Feeding Orphans Quotes

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Do you not know that God entrusted you with that money (all above what buys necessities for your families) to feed the hungry, to clothe the naked, to help the stranger, the widow, the fatherless; and, indeed, as far as it will go, to relieve the wants of all mankind? How can you, how dare you, defraud the Lord, by applying it to any other purpose?
John Wesley
Poor baby--you're money's all gone. Stolen by a girl. Money gotten by illegal means. Let's not pretend you were feeding orphans, asshole." ~Meg
Sydney Croft (Taming the Fire (ACRO, #4))
She was scarcely a year older than I was, dark-haired, slender, with a face that would break your heart. It certainly broke mine. Lowborn, half-starved, unwashed... Yet lovely. They'd torn the rags she was wearing half off her back, so I wrapped her in my cloak while Jaime chase the men into the woods. By the time he came trotting back, I'd gotten a name out of her, and a story. She was a crofter's child, orphaned when her father died of fever, on her way to... Well, nowhere, really. The girl was too frightened to send her off by herself, though, so I offered to take her to the closest inn and feed her while my brother rode back to the Rock for help. She was hungrier than I would have believed. We finished two whole chickens and part of a third, and drank a flagon of wine, talking. I was only thirteen, and the wine went to my head, I fear. The next thing I knew, I was sharing her bed. If she was shy, I was shyer. I'll never know where I found the courage. When I broke her maidenhead, she wept, but afterward she kissed me and sang her little song, and by morning I was in love.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Forced motherhood results in bringing miserable children into the world, children whose parents cannot feed them, who become victims of public assistance or "martyr children." It must be pointed out that the same society so determined to defend the rights of the fetus shows no interest in children after they are born; instead of trying to reform this scandalous institution called public assistance, society prosecutes abortionists; those responsible for delivering orphans to torturers are left free; society closes its eyes to the horrible tyranny practiced in "reform schools" or in the private homes of child abusers; and while it refuses to accept that the fetus belongs to the mother carrying it, it nevertheless agrees that the child is his parents' thing.
Simone de Beauvoir (The Second Sex)
To my Black brothers and sisters, choose faith. As difficult as it is, choose faith—the kind of faith that we know without works is dead. The faith that raises awareness, educates the community, advocates, cares for the widows and feeds the orphans. Choose the faith that is compelled to action, but not controlled my anger.
Andrena Sawyer
Jesus reveals salvation, as the Marxist critic and occasional atheist Terry Eagleton observes, to be a matter not ‘of cult, law and ritual’, but of ‘feeding the hungry, welcoming the immigrants, visiting the sick, and protecting the poor, orphaned and widowed from the violence of the rich’.
Kenan Malik (The Quest for a Moral Compass: A Global History of Ethics)
Luke had been all set to go with me this weekend, but a few weeks ago he'd found out his friend John, who's been feeding orphans in India or some shit that makes me feel like a plastic bitch for what I do, was coming to New York.
Jessica Knoll (Luckiest Girl Alive)
Traditionally and practically, the world is brought to women by men; they are the outside on which female intelligence must feed. The food is poor, orphan’s gruel. This is because men bring home half-truths, ego-laden lies, and use them to demand solace or sex or housekeeping. The intelligence of women is not out in the world, acting on its own behalf; it is kept small, inside the home, acting on behalf of another. This is true even when the woman works outside the home, because she is segregated into women’s work, and her intelligence does not have the same importance as the lay of her ass.
Andrea Dworkin (Right-Wing Women)
Her child has been taken away from her, Her breasts are overflowing with milk. So she feeds the orphans. Tears are flowing from her eyes. She is happy to help the orphans but there is a pain and guilt that the milk which was for her child is being consumed by others.
Shunya
He continued, “The great fault in the evangelical movement today, is that we’re disobedient to the commands of the one we claim to follow. What were those commands? Love your enemies. Pray for those who persecute you. Feed the hungry. Clothe the naked. Care for widows and orphans. Visit those in prison. Seek first the kingdom of God.
Tim Alberta (The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism)
She is so white-hot furious she can barely see. She stokes the fire of her hatred, feeding it tidbits about bigoted Dina and spineless mushmouth Ralph, because she knows that just beyond the rage is a sorrow so enervating it could render her immobile. She needs to keep moving, flickering around the room. She needs o fill her bags and get the hell out of here.
Christina Baker Kline (Orphan Train)
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Jun Do was thinking about all the popular definitions of love, that it was a pair of bare hands clasping an ember to keep it alive, that it was a pearl that shines forever, even in the belly of the eel that eats the oyster, that love was a bear that feeds you honey from its claws.
Adam Johnson (The Orphan Master's Son)
battle that rages inside every person.’ ‘The two wolves.’ ‘That’s right. One wolf is anger and fear and paranoia and cruelty. The other is kindness, humility, compassion, serenity. And the boy asks his grandfather, “Which wolf wins?” You remember the answer?’ ‘ “The one you feed.” ’ ‘That’s right.
Gregg Andrew Hurwitz (Orphan X (Orphan X, #1))
Saying “I meant well” is not going to cut it. Not with God screaming, begging, pleading, urging us to love mercy and justice, to feed the poor and the orphaned, to care for the last and least in nearly every book of the Bible. It will not be enough one day to stand before Jesus and say, “Oh? Were You serious about all that?
Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
Chapter 90: [This] Countryside I swear by [this] countryside, you are a native settled on this land, as well as any parent and whatever he may father. We have created man under stress. Does he reckon that no one can do anything against him? He says: "I have used up piles of money!" Does he consider that no one sees him? Have we not granted him both eyes, a tongue and two lips, and guided him along both highroads? Yet he does not tackle the Obstacle! What will make you realize what the Obstacle is? It means redeeming the captive, or feeding some orphaned relative on a day of famine or some needy person in distress. Then he will act like someone who believes, recommends patience and encourages mercifulness. Those will be the companions on the right-hand side, while the ones who disbelieve in Our signs will be companions on the sinister side: above them a fire will hem them in.
T. B. Irving (A Translation Of The Meaning Of The Noble Qur'an)
Well, it’s not only Western countries who believe an orphan is lucky to grow up there. The fairy tale is used to console desperate birth mothers, but also serves to assuage the guilt of others—relatives who persuade the mother that this is best for her and her future, for the other children she already struggles to feed. It’s a story wielded by those who shape policy, who handle transactions with foreign agencies. It’s a fantasy for those not even involved—the ballad of the Korean orphan growing up in the exotic, romantic West—never mind the loss of identity, language, or the right to exist in a particular place. It is simply enough that the fairy tale happily ends with the baby delivered into the arms of a deserving white couple. But this is only the end to their story of childlessness. It’s the beginning of another for the one who’ll be a visible foreigner within his new family and throughout his youth.
Angela Mi Young Hur (Folklorn)
IN THE NAME OF GOD, THE MOST GRACIOUS, THE DISPENSER OF GRACE: (1) NAY! I call to witness this land – (2) this land in which thou art free to dwell5215 – (3) and [I call to witness] parent and offspring:5216 (4) Verily, We have created man into [a life of] pain, toil, and trial.5217 (5) Does he, then, think that no one has power over him? (6) He boasts, “I have spent wealth abundant!”5218 (7) Does he, then, think that no one sees him?5219 (8) Have We not given him two eyes, (9) and a tongue, and a pair of lips,5220 (10) and shown him the two highways [of good and evil]? (11) But he would not try to ascend the steep uphill road.... (12) And what could make thee conceive what it is, that steep uphill road? (13) [It is] the freeing of one’s neck [from the burden of sin],5221 (14) or the feeding, upon a day of [one’s own] hunger, (15) of an orphan near of kin, (16) or of a needy [stranger] lying in the dust – (17) and being, withal, of those who have attained to faith, and who enjoin upon one another patience in adversity, and enjoin upon one another compassion. (18) Such are they that have attained to righteousness;5222 (19) whereas those who are bent on denying the truth of Our messages – they are such as have lost themselves in evil, (20) [with] fire closing in upon them.5223
Anonymous (The Message of the Qur'an)
I told him he must carry it thus. It was evident the sagacious little creature, having lost its mother, had adopted him for a father. I succeeded, at last, in quietly releasing him, and took the little orphan, which was no bigger than a cat, in my arms, pitying its helplessness. The mother appeared as tall as Fritz. I was reluctant to add another mouth to the number we had to feed; but Fritz earnestly begged to keep it, offering to divide his share of cocoa-nut milk with it till we had our cows. I consented, on condition that he took care of it, and taught it to be obedient to him. Turk, in the mean time, was feasting on the remains of the unfortunate mother. Fritz would have driven him off, but I saw we had not food sufficient to satisfy this voracious animal, and we might ourselves be in danger from his appetite. We left him, therefore, with his prey, the little orphan sitting on the shoulder of his protector, while I carried the canes. Turk soon overtook us, and was received very coldly; we reproached him with his cruelty, but he was quite unconcerned, and continued to walk after Fritz. The little monkey seemed uneasy at the sight of him, and crept into Fritz's bosom, much to his inconvenience. But a thought struck him; he tied the monkey with a cord to Turk's back, leading the dog by another cord, as he was very rebellious at first; but our threats and caresses at last induced him to submit to his burden. We proceeded slowly, and I could not help anticipating the mirth of my little ones, when they saw us approach like a pair of show-men. I advised Fritz not to correct the dogs for attacking and killing unknown animals. Heaven bestows the dog on man, as well as the horse, for a friend and protector. Fritz thought we were very fortunate, then, in having two such faithful dogs; he only regretted that our horses had died on the passage, and only left us the ass. "Let us not disdain the ass," said I; "I wish we had him here; he is of a very fine breed, and would be as useful as a horse to us." In such conversations, we arrived at the banks of our river before we were aware. Flora barked to announce our approach, and Turk answered so loudly, that the terrified little monkey leaped from his back to the shoulder of its protector, and would not come down. Turk ran off to meet his companion, and our dear family soon appeared on the opposite shore, shouting with joy at our happy return. We crossed at the same place as we had done in the morning, and embraced each other. Then began such a noise of exclamations. "A monkey! a real, live monkey! Ah! how delightful! How glad we are! How did you catch him?
Johann David Wyss (The Swiss Family Robinson; or Adventures in a Desert Island)
O Opportunity, thy guilt is great! 'Tis thou that executest the traitor's treason: Thou set'st the wolf where he the lamb may get; Whoever plots the sin, thou 'point'st the season; 'Tis thou that spurn'st at right, at law, at reason; And in thy shady cell, where none may spy him, Sits Sin, to seize the souls that wander by him. 'Thou makest the vestal violate her oath; Thou blow'st the fire when temperance is thaw'd; Thou smother'st honesty, thou murder'st troth; Thou foul abettor! thou notorious bawd! Thou plantest scandal and displacest laud: Thou ravisher, thou traitor, thou false thief, Thy honey turns to gall, thy joy to grief! 'Thy secret pleasure turns to open shame, Thy private feasting to a public fast, Thy smoothing titles to a ragged name, Thy sugar'd tongue to bitter wormwood taste: Thy violent vanities can never last. How comes it then, vile Opportunity, Being so bad, such numbers seek for thee? 'When wilt thou be the humble suppliant's friend, And bring him where his suit may be obtain'd? When wilt thou sort an hour great strifes to end? Or free that soul which wretchedness hath chain'd? Give physic to the sick, ease to the pain'd? The poor, lame, blind, halt, creep, cry out for thee; But they ne'er meet with Opportunity. 'The patient dies while the physician sleeps; The orphan pines while the oppressor feeds; Justice is feasting while the widow weeps; Advice is sporting while infection breeds: Thou grant'st no time for charitable deeds: Wrath, envy, treason, rape, and murder's rages, Thy heinous hours wait on them as their pages. 'When Truth and Virtue have to do with thee, A thousand crosses keep them from thy aid: They buy thy help; but Sin ne'er gives a fee, He gratis comes; and thou art well appaid As well to hear as grant what he hath said.
William Shakespeare (The Rape of Lucrece)
Watching, the ancient bull whale was swept up in memories of his own birthing. His mother had been savaged by sharks three months later; crying over her in the shallows of Hawaiki, he had been succoured by the golden human who became his master. The human had heard the young whale’s distress and had come into the sea, playing a flute. The sound was plangent and sad as he tried to communicate his oneness with the young whale’s mourning. Quite without the musician knowing it, the melodic patterns of the flute’s phrases imitated the whalesong of comfort. The young whale drew nearer to the human, who cradled him and pressed noses with the orphan in greeting. When the herd travelled onward, the young whale remained and grew under the tutelage of his master. The bull whale had become handsome and virile, and he had loved his master. In the early days his master would play the flute and the whale would come to the call. Even in his lumbering years of age the whale would remember his adolescence and his master; at such moments he would send long, undulating songs of mourning through the lambent water. The elderly females would swim to him hastily, for they loved him, and gently in the dappled warmth they would minister to him. In a welter of sonics, the ancient bull whale would communicate his nostalgia. And then, in the echoing water, he would hear his master’s flute. Straight away the whale would cease his feeding and try to leap out of the sea, as he used to when he was younger and able to speed toward his master. As the years had burgeoned the happiness of those days was like a siren call to the ancient bull whale. But his elderly females were fearful; for them, that rhapsody of adolescence, that song of the flute, seemed only to signify that their leader was turning his thoughts to the dangerous islands to the south-west.
Witi Ihimaera (The Whale Rider)
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Josephus further wrote that ‘the Essenes were the most honest people in the world, very industrious and enterprising and showed great skill and concern for agriculture. They indulged in humanitarian acts like feeding the hungry, clothing the naked, sheltering the homeless, comforting the sick, and protecting and aiding the widows and orphans. The Brotherhood had houses in several towns where members could take abode while travelling and were taken care of.
Joshua Benjamin (The Mystery of Israel's Ten Lost Tribes and the Legend of Jesus in India)
My humanitarian nature evolved from being with my family. Mom, dad, are my biggest heroes, the greatest inspirstion, role models, who set an example for giving back. My mom is a health practitioner, and dad is an iconic Equatorian political figure, who fought for justice, advocating for the interest of South Sudanese people, and he is one of the key founding fathers of the Acholi land. Both have done many public services including politically, treating the sick, feeding the hungry, financing the needy, raising the orphans, and sheltering the homeless in North and South Sudan. I admire their sense of changing the world, and trying to make it a better environment".
Achola Aremo
In the darkness of the night while removing the long colourful gown that covers my nakedness, there is chill penetrating bare cells and the sky is as silent as ever. Another day has withered unto the lap of mighty earth, to make her heart fertile, to feed those lives sprouting and then again to raise up to the skies to kiss life! This home is not yours, nor this earth! A breeze that caresses the orphan longings of the senses, like that of the softest music – so is life, a passing breeze! All I own is this moment! O night, do you see stars blinking hidden amidst the darkest clouds? O life, can you inhale the fragrance of unborn flowers dancing wet in the rain? O life, do you hear a song from the farthest skies, a secret melody of silence that I cherish deep within?
Preeth Padmanabhan Nambiar (The Solitary Shores)
He makes the turn into the long gravel lane of my brother Jacob’s farm. The place originally belonged to my parents but was handed down to him, the eldest male child, when they passed away. I mentally brace as the small apple orchard on my right comes into view. The memories aren’t far behind, and I find myself looking down the rows of trees, almost expecting to see the three Amish kids sent to pick apples for pies. Jacob, Sarah, and I had been inseparable back then, and instead of picking apples, we ended up playing hide-and-seek until it was too dark to see. As was usually the case, I was the instigator. Kate, the druvvel-machah. The “troublemaker.” Or so my datt said. The one and only time I confessed to influencing my siblings, he punished me by taking away my favorite chore: bottle-feeding the three-week-old orphan goat I’d named Sammy. I’d cajoled and argued and begged. I was rewarded by being sent to bed with no supper and a stomachache from eating too many green apples. The
Linda Castillo (After the Storm (Kate Burkholder #7))
The study of wildlife was a household passion. Bob loved all reptiles, even venomous snakes. Lyn took in the injured and orphaned. They made a great team, and Steve was born directly from their example and teaching. “Whenever we were driving,” Steve told me, “if we saw a kangaroo on the side of the roadway that had been killed by a car, we always stopped.” Mother and son would investigate the dead roo and, if it was female, check its pouch. They rescued dozens, maybe hundreds, of live kangaroo joeys this way, brought them home, and raised them. “We had snakes and goannas mostly, but also orphaned roo joeys, sugar gliders, and possums,” Steve said about these humble beginnings. “We didn’t have enclosures for crocodiles. That came later, after my parents became sick to death of the hatred they saw directed toward crocs.” I soon became aware that as much as Steve loved his parents equally, he got different things from each of them. Bob was his hero, his mentor, the man he wanted to become. Bob’s knowledge of reptile--and especially snake--behavior made him an invaluable resource for academics all over the country. The Queensland Museum wanted to investigate the ways of the secretive fierce snake, and Bob shared their passion. When the administrators of the Queensland Parks and Wildlife Service wanted to relocate problem crocodilians, they called Bob. Meanwhile, Lyn became, in Steve’s words, “the Mother Teresa of animal rescue.” Lyn designed a substitute pouch for orphaned roo and wallaby joeys. She came up with appropriate formulas to feed them too. Lyn created the warm, nurturing environment that made Steve’s dreams, goals, and aspirations real and reachable. Steve was always a boy who loved his mum, and Lyn was the matriarch of the family. While Bob and Steve were fearless around taipans and saltwater crocs, they had the utmost respect for Lyn. She was a pioneering wildlife rehabilitator who set the mark for both Steve and myself. From the very first, I was welcomed into the Irwin family. The greatest thing was that I felt Lyn and Bob loved me not just because I was married to Steve, but for myself, for who I was. That gave me confidence to feel at home as a new arrival to Australia.
Terri Irwin (Steve & Me)
I soon became aware that as much as Steve loved his parents equally, he got different things from each of them. Bob was his hero, his mentor, the man he wanted to become. Bob’s knowledge of reptile--and especially snake--behavior made him an invaluable resource for academics all over the country. The Queensland Museum wanted to investigate the ways of the secretive fierce snake, and Bob shared their passion. When the administrators of the Queensland Parks and Wildlife Service wanted to relocate problem crocodilians, they called Bob. Meanwhile, Lyn became, in Steve’s words, “the Mother Teresa of animal rescue.” Lyn designed a substitute pouch for orphaned roo and wallaby joeys. She came up with appropriate formulas to feed them too. Lyn created the warm, nurturing environment that made Steve’s dreams, goals, and aspirations real and reachable. Steve was always a boy who loved his mum, and Lyn was the matriarch of the family. While Bob and Steve were fearless around taipans and saltwater crocs, they had the utmost respect for Lyn. She was a pioneering wildlife rehabilitator who set the mark for both Steve and myself.
Terri Irwin (Steve & Me)
We are called not to just read the Qur’an—but to become a manifestation of its message. We are called to be a mercy to all the creations of God, by bringing light where there is darkness, feeding the hungry, forgiving those who wrong us, taking care of the orphans, being generous to the needy, being kind to our parents, and through sincere worship becoming a vessel of God’s unconditional love for the entire world.
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam)
them. 23.  But whoever turns away and disbelieves. 24.  God will punish him with the greatest punishment. 25. To Us is their return. 26.  Then upon Us rests their reckoning. 89. The Dawn (al-Fajr) In the name of God, the Gracious, the Merciful. 1. By the daybreak. 2. And ten nights. 3.  And the even and the odd. 4.  And the night as it recedes. 5.  Is there in this an oath for a rational person? 6.  Have you not seen how your Lord dealt with Aad? 7. Erum of the pillars. 8.  The like of which was never created in the land. 9.  And Thamood-those who carved the rocks in the valley. 10. And Pharaoh of the Stakes. 11.  Those who committed excesses in the lands. 12. And spread much corruption therein. 13.  So your Lord poured down upon them a scourge of punishment. 14.  Your Lord is on the lookout. 15.  As for man, whenever his Lord tests him, and honors him, and prospers him, he says, "My Lord has honored me." 16.  But whenever He tests him, and restricts his livelihood for him, he says, "My Lord has insulted me." 17.  Not at all. But you do not honor the orphan. 18.  And you do not urge the feeding of the poor. 19.  And you devour inheritance with all greed. 20.  And you love wealth with immense love. 21.  No-when the earth is leveled, pounded, and crushed. 22.  And your Lord comes, with the angels, row after row. 23.  And on that Day, Hell is brought forward. On that Day, man will remember, but how will remembrance avail him? 24.  He will say, "If only I had forwarded for my life." 25.  On that Day, none will punish as He punishes. 26.  And none will shackle as He shackles. 27.  But as for you, O tranquil soul. 28.  Return to your Lord, pleased and accepted. 29. Enter among My servants. 30. Enter My Paradise. 90.
Talal Itani (Quran in English: Modern English Translation. Clear and Easy to Understand.)
Lily came suddenly and violently awake a few hours later, and she stared up at Caleb with wide eyes as he held her in place on the bed, her hands pressed into the pillows. “Who was it?” he demanded. Lily knew he was asking who had attacked her in her cottage the night of the fire, knew he wouldn’t wait any longer to be told. Still she hesitated, not to protect Judd, but because she feared what could happen to Caleb if he took his revenge. “Judd Ingram,” she said quietly. Caleb swore, and the look in his eyes was murderous. “He didn’t hurt me, Caleb,” Lily reasoned hastily, grabbing at his upper arm with both hands. She was under no illusion that she could restrain the major if he chose to pull away, but she held on with all her might just the same. “Why are you defending the bastard?” Lily sighed. “I’m not, Caleb—he can burn in hell for all I care. It’s you I’m worried about.” Caleb relaxed a little and let his forehead rest against Lily’s. “I want to kill him,” he breathed. “I want to gut him like a trout and feed his insides to the crows.” “I know,” Lily said gently, her hands moving soothingly on his tense shoulders, “but you mustn’t take the law into your own hands. We’ve got trouble enough, Caleb, without your being hanged for murder or confined to a federal prison for the rest of your life.” He kissed her lightly on the mouth. “You’re right,” he conceded after a long moment. “You could have Judd thrown out of the army, couldn’t you?” Caleb nodded grimly. “Yes. But if I did that, he’d be free to hang around this part of the country. If you should end up on that homestead of yours, you’d be vulnerable to him.” Lily’s face fell at the prospect. “No,” Caleb went on, “I’ll have him transferred. Say, to Fort Yuma. He’ll feel right at home there with all those other scorpions to keep him company.” Lily sighed. “Suppose he attacks somebody else, Caleb? Suppose they don’t get away like I did?” Caleb’s hands were gentle on her shoulders. “I’ll make sure Ingram’s commanding officer knows what kind of man he is, Lily. Don’t worry.” With
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Touch her,” he vowed in a low voice, “and I’ll feed you to the gators, piece by piece.” Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
As it turned out, far from disgracing himself, Henry was dazzling in court, crying out at one point, “We have heard a great deal about the benevolence and holy zeal of our reverend clergy, but how is this manifested? Do they manifest their zeal in the cause of religion and humanity by practicing the mild and benevolent precepts of the Gospel of Jesus? Do they feed the hungry and clothe the naked?” Answering his own question, he shouted, “Oh, no, gentlemen! Instead of feeding the hungry and clothing the naked, these rapacious harpies would, were their powers equal to their will, snatch from the hearth of their honest parishioner his last hoe-cake, from the widow and her orphan child their last milch cow! The last bed, nay, the last blanket from the lying-in woman!” His
Charles River Editors (Patrick Henry: The Life and Legacy of the Founding Father and Virginia’s First Governor)
Emma set the tray across his lap, he made no move to pick up his spoon or fork. “It’s been a long day,” he said with a heavy sigh. “I’m not sure I want to make the effort to eat.” She sank into the chair beside the bed. “But you must eat,” she replied. “You’ll never get your strength back if you don’t.” Steven lifted one shoulder in a dispirited shrug and looked away. After drawing a deep breath and letting it out again, Emma reached for his fork, stabbed a piece of Daisy’s meat pie, with its thick, flaky crust, and raised it to Steven’s lips. He smiled wanly and allowed her to feed him. In fact, it seemed to Emma that he was enjoying this particular moment of incapacity. The experience was oddly sensual for Emma; she found herself getting lost in the graceful mechanics of it. When Steven grasped her hand, very gently, and lightly kissed her palm, the fork slipped from her fingers and clattered to the tray. Her breasts swelled as she drew in a quick, fevered breath. Steven trailed his lips over the delicate flesh on the inner side of her forearm until he reached her elbow. When his tongue touched her at the crux, the pleasure was so swift and so keen that she flinched and gave a soft moan. His eyes locked with hers and he told her, without speaking aloud, that there were other places on her body he wanted to kiss. Places he fully intended to explore and master. Emma took hold of the tray with a hasty, awkward movement and bolted to her feet, feeling hot and achy all over. “Well,” she said with a brightness that was entirely false, “if you’re not hungry any longer…” “I didn’t say that, Miss Emma,” he interrupted, his voice as rough as gravel. “It’s just that it isn’t food I’m hungry for.” Only her fierce grasp on the sides of the tray kept Emma from dropping it to the floor—plate, cup, leftover food, and all. “What a scandalous remark!” Steven smiled and stretched, wincing a little at the resultant pain. “I can think of plenty of ‘scandalous’ remarks,” he said, “if you’d like to hear more.” Emma was painfully conscious of the pulse at the inside of her elbow, where Steven had kissed her. A number of other fragile points, such as the backs of her knees and the arches of her feet, tingled in belated response. “Good night, Mr. Fairfax,” she said, with feigned dignity. And then she turned and walked out of the room.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Maisie was eighteen months old, but her weight was like a bundle of rags. Only a few weeks after she was born, Mam came down with a fever and could no longer feed her, so we made do with warm sweetened water, slow-cooked crushed oats, milk when we could afford it. All of us were thin. Food was scarce; days went by when we had little more than rubbery potatoes in weak broth. Mam wasn’t much of a cook even in the best of health, and some days she didn’t bother to try. More than once, until I learned to cook, we ate potatoes raw from the bin.
Christina Baker Kline (Orphan Train)
Feeding Carmine bread soaked in milk reminds me of the Irish dish called champ I often made for Maisie and the boys—a mash of potatoes, milk, green onions (on the rare occasion when we had them), and salt. On the nights when we went to bed hungry, all of us dreamed of that champ.
Christina Baker Kline (Orphan Train)
He tells me about his family—how there was some kind of dispute, and his brother killed his father when Mr. Grote was sixteen and he ran away from home and never went back. He met Mrs. Grote around that time, and Harold was born when they were eighteen. They never actually tied the knot until they had a houseful of kids. All he wants to do is hunt and fish, he says, but he has to feed and clothe all these babies. God’s honest truth, he didn’t want a single one of ’em. God’s honest truth, he’s afraid he could get mad enough to hurt them.
Christina Baker Kline (Orphan Train)
Credibility comes from obeying Jesus’ teaching to shelter the homeless, feed the hungry, clothe the naked, love the rejected, touch the untouchable, fight for the abused, and take care of the widow and orphan. When the church begins to share God’s grace in those tangible ways, credibility will come back to the church. This is my life mission and my life goal.
Ken Burkey (The Power of an Orange Chair: Anecdotes, Stories & Celebrations of an Isaiah 58 Church)
Have you considered the person who denies the faith or its real purpose? It is he who pushes aside the orphan, And does not urge others to feed the needy. So woe to those who pray, But are heedless of their prayers. Those who are all show, And forbid common kindness. Surah Al Ma’un, The Common Kindness
M.A.S. Abdel Haleem (The Qur'an: English translation with parallel Arabic text (Check Info and Delete This Occurrence: -C Owch -T Oxford Wor))
We aren’t Jesus, so the laying down of our lives would pale in comparison to the act of sacrifice on the cross, but we can sacrifice in our daily life. How? By standing against violence and racism (saying no to racist jokes and stereotypes). By defending widows and orphans in whatever way God leads (James 1:27). By refusing to allow gossip or division in our midst. By taking people in and by clothing and feeding them. Pray and use the imagination God gave you and think out of the box—the opportunities to “lay down our lives” for others are endless. If we are looking to love people, God will surely give us the chance.
Lisa Whittle (Jesus Over Everything: Uncomplicating the Daily Struggle to Put Jesus First)
Somewhere, today, someone did not wake up. Someone lost a loved one. People are wondering where they will lay their head. Someone lost their job and does not know how they will feed their family. A man, woman or child just received a terminal diagnosis. An entire village has been leveled by bombs. A child has been orphaned. I can go on, but you understand. Perspective. If you can't show love, at least do not interfere in the lives of people who do.
Liz Faublas (You Have a Superpower)
Somewhere, today, someone did not wake up. Someone lost a loved one. People are wondering where they will lay their head. Someone lost their job and does not know how they will feed their family. A man, woman or child just received a terminal diagnosis. An entire village has been leveled by bombs. A child has been orphaned. I can go on, but you understand. Perspective. If you can't show love, at least do not interfere in the lives of people who do. Stay positive beautiful people!
Liz Faublas
Ps 72 Woven together throughout Ps 72 are the themes of justice, peace and domestic prosperity. In the prologue to the Code of Hammurapi, and especially in the epilogue, the king boasts that his just rule also brings peace and prosperity to the cities of his realm. Immediately following the prayer for justice in “Ashurbanipal’s Coronation Hymn,” the priest asks that the king’s dominion might also be characterized by prosperity (abundance of grain; cf. v. 16) and “peace” (Assyrian salimu is akin to the Hebrew salom in v. 3 [NIV “prosperity”]). Injustice resulted in social chaos (see note on 94:20). In Egyptian thought, the execution of justice by the king expels chaos from creation, bringing harmony and order to the land. Thus, in both Mesopotamia and Egypt, people set their hope on the king for justice and prosperity. In Egypt, this revolved around a pharaoh who participated in the company of the gods and mediated divine blessing to humanity, but this hope never focused beyond the currently living king, except very late in Egyptian history (c. 300 BC), when expectations arose among some that a king would arise to restore the former glory of Egypt. Similarly, Mesopotamians did not conceive of a future king who would usher in an ideal age. People considered only their contemporary king as the agent of the gods who ideally maintained a prosperous social order. In contrast, in the OT one finds a progressively developing theme of hope for a future, worldwide kingdom ruled by a Davidic king on behalf of Yahweh. 72:4 defend the afflicted. Care for the weak members of society is the practical test of a just and good government throughout the ancient Near East, as claimed by Hammurapi (see note on Ps 72; see also the article “Coronation Hymns in the Ancient Near East”). In the Ugaritic Kirta epic, King Kirta is rebuked for failure to “pursue the widow’s case,” “take up the wretched’s claim,” “expel the poor’s oppressor” and “feed the orphan.” In the Egyptian “Teaching for Merikare,” the king is exhorted, “Do justice, then you endure on earth; / Calm the weeper, don’t oppress the widow.
Anonymous (NIV, Cultural Backgrounds Study Bible: Bringing to Life the Ancient World of Scripture)
When we have all competed to become wealthy, the preacher reminds us that we have an obligation to feed the hungry and to care for the widows and orphans, that we are only stewards of God's wealth.
Samuel DeWitt Proctor (The Certain Sound of the Trumpet: Crafting a Sermon of Authority)
Isabel had always enjoyed a house full of people. 'Feed your friends, and their mouths will be too full to gossip,' Bubbie used to say. 'Feed your enemies, and they'll become your friends.' Throughout Isabel's childhood, the Johansen household had been full of people coming over, sitting down for a glass of wine or a slice of pie, staying up late, talking and laughing. Bubbie and Grandfather had been determined that she should never feel like an orphan. Except that, despite their efforts, sometimes she had. It wasn't their fault, she reflected as she placed wedges of quiche on plates. There was just something inside her- an urge, a yearning- that made her long to be someone's daughter, not the granddaughter. She never said so, though, not aloud. Yet somehow, they heard her. Somehow, they knew. Perhaps, in the aftermath of Bubbie's final illness and passing, that was why Isabel had become so bound to Bella Vista. Now she couldn't imagine being anywhere else. Her heart resided here, her soul. She still loved having people over, creating beautiful food, watching the passing of the seasons. Even now, with all the trouble afoot and secrets being revealed like the layers of a peeled onion, she found the rhythm of the kitchen soothing.
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
That’s right. One wolf is anger and fear and paranoia and cruelty. The other is kindness, humility, compassion, serenity. And the boy asks his grandfather, ‘Which wolf wins?’ You remember the answer?” “‘The one you feed.
Gregg Andrew Hurwitz (Orphan X (Orphan X, #1))