, caterwauling pain in the ass! I'd rather have the thing in bed with me than see it suffer on my account...though when it comes to human beings, I'm only interested in the sick...the ones who can stand up are nothing but mounds of vice and spite...I don't get mixed up in their schemes...
Louis-Ferdinand Céline (Normance)
This instinctive repulsion which tradespeople inspire in men of sensitive feeling is one of the very rare consolations for being so impoverished which are given to those of us who don’t sell anything to anybody.
Louis-Ferdinand Céline (Journey to the End of the Night (English and French Edition))
And when Franz Ferdinand pays, everybody pays!
Thomas Pynchon (Against the Day)
In circumstances of real tragedy you see things straight away...past, present, and future together.
Louis-Ferdinand Céline
It's easier to run a revolution than a government.
Ferdinand E. Marcos
Psychologically our thought-apart from its expression in words-is only a shapeless and indistinct mass.
Ferdinand de Saussure (Course in General Linguistics)
The mind is satisfied with phrased, but not the body, the body is more fastidious, it wants muscles. A body always tells the truth, that's why it's usually depressing and disgusting to look at.
Louis-Ferdinand Céline (Journey to the End of the Night)
People cling to their rotten memories, to all their misfortunes, and you can't pry them loose. These things keep them busy. They avenge themselves for the injustice of the present by smearing the future inside them with this shit. They're cowards deep down, and just. That's their nature.
Louis-Ferdinand Céline (Journey to the End of the Night)
The main thing isn't knowing whether you're right or wrong. That really doesn't matter...The main thing is to keep people from bothering you...The rest is eyewash...
Louis-Ferdinand Céline (Death on the Installment Plan)
The rich don't have to kill to eat. They employ people, as they call it. The rich don't do evil themselves. They pay. People do all they can to please them, and everybody's happy.
Louis-Ferdinand Céline
Most people don't die until the last moment; others start twenty years in advance, sometimes more. Those are the unfortunates.
Louis-Ferdinand Céline (Journey to the End of the Night)
Maybe I'd never see him again... maybe he'd gone for good... swallowed up, body and soul, in the kind of stories you hear about... Ah, it's an awful thing... and being young doesn't help any... when you notice for the first time... the way you lose people as you go along ... the buddies you'll never see again... never again... when you notice that they've disappeared like dreams... that it's all over... finished... that you too will get lost someday... a long way off but inevitably... in the awful torrent of things and people... of the days and shapes... that pass... that never stop...
Louis-Ferdinand Céline (Death on the Installment Plan)
As long as we're young, we manage to find excuses for the stoniest indifference, the most blatant caddishness, we put them down to emotional eccentricity or some sort of romantic inexperience. But later on, when life shows us how much cunning, cruelty, and malice are required just to keep the body at ninety-eight point six, we catch on, we know the scene, we begin to understand how much swinishness it takes to make up a past. Just take a close look at yourself and the degree of rottenness you've come to. There's no mystery about it, no more room for fairy tales; if you've lived this long, it's because you've squashed any poetry you had in you.
Louis-Ferdinand Céline
We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery...It's not a life.
Louis-Ferdinand Céline (Journey to the End of the Night)
I don't believe in courtship, it's a waste of time. If I love the person, I'll tell her right away. But for you, I'll make an exemption: Just love me now, and I will court you forever.
Ferdinand E. Marcos
My centre is giving way, my right is in retreat, situation excellent. I attack.
Ferdinand Foch
And where, I ask you, can a man escape to, when he hasn’t enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I’ve never been able to kill myself.
Louis-Ferdinand Céline (Journey to the End of the Night)
It is of men, and of them only, that one should always be frightened.
Louis-Ferdinand Céline (Journey to the End of the Night)
To philosophize is only another way of being afraid and leads hardly anywhere but to cowardly make-believe.
Louis-Ferdinand Céline
Time changes all things; there is no reason why language should escape this universal law
Ferdinand de Saussure (Course in General Linguistics)
Speech has both an individual and a social side, and we cannot conceive of one without the other.
Ferdinand de Saussure (Course in General Linguistics)
Why kid ourselves, people have nothing to say to one another, they all talk about their own troubles and nothing else. Each man for himself, the earth for us all. They try to unload their unhappiness on someone else when making love, they do their damnedest, but it doesn't work, they keep it all, and then they start all over again, trying to find a place for it. "Your pretty, Mademoiselle," they say. And life takes hold of them again until the next time, and then they try the same little gimmick. "You're very pretty, Mademoiselle..." And in between they boast that they've succeeded in getting rid of their unhappiness, but everyone knows it's not true and they've simply kept it all to themselves. Since at the little game you get uglier and more repulsive as you grow older, you can't hope to hide your unhappiness, your bankruptcy, any longer. In the end your features are marked with that hideous grimace that takes twenty, thrity years or more to climb form your belly to your face. That's all a man is good for, that and no more, a grimace that he takes a whole lifetime to compose. The grimace a man would need to express his true soul without losing any of it is so heavy and complicated that he doesn't always succeed in completing it.
Louis-Ferdinand Céline (Journey to the End of the Night)
People avenge themselves for the favors done them.
Louis-Ferdinand Céline (Journey to the End of the Night)
When you write, you should put your skin on the table.
Louis-Ferdinand Céline (Journey to the End of the Night)
La jeunesse vraie, la seule, c'est d'aimer tout le monde sans distinction, cela seulement est vrai, cela seulement est jeune et nouveau.
Louis-Ferdinand Céline (Voyage Au Bout De La Nuit)
A woman who spends her time worrying about pregnancy is a virtual cripple, she'll never go very far.
Louis-Ferdinand Céline (Journey to the End of the Night)
Nearly all a poor bastard's desires are punishable by jail.
Louis-Ferdinand Céline (Journey to the End of the Night)
A body always tells the truth, that’s why it’s usually depressing and disgusting to look at.
Louis-Ferdinand Céline (Journey to the End of the Night)
But only people you care about can hurt you. That doesn't mean I love her. Hate is not the opposite of love; not caring is. And as long as I hate her, I still care about her, and she has the power to hurt me. To make me hate myself.
Mik Everett (Turtle: The American Contrition of Franz Ferdinand)
there are certain advantages in being cursed by all and sundry ... especially, it dispenses you with having to be nice to anybody ... there's nothing more emollient, stultifying, emasculating than wanting to be liked ... "not nice!" ... that does it, you're free! ...
Louis-Ferdinand Céline (North (French Literature))
Since life consists of madness spiked with lies, the farther you are from each other the more lies you can put into it and the happier you'll be. That's only natural and normal. Truth is inedible.
Louis-Ferdinand Céline
To put your trust in men is to get yourself killed a little.
Louis-Ferdinand Céline (Journey to the End of the Night)
Frankly, just between you and me, I'm ending up even worse than I started...
Louis-Ferdinand Céline (Castle to Castle)
The soul is the body’s vanity and pleasure as long as the body’s in good health, but it’s also the urge to escape from the body as soon as the body is sick or things go badly.
Louis-Ferdinand Céline (Journey to the End of the Night)
Laziness is almost as compelling as life. The new farce you're having to play crushes you with its banality, and all in all it takes more cowardice than courage to start all over again.
Louis-Ferdinand Céline (Journey to the End of the Night)
The sea is dangerous and its storms terrible, but these obstacles have never been sufficient reason to remain ashore... Unlike the mediocre, intrepid spirits seek victory over those things that seem impossible... It is with an iron will that they embark on the most daring of all endeavors... to meet the shadowy future without fear and conquer the unknown.
Ferdinand Magellan
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
Louis-Ferdinand Céline (Journey to the End of the Night)
Travel is very useful and it exercises the imagination. All the rest is disappointment and fatigue. Our own journey is entirely imaginary. That is its strength. It goes from life to death. People, animals, cities, things, all are imagined. It’s a novel, simply a fictitious narrative.
Louis-Ferdinand Céline
Maybe what makes life so terribly fatiguing is nothing other than the enormous effort we make for twenty years, forty years, and more, to be reasonable, to avoid being simply, profoundly ourselves, that is, vile, ghastly, absurd. It’s the nightmare of having to represent the halt subhuman we were fobbed off with as a small-size universal ideal, a superman from morning to night.
Louis-Ferdinand Céline (Journey to the End of the Night)
Living, just by itself - what a dirge that is! Life is a classroom and Boredom's the usher, there all the time to spy on you; whatever happens, you've got to look as if you were awfully busy all the time doing something that's terribly exciting - or he'll come along and nibble your brain.
Louis-Ferdinand Céline (Journey to the End of the Night)
The best way to make a sort of peace, a fragile armistice to be sure, but precious all the same, with men, officers or not, is to let them bask and wallow in childish self-glorification. There’s no such thing as intelligent vanity. It’s an instinct. And you’ll never find a man who is not first and formenost vain. The role of admiring doormat is about the only one that one man is glad to tolerate in another. With these soldiers I had no need to tax my imagination.
Louis-Ferdinand Céline (Journey to the End of the Night)
When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline (Journey to the End of the Night)
The coldest most rational scientific madness is also the most intolerable. But when a man has acquired a certain ability to subsist, even rather scantily, in a certain niche with the help of a few grimaces, he must either keep at it or resign himself to dying the death of a guinea pig. Habits are acquired more quickly than courage, especially the habit of filling one's stomach.
Louis-Ferdinand Céline (Journey to the End of the Night)
Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength. It goes from life to death. People, animals, cities, things, all are imagined. It's a novel, just a fictitious narrative. Littre says so and he's never wrong. And besides, in the first place, anyone can do as much. You just have to close your eyes. It's on the other side of life.
Louis-Ferdinand Céline (Journey to the End of the Night)
But when you are week the best way to fortify yourself is to strip the people you fear of the last bit of prestige you’re still inclined to give them. Learn to consider them they are, worse than they are in fact and from every point of view. That will release you, set you free, protect you more than you can possibly imagine. It will give you another self. There will be two of you. That will strip their words and deeds of the obscene mystical fascination that weakens you and makes you waste your time. From then on you’ll find their act no more amusing, no more relevant to your inner progress than that of the lowliest pig.
Louis-Ferdinand Céline (Journey to the End of the Night)
The religion of the flag promptly replaced the cult of heaven, an old cloud which had already been deflated by the Reformation and reduced to a network of episcopal money boxes. In olden times the fanatical fashion was: 'Long live Jesus! Burn the heretics!' . . . But heretics, after all, were few and voluntary . . . Whereas today vast hordes of men are fired with aim and purpose by cries of ‘Hang the limp turnips! The juiceless lemons! The innocent readers! By the millions, eyes right!’ If anybody doesn’t want to fight or murder, grab ‘em, tear ‘em to pieces! Kill them in thirteen juicy ways. For a starter, to teach them how to live, rip their guts out of their bodies, their eyes out of their sockets, and the years out of their filthy slobbering lives!
Louis-Ferdinand Céline (Journey to the End of the Night)
Study changes a man, puts pride into him. You need it to get to the bottom of life. Without it you just skim the surface. You think you're in the know, but trifles throw you off. You dream too much. You content yourself with words instead of going deeper. That's not what you wanted. Intentions, appearances, no more. A man of character can't content himself with that. Medicine, even if I wasn't very gifted, had brought me a good deal closer to people, to animals, everything. Now all I had to do was plunge straight into the heart of things. Death is chasing you, you've got to hurry, and while you're looking you've got to eat, and keep away from wars. That's a lot of things to do. It's no picnic.
Louis-Ferdinand Céline
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
Louis-Ferdinand Céline (Journey to the End of the Night)
It didn't take long. In that despondent changeless heat the entire human content of the ship congealed into a massive drunkenness. People moved flabbily about like squid in a tank of tepid smelly water. From that moment on we saw, rising to the surface, the terrifying nature of white men, exasperated, freed from constraint, absolutely unbuttoned, their true nature, same as in the war. That tropical steam bath called forth the instincts as August breeds toads and snakes on the fissured walls of prisons. In the European cold, under gray, puritanical northern skies, we seldom get to see our brothers' festering cruelty except in times of carnage, but when roused by the foul fevers of the tropics, their rottenness rises to the surface. That's when the frantic unbuttoning sets in, when filth triumphs and covers us entirely. It's a biological confession. Once work and cold weather cease to constrain us, once they relax their grip, the white man shows you the same spectacle as a beautiful beach when the tide goes out: the truth, fetid pools, crabs, carrion, and turds.
Louis-Ferdinand Céline (Journey to the End of the Night)
What can it matter to you? You just drift along. You don't give a good godamm about the universal consequences that can flow from our most trifling acts, our most unforeseen thoughts . . . It's no skin off your ass . . . You're caulked . . . hermetically sealed . . . Nothing means anything to you . . . Am I right? Nothing. Eat! Drink! Sleep! Up there as cozy as you please . . . All warm and comfy on my couch . . . You've got everything you want . . . You wallow in well-being . . . the earth rolls on . . . How? Why? A staggering miracle . . . how it moves . . . the profound mystery of it . . . toward an infinite unforeseeable goal . . . in the sky all scintillating with comets . . . all unknown . . . from one rotation to the next . . . Each second is the culmination and also the prelude of an eternity of other miracles . . . of impenetrable wonders, thousands of them, Ferdinand! Millions! billions of trillions of years! . . . And you? What are you doing in the midst of this cosmologonic whirl? this vast sidereal wonder? Just tell me that! You eat! You fill your belly! You sleep! You don't give a damn . . . That's right! Salad! Swiss cheese! Sapience! Turnips! Everything! You wallow in your own muck! You'll loll around, befouled! Glutted! Satisfied! You don't ask for anything more! You pass through the stars . . . as if they were raindrops in May! . . . God, you amaze me, Ferdinand! Do you really think this can go on forever? . . ." I didn't say a word . . . I had no set opinion about the stars or the moon, but I had one about him, the bastard. And the stinker knew it.
Louis-Ferdinand Céline (Death on the Installment Plan)
How imperious the homicidal madness must have become if they’re willing to pardon—no, forget!—the theft of a can of meat! True, we have got into the habit of admiring colossal bandits, whose opulence is revered by the entire world, yet whose existence, once we stop to examine it, proves to be one long crime repeated ad infinitum, but those same bandits are heaped with glory, honors, and power, their crimes are hallowed by the law of the land, whereas, as far back in history as the eye can see—and history, as you know is my business—everything conspires to show that a venial theft, especially of inglorious foodstuffs, such as bread crusts, ham, or cheese, unfailingly subjects its perpetrator to irreparable opprobrium, the categoric condemnation of the community, major punishment, automatic dishonor, and inexpiable shame, and this for two reasons, first because the perpetrator of such an offense is usually poor, which in itself connotes basic unworthiness, and secondly because his act implies, as it were, a tacit reproach to the community. A poor man’s theft is seen as a malicious attempt at individual redress . . . Where would we be? Note accordingly that in all countries the penalties for petty theft are extrememly severe, not only as a means of defending society, but also as a stern admonition to the unfortunate to know their place, stick to their caste, and behave themselves, joyfully resigned to go on dying of hunger and misery down through the centuries forever and ever . . . Until today, however, petty thieves enjoyed one advantage in the Republic, they were denied the honor of bearing patriotic arms. But that’s all over now, tomorrow I, a theif, will resume my place in the army . . . Such are the orders . . . It has been decided in high places to forgive and forget what they call my momentary madness, and this, listen carefully, in consideration of what they call the honor of my family. What solicitude! I ask you, comrade, is it my family that is going to serve as a strainer and sorting house for mixed French and German bullets? . . . It’ll just be me wont it? And when I’m dead is the honor of my family going to bring me back to life?
Louis-Ferdinand Céline (Journey to the End of the Night)