Feeling Zero Quotes

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Numbers do not feel. Do not bleed or weep or hope. They do not know bravery or sacrifice. Love and allegiance. At the very apex of callousness, you will find only ones and zeros.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Before I die I want to have kids. Live in London. Own a pet giraffe. Skydive. Divide by zero. Play the piano. Speak French. Write a book. Travel to a different planet. Be a better dad than mine was. Feel good about myself. Go to New York City. Know equality. Live.
Jennifer Niven (All the Bright Places)
The madness of depression is, generally speaking, the antithesis of violence. It is a storm indeed, but a storm of murk. Soon evident are the slowed-down responses, near paralysis, psychic energy throttled back close to zero. Ultimately, the body is affected and feels sapped, drained.
William Styron (Darkness Visible: A Memoir of Madness)
And how do you really feel? Like I'll never recover. Like I'll never draw another breath without half of it being a wish for him.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Yet, in a bizarre, backwards way, death is the light by which the shadow of all of life’s meaning is measured. Without death, everything would feel inconsequential, all experience arbitrary, all metrics and values suddenly zero.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
But I feel that you, in particular, are a person who cannot live without love." "Yet I am living without love." "Then you are either living a lie or not living at all.
Nawal El Saadawi (Woman at Point Zero)
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Bret Easton Ellis (Less Than Zero)
Alone, what did Bloom feel? The cold of interstellar space, thousands of degrees below freezing point or the absolute zero of Fahrenheit, Centigrade or Réaumur: the incipient intimations of proximate dawn.
James Joyce (Ulysses)
To those who care about punctuation, a sentence such as "Thank God its Friday" (without the apostrophe) rouses feelings not only of despair but of violence. The confusion of the possessive "its" (no apostrophe) with the contractive "it's" (with apostrophe) is an unequivocal signal of illiteracy and sets off a Pavlovian "kill" response in the average stickler.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
Real fuckin' close. Too fuckin' close. Ta think I almos' put a bullet between them eyes, and took that life that now I'd die ta save, and I never woulda known what he was in the world, and who he was or could be, and I woulda never even known what I was missin', nor known how right it could feel just ta lay my fingers alongside his.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
I was born from nothing and to nothing I will return. And yet, when i say the word nothing, when i admit, at last, 'I am nothing,' i feel mysteriously like something again, ground zero, genesis, the pull of possibilities.
Lauren Slater
When did you first feel like a grown woman and not a girl?” We wrote down our answers and shared them, first in pairs, then in larger groups. The group of women was racially and economically diverse, but the answers had a very similar theme. Almost everyone first realized they were becoming a grown woman when some dude did something nasty to them. “I was walking home from ballet and a guy in a car yelled, ‘Lick me!’” “I was babysitting my younger cousins when a guy drove by and yelled, ‘Nice ass.’” There were pretty much zero examples like “I first knew I was a woman when my mother and father took me out to dinner to celebrate my success on the debate team.” It was mostly men yelling shit from cars. Are they a patrol sent out to let girls know they’ve crossed into puberty? If so, it’s working.
Tina Fey
But even friendship like our heroes' Exist no more; for we've outgrown All sentiments and deem men zeroes-- Except of course ourselves alone. We all take on Napoleon's features, And millions of our fellow creatures Are nothing more to us than tools... Since feelings are for freaks and fools. Eugene, of course, had keen perceptions And on the whole despised mankind, Yet wasn't, like so many, blind; And since each rule permits exceptions, He did respect a noble few, And, cold himself, gave warmth its due.
Alexander Pushkin (Eugene Onegin)
Me?" All the crappiness of the day, of the last few weeks, zeroed in on this high and mighty B with an itch, and the scared-rabbit feeling faded.
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
I’ve tried to imagine how she’d feel knowing that her cells went up in the first space missions to see what would happen to human cells in zero gravity, or that they helped with some of the most important advances in medicine: the polio vaccine, chemotherapy, cloning, gene mapping, in vitro fertilization. I’m pretty sure that she—like most of us—would be shocked to hear that there are trillions more of her cells growing in laboratories now than there ever were in her body.
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
I squeeze her and she laughs and looks up at me, "Jules, you incorrigible rake," she scolds, and then gives me a smile that makes me feel we're in zero gravity. Floating inches above the floor. weightless and timeless, and I wish this song would last forever.
Amy Plum (Die for Her (Revenants #2.5))
It's time, my children When the waves rise high When the waters run deep When the clock strikes midnight You'll feel the mark of Zero Hour And you'll never be the same again
Lisa Mangum (The Hourglass Door (Hourglass Door, #1))
D stared out the window, shoving down the feeling that it might be real nice to sit here and tell Jack Francisco everything about himself, confess things he'd never told nobody, just to feel like somebody cared, and to keep those big blue eyes fixed on him for as long as he could.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Kissing Jack wasn't what he'd expected. Not letting himself do it for this long now seemed kind of stupid ... or a lot stupid. What had he been afraid of? Too intimate, too romantic, too ... just too. Sex was okay, even sucking dick was okay. That was to get off. Kissing, though ... that you did only because you had something to say that words didn't quite do it for. That meant feelings and messiness.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Not everyone with a problem needs you to solve it. Sometimes all a person needs is to feel like they've been heard. Listening without judging can be more effective than injecting your opinions or trying to solve a problem that doesn't have an easy answer.
Zero Dean (Lessons Learned from The Path Less Traveled Volume 1: Get motivated & overcome obstacles with courage, confidence & self-discipline)
We need stressful days in order to be happy. We need days when we get zero sleep and are working tirelessly on a deadline. Because if we didn’t, the lazy days wouldn’t feel good … We need to always be working towards something in order to feel useful and have a sense of purpose.
Ryan O'Connell
When Rudy Giuliani became mayor of New York in 1993, his belief in the 'Broken Windows' theory led him to implement the 'Zero Tolerance' crime policy. Crime dropped dramatically, significantly, and continued to for the next ten years. Personally, I feel the time has come for women to introduce their own Zero Tolerance policy on the Broken Windows issues in our lives - I want a Zero Tolerance policy on 'All The Patriarchal Bullshit'.
Caitlin Moran (How to Be a Woman)
What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.
Bret Easton Ellis (Less Than Zero)
The grief hits her hard one day. the way it can't be controlled. The way that yesterday can be good and so can the day before, and so can the week and fortnight before that, but then today comes and she's back to zero. How she can't type words into her computer or even press the in-box for her mail. The effort it takes to walk. How words can't form in her mouth and how her blood feels paralyzed.
Melina Marchetta (The Piper's Son)
It was thrilling, wasn't it? [...] That moment, that perfect moment you let go of your rigid concepts of what was possible. When there was nothing left to do but step beyond anything you'd learned before...when you stopped being a poor mimic and became a master of the mind. How did that feel?" "Empowering.
Scott Snyder (Batman, Volume 4: Zero Year – Secret City)
The human capacity for grief. It just isn't capable of providing an adequate emotional response once the dead exceed a few dozen in number. And it doesn't just level off—it just gives up, resets itself to zero. Admit it. None of us feel a damn about these people.
Alastair Reynolds (Revelation Space (Revelation Space, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
Look, you can’t take your pussy with you,” I said. “Use it. Enjoy it. Fuck, fuck, fuck, until you run out of dicks. Travel to other countries and have sex. Explore the full range of everything, and feel zero shame. Don’t let society’s narrow scope about what they think you should do with your vagina determine what you do with your vagina.
Gabrielle Union (We're Going to Need More Wine)
Now, consider this.   A human life is on average 80 Earth years or around 30,000 Earth days. Which means they are born, they make some friends, eat a few meals, they get married, or they don’t get married, have a child or two, or not, drink a few thousand glasses of wine, have sexual intercourse a few times, discover a lump somewhere, feel a bit of regret, wonder where all the time went, know they should have done it differently, realise they would have done it the same, and then they die. Into the great black nothing. Out of space. Out of time. The most trivial of trivial zeroes. And that’s it, the full caboodle. All confined to the same mediocre planet.
Matt Haig (The Humans)
To say that we want wages for housework is to expose the fact that housework is already money for capital, that capital has made and makes money out of our cooking, smiling, fucking. At the same time, it shows that we have cooked, smiled, fucked throughout the years not because it was easier for us than for anybody else, but because we did not have any other choice. Our faces have become distorted from so much smiling, our feelings have got lost from so much loving, our oversexualization has left us completely desexualized.
Silvia Federici (Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (Common Notions))
Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.
Patrick Modiano
The argument has long been made that we humans are by nature compassionate and empathic despite the occasional streak of meanness, but torrents of bad news throughout history have contradicted that claim, and little sound science has backed it. But try this thought experiment. Imagine the number of opportunities people around the world today might have to commit an antisocial act, from rape or murder to simple rudeness and dishonesty. Make that number the bottom of a fraction. Now for the top value you put the number of such antisocial acts that will actually occur today. That ratio of potential to enacted meanness holds at close to zero any day of the year. And if for the top value you put the number of benevolent acts performed in a given day, the ratio of kindness to cruelty will always be positive. (The news, however, comes to us as though that ratio was reversed.) Harvard's Jerome Kagan proposes this mental exercise to make a simple point about human nature: the sum total of goodness vastly outweighs that of meanness. 'Although humans inherit a biological bias that permits them to feel anger, jealousy, selfishness and envy, and to be rude, aggressive or violent,' Kagan notes, 'they inherit an even stronger biological bias for kindness, compassion, cooperation, love and nurture – especially toward those in need.' This inbuilt ethical sense, he adds, 'is a biological feature of our species.
Daniel Goleman (Social Intelligence: The New Science of Human Relationships)
Among all the occurrences possible in the universe the a priori probability of any particular one of them verges upon zero. Yet the universe exists; particular events must take place in it, the probability of which (before the event) was infinitesimal. At the present time we have no legitimate grounds for either asserting or denying that life got off to but a single start on earth, and that, as a consequence, before it appeared its chances of occurring were next to nil. ... Destiny is written concurrently with the event, not prior to it... The universe was not pregnant with life nor the biosphere with man. Our number came up in the Monte Carlo game. Is it surprising that, like the person who has just made a million at the casino, we should feel strange and a little unreal?
Jacques Monod (Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology)
Jus hold me a little longer, Jack. Tell me again that ya wanna be with me, fer real, cross yer heart 'n' let me know you ain't foolin', cause I dunno how or when it happen but somehow I come ta need ya like air, like blood. Touch me again like ya do with them gentle hands make me feel like somethin' precious. Say it again that ya love me, cause hearin' that was like openin' up some big bottomless well that ran dry years back and it cain't never be full enough now, I cain't never hear it enough, but once more, one more time and maybe I'll believe it a little more, and then a little more the next time, till someday I believe it fer true enough ta be able to say it back ta you like y'oughta hear it said cause God knows I love you more'n my own life, more'n anythin' in this world, but it cain't get outta me yet cause I still ain't the man I need ta be, the man who's gonna stand before you and declare.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Been a long road to follow Been there and one tomorrow Without saying goodbye to yesterday Are the memories I hold Still valid? Or have the tears deluded them.. Something somewhere out there Is calling... Zero Gravity, What's it like? Is somebody there Beyond these heavy aching feet? Am I going home? Will I hear someone? Singin solace to the silent moon Still the road keeps on telling me To go on... Something is pulling me, I feel the gravity Of it all.
Maaya Sakamoto
At the lip of a cliff, I look out over Lake Superior, through the bare branches of birches and the snow-covered branches of aspens and pines. A hard wind blows snow up out of a cavern and over my face. I know this place, I know its seasons - I have hiked these mountains in the summer and walked these winding pathways in the explosion of colour that is a northern fall. And now, the temperature drops well below zero and the deadly cold lake rages below, I feel the stirrings of faith that here, in this place, in my heart, spring will come again. But first the winter must be waited out. And that waiting has worth.
Marya Hornbacher (Waiting: A Nonbeliever's Higher Power)
It means this War was never political at all, the politics was all theatre, all just to keep the people distracted…secretly, it was being dictated instead by the needs of technology…by a conspiracy between human beings and techniques, by something that needed the energy-burst of war, crying, “Money be damned, the very life of [insert name of Nation] is at stake,” but meaning, most likely, dawn is nearly here, I need my night’s blood, my funding, funding, ahh more, more…The real crises were crises of allocation and priority, not among firms—it was only staged to look that way—but among the different Technologies, Plastics, Electronics, Aircraft, and their needs which are understood only by the ruling elite… Yes but Technology only responds (how often this argument has been iterated, dogged, humorless as a Gaussian reduction, among the younger Schwarzkommando especially), “All very well to talk about having a monster by the tail, but do you think we’d’ve had the Rocket if someone, some specific somebody with a name and a penis hadn’t wanted to chuck a ton of Amatol 300 miles and blow up a block full of civilians? Go ahead, capitalize the T on technology, deify it if it’ll make you feel less responsible—but it puts you in with the neutered, brother, in with the eunuchs keeping the harem of our stolen Earth for the numb and joyless hardons of human sultans, human elite with no right at all to be where they are—” We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid…we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function…zeroing in on what incalculable plot? Up here, on the surface, coal-tars, hydrogenation, synthesis were always phony, dummy functions to hide the real, the planetary mission yes perhaps centuries in the unrolling…this ruinous plant, waiting for its Kabbalists and new alchemists to discover the Key, teach the mysteries to others…
Thomas Pynchon (Gravity’s Rainbow)
I have a feeling," Harry said finally, "that we're coming at this from the wrong angle. There's a tale I once heard about some students who came into a physics class, and the teacher showed them a large metal plate near a fire. She ordered them to feel the metal plate, and they felt that the metal nearer the fire was cooler, and the metal further away was warmer. And she said, write down your guess for why this happens. So some students wrote down 'because of how the metal conducts heat', and some students wrote down 'because of how the air moves', and no one said 'this just seems impossible', and the real answer was that before the students came into the room, the teacher turned the plate around." "Interesting," said Professor Quirrell. "That does sound similar. Is there a moral?" "That your strength as a rationalist is your ability to be more confused by fiction than by reality," said Harry. "If you're equally good at explaining any outcome, you have zero knowledge. The students thought they could use words like 'because of heat conduction' to explain anything, even a metal plate being cooler on the side nearer the fire. So they didn't notice how confused they were, and that meant they couldn't be more confused by falsehood than by truth. If you tell me that the centaurs were under the Imperius Curse, I still have the feeling of something being not quite right. I notice that I'm still confused even after hearing your explanation.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Clicking on "send" has its limitations as a system of subtle communication. Which is why, of course, people use so many dashes and italics and capitals ("I AM joking!") to compensate. That's why they came up with the emoticon, too—the emoticon being the greatest (or most desperate, depending how you look at it) advance in punctuation since the question mark in the reign of Charlemagne. You will know all about emoticons. Emoticons are the proper name for smileys. And a smiley is, famously, this: :—) Forget the idea of selecting the right words in the right order and channelling the reader's attention by means of artful pointing. Just add the right emoticon to your email and everyone will know what self-expressive effect you thought you kind-of had in mind. Anyone interested in punctuation has a dual reason to feel aggrieved about smileys, because not only are they a paltry substitute for expressing oneself properly; they are also designed by people who evidently thought the punctuation marks on the standard keyboard cried out for an ornamental function. What's this dot-on-top-of-a-dot thing for? What earthly good is it? Well, if you look at it sideways, it could be a pair of eyes. What's this curvy thing for? It's a mouth, look! Hey, I think we're on to something. :—( Now it's sad! ;—) It looks like it's winking! :—r It looks like it's sticking its tongue out! The permutations may be endless: :~/ mixed up! <:—) dunce! :—[ pouting! :—O surprise! Well, that's enough. I've just spotted a third reason to loathe emoticons, which is that when they pass from fashion (and I do hope they already have), future generations will associate punctuation marks with an outmoded and rather primitive graphic pastime and despise them all the more. "Why do they still have all these keys with things like dots and spots and eyes and mouths and things?" they will grumble. "Nobody does smileys any more.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)