Fedora Wearing Quotes

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Jordan doesn't really care about the blood," Simon said now. "His whole thing is about me being comfortable with what I am. Get in touch with your inner vampire, blah, blah." Clary slid in next to him onto the bed and hugged a pillow. "Is your inner vampire different from your...outer vampire?" "Definitely. He wants me to wear midriff-baring shirts and a fedora. I'm fighting it." Clary smiled faintly. "So your inner vampire is Magnus?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Is your inner vampire different from your...outer vampire?' 'Definitely. He wants me to wear midriff-baring shirts and a fedora.' 'So your inner vampire is Magnus?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It was a lovely sight," said one witness. "I cannot even begin to describe the beauty of her ascension," said another. "You kind of did, though," said another witness, who was wearing a fedora. "By saying you cannot describe something, that is a sort of apophasis (a paralipsis, if you will), which gives the mind an implied description through nondescription," he continued.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
Placing his suitcase on the seat next to him, he unbuttoned his suit jacket, loosened up his necktie and removed his fedora. He kept his custom eye wear on and made himself comfortable, looking more like a Wall Street accountant than the cold killer he'd become...
Peprah Boasiako (THE HITMAN: A Short Story)
Some are clearly so confused that they have taken to wearing fedoras. A difficult period indeed.
Aziz Ansari (Modern Romance: An Investigation)
He's all right, but he sometimes wears a fedora.
Tom Ellen (Lobsters)
But let me just say that talking dirty is so important in sex. And it’s pretty easy. To wit: establish from the very beginning that you like this. And trust me, you want to do it early on. Because if you wait too long to introduce the concept, your Special Lady Friend will be a little thrown and might not take you seriously. Think of it as a hat. If you never, ever wear a hat and one day you try to rock a fedora with a feather, all of your friends will be like, “Dude—why are you wearing a fucking fedora with a fucking feather?” You’ll feel insecure and never wear it again. Now imagine that scenario, but in bed with your hardened dick out and it’s your girlfriend saying, “Dude—why the fuck are you talking like that?” Not good.
Olivia Munn (Suck It, Wonder Woman!: The Misadventures of a Hollywood Geek)
He was wearing a gleaming cream-coloured linen suit, and a Panama hat. The weirdest thing about this was that he was not the most outlandish-looking person in the room by a long way. Not that Little Miss Dresses-Like-Bogart over here has a right to complain
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
His consolation prize was a hat. A battered fedora that looked as if it had blown off of Humphrey Bogart during the filming of Key Largo. Sucked up into the atmosphere during the movie’s hurricane, it had ended up here, on the other side of the world, sixty years later. On his head. Even though it had been enshrined in a closet inside the house, it kind of smelled as if it had spent about three of those decades at the bottom of a birdcage. Yesiree. It was almost as fun to wear as the brown leather flight jacket. Which really wasn’t fair to the flight jacket. It was a gorgeously cared-for antique that didn’t smell at all. And it definitely worked for him, in terms of some of his flyboy fantasies. But the day had turned into a scorcher. It was just shy of a bazillion degrees in the shade. He needed mittens or perhaps a wool scarf to properly accessorize his impending heat stroke. “Today, playing the role of Indiana Jones, aka Grady Morant, is Jules Cassidy,” he said, as he slipped his arms into the sleeves. Was anyone really going to be fooled by this? Jones was so much taller than he was.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Jordan Cross sat in the back of a taxicab headed for the wharf wearing tortoiseshell glasses, a blond mustache and a straw fedora over his dyed hair, smiling like an idiot, nodding his head up and down, up and down, like one of those fuzzy sequin-eyed plastic dogs they sell in tacky souvenir shops. He
Ray Garton (Dark Channel)
In the stout-hearted person of Harrison Ford, Indy was a new generation’s Ethan Edwards—a young John Wayne-bwana dispatched to curate the Third World. Not an identity-cloaked sci-fi superhero but a bullwhip-toting, fedora-wearing, two-fisted sophisticate who respected the Bible and saved the children of India—a superb hero yet an intrinsically nostalgic figure.
Armond White (Make Spielberg Great Again: The Steven Spielberg Chronicles)
The student with whom Hal shared a bedroom, Englishman John Abel Smith, bore educational credentials that Hal could only dimly conceive. John was the namesake of a renowned merchant banker and British Member of Parliament. He had attended Eton, one of the world’s most famous preparatory schools, before entering Cambridge, where he had “read” under the personal tutelage of English scholars. Hal began to understand the difference between his public-school education and the background of his roommates when he surveyed them relative to a reading list he came across. It was titled, “One Hundred Books Every Educated Person Ought to Have Read.” George Montgomery and Powell Cabot had read approximately seventy and eighty, respectively. John Abel Smith had read all but four. Hal had read (though not necessarily finished) six. Hal also felt his social inferiority. He had long known that his parents weren’t fashionable. His mother never had her hair done in a beauty parlor. His father owned only one pair of dress shoes at a time and frequently took long trips abroad with nothing but his briefcase and a single change of underwear, washing his clothes—including a “wash-and-wear” suit—in hotel sinks at night. That was part of the reason why Hal took an expensive tailored suit—a broad-shouldered pinstripe—and a new fedora hat to Boston. He knew that he needed to rise to a new level, fashion-wise. But he realized that his fashion statement had failed when Powell Cabot asked, late in October, to borrow his suit and hat. Hal’s swell of pride turned to chagrin when Powell explained his purpose—he had been invited to a Halloween costume party, and he wanted to go as a gangster.
Robert I. Eaton (I Will Lead You Along: The Life of Henry B. Eyring)
Ian opens the box and moves the polystyrene strips to uncover a matryoshka. He’s astonished when he sees that it’s his face painted on it. "But...," he says. "Is it me?" He looks at Andrea, puzzled. "You’re very good." The look is from a photo of him at a party, before he knew him personally, that he found on the internet. He’s in a gray suit and has a cane, like a count from the olden days. "That's the Count," he says, and Ian looks at him and swallows. Andrea smiles. His gift holds a deep meaning that only the two of them understand. Ian opens the first doll and inside there is another. He gasps on seeing it. "That’s Dorian," says Andrea. He has painted Ian as he had looked on the night of his first event. When he wore the white Versace suit and Borsalino fedora. His hand trembling, Ian opens the doll to see the next one inside. "That's Ian," Andrea smiles, as does Ian when he sees himself portrayed with the black linen scarf and white sweater that he was wearing when they had met for the first time in Clusone. He has a serious look in the previous dolls while here he is cheerful. Ian shakes the doll a little and hears the wood rattle. He looks at Andrea, doubtful: they both know that their rapport finishes here. Andrea hasn’t discovered his innermost layer and sounderstands his perplexity. Ian seems to have to pluck up courage and then opens again. Inside there is the last, smallest doll, made from a single small piece of wood and known as the "seed". It dances in a large empty space, given that the doll above it is missing. It’s golden and doesn’t have a face. "That’s the soul," says Andrea. "One’s missing. That's why there's that little table with brushes in my room. I hope to do it soon. As soon as I can." Ian takes the little piece of wood and holds it in his fist. "Thank you, Andrea. It’s a wonderful gift," he says, tightening his jaw. "I eagerly await the last." He’s
Key Genius (Heart of flesh)
Joaquin was almost ten years older than me, born in Philadelphia, and possessed a swagger that seemed unearned, considering he was wearing a FUCKING FEDORA.
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
call down to the desk to ask about the room?” “No phone,” Cisco said. “Just watch.” Once back on the ground floor, Gloria stepped out of the elevator and went to a house phone that was on a table against the wall. She made a call and soon was speaking to someone. “This is her asking to be connected to the room,” Cisco said. “She is told by the operator that there is no Daniel Price registered in the hotel and no one in eight thirty-seven.” Gloria hung up the phone, and I could tell by her body language that she was annoyed, frustrated. Her trip had been wasted. She headed back through the lobby, moving at a faster clip than when she had arrived. “Now watch this,” Cisco said. Gloria was halfway across the lobby when a man entered the screen thirty feet behind her. He was wearing a fedora and had his
Michael Connelly (The Gods of Guilt--Free Preview: The First 8 Chapters (A Lincoln Lawyer Novel))
The clothes make the man, or so the saying goes. But all you have to do is look at a row of fedoras to know what a bunch of baloney that is. Gather together a group of men of every gradation—from the powerhouse to the putz—have them toss their fedoras in a pile, and you’ll spend a lifetime trying to figure out whose was whose. Because it’s the man who makes the fedora, not versa vice. I mean, wouldn’t you rather wear the hat worn by Frank Sinatra than the one worn by Sergeant Joe Friday? I should hope so. In
Amor Towles (The Lincoln Highway)
She began to click through the profiles. You’ve got to be in it to win it, right? Pathetic. Some men could be eliminated with a quick glance at their profile photograph. It was key when you thought about it. The profile portrait each man had painstakingly chosen was, in pretty much every way, the first (very controlled) impression. It thus spoke volumes. So: If you made the conscious choice to wear a fedora, that was an automatic no. If you chose not to wear a shirt, no matter how well built you were, automatic no. If you had a Bluetooth in your ear—gosh, aren’t you important?—automatic no. If you had a soul patch or sported a vest or winked or made hand gestures or chose a tangerine-hued shirt (personal bias) or balanced your sunglasses on top of your head, automatic no, no, no. If your profile name was ManStallion, SexySmile, RichPrettyBoy, LadySatisfier—you get the gist.
Harlan Coben (Missing You)
I heard you have a date with Oliver, and from the looks of it, you definitely do. You’re sweating like a whore in church!” Rob says as soon as he sees me. I punch him in the shoulder. “No I’m not! Oh God, am I?” I head toward the bathroom and look at myself, realizing that he was exaggerating. But, damn. I am nervous. “Why am I so nervous about this? And where is Meep?” “She’s in the shower, and you’re nervous because this is your first date together. I mean, real date. Shenanigans don’t count.” He raises a blonde eyebrow and laughs when I glare at him. “I need a drink,” I announce, heading to the kitchen. “No, you don’t. You need to sit and relax and be still. You’re going to give me a heart attack!” “Stop being a pest,” I mutter, plopping down on the couch. “Okay, but on your date, do not sit like that. Nothing is more gross than a careless sitter in a dress.” My eyes widen, and I cross my legs, sitting upright. “Damn you. Maybe I should have worn jeans.” Robert laughs, throwing his head back. He looks so much like Mia when he does that. “I was joking! Geez, you really are nervous.” “Who’s nervous?” Mia asks, walking over to us. “Jitterbug over here is acting like a virgin going to prom,” Rob says, earning a laugh from me, and a look from Mia. “Way to lay it all out there,” I say. “She looks fine,” Mia says walking over to me. “It’s just Bean.” “Exactly. It’s just Bean . . . do I look okay?” Mia gives me a once-over and nods. “You look beautiful, like you do every other day, when you wear make-up and brush your hair and dress up.” “Meaning not like every other day?” “Well, you have to save beauty for special occasions, Chicken.” “Bitch,” I say, laughing until the knock on the door swallows my smile. “Ohh here he comes,” Rob starts singing like he was singing Man Eater, and I want to crawl into a hole and die. Mia swings the door open and whistles loudly. “Looks like somebody wants to get laid tonight,” she announces. And this time, for real, I want to crawl into a hole and die. I can feel my face burning as I walk to the door and tell Mia and Robert to shut up. Oliver is wearing dark jeans, black shoes, a gray button-down, and a fedora on his head. It’s simple and hot, and it matches the gray dress I’m wearing, so I have to laugh. “It’s like they’re meant to be!” Rob states loudly. “They match! This is too fucking cute! Mia! Get the camera!” “I hate you.” I say, looking at him. “I hate you.” I say, turning to Mia’s face, red from laughing. “I don’t hate you . . . yet.” I say, turning to Oliver, who gives me a slow, cocky half grin that makes me melt a little. “Please have her home by midnight, and make sure she lays off the vodka,” As Mia starts rattling off her list, she stops to look at my blushing face and bursts out laughing. “Awww . . . I’m sorry, Elle, this is so cute though. You haven’t been this nervous since you lost your virginity to Hunter Grayson.” She stops laughing and turns to Oliver with a serious face. “All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
saw a large SUV pull up and obstruct traffic, illegally parking in front of the unadorned Hotel Nápoles. Two men in black, wearing opaque sunglasses, got out and snatched the rear door open for a middle-aged man wearing a fedora, with a fawn-colored jacket like a cape over his shoulders. This cosseted, well-guarded figure, with an aura of power and money—a cabrón (big goat) in the admiring sense, a padrino (godfather), perhaps—took three strides to the Hotel Nápoles and the entrance to the café just inside, La Colomba, where he was greeted by a sinister smiling mustached man, who hugged him and led him into the shadowy café, which was closed to the public.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
​The overcoat wasn't just any coat. It was a trench coat, to be specific. In addition to the trench coat, he had a hat on. An old fashioned hat, atop his head. The kind one could expect to see a character wearing in an old gangster movie. An old, worn out fedora.
F. Gardner (Call of the Cherokee (Horror's Call))
Is your inner vampire different from your… outer vampire?” “Definitely. He wants me to wear midriff-baring shirts and a fedora. I’m fighting it.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It’s a good thing I got you out of LA. I was tired of all those fedora-wearing hipsters hitting on you.
Blake Pierce (The Perfect Wife (Jessie Hunt, #1))