Fencing Job Quotes

Most killers have pretty average lifestyles. Steady jobs too. Sometimes they're even living the family life-white picket fence and a four-door sedan. That's what makes them so scary. They act human and they slot into society and since a young age they've known how to hide the crazy; they put it up on a shelf and only bring it out on special occasions.

Like you? I go out of here every morning… bust my butt…putting up with them crackers everyday…cause I like you? You about the biggest fool I ever saw. It’s my JOB. It’s my RESPONSIBILITY! You understand that? A man got to take care of his family. You live in my house… sleep on my bed clothes…fill you belly up with my food… cause you my son. You my flesh and blood. Not ‘cause I like you! Cause it’s my duty to take care of you. I OWE a responsibility to you! Let’s get this straight right here… before it go along any further… I ain’t got to like you. Mr. Rand don’t five me money come payday cause he likes me. He gives me cause he OWE me. I done give you everything I had to give you. I gave you your life! Me and your mama worked that out between us. And liking your black ass wasn’t part of the bargain. Don’t try and go through life worrying about if somebody like you or not. You best be making sure they doing right by you. You understand what I’m saying, boy?” - August Wilson, Fences, 1986.

Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that.... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back and back to the bit in its lesson that it wants to shirk.

I lead a life much below my level. Beyond the books, which trickle in slowly (I have to read what I can get, not what I have a mind to read), I have nothing to sustain my inner life; and everything around me exudes an indescribable prosiness, which presses down on me too with its brutal weight. Nothing on the order of a stroll with a dear person, not one hour of quiet and serene contemplation--all is tainted by mundane worry and staleness. I take it that productive creators fence themselves off from their environment by a certain regimen of living, a certain organization of their daily routine that does not allow the workaday banality, humdrum job, and the rest of it to get to them. I badly feel the lack of such a regimen, my incapacity to subject myself to such a discipline. One must, for instance, fence off one's inner life, not permit the vermin of ordinary cares to infest it. Some blindness used to protect me from this truth; I wore blinkers like a horse in harness. Now reality has won and penetrated my interior.

The real job of every moral teacher is to keep bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back to a lesson that it wants to shirk.

Our lives are always safest, not when we have a good paying job or a big retirement account or when we live in the suburbs with a white picket fence, but when our lives are firmly placed in the hands of God.

In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.

If you’re fit and healthy and capable of mending a fence or stacking shelves, and you’re not doing either of those things, then I say you don’t get the right to vote. I don’t want someone who’s too lazy to get a job making decisions on how this country should be run.

My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, from teachers, people met on planes, people I have only seen in my mind, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this one, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me.

It was important, his father said, to craft the backs of cabinets and fences properly, even though they were hidden. “He loved doing things right. He even cared about the look of the parts you couldn’t see.

Like you? I go out of here every morning...bust my butt...cause I like you? It's my job. It's my responsibility!... Not cause I like you! Cause it's my duty to take care of you. ...liking your black ass wasn't part of the bargain.

You two are the only religion I've ever had. I haven't chosen to kiss up to God and Christ when things have gone badly in my life. There are, of course, many who suffer from hunger and poverty. I've always had enough for me and mine and accepted responsibility for the decisions I've made, not interfering with those distinguished gentlemen in their jobs. I've also understood that this God in Heaven must be at least partly created by man. I guess I know He exists, but He's hardly the type to sport whiskers. I've felt rather that He speaks to mankind in the autumn colors of the crops, or in the scent of newly cut driftwood pieces that cleave so exquisitely into fence posts and outlast their maker.

I wanted to work alone (painting the fence). I wanted to seem outmatched and undermanned by the insanity of the job before me, so that when the Mexicans returned they'd feel sorry for me.

What is the point in being alive if you are not going to try for something? If you are not going to at least attempt to make your time here remarkable? Stop holding yourself back. Tell the person that makes your stomach ache with hope that every part of your heart is tender for them, even if you think you have no chance. Don’t just fantasize about your dream job—actively pursue it, and if that door is not open, knock it down. Buy the plane ticket, jump the fence, kiss the stranger. Make sure that you don’t allow your fear to hold you back. Instead, look your fear in the face and invite it to dinner, become its best friend. Live alongside it, let it make you feel alive. Please, just choose impossibility. Choose risk. Choose making mistakes and making memories and making it up as you go. Just choose to embrace whatever time you do have here, because life is finite, and fragile, and it vanishes too quickly. Make it worth it. Make it count.

There’s the idea of wilderness, and then there’s the unglamorous labor of it, the never-ending grind of securing firewood; bringing in groceries over absurd distances; tending the vegetable garden and maintaining the fences that keep the deer from eating all the vegetables; repairing the generator; remembering to get gas for the generator; composting; running out of water in the summertime; never having enough money because job opportunities in the wilderness are limited; managing the seething resentment of your only child, who doesn’t understand your love of the wilderness and asks every week why you can’t just live in a normal place that isn’t wilderness; etc.

The grass is always greener…wherever you water and mow. No matter how big or how small, take care of the things you currently have. See to it that your marriage, your children, your job and the blessings you have been entrusted with get plenty of water and sunshine. Pull the inevitable weeds that pop up, keep that lawn of life manicured and trimmed; don’t forget the edging. Add seeds of growth where you find deficiencies, nurture the flowers that bloom and rejoice in the sight of the healthy beauty that lies within your very own fence line.

My name is Lev," said Lev. "My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator." "That sounds promising." "I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial." Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?" "Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean?

at Dunkin’ Donuts, how did we move our anchor to Starbucks? This is where it gets really interesting. When Howard Shultz created Starbucks, he was as intuitive a businessman as Salvador Assael. He worked diligently to separate Starbucks from other coffee shops, not through price but through ambience. Accordingly, he designed Starbucks from the very beginning to feel like a continental coffeehouse. The early shops were fragrant with the smell of roasted beans (and better-quality roasted beans than those at Dunkin’ Donuts). They sold fancy French coffee presses. The showcases presented alluring snacks—almond croissants, biscotti, raspberry custard pastries, and others. Whereas Dunkin’ Donuts had small, medium, and large coffees, Starbucks offered Short, Tall, Grande, and Venti, as well as drinks with high-pedigree names like Caffè Americano, Caffè Misto, Macchiato, and Frappuccino. Starbucks did everything in its power, in other words, to make the experience feel different—so different that we would not use the prices at Dunkin’ Donuts as an anchor, but instead would be open to the new anchor that Starbucks was preparing for us. And that, to a great extent, is how Starbucks succeeded. GEORGE, DRAZEN, AND I were so excited with the experiments on coherent arbitrariness that we decided to push the idea one step farther. This time, we had a different twist to explore. Do you remember the famous episode in The Adventures of Tom Sawyer, the one in which Tom turned the whitewashing of Aunt Polly’s fence into an exercise in manipulating his friends? As I’m sure you recall, Tom applied the paint with gusto, pretending to enjoy the job. “Do you call this work?” Tom told his friends. “Does a boy get a chance to whitewash a fence every day?” Armed with this new “information,” his friends discovered the joys of whitewashing a fence. Before long, Tom’s friends were not only paying him for the privilege, but deriving real pleasure from the task—a win-win outcome if there ever was one. From our perspective, Tom transformed a negative experience to a positive one—he transformed a situation in which compensation was required to one in which people (Tom’s friends) would pay to get in on the fun. Could we do the same? We

Meanwhile the thinking person, by intellect usually left-wing but by temperament often right-wing, hovers at the gate of the Socialist fold. He is no doubt aware that he ought to be a Socialist. But he observes first the dullness of individual Socialists, then the apparent flabbiness of Socialist ideals, and veers away. Till quite recently it was natural to veer towards indinerentism. Ten years ago, even five years ago, the typical literary gent wrote books on baroque architecture and had a soul above politics. But that attitude is becoming difficult and even unfashionable. The times are growing harsher, the issues are clearer, the belief that nothing will ever change (i.e. that your dividends will always be safe) is less prevalent. The fence on which the literary gent sits, once as comfortable as the plush cushion of a cathedral-stall, is now pinching his bottom intolerably; more and more he shows a disposition to drop off on one side or the other. It is interesting to notice how many of our leading writers, who a dozen years ago were art for art's saking for all they were worth and would have considered it too vulgar for words to even vote at a general election, are now taking a definite political standpoint; while most of the younger writers, at least those of them who are not mere footlers, have been 'political' from the start. I believe that when the pinch comes there is a terrible danger that the main movement of the intelligentsia will be towards Fascism. . . . That will also be the moment when every person with any brains or decency will know in his bones that he ought to be on the Socialist side. But he will not necessarily come there of his own accord; there are too many ancient prejudices standing in the way. He will have to be persuaded, and by methods that imply an understanding of his viewpoint. Socialists cannot afford to waste any more time in preaching to the converted. Their job now is to make Socialists as rapidly as possible; instead of which, all too often, they are making Fascists.

There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.

If you're on benefits you shouldn't get to vote. You’re making no contribution to society, so why should you have a say in how it’s run? If you’re retired, of course you vote. You’ve made your contributions. If you’re a stay-at-home mum, then likewise you get to vote. And if ill or invalided in some way, the same. But if you’re fit and healthy and capable of mending a fence or stacking shelves, and you’re not doing either of those things, then you don’t get to vote. I don’t want someone who’s too lazy to get a job making decisions on how this country should be run.

So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?” “Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.” “Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.” Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?” “A switcheroo . . . right. Remind me again how that works?” Jack asked. “It’s because she’s got this big date tonight,” Kamin explained. Jack cocked his head. “A date?” Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.” “I must’ve missed that one.” “Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.” “Ah . . . the Meet Cute,” Wilkins said with a grin. Jack threw him a sharp look. “What did you just say?” “You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.” Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean. Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.” “She’s the maid of honor, see?” Kamin said. Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language. Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.” “Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.” Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?” “Right, sorry. It was Slonsky’s suggestion. 

As part of the deal, Dylan appeared in a television ad for the iPod, featuring his new album, Modern Times. This was one of the most astonishing cases of flipping the script since Tom Sawyer persuaded his friends to whitewash the fence. In the past, getting celebrities to do an ad required paying them a lot of money. But by 2006 the tables were turned. Major artists wanted to appear in iPod ads; the exposure would guarantee success. James Vincent had predicted this a few years earlier, when Jobs had said he had contacts with many musicians and could pay them to appear in ads. "No, things are going to soon change,' Vincent replied. "Apple is a different kind of brand, and it's cooler than the brand of most artists. We should talk about the opportunity we offer the bands, not pay them.

he revealed nothing. He nodded gravely. “I suppose it might be, ma’am, but I was hired to do the job and take the risks.” “Figured I’d offer,” Thomas said, unwilling to let the matter drop. “You tell me what you figure to do, and I’ll be glad to help.” “Another time.” The marshal tasted his coffee again and looked directly at the girl. “You are new in Sentinel. Will you be staying long?” “No.” “Do you have relatives here?” “No.” He waited, but no explanation was offered. Fitz Moore was puzzled and he studied her from the corners of his eyes. There was no sound in the room but the ticking of the big, old-fashioned clock. The girl sat very still, the delicate line of her profile bringing to him a faint, lost feeling, a nostalgia from his boyhood when such women as she rode to hounds, when there was perfume on the air, blue grass, picket fences . . .

Only in America do we ask our writers to believe they don't matter as a condition of writing. It is time to end this. Much of my time as a student was spent doubting the importance of my work, doubting the power it had to reach anyone or do anything of significance. I was already tired o hearing about how the pen was mightier than the sword by the time I was studying writing. Swords, it seemed to me, won all the time. By the time I found that Auden quote -- "poetry makes nothing happen" -- I was more than ready to believe what I thought he was saying. But books were still to me as they had been when I found them: the only magic. My mother's most common childhood memory of me is of standing next to me trying to be heard over the voice of the page. I didn't really commit to writing until I understood that it meant making that happen for someone else. And in order to do that, I had to commit the chaos inside of me to an intricate order, an articulate complexity. To write is to tell a ticket to escape, not from the truth, but into it. My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, teachers, people met on planes, people I have only seen in my mind, all my mother and father ever did, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this on, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me. If you don't know what I mean, what I mean is this: when I speak of walking through a snowstorm, you remember a night from your childhood full of snow, or from last winter, say, driving home at night, surprised by a storm. When I speak of my dead friends and poetry, you may remember your own dead friends, or if none of your friends are dead, you may imagine how it might feel to have them die. You may think of your poems, or poems you've seen or heard. You may remember you don't like poetry. Something new is made from my memories and yours as you read this. It is not my memory, not yours, and it is born and walks the bridges and roads of your mind, as long as it can. After it has left mine. All my life I've been told this isn't important, that it doesn't matter, that it could never matter. And yet I think it does. I think it is the real reason the people who would take everything from us say this. I think it's the same reason that when fascists come to power, writers are among the first to go to jail. And that is the point of writing.

...He was a greater craftsman even than Isaac, and he knew it, and so, presently, did Isaac. There was a greatness in Isaac. One evening at supper, between one bite of sausage and another, he was able to acknowledge that it was so. "He must increase, but I must decrease," he said to himself. He did not know where the quotation came from, or that in taking it to himself he had taken a fence at which many balked or fell. He finished the sausage without having the slightest idea that he was not the same man that he had been when he embarked upon it. The next morning he smiled at Job and asked him if he would like to help him with his clock. Job went crimson to the roots of his hair and unable to speak bent to pick up a tool he had dropped under the workbench. When he reappeared he was no more able to speak than he had been before, but his face was shining like the morning sun. From that moment the two increasingly loved each other.

I’ve got some good physical therapy for you. Any good at fencing?” Joss almost choked on her mouthful of coffee. She sat up straight in her chair and shook her head. “No, Gus.” Troy ignored her. “I can fence in my sleep.” “Gus.” She narrowed her eyes at her father-in-law who could be stubborn as a mule. “He dislocated his elbow. He shouldn’t be doing any heavy lifting with his arm. Not to mention it’s going to be in a splint for a couple of weeks.” “He’s still got his right arm, don’t he?” “Yeah,” Troy drawled, amusement flattening his vowels even more than usual. “I’ve still got my right arm.” She glared at Gus. “You want to take on a one-armed fencer?” “Damien’s got his summer job starting today so I’m losing my sidekick and Cody’s out with his broken leg for another couple of weeks. It’d be handy to have even one extra hand on.” “I bet I can fence better one-armed than most men can with two.” There was no bravado to the claim. His expression was sincere and Joss believed him. She didn’t doubt this man could do a crap ton of things better than most men.

The Herb Farm reminded Marguerite of the farms in France; it was like a farm in a child's picture book. There was a white wooden fence that penned in sheep and goats, a chicken coop where a dozen warm eggs cost a dollar, a red barn for the two bay horses, and a greenhouse. Half of the greenhouse did what greenhouses do, while the other half had been fashioned into very primitive retail space. The vegetables were sold from wooden crates, all of them grown organically, before such a process even had a name- corn, tomatoes, lettuces, seventeen kinds of herbs, squash, zucchini, carrots with the bushy tops left on, spring onions, radishes, cucumbers, peppers, strawberries for two short weeks in June, pumpkins after the fifteenth of September. There was chèvre made on the premises from the milk of the goats; there was fresh butter. And when Marguerite showed up for the first time in the summer of 1975 there was a ten-year-old boy who had been given the undignified job of cutting zinnias, snapdragons, and bachelor buttons and gathering them into attractive-looking bunches.

pack under the floor of the car. They engineered it so that the pack became an element of the car’s structure. It was an example of Musk’s policy that the designers sketching the shape of the car should work hand in glove with the engineers who were determining how the car would be built. “At other places I worked,” von Holzhausen says, “there was this throw-it-over-the-fence mentality, where a designer would have an idea and then send it to an engineer, who sat in a different building or in a different country.” Musk put the engineers and designers in the same room. “The vision was that we would create designers who thought like engineers and engineers who thought like designers,” von Holzhausen says. This followed the principle that Steve Jobs and Jony Ive had instilled at Apple: design is not just about aesthetics; true industrial design must connect the looks of a product to its engineering. “In most people’s vocabularies, design means veneer,” Jobs once explained. “Nothing could be further from the meaning of design. Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers.

Time management also involves energy management. Sometimes the rationalization for procrastination is wrapped up in the form of the statement “I’m not up to this,” which reflects the fact you feel tired, stressed, or some other uncomfortable state. Consequently, you conclude that you do not have the requisite energy for a task, which is likely combined with a distorted justification for putting it off (e.g., “I have to be at my best or else I will be unable to do it.”). Similar to reframing time, it is helpful to respond to the “I’m not up to this” reaction by reframing energy. Thinking through the actual behavioral and energy requirements of a job challenges the initial and often distorted reasoning with a more realistic view. Remember, you only need “enough” energy to start the task. Consequently, being “too tired” to unload the dishwasher or put in a load of laundry can be reframed to see these tasks as requiring only a low level of energy and focus. This sort of reframing can be used to address automatic thoughts about energy on tasks that require a little more get-up-and-go. For example, it is common for people to be on the fence about exercising because of the thought “I’m too tired to exercise.” That assumption can be redirected to consider the energy required for the smaller steps involved in the “exercise script” that serve as the “launch sequence” for getting to the gym (e.g., “Are you too tired to stand up and get your workout clothes? Carry them to the car?” etc.). You can also ask yourself if you have ever seen people at the gym who are slumped over the exercise machines because they ran out of energy from trying to exert themselves when “too tired.” Instead, you can draw on past experience that you will end up feeling better and more energized after exercise; in fact, you will sleep better, be more rested, and have the positive outcome of keeping up with your exercise plan. If nothing else, going through this process rather than giving into the impulse to avoid makes it more likely that you will make a reasoned decision rather than an impulsive one about the task. A separate energy management issue relevant to keeping plans going is your ability to maintain energy (and thereby your effort) over longer courses of time. Managing ADHD is an endurance sport. It is said that good soccer players find their rest on the field in order to be able to play the full 90 minutes of a game. Similarly, you will have to manage your pace and exertion throughout the day. That is, the choreography of different tasks and obligations in your Daily Planner affects your energy. It is important to engage in self-care throughout your day, including adequate sleep, time for meals, and downtime and recreational activities in order to recharge your battery. Even when sequencing tasks at work, you can follow up a difficult task, such as working on a report, with more administrative tasks, such as responding to e-mails or phone calls that do not require as much mental energy or at least represent a shift to a different mode. Similarly, at home you may take care of various chores earlier in the evening and spend the remaining time relaxing. A useful reminder is that there are ways to make some chores more tolerable, if not enjoyable, by linking them with preferred activities for which you have more motivation. Folding laundry while watching television, or doing yard work or household chores while listening to music on an iPod are examples of coupling obligations with pleasurable activities. Moreover, these pleasant experiences combined with task completion will likely be rewarding and energizing.

the absence of an ‘international standard burglar’, the nearest I know to a working classification is one developed by a U.S. Army expert [118]. Derek is a 19-year old addict. He's looking for a low-risk opportunity to steal something he can sell for his next fix. Charlie is a 40-year old inadequate with seven convictions for burglary. He's spent seventeen of the last twenty-five years in prison. Although not very intelligent he is cunning and experienced; he has picked up a lot of ‘lore’ during his spells inside. He steals from small shops and suburban houses, taking whatever he thinks he can sell to local fences. Bruno is a ‘gentleman criminal’. His business is mostly stealing art. As a cover, he runs a small art gallery. He has a (forged) university degree in art history on the wall, and one conviction for robbery eighteen years ago. After two years in jail, he changed his name and moved to a different part of the country. He has done occasional ‘black bag’ jobs for intelligence agencies who know his past. He'd like to get into computer crime, but the most he's done so far is stripping $100,000 worth of memory chips from a university's PCs back in the mid-1990s when there was a memory famine. Abdurrahman heads a cell of a dozen militants, most with military training. They have infantry weapons and explosives, with PhD-grade technical support provided by a disreputable country. Abdurrahman himself came third out of a class of 280 at the military academy of that country but was not promoted because he's from the wrong ethnic group. He thinks of himself as a good man rather than a bad man. His mission is to steal plutonium. So Derek is unskilled, Charlie is skilled, Bruno is highly skilled and may have the help of an unskilled insider such as a cleaner, while Abdurrahman is not only highly skilled but has substantial resources.

Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.

Mexico has lost hundreds of thousands of jobs to China. U.S. Department of Commerce data reveal that from 2002 to 2003 Mexico lost market share in thirteen of its top twenty export industries, nearly always to China. With fewer jobs at home, Mexicans are finding it all the more compelling to cross the border into the United States in search of work. No fence is high enough to bar workers desperate to feed their families.

As they rode into the Lucky Star ranch yard an hour later, Liv wished she hadn’t mentioned Temo to Dayna. She’s going to tease him about me, for sure, Liv thought and he’ll be embarrassed and think I’m a dumb little kid. Liv remembered the first time she had seen Temo. He was more handsome than Shane, she decided, with chiseled lips, a straight nose and flashing dark eyes full of laughter. Where Shane was thin as a desert fence post, Temo was solid--strong, but tender underneath. She remembered how he had risked his job at the Silver Spur to help them save their grandparents’ horses, how he had brought them blankets and food when they were hiding on the ranch, how he smiled when he called her muchacha, little girl, how he rode like the wind on his black-and-white paint horse, so at home in this big wild country. She wondered about his life--why he stayed on working for Sam Regis when he didn’t like or respect him. His family worked there; that was part of the reason, she knew. She had been hoping to find out more about him at lunch today. “I’m glad we didn’t have to stay for lunch.” Sophie slipped from Cisco’s saddle in front of the low wooden barn. “I didn’t want to face Dayna’s father again.” Liv dismounted with a sigh. As usual, she and Sophie had been thinking about the same thing in totally different ways. Sophie hated the thought of lunch at the Silver Spur, while Liv was longing for the chance to see Temo and his family. It was as if she and Sophie were two sides of the same coin.

Since the start of his presidency, Barack had asked his correspondence staff to include ten letters or messages from constituents inside his briefing book, selected from the roughly fifteen thousand letters and emails that poured in daily. He read each one carefully, jotting responses in the margins so that a staffer could prepare a reply or forward a concern on to a cabinet secretary. He read letters from soldiers. From prison inmates. From cancer patients struggling to pay health-care premiums and from people who’d lost their homes to foreclosure. From gay people who hoped to be able to legally marry and from Republicans who felt he was ruining the country. From moms, grandfathers, and young children. He read letters from people who appreciated what he did and from others who wanted to let him know he was an idiot. He read all of it, seeing it as part of the responsibility that came with the oath. He had a hard and lonely job—the hardest and loneliest in the world, it often seemed to me—but he knew that he had an obligation to stay open, to shut nothing out. While the rest of us slept, he took down the fences and let everything inside.

The last bit of work he did, usually at some hour past midnight, was to read letters from American citizens. Since the start of his presidency, Barack had asked his correspondence staff to include ten letters or messages from constituents inside his briefing book, selected from the roughly fifteen thousand letters and emails that poured in daily. He read each one carefully, jotting responses in the margins so that a staffer could prepare a reply or forward a concern on to a cabinet secretary. He read letters from soldiers. From prison inmates. From cancer patients struggling to pay health-care premiums and from people who’d lost their homes to foreclosure. From gay people who hoped to be able to legally marry and from Republicans who felt he was ruining the country. From moms, grandfathers, and young children. He read letters from people who appreciated what he did and from others who wanted to let him know he was an idiot. He read all of it, seeing it as part of the responsibility that came with the oath. He had a hard and lonely job—the hardest and loneliest in the world, it often seemed to me—but he knew that he had an obligation to stay open, to shut nothing out. While the rest of us slept, he took down the fences and let everything inside.

What if Jesus never called us to a white picket fence, 2.4 kids and a boring job?

Where did you guys end up?” “Control room,” Zeke says. “My mom used to work there, and she taught me most of what I’ll need to know already.” “I’m in the patrol leadership track…thing,” Shauna says. “Not the most exciting job ever, but at least I’ll get to be outside.” “Yeah, let’s hear you say that in the dead of winter when you’re trudging through a foot of snow and ice,” Lynn says sourly. She stabs at a pile of mashed potatoes with her fork. “I better do well in initiation. I don’t want to get stuck at the fence.” “Didn’t we talk about this?” Uriah says. “Don’t say the ‘I’ word until at most two weeks before it happens. It makes me want to throw up.” I look at the pile of food on his tray. “Stuffing yourself up to your eyeballs with food, though, that’s fine?” He rolls his eyes at me and bends over his tray to keep eating.

At the twenty-second house, which was right next door to Willie’s, the elderly widow, Mrs. Lima, answered the door. Yes, she would hire them to do both the walk and the driveway, she said, and she nodded at the price when Jackson mentioned it. “She’s not poor, is she?” Jackson asked uneasily after Mrs. Lima went back inside. “I don’t think so. Her husband owned the department store in the mall. She’s pretty crabby, though. We better do a good job.” They did a fine job, getting every bit of snow off right to the edges of the walk and driveway. When they finished they rang the doorbell, sweaty but pleased with themselves. Casually Mrs. Lima glanced at the driveway and sighted along the walk. “Just a minute,” she said. She dipped back inside her house. “Maybe she’ll give us a tip,” Jackson said. “Twelve dollars isn’t much for the ton of snow we shoveled.” “I don’t know,” Willie said doubtfully. “She had a big fight with my mom for cutting some roses off a bush that was growing over the fence into our yard. Mom says Mrs. Lima’s stingy.” How stingy they found out when Mrs. Lima returned and handed them each a five-dollar bill.

Mexican right-wing talk radio wants a fence built on their southern border to keep out those damned Hondurans and Salvadorans and Guatemalans. I heard a radio host in Guadalajara decry these “aliens.” It seems Hondurans want to take Mexican jobs. Want to steal health care, get an education. They don’t share the proper language, and they carry disease and lower the standard of living and want to steal social security benefits. Rushito Limbortinez in the house!

Brains and beauty! Adorable Desiree is one of the smartest dogs around. She not only knows the cues for sit and wait, but can give high 5! born in 2003. Desiree is a healthy girl who was rescued from Hurricane Katrina. She loves playing with other dogs, but she's bossy with them, so it's a good idea to introduce the dogs before bringing her home.. She's not great with children, so needs an adult-only home. Desiree loves having activities and a job to do. She can jump really high fences, so you have to watch out for that! but if you're looking for an active, silky-soft dog, Desiree would love to meet you. She really needs her happy-ever-after!

There was a hungry prisoner behind a fence who needed me, and if I made it back, I promised this time I would do a better job taking care of him.

Sheepdogs keep the sheep safe from danger outside the fence. The sheep? They resent the sheepdogs because those dogs are scary—they look too much like wolves. They growl and bite and have sharp teeth and strong jaws. You know who else hates the sheepdogs? The wolves. Because the sheepdogs are doing their jobs, the wolves go hungry. But every day, the sheepdogs perform their duties, putting their lives on the line to protect those who resent them, and with zero thanks.

Salon writer Scot Sea, who said that his experience with his own autistic daughter helped him understand why a California man named Delfin Bartolome had shot his son and then himself. “The odor has finally made its way down the hall. When you see the balled-up pants and diaper on the floor, you know you are too late,” Sea began ominously. “A bright red smear across the door, the molding, the wall. Turn the corner and the bedroom is a crime scene. An ax murder? In fact, it is only your daughter at her worst.” He described a scene worthy of a slasher movie: “Splashes of blood glistening like paint, black clots, yellow-brown feces, and a 3-foot-in-diameter pond of vomit that your daughter stands in the middle of . . . hands dripping, face marked like a cannibal.” Parents in previous eras were spared these horrors, he explained, because “idiot” children were promptly “tossed down the well or thumped against the fence post.” For “educated” families in more recent times, he added, at least there was a way out—institutionalization. But now, desperate parents had to find their own ways out, as Bartolome had been forced to do with a handgun when he ran out of options. This was the harsh reality of raising a child with autism, according to Sea. (He neglected to mention that weeks before the shooting, Bartolome—described by his relatives as a loving and devoted father—had been laid off just before retirement, shunting him into a series of temporary jobs and putting his son’s future care at risk.) Shannon felt herself becoming physically ill while reading Sea’s article. Was this her family’s future? IV

With that fence it’s a total blind approach to the back door, I thought. Anyone could be hiding around that corner. Guards don’t care. They’ve run this route a thousand times for a thousand days; they can’t manage to stay alert. Company should mix up their shifts better— “It’s embarrassing, isn’t it?” Harmony Black dropped into the chair beside me. She set down a cup of coffee and ruffled her own copy of the newspaper. “No operational discipline, not looking out for each other, it’s almost like they want to get hijacked.” “Agent.” My throat went tight. “Don’t mind me,” she said. “I’m just getting some fresh air. Please, keep planning your armed robbery. Pretend I’m not even here.” She set down her paper and picked up her cup. Then she looked me in the eye and slowly, loudly, slurped her coffee. I folded my newspaper and pushed back my chair. “It’s fine. I was just leaving.” “Oh? Where to? The Athens Credit Union? That laundromat off Bonanza Road? The Ford dealership on Fairfax? Can I come with? No, never mind, just go ahead and I’ll meet you there.” I gritted my teeth and walked away. Harmony slurped her coffee again and gave me a finger wave. “See you soon!” she called out behind me. I drove two blocks, pulled off to the side of the road, and took out my cell phone. Every instinct screamed that I was making a bad move, but that didn’t stop me from punching in the numbers and making the call. “Nicky,” I said, “that job still available?

Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.

Instead of getting my gold retirement watch and landing on my feet with a white picket fence and a satellite dish, I ended up base-jumping from the kettle into the fire. All because of one last job. But what's done is done. If your interested, you can read about the whole hot mess in The Intern's Handbook. You won't find it at Barnes & Noble, but I hear the feds have a few copies lying around, and I wouldn't be surprised if you could download it for free on Russian iTunes. I'm told it's an excellent beach/airplane/bathroom/killing-time-after-a-motel-tryst read.

We listened as he and his wife told us their wildlife stories. I wasn’t sure why, but they seemed to really hate emus. I think it was because a panicked, running emu could put a hole right through the fence. “You know, an emu is supposed to be able to run sixty kilometers per hour,” he said, relishing his story. “But if I run my truck right up their bum, they will actually reach about sixty-eight kilometers an hour. It’s funny how they look back over their shoulder just before they get run over.” They laughed long and loud until they realized that none of us were laughing with them. His wife must have thought we didn’t get the joke, because she tried to explain it further. “Our oldest child, he always begs his dad,” she told us, “Run down an emu, Dad, run down an emu!” While we drove the fence line afterward, it was obvious that Steve was trying to get back to the job at hand and move on from the awkward conversation. Suddenly he had a premonition. He turned to me. “Something’s going to happen,” he said. Just ahead of us, a koala ran through a paddock over open ground. Steve immediately jumped out of the truck. “Get John and catch up!” Steve yelled. I scrambled into the driver’s seat, bouncing like hell over the muddy track, rounding up John and the crew to come film Steve’s encounter with the koala. “How did you know something was going to happen?” I asked Steve, once we’d filmed the koala and gotten it safely to a nearby tree. “How did you sense it?” He shrugged. “I don’t know, mate, it’s the strangest thing.” Were Steve’s bush instincts simply more finely honed than anyone else’s? I didn’t think it was that simple. He seemed to be able to tune into some sixth sense with wildlife. After years in the bush, he had refined his gift into an uncanny ability.

Maybe you need some antidote messages to neutralize sappy sweetness, so here goes: • You are the only person entitled to let people in—to your house, your heart, your head, or your bed. (More about that in Chapter Ten.) • You are the one who can protect the Nice Little Girl inside you from intrusive and unhealthy demands, requests, phone calls, Internet, TV, visitors. • You are the woman who can learn to say “no thanks” without feeling guilty. You’ll be surprised at how easy it gets and how calmly most people take it. • You can protect yourself from undue stress, which shortens your life and adds frown lines. • You can decline an order to leap tall buildings in a single bound, even if you think you could. (You can’t, but hey, we’re all entitled to our fantasies.) • You can identify the price of admission to a relationship, job, anything—and then decide whether the show is worth the ticket. Everything has a price of admission, honey. Be careful to get your money’s worth. • You can learn how to build boundaries, like the cowhand builds fences. • You can learn to listen to that little voice inside that says, “This doesn’t fit for me. This hurts.

Anxious to defend his adopted city—especially his side of town, the less fashionable west end—Eli considered giving Veronica a condensed lecture on the history of Asheville, North Carolina. 1880: the Western North Carolina Railroad completed a line from Salisbury to Asheville, which later enabled George Washington Vanderbilt to construct the Biltmore Estate, the largest private residence in America. Over time, that 179,000 square foot house transitioned into a multi- million dollar company. Which lured in tourists. Who created thousands of jobs. Which caused the sprawl flashing by Eli’s window at fifty-five miles per hour. But Eli refrained from being the Local Know-It-All, remembering all the times he’d traveled to new cities and some cabbie wanted to play docent, wanted to tell him about the real Cleveland or the hidden Miami. Instead, he let the air conditioner chase away the remnants of his jet lag and thought about Almario “Go Go” Gato. He waited for Veronica to say something about the Blue Ridge Mountains, which stood alongside the highway, hovering over the valley below like stoic parents waiting for their kids to clean up their messy bedrooms. Eli gave her points for her silence. And for ditching the phone, even if she kept glancing anxiously toward the glove compartment every time it buzzed. The car rode smooth, hardly a bump. For a resident of Los Angeles, she drove cautiously, obeying all traffic laws. Eli had a perfect driving record. Well, almost perfect. There was that time he drove the Durham Bulls’ chartered Greyhound into the right field fence during the seventh inning stretch. But that was history. Almost ancient.

Indeed, neither the public clamor about the dislocations created by economic globalization nor the massive shocks produced by the financial crisis of 2008 and the ensuing Great Recession have derailed the process of international economic integration. It continues largely unabated, and the predictions of a protectionist surge prompted by the attempts of countries to fence in their economies to protect jobs have been proven wrong. International trade and investment flows continue to grow and to feed the forces that constrain the power of traditional business players.

Whenever you’re going through something hard, you must take into consideration the whole context. Start with your family, then shift toward your friends, work, environment, and beyond. If you’re not close with your family, are struggling socially, are on the fence about your job, or hate your home, any loss will feel very hard. There are layers or spheres of influence that will exert pressure on certain situations, making them feel more intense. If you sprain your ankle and already have knee problems, the ankle pain will feel worse. The same goes for relationships.

In 1942 the government ordered the construction of a perimeter fence around the then-secret Site Y of the Manhattan Project. Consequently, they established an explicit border to distinguish the scientists and army personnel within the fence, atop the Hill, as “insiders,” and the communities outside the fence, below the Hill, as “outsiders.” As a result of the distinction between the Hill and the Valley, Los Alamos has become what Chicana theorist Gloria Anzaldúa (1999) writes of the borderlands region of South Texas: a “place of contradictions” where “hatred, anger and exploitation are the prominent features of this landscape” (19). The Hill-Valley binary is not simply geographic. Chicano literary scholar José David Saldívar (1997) says of topospatial readings such as this one that “the aim of these topospatial readings, it bears some repeating, is to show the profound interactions of space and history, geography and psychology, nationhood and imperialism, and to define space as not just a ‘setting’ but as a formative presence throughout” (79). The U.S. military deliberately constructed this institution, and it continues to overshadow northern New Mexico seventy-five years after the Manhattan Project was instituted on the Pajarito Plateau. The dichotomizing of the Hill and the Valley made objects of the people of New Mexico by enticing them away from land-based lifestyles with well-paying jobs in the nuclear industry, jobs that ultimately sickened, injured, and even killed them by contamination or explosion. In the chapter “Entering into the Serpent” from Borderlands/La frontera: The New Mestiza, Anzaldúa (1999) claims that “in trying to become ‘objective,’ Western culture made ‘objects’ of things and people when it distanced itself from them, thereby losing ‘touch’ with them. This dichotomy is the root of all violence” (59). Nuevomexicanas/os’ ascent up el camino de la culebra, the snake road, is a literal entering into the Anzaldúan serpent. This entering into the serpent is the catalyst for conocimiento, or a coming to consciousness.

Writing a clean, lean, simple story is one of the hardest things in the world to do. When stories are first born, they’re always big and complicated, but simple stories are more powerful and meaningful. Think of Blaise Pascal’s famous postscript: “I’m sorry for writing such a long letter, but I didn’t have the time to write a shorter one.” Writers are always inclined to make their stories bigger and more complicated than anyone else wants them to be. Luckily, there are gatekeepers to cut us off at the pass. Editors chop novels down to size. Theater directors chop out scenes that don’t work. Producers slice the fat out of screenplays. They take sprawling, complicated messes and find the lean, simple story hiding inside. Ghostbusters was sold to the studio in the form of a forty-page treatment. It was set in the future. New York had been under siege by ghosts for years. There were dozens of teams of competing ghostbusters. Our heroes were tired and bored with their job when the story began. The Marshmallow Man showed up on page 20. The budget would have been bigger than any movie ever made, and far more than anybody was willing to spend. So why did the studio buy it? Because it liked one image: a bunch of guys who live in a firehouse slide down a pole and hop in an old-fashioned ambulance, then go out to catch ghosts. So the studio stripped away all the other stuff, put that image in the middle of the story, spent the first half gradually moving us from a normal world gradually that moment, and spent the second half creating a heroic payoff to that situation. That’s it. That’s all they had time to do. A few years after the success of Ghostbusters, one of the writers/stars of that movie, Harold Ramis, found himself on the other side of the fence. He wanted to direct a script called Groundhog Day, written by first-time screenwriter Danny Rubin. This was a very similar situation: In the first draft of that movie, the weatherman had already repeated the same day 3,650,000 times before the movie began! Everybody loved the script, so Rubin had his pick of directors, but most of them told him up front they wanted him to rewrite the story to begin with the origin of the situation. Ramis won the bidding war by promising Rubin he would stick to the in medias res version. Guess what happened? By the time the movie made it to the screen, Ramis had broken his promise. The final movie spends the first half getting the weatherman into the situation and the second half creating the most heroic payoff.

We specialize in all types of fences and gates, including wood fences, wrought iron fences, and metal fences. We have the expertise and knowledge to get the job done right, on time, and on budget. We can replace any type of aluminum gate, including a Sliding Gate Aluminum or an aluminum fence gate. There are countless companies that offer Aluminum Gate Replacement, but how do you know which one is right for you? How do you know if they are qualified to do the job? We are a professional company with years of experience in Replacing Aluminum Gate Fences, and gates. Not only do we create stunning gates, but our Gate Repair Team also offers expert installation services so you can be sure your new gate is installed correctly and safely.

He got caught stealing from his job as a road worker,” Jones smiled. “I didn’t think he was a thief, but when I looked over the fence, all the signs were there.” “That’s good,” Hunter laughed.

He put in a real nice split rail fence for us last year when I was laid-up because of my back,” said Bubba. “Did good work. Nice wood.” “She doesn’t care about his wood, Bubba.” His wife smacked his shoulder. “She wants a job.” I might care about his wood, I thought, picturing a hot, shirtless guy chopping wood and then putting up a split rail fence, sweat glistening on his tanned pecs.

Flower killers ( Part 2 ) And if you visit the fence and look at the metallic vampire, You will notice something strange in this tragedy’s ultimate empire, Bullets where the address is still the same: kill, Who? Just anyone do it at your free will, The flower had no name, the bee that loved it and the butterfly that romanced it, Have all died with it, forever dead with it, The garden of tragedies invokes a morbid feeling, It is as if asking the angel of death to rescue life’s last hope its last feeling, But the bullets still travel through the garden of tragedies, Only that now there are no casualties, Do you know why? Because now there is no one left to kill, and no one left to die, The young flower has fallen, others with it fell too, But a bullet with no address, still has a job to do, Because its address reads: Kill anyone at your free will, And that is what it did yesterday, it will do so today too, because it has mad man’s wish to fulfil, Who directs its anonymity and its every act, But the bullet in the fence has a different fact, The bullet is not the killer of the flower, It is someone else, whom the garden of tragedies knows as “The Bullet Lover!” Men have died, women have been killed, flowers murdered, But the mad man’s will has not surrendered, It may not ever, it may never, Because he is on a quest to find a bullet that can travel forever, Through desires, hopes, wishes and feelings of love, And kill them all one by one, for the sake of his mad love, Where exaltation is sought via phoney acts, Always feeding on a desire that never detracts, From being the seminal factor in everything related with misery, So it kills with a delusional passion bearing vigour missionary, And if you happen to visit the garden of tragedies to see the bullet in the fence, Towards the bullet, please hold not feelings of lament or any offence, Because it obeys the shooter, Who has never been a lover! That is why the bullet lies pierced in the wall, Because it no more wants to obey the mad man’s call, And be known as the killer of the young flowers, Murderer of many passionate lovers!

That attitude is not hard to come to. You go through a heavy industrial area of a large city and there it all is, the technology. In front of it are high barbed-wire fences, locked gates, signs saying NO TRESPASSING, and beyond, through sooty air, you see ugly strange shapes of metal and brick whose purpose is unknown, and whose masters you will never see. What it's for you don't know, and why it's there, there's no one to tell, and so all you can feel is alienated, estranged, as though you didn't belong there. Who owns and understands this doesn't want you around. All this technology has somehow made you a stranger in your own land. Its very shape and appearance and mysteriousness say, ``Get out.'' You know there's an explanation for all this somewhere and what it's doing undoubtedly serves mankind in some indirect way but that isn't what you see. What you see is the NO TRESPASSING, KEEP OUT signs and not anything serving people but little people, like ants, serving these strange, incomprehensible shapes. And you think, even if I were a part of this, even if I were not a17 stranger, I would be just another ant serving the shapes. So the final feeling is hostile, and I think that's ultimately what's involved with this otherwise unexplainable attitude of John and Sylvia. Anything to do with valves and shafts and wrenches is a part of that dehumanized world, and they would rather not think about it. They don't want to get into it. If this is so, they are not alone. There is no question that they have been following their natural feelings in this and not trying to imitate anyone. But many others are also following their natural feelings and not trying to imitate anyone and the natural feelings of very many people are similar on this matter; so that when you look at them collectively, as journalists do, you get the illusion of a mass movement, an antitechnological mass movement, an entire political antitechnological left emerging, looming up from apparently nowhere, saying, ``Stop the technology. Have it somewhere else. Don't have it here.'' It is still restrained by a thin web of logic that points out that without the factories there are no jobs or standard of living. But there are human forces stronger than logic. There always have been, and if they become strong enough in their hatred of technology that web can break.

It is impossible for one who is lodged in mundane consciousness to evaluate definitively the competence of any guide to transformation and transcendence, without having already attained to an equal degree of transcendence. No number of “objective” criteria for assessment can remove this “Catch-22” dilemma. Therefore the choice of a guide, path, or group will remain in some sense a subjective matter. Subjectivity, however, has many modes, from self-deluding emotionality to penetrating, illuminative intuition. Perhaps the first job of the seeker would best be to refine that primary guide, one’s own subjectivity.10 Ram Dass (Richard Alpert), who has functioned on both sides of the fence (as a devotee of Neem Karoli Baba and as a teacher in his own right), has made the following complementary observation: Some people fear becoming involved with a teacher. They fear the possible impurities in the teacher, fear being exploited, used, or entrapped. In truth we are only ever entrapped by our own desires and clingings. If you want only liberation, then all teachers will be useful vehicles for you. They cannot hurt you at all.11 This is true only ideally. In practice, the problem is that in many cases students do not know themselves sufficiently to be conscious of their deeper motivations. Therefore they may feel attracted precisely to the kind of teacher who shares their own “impurities”—such as hunger for power—and hence have every reason to fear him or her. It seems that only the truly innocent are protected. Although they too are by no means immune to painful experiences with teachers, at least they will emerge hale and whole, having been sustained by their own purity of intention. Accepting the fact that our appraisal of a teacher is always subjective so long as we have not ourselves attained his or her level of spiritual accomplishment, there is at least one important criterion that we can look for in a guru: Does he or she genuinely promote disciples’ personal and spiritual growth, or does he or she obviously or ever so subtly undermine their maturation? Would-be disciples should take a careful, levelheaded look at the community of students around their prospective guru. They should especially scrutinize those who are closer to the guru than most. Are they merely sorry imitations or clones of their teacher, or do they come across as mature men and women? The Bulgarian spiritual teacher Omraam Mikhaёl Aїvanhov, who died in 1986, made this to-the-point observation: Everybody has his own path, his mission, and even if you take your Master as a model, you must always develop in the way that suits your own nature. You have to sing the part which has been given to you, aware of the notes, the beat and the rhythm; you have to sing it with your voice which is certainly not that of your Master, but that is not important. The one really important thing is to sing your part perfectly.

Sticky bun with your brew?’ Alice laughed. Sadie’s observations were probably right. ‘Oh yes please. I’ll find us a place to sit.’ She grabbed a table by the window that four girls were just vacating and sat down, looking out at the street below where some workmen were carrying hods of bricks and others, standing on scaffolding, were throwing chunks of damaged masonry down to the area of pavement that was fenced off from public use. It was such a shame. The damage to the store was so extensive, it might have been easier to demolish the lot and rebuild from scratch. But at least they had jobs and that was something to be thankful for. Many women who had held things together while the men were away fighting had since found themselves out of work, losing the jobs they’d loved to the returning male workforce. ‘No sticky buns so I got a couple of scones,’ Sadie said as she came to the table with a tray. ‘Hope that’s okay?’ ‘Fine by me,’ Alice said. ‘I’m starving.’ She

Now white people could be fined for giving a Negro a meal, or a job, or a place to stay, if the law said that Negro was a runaway. And how were they to know who was a runaway and who was not? It had created an impossible situation, and those who had been determined to stay on the fence found themselves without a fence at all.

The other thing is that the structure is a fence—around freedom. We go on fun walks to practice our obeying and end up at the park, where we run around and play for a while. Obedience to God's law is freedom. Your kids should feel the same way about obeying you. Sometimes you should give them little jobs to obey, knowing full well that they will love to do it. Praise them for their quick obeying. You should not be training them that obedience is bondage. Do not do epic training camps that teach them that obedience leads to sitting quietly on your hands and speaking to no one. Obedience to Scripture is life. So if you are giving lots of commands it should be things like, "Okay, stir this. Grab the eggs out of the fridge. Great. Dump in the flour. Nice job." God does not command things that make life miserable—His commands are a means of joy. Make your children understand that obedience leads to freedom and joy—it is the path of life.

What happened to you?” Monica accused over a tray of leafy greens. “What?” Joy said. “Nothing.” “Well, that nothing has you eating your salad with a spoon.” Embarrassed, Joy switched utensils, tucking her hair behind her ear and letting her fingers linger there. She grinned again. “I’m just thinking,” she said, poking the lettuce, “about stuff.” “Thinking stuff.” Monica nodded and chewed. “Sounds dangerous.” “Not yet,” Joy chirped. Monica slapped both hands on her tray, “Okay, that’s it— spill.” “What?” “What ‘what?’ Don’t give me ‘what’ and expect me not to ask ‘what?’” Monica pointed her fork at Joy’s nose. “You’ve been a total nut job ever since that night at the Carousel, and what with breaking windows and random notes and skipping off after school, you think I don’t know there’s a ‘what?’” Monica sounded angry, which was her protective-sisterhood thing. Joy tried not to laugh. “Is it drugs?” Monica hissed over her salad. “Because if it’s drugs, so help me, I will beat your sorry pale pink butt from here to next Thursday. I will call your dad, I will call the cops and I will even call Gordon and cancel our date!” “Whoa.” Joy waved a napkin in surrender. “It’s not drugs. No drugs. I swear. Remember? No Stupid,” Joy said, but had to add, “But there is a someone.” “A someone?” “A someone.” “A guy?” Joy rolled her eyes. “Yes, a guy. There’s a guy. I like guys.” Monica pursed her lips. “There’s a guy and you like guys and you met a guy, this Someone-A-Guy?” Joy prodded her lunch, picking at the crust of her sandwich. “There’s a guy and I don’t know what I think about him. I’m just…thinking about him. A lot.” “Mmm,” Monica said noncommittally. “So does this guy have a name?” Joy considered the question. “Yes.” “Yes?” Monica prompted with a wave of speared iceberg lettuce. “And?” “And there’s not much to talk about.” Joy shrugged and took a wide bite of sandwich, filling her mouth. She couldn’t decide whether Indelible was his first name or Ink, but neither sounded particularly normal. As opposed to Gordon Wiener-Schnitzel. Still, it was a subject best avoided. “Uh-huh.” Monica joined Joy in a long bout of chewing. They exchanged glances and evasions like fencing partners until Monica swallowed. “Okay,” she said. “So, this mysterious Someone-A-Guy that you can’t stop thinking about— would I, as your best friend, theoretically speaking, give him a thumbs-up or a thumbs-down?” Two thumbs down, definitely, for mysteryguywhostabbedmeintheeye. Joy swallowed. “He’s not your type,” she said diplomatically. “But he’s your type?” Monica said. “And, what is your type, exactly?” “He’s…” Joy stumbled, trying to find the words. “Exciting. Intellectual. A little sad, which can be sweet.” The flash in her eye inspired her. “He’s an artist.” “An artist?” Monica sneered around cukes. “Please do not tell me that you’re going to go all emo on me. That’s worse than drugs.

Apple’s P-type loonshots, of course, transformed their industries: the iPod, the iPhone, and the iPad. But what ultimately made them so successful, aside from excellence in design and marketing (most, although not all, of the technologies inside had been invented by others), was an underlying S-type loonshot. It was a strategy that had been rejected by nearly all others in the industry: a closed ecosystem. Many companies had tried, and failed, to impose a closed ecosystem on customers. IBM built a personal computer with a proprietary operating system called OS/2. Both the computer and the operating system disappeared. Analysts, observers, and industry experts concluded that a closed ecosystem could never work: customers wanted choice. Apple, while Jobs was exiled to NeXT, followed the advice of the analysts and experts. It opened its system, licensing out Macintosh software and architecture. Clones proliferated, just like Windows-based PCs. When Jobs returned to Apple, he insisted that the board agree to shut down the clones. It cost Apple over $100 million to cancel existing contracts at a time when it was desperately fighting bankruptcy. But that S-type loonshot, closing the ecosystem, drove the phenomenal rise of Apple’s products. The sex appeal of the new products lured customers in; the fence made it difficult to leave.

In their white clapboard house with their white picket fence and their pastel-painted walls, their patterned kitchenware, their jobs and their homework, they know something. They all know something but they’re pretending they don’t.

Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.

Jane’s fictional world was so perfectly, minutely and solidly constructed that it took another brilliant and unusual writer, Charlotte Brontë, a generation later, to pull it down. Brontë memorably described Pride and Prejudice as ‘a carefully-fenced, highly cultivated garden with neat borders and delicate flowers – but no glance of a bright vivid physiognomy – no open country – no fresh air – no blue hill – no bonny beck. I should hardly like to live with her ladies and gentlemen in their elegant but confined houses.’ She concludes her demolition job with ‘these observations will probably irritate’. Yes, Charlotte Brontë, they do irritate, as you could hardly have written Jane Eyre unless Jane Austen had previously constructed something worthy of demolition.

Referring to the already existing portion of this fence in California as part of the American’s “myths of arrival,” Moorehead writes: The fence is part of the myth. It is about a poor country looking across the border and seeing money and opportunities, all the lures that enticed the first settlers, and wanting to have a share in them. It is about the way that, ever since anyone can remember, poor Mexicans have migrated north in search of the American dream, which for them has meant jobs in agriculture, factories, the building and service industries, and the way they have been welcomed and discouraged by turn, and have simply kept on coming, even during times of determined and brutal rejection, and the way that the Americans have feared being swamped and losing their own identities and livelihoods. It is the old and simple story of exclusion.21

We've assisted more Plano Texas, residents achieve their best fencing solutions. Over the years, we've expanded our available fencing styles, and we continue to offer competitive pricing for any job. Our team stays dedicated to providing better professional quality fencing at lower costs to more people. And looking around our community, it's safe to say that message resonates with our customers!

I went back inside, where Sam had made us tea. “I know she’s suffering, but I don’t want some random man from town to bring his gun and all his macho energy out here to the ranch and shoot her,” I said and for the first time in that difficult day finally burst into tears. Sam hugged me. “You want to save all the wild things from all the bad men,” she said, and in my kitchen at least, no truer words had ever been spoken. “Brent’s not that way,” I said. “He’s super calm and decent. He’s had this job for twenty-one years. He loves the elk more than anybody in the world.” “Then we wait for Brent,” Sam said. “But what if he doesn’t call back and it gets dark and she gets eaten alive by coyotes?” “Then she will be like many other elk who lived here long before you did,” Sam said. That was the right answer. But still, without my fences, this particular elk would not have had to die.

The list of things that might go wrong inside the DOE was endless. The driver of a heavily armed unit assigned to move plutonium around the country was pulled over, on the job, for drunk driving. An eighty-two-year-old nun cut through the perimeter fence of a facility in Tennessee that housed weapons-grade nuclear material. A medical facility ordered a speck of plutonium for research, and a weapons-lab clerk misplaced a decimal point and FedExed the researchers a chunk of the stuff so big it should have been under armed guard—whereupon horrified medical researchers tried to FedEx it back. “At DOE even the regular scheduled meetings started with” You’re not going to believe this,’” says former chief of staff Kevin Knobloch.

When you have people who trust you, they’re going to do a better job for you to earn or keep that trust.” In the more than ten years since the chain-link fence came down, there has been almost no theft. And if an employee has a personal problem, they know the leaders of the company—and their fellow employees—will be there for them.

It all started with a package placed on Borglund's doorstep at two o'clock in the morning. But, no, really, it started before that, when tilting his head over the picket fence, the smell of gin strong on his breath, he told me about his father, how he had collaborated with the Nazis back in Holland. I was speechless, but I must have had a telling look on my face because he stood back a step and, with watery eyes, said, "What else could he have done? He had a family, seven children to support." His father had been a railroad employee, had helped the SS route trains to the death camps. To Borglund, he was like any other man trapped in a job he didn't really like. But it was different -- those trains were full of my people, my ancestors." --From the story "The Nazi Next Door," included in the book PETTY OFFENSES AND CRIMES OF THE HEART

Joyce ain’t no exception. I suspect she got that job because she always had the right people in her corner and she was easy to train.

The enclosure next to the dingoes held Graham the crocodile. Wes, Steve, and other staff battled the flood in Graham’s home. One man stood on the fence to spot the croc. He had to shout to Wes and Steve as they cleared the fence line inside the enclosure in waist-deep, dark waters. With the vehicle spotlights casting weird shadows, he had to scope out the murky water and try to discern the crocodile from among the floating bits of debris. Once the backup man had the crocodile pegged, he kept a close eye on him. If Graham submerged, Wes and Steve had to be warned immediately. The spotter worked hard to keep a bead on Graham. Steve and Wes were synchronized with their every move. They had worked together like this for years. They didn’t even have to speak to each other to communicate. There was no room for error as the amount of time spent in Graham’s enclosure was kept to a minimum. They jumped into the enclosure, cleared on, two, three armloads of debris, then jumped back out and re-evaluated the situation. Graham’s fence line had a bow in it, but it wasn’t in any danger of buckling. Steve and Wes were doing a good job, and there was no need for me to be there with them. It was more urgent for me to keep the dingo fence line intact next door. Graham’s female, named Bindi, was nesting, and this added another dangerous dimension to the job, since Graham was feeling particularly protective. The men were also keenly aware that nighttime meant croc time--and Graham would be stalking them with real intent. They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve. It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds. Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did. The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm. In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back. As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come. Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him. As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence. “I’m out mate, I’m out,” Wes yelled, blood pouring down his leg. Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate.

Welcome to Webster Building, where our skilled team brings a wealth of experience and commitment to every project, ensuring that your vision for your home becomes a reality. With a passion for craftsmanship and creativity, we specialise in all kinds of home renovations including; kitchen & bathroom remodelling, decking, fencing, fireplaces, and maintenance jobs – and are proud to service the Shellharbour and surrounding areas, includuing Kiama, Wollongong, Bulli, and beyond.

However, don’t rush to quit your job! Don’t head to your boss’s office screaming and yelling about how “magic boy” told you that you need to change your profession in order to be happy. Changing your profession should be a last resort. The grass is not always greener on the other side of the fence. The grass is greener where it’s watered.

Prison is a wound we keep tucked in those parts of the country that can’t afford to turn it away, who need its jobs or revenue, who must endure the quiet violence of its physical presence—its “Don’t Pick Up Hitchhikers” warning signs, its barbed fences—the same way a place must endure the removal of its mountaintops and the plundering of its seams: because a powerful rhetoric insists we can only be delivered from our old scars by tolerating new ones.

is a wound we keep tucked in those parts of the country that can’t afford to turn it away, who need its jobs or revenue, who must endure the quiet violence of its physical presence—its “Don’t Pick Up Hitchhikers” warning signs, its barbed fences—the same way a place must endure the removal of its mountaintops and the plundering of its seams: because a powerful rhetoric insists we can only be delivered from our old scars by tolerating new ones.