Fed Up Of Lies Quotes

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It is not the monsters we should be afraid of; it is the people that don't recognize the same monsters inside of themself.
Shannon L. Alder
My rotting brain had lied to me; of course talking would help. Of course my loving, caring friends telling me it would get better would help. They fed ropes down the hold I'd been digging, and even if they couldn't pull me up, they at least reminded me that there was a world beyond this, where I'd been before.
Dodie Clark (Secrets for the Mad)
Kaoru." "Hikaru? How long have you been there? "Kaoru, how do you feel about Haruhi?" "She's a funny little tanuki." "You don't have to lie to me. Sorry that I didn't realize it until now. I know you've been worrying about me, but you don't have to lie anymore. You like Haruhi too, don't you?" "What are you talking about, Hikaru? I don't--" "Then how about this? You know we talked about adopting Haruhi. That's the best solution. That way the three of us will always be together." "Are you completely stupid, Hikaru? Adopting Haruhi was just a joke. We're not playing house. It'd never happen. I'm so fed up with your childishness!!" "Kaoru..." "Besides, would you be happy being a threesome forever? You really want to share Haruhi with me? That's not what I want!" "Kaoru...?" "I won't share her with you or milord! Especially... ... If your willing to just give her up like that! I'll never step aside for you if that's the case!
Bisco Hatori (Ouran High School Host Club, Vol. 11 (Ouran High School Host Club, #11))
The history of the world? Just voices echoing in the dark; images that burn for a few centuries and then fade; stories, old stories that sometimes seem to overlap; strange links, impertinent connections. We lie here in our hospital bed of the present (what nice clean sheets we get nowadays) with a bubble of daily news drip-fed into our arm. We think we know who we are, though we don't quite know why we're here, or how long we shall be forced to stay. And while we fret and write in bandaged uncertainty - are we a voluntary patient? - we fabulate. We make up a story to cover the facts we don't know or can't accept; we keep a few true facts and spin a new story round them. Our panic and our pain are only eased by soothing fabulation; we call it history.
Julian Barnes (A History of the World in 10½ Chapters)
So I swallowed all of the dark ages nonsense they fed me. Some time passed. I grew up a little, and I gradually began to figure out that pretty much everyone had been lying to me about pretty much everything since the moment I emerged from my mother’s womb. This was an alarming revelation. It gave me trust issues later in life.
Ernest Cline (Ready Player One (Ready Player One, #1))
He restated that all I ever needed to do was ask him for help, but therein lies the problem. I don’t want to micromanage housework. I want a partner with equal initiative.
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
Why is bedtime so hard for many families? Because the needs of parents and children clash. To parents, bedtime is the time they finally get to separate from their children and have a little time to themselves. To children, bedtime is the time they’re forced to separate from their parents and lie in the dark by themselves. On top of that, children are exhausted and wound up, and parents are exhausted and fed up. No wonder it’s the single most challenging time in most families.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
Parents and adults in our society found a way to preserve their own self-concept, and that was through feeding themselves, as well as you, with the belief “It’s for your own good.” We are fed this lie from day one. Even those of us who grow up in the most loving households are fed this lie. We make our children sit through hours of lessons in the prison-like environment we call school and tell them it’s for their own good. We discipline them in ways that are painful to their minds and bodies and tell them that it’s for their own good.
Teal Swan (Shadows Before Dawn: Finding the Light of Self-Love through Your Darkest Times)
Evening by evening Among the Brookside rushes, Laura bow'd her head to hear, Lizzie veil'd her blushes: Crouching close together In the cooling weather, With clasping arms and cautioning lips, With tingling cheeks and fingertips. "lie close," Laura said, Pricking up her golden head: "We must not look at Goblin men, We must not buy their fruits: who knows upon the soil they fed Their hungry thirsty roots?" "Come buy," call the Goblins Hobbling down the glen
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
I'm not a baby or a spoiled darling any more, to be laughed at, whatever she does. I have my own views, plans, and ideas, though I can't put them into words yet. Oh, so many things bubble up inside me as I lie in bed, having to put up with people I'm fed up with, who always misinterpret my intentions.
Anne Frank (The Diary of a Young Girl)
In the morning, when she wishes me to wake, she crouches on my chest, and pats my face with her paw. Or, if I am on my side, she crouches looking into my face. Soft, soft touches of her paw. I open my eyes, say I don't want to wake. I close my eyes. Cat gently pats my eyelids. Cat licks my nose. Cat starts purring, two inches from my face. Cat, then, as I lie pretending to be asleep, delicately bites my nose. I laugh and sit up. At which she bounds off my bed and streaks downstairs -- to have the back door opened if it is winter, to be fed, if it is summer.
Doris Lessing (On Cats)
I was so good at ignoring red flags…Like when you have to lie or omit in order to make your significant other seem better than they are… Or because telling the truth would reveal how f***ed up your relationship actually is. I was an accomplice to my own abuse.
Steve Maraboli
We are on the edge of economic collapse unless we wake up and forcibly take back control of our government and economy. Over the past 100 years, the game has been rigged, slowly and piecemeal at first, always in the name of serving the greater good, preventing the next bubble or providing greater transparency and security. It is as if the American people are suffering from battered spouse syndrome; the politicians, the greedy bankers, and the Fed all lie to us while they steal our wealth and our liberty. Every time we call them on it, they promise to never do it again if we’ll just give them one more chance. So we let it slide and then act shocked when they do it to us again. Maybe we should have our collective head examined.
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of the captains had brought the beast to him, from an island beyond the sunrise. 'Have you ever seen her like?' he asked of me. And to him I said, 'Each night in the alleys of Braavos I see a thousand like him,' and the Sealord laughed, and that day I was named the first sword." Arya screwed up her face. "I don't understand." Syrio clicked his teeth together. "The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said 'her', and that is what the others saw. Are you hearing?" Arya thought about it. "You saw what was there." "Just so. Opening your eyes is all that is needing. the heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth." "Just so," said Arya, grinning.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Love had no limbs at all. It could neither run nor grasp, couldn’t even push away though it tried and tried. Left lying on the ground, unable to move, crying like an abandoned baby – people could steal it; people could kick it until it bled, or nudge it down a hillside or over a cliff. They could smother it, drown it, set it on fire until it was ashes and charred bone. They could teach it how to want and want for ever, no matter how much it was fed. And sometimes, all love was, was something to be dragged behind on a chain, growing heavier with each step, and when the ground opened up under it, why, it pulled a person backwards and down, down to a place where the pain never ended.
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
Growing up, I believed in all sorts of fantastic things. Ghosts and aliens, monsters that brought on nightmares and fed on fear. The fantasies materialized every time I closed my eyes, making me afraid to fall asleep. I'm still scared of sleeping alone. The yawn the sneeze, the breath of whoever's lying next to me retrieves me from the nightmares. Even though I'm all grown up. I say it like a joke, and it usually gives people a laugh. "You're still a little kid," they say. It's lonely being in a big bed all by myself. It's never hurt my feelings. They're only strangers.
Youngha (Love or Hate)
Simon stopped listening. He realised he'd had enough. Enough of the theories, enough of the mystery, enough of the bullshit. Enough of the soldiers and guns and MI5. Enough of bugs in phones and in people he cared about. Enough of not being cared about back. Enough of uncertainty and lies and civilisation, collapsing or not. Enough of is part in it, his place, his role; the character of Simon Parfitt and all the baggage it entailed.
A. Ashley Straker (Infected Connection)
Even though we get a lot of people into the shop, only a small percentage of them buy anything. The best customers are the ones who just have to buy a record on a Saturday, even if there’s nothing they really want; unless they go home clutching a flat, square carrier bag they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head (‘If I don’t find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do’), and suddenly sicken themselves with the amount of time they have wasted looking for something that they don’t really want. I know that feeling well (these are my people, and I understand them better than I understand anybody in the world): it is a prickly, clammy, panicky sensation, and you go out of the shop reeling. You walk much more quickly afterwards, trying to recapture the part of the day that has escaped, and quite often you have the urge to read the international section of a newspaper, or go to see a Peter Greenaway film, to consume something solid and meaty which will lie on top of the candyfloss worthlessness clogging up your head.
Nick Hornby (High Fidelity)
Sometimes I think about Cardan when I am lying there. I think about what it must have been like to grow up as an honoured member of the royal family, powerful and unloved. Fed on cat milk and neglect, To be arbitrarily beaten by the brother you most resembled and who most seemed to care for you. Imagine all those courtiers bowing to you, allowing you to hiss and slap at them. But no matter how many of them you humiliated or hurt, you would always know someone had found them worthy of love, when no one had ever found you worthy. ... I would be stupid to think I knew Cardan's heart from his story. But I wonder at it. I wonder what would have happened if I'd admitted he wasn't out of my system.
Holly Black (The Wicked King (The Folk of the Air, #2))
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
People love to say, nobody is above the law, which is one of the most dangerous delusions of the social psyche. It is a lie fed to the meek citizens of a nation to keep them obedient to the state, even in the face of corruption. Every human is above the law, until the law that governs the society is made incorruptible. So long as we have a law that is exploitable by individuals in power, it is imperative that every thinking human stands up to such law, even if it means going against the state, because like the law of today, state itself is not incorruptible.
Abhijit Naskar (Operation Justice: To Make A Society That Needs No Law)
See that stream over there?" I stretch an arm to point out the small branch coming off the lake. "It's fed off the mountain thaw. So is this lake. There's kind of a funny story to it. the stream runs all the way down into our neighbors property. Our neighbor, Mr Fitzgerald-he's gone now- didn't like it so close to their barn. For years, he'd try to stop it. My granddad would hep him. they'd dump gravel and dirt. One year, they built a dam. But every single spring, the water would find it's way onto the Fitzgerald property." I chuckle, remembering the two old men standing over the stream, scratching their beards in wonder. "finally they just gave up and let it be. Realized there was no stopping it. The water was going to go where it was meant to go." I feel a smile touch my lips. "My granddad used to tell us that story every spring, when we came out here after the thaw. Of course, it wasn't just a story to him. He turned it into a life lesson about telling the truth. I had a problem with lying when I was little," I admit, sheepishly. "He said the truth is like water: it doesn't matter how hard you try to bury it; it'll always find someway back to the surface. It's resilient.
K.A. Tucker (Burying Water (Burying Water, #1))
The war was a factory that cranked out casualties with all the frightful efficiency of the modern assembly line. That had become its real purpose, she knew, regardless of all the patriotic blather about duty, honor, and country or putting paid to the depradations of the Hun. Those were excuses, delusions, lies. Men had begun the war, but it had long since escaped them, acquiring its own implacable momentum. And as long as fresh recruits kept coming, as long as hospitals like this one patched up the wounded and sent them back, it seemed likely to go on producing its horrors. The very scale of the slaughter ensured its continuance, for to stop in the face of such appalling losses would be to acknowledge that the dead had perished in vain. The war was its own thing now, a machine for grinding up people's lives. Or no, she thought, not a machine at all: it was alive, a bloated creature as red and raw as a shell wound, a battlefield birth of splintered bone, hot shrapnel, and glutinous mud, suckled on blood, with a hunger that increased the more it was fed.
Paul Witcover (Dracula : Asylum)
Most Blacks may not be aware that the “American system” is designed for “us” to “suffer peacefully”.   However, Blacks are starting to get fed up.  We are tired of being mistreated and suppressed.  Blacks are speaking up and are we are standing up.  We are now calling things out for what they truly are.  No more keeping silent, no more turning the blind eye.  We are tired of the lies and broken promises. Just as the Haitian African Slaves revolted from the French, Blacks are starting to revolt.
Ronald Dalton Jr. (Hebrews to Negroes 2 - Volume 1)
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
Those are the moments I’m proud of. The times I saw through them. The times I made them work to break me, even though I knew they would. The times I questioned the lies being fed to me, though everyone around me believed. I learned early that if everyone around you has their head bowed, their eyes shut tight—keep your eyes open and look around. I’m reflexively suspicious of anyone who stands on a soapbox. Tell me you have the answers and I’ll know you’re trying to sell me something. I’m as wary of certainty as I am of good vibes and positive thinking. They’re delusions that allow you to ignore reality and lay the blame at the feet of those suffering. They just didn’t follow the rules, or think positively enough. They brought it on themselves. I don’t have the answers. Maybe depression’s the natural reaction to a world full of cruelty and pain. But the thing I know about depression is if you want to survive it, you have to train yourself to hold on; when you can see no reason to keep going, you cannot imagine a future worth seeing, you keep moving anyway. That’s not delusion. That’s hope. It’s a muscle you exercise so it’s strong when you need it. You feed it with books and art and dogs who rest their head on your leg, and human connection with people who are genuinely interested and excited; you feed it with growing a tomato and baking sourdough and making a baby laugh and standing at the edge of oceans and feeling a horse’s whiskers on your palm and bear hugs and late-night talks over whiskey and a warm happy sigh on your neck and the unexpected perfect song on the radio, and mushroom trips with a friend who giggles at the way the trees aren’t acting right, and jumping in creeks, and lying in the grass under the stars, and driving with the windows down on a swirly two-lane road. You stock up like a fucking prepper buying tubs of chipped beef and powdered milk and ammo. You stock up so some part of you knows and remembers, even in the dark, all that’s worth saving in this world. It’s comforting to know what happens next. But if there’s one thing I know, it’s that no one fucking knows. And it’s terrifying. I don’t dream of a home and a family, a career and financial stability. I dream of living. And my inner voice, defective though it may be, still tells me happiness and peace, belonging and love, all lie just around the next corner, the next city, the next country. Just keep moving and hope the next place will be better. It has to be. Just around the next bend, everything is beautiful. And it breaks my heart.
Lauren Hough (Leaving Isn't the Hardest Thing)
No, that was not right either. We were not in a house at all, but in the forest. We had snuck away with each other to an evergreen forest, two daughters of the shtetl, friends since childhood. We had snuck away in the dark of night so that we could have the whole forest floor to ourselves to make love. We had just fucked. We had fucked each other in our skirts. We had fucked each other in mutual desire and now we were lying on the forest floor curled up together, two girls in pine needles, under starlight. This was the definition of holy. Tell the village matchmaker not to bother with us. Here in the forest there was no potato smell, no porgroms. Only the scent of evergreens.
Melissa Broder (Milk Fed)
But besides this trend of development there is another, equally legitimate, which is self-related or “centroverted,” and which makes for the development of personality and for individual realization. This development may derive its contents from outside and inside equally, and is fed by introversion as much as by extraversion. Its center of gravity, however, lies not in objects and objective dealings, irrespective of whether the objects be external or internal, but in self-formation; that is to say, in the building up and filling out of a personality which, as the nucleus of all life’s activities, uses the objects of the inner and outer worlds as building material for its own wholeness.
Erich Neumann (The Origins and History of Consciousness (Maresfield Library))
Old folks here will tell you there’s fire in dry bamboo. In the past, matches were hard to come by and didn’t always work. When people went into the forest, they could just find some dry wood, and they knew there was fire in it. Whenever they wanted to cook, they only had to rub two pieces of dry bamboo together to start a fire. They would just keep rubbing them together. At first the wood was cold. Rubbing for a while, it got hot, then after some time there was smoke. But it did take a while to get hot, and even more time to make smoke and finally fire. Now we, their children and descendants in these times, don’t have much patience. If we try to rub pieces of bamboo to make fire, within two minutes we’re getting restless. We get fed up and put the sticks down: “Time to take a break!” Then when we pick them up again, we find they’re cold. We start rubbing once more, but we’re starting from the beginning again so they don’t get hot very quickly, and again we get impatient. Like this, we could keep at it for an hour or a whole day and wouldn’t see any fire. We rub and stop, rub and stop. Then we start to criticize the old people: “These old-timers are crazy. I don’t know what they’re talking about. They must be lying. I’ve been rubbing the sticks all this time and still there’s nothing.” This is what happens if our understanding and commitment to practice don’t go far enough. There’s not enough heat, but we expect to have fire. The old folks have done that, but they know it takes some effort. You have to keep rubbing without taking a break; if you take a break, you only get cold sticks.
Ajahn Chah (Everything Arises, Everything Falls Away: Teachings on Impermanence and the End of Suffering)
When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
Richard Fariña (Been Down So Long It Looks Like Up to Me)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
Hiro and Y.T. have eaten a lot of junk food together in different joints all over L.A. -- doughnuts, burritos, pizza, sushi, you name it -- and all Y.T. ever talks about is her mother and the terrible job that she has with the Feds. The regimentation. The lie-detector tests. The fact that for all the work she does, she really has no idea what it is that the government is really working on. It's always been a mystery to Hiro, too, but then, that's how the government is. It was invented to do stuff that private enterprise doesn't bother with, which means that there's probably no reason for it; you never know what they're doing or why. Hackers have traditionally looked upon the government's coding sweatshops with horror and just tried to forget that all of that shit ever existed. But they have thousands of programmers. The programmers work twelve hours a day out of some twisted sense of personal loyalty. Their software-engineering techniques, while cruel and ugly, are very sophisticated. They must have been up to something.
Neal Stephenson (Snow Crash)
Two days later, I started my job. My job involved typing friendly letters full of happy lies to dying children. I wasn't allowed to touch my computer keyboard. I had to press the keys with a pair of Q-tips held by tweezers -- one pair of tweezers in each hand. I’m sorry -- that was a metaphor. My job involved using one of those photo booths to take strips of four photographs of myself. The idea was to take one picture good enough to put on a driver’s license, and to be completely satisfied with it, knowing I had infinite retries and all the time in the world, and that I was getting paid for it. I’d take the photos and show them to the boss, and he would help me think of reasons the photos weren't good enough. I’d fill out detailed reports between retakes. We weren't permitted to recycle the outtakes, so I had to scan them, put them on eBay, arrange a sale, and then ship them out to the buyer via FedEx. FedEx came once every three days, at either ten minutes till noon or five minutes after six. I’m sorry -- that was a metaphor, too. My job involved blowing ping-pong balls across long, narrow tables using three-foot-long bendy straws. At the far end of the table was a little wastebasket. My job was to get the ping-pong ball into that wastebasket, using only the bendy straw and my lungs. Touching the straw to the ping-pong ball was grounds for a talking-to. If the ping-pong ball fell off the side of the table, or if it missed the wastebasket, I had to get on my computer and send a formal request to commit suicide to Buddha himself. I would then wait patiently for his reply, which was invariably typed while very stoned, and incredibly forgiving. Every Friday, an hour before Quitting Time, I'd put on a radiation suit. I'd lift the wastebaskets full of ping-pong balls, one at a time, and deposit them into drawstring garbage bags. I'd tie the bags up, stack them all on a pallet, take them down to the incinerator in the basement, and watch them all burn. Then I'd fill out, by hand, a one-page form re: how the flames made me feel. "Sad" was an acceptable response; "Very Sad" was not.
Tim Rogers
Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall find ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistering in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of fine-spun maidenhair? Quick are the mouths of the earth, and quick the teeth that fed upon this loveliness. You who were made for music, will music hear no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still lie, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved, ghost, come back again.
Thomas Wolfe (Look Homeward, Angel)
Do you think I’m so silly that I can’t understand your sometimes getting fed up with playing the Good Samaritan here day after day, can’t realize that a grown man would rather go for a ride or take his sound legs for a walk than sit about by an invalid’s chair? There’s only one thing that disgusts me, one thing I can’t stand, and that is excuses, humbug, lies — I’m fed to the teeth with them. I’m not so stupid as you all think, and I can stand quite a lot of frankness. A few days ago we engaged a new charwoman in place of the old one who had died, and the very first day she was here, before she had talked to anyone — she saw me being helped across to an arm-chair on my crutches. She dropped her scrubbing brush in horror and screamed out: “Lord Jesus, such a rich, distinguished young lady … being a cripple!” Ilona went for the poor, honest creature like a wild thing; she was going to dismiss her and throw her out on the spot. But I, I liked it, the woman’s horror did me good, because, after all, it is honest, it is human, to be horrified at seeing such a sight all of a sudden. I promptly gave her ten crowns and she went off to the church to pray for me. The whole day I felt glad, yes, positively glad, at knowing at last what others really feel when they see me for the first time
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
Don’t cry Meg. It’s not that bad.” “It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.” Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window. “My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!” Jack held her tighter. “I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.” Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.” Jack burst out laughing and she pushed him away and swatted his shoulder. “And now you’re laughing at me. Could things get any worse?
Amy Johnson
The very successes of the megamachine re-enforced dangerous potentialities that had hitherto been kept in check by sheer human weakness. The inherent infirmity of this whole power system lies exposed in the fact that kings, exalted above all other men, were constantly cozened, flattered, and fed with misinformation-zealously protected from any disturbing counterbalancing 'feedback.' So kings never learned from either their own experience or from history the fact that unqualified power is inimical to life: that their methods were self-defeating, their military victories were ephemeral, and their exalted claims were fraudulent and absurd. From the end of the first great Age of the Builders in Egypt, that of the Sixth Dynasty Pharaoh, Pepe I, comes corroborative evidence of this pervasive irrationality, all the more telling because it issues from the relatively orderly and unbedevilled Egyptians: The army returned in safety After it had hacked up the land of the Sand Dwellers ...After it had thrown down its enclosures... After it had cut down its fig trees and vines... After it had cast fire into all its dwellings... After it had killed troops in it by many ten-thousand. That sums up the course of Empire everywhere: the same boastful words, the same vicious acts, the same sordid results, from the earliest Egyptian palette to the latest American newspaper with its reports, at the moment I write, of the mass atrocities coldbloodedly perpetrated with the aid of napalm bombs and defoliating poisons, by the military forces of the United States on the helpless peasant populations of Vietnam: an innocent people, uprooted, terrorized, poisoned and roasted alive in a futile attempt to make the power fantasies of the American military-industrial-scientific elite 'credible.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
Come here,” he growled, his body so heavy with need that he was afraid he would explode into fragments if he took one step. She shook her head slowly, her tongue deliberately moistening her full lower lip. “I only want my true lifemate. I hunger tonight. My body is hungry.” Her hand drifted slowly, enticingly, over her satin skin, and his eyes followed the graceful movement while his body raged at him. Gregori covered the distance between them in a sudden surge, catching her up, the momentum taking them to the wall. He held her prisoner there, his mouth fastened on hers, commanding her response, feeding, devouring, his hands claiming her body for his own. “No one else will ever touch you and live,” he snarled, his mouth burning a trail of fire down her throat to her breast. He fed hungrily, his teeth grazing the creamy fullness. “No other, Savannah.” “Why, Gregori? Why can no other touch my body like this?” she whispered, her mouth on his skin, her tongue lapping at his pulse. “Tell me why my body is only yours and your body is only mine.” His hands cupped her bottom, brought her hard against him. “You know why, Savannah.” “Say it, Gregori. Say it if you believe it. I won’t have lies between us. You have to feel it in your heart as I do. You have to feel it in your mind. Your body has to burn for mine. But most of all, in your deepest soul, you have to know I’m your other half.” He lifted her, set her up high on the rim of the sleeping chamber, his hands parting her thighs. “I know I burn for you. Even in my sleep, the sleep of our people where there can be no thought, I burn for you.” He bent his head to taste her, his wet hair bathing her inner thighs as he dragged her body closer to him. Savannah cried out at the first touch of his mouth, the rush of hot desire turning her into a liquid, living flame. She bunched his hair into her fists and held him to her. “Say it, Gregori,” she bit out between clenched teeth. “I need to hear you say it.” I am saying it, lifemate. Can you not hear me?
Christine Feehan (Dark Magic (Dark, #4))
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.” Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her. “I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.” Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer. It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.” She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
Christine Feehan (Dark Prince (Dark, #1))
It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever. This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position. It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many. You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey. Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead. Who was there to know? Who was there to tell? ("The Number's Up")
Cornell Woolrich
Thousands of years ago, when the first ghosts came down here, the Authority gave us the power to see the worst in every one, and we have fed on the worst ever since, till our blood is rank with it and our very hearts are sickened. “But still, it was all we had to feed on. It was all we had. And now we learn that you are planning to open a way to the upper world and lead all the ghosts out into the air—” And her harsh voice was drowned by a million whispers, as every ghost who could hear cried out in joy and hope; but all the harpies screamed and beat their wings until the ghosts fell silent again. “Yes,” cried No-Name, “to lead them out! What will we do now? I shall tell you what we will do: from now on, we shall hold nothing back. We shall hurt and defile and tear and rend every ghost that comes through, and we shall send them mad with fear and remorse and self-hatred. This is a wasteland now; we shall make it a hell!” Every single harpy shrieked and jeered, and many of them flew up off the tree and straight at the ghosts, making them scatter in terror. Lyra clung to Will’s arm and said, “They’ve given it away now, and we can’t do it. They’ll hate us—they’ll think we betrayed them! We’ve made it worse, not better!” “Quiet,” said Tialys. “Don’t despair. Call the harpies back and make them listen to us.” So Will cried out, “Come back! Come back, every one of you! Come back and listen!” One by one the harpies, their faces eager and hungry and suffused with the lust for misery, turned and flew back to the tree, and the ghosts drifted back as well. The Chevalier left his dragonfly in the care of Salmakia, and his little tense figure, green-clad and dark-haired, leapt to a rock where they could all see him. “Harpies,” he said, “we can offer you something better than that. Answer my questions truly, and hear what I say, and then judge. When Lyra spoke to you outside the wall, you flew at her. Why did you do that?” “Lies!” the harpies all cried. “Lies and fantasies!” “Yet when she spoke just now, you all listened, every one of you, and you kept silent and still. Again, why was that?” “Because it was true,” said No-Name. “Because she spoke the truth. Because it was nourishing. Because it was feeding us. Because we couldn’t help it. Because it was true. Because we had no idea that there was anything but wickedness. Because it brought us news of the world and the sun and the wind and the rain. Because it was true.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
Dr. Hobson (with Dr. Robert McCarley) made history by proposing the first serious challenge to Freud’s theory of dreams, called the “activation synthesis theory.” In 1977, they proposed the idea that dreams originate from random neural firings in the brain stem, which travel up to the cortex, which then tries to make sense of these random signals. The key to dreams lies in nodes found in the brain stem, the oldest part of the brain, which squirts out special chemicals, called adrenergics, that keep us alert. As we go to sleep, the brain stem activates another system, the cholinergic, which emits chemicals that put us in a dream state. As we dream, cholinergic neurons in the brain stem begin to fire, setting off erratic pulses of electrical energy called PGO (pontine-geniculate-occipital) waves. These waves travel up the brain stem into the visual cortex, stimulating it to create dreams. Cells in the visual cortex begin to resonate hundreds of times per second in an irregular fashion, which is perhaps responsible for the sometimes incoherent nature of dreams. This system also emits chemicals that decouple parts of the brain involved with reason and logic. The lack of checks coming from the prefrontal and orbitofrontal cortices, along with the brain becoming extremely sensitive to stray thoughts, may account for the bizarre, erratic nature of dreams. Studies have shown that it is possible to enter the cholinergic state without sleep. Dr. Edgar Garcia-Rill of the University of Arkansas claims that meditation, worrying, or being placed in an isolation tank can induce this cholinergic state. Pilots and drivers facing the monotony of a blank windshield for many hours may also enter this state. In his research, he has found that schizophrenics have an unusually large number of cholinergic neurons in their brain stem, which may explain some of their hallucinations. To make his studies more efficient, Dr. Allan Hobson had his subjects put on a special nightcap that can automatically record data during a dream. One sensor connected to the nightcap registers the movements of a person’s head (because head movements usually occur when dreams end). Another sensor measures movements of the eyelids (because REM sleep causes eyelids to move). When his subjects wake up, they immediately record what they dreamed about, and the information from the nightcap is fed into a computer. In this way, Dr. Hobson has accumulated a vast amount of information about dreams. So what is the meaning of dreams? I asked him. He dismisses what he calls the “mystique of fortune-cookie dream interpretation.” He does not see any hidden message from the cosmos in dreams. Instead, he believes that after the PGO waves surge from the brain stem into the cortical areas, the cortex is trying to make sense of these erratic signals and winds up creating a narrative out of them: a dream.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand. Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King... So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it. The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help? There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow. The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals.... Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale. That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out. With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt: “Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots! “We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans! “How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
My name is Matt Royal. I’m a lawyer who retired early, fed up with the rat race that the once honorable profession of law had become. I moved to Longboat Key, a small island about ten miles long and perhaps a half-mile wide at its broadest point. It lies off the southwest coast of Florida, south of Tampa, about halfway down the peninsula. Sarasota Bay separates the key from the mainland. Anna Maria Island is to the north, the islands connected by the two-lane Longboat Pass Bridge. The southern end of the key is attached by a bridge to Lido and St. Armands Keys, which in turn are connected to the city of Sarasota by the soaring John Ringling Bridge. The Gulf of Mexico’s turquoise waters lap gently on our beaches and the sun almost always shines. A cold day is a rarity, even in February. I live in paradise.
H. Terrell Griffin (Found (Matt Royal Mystery #8))
Instead of getting my gold retirement watch and landing on my feet with a white picket fence and a satellite dish, I ended up base-jumping from the kettle into the fire. All because of one last job. But what's done is done. If your interested, you can read about the whole hot mess in The Intern's Handbook. You won't find it at Barnes & Noble, but I hear the feds have a few copies lying around, and I wouldn't be surprised if you could download it for free on Russian iTunes. I'm told it's an excellent beach/airplane/bathroom/killing-time-after-a-motel-tryst read.
Shane Kuhn (Hostile Takeover (John Lago Thriller, #2))
Now I was lying in my white stall, chained and smiling nearly hysterical. For what would my own life have become had I not been lactose intolerant? I sweated and trembled with relief at my luck. For, after starving us all for the first three days of the kidnap, some very tall and rank-smelling long-haired cunt in an apron had walked in nonchalant-like and asked us all in splendid pseudo-Sard if we ‘required spaghetti?’ As all of us were Westerners unused to three days of enforcèd fasting, we leapt at the chance and all but me accepted the lanky twat’s offer of ‘Pecorina’. A good cheese, explained Mick from his Sardu vantage point, and Brent and Dean concurred. Not me, sorry, says I. I’m lactose intolerant. How’s your tomato sauce? Only then did we discover how royally that long-haired cunt had set us up. The Sardu cheese ends in an ‘o’ – Pecorino. End it in an ‘a’ – Pecorina – and those three had all just agreed to anal sex. Thereafter, Mick, Brent and Dean got bummed every third day in the white stalls. Bummed and never fed.
Julian Cope (One Three One: A Time-Shifting Gnostic Hooligan Road Novel)
the pot to get the answers the other animals wanted. But as time went by Anansi got fed up with all the animals visiting. “They always knock when I’m about to sit down and enjoy my tea, or when I’m enjoying lying in the shade of my favourite tree,” he would moan. “Why can’t they just leave me alone?” “It must be hard,” said Aso, not really listening. But he was right, the animals were always coming to see him. Take for example when one of Rabbit’s children hopped up to see Anansi. “Anansi, please look in the pot for me. My brothers and sisters tease me because I’m scared
Lynne Garner (Anansi The Trickster Spider, Volume One)
Don’t believe everything you see. Look things up. Research them for yourself. Learn how to tell the difference between the lies you are being spoon-fed and the truth. The truth is always harder, because it requires an effort of will to obtain, and an effort of mind to understand.
Ron Wingrove (Mina)
ARISTOTLE: All humans are mortal. POPULIST: That is a totalitarian statement. ARISTOTLE: Do you not think that all humans are mortal? POPULIST: Are you interrogating me? Just because we are not citizens like you, but people, we are ignorant, is that it? Maybe we are, but we know about real life. ARISTOTLE: That is irrelevant. POPULIST: Of course it’s irrelevant to you. For years you and your kind have ruled this place, saying the people are irrelevant. ARISTOTLE: Please, answer my question. POPULIST: The real people of this country think otherwise. Our response is something that cannot be found on any elite papyrus. ARISTOTLE: (Silence) POPULIST: Prove it. Prove to me that all humans are mortal. ARISTOTLE: (Nervous smile) POPULIST: See? You can’t prove it. (Confident grin, a signature trait that will be exercised constantly to annoy Aristotle.) That’s all right. What we understand from democracy is that all ideas can be represented in the public space, and they are respected equally. The gods say¦ ARISTOTLE: This is not an idea, it’s a fact. And we are talking about mortal humans. POPULIST: If it were left up to you, you’d kill everybody to prove that all humans are mortal, just like your predecessors did. ARISTOTLE: This is not going anywhere. POPULIST: Please finish explaining your thinking, because I have important things to say. ARISTOTLE: (Sigh) All humans are mortal. Socrates is a human … POPULIST: I have to interrupt you there. ARISTOTLE: Excuse me? POPULIST: Well, I have to. These days, thanks to our leader, it is perfectly clear who Socrates is. We know very well who Socrates is! You cannot deceive us any more about that evil guy. ARISTOTLE: Are you joking? POPULIST: This is no joke to us, Mr Aristotle, as it may be to you. Socrates is a fascist. My people have finally realised the truth, the real truth. The worm has turned. You cannot deceive the people any more. You were going to say, “Therefore Socrates is mortal” right? We’re fed up with your lies. ARISTOTLE: You are rejecting the basics of logic. POPULIST: I respect your beliefs. ARISTOTLE: This is not a belief; this is logic. POPULIST: I respect your logic, but you don’t respect mine. That’s the main problem in Greece today.
Ece Temelkuran (How to Lose a Country: The 7 Steps from Democracy to Dictatorship)
I was so good at ignoring red flags…Like when you have to lie or omit in order to make your significant other seem better than they are… Or because telling the truth would reveal how f***ed up your relationship actually is.I was an accomplice to my own abuse.
Steve Maraboli
I can't just give up on it, on them. No matter what you say.' Even if I had been a fool- a stupid, human fool- to believe my father would ever actually come for me. Tamlin eyed me sidelong. 'You're not giving up on them.' 'Living in luxury, stuffing myself with food? How is that not-' 'They are cared for- they are fed and comfortable.' Fed and comfortable. If he couldn't lie, if it was true, then.. then it was beyond anything I'd ever dared hope for. Then... my vow to my mother was fulfilled. It stunned me enough that I didn't say anything for a moment as we walked. My life was now owned by the Treaty, but... perhaps I'd been freed in another sort of way.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
As a boy, Pasoon had time for games and practical jokes. His only chore was to take the goats up into the mountains to graze for a few hours. As a girl, Reshmina worked from the moment she woke up until she went to sleep at night. While Pasoon had been lying in wait for her, Reshmina had been hauling water up from the river. There were also clothes to be washed, rugs to be beaten and stacked, floors to be swept, animals to be fed, food to be cooked—and, every afternoon, the two-kilometer walk back and forth to school. Pasoon didn’t even do that anymore. He’d quit going to school a year ago.
Alan Gratz (Ground Zero)
That night, July 5, on the front facing Beaumont-Hamel, a soldier was seen crawling in from No-Man's Land. When challenged by a sentry, he identified himself as a Newfoundlander. He had been lying out in No-Man's Land, badly wounded, for five days. Having reached the front-line trenches only on the eve of battle, he had received no briefing about the lie of the land, and could not work out, in his shellhole, the direction of the opposing trench lines. Then, 'fed up', as he later described it, with his environment, he decided to crawl in any direction. He was lucky to have chosen the correct one. (The Somme: Heroism and Horror in the First World War)
Martin Gilbert
Maybe he believed that, but it sounded to me like a lie he fed himself so that he could wake up in the morning.
Shaun David Hutchinson (We Are the Ants)
Yet I saw it all, it is my memory of the last days leading up to the end, and I feel too their scheme. She all wrote to me and saw through, she was glissading in her floating gaze, blue eyes peering into mine, she hands something to say, yet I walked away back away from the light that light my way, I tripped into the darkness in the creeped-out hallways. Everything I touch- I drop, like my cell phone, I left behind: I have- well- Dropasea! I walk now, as I descend back to my feet, I feel my body and the weight on my feet now. I saw it all, it is my memory of the last days leading up to the end, and I feel their scheme. She was floating all in white in front of me, note haunting- but almost angelic, and see-through, she was glissading I was looking too hard in a gaze, her blue peering into mine, she hands something to say, yet I walked away, backing away from the light, all the way back even if it lights my way, I tripped into the darkness in the creeped-out hallways, falling to them all the next day. Into the darkness I shall creep, now on my feet, I feel as if I am slithering like a snake, looking for the pathway out of the underworld. The pool went from little kids having fun giggling and swimming to little kids burning naked in what seems to be a lake of fire, black wing spread. As they ruined up and into my face and swirled around sucking life, or so it seemed, to me, as I felt I was blacking out, by their pulling on my body and lips. I never believed in Devilish entities until then with that thing sucked my face off, with the kiss of death to get it live to demonize onward. Loin-like up till now with horns that slowly started to feel like they were ripping through my soul if there is a such-of-a thing. With a long hollow, I feel myself feeling it, go in hard than it did the first time I got freak in the p*ssy. I was hugged in a well-founded way, and they were all welcoming home, staying it fun here- (Yet- is- it?) I felt her hand all over my goodies, seeing if I cut the teen group, or that what she fed me. I was getting bit up with the lies. (I did get it- do you?) Then she held my face, like the boy I am in love with and she dropped away fast, then everything was back as it was before, just some old school, I was walking through. She said- ‘I love you-you can be mine, like my girlfriend down here.’ I was looking at the tat- it was Bacca or (B- 1441- 669 5033) I feel the of thorns, I see the flames in the eyes it makes me feel warm inside, when I am cold all the time, I feel the rubbing on me and I don’t mind it know she has a spell on me that is tempting and lusting, and oh so sexy. Why would I go looking for someone I know wants to slay me, I thought so I never- ever want to go back for that phone, I was being a wimp and wasn’t planning on going back anyway.
Marcel Ray Duriez (Nevaeh They Call Out)
Rattlesnake said to the Copperhead, "You give us Vipers a real bad name, You prey on the weakest, You fight for no reason, No wonder we get blamed." Copperhead laughed and said, "Kiss my ass! You can bark but there ain't much bite. You rattle that tail, But it's fear I smell; I think you're shaking out of fright." Rattlesnake, Copperhead, Either one of them will kill you dead; We stay hungry, they get fed; And don't pass the plate around. Lie by lie, cheat by cheat, Venom in smiling teeth; They just run those forked tongues And the whole world's burning down. Copperhead said to the Rattlesnake, "If you ever wanna make it rain, We could team up Be twice as tough; Fear will be our game." Rattlesnake said to the Copperhead, "You know, we were the original sin, And I bet you my rattle against your copper That the b***h takes the apple again." Rattlesnake, Copperhead, Either one of them will kill you dead; We stay hungry, they get fed; And don't pass the plate around. Lie by lie, cheat by cheat, Venom in smiling teeth; They just run those forked tongues And the whole world's burning down. Rattlesnake said to the Copperhead, "Ain't no way they'd win, Cause the mice are sheep and the Shepherd's asleep, And the Copperhead said, "Amen".
Eric Church
Years ago, I received a call from a paramedic I had known for a long, long time. He was a true believer; a provider in it to do good more than to do well. By the tone of his voice, I could tell he was in some serious trouble. His voice did not lie. He was. It seemed that some years earlier he had suffered an injury off the job. The injury resulted in several surgeries and months of painful recovery, physical rehabilitation, and pain medicine. It started as an as-needed remedy for intense pain but before long became a physical necessity. When the actual pain no longer necessitated the monthly refills, the feigned pain took over. When that excuse had run its course, new injuries and favors from friends took over. The cycle had begun. Back at work, he became adept at leading his double life; on the job he was clean, sober, and clear-headed, but off-duty the pills took over. The decline was slow, but steady. It would not be long before he would lose all control. One day, on a call with the entire crew, he found himself in the home of a patient whose medicine cupboard was a veritable treasure trove of pain killing goodies. Jackpot! While logging all of the medicines, it was easy to drop a full bottle of a certain pain killer into his pocket, and he did…completely undetected. The patient was transported, and the scene was cleared, and his addiction would be fed for a little while longer. Nobody would ever know. However, as he exited the scene with his supervisor, he was struck with a blunt and harsh realization: This is not who I am and it’s not who I want to be! While still at the curbside, in front of the patient’s home, he pulled the bottle from his pocket, handed it to his supervisor, and admitted sincerely: “I have a problem. I need help.” His supervisor considered the heartfelt and painfully honest plea for help, but the paramedic was summarily fired from a job where he had an impeccable record of exemplary service for nearly two decades. He was stripped of his Paramedic license and reported to local authorities and was charged with multiple felonies by the District Attorney. That was the response from his supervisor and the rest of the morally superior lemmings up the chain of command. He asked for help, and they fucked him…because they were afraid of what actually helping him might look like to the outside world. Not once was he offered treatment or an ounce of compassion. He asked for help; now he was looking at serious prison time. This brings us to the frightened and helpless tone in his voice when he called me. Thankfully, his story ends with the proper treatment: A new career and the entire criminal case being dismissed (he had a great lawyer). Unfortunately, similar stories continue to play out in agencies, both public and private, all across America and they do not, or will not, end so well.
David Givot (Sirens, Lights, and Lawyers: The Law & Other Really Important Stuff EMS Providers Never Learned in School)
I am fed up with the police lies!
Steven Magee
It may feel weird at first, but speaking biblical truth out loud when we experience doubt and disappointment is an essential practice during any wrestle. The apostle Paul wrote, “So faith comes from hearing, and hearing through the word of Christ” (Romans 10:17). We must routinely speak God’s words to ourselves so that truth begins to replace the lies of the old tapes that run on repeat in our minds. Perhaps you can relate to some of these lies: I can’t believe God let this happen. God must not love me. Why is my life such a mess? This could never turn out well. I will never have enough strength to do this. I am too tired of trying. To practice truth, we craft statements based on God’s Word. That’s how we speak truth over our lives. Here are some examples: God deeply loves me, even when He says no. “Humble yourselves, therefore, under the mighty hand of God so that at the proper time he may exalt you, casting all your anxieties on him, because he cares for you” (1 Peter 5:6-7). My story is not over. God is not finished, and He will bring beauty from ashes. “And I am sure of this, that he who began a good work in you will bring it to completion at the day of Jesus Christ” (Philippians 1:6). Even in what I am facing, I am still blessed. I don’t have to be strong because God will be my strength. “The LORD is my strength and my defense; he has become my salvation. He is my God, and I will praise him, my father’s God, and I will exalt him” (Exodus 15:2, NIV).
Ashley Morgan Jackson (Tired of Trying: How to Hold On to God When You’re Frustrated, Fed Up, and Feeling Forgotten)
This is exactly what I did when God began to ask me to surrender and to change my inner dialogue to confront my thoughts of disappointment with Him. Whenever I started to have mean, discouraging thoughts or lies that I didn’t want to have in my head, I began saying out loud, “I love you.” The lie I believed: “You are a burden.” The truth I replaced it with: “The LORD your God is in your midst, a mighty one who will save; he will rejoice over you with gladness; he will quiet you by his love; he will exult over you with loud singing” (Zephaniah 3:17, emphasis added). “I love you, Ash.” The lie I believed: “God must be punishing me.” The truth I replaced it with: “There is no fear in love, but perfect love casts out fear. For fear has to do with punishment, and whoever fears has not been perfected in love” (1 John 4:18, emphasis added). “I love you, Ash.” Saying these truths out loud was a thought pattern interrupter. I was telling my brain, “Don’t think that,” by putting up a roadblock that kept my thoughts from continuing down that dark path. And I felt like every time I said, “I love you, Ash,” out loud, it was God’s reminder that He loved me, He was fighting for me, and together we were going to get through this.
Ashley Morgan Jackson (Tired of Trying: How to Hold On to God When You’re Frustrated, Fed Up, and Feeling Forgotten)
When Ellen announced that supper was ready Douglas Starr told Emily to go out to it. “I don’t want anything tonight. I’ll just lie here and rest. And when you come in again we’ll have a real talk, Elfkin.” He smiled up at her his old, beautiful smile, with the love behind it, that Emily always found so sweet. She ate her supper quite happily—though it wasn’t a good supper. The bread was soggy and her egg was underdone, but for a wonder she was allowed to have both Saucy Sal and Mike sitting, one on each side of her, and Ellen only grunted when Emily fed them wee bits of bread and butter. Mike had such a cute way of sitting up on his haunches and catching the bits in his paws, and Saucy Sal had her trick of touching Emily’s ankle with an almost human touch when her turn was too long in coming. Emily loved them both, but Mike was her favourite. He was a handsome, dark-grey cat with huge owl-like eyes, and he was so soft and fat and fluffy. Sal was always thin; no amount of feeding put any flesh on her bones. Emily liked her, but never cared to cuddle or stroke her because of her thinness. Yet there was a sort of weird beauty about her that appealed to Emily. She was grey-and-white—very white and very sleek, with a long, pointed face, very long ears and very green eyes. She was a redoubtable fighter, and strange cats were vanquished in one round. The fearless little spitfire would even attack dogs and rout them utterly. Emily loved her pussies. She had brought them up herself, as she proudly said. They had been given to her when they were kittens by her Sunday School teacher. “A living present is so nice,” she told Ellen, “because it keeps on getting nicer all the time.
L.M. Montgomery (Emily of New Moon: Emily 1 (Emily Novels))
Anyhow, I've begun on the story we discussed. I will not refer specifically to what you said, but I've decided that it will have as its author Hawthorne Abendsen, the novelist in my novel MAN IN THE HIGH CASTLE who wrote THE GRASSHOPPER LIES HEAVY. I wrote & wrote . . . after all, I wrote my 4th novel EYE IN THE SKY in two weeks, so this merely shows I'm in love with what I'm doing. The title of Abendsen's yarn is, "A Man For No Countries," because he is unwanted in the USA where the Asshole Axis rule, and certainly not in Europe where Germany rules from . . . I did bio notes, the uncorrected carbons of which I'm enclosing; they were improved in a second draft, and can/will be cut as needed. And, as to the story, I finished the holographic first draft last night about the time our tomcat Pinky wants indoors to be fed, which is quite late, and at which time nothing, even Pinky, gets me out of bed. It is a short story, but I think a lot of it, Phil. I really do, and when I turn out a lousy one I usually know it and the other way around. I'll send you a carbon of the final, not of the rough, since the rough is in holo. Now, a technical problem. To whom do I send the yarn when I'm done? By contract, it must be to Scott Meredith; that is determined by law. But my own name must be on it, on the far left upper corner, not under the title, so he can see who sent it, and hence pay me. That is, receive pay. Who does pay, by the way? Ed Ferman or whoever buys it (if anyone)? Does it just go onto the market like all stories, OR—and this is crucial, maybe—should I mention to Scott Meredith that you should be involved . . . without mentioning certain details held in confidence between us? How do I handle it? I will sell it, in any case; I wrote MAN IN THE HIGH CASTLE in 1961 and ever since "they" have begged (well, asked me) to do more as a sequel. This story is in fact a follow-up, of Abendsen's life since, besides being an intrinsic plot-idea-theme story. So it'll sell, and Ed Ferman does like my stuff; he has commissioned a set of three stories from me, the last three I have done, including one for FINAL STATE or EDGE or whatever with Malzberg, and so would tend to want to buy it. So advise me, as I type up the final. And thanks for getting my literary ass in gear; God bless, Phil. [The story was never completed or published.]
Philip K. Dick (The Selected Letters, 1974)
In Project Beta,29 researcher and author Greg Bishop told this weird story of how Valdez and a businessman named Paul Bennewitz were fed disinformation by an officer with the US Air Force’s Office of Special Investigations named Richard Doty. Doty is a notorious (but oddly likeable) villain in ufology; he has since claimed in retirement that he was under orders to lie to Valdez and Bennewitz to distract them from secret unspecified US Air Force projects that Doty was ordered to misidentify as extra-terrestrial. Intriguing then to read in the Ed Mitchell archive documents that what might have fuelled Valdez’s willingness to believe Doty’s disinformation was the statements of multiple local witnesses, who verified that there was indeed highly unusual UAP activity happening around Dulce. All this was detailed in the confidential document written by Colm Kelleher in 1997.30 It suggests perhaps that the now-discredited conspiracy theory with which Bennewitz and Valdez later went public had its origins in what were in fact well-corroborated witness sightings. It was the US Air Force itself that made the implausible extrapolation of this evidence to include dubious allegations of underground alien bases at Dulce. The debunking of the Valdez/Bennewitz conspiracy theory ensured that any claims of strange UAP activity around Dulce were treated with extreme scepticism by all mainstream media. Of course, this was exactly what any agency wanting to hide something in the mountains of New Mexico likely hoped would happen. If the government was testing some new technology in the hills around Dulce, few people would believe it after the discredited Dulce underground UFO base stories. After reading the NIDS’ files, it became clear Bigelow’s investigators suspected the government was up to something in the Dulce hills.
Ross Coulthart (In Plain Sight: A fascinating investigation into UFOs and alien encounters from an award-winning journalist, fully updated and revised new edition for 2023)
Yet newly independent states were told they would have to adhere to free trade policies if they wanted to 'catch up' with the rest of the world. These countries were fed the lie that Britain and America had grown rich through free trade, and that if they only opened up their markets to international competition, they would too. Instead, these states found their national economies were dominated by corporations that had been protected by imperialist nations now preaching the benefits of the free market. This was the 'imperialism of free trade'.
Grace Blakeley (Vulture Capitalism: Corporate Crimes, Backdoor Bailouts, and the Death of Freedom)
But don’t sit here and think that you’re cured, because that’s the biggest load of crap I’ve ever heard. People who want to get better, they work at it. They don’t lie to themselves and everyone else. They don’t sit on their ass and sink deeper into a pathetic existence while denying anything’s wrong at all. They have balls not bullshit. And I’m pretty much fed up with yours.
David Baldacci (Simple Genius (Sean King & Michelle Maxwell, #3))
An hour later he lay awake beside Loretta, staring at the firelight that played upon the walls of his lodge. Red Buffalo’s words haunted him. If Loretta had to choose, would she forsake him for her people? He knew she was awake by the sound of her breathing, but her voice still startled him when she spoke. “Hunter, what’s wrong? Surely you’re not still stewing over the scalp. It upset me, but I’m over it now.” He turned to regard her. There were shadows in her eyes, and she was as pale as bleached bones. “You lie, Blue Eyes. Many of your people are dead, by my cousin’s hand, and their spirits wail and call out to you.” “It wasn’t you who killed them. That’s all that counts.” Hunter’s chest tightened. One day he would ride into battle again--to slay White Eyes. It was inevitable. How would she feel about that? “You are Comanche now, yes?” he said hopefully. “One with us.” Indefinable emotions played across her face. “I’m married to a Comanche. I love him. But I’ll never be a Comanche.” Hunter studied her features, once so repulsive to him, now so cherished. He ran a finger up the fragile bridge of her nose, then traced the line of her brow, acutely conscious of the small bones that shaped her face. Protectiveness welled within him. “You are one with me, one with my people. You cannot stand with one foot on Comanche land and the other on tosi tivo land.” “Both my feet are here, Hunter, but part of my heart is at my wooden walls. No matter how much I love you, that will never change. You are one with me, too. Does that make you one with the tosi tivo?” An unnameable fear grew within him. He felt very much as he had several summers ago when he had been caught in a flash flood, swept along by the raging water. The Comanche struggle for survival was like that, surging forward, catching up everyone in its path. Men like Red Buffalo fed its fury.
Catherine Anderson (Comanche Moon (Comanche, #1))
2020 Quarantine Killings by Playon Patrick And they ask: how do black boys write about their city? How do we know street if we don't know un-cracked sidewalk? They ask: how do these black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot. There are small crosses placed in the grass where families cannot afford to bury their loved ones Reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds, We call those corners the killing fields. We call our bodies bullets even if we were never aimed in the right direction We called the remnants of our mother's family the Diaspora tree. We make a catalog of prayers out of broken hands We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers - our broken black bodies - We have never know city, never known comfort, Never known safe street in any city. We use our feet to walk streets paved by sunlight, And asked our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu And we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being black and being people. I wish God could have given us a choice. For years we have been told that there is something we need to scrub off this body As if this dirt could go away Working in the field make you realize how easily black can cook in the sun. How easily we turn on each other for a little slice of the pie. We don't know this city - how it was built with our grandmother's arthritic hands. how we wouldn't have gotten a house or a bed when it was first built When it was first settled - when it was first taken from the Indians When our God believed in the same beginning. We don't know home. We don't know how generations of our people could use these legs Could run miles on end into the night Our faces bedazzled with the remnants of the stars We will forever search for our forefathers' footsteps We don't know home - we know run We know this land has never been ours We know how to fold ourselves into nothing We know our sweat and tears tenderize this soil Somehow we make fertilizer for the soil We know how to make these hands be useful We are the farmers of every revolution No country was built without the piling up of dead bodies This country just happens to be where our dead were dragged and hung up. America: the land of the free and home of the brave We fought and died for that slogan right beside our white brothers Doesn't that make us worth something? Tonight a riot is the language of the unheard
Playon Patrick
2020 Quarantine Killings And they ask, 'How do black boys write about their city? How do we know street if we don't know uncracked sidewalk?' They ask, 'How do these Black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot?' There are small crosses placed in the grass where families cannot afford to bury their loved ones, reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds. We call those corners the killing fields. We call our bodies bullets, even if we were never aimed in the right direction. We call the remnants of our mothers' family the disaspora tree. We make a catalog of prayers out of broken hands. We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers of broken Black bodies. We have never know city, never known comfort, never know safe street in any city. We use our feet to walk streets paved by sunlight and ask our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu and we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being Black and being people. I wish God could've given us a choice. For years, we have been told that there is something we need to scrub off this body, as if this dirt could go away. Working in the field make you realize how easily Black can cook in the sun, how easily we turn on each other for a little slice of the pie. We don't know this city, how it was built with our grandmothers' arthritic hands. How we couldn't have gotten a house or a bed when it was first built, when it was first settled, when it was first taken from the Indians, when our gods believed in the same beginning. We don't know home. We know how generations of our people could use these legs, could run miles on into the night, our faces bedazzled with the remnants of the stars. We will forever search for our forefathers' footsteps. We don't know home. We know run. We know this land has never been ours. We know how to fold ourselves into nothing. We know our sweat and tears tenderized this soil. Somehow we make fertilizer for the soil. We know how to make these hands be useful. We are the farmers of every revolution. No country was built without the piling up of dead bodies. This country just happens to be where our dead were dragged and hung up. America, the land of the free and home of the brave. We fought and died for that slogan, right beside our white brothers. And doesn't that make us worth something? Tonight, a riot is the language of the unheard. Playon Patrick
Playon Patrick
Beauty lies between you and you and eye and eye Do not compare beauty, For it resides in all, Try if you will, But a slave to the mind you shall be. To compare a dandelion to a lily, And to say the lily is of greater beauty Is a sin we often see. The dandelion is everywhere to be seen, But it is not picked from the ground on a whim. A weed, it was labeled in those grown-up minds, Minds, which have been weeded through time. The same minds which cut lilies from the ground, And stare as they wonder ‘how sad that beauty dwindles down’. They let their thoughts haunt them, And get trapped in the world around them. The truth masked as lies of the eyes. The dandelion and lily, When left to be, Dance in the wind with such beauty, Free. Compare beauty and you'll eclipse your sun's light, And because you only know the stars That come to life when they die, You'll have to wait for the dandelion to fly, Specking light in your darkened mind's eye. Explain beauty and you'll stay for eternity, Trying to capture infinity. Only then will you look into the stilling river, And cry from the open wounds you hide. Bandaging your reflection, you try. Only when it drowns in the murky crinkling water, Do you realize That the stars won't offer the same blinding light, And the darkness has given you sight. Your comparisons’ prism lives only in your eyes, But it travels down your stem, Like a Serpent, Coiling around your breath, With your tongue, Sharper than the air of death, Shedding words you've been fed. Like the grey, Settling deep within your Soul, And the shade, That makes you feel whole. Perhaps you'll try to save the mirrored water, But as you thrash about in infinity, Do not break stems anymore. Instead cut the chains keeping you shackled to the shore. Still, as you roam free, Do not forget to remember, (Infinity said while knocking at eternity’s door) A rigid mind leads to a life lived hollow, But do dip into the mind’s eye knowingly, For the strongest light casts the darkest shadow.
Tavisha Sh (Dancing On The Line Of Insanity)
Instead, they doped me up on antipsychotics that made me ill, taught me to binge eat as compensation for my starvation, and fed me lies about my own life story. I left that program filled with even faultier coping skills than I’d brought with me on admission and with zero plans for what would come next.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
I didn’t understand about alcoholism yet, how booze and drugs fed the wounded animal in Walter, I just thought that’s how life was. Unpredictable and insane. I’d show up to school the day after one of his episodes feeling shell-shocked and spaced out. I don’t know how I manifested this stuff outwardly, but I never talked to anyone about it. I just wandered around in a daze, stuck in a severe hangover. I had no idea how to deal with it. I was very conscious of the things I loved about my family—the freedom of all of us walking around the house naked, Walter being a musician, the amazing jazz I heard, the well-stocked book and record shelves, the bohemian aspects of our life. But I’d lie in bed at night and wish that I had a boring, normal, dumb family. One with no creativity. I wished my dad worked in a factory, and my mom was a conservative housewife who wore ugly pantsuits. I wished they’d have petty arguments and watch TV; the way Archie Bunker and Edith behaved on the TV show All in the Family, or like the Battaglias back in Larchmont. I equated creativity with insanity.
Flea (Acid for the Children: A Memoir)
The Importance of Israel's Past (1–8) I Will Teach You (1–3) Truths in parables (1–2a) Things hidden from old (2–3) You Will Teach Others (4–8) The wonders of God (4) The word of God (5–8) The Insurrection of Israel's Past (9–16) They Rebelled Against God (9–11) They forsook his word (9) They forgot his works (10–11) God Rescued Them (12–16) God did wonderful things (12) God divided the sea (13) God directed them through the sea (14) God divided the rock (15–16) The Ingratitude of Israel's Past(17–31) They Defied God (17–19) They sinned against him (17) They tested him (18) They spoke against him (19) God Delivered Them (20a) He struck the rock (20a) He served them water (20b) They Disbelieved God (20b) They doubted he would give them bread (20b) They doubted he would give them meat (20b) God Disciplined Them (21) He was wrathful toward them (21a) He was angry with them (21b) They Denied God (22) They did not believe him (22a) They did not trust him (22b) God Delighted Them (23–31) God commanded the clouds (23) God rained down manna (24) God fed them abundantly (25–29) God disciplined them (30–31) The Insincerity of Israel's Past (32–39) They Rejected God (32–37) They sinned against God (32–33) They sought God (34) They remembered God (35) They lied to God (36) They left God (37) God Remained Faithful (38–39) He forgave them (38) He remembered them (39) The Insubordination of Israel's Past (40–55) They Rebelled Against God (40–42) They turned from God (40) They tempted God (41) They forgot God (42) God Rescued Them (43–55) He performed signs (43) He sent plagues (44–51) He led them (52–53) He directed them into the land (54) He drove out the nations (55a) He divided up the land (55b) The Idolatry of Israel's Past (56–72) They Rebelled Against God (56–58) They tested him (56) They turned back from him (57) They provoked him (58) God Disciplined Them (59–61) He abhorred them (59) He abandoned them (60–64) God Favored Them (65–72) He fought for them (65–66) He chose Judah (67–68) He constructed the temple (69) He chose David (70–72)
Max E. Anders (Holman Old Testament Commentary - Psalms 76-150)
Then, beaming at Tom and Caul, he topped up their glasses with more wine to wash down the pack of half-truths and outright lies he'd fed them
Philip Reeve
Ann Trason and her compadres were like mad scientists messing with beakers in the basement lab, ignored by the rest of the sport and free to defy every known principle of footwear, food, biomechanics, training intensity … everything. And whatever breakthroughs they came up with, they’d be legit. With ultrarunners, Vigil had the refreshing peace of mind of dealing with pure lab specimens. He wasn’t being hoodwinked by a phony superperformance, like the “miraculous” endurance of Tour de France cyclists, or the gargantuan power of suddenly melon-headed home-run hitters, or the blazing speed of female sprinters who win five medals in one Olympics before going to jail for lying to the feds about steroids. “Even the brightest smile,” one observer would say of disgraced wondergirl Marion Jones, “can hide a lie.
Christopher McDougall (Born to Run)
The sickly are the greatest danger to man: not the wicked, not the ‘beasts of prey’. Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in our- selves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’.90 They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’91 and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers’ [die Species der moralischen Onanisten und ‘Selbstbefriediger’]. The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Nietszche
I left you two more pieces. You can’t be full.” I glanced over at him. “You mean you didn’t stop eating because you were full?” He shook his head. “No, I was being considerate. I’m never full.” I leaned back on the sofa. “Eat all you want. I’m done.” He didn’t lean forward to grab another slice like I had expected him to. Instead his attention stayed on me. “Why did you invite me here tonight, Ash?” My face flushed. Why had I asked him to come? Answering that question wasn’t easy. Since he’d walked in the door, I’d been acting ridiculous. I never seemed to be at a loss for things to say to Sawyer. Beau rattled me. Now he was being bored to death by the preacher’s daughter when he could be spending his evening with his sexy, hot girlfriend, doing all those things I knew nothing about. I was depriving him of an exciting night. The idea that he’d come tonight to entertain me for his cousin’s sake made me feel awful. He’d been doing this as a charity, and I couldn’t even make it interesting for him. Well, at least I’d fed him. “I’m sorry. I guess I just didn’t want to be alone, but I’m okay. You can go. I know this is dull compared to your normal activities.” I managed a weak smile. His frown deepened as he leaned forward and rested his elbows on his knees, but he didn’t take his eyes off me. “Being with you isn’t dull. You just seem uncomfortable. If you want me to leave, I will. I have a feeling you’re rethinking the having me over thing.” I sighed and let out a small laugh. “No. I want you to stay. I’ve just never had any guy over here but Sawyer, and even then my parents were here. I’m nervous. It’s not that I don’t want you here.” “Why do I make you nervous?” he asked, watching me. “I don’t know,” I answered truthfully. “Hmm, you’re wrong, by the way,” he replied, grinning. “What?” “You’ve had other guys here. I use to come here often. Your room still looks the same.” I smiled. He was right. I just needed to remember this was the same boy who used to lie on my bed with me and watch movies. He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.” I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him. His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed. “Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
Why should we shield him?” “He has fed us, Nincarly,” another more reasonable voice said. “Where was Tiernon as our children starved?” Nincarly mumbled something Besmir could not make out. He heard similar conversations around him as whispers rippled through the crowd that ringed him. “Lies will ensure your death is slow and painful, old man,” the lead soldier shouted down at Zaynorth. Herofic walked up beside his brother, hefting the large ax without any outward malice. The soldier’s eyes swung to him. “Fancy yourself with the ax then, old man?” he sneered. “One of my men favors that weapon also.” He turned to his right, nodding at one of his companions. “Arlon could fell an army with his ax, could you claim to be as good?” Herofic looked up at the lead soldier, shrugging wordlessly. “Arlon!” the soldier shouted, gesturing toward Herofic. “Now we shall have some fun.” Herofic tapped his brother’s shoulder, guiding him from his side and pushing him towards Besmir. “What’s the meaning of all this?” Besmir hissed at the old mage. “No one should have to die for me!
Liam Reese (A Huntsman's Fate: A Sword And Sorcery Bundle)
Gregori placed his hands over the wounds, closed his eyes, and went seeking out of his own body and into the one lying so hideously wounded, as still as death. Mikhail felt Raven’s stirring of pain. She flinched and tried to move away, tried to fade so that this new, painful sensation could not touch her. Mikhail surrounded her effortlessly, held her still for Gregori to do the intricate work of repairing damaged organs. Relax into it, little one. I am here in this place with you. I can’t do this. It was more a feeling than words. So much pain. Choose for us, then, Raven. You will not go alone. “No!” Jacques’s protest was sharp. “I know what you do, Mikhail. Drink now, or I will not continue the transfusion.” Fury welled up, shook Mikhail out of his semi-stupor. Jacques met the rage in his dark eyes with deliberate calm. “You are too weak from loss of blood to oppose me.” “Then let me feed.” There was cold fury, black as night, in those words. Pure menace, the threat of death. Jacques exposed his throat without hesitating, managing to prevent a groan of pain as Mikhail bit deep, fed hungrily, ferociously, like a savage animal. Jacques did not struggle or make a sound, offering up his life for his brother and Raven. Eric moved toward them as Jacques’s knees buckled and he sat down hard, but Jacques motioned him away. Mikhail lifted his head abruptly, his shadowed features so haunted and grief-stricken, Jacques ached for him. “Forgive me, Jacques. There is no excuse for my treatment of you.” “There is nothing to forgive when I offer freely,” Jacques whispered raggedly. Eric moved immediately to his side, supplying Jacques with blood. “How could anyone do such a thing to her? She is so good, so courageous. She risked her life to help a stranger. How could someone want to harm her?” Mikhail asked, raising his eyes toward the heavens. Silence was his only answer.
Christine Feehan (Dark Prince (Dark, #1))
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
Karl Wiggins (Wrong Planet - Searching for your Tribe)