Face Is The Index Of Mind Quotes

A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.

His face was the true index of his mind.

The PM smiles, and for a moment I see a flickering vision where His face should be: an onion-skin Matryoshka doll of circular shark-toothed maws, lizard-man faces, and insectile hunger. “A word in my study if you don’t mind. Right this way.

Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched. The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight. I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside. At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?

Daily Living Practice Your practice this week is to deepen your awareness of what happens in your mind and your body when you are anxious, and to work on quieting your patterns of worry. As you go through each day this week, remind yourself to: Notice your worry patterns and begin to change them by challenging the fear with facts. Practice Powering Down to Transform Anxiety to experience the state of having a quiet mind and a quiet body. Comfort yourself, and challenge yourself to be victorious as you face small and large stresses throughout the week. Read the inspirational quote you have written on the index card. Daily Practice Log Sunday Monday Tuesday Wednesday Thursday Friday Saturday Time of Day B A B A B A B A B A B A B A Yoga/Meditation I Used Y-CBT Techniques I Used B = Before, A = After 1 2 3 4 5 6 7 8 9 10 Low Anxiety Moderate Anxiety High Anxiety

Yet moods are more than a summary readout of the status quo—they set the stage for specific emotional behaviors. Most of us have experienced a situation in which an irritable mood made it easier for a minor slight to trigger an outburst of rage, or when an anxious mood made us so jumpy that just a few strange noises in the night provoked full panic and terror.24 Confirming scientists’ intuitions, controlled experiments find that an anxious mood narrows the focus of attention to threats. When anxious subjects are shown happy, neutral, and angry faces on a computer screen, their attention is drawn to the angry faces signaling a potential threat.25 Conversely, good moods broaden attention and make people inclined to seek out information and novelty.26 In one study, participants in good moods sought more variety when choosing among packaged foods, such as crackers, soup, and snacks.27 Moods have the power to influence behavior because they have such wide purchase on the body and mind. They affect what we notice, our levels of alertness and energy,28 and what goals we choose. Finally, once a goal is embarked upon, the mood system monitors progress toward its attainment. It will redouble effort when minor obstacles arise. If progress stops entirely because of an insuperable obstacle, the mood system puts the brakes on effort.29 Experiments have successfully tested the idea that negative mood mobilizes effort when tasks become challenging. When participants are put in a negative mood and subsequently are given a difficult task to perform, they can be expected to show a larger spike in blood pressure, a key index of bodily mobilization. Yet if the task is made significantly more difficult, to the point that success is no longer possible, participants no longer demonstrate the sharp spike, a sign that the mood system de-escalates effort for impossible (or seemingly impossible) tasks.30

Blowing out a breath I hadn’t realized I was holding, I looked down at the baby in my arms and smiled when she kept fisting the collar of my shirt in her little hand. When she caught me looking at her, she lifted her head shakily and smacked her hand against my chin before dropping her head back onto my collarbone. The two girls that had been braiding my hair cooed over the baby for a minute before taking off after some appetizers that were brought into the house . . . and then it was just little Shea and me. I had just been thinking about how much easier this was than I’d thought it would be, when she grabbed a chunk of my hair and pulled as hard as possible. “What is it with my hair today?” I whispered to her as I went through the painful process of getting every strand out of her little fist and making sure they stayed attached to my head. She reached again, but I put my index finger out and she immediately wrapped her tiny fingers around it, her little eyes widening as she stared at it. As soon as Ava was back in the living room, the potty-dance daughter started crying, and Ava turned them right back around and disappeared down the hall. But I didn’t mind, I was enjoying having little Shea with me. Her eyes were growing heavy as she continued to watch her fingers wrapped around mine, and by the time Ava was walking back toward us, she was out. Her little lips were slightly open, and my chest and neck were warm from the heat she was emanating. “She’s asleep?” “Yeah, just happened,” I whispered and was getting ready to sit up to hand her back off when I noticed the relieved look on Ava’s face. “I can keep holding her . . .” “Oh my God, would you? I know as soon as she’s up I won’t be able to eat, I need to grab something now while she’s asleep.” “Yeah, go for it.” Smiling at her softly, I leaned back into the couch and looked down at the tiny baby sleeping on me. It couldn’t be that hard. She was sleeping, and I was just sitting here anyway . . . right? Looking

He raised a hand and she closed her eyes on instinct. She waited, expected to feel his fingers in her hair. When he touched her she snapped her eyes open and let out a gasp. His index finger was tracing a slow, tender path from the side of her face and along her scar. No one had touched her scar before except her surgeon. No one had wanted to and why should they? It was horrible. It was ugly. It was a disfigurement. As if reading her mind, he spoke. ‘You’re beautiful, Honor.

He touched her chin with the tip of one index finger. “I’m leaving tomorrow, Lily.” Maybe he was imagining it, but he thought he felt her quiver. “Leaving?” she asked in a small voice. “I’m going back to Fort Deveraux.” He could see she was mentally gauging the distance between Tylerville and the fort, and that eased some of his anxiety about leaving her. “You’ll probably forget all about me,” she said. Caleb chuckled ruefully. “I couldn’t do that if I tried,” he answered. “And I don’t intend to try. Lily, there’s an officers’ ball at the fort next Saturday night. Will you go with me?” Her alabaster throat moved as she swallowed, and it was obvious that she was searching her mind for reasons to refuse. “I don’t have a proper dress—” “That won’t be a problem. I have a friend who’ll be able to come up with something for you to wear.” Lily’s eyes narrowed. “What friend?” she demanded. Caleb wanted to shout for joy. She was jealous! “You met her in the dining room yesterday—Mrs. Tibbet.” “Her clothes would never fit me,” Lily protested. “No,” Caleb agreed, “but her niece’s would.” He knew then that she wanted to go to the ball, and the knowledge made him exuberant. “Where would I stay? The fort must be ten miles from here—I could never get back to Mrs. McAllister’s in time to go to bed.” “You could spend the night with Colonel and Mrs. Tibbett. There probably aren’t two more acceptable chaperons in the whole territory.” Lily smiled uncertainly, and the eagerness in her face twisted Caleb’s heart. “I’ve never been to a ball,” she said in a speculative tone of voice. “Would I get another box of chocolates?” “Only if you promise not to eat them in front of me,” Caleb replied, remembering the agonies he’d suffered watching her roll the sweet around on her tongue. Then, after planting a light kiss on Lily’s mouth, he escorted her back to the house and took his leave.

You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for? Maybe you think it gives you free will. Maybe you've forgotten that sleepwalkers converse, drive vehicles, commit crimes and clean up afterwards, unconscious the whole time. Maybe nobody's told you that even waking souls are only slaves in denial. Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other. But it's not in charge. You're not in charge. If free will even exists, it doesn't share living space with the likes of you. Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it. Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of any manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers. Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift- wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents. Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step. Oh, but you can't. There's something in the way. And it's fighting back.

Okay,” she exhales, closes her eyes and dissolves her mind to a state of emptiness. Inside her head, an instinct, a compulsion triggers her next action. “I’m ready…” Zara slowly reaches forward, touches the Tetragrammaton with her index and middle finger, nothing at first, then an odd sensation, a feeling of divine power and knowledge. “It’s beautiful,” a surge of information overwhelms her senses—she turns her palms face up, as she does they turn transparent to reveal the constellations, “I am that which is not, born from the imperishable stars.

The spiritual aspect of valor is evidenced by composure—calm presence of mind. Tranquility is courage in repose. It is a statical manifestation of valor, as daring deeds are a dynamical. A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence, betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.

From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.

I’m taking a shower,” he announces, not sparing me a glance as he moves past me and into the bathroom. This is way above my pay grade. I don’t possess the necessary training to make sense of this behavior. Twenty minutes later, I’m tucked into the cozy bed, reading glasses on, Delia’s latest manuscript on Dane’s iPad when he steps out of the bathroom. Aaaand I instantly turn into Joan of Arc, burned at the stake. Except the heat doesn’t start at my feet. Noooo. It starts between my legs and spreads forth. By the time it reaches my face, there’s a veil of sweat above my lips. Not attractive. A wall of finely sculpted flesh walks further into the room with only a scrap of towel to hide the extra good parts. There’s so much razzle dazzle to take in my mind locks onto one area. His abdominal muscles. Mother of gee oh dee, what kind of torture must one endure to get those? So cut they don’t even look real. Mentally, I’m poking them with my index finger to see if they poke back. Until something intrudes in the periphery of my vision. South of these spectacular ab muscles, the towel wrapped around his waist starts to rise. That’s when I hear a snapping of fingers. A large hand immediately comes into view and more snapping of fingers. “Eyes up, Shorty. Or you’ll get more of a show than you bargained for.” My gaze makes a swift trip back up to his face. His mouth is twisted in a grimace and his eyebrow arched. He’s not happy I was looking…whatever. “Don’t look so scared. I pinky promise not to molest you.” His eyes widen while his lips thin. “You know what, it’s still early. I’m gonna get a workout in. I’ll be back later.” A workout? At 9 p.m.? He doesn’t even wait for me to respond. He grabs his clothes in a hurry, and a moment later he’s gone. I know I don’t have a ton of experience with men but this can’t be normal behavior. This has got to be far from normal behavior.

Got you,” he heard someone murmur, looking over to see one of his team members—Nate Carson, a former Air Force pararescue jumper or “PJ”, as they were known—aim his index finger at the frozen image on the laptop screen, pantomiming getting off a shot. And so they had, or at least were as close to it as they had been in months, the big man thought as he laid down the yearbook, pushing his way past Carson as he made his way to the door of the tent. Their best intelligence on Hassan's location since their abortive raid in late March, having come through just the previous day. And now all they awaited was the all-clear from Washington. For the politicians to make up their mind, as ever. The desert heat of the Sinai struck him full in the face as he stepped through the flap. Dry, choking heat—impressive even by the standards of east Texas, where he'd spent the majority of his childhood, before leaving home at the age of 18 to join the Corps. Seemed like he'd been spending his life in the desert ever since, as the Marines—and now the Agency—sent him to one desolate waste after another. North Camp was located some twenty kilometers south of the Mediterranean and not far from the border with Israel—a six hundred plus-acre compound that served as a forward operating base for the Multinational Force & Observers, the international peacekeeping force based in the Sinai ever since the Camp David Accords of '78. And now, for their team—through some special dispensation obtained by the Agency's seventh floor. All of it so far above his pay grade as to be beyond his concern.

Faced with the choice of changing one’s mind versus proving that there is no need to do so, almost everyone opts for the latter.

Your face is not the index of my mind