Feet Up And Relax Quotes

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Are wild strawberries really wild? Will they scratch an adult, will they snap at a child? Should you pet them, or let them run free where they roam? Could they ever relax in a steam-heated home? Can they be trained to not growl at the guests? Will a litterbox work or would they make a mess? Can we make them a Cowberry, herding the cows, or maybe a Muleberry pulling the plows, or maybe a Huntberry chasing the grouse, or maybe a Watchberry guarding the house, and though they may curl up at your feet oh so sweetly can you ever feel that you trust them completely? Or should we make a pet out of something less scary, like the Domestic Prune or the Imported Cherry, Anyhow, you've been warned and I will not be blamed if your Wild Strawberries cannot be tamed.
Shel Silverstein (Where the Sidewalk Ends)
I think best in a hot bath, with my head tilted back and my feet up high.
Elizabeth Jane Howard (Mr. Wrong)
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
How very like you, Puck.” Ash’s voice came from a great distance, and the room started to spin. “Offer them a taste of faery wine, and act surprised when they’re consumed by it.” That struck me as hilarious, and I broke into hysterical giggles. And once I began, I couldn’t stop. I laughed until I was gasping for breath, tears streaming down my face. My feet itched and my skin crawled. I needed to move, to do something. I tried standing up, wanting to spin and dance, but the room tilted violently and I fell, still shrieking with laughter. Somebody caught me, scooping me off my feet and into their arms. I smelled frost and winter, and heard an exasperated sigh from somewhere above my head. “What are you doing, Ash?” I heard someone ask. A familiar voice, though I couldn’t think of his name, or why he sounded so suspicious. “I’m taking her back to her room.” The person above me sounded wonderfully calm and deep. I sighed and settled into his arms. “She’ll have to sleep off the effects of the fruit. We’ll likely be here another day because of your idiocy.” The other voice said something garbled and unintelligible. I was suddenly too sleepy and light-headed to care. Relaxing against the mysterious person’s chest, I fell into a heady sleep.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Tell me how you could say such a thing, she said, staring down at the ground beneath her feet. You're not telling me anything I don't know already. 'Relax your body, and the rest of you will lighten up.' What's the point of saying that to me? If I relaxed my body now, I'd fall apart. I've always lived like this, and it's the only way I know how to go on living. If I relaxed for a second, I'd never find my way back. I'd go to pieces, and the pieces would be blown away. Why can't you see that? How can you talk about watching over me if you can't see that?
Haruki Murakami (Norwegian Wood)
I suppose even Dictators have their chummy moments, when they put their feet up and relax with the boys, but it was plain from the outset that if Roderick Spode had a sunnier side, he had not come with any idea of exhibiting it now. His manner was curt. One sensed the absence of the bonhomous note. ... Here he laid a hand on my shoulder, and I can't remember when I have experienced anything more unpleasant. Apart from what Jeeves would have called the symbolism of the action, he had a grip like the bite of a horse. "Did you say 'Oh yes?'" he asked. "Oh no," I assured him.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
Emily Henry (Book Lovers)
If you fall out of the boat put your feet up, lie back and relax. Your life jacket knows which way is up. Let the river hold you. You won't drown." -Zambezi River Guide.
Brenda Davies (7 Healing Chakras: Unlocking Your Body's Energy Centers)
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
We know what it feels like to have our energy drained by too much interaction. It feels like my brain is tired, almost like a muscle would be tired. The more depleted my psychic energy is, the slower my thoughts come, the harder it is to speak full sentences or focus on what’s going on around me. My senses become even more sensitive; noise and fuss are more overwhelming. And I become tense, irritated, cranky. That’s when I know I need to stop, sit down, let my brain relax and put up its metaphorical feet.
Sophia Dembling (The Introvert's Way: Living a Quiet Life in a Noisy World)
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.
Bill Bryson (In a Sunburned Country)
Grace.” His head dipped toward mine. “Tell me to leave.” “No,” I whispered back, relaxing into the wall, and he melted into me with a groan. “I want you to stay.” He looked into my eyes as if searching for the answer to something. “If I stay I’m going to fuck you.” I trembled in reaction to his bluntness and licked my lips before I moved my feet, widening my legs so he could fit just right between them. His eyes flared at the movement, and I reached up so our lips brushed as I whispered. “I’m counting on it.
Samantha Young (Moonlight on Nightingale Way (On Dublin Street, #6))
sudden I stopped. I was out of breath. I asked myself, “What is this all about? What is the meaning of this ceaseless rush? This is ridiculous!” Then I declared independence, and said, “I do not care if I go to dinner. I do not care whether I make a talk. I do not have to go to this dinner and I do not have to make a speech.” So deliberately and slowly I walked back to my room and took my time about unlocking the door. I telephoned the man downstairs and said, “If you want to eat, go ahead. If you want to save a place for me, I will be down after a while, but I am not going to rush any more.” So I removed my coat, sat down, took off my shoes, put my feet up on the table, and just sat. Then I opened the Bible and very slowly read aloud the 121st Psalm, “I will lift up mine eyes unto the hills from whence cometh my help.” I closed the book and had a little talk with myself, saying, “Come on now, start living a slower and more relaxed life,” and then I affirmed, “God is here and His
Norman Vincent Peale (The Power of Positive Thinking)
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
We've managed to make a good marriage. This I say with all humility. It's a marriage in which there is nothing that can be hurt by the roughest usage. It's a marriage that you can let yourself go in, a marriage in which you can put your feet up and relax.
Louise Dickinson Rich (We Took to the Woods)
Jesus' favorite speech form, the parable, was subversive. Parables sound absolutely ordinary: casual stories about soil and seeds, meals and coins and sheep, bandits and victims, farmers and merchants. And they are wholly secular: of his forty or so parables recorded in the Gospels, only one has its setting in church, and only a couple mention the name God. As people heard Jesus tell these stories, they saw at once that they weren't about God, so there was nothing in them threatening their own sovereignty. They relaxed their defenses. They walked away perplexed, wondering what they meant, the stories lodged in their imagination. And then, like a time bomb, they would explode in their unprotected hearts. An abyss opened up at their very feet. He was talking about God; they had been invaded!
Eugene H. Peterson (The Contemplative Pastor: Returning to the Art of Spiritual Direction)
A simple example is to take a slow in-breath while seeing yourself pulling energy from the earth up through your feet until your body is filled with this energy, then exhale and relax. Repeating this process eight or more times at the beginning of the session can give you additional energy for your healing time in the current.
Josie Ravenwing (The Book of Miracles: The Healing Work of Joao de Deus)
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself. When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it. Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
John Steinbeck (Travels with Charley: In Search of America)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
The Second Koran tells us that the darkness in ourselves is a sinister thing. It waits until we relax, it waits until we reach the most vulnerable moments, and then it snares us. I want to be dutiful. I want to do what I should. But when I go back to the tube, I think of where I am going; to that small house and my empty room. What will I do tonight? Make more paper flowers, more wreaths? I am sick of them. Sick of the Nekropolis. I can take the tube to my mistress' house, or I can go by the street where Mardin's house is. I'm tired. I'm ready to go to my little room and relax. Oh, Holy One, I dread the empty evening. Maybe I should go by the street just to fill up time. I have all this empty time in front of me. Tonight and tomorrow and the week after and the next month and all down through the years as I never marry and become a dried-up woman. Evenings spent folding paper. Days cleaning someone else's house. Free afternoons spent shopping a bit, stopping in tea shops because my feet hurt. That is what lives are, aren't they? Attempts to fill our time with activity designed to prevent us from realizing that there is no meaning?
Maureen F. McHugh
Breath in...Breath out... Follow the air...Notice how your body relaxes...Notice how your body reacts... From the tips of your toes...Feel them resting...Relaxing...Let your feet loose..Breath in...Breath out...Notice how that feeling of relaxation propagates up through your entire body...Feel the air...
K.J. Kilton (Bella's Dilemma)
Here, Kells. I brought you something,” he said unassumingly and held out three mangos. “Thanks. Um, dare I ask where you got them?” “Monkeys.” I stopped in mid-brush. “Monkeys? What do you mean monkeys?” “Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.” I gulped. “Have you ever…eaten a monkey?” Ren grinned at me. “Well, a tiger does have to eat.” I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.” He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way. “I don’t think I really need to hear about your hunting.” “Really? I quite enjoy hunting.” Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral. He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat. Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular. He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body. I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer. Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture. “I’m sorry if I frightened you, Kelsey. It won’t happen again.” When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?” He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.” I shuddered. “Fine. Just keep your animalistic tendencies to yourself.” He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring. “Stop that!” I sputtered. He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.” “Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.” His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.” He looked up at me and smiled. “It’s not freeze-dried.” “Okay. I’ll try some.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
he grabbed her around the waist and threw her over his shoulder. “This is for the caveman comment earlier,” he said. “Jordan! Let me go!” she squealed, laughing madly. “You’re molesting the princess!” “You say molesting, I say assisting,” Jordan corrected. “Just sit back, relax, and enjoy the scenic view.” “Of your backside?” D.C. said dryly. “Believe me, it’s not all it’s cracked up to be.” There was silence in the clearing for a moment before all four of them burst out laughing. Jordan had to set D.C. back on her feet because he was laughing so hard. “I didn’t mean…” D.C. tried to explain, but she couldn’t get the words out amid her own laughter. She inhaled deeply and tried again. “I didn’t mean for it to come out like that!” Jordan’s eyes were sparkling. “I think we’ve underestimated you, Princess.
Lynette Noni (Raelia (The Medoran Chronicles, #2))
And then they were staring again. And it happened again, just as it had in the theater yesterday. Time slowed, atoms and particles separating and recombining into a secret sphere around them. 'I like you,' he said. Her hand out on the table again, between them, and he put his on it. 'I like you,' she said, almost soundless. They stared on through another timeless moment, after which she went back to her book, and he bent his head over his work again. They held hands on the table, held feet beneath. Erik had never been so relaxed with a girl, never known such comfort with another human being. He had no desire to leave this space, and yet within it, he was free. He could sit with her and feel what he was feeling, with no need to explain it, dismiss it or joke it away. Every time he looked up at her and thought, I love this, she looked up too, and her eyes seemed to nod at him.
Suanne Laqueur (The Man I Love (The Fish Tales, #1))
She dropped her coat on the back of a chair and crept quietly up to Jay’s room. She did her best not to wake him as she pulled the door closed behind her. She watched him sleep, stretched out on his back, feeling herself coming back to life in his presence. “What are you doing?” he mumbled without opening his eyes. Violet startled, feeling like she’d been caught doing something she shouldn’t have been. Like when they were little and they were busted for looking at a dirty magazine one of the other kids brought to school. Jay rolled onto his side and squinted one eye open at Violet, grinning. “Come over here,” he growled, lifting the corner of his sheet up, inviting her in. He looked rumpled and messy and alluring. Violet slipped off her shoes and climbed in beside him. He wrapped his arm around her back, pulling her close. His breath was warm, his body warmer, and she felt herself thawing for the first time since she’d stepped out into the shipyard that morning. Even the heat blasting inside her car on the way home hadn’t helped. She tucked her feet between his legs. “What are you doing here so early?” His voice was rough from sleep but it sounded like soft velvet. He stroked her back lazily. “Are you feeling better today?” Neither question really needed an answer; they were just Jay’s way of letting her know he’d been worried about her. “I didn’t mean to wake you,” she whispered as she let herself get comfortable against him. She’d been cold and tired, and now that she was warm again she thought she might actually be able to fall asleep, right there in his arms. He rested his chin against the top of her head. “You didn’t,” he assured her. “I was already awake.” Violet sighed. It felt so good to be here. It was the first time she’d felt comfortable since she’d gone to Seattle yesterday with Chelsea. Jay made her feel safe—among other things—and she needed that right now. She closed her eyes; they were gritty and raw from lack of sleep. She breathed deeply, inhaling him, and relaxing as she sank further into him . . . and into the pillow beneath her head. She fell asleep like that, wrapped in warmth. Wrapped in Jay.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
I had thought the Upper East Side could shield me from the beauty pageants and cockfights of the art scene in which I’d “worked” in Chelsea. But living uptown had infected me with its own virus when I first moved there. I’d tried being one of those blond women speed walking up and down the Esplanade in spandex, Bluetooth in my ear like some self-important asshole, talking to whom—Reva? On the weekends, I did what young women in New York like me were supposed to do, at first: I got colonics and facials and highlights, worked out at an overpriced gym, lay in the hammam there until I went blind, and went out at night in shoes that cut my feet and gave me sciatica.
Ottessa Moshfegh (My Year of Rest and Relaxation)
He thought again about the poison. He remembered that one of the animal handlers had been bitten by a compy in a cage. The handler had said the poison was like a narcotic—peaceful, dreamy. No pain. You just wanted to go to sleep. The hell with that, he thought. Hammond picked up a rock, aimed carefully, and threw it, striking one compy flat in the chest. The little animal shrieked in alarm as it was knocked backward, and rolled over its tail. The other animals immediately backed away. Better. Hammond turned away, and started to climb the hill once more. Holding branches in both hands, he hopped on his left leg, feeling the ache in his thigh. He had not gone more than ten feet when one of the compys jumped onto his back. He flung his arms wildly, knocking the animal away, but lost his balance and slid back down the hillside. As he came to a stop, a second compy sprang forward, and took a tiny nip from his hand. He looked with horror, seeing the blood flow over his fingers. He turned and began to scramble up the hillside again. Another compy jumped onto his shoulder, and he felt a brief pain as it bit the back of his neck. He shrieked and smacked the animal away. He turned to face the animals, breathing hard, and they stood all around him, hopping up and down and cocking their heads, watching him. From the bite on his neck, he felt warmth flow through his shoulders, down his spine. Lying on his back on the hillside, he began to feel strangely relaxed, detached from himself. But he realized that nothing was wrong. No error had been made. Malcolm was quite incorrect in his analysis. Hammond lay very still, as still as a child in its crib, and he felt wonderfully peaceful. When the next compy came up and bit his ankle, he made only a halfhearted effort to kick it away. The little animals edged closer. Soon they were chittering all around him, like excited birds. He raised his head as another compy jumped onto his chest, the animal surprisingly light and delicate. Hammond felt only a slight pain, very slight, as the compy bent to chew his neck.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
I walk outside and the green on the trees seems greener, so potent I can almost taste it. Maybe I can taste it, and it is like the grass I decided to chew when I was a child just to see what it was like. I almost fall down the stairs because of the swaying and burst into laughter when the grass tickles my bare feet. I wander toward the orchard. “Four!” I call out. Why am I calling out a number? Oh yes. Because that’s his name. I call out again. “Four! Where are you?” “Tris?” says a voice from the trees on my right. It almost sounds like the tree is talking to me. I giggle, but of course it’s just Tobias, ducking under a branch. I run toward him, and the ground lurches to the side, so I almost fall. His hand touches my waist, steadies me. The touch sends a shock through my body, and all my insides burn like his fingers ignited them. I pull closer to him, pressing my body against his, and lift my head to kiss him. “What did they--” he starts, but I stop him with my lips. He kisses me back, but too quickly, so I sigh heavily. “That was lame,” I say. “Okay, no it wasn’t, but…” I stand on my tiptoes to kiss him again, and he presses his finger to my lips to stop me. “Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
Veronica Roth (Insurgent (Divergent, #2))
Chris and I told the story of how we met in American Sniper. Briefly, I was living in Long Beach at the time. A girlfriend wanted to go down to San Diego--nearly a two-hour drive--to check out some bars and relax. I almost didn’t go; it was a long drive and I was tired. But I went. We ended up in a bar in Coronado, where I found myself drinking Scotch and offering sarcastic comebacks to an admittedly good-looking but obnoxious young man hitting on me. The man’s friend came over and interrupted us, joking that I was abusing his friend. Now this was a handsome man. A bit over six feet, solidly built, he had a warm smile and broad shoulders to go with a sweet Texas accent and an easygoing, aw-shucks manner that instantly melted my cynical heart. His name was Chris Kyle.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Quickly I find another surprise. The boys are wilder writers — less careful of convention, more willing to leap into the new. I start watching the dozens of vaguely familiar girls, who seem to have shaved off all distinguishing characteristics. They are so careful. Careful about their appearance, what they say and how they say it, how they sit, what they write. Even in the five-minute free writes, they are less willing to go out from where they are — to go out there, where you have to go, to write. They are reluctant to show me rough work, imperfect work, anything I might criticize; they are very careful to write down my instructions word by word. They’re all trying themselves on day by day, hour by hour, I know — already making choices that will last too unfairly long. I’m surprised to find, after a few days, how invigorating it all is. I pace and plead for reaction, for ideas, for words, and gradually we all relax a little and we make progress. The boys crouch in their too-small desks, giant feet sticking out, and the girls perch on the edge, alert like little groundhogs listening for the patter of coyote feet. I begin to like them a lot. Then the outlines come in. I am startled at the preoccupation with romance and family in many of these imaginary futures. But the distinction between boys and girls is perfectly, painfully stereotypical. The boys also imagine adventure, crime, inventions, drama. One expects war with China, several get rich and lose it all, one invents a time warp, another resurrects Jesus, another is shot by a robber. Their outlines are heavy on action, light on response. A freshman: “I grow populerity and for the rest of my life I’m a million air.” [sic] A sophomore boy in his middle age: “Amazingly, my first attempt at movie-making won all the year’s Oscars. So did the next two. And my band was a HUGE success. It only followed that I run the country.” Among the girls, in all the dozens and dozens of girls, the preoccupation with marriage and children is almost everything. They are entirely reaction, marked by caution. One after the other writes of falling in love, getting married, having children and giving up — giving up careers, travel, college, sports, private hopes, to save the marriage, take care of the children. The outlines seem to describe with remarkable precision the quietly desperate and disappointed lives many women live today.
Sallie Tisdale (Violation: Collected Essays)
Jane doesn't watch very much television. She used to watch it more. She used to watch comedy series, in the evenings, and when she was a student at university she would watch afternoon soaps about hospitals and rich people, as a way of procrastinating. For a while, not so long ago, she would watch the evening news, taking in the disasters with her feet tucked up on the Chesterfield, a throw rug over her legs, drinking a hot milk and rum to relax before bed. It was all a form of escape. But what you can see on the television, at whatever time of day, is edging too close to her own life; though in her life, nothing stays put in those tidy compartments, comedy here, seedy romance and sentimental tears there, accidents and violent deaths in thirty-second clips they call bites, as if they were chocolate bars. In her life, everything is mixed together.
Margaret Atwood (Wilderness Tips)
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
Laura Frantz (Courting Morrow Little)
What do you see when you look at me?” “I see you,” he answered as if it was obvious. “It’s not like I see a place, or a time, or a name: just you. Your essence. Your soul. That’s how I find you every time you come back. I know it’s hard to understand, but your soul calls me…and I’m drawn to it. I couldn’t keep away if I tried.” Sage raised his hand to my cheek, cupping it gently. I closed my eyes, resting against the warmth of his palm. When I opened them he had moved closer. I closed the distance between us and kissed him. I felt dizzy and hot and floaty, like every cliché…but it was true. I couldn’t feel my feet. I finally felt like I was where my soul belonged. There was only one problem. The gearshift was digging into my side. “Ow!” I winced. “You okay?” “Yeah…it’s just…” I gestured down, feeling like an idiot for ruining the moment. Sage didn’t seem to mind. He reached down and moved his seat back to its maximum leg room, then held out his hand. I grabbed it and clambered over the center console, clumsily ducking and folding myself until I finally settled onto his lap, straddling his legs. It was the least coordinated act of seduction ever. “Better?” he asked. “Better.” He kissed me, sliding his hands up the back of my shirt. It felt incredible. Without breaking away from his lips, I reached underneath his tee and felt his bare, sleek chest. My breath came faster, caught up in the frenzy of finally letting go and doing what I’d been dying to do from the second I’d seen Sage on the beach. “Wait,” he said. He reached down and pulled a lever. I let out a little scream as his seat back dropped all the way and I fell on top of him. I loved the feel of his body under mine. I didn’t want a single part of us not touching. “Better now?” Sage murmured into my ear. It wasn’t fair of him to ask me a question when he was doing that. I could barely function, never mind put together an answer. “Much better,” I said. “It’s practically a bed.” “Is it?” Sage agreed, and in his eyes I saw exactly what that could mean. “Oh,” I said, suddenly nervous. “But…we can’t. I mean, we don’t have…” “I do,” he said, leaning down to kiss the hollow where my neck met my shoulder. “You do?” I tensed up. Why did he have one? For who? The corner of Sage’s mouth turned up. “For us, Clea. The drugstore in Rio? I kind of had a feeling…” He moved his lips back to my neck. He nibbled on my earlobe, and I whimpered. “Oh,” I managed. “Well…then…” “I love you, Clea.” Everything tunneled in, and I heard the words echo in my head. Sage loved me. Me. I didn’t even realize I’d stopped breathing until he said my name, concerned. “Clea?” I looked at him and immediately relaxed. “I love you, too.” We kissed, and I actually felt myself melting into him as my last coherent thoughts gave way to pure sensation.
Hilary Duff (Elixir (Elixir, #1))
Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works. When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face. “You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.” Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange. “What did you do to her?” Tobias says, terse. “What in God’s name did you do?” “I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.” “They must have given her too much of what?” he says. “You have a nice voice,” I say. “Tris,” he says, “please be quiet.” “The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.” Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.” Johanna does not respond for a few seconds. She folds her hands in front of her. “Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.” “Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.” “Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.” “Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
Veronica Roth (Insurgent (Divergent, #2))
Fire the Boss. “Big Al, when you join our business, here is what happens. Six months from now you walk into your boss’ office. You sit down in the chair, you put your feet up on his desk and you leave little scuff marks with your heels. “Then you put your hands behind your head and you calmly tell the boss that you can’t fit him into your schedule any longer. You’ve enjoyed working there, but if they have any problems after you leave, they can call you any Tuesday morning at 11:00 a.m. at your normal consulting rate. “Then you get up from the boss’ office, walk out to the main office desk, pick up your personal belongings, wave good-bye to all your fellow workers who said it couldn’t be done, hop into your brand-new bonus car, drive down to the drive-in teller window, deposit this month’s bonus check, and say to the bank teller: “‘Oh, I don’t know. Put this bonus check in savings or checking. It really doesn’t matter. I get these checks every month.’ “And then you drive home and relax, and have a nice glass of your favorite beverage.
Tom Schreiter (How To Prospect, Sell and Build Your Network Marketing Business With Stories)
CORE MEDITATION: Breathing This classic meditation can deepen concentration by teaching us to focus on the “in breath” and the “out breath.” Sit comfortably on a cushion or chair and keep your back upright, without straining or overarching. If you can’t sit, then lie on your back on a yoga mat or folded blanket with your arms at your sides. Just be at ease and close your eyes, or gaze gently a few feet in front of you and aim for a state of alert relaxation. Take three or four deep breaths, feeling the air as it enters your nostrils, fills your chest and abdomen, and flows out again. Then let your breathing settle into a natural rhythm, and just feel the breath as it happens, without trying to change it or improve it—all you have to do is feel it. Notice where you sense your breath most intensely. Perhaps it’s at the nostrils, or at the chest or abdomen. Then rest your attention as lightly as a butterfly rests on a flower—only on that area—and become aware of the sensations there. For example, if you’re focusing on the breath at the nostrils, you may experience tingling, vibration, or pulsing, or you may observe that the breath is cooler when it comes in and warmer when it goes out. If you’re focusing on the breath at the abdomen, you may feel movement, pressure, stretching, or release. You don’t need to name these feelings—simply let your attention rest on them, one breath at a time. (Notice how often the word rest comes up in this instruction. This is a very restful practice). You don’t need to make the inhalation deeper or longer or different from the way it is. Just be aware of it, one breath at a time. Whenever you notice your attention has wandered and your mind has jumped to the past or the future, to judgment or speculation, don’t worry about it. Seeing your attention has wandered is the signal to gently let go of whatever has distracted you and return your attention to the feeling of the breath. If you have to let go over and over again, that’s fine—being able to more gracefully start over when we’ve become distracted or disconnected is one of the biggest benefits of meditation practice.
Sharon Salzberg (Real Happiness at Work: Meditations for Accomplishment, Achievement, and Peace)
After lunch we went to have our feet nibbled by hundreds of tiny fish. Then, after that- just kidding, I'll explain. The onsen offers a skin treatment where you dip your feet into a shallow pool stocked with Garra rufa, also known as doctor fish, which perform primitive exfoliation by slurping dead skin off your feet with their tiny jaws. This is illegal in most U.S. states, where health authorities believe that sharing fish between customers is as sanitary as sharing unsterilized tattoo needles. I find this reasoning persuasive. Naturally, we all went and joined a random stranger at the fish pool. I'd heard of this fish treatment before, probably from a "hey, you've got to see this" link passed around online, and somehow I had the idea that it involved the occasional wayward fish sidling up to your foot. Try dozens, hundreds, all gnawing simultaneously. You can feel the little bites. At first it provoked a deep-seated piranha fear which I quelled by sitting still, taking deep breaths, and telling myself I had nothing to worry about other than blood-borne diseases. After that, it proved quite relaxing, although I did give up before my allotted fifteen minutes and went back to the painful reflexology pool where you walk around barefoot on jagged rocks. My feet are still baby soft, but when I need my next treatment, I'll post to Craigslist. Need feet nibbled. Will pay.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
He carried the hot mug, which was tiny in his hand, over to Cisi, who dumped the vial of sleep elixir in it and sauntered over to the guard. Without a word of explanation. “I doubt he speaks Thuvhesit,” Teka said. Cisi’s posture relaxed, and a smile spread over her face as she greeted the guard. At first the man looked like he would yell at her, but then he got that sleepy look, the same one both Jorek and Jyo had given Cisi yesterday. “She could be speaking Ogran,” he said. “It wouldn’t matter.” He’d seen the effects of Cisi’s gift before, but only when she wasn’t really trying. He had no idea how potent the effect would be when she actually put effort into it. The guard was leaning back against the amphitheater wall, a little smile curling his lips, and when she offered him the mug, he cradled it in both hands. And sipped. Akos hustled through the crowd, quick. If the guard was going to topple, he wanted it to happen as discreetly as possible. And sure enough, by the time he made it to his sister’s side, the guard was swaying on his feet, the rest of the Othyrian drink splashing on the packed dirt. Akos caught him by the shoulders and lowered him to the ground, slow. Teka was already crouched over the man’s body, searching his pockets. She turned up the key quickly, checked over her shoulder, and crammed it into the lock. “Okay,” Isae said to Cisi. “That was downright alarming.” Cisi just grinned.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end. “It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?” We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned. I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites. People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand. More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
It will relax her, make her pliable. Women love having their feet rubbed.” “Most women beg me to rub somewhere other than their feet.” “They like their toes nibbled,” Aiden said. “And suckled.” “Rub feet, suckle toes. Got it.” “Do it slowly, the strokes steady. Then move up her legs. Use her muscles as a guide. Not hard strokes— you want to soothe, not press.” “How long before I can massage her pussy?” “Gods, level threes are impatient. The trick is to go slowly. By the time you’ve reached her ass, she’s sighing with pleasure, but you don’t stop there. You do her entire back and arms while she’s longing for you to get to her pussy. Make her wait.” “Now that I can get into. Holding back, making her beg.” He saw Nella again, squirming on the sheets, her red hair tangled on the pillow, her hips lifting toward him.   Please, Rio, she’d say. Not yet, baby, he’d respond. I want you good and wet before I get there. She’d whimper with disappointment, then he’d lift his strap and smack her sweet little backside. Rio sighed and made the image dissolve. “Massage. Slowly. I’m not sure my programming will let me.” “Like this.” Aiden moved his ale glass and pressed his hand to the table, thumb and last two fingers on the surface, the other two fingers held loosely. “Glide across her skin, pressing a little. Long strokes, following the curve of her leg.” He moved his hand across the table, slowly and sensually, his own eyes becoming bluer, as though he pictured a beautiful woman under his hand. Rio copied his movements, trying to shape his hand the same way, trying press a little, but not too much. It felt awkward. He gave up. “I gotta say, massaging this table does nothing for me.
Allyson James (Rio (Tales of the Shareem, #2))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Abruptly Nick stood and seized her by the hand. “Come on. We need to go outside. This will work better with show-and-tell.” He trudged through the woods, dragging her behind him. She could feel the tension in his grip. Whatever his secret was, it had him keyed up. The sun had already begun to dip behind the horizon, letting a chill seep into the air. “Keep walking,” he said. “I need some distance from the neighborhood.” “Your secret is in the woods?” said Quinn, shivering. “Dude, if you turn into a werewolf, I am outta here.” He smiled, then stopped and turned to face her. “I’m not a werewolf.” “Vampire? Alien?” She snapped her fingers. “Harry Potter. Or wait, you’d be one of the Weasley twins . . .” “If you could shut up a second, I’d tell you.” “Should I hold your hands? Are we going to phase out and appear in Narnia?” “No.” He glanced around. “If any trees fall, I don’t want them to hit a house.” Trees falling? What? “So you’re secretly Paul Bunyan?” “Quinn.” She shivered again. “What? Seriously, Nick, what’s out here?” “Air.” As he said the word, the breeze kicked up, finding a true wind that ruffled his hair and swirled between them. Leaves shifted and rustled along the ground. Quinn frowned. “Air?” Nick nodded. His expression said that she was missing something important. But . . . air? Air was everywhere. Leaves lifted from the ground and began to spiral around their feet. She started to shiver again—but then the leaves swirled off the ground, forming a moving wall to enclose them. First two feet high, then three, then eye level. Quinn felt the first lick of fear. She moved closer to him— then wondered if that was worse than moving away. “You’re freaking me out a little, Nick. Is the mother ship landing?” “Relax.” He spoke gently, confidently. “It’s just wind.
Brigid Kemmerer (Secret (Elemental, #4))
The difference between theism and nontheism is not whether one does or does not believe in God. It is an issue that applies to everyone, including both Buddhists and non-Buddhists. Theism is a deep-seated conviction that there’s some hand to hold: if we just do the right things, someone will appreciate us and take care of us. It means thinking there’s always going to be a babysitter available when we need one. We all are inclined to abdicate our responsibilities and delegate our authority to something outside ourselves. Nontheism is relaxing with the ambiguity and uncertainty of the present moment without reaching for anything to protect ourselves. We sometimes think that dharma is something outside of ourselves—something to believe in, something to measure up to. However, dharma isn’t a belief; it isn’t dogma. It is total appreciation of impermanence and change. The teachings disintegrate when we try to grasp them. We have to experience them without hope. Many brave and compassionate people have experienced them and taught them. The message is fearless; dharma was never meant to be a belief that we blindly follow. Dharma gives us nothing to hold on to at all. Nontheism is finally realizing that there’s no babysitter that you can count on. You just get a good one and then he or she is gone. Nontheism is realizing that it’s not just babysitters that come and go. The whole of life is like that. This is the truth, and the truth is inconvenient. For those who want something to hold on to, life is even more inconvenient. From this point of view, theism is an addiction. We’re all addicted to hope—hope that the doubt and mystery will go away. This addiction has a painful effect on society: a society based on lots of people addicted to getting ground under their feet is not a very compassionate place.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times. An insightful guide to self-improvement through compassion and wisdom)
As they walked toward the dance floor, Pamela barely felt the bruises on her feet from Henry. The thrill of waltzing with Mr. Carter practically banished the ache. On the floor, he took her into his arms. She liked the feel of his hand on her waist, the press of their gloved palms together. For the first time, the intimate posture, which had always made her feel uncomfortable and stiff, seemed right, and she wished he would pull her closer. Throughout the beginning of the waltz, they remained silent. She had the sense that Mr. Carter was concentrating on his steps, and she didn't want to distract him. He frowned. "I'm sorry I'm not a very good dancer." "Not at all." Pamela thought of Henry and had to restrain a laugh. She didn't want Mr. Carter to think she was making fun of him. "You couldn't possibly be worse than my previous partner, who led me in the wrong direction and trod on my toes!" His troubled expression cleared. "Well, then, I'm grateful you decided to risk your toes again with me. I promise, I'll try to keep my boots on the floor where they belong." He wiggled his eyebrows. Pamela laughed at his playful act. "I watched you with Elizabeth, and you were fine. So accepting your invitation to dance was not such a risk as you're making it out to be." As they bantered, Pamela found herself relaxing. Conversing with this stranger she'd only met twenty minutes ago was far easier than talking with some men she'd known all her life. Mr. Carter also seemed to become comfortable. His lead became more expert, and he picked up their speed. As they became in tune with each other, they flowed in perfect step to the music. Exhilaration welled up in Pamela. She'd never known dancing could feel like this. She glanced up at him, feeling a smile as wide as the moon stretch across her face. "We're flying!
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Try Mindfulness Meditation Mindfulness meditation is like Tylenol, in that the same treatment is capable of helping with multiple issues: decreasing anxiety-induced overarousal, boosting your focus, and improving your ability to detect rumination. Mindfulness-based therapies have been shown to be effective for helping people reduce anxiety. Mindfulness meditation does not need to be intimidating. Research by the makers of the Lift goal-tracking app found that beginner meditators start with an average of three to five minutes. They also found that once people had meditated 12 times, there was around a 90% chance they’d do more mediation. Experiment: Explore and find a version of meditation that works for you. Start with three minutes of one of the following practices, and increase the time you spend meditating by 30 seconds each day: --Pay attention to the physical sensations of your breathing. Lie down and put your hand on your abdomen to feel the sensations of it rising as you breathe in and falling as you breathe out. --Sit or lie down and listen to any sounds and the silence between sounds. Let sounds just come in and out of your awareness regardless of whether they’re relaxing sounds or not. --Walk for three minutes and pay attention to what you see. --Walk and pay attention to the feelings of air on your skin. --Walk and pay attention to the physical sensations of your body moving. --Do three minutes of open awareness, in which you pay attention to any sensations that show up. Pay attention to anything in the here and now, which could be sounds, your breathing, the sensations of your body making contact with your chair, or the sensations of your feet on the floor. --Spend three minutes paying attention to any sensations of pain, tension, comfort, or relaxation in your body. You don’t need to try to change the sensations; just allow them to be what they are, and ebb and flow as they do. When your thoughts drift away from what you’re supposed to be paying attention to, gently (and without self-criticism) bring them back. Expect to need to do this a lot. It’s a normal part of doing mindfulness meditation and doesn’t mean you’re doing it wrong. You’re likely to get more benefits from meditation if you do it on a regular basis and for longer amounts of time per session.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
Have you written to Emmie?” “I write to them both,” St. Just replied, chugging some cold lemonade. “Emmie chided me to observe the proprieties, so I have not written to her, precisely.” “If you did write, just to her, what would you write?” St. Just sat back, more relaxed than he’d been in days for having had a good gallop. “I would tell her I miss her, that I am scared of being around people all the time, but only marginally less scared when alone. I’m afraid of the next rainy night, still, and I miss Winnie more than I thought I would. Winnie is just… good. Innocent, you know? I would tell her I am not sleeping as well as I did in Yorkshire, but I am managing not to drink much, so far. I would tell her—” “Yes?” Douglas cocked his head, no doubt surprised at the raw honesty of these sentiments. “I would tell her I was better when I could smell fresh bread in every corner of my house and know she was busy in my kitchen. I would tell her there are no stone walls here for me to beat my head against, and I miss her.” “Emmie is a stone wall?” Douglas eyed his water, his expression perplexed. “In a sense.” St. Just grinned ruefully. “A good sense.” Douglas rose to his feet. “If I were you, I would start writing.” “I’m not passing along such drivel to such a sensible woman.” St. Just rose, as well, and eyed Douglas a little uncertainly. “She’d think my wits had gone begging.” “It isn’t your wits,” Douglas said sternly. He pulled St. Just into his arms, not for a quick, self-conscious, furtive male hug, but for an embrace, full of affection and protectiveness. “It’s your heart, you ass. Now listen to me.” He put a hand on the back of St. Just’s head, effectively preventing St. Just from doing aught but remaining pliant in his arms. “I love you, and I am proud of you. I am grateful for the years you spent defending me and mine, and I will keep you in my prayers each and every night. Write to me, or I will tattle to Her Grace, Rose, and Winnie.” “A veritable firing squad of guilt,” the earl said, stepping back. He turned his back on Douglas and reached for a linen napkin on the tea cart. “Damn you, Amery.” Douglas stepped up behind him and offered him one last pat on the shoulder. “You’ll be all right, Devlin. Just keep turning toward the light, no matter how weak, shifting, or uncertain. Write to me, and know you are always welcome in my house, under any circumstances, no matter what.” St.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
merciful and kind, forgiving and gentle. If anything, He wants a relationship with me and so He would not ignore me. “For the eyes of the Lord are on the righteous and his ears are attentive to their prayer” (1 Peter 3:12).   c) He heard my prayer and answered, Yes later   I know that God hears my prayers. I know by His very nature He would not ignore my prayers. (2 Chronicles 7 NIV) So He may be saying, Yes later. God knows the past, the present and the future. He lives in eternity. He knows what is best for me and when. His timing is perfect and I must learn to accept this. I must lift my prayer to Him and then settle back knowing that He is in full control.   It’s just a matter of patience. “We do not want you to become lazy, but to imitate those who through faith and patience inherit what has been promised” (Hebrews 6:12). Like the time I had to wait for my house to sell. I knew God heard my prayer to sell. I knew He was not ignoring me. I just had to wait in His perfect timing. And lo and behold, it was perfect as it allowed us time to find the home in which to settle.   But what if God’s answer is No?   d) He heard my prayer and answered, No   This has been my experience in the past. I prayed for a specific outcome, yet when the decision was made, my request was denied. I felt crushed and betrayed. Little did I know at the time that God had a much better plan. God is not a malicious, vengeful God. No, He is loving and kind. “The LORD is faithful to all His promises and loving toward all He has made” (Psalm 145:13).   What ended up happening in that situation was a very different, much better outcome. Something that had not entered my mind. I had limited my prayer to my own finite wisdom and understanding of the situation at that moment in time. God has infinite wisdom. He knows the hearts of people. And although He said No to my prayer, it was only because He had something better in mind.   I am reminded that there are many ways God enriches our lives through trials and suffering; things we could not have learned without going through those troubles.   My prayer for my daughter’s health has been heard. I can rest in the knowledge that God is not ignoring my pleas. I also find peace knowing that God will answer my prayer within His perfect timing, and if He has a better way or more favorable outcome, He will respond accordingly. I can relax knowing that I have laid my prayer at His feet; I can rest knowing that He loves me and is taking care of me.       Prayer is communing with God. ~ Emma Tcheau
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
THE BASIC LYING-DOWN POSTURE Begin by lying on your back on the floor or ground—a comfortable surface (firm, but not too hard)—with your knees up, your feet flat on the floor, and a yoga strap tied just above the knees. The strap should be tied tight enough so the knees are just touching or almost touching. We’re creating a triangle between the knees, the feet, and the floor, so that you can relax your thighs, lower back, and pelvic area. Your feet should be comfortably spread apart so that you feel stable and can fully relax. You may also want something supporting your head, such as a folded towel, a sweater, or a small pillow, to raise it slightly. Cross your hands at or over your lower belly with the left hand under the right hand, little fingers down toward the pubic bone, thumbs up toward the navel. This gathers your energy and awareness toward the core of the body. Feel the earth under you and let your body sink down as if into the earth. The more you can allow yourself to feel supported by the earth, the more fully you will be able to relax. Check the comfort of your position. You want to be really relaxed, so your body’s not being strained in any particular way. You should be holding yourself so you can completely relax the muscles in the lower back and the inner thighs and so there’s no effort of holding at all. You’re really relaxed: the triangle of your knees, two feet, and the floor should be very restful for you. Then, put your awareness in your body, and just let yourself continue to relax. Soon after you begin doing these practices, you’ll notice that any time you lie down in this way, in the same position with the intention to do body work, the body responds very quickly. This is the one time in our life when our body actually becomes the focus of attention. We’re not using the body for something else. We’re simply making a relationship with it as it is. It’s the only occasion when we ever do this, including in our sleep. The body begins to respond, to relax, to develop a sense of well-being, even in just taking this position. So just take a few minutes, and let your body completely relax. As you’re just lying there, you’ll notice that your body begins to let go. A muscle here, a muscle there, a tendon here, a joint there: it begins to release the tension in various places. It’s a very living situation. You might think, “Why am I here? There’s not much happening.” That’s not true at all. As long as you’re attentive and you put your awareness into your body, there’s a very dynamic, very lively process of relaxation that the body goes through. But you have to be present. You have to be in your body. You have to be intentionally and deliberately feeling your body for this to work.
Reginald A. Ray (Touching Enlightenment: Finding Realization in the Body)
He bent to kiss her stomach, so low that his chin brushed the triangle of curls. The tip of his tongue touched her skin, painting a delicate pattern. Her hips undulated, trying in vain to coax him lower, her entire body begging, Please down there down there. She felt as helpless as a jointed doll. Different parts of her were quivering, tensing, trembling, while her insides closed frantically on emptiness. He changed their positions with a quiet grunt of discomfort, until they were both lying on their sides, his head toward her feet. She felt him pull her top leg up and across, and then he relaxed with what sounded like a purr. As she felt him breathing between her thighs, she moaned, panted, licked her dry lips, wanting to say his name but afraid she might scream it. She tensed at the touch of his fingers, stroking lightly across the wet entrance of her body. All her consciousness focused on what he was doing, the fingertip that dipped very slightly into the pulsing cove. A teasing finger slid all the way inside and began to thrust in the slowest, gentlest rhythm possible, while her intimate muscles clenched and squeezed at the invasion, and her belly writhed. His breath rushed against the hard, tender bud of her clitoris in feathery tickles. It was heaven. It was torture. She wanted to kill him. He was the meanest, wickedest man who'd ever lived, the devil himself, and she would have told him so if she'd had the breath to spare. He added another finger, and a deep glow began at her core. The feeling spread through every limb and swept upward, until it burned in her face and throat, even at the lobes of her ears. It was beneath her arms, between her toes, at the backs of her knees, a radiant heat that kept climbing. His fingers curved gently inside and held her like that, and then, finally, she felt his mouth at her sex, his tongue stroking in catlike laps. It sent her into a climax unlike anything she'd ever felt, pure ecstasy without a precise beginning or end, a long open spasm that went on and on. A new surge of wetness emerged when his fingers finally withdrew. His tongue was strong and eager as he hunted for the taste of her, making her writhe. Her head came to rest close to his groin, her cheek brushing the satiny skin of his aroused flesh. Languidly she rubbed her parted lips along the rigid length, making him jolt as if he'd received an electric shock. Encouraged by his response, she took hold of the shaft with one hand and drew her tongue along it. When she reached the tip, she fastened her lips over the silkiness and salt taste, and sucked lightly. He groaned between her thighs. With his fingers, he spread her furrow wider, and nibbled at the taut, full center, flicked at it. She moaned, vibrating around the head of his shaft.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile. What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten. “Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care. “Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug. “Hi, Mike,” Marlboro Man said, politely patting him on the back. “Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?” Mike obliged, giggling and oooo-ing as he walked toward the kitchen. Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.” “You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.” Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night. He set my feet back down on the floor. “So…,” he teased. “You still cranky?” “Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house? “Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.” Who was the woman? What’s her name? What’s her cup size? He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.” Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier. “Oh…really?” I said, my chest relaxing with a long, quiet exhale. “Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.” I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion. Mike came barreling out of the kitchen, where he’d been listening to every word. “Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I turned and entered the airport with my escort. Suddenly, I had a horrible realization: in order to return to the flight line I needed to move through a modern international airport complete with metal detectors and X-ray machines and I had a loaded pistol in my fanny pack. And, because of the ongoing civil war, security was beefed up and the guards were extra wary. Before we reached the first checkpoint, I pretended that I needed to use the restroom and told my escort to go on ahead. I needed to think. One option was to drop my pistol in a trash can and exit the airport, later claiming I lost the gun somehow. The lost-gun option had serious flaws. I couldn’t ditch my pistol because I had signed it out by serial number. Police could easily trace the gun back to me. My personal interpretation of the, “no weapons” order would probably not be an effective defense at my court marshal. My other option was to try and sneak through the airport onto the flight line, somehow avoiding a gauntlet of security checkpoints. This was the ninja option. This daunting course of action was fraught with serious danger. If guards confronted me and caught me with a loaded pistol I knew I would not have a pleasant day. There was no telling where that situation would lead; there was a real possibility I could spend time in a Yemeni prison. Despite the risks I decided on the ninja option. I figured I might have one slim advantage. Maybe the guards would remember me coming through the airport from the flight-line side with the embassy official and not pay me much attention. I was sweating bullets as I approached the first checkpoint. I tried to act casual and confident, not furtive and suspicious like a criminal. I waited until the guard looked away, his attention elsewhere and boldly walked behind him past the checkpoint. When I approached the X-ray and metal detectors I strode right past the line of people, bypassing the machines. I had to play it that way. I could not hang out near the detectors waiting for guards to look the other way and then sneak past; there were just too many. As I brazenly strode around each checkpoint I feared to hear a sudden barked command, rushing feet behind me, and hands spinning me around to face angry guards with drawn weapons. The last part of my mission to get on the airfield was tricky and nerveracking. Imagine being at an American airport in the gate area where people board the airplanes. Then imagine trying to sneak out a Jetway or access door without being stopped. I remembered the door I had used to enter the terminal and luckily it was unlocked. I picked my moment and quickly slipped out the door onto the airfield. I boldly strode across the airfield, never looking behind me until I reached my plane. Finally, I turned and looked back the way I came and saw … nothing. No one was pursuing me. I was in the midst of an ongoing civil war, surrounded by fresh bomb craters and soldiers carrying soviet rifles, but as scary situations go, so far Tiger Rescue was a relaxing walk in the park compared to Operation Ninja Escape.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Dom rose from his kneeling position, a keen hunger shining in his eyes. “Was that wicked enough for you, sweeting?” he drawled as he used his cravat to wipe his mouth. With her heart thundering loudly in her ears and her breathing staggered, it took her a moment to answer. “Not quite,” she managed, then tugged at the waistband of his drawers. “You still have these on.” That seemed to startle him. Then one corner of his lips quirked up. “I never guessed you were such a greedy little--“ “Wanton?” she asked before he could accuse her of being one. But he just shot her a smoldering smile. “Siren.” “Oh.” She liked that word much better. Feeling her oats, she gestured to his drawers. “So take them off.” With a laugh, he did so. “There, my lusty beauty. You have your wish.” “Yes…yes, I do.” Now she could study him to her heart’s content. But the reality was rather sobering. His member, jutting from a nest of dark curls, couldn’t possibly be hidden behind a tiny fig leaf like the ones on statues. “Oh my. It’s even bigger and more…er…thrusting without the drawers.” “Are you rethinking your plan for seduction now?” he asked, with a decided tension in his voice. “No.” She cast him a game smile. “Just…reassessing the…er…fit.” “It’s not as fearsome as it looks.” “Good,” she said lightly, only half joking. She looped her arms about his neck. “Because I’m not as fearless as I look.” “You’re a great deal more fearless than you realize,” he murmured. “But this may cause you some pain.” She swallowed her apprehension. “I know. You can’t protect me from everything.” “No. But I can try to make it worth your trouble.” And before she could respond to that, he was kissing her so sweetly and caressing her so deftly that within moments he had her squirming and yearning for more. Only then did he attempt to breach her fortress by sliding into her. To her immense relief, there was only a piercing pop of discomfort before he was filling her flesh with his. All ten feet of it. Or that’s what it felt like, anyway. She gripped his arms. Hard. He didn’t seem to notice, for he inched farther in, his breath beating hot against her hair. “God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The door was still open, so I shut it and was returning to my desk when I braked. There was a backpack resting on the other side of my desk chair. It wasn’t mine. It wasn’t Missy’s. I was pretty sure it wasn’t Holly’s or the cousin’s. “Shit,” I muttered under my breath. “Huh?” she barked, her head swinging around to me. A quick glance confirmed what I already knew. She was drunk. “Nothing.” She pulled out one of her shirts, but it wasn’t her normal pajama top. She was really drunk. I picked up Shay’s bag and checked the contents to make sure it was his. It was. I saw his planner with his name scrawled at the top, so I zipped that bag and put it in the back of my closet. No one needed to go through it. I didn’t think Missy would, but I just never knew. Dropping into my chair, I picked up my phone to text Shay as Missy fell to the floor. I looked up to watch. I couldn’t not see this. I was tempted to video it, but I was being nice. For once. As Missy wrestled with her jeans and lifted them over her head to throw into her closet, I texted Shay. Me: You left your bag here. Missy let out a half-gurgled moan and a cry of frustration at the same time. She didn’t stand, instead crawling to the closet. She grabbed another pair of pants. Those weren’t her pajamas, either. As she pulled them on—or tried since her feet kept eluding the pants’ hole—my phone buzzed back. Coleman: Can I pick it up in the morning? I texted back. Me: When? Missy got one leg in. Success. I wanted to thrust my fist in the air for her. My phone buzzed again. Coleman: Early. My playbook is in there. I groaned. Me: When is early? I’m in college, Coleman. Sleeping in is mandatory. Coleman: Nine too early for you? I can come back to get it now. Nine was doable. Me: Let’s do an exchange. You bring me coffee, and I’ll meet you at the parking lot curb with your bag. Coleman: Done. Decaf okay? I glared at my phone. Me: Back to hating you. Coleman: Never stop that. The world’s equilibrium will be fucked up. I have to know what’s right and wrong. Don’t screw with my moral compass, Cute Ass. Oh, no! No way. Me: Third rule of what we don’t talk about. No nicknames unless they reconfirm our mutual dislike for each other. No Cute Ass. His response was immediate. Coleman: Cunt Ass? A second squeak from me. Me: NO! I could almost hear him laughing. Coleman: Relax. I know. Clarke’s Ass. That’s how you are in my phone. The tension left my shoulders. Me: See you in the morning. 9 sharp. Coleman: Night. I put my phone down, but then it buzzed once again. Coleman: Ass. I was struggling to wipe this stupid grin off my face. All was right again. I plugged my phone in, pulled my laptop back toward me, and sent a response to Gage’s email. I’ll sit with you, but only if we’re in the opposing team’s section. He’d be pissed, but that was the only way. I turned the computer off, and by then Missy was climbing up the ladder in a bright pink silk shirt. The buttons were left buttoned, and her pajama bottoms were a pair of corduroy khakis. I was pretty sure she didn’t brush her teeth, but before my head even hit the pillow, she was snoring
Tijan (Hate to Love You)
Martha would come over every week and check on Mia and work with her on relaxation and breathing exercises to prepare for the natural labor. Jenny was on board with the natural thing too, so of course she and Mia dragged Tyler and me to the Bradley Birthing Method classes. It was hysterical; we had to get in all kinds of weird poses with the girls while they mimicked being in labor. We would massage their backs while they were perched on all fours, moaning. One of the hardest things I’ve ever done is contain my laughter during those classes. Mia was the freakin’ teacher’s pet because she was taking it so seriously. Right around the third class, they showed us a video of a live birth. I had nightmares for a week after that. Tyler and I agreed that we had to find a way to get out of going to the classes. We hadn’t mutually agreed on a plan, so during the fifth class, Tyler took it upon himself and used his own bodily gifts to get us into a heap of trouble. Tyler is lactose intolerant, and he has to take these little white tablets every time he eats cheese. The morning of the class, he stopped by the studio with a half-eaten pizza. I didn’t even think twice about it until that night in class during our visualization exercises when this god-awful, horrendous odor overtook our senses. At first everyone kept quiet and just looked around for the source. There wasn’t a sound to accompany the lethal attack, so everyone went into investigation mode, staring each other down. Mia began to gag. I heard Jenny cry a little behind us. Finally when I turned toward Tyler, I noticed he had the most triumphant glimmer in his eyes. I completely lost my shit. I was rolling around, laughing hysterically. Mia grabbed the hood of my sweatshirt and pulled me to my feet. “Outside, now!” She was scowling as she dragged me along. When we passed Tyler, she pointed to him angrily. “You too, joker.” Mia and Jenny pressed us up against the brick wall outside and then gave us the death stare, both of them with their arms crossed over their blooming bellies. They whispered something to each other and then turned and walked off, arm in arm. We followed. “Come on, you guys, it was funny.” Jenny stopped dead in her tracks and turned. She jabbed her index finger into my chest and said, “Yes, it is funny. When you’re five! Not when you’re in a room full of pregnant women. Do you know how sensitive our noses are?” I shrugged. “It wasn’t me.” “Oh, I know he’s a child,” she said but wouldn’t even look at Tyler. “And you are too, Will, for encouraging it.” Mia was glaring at me with a disappointed look, and then she shook her head and turned to continue down the street. Jenny caught up and walked away with her. “God, they’re so sensitive,” I whispered to Tyler. “Yeah, I kinda feel bad.” Without turning around, Mia yelled to us, “You guys don’t have to come anymore. Jenny and I can be each other’s partners.” I turned to Tyler and mouthed, “It worked!” I had a huge smile on my face. Tyler and I high-fived. “Why don’t you guys go celebrate? I know that’s what you wanted,” Jenny yelled back as they made a sharp turn down the sidewalk and down the stairs to the subway. “Nothing gets past them,” Tyler said
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
Develop a rapid cadence. Ideal running requires a cadence that may be much quicker than you’re used to. Shoot for 180 footfalls per minute. Developing the proper cadence will help you achieve more speed because it increases the number of push-offs per minute. It will also help prevent injury, as you avoid overstriding and placing impact force on your heel. To practice, get an electronic metronome (or download an app for this), set it for 90+ beats per minute, and time the pull of your left foot to the chirp of the metronome. Develop a proper forward lean. With core muscles slightly engaged to generate a bracing effect, the runner leans forward—from the ankles, not from the waist. Land underneath your center of gravity. MacKenzie drills his athletes to make contact with the ground as their midfoot or forefoot passes directly under their center of gravity, rather than having their heels strike out in front of the body. When runners become proficient at this, the pounding stops, and the movement of their legs begins to more closely resemble that of a spinning wheel. Keep contact time brief. “The runner skims over the ground with a slithering motion that does not make the pounding noise heard by the plodder who runs at one speed,” the legendary coach Percy Cerutty once said.7 MacKenzie drills runners to practice a foot pull that spends as little time as possible on the ground. His runners aim to touch down with a light sort of tap that creates little or no sound. The theory is that with less time spent on the ground, the foot has less time to get into the kind of trouble caused by the sheering forces of excessive inward foot rolling, known as “overpronation.” Pull with the hamstring. To create a rapid, piston-like running form, the CFE runner, after the light, quick impact of the foot, pulls the ankle and foot up with the hamstring. Imagine that you had to confine your running stride to the space of a phone booth—you would naturally develop an extremely quick, compact form to gain optimal efficiency. Practice this skill by standing barefoot and raising one leg by sliding your ankle up along the opposite leg. Perform up to 20 repetitions on each leg. Maintain proper posture and position. Proper posture, MacKenzie says, shifts the impact stress of running from the knees to larger muscles in the trunk, namely, the hips and hamstrings. The runner’s head remains up and the eyes focused down the road. With the core muscles engaged, power flows from the larger muscles through to the extremities. Practice proper position by standing with your body weight balanced on the ball of one foot. Keep the knee of your planted leg slightly bent and your lifted foot relaxed as you hold your ankle directly below your hip. In this position, your body is in proper alignment. Practice holding this position for up to 1 minute on each leg. Be patient. Choose one day a week for practicing form drills and technique. MacKenzie recommends wearing minimalist shoes to encourage proper form, but not without taking care of the other necessary work. A quick changeover from motion-control shoes to minimalist shoes is a recipe for tendon problems. Instead of making a rapid transition, ease into minimalist shoes by wearing them just one day per week, during skill work. Then slowly integrate them into your training runs as your feet and legs adapt. Your patience will pay off.
T.J. Murphy (Unbreakable Runner: Unleash the Power of Strength & Conditioning for a Lifetime of Running Strong)
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.” She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.” “How?” Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?” “How are you getting home? Did you park on the street or something?” Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.” “Don’t you have a car?” She steels her spine. “No. I don’t.” I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work. “Okay, well then what about an Uber or something?” Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.” I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.” She laughs and starts to step back. “It’s not your concern. Don’t worry about me.” Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her. Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full. “Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.” Her soft feminine laugh echoes around the lobby. “Thank you, but I’d rather walk.” What she really means is, Thank you, but I’d rather die. “It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.” Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.” She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way. “Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up. “You’re clocked out, aren’t you? Call me Matt.” “Doctor,” she says pointedly. “Please give me my backpack before I call security.” I laugh because really, she’s hilarious. No one has ever threatened to call security on me before. “It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?” It weighs nothing. “My lunchbox. A water bottle. Some empty Tupperware.” Tupperware. I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her? “Did you bring more banana bread?” She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.” “I didn’t get any last time either,” I point out. She snorts. “Yeah well, I don’t feel bad about that.” I face forward again so she can’t see my smile.
R.S. Grey (Hotshot Doc)
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
I heard the footfalls, but it’s stopped now. It’s watching us, I can feel it.’ At that moment a small cloud passed over the moon and the world turned dark. ‘The moon will come out again soon.’ Centaine hugged the infant so hard that Shasa gave a little bleat of protest. ‘I’m sorry, baby.’ She relaxed her grip and then stumbled as she started forward. ‘I wish we hadn’t come – no, that’s not true. We had to come. We must be brave, Shasa. We can’t follow the spoor without the moon.’ She sank down to rest, looking up into the sky. The moon was a pale nimbus through the thin gunmetal cloud, and then it broke out into a hole in the cloud layer and for a moment flooded the glade with soft platinum light. ‘Shasa!’ Centaine’s voice rose into a high thin scream. There was something out there, a huge pale shape, as big as a horse, but with sinister, stealthy, unhorselike carriage. At her cry, it sank out of sight below the tops of the grass. Centaine leapt to her feet and raced towards the trees, but before she reached them the moon was snuffed out again, and in the darkness Centaine fell full length. Shasa wailed fretfully against her chest. ‘Please be quiet, baby.’ Centaine hugged him, but the child sensed her terror and screamed. ‘Don’t, Shasa. You’ll bring it after us.’ Centaine was trembling wildly. That big pale thing out there in the darkness was possessed of an unearthly menace, a palpable aura of evil, and she knew what it was. She had seen it before. She pressed herself flat to the earth, trying to cover Shasa with her own body. Then
Wilbur Smith (The Burning Shore: The Courtney Series 4)
Trying to get lasting security teaches us a lot, because if we never try to do it, we never notice that it can’t be done. Turning our minds toward the dharma speeds up the process of discovery. At every turn we realize once again that it’s completely hopeless—we can’t get any ground under our feet. The difference between theism and nontheism is not whether one does or does not believe in God. It is an issue that applies to everyone, including both Buddhists and non-Buddhists. Theism is a deep-seated conviction that there’s some hand to hold: if we just do the right things, someone will appreciate us and take care of us. It means thinking there’s always going to be a babysitter available when we need one. We all are inclined to abdicate our responsibilities and delegate our authority to something outside ourselves. Nontheism is relaxing with the ambiguity and uncertainty of the present moment without reaching for anything to protect ourselves. We sometimes think that dharma is something outside of ourselves—something to believe in, something to measure up to. However, dharma isn’t a belief; it isn’t dogma. It is total appreciation of impermanence and change. The teachings disintegrate when we try to grasp them. We have to experience them without hope. Many brave and compassionate people have experienced them and taught them. The message is fearless; dharma was never meant to be a belief that we blindly follow. Dharma gives us nothing to hold on to at all. Nontheism is finally realizing that there’s no babysitter that you can count on. You just get a good one and then he or she is gone. Nontheism is realizing that it’s not just babysitters that come and go. The whole of life is like that. This is the truth, and the truth is inconvenient
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
BILATERAL COORDINATION Ball Catch—Toss a large beach ball gently to the child from a short distance. As he becomes more competent, use a smaller ball and step farther away. Ball Whack—Have the child hold a baseball bat, rolling pin, broomstick, book, cardboard tube, or ruler in both hands. Remind her to keep her feet still. Toss her a big ball. As she swings, her body will rotate, as her arms cross the midline. Two-Handed Tetherball—Suspend a sponge ball at the child’s eye level from a string attached to a wide doorframe. Let your child choose different “bats.” Have her count how many hits she makes without missing. Try four-handed tetherball, in which you play, too. Balloon Fun—Using both hands together, the child bounces or tosses up a balloon and catches it. He can keep it afloat by whacking it with open hands or batting it repeatedly with hands clasped together in one large “fist.” Rolling-Pin Fun—Provide the child with a cylindrical block or a rolling pin without handles, so he presses down with his opened hands. Have him roll real dough, playdough, crackers, clay—or mud! Body Rhythms—While you chant or sing, clap, and tap different body parts and have your child imitate your motions. Tip your head from side to side, wave your arms overhead, shake icky sticky glue off your hands, pound your chest, slap your hips, bend from side to side, hunch and relax your shoulders, stamp your feet, and hop from foot to foot. Use both hands together or alternately.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
She paused when her gaze lit on a wall of bookshelves filled with computer games. Above it hung a screen nearly four feet wide with a pair of control sticks mounted beneath it. “All right,” she teased, “now I know what you really do all day.” Some of the darkness faded from his features and the muscles across his shoulders relaxed. “Actually, I do spend part of my day playing games. Right now, I’m giving Inner Dimensions some feedback on a game called King Cobra.” Her eyes lit up. “Can we play it?” He shook his head. “No way. Not today. I promised to show you the country and that’s exactly what I’m going to do.” He opened the office door and waited for her to walk out. Charity glanced wistfully over her shoulder at the gigantic game board. “Okay, but I’m not letting you off the hook. It isn’t like there’s all that much to do up here. One of these nights, we’ll have to play.” Call’s expression changed and the blue of his eyes seemed to glow. “Yeah,” he said, “one of these nights we’ll definitely have to play.” Charity’s stomach contracted. She didn’t think he was talking about computer games.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
We dot our floors with microkitchens, pockets where you can grab a coffee, a piece of organic fruit, or a snack, and take a few minutes to relax. Often you’ll see Googlers chatting and comparing notes over a cookie and a chessboard or around a pool table. Sergey once said, “No one should be more than two hundred feet away from food,” but the real purpose of these microkitchens is to do the same thing Howard Schultz tried to create with Starbucks. Schultz saw the need for a “third place” beyond the home and office, where people could relax, refresh, and connect with one another. We try to do the same thing, by giving Googlers a place to meet up that looks and feels different from their desk. And we use the placement of these microkitchens to draw people from different groups together. Often they’ll sit at the border between two different teams, with the goal of having those people bump into one another. At minimum, they might have a great conversation. And maybe they’ll hit on an idea for our users that hasn’t been thought of yet.
Laszlo Bock (Work Rules!: Insights from Inside Google That Will Transform How You Live and Lead)
Meanwhile, I was still an out-of-her-element novice from Oregon. Steve wanted to help me feel as comfortable with snakes as I was with my mammal friends. I’d had some experience with reptiles before, but it certainly wasn’t my forte. Since I was living every day with about a hundred and fifty snakes, in a country that was home to the top eleven most venomous snakes in the world, it was time for a Stevo snake education. He knew just the right teacher. “Let me introduce you to Rosie,” Steve said to me one day, bringing out a beautiful boa constrictor. She was eight feet long, as fat as my arm, and very sweet. But when I first met her, I was a bit more nervous than I wanted to admit. “The first step is to get to know each other,” Steve explained. I tried. While Steve cooked dinner, I sat at one end of the sofa. Rosie lay coiled at the other. I eyed her suspiciously. She eyed me the same way, both of us hoping that we each didn’t just suddenly fling ourselves at the other in attack. I was worried about her, and she must have been worried about me, too. Friend or foe? Back when we first met, neither of us knew. Finally there came a revelation. I watched her, curled up on her end of the sofa, and I realized Rosie was actually more wary of me than I was of her. That’s when I started to understand the thought process of the snake. Snakes are very logical: If it’s bigger than me, I’m afraid of it. If it’s smaller than me, I will eat it. Fortunately, I was way too big for Rosie to think of me as a snack. I inched closer to her. Rosie tentatively stretched her neck out, flicked her tongue a few times, and slid into my lap. It was a monumental moment and a huge new experience for me. We began to check each other out. I stroked her soft, smooth skin. She smelled every little bit of me, and since snakes smell with their tongues, this meant a lot of flicking and licking. She licked down the front of my knee and flicked her tongue at my shoelaces. After a long day traipsing around the zoo, my shoes must have smelled…interesting. Up she came. As she approached my face, I felt myself instinctively recoil. Incredibly, even though I betrayed none of my inner thoughts, Rosie seemed to sense my anxiety. She slowed down and hesitated. As I relaxed, she relaxed. As time went by, I was able to tolerate Rosie around my shoulders. Soon I did the dishes with Rosie around my neck, and paperwork with her stretched out on the table. We began doing most of my household chores together. She preferred small indoor spaces where she felt secure, but she became braver and braver as she trusted me more.
Terri Irwin (Steve & Me)
Marta definitely deserves to put her feet up and relax after raising our damn kids. As
Mz. Lady P. (Thug Mansion (Thug Passion Book 8))
natural in the world. It feels so good and safe, and perfect. I love everything about this: listening to his rhythmic heartbeats, feeling the heat of his body seep into mine. "Victoria," he says in a low voice. "Up there, we had a moment." "We did." "While I'm gone, don't forget that." He talks as if he has plans for us. For the first time, I allow myself to entertain that thought, pushing away any worry. What would it be like to let this man sweep me off my feet? To indulge in his kisses and his touch? "Stop making me swoon, Bennett." He hugs me tighter and I bury my nose in his neck—or try to, as he towers over me despite my heels. I want us to stay like this forever. But of course, his phone starts ringing again, forcing us apart. I hate this pesky reality taking me away from this wonderful man. Glancing at the screen, Christopher sets his jaw. "Answer the phone," I encourage him. "My car is just around the corner. I'm heading there." "I'll talk to you soon." His features relax as one corner of his mouth lifts in a smile. "And don't forget the moment."                               Chapter Fourteen Victoria
Layla Hagen (Your Tempting Love (The Bennett Family, #5))
She brushes a lock of hair back from her face and winces when she tugs through a snag. “Oh, my gosh. I must look like I’ve been tumbled in a dryer, right? Is it bad?” She starts to sweep through her hair and her hand sticks in another knot. “You wouldn’t happen to have a brush, would you? Crap,” she swears as she encounters a huge snarl. “Wait,” I say. “I’ll get it.” I start to work through the tangle with my fingers and she sits still while I work out every last one. When I’m done, her hair is silky and smooth and I am not ready to stop running my fingers through it, but I probably should. “Don’t stop,” she says quietly. “That feels really good.” She pulls her feet from the water. “Wait,” she says, and she adjusts so that she’s lying over my lap. “You don’t mind, do you?” Hell, at this point, I’d be sad if she made me stop. “It’s fine,” I tell her. She relaxes against me and says, “Talk to me, will you?” Her eyes close and I’m pretty sure if she got any more relaxed, she’d fall asleep. My insides settle in a way they never have before. Usually, I have a roiling, boiling sensation in my chest, like something is fighting to get out of me and I must work to contain it at all times. But now… Now I am at peace. My soul and my heart connect like tumblers lining up in a lock. Snap! It opens up. And it scares the hell out of me. I pull my hands from her hair, thinking that her proximity is the problem. But the tumblers don’t realign. They don’t lock her out. They let her in. They invite her in and offer her a fucking apple pie so she’ll sit and stay for a while. “Are you all right?” she asks. “Why wouldn’t I be?” “You stopped rubbing my hair.” I lift her off my lap and set her beside me. “All the tangles are out.” “Oh.” She sighs. “That’s good.” She suddenly looks uncomfortable and it kills me that I caused it. “Thank you for fixing my hair,” she says quietly.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.” I lift my chin until our lips meet in a sweet, gentle kiss. And then I ruin it when I surrender to another giggle fit. He leans away to look at me, alarmed. “Why is that funny?” “No no no, I’m not laughing at you.” I stroke his wrist with my thumb. “It’s just…I actually brought a guy home from Italy. This is crazy.” He relaxes a little. “What do you mean?” “Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Oh, well…they’ve been a little relaxed because of Gram’s passing, but I’ve been assured once school starts my life will be all work and no play.” I kick my feet under the water and watch the surface swirl. “Well, we better take advantage.” He pulls me in for another kiss and when we break apart, I’m overcome with laughter. This is so the opposite of how I saw my summer ending even just a few hours ago. “You’re really here. I can’t get over it.” “When I called and heard your voice mail greeting this morning, something inside me just clicked. I had to see you. Today.” He leans toward me until our foreheads press together, his fingertips trailing tortuously slowly up and down each of my arms. “I tried all summer to talk myself out of liking you, to stay away from Cinque Terre once I knew you were there. Especially when I thought you might be with someone else. But I couldn’t. I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Part 1: Readiness and Reminders Choose a place where you’ll feel comfortable and are unlikely to be disturbed. Get your props ready, shut the door, dim the lights, and turn off the phone or whatever else might be distracting. Relaxation Pose (Shavasana) Stretch yourself out on a thick blanket or mat on the floor. Either close your eyes or keep them slightly open… To help you relax your hips and legs, try letting your heels be about two feet apart. It’s fine to make your own adjustments so that your legs and hips feel comfortable and at ease… Allow your feet and toes to rest out to the sides, and let go… Now, bring your attention to your hips… Notice how the weight of your hips is resting on the ground… If it feels uneven, lift them up slightly, then settle back down until it feels even and balanced on both sides. Shift your attention to your shoulders. Feel the placement of your shoulders, exactly where they are… You’re invited to move your shoulders down from your ears and tuck your shoulder blades under for more support. Have your arms out to each side with your palms up. Settle the very back of your head on the floor or thin cushion and tuck your chin so that it’s slightly lower than your forehead. Adjust your hair if it’s in the way. Make sure that your head and neck are nicely aligned with your spine. Feel free to adjust your clothing and props, making sure that every part of your body feels as steady and comfortable as possible. Remind yourself to let the yoga nidra process happen naturally by being openly aware. It’s common to tune out while feeling deeply quiet and at ease while vaguely aware of what’s happening outside. Return your attention to the guiding instructions if you get distracted unnecessarily. Go ahead and add your own personal reminders for keeping on track and having a more meaningful time. Say it positively and in the present tense. Please take a big breath in through your nose and sigh it out through your mouth… Feel free to breathe in and sigh out a few more times.
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
Lie down on your back on a firm surface using a yoga mat or something similar. Being on a bed or couch fosters sleep rather than yoga nidra, so lying on a clean floor is better. Align yourself so there is a straight line from the center of your head, through your neck, and down to your navel. Position your head so that your forehead and chin are level. Then slightly tuck your chin toward your throat. Make sure to keep the natural arch behind your neck. Move your shoulders down from your ears and snuggle your shoulder blades comfortably beneath you. Place your arms along, but not touching, the sides of your body. This is the preferred position to reduce physical distractions, enhancing relaxation. Have your palms up with fingers at ease and relaxed. This lowers sensory input from the fingertips. Shift your hips and buttocks around until you feel nice and even and supported under there. Place your feet about twelve to twenty-four inches apart so that the insides of your legs do not touch. Doing so relaxes the hips and back as well as cuts down on physical distractions. Let your feet rest out to each side. Close your eyes or keep them slightly open. Notice how all this feels and make adjustments until you feel safe and comfortable—until there is no need to move at all.
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
1. Shoot your loose, half-opened left hand straight along the power line at a chin-high spot on the bag. 2. But, as the relaxed left hand speeds toward the bag, suddenly close the hand with a convulsive, grabbing snap. Close it with such a terrific grab that when the second knuckle of the upright fist smashes into the bag, the fist and the arm and the shoulder will be "frozen" steel-hard by the terrific grabbing tension. That convulsive, freezing grab is the explosion. Try that long left jolt three or four times. Make certain each time that (1) you are completely relaxed before you step; (2) that your relaxed LEFT hand, in normal guarding position, is only half-closed; (3) that you make no preliminary movement with either your feet or your left hand. Do not draw back-or "cock"-the relaxed left hand in a preparatory movement that you hope will give the punch more zing. Don't do that! You'll not only telegraph the blow, but you'll slow up and weaken the punch. Now that you've got the feel of the stepping jolt, let's examine it in slow motion to see exactly what you did. First, the Falling Step launched your body-weight straight at the target at which your left toe was pointing. Secondly, your relaxed left hand shot out to relay that moving body-weight along the power line to the target before that moving weight could be relayed to the floor by your descending left foot. Thirdly, the convulsive, desperate grab in your explosion accomplished the following: (a) caused the powerful muscles of your back to give your left shoulder a slight surging whirl toward your own right, (b) psychologically "pulled" the moving body-weight into your arm with P. sudden lurch, (c) gave a lightning boost to the speed of your fist, (d) froze your fist, wrist, arm and shoulder along the power line at the instant your fist smashed into the target, and (e) caused terrific "follow-through" after the explosion. When the long, straight jolt crashes into a fellow's chin, the fist doesn't bounce off harmlessly, as it might in a light, medium-range left jab. No sir! The frozen solidity behind the jolt causes the explosion to shoot forward as the solid breech of a rifle forces a cartridge explosion to shoot the bullet forward. The bullet in a punch is your fist, with the combined power from your fast-moving weight and your convulsing muscles behind it-solidly. Your fist, exploded forward by the solid power behind it, has such terrific "follow-through" that it can snap back an opponent's head like that of a shot duck. It can smash his nose, knock out his teeth, break his jaw, stun him, floor him, knock him out.
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
Tory Vega just shut me down. I asked her to come to my room tonight but she just messaged me saying she's not coming and that I should use this time to 'work on my personality'.” He sighed, furiously thumbing through FaeBook posts absentmindedly, kicking out against the railing and making us swing backwards. “The Vegas are hard work.” I leaned my head back with a grunt. Caleb threw me a curious look. “You're not judging me then? Because every time I mention her name in front of Darius he looks like he's about to burst into flames.” ... “Well look at the bright side,” I said. “You could marry one of them and avoid marrying your buck-toothed cousin?” Darius's eyes whipped to me, his anger seeming to dissolve for a second. “That's not a terrible idea. Tory Vega has dry humped me on more than one occasion so I could probably win her round.” “I do hope you're fucking joking right now,” Caleb said in a deadly low voice and I turned to him with a smirk. “Someone's jealous,” I taunted, shoving his thigh with mine and he pressed his lips together into a tight line. A smirk pulled at Darius's features as he played up to Caleb's reaction. “That would be one way to keep her in line, huh Caleb? Surely you don't mind if I claim your play-thing. You're only passing time with her anyway, right?” “Right,” Caleb ground out, his shoulders becoming rigid and I glanced at him, knowing that wasn't true. Caleb didn't do exclusive very often, but it seemed like he was trying to do it with Tory. Which meant he actually gave a shit about her. And with my emotions all knotted up over Darcy, I sensed we were both about to cause a real issue when it came to keeping them both under heel. “That was the least convincing act I've ever seen,” Max jibed. “And I can feel your jealousy from here, mate, so you're not fooling anyone.” “She's my Source, it's natural for me to be possessive. That doesn't mean I care about her,” Caleb insisted, glaring at Max to try and make him back down. Their fighting made me uncomfortable and I snarled at Max to try and make him back off too. He raised his hands in innocence and I relaxed, getting to my feet and moving to stand next to Darius instead. (Seth POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
You live close.” “We live in one of the apartments over Mountain Treasures so I left my car parked and walked over. Let me find the waitress and… oh hell.” “What?” “Matt and Griff just came in. I got caught up. I was supposed to text Matt if I decided I didn’t want him to come in and give me an excuse to ditch you. Since I didn’t, we’re going to have the boys around so I won’t be able to pry any more out of you once you relax again.” “Is it enough that I’ve told you more than anyone but Granny?” “It’ll do for now.” Emma Kate smiled, waved her hand. “Your Matt’s awful cute.” “He really is. And really good with his hands.” As Shelby choked out a laugh, Matt worked his way through. He hooked his really good hands under Emma Kate’s elbows, lifted her off her feet, kissed her. “There’s my girl.” He set her on her feet, turned to Shelby. “And you’re Shelby.” “It’s nice to meet you.” “Really happy to meet you. You two weren’t leaving, were you?” “Just heading back to the table,” Emma Kate told him. “I’m ready for another round.” “This one’s on Griff.” “Two Black Bears. I think I’m going for a Bombardier.
Nora Roberts (The Liar)
Look here, boy: I feel your pain. They ain’t never enough blueberries in them waffles. Damn near drive a man crazy. But you a grown man, dog, remember that. Fact is, you a well-grown man. And sometimes a man gotta bear up in the face of adversity. They’s a truckload of waffles not fifty feet from here, and they’re all you can eat. You’ll get your fill of blueberries. You just relax now, boy.
Jonathan Evison (Lawn Boy)
Take a breather, unwind, and just chill out. Let go of the stress and relax your mind. Whether it's with some soothing music, a good book, or simply kicking back, give yourself permission to chill. Life's too short to be constantly on the go, so take this moment to pause, breathe, and enjoy the present. After all, a little chill time can do wonders for your mood and overall well-being. So, put your feet up, take a deep breath, and let the chill vibes wash over you.
Life is Positive
Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.
Cayla Kluver (Sacrifice (Legacy, #3))
Relax and use awareness belly breathing for a few minutes. Pre-stimulate your hands and feet, legs and arms. Then do a whole-body bounce. Perform the full-body circuit for a few minutes. Then return to awareness belly breathing and spend fifteen minutes relaxing and quieting your mind. The energy work you have done so far has mainly involved secondary and tertiary structures. It is important to be comfortable with this level of energy work before approaching the primary energy centers, coming up next.
Robert Bruce (Astral Dynamics: The Complete Book of Out-of-Body Experience)
The lights went out in the dining room and Owen entered the kitchen, stopping several feet away. She leaned on her hands, her head bent nearly to her chest. She could only see his feet and legs. “Claire, you’re exhausted. Why didn’t you just go up to bed?” “The meds kicked in. Too tired to move.” Unexpected and exciting, he plucked her right off the counter and settled her in his arms and against his broad, hard chest. Too tired to make a fuss and exert her independence, she gave in to something else entirely and snuggled closer, nestling her face in his neck and settling her head on his strong shoulder. His chest rumbled with a laugh. “You’re like a contented cat, snuggling in for the night.” “Deep down, I’m fine on my own. The meds have made me mushy and weak.” “Not weak. After the night you’ve had, you just need a hug.” He squeezed her to his chest. She tried to hide the wince of pain, but he felt her stiffen in his arms. “Sorry, overstepped.” They reached the top of the stairs, and he stopped. “No, you didn’t. I didn’t realize how banged up I got. I feel like I got hit by a car,” she joked. “The meds are helping out considerably. My room’s on the right.” Owen walked down the hall and entered her room, stopping just inside and looking around. “Wow. It’s like another house in here.” “I moved in over a year ago, but I spent all my time opening the shop and running it. A couple of months ago, I started on the house. I spend so much time at the shop, the most time I spend here is sleeping, so I redid the master bedroom first. I’ve upgraded the bathroom, but I still need to add the finishing touches.” “You added the flower pots on the back patio with the lounge and table set.” “I like to drink my coffee out there in the morning when the weather is nice.” “You spend a lot of time working, so spending the morning outside is relaxing.” “Yes. Sounds like the same is true for you, too.” He nodded. “I spend most evenings outside reading over briefs and preparing for court. I take care of the horses and barn cats. It gets me out of my head.” “You can put me down now.” “I knew you’d say that.” She laughed, and he set her on her bed. -Owen & Claire
Jennifer Ryan (Falling for Owen (The McBrides, #2))
A hand touched her shoulder. “Miss Erstwhile,” Martin said. Jane spun around, guilty to have just come from a marriage proposal, ecstatic at her refusal, dispirited by another ending, and surprised to discover Martin was the one person in the world she most wanted to see. “Good evening, Theodore,” she said. “I’m Mr. Bentley now, a man of land and status, hence the fancy garb. They’ll allow me to be gentry tonight because they need the extra bodies, but only so long as I don’t talk too much.” His eyes flicked to a point across the room. Jane followed his glance and saw Mrs. Wattlesbrook wrapped in yards of lace and eyeing them suspiciously. “Let’s not talk, then.” Jane pulled him into the next dance. He stood opposite her, tall and handsome and so real there among all the half-people. They didn’t talk as they paraded and turned and touched hands, wove and skipped and do-si-doed, but they smiled enough to feel silly, their eyes full of a secret joke, their hands reluctant to let go. As the dance finished, Jane noticed Mrs. Wattlesbrook making her determined way toward them. “We should probably…” Martin said. Jane grabbed his hand and ran, fleeing to the rhythm of another dance tune, out the ballroom door and into a side corridor. Behind them, hurried boot heels echoed. They ran through the house and out back, crunching gravel under their feet, making for the dark line of trees around the perimeter of the park. Jane hesitated before the damp grass. “My dress,” she said. Martin threw her over his shoulder, her legs hanging down his front. He ran. Jostled on her stomach, Jane gave out laughter that sounded like hiccups. He weaved his way around hedges and monuments, finally stopping on a dry patch of ground hidden by trees. “Here you are, my lady,” he said, placing her back on her feet. Jane wobbled for a moment before gaining her balance. “So, these are your lands, Mr. Bentley.” “Why, yes. I shape the shrubs myself. Gardeners these days aren’t worth a damn.” “I should be engaged to Mr. Nobley tonight. You know you’ve absolutely ruined this entire experience for me.” “I’m sorry, but I warned you, five minutes with me and you’ll never go back.” “You’re right about that. I’d decided to give up on men entirely, but you made that impossible.” “Listen, I’m not trying to start anything serious. I just--” “Don’t worry.” Jane smiled innocently. “Weird intense Jane gone, new relaxed Jane just happy to see you.” “You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.
Shannon Hale (Austenland (Austenland, #1))
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Don’t stop on my account.” I shrieked at the sound of Apollo’s voice and jerked back, tripping over my feet. Aiden caught my arm, steadying me before I face-planted the floor. “Gods,” I muttered, placing a hand over my pounding heart. I’d been so caught up in Aiden I hadn’t even sensed Apollo’s presence. Apollo sat on the edge of the bed, head cocked to the side, one leg crossed over the other. His blond hair was loose, framing a face that was eerily perfect. Vibrant blue eyes stared back at me instead of the creepy all-white eyes of a god. I was surprised that he remembered how much they freaked me out. Aiden recovered first, moving to stand in front of me. He stiffened at the sound of Apollo’s amused chuckle. “How did you get in here?” “The wards on the house faded about three hours ago. Luckily, none of the other gods have realized that and, for the most part, they don’t want Alex dead.” And then he tacked on, “…right at this moment.” I looked at him blandly. “Good to know.” “Maybe next time you’d want to knock?” Aiden suggested, relaxing a fraction of an inch. Apollo’s shoulders lifted. “Where is the fun in that?” But he stood, his head inclining to the side. “We need to talk, but both of you look like you’ve been wrestling in mud.” “We’ve been training,” I pointed out. “Like you suggested.” If he was grateful that we’d actually followed instructions, it didn’t show. “I will be waiting downstairs. Try not to take ten years.” With that, he simply blinked out of existence. A moment later, I heard a startled yelp downstairs. Glad we weren’t the only ones he liked to do that to. I slumped against the wall. “I think he took a few years off my life.” Aiden’s brow arched. “I still think we need to put a bell on him.” My lips twitched. “And I still think that’s a good idea
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Gabby, look,” Rachel squealed as I pushed open the screen door.  “A dog!” On the deck, Rachel reclined on her side, stretched out on a beach towel.  Between her towel and the one she’d set out for me, lay a monster of a dog, relaxing in the sun. I stopped and stared.  What was that thing?  Although the size of a mastiff, it looked nothing like one.  At least seven feet from nose to tail, the dog’s shaggy brown coat gave it a wild look.  Rachel didn’t seem to mind, though.  She continued to pet its head affectionately. It turned its head, which moved it out of Rachel’s reach.  Its soft brown eyes met mine. Rachel shifted to a sitting position to reach its head again. “It just walked up the porch steps and lay right down.  I nearly peed myself.  Have you ever seen a dog this big before?  What kind do you think it is?”  She continued to pet it lovingly. I remained glued in place, my stomach sinking.  Any lingering homesickness died as my suspicion grew.  What are the odds that an extremely large, random dog just appeared at my door scant hours after Sam dropped me off?  Improbable odds.  When I’d said I would get a dog, I’d meant it as a joke.  I couldn’t afford a dog. “And you’re not going to believe what its tag says,” Rachel said, not seeming to care that I hadn’t answered her questions.  “‘If found, please provide a good home.’  Isn’t that funny?”  She ruffled his neck fur, which made his hidden tags jingle.  The dog continued to watch me and ignore Rachel’s ministrations. “Yeah.  Funny,” I mumbled.  The size of the dog would ensure men didn’t bother me.  But a dog half its size would do the same.  Why get one so big?  Its size compared to Sam in his fur.  Did Sam think some of his kind might bother me?  If so, I didn’t see how a plain old dog would help.  My eyes widened as my own idiocy dawned on me. Not a plain dog. I needed to call Sam, find out what he’d been thinking, and then give him an earful for sending someone to the house to keep an eye on me.  I was about to turn and go back into the house when Rachel said something that made my stomach drop to my toes. “His tag also says his name is Clay.  What do you think?  Should we keep him?
Melissa Haag (Hope(less) (Judgement of the Six #1))
What’s going on here?” The loud masculine voice seemed to break the connection between the priestess and herself. Sophie’s eyes, which had been shut tight while she fought the awful memory, flew open and she looked up. Sylvan was standing over her with an angry look on his face. No, not angry—enraged, Sophia realized. His ice blue eyes were blazing and his fangs were out again, razor sharp and ready. The expression on his chiseled features made him look like an avenging angel towering over her. “Oh,” she gasped, unable to stop looking at his fangs. “I don’t know. I—” “What are you subjecting her to?” Sylvan demanded of the priestess who still looked completely calm. “I am simply looking into her. There is a shadow around her heart—it is my duty to see into it.” “Not if your seeing causes her pain.” Sylvan’s voice was a low, menacing growl. “Release her.” The calm expression on the Kindred woman’s face turned to anger and her grip on Sophie’s hands tightened until she squeaked in pain. “You overstep yourself, Warrior.” “That may be, but I will not see you hurt her.” Leaning down Sylvan put himself on the priestess’s level and looked into her eyes. “Release her now.” The grip on Sophie’s hands loosened and she pulled them away gratefully. The priestess still glared at Sylvan, her green-on-green eyes narrowed. “You have a shadow on your heart as well. A secret pain that taints your very existence—I see it in your eyes.” “My pain is not your concern.” Gripping Sophie’s hand, he pulled her to her feet and pushed her behind him protectively. “Now what do you have to say?” “Only this—have a care, Warrior.” The priestess rose smoothly to her feet and frowned up at him. “Danger dogs your steps—the shadow on your heart draws it to you. Even the shielding of your Kindred mind is no protection if you allow the darkness to overcome you. Ignore my warning at your own peril.” Then she turned and walked away, her head held regally high and her bare feet whispering over the green and purple grass. When she was gone Sylvan relaxed his protective stance and turned to Sophie. To her intense relief, she saw that his fangs had gone back to their normal length. “Are you all right?” he asked anxiously. “You sounded upset.” “I…she…she was making me remember—” She realized what she was saying and stopped abruptly. “Remember what?” Sylvan was still staring at her but she shook her head. “Nothing. I’m fine, really. Uh, thank you for rescuing me,” she added, hoping to change the subject. One corner of his thin but sensual mouth quirked up. It was the closest Sophie had ever seen him come to smiling. “Well, you looked like you needed rescuing.” “Unfortunately.
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Muscle relaxation: This muscle relaxation technique is a whole body relaxation technique. Starting from your feet and ending to head. Tense up your foot muscles for 5 seconds and then relax for 30 seconds. Tense up your calves muscles for 5 seconds and then relax for 30 seconds. Tense your thighs and stomach muscles for 5 seconds, and then relax for 30 seconds. Do this exercise with your shoulders, chest, head and neck one by one. This
Travis Price (Battling Depression: Steps back to a happy life from the black hole that is depression (Depression, Fighting Depression, Stress, Mental Health, Mental wellness Book 3))
When Jack turned from Mel, Rick took one look at the storm gathering on Jack’s face, the way he clenched his fists open and closed, and stepped out of his way. Jack walked over to Lassiter and stuck out a hand to assist him in standing. “Good thing you stopped him,” Lassiter said, putting out his hand for assistance. “I’d have had his ass.” Jack pulled him to his feet with a snarl, and once he was upright, threw a punch into his face that blew him across the street four feet. He walked the few feet and stood over Lassiter, looking down at him. “Now you gonna have mine?” he asked. Lassiter looked up at him, blood immediately spurting from his nose. “What the hell...?” He got clumsily to his feet and faced off with Jack, his fists up as a boxer would do. He shuffled his feet a little, dancing, ready to land a blow with a closed fist. Jack actually laughed, completely loose, relaxed. “You’re kidding me, right?” he said. He wiggled his fingers. “Come on.” Lassiter came at him, then retreated suddenly, whirled in a crouch and came up with a high kick aimed at Jack’s head. But Jack stopped the assault of Lassiter’s foot with a fast hand that grabbed his ankle. Jack yanked hard and Lassiter landed on his back, his ankle still in Jack’s grip. “What you going to do, buddy? Kick me?” “Let go!” Jack dropped the leg and reached down to pull him to his feet by the front of his expensive shirt. He threw a punch into his gut, doubling Lassiter over. Then another one to his face, reeling him backward onto the ground. At
Robyn Carr (Shelter Mountain (Virgin River, #2))
Ugh, writer's block. The best thing to do is to forget about everything you're trying to do. Get away from your writing station, kick your feet up and relax. Then allow your mind to just wander. Don't stop it. Just let yourself think of anything, no mater how silly the thoughts seem. Remember, not to judge these thoughts. This will open up your creative receptors. You'll begin to think outside the box. Then the good stuff will start racing through you. That's when you start writing!
La Tisha Honor
My teeth chattered and I nodded my head vigorously, I started to wrap my arms around my waist when I felt something, “Ha! I don’t think he likes it much either.” “What’s he doing?” “Come here.” I put one of Brandon’s hands on my stomach and watched his face over my shoulder. His strong chest and abs were pressed against my side and I allowed myself to relax into him. My gummy bear continued on his kick boxing lesson for a few minutes, and I smiled at feeling him move inside me. I’d been so out of it, I hadn’t even been paying attention to if he moved. Brandon continued to stare at my growing belly, his hand slowly moving so the kick hit perfectly into his hand each time. “I think you’re wrong.” He said softly. “What do you mean?” “I’ll bet he’s happy you’re in the water. He’s gonna be a little surfer when he gets older.” He smiled sweetly at me. “Oh is he now?” I touched the other side of my stomach and spoke, “Hate to burst your bubble little guy, but Mommy doesn’t know how to surf. Sorry.” “I’ll teach him.” My heart kicked up in pace, this conversation with the way we were positioned was now too intimate. Brandon must have realized it as well because he dropped his hand and stepped back a few feet. “So,” he said breaking the silence, “you said you think he’ll be early?” “Yeah. Did I tell you the Doctor said he was measuring big and developing quickly?” Brandon nodded. “Well there’s that, and I mean, I know everyone’s bodies respond differently to pregnancy, but I’m a lot bigger than I’m supposed to be. I’m afraid I’m gaining too much weight.” “You still look perfect, nothing about you has changed except for your stomach growing out.” “But
Molly McAdams (Taking Chances (Taking Chances, #1))
I look up and see my dad glaring at me through the kitchen window. “Dad,” I gripe, as he opens the back door for me. “Was that Pete?” he asks. Maggie goes to lie at his feet. I nod. “That was Pete.” He gnaws on his fingernail. “Should I be worried?” he asks. I shake my head. “I don’t think so.” “Okay,” he breathes, and he deflates like a relaxed balloon. He leans forward, pulling my head toward his with his beefy arm. “Good night,” he says, kissing my temple. “Good night, Dad,” I say.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Life’s got an interesting sense of humor.” He was relaxing now that she’d decided to drop the subject. A long, put-upon sigh. “Isn’t that the truth? Clearly, I’m being tested.” Curious, he asked, “And are you passing?” Another adorable pout. “I don’t think so.” That mouth looked like she’d just eaten a bowl of strawberries and the juices had stained her lips. He wanted to bite her. Lick her to see if she tasted as sweet as she looked. She got all squinty, another pretzel firmly in hand. “I’m drunk.” Unfortunately. “I don’t doubt that.” Her gaze caught his. Darted away. Her pink tongue flitted out to wet her full lower lip. It glistened like an invitation. “I’d leave, but I can’t walk. My feet hurt.” “I wouldn’t let you go, anyway.” He was a little taken aback to find the words true. It had been a long time since he’d wanted anything, but he still recognized the spark of desire. He wanted her, and wasn’t ready for her to walk off into the sunset yet. The right or wrong of the situation didn’t much matter. She swirled a finger over the edge of her ice water. “Do you think you could stop me? He cocked a brow and gave her a once-over. “Considering the way you hobbled in here, I think I can take you.” Dark lashes almost obscured the green of her irises as she squinted. “I’m supposed to be getting independent now.” “I see,” he said, considering the guy she’d ditched at the altar for the first time. It took a lot to drive a woman out a church window with nothing but the clothes on her back. “Everyone needs a little rescue sometime.” “You’re not one of those knight-in-shining-armor guys, are you?” She said the words as if they were foul. “Not normally, but I’m making an exception for you.” He was surprised to find he wanted the role, despite her distain. “I don’t want an exception.” Her tone had taken on a decided wail. “Too bad.” Yep, he wasn’t budging on this one. She wanted to stand on her own two feet. He understood, but it only made him more determined. “Why me?” “Because I want to.” It was that simple. Besides, she’d probably take off in the morning and he’d never see her again. One night to break the monotony wouldn’t hurt. Before she could respond, he turned and walked the length of the bar. Flipping open the counter, he rounded the corner, striding to stand in front of her. “It’s been a long time since I’ve done anything chivalrous. Won’t you let me?” Even white teeth nibbled on her bottom lip and he curled his hand into a fist to keep from stroking his thumb over the abused, moist flesh. Glassy, pensive eyes blinked up at him. He stepped close enough to feel the warmth of her skin. “What kind of a man would I be if I left you stranded?” “I’m
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The rain spattered against the window in a wind-driven sheet, and he dropped his forehead to her shoulder. “Sleep with me tonight,” he said, “or let me sleep with you.” “You know we cannot.” “Just sleep, Emmie. I will not bother you.” In the dark, she could not read his expression, but she did know he was ripe for another setback. He wasn’t sleeping in his bed, it was after midnight, and his memories were tormenting him. “I will scream the house down if you misbehave, and I will not let you seduce me.” It was a terrible idea—almost as terrible as the thought of not seeing him for weeks, not hearing him banter with Lord Amery, not watching as he slowly coaxed Winnie into a semblance of civilized behavior. It was a terrible idea, for she could not think of refusing him. “Tonight, Emmie love, I could not seduce my own right hand. I’ve already tried.” She shot him a puzzled look but kept her questions to herself. “Take me upstairs, Emmie.” He rose and drew her to her feet. “Please.” She made no reply, just took his hand, picked up her candle, and led him to her bedroom. While she finished braiding her hair, he locked the door then undressed, washed, and climbed under her covers. When her fingers hesitated at the ties of her nightgown, he met her gaze. “It’s up to you. Sleep however you are comfortable.” She blew out the candle before taking off her clothes and climbing in beside him. “You will sleep?” she asked, her voice hesitant in the darkness. “Eventually,” he replied, pushing her gently to her side, “and so will you.” He trailed his fingers over her shoulder blades then down her spine. “Relax, Emmie. I’ve given my word I will behave, and I would not lie to you.” She sighed and gave herself up to the pleasure of having her back rubbed and then, only moments later, to the pleasure of slumber. “Better,” he murmured, content just to touch her. The smooth, fragrant expanse of her flesh under his hands soothed him, distracted him from the rain and the rain scents coming in the windows. Her breathing evened out, and the tension in her body eased. Slowly, so as not to disturb her, he curved his naked body around hers and slipped a hand around her waist. She sighed again and snuggled back against his chest, then laced her fingers through his. He felt himself drifting into sleep, Emmie’s hand in his, her warmth against his heart, her fragrance blotting out the memories that had denied him sleep. Peace. Finally, finally, I have experienced that thing referred to as peace. ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Here was what they don’t tell you about fighting: You always feel crippling, paralyzing fear. The first few times, when Myron felt that stress-induced tingle in his legs, the kind that got so bad you wondered if you’d be able to stay on your feet, he felt like the worst sort of coward. Men who only get into a scrape or two, who get that leg tingle when they argue with a drunk lout at a bar, feel awash with shame. They shouldn’t. It is not cowardice. It is a natural biological reaction. Everyone feels that way. The question is, what do you do with that? What you learn with experience is that it can be controlled, harnessed even. You need to breathe. You need to relax. If you get hit when you’re tensed up, it’ll cause more damage. The
Harlan Coben (Promise Me (Myron Bolitar, #8))