β
Hope is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all.
β
β
Emily Dickinson
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
Just erotic. Nothing kinky. It's the difference between using a feather and using a chicken.
β
β
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
β
Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.
β
β
Virginia Woolf
β
Why am I covered in feathers
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
Life is always either a tightrope or a feather bed. Give me the tightrope.
β
β
Edith Wharton
β
There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Duty is heavy as a mountain, death is light as a feather.
β
β
Robert Jordan
β
Just remember that Dumbo didn't need the feather; the magic was in him.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Sticking feathers up your butt does not make you a chicken!
β
β
Chuck Palahniuk (Fight Club)
β
Hate to disappoint, but no feathers. I came to Earth stripped naked.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it's a feather bed.
β
β
Terence McKenna
β
Why am I covered in feathers?" I asked, confused.
He exhaled impatiently. "I bit a pillow. Or two...
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
I am troubled, immeasurably
by your eyes.
I am struck by the feather
of your soft reply.
The sound of glass
speaks quick, disdain
and conceals
what your eyes fight
to explain.
β
β
Jim Morrison (Wilderness: The Lost Writings, Vol. 1)
β
If love had feathers and tasted like dog food, then I suggest you wear shoes with your banana pudding. (This statement also defines my political beliefs).
β
β
Jarod Kintz (This Book is Not for Sale)
β
On the moon we wore feathers in our hair, and rubies on our hands. On the moon we had gold spoons.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I looked to the window. Patch was gone, but a single black feather was pressed to the outer pane, held in place by last night's rain. Or angel magic.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
It's just a whisper of a kiss but something collapses in my skull. It's a feather-light brush of his mouth against my skin in a place I can't quite see. It's my mind speaking in a thousand different languages I don't understand.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell;
When thou didst bower the spirit of a fiend
In mortal paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!
β
β
William Shakespeare (Romeo and Juliet)
β
Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so.
β
β
Diane Setterfield (The Thirteenth Tale)
β
She had been innocent once, a little girl playing with feathers on the floor of a devil's lair. She wasn't innocent now, but she didn't know what to do about it. This was her life: magic and shame and secrets and teeth and a deep, nagging hollow at the center of herself where something was most certainly missing.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chilliest land
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Democracy! Bah! When I hear that I reach for my feather boa!
β
β
Allen Ginsberg
β
I believe you, Sadie."
"Oh really. I'm holding the bloody feather of truth, and you believe me. Well, thanks.
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Why then, O brawling love! O loving hate!
O any thing, of nothing first create!
O heavy lightness, serious vanity,
Misshapen chaos of well-seeming forms,
Feather of lead, bright smoke, cold fire, sick health,
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
β
β
William Shakespeare (Romeo and Juliet)
β
Death is lighter than a feather. Duty, heavier than a mountain.
β
β
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
β
I have to remind myself that some birds arenβt meant to be caged. Their feathers are just too bright.
β
β
Stephen King (Different Seasons)
β
He was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all
β
β
Richard Bach (Jonathan Livingston Seagull)
β
Is this your bedroom?" she asked, and turned to look at him. Myrnin straightened and jammed the big red floppy hat back on his head. The feathers waved back and forth.
"Don't get any ideas," he said. "I'm far too young and innocent for that kind of thinking.
β
β
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
β
Stefan: "Indian with a dot, not a feather.
β
β
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
β
& so whatβif my feathers
are burning. I
never asked for flight.
β
β
Ocean Vuong (Night Sky with Exit Wounds)
β
Erotica is using a feather; pornograpy is using the whole chicken.
β
β
Isabel Allende
β
While clothes do not, as the saying would sometimes have it, make the man, and fine feathers do not make fine birds, sometimes they can add a certain spice to a recipe.
β
β
Neil Gaiman (Stardust)
β
He had never known such gallantry as the gallantry of Scarlett O'Hara going forth to conquer the world in her mother's velvet curtains and the tail feathers of a rooster.
β
β
Margaret Mitchell (Gone with the Wind)
β
For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love...
β
β
Nicole Krauss (The History of Love)
β
Butch: -I hear ya. No one's biz but yours. One question though
Vishous: -What
Butch: -When the females tie you down, do they paint your toe-nails and shit? Or just do your makeup? Wait... they tickle your pits with feather, right?
β
β
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
β
(on grief) And you do come out of it, thatβs true. After a year, after five. But you donβt come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
β
β
Julian Barnes (Flaubert's Parrot)
β
Gabriel.
This has to be his fault, somehow. I'm going to track him down, pluck out his angel feathers, and stuff a pillow with them.
β
β
Lisa Desrochers (Personal Demons (Personal Demons, #1))
β
Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.
β
β
Max Porter (Grief is the Thing with Feathers)
β
GOD: I own you like I own the caves.
THE OCEAN: Not a chance. No comparison.
GOD: I made you. I could tame you.
THE OCEAN: At one time, maybe. But not now.
GOD: I will come to you, freeze you, break you.
THE OCEAN: I will spread myself like wings. I am a billion tiny feathers. You have no idea what's happened to me.
β
β
Dave Eggers (How We Are Hungry)
β
Tom, don't let anybody kid you. It's all personal, every bit of business. Every piece of shit every man has to eat every day of his life is personal. They call it business. OK. But it's personal as hell. You know where I learned that from? The Don. My old man. The Godfather. If a bolt of lightning hit a friend of his the old man would take it personal. He took my going into the Marines personal. That's what makes him great. The Great Don. He takes everything personal Like God. He knows every feather that falls from the tail of a sparrow or however the hell it goes? Right? And you know something? Accidents don't happen to people who take accidents as a personal insult.
β
β
Mario Puzo (The Godfather)
β
the power of philosophy floats through my head.. light like a feather, heavy as lead.
β
β
Bob Marley
β
Grief is a swallow,' he said. 'One day you wake up and you think it's gone, but it's only migrated to some other place, warming its feathers. Sooner or later, it will return and perch in your heart again.
β
β
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
β
Finally, in October 1945, a man with swampy eyes, feathers of hair, and a clean-shaven face walked into the shop. He approached the counter. "Is there someone here by the name of Leisel Meminger?"
"Yes, she's in the back," said Alex. He was hopeful, but he wanted to be sure. "May I ask who is calling on her?"
Leisel came out.
They hugged and cried and fell to the floor.
β
β
Markus Zusak (The Book Thief)
β
How sweet the morning air is! See how that one little cloud floats like a pink feather from some gigantic flamingo. Now the red rim of the sun pushes itself over the London cloud-bank. It shines on a good many folk, but on none, I dare bet, who are on a stranger errand than you and I. How small we feel with our petty ambitions and strivings in the presence of the great elemental forces of Nature!
β
β
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories, Volume I)
β
It was a meditation on life, love, old age, death: ideas that had often fluttered around her head like nocturnal birds but dissolved into a trickle of feathers when she tried to catch hold of them.
β
β
Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
β
Goodfellow?β Glitch stared at Puck nervously. βRobin Goodfellow?β
βOh, look at that, heβs heard of me. My fame grows.β Puck snorted and leaped off the roof. In midair, he became a giant black raven, who swooped toward us with a raucous cry before dropping into the circle as Puck in an explosion of feathers. βTa-daaaaaaaaaa.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
It was the kind of sword that would make a lifelong pacifist look for tall boots and a hat with feathers.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
Fitz pulled her forward, and the warm tingling in her hand shot through her body--like a million feathers swelling underneath her skin, tickling her from the inside out.
β
β
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
β
A weapon, I told Horus. I need a weapon.
I reached into the Duat and pulled out an ostrich feather.
βReally?β I yelled.
Horus didnβt answer
β
β
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
β
I looked closely at it for the first time; the charm was just a slim line of silver - half of it hammered into the shape of a feather, the other half a dagger. It was interesting and beautiful; just like him.
β
β
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
β
That's the beauty of it. Have you seen the contraptions these magicians build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, I am simply a bird in their midst.
β
β
Erin Morgenstern (The Night Circus)
β
Her fingertips reached to trace the damage, but he grasped her hand with his own. He leaned down, far enough that the dark ends of his hair brushed feather-light against her face, caught in her lashes.
β
β
Kelly Creagh (Nevermore (Nevermore, #1))
β
Self-pity in its early stages is as snug as a feather mattress. Only when it hardens does it become uncomfortable.
β
β
Maya Angelou (Gather Together in My Name)
β
Money is better than poverty, if only for financial reasons.
β
β
Woody Allen (Without Feathers)
β
We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate for having taken form so far below ourselves. And therein do we err. For the animal shall not be measured by man. In a world older and more complete than ours, they move finished and complete, gifted with the extension of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings: they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.
β
β
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
β
Lean forward into your life...catch the best bits and the finest wind. Just tip your feathers in flight a wee bit and see how dramatically that small lean can change your life.
β
β
Mary Anne Radmacher (Lean Forward Into Your Life: Begin Each Day as If It Were on Purpose)
β
Iβve never been certain whether the moral of the Icarus story should only be, as is generally accepted, βdonβt try to fly too high,β or whether it might also be thought of as βforget the wax and feathers, and do a better job on the wings.
β
β
Stanley Kubrick
β
He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged.
Speak, they said.
Speak, the kiss answered.
β
β
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
β
Do you know what most people have from their grandmother? A tea set. Or a quilt.β Curran smiled. βIf your family had a quilt, it would be made out of chimera skin and stuffed with feathers from dead angels.
β
β
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
β
Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack. Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world.
β
β
Virginia Woolf (Street Haunting)
β
Itβs not that I never noticed before how many red things there are in the world. Itβs that they were never any more relevant to me than green or white or gold. Now itβs as if the whole world sings to me in petals, feathers, pebbles, blood.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Did you ever, when you were little, endure your parentsβ warnings, then wait for them to leave the room, pry loose protective covers and consider inserting some metal object into an electrical outlet?
Did you wonder if for once you might light up the room?
When you were big enough to cross the street on your own, did you ever wait for a signal, hear the frenzied approach of a fire truck and feel like stepping out in front of it?
Did you wonder just how far that rocket ride might take you?
When you were almost grown, did you ever sit in a bubble bath, perspiration pooling, notice a blow dryer plugged in within easy reach, and think about dropping it into the water?
Did you wonder if the expected rush might somehow fail you?
And now, do you ever dangle your toes over the precipice, dare the cliff to crumble, defy the frozen deity to suffer the sun, thaw feather and bone, take wing to fly you home?
β
β
Ellen Hopkins (Burned (Burned, #1))
β
A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.
β
β
Anne BrontΓ« (Agnes Grey)
β
Annabeth shook her head. "All these years sneaking around, and we could've just been ourselves?"
"You should always do that." Alex strolled alongside, back in human form, though he still had a few flamingo feathers stuck in his hair. "And you have to flaunt the weird, my friends."
"I'm going to quote you on that," Percy said.
"You'd better.
β
β
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
β
I don't know what to do!" cried Scrooge, laughing and crying in the same breath; and making a perfect LaocoΓΆn of himself with his stockings. "I am as light as a feather, I am as happy as an angel, I am as merry as a school-boy. I am as giddy as a drunken man. A merry Christmas to every-body! A happy New Year to all the world! Hallo here! Whoop! Hallo!
β
β
Charles Dickens (A Christmas Carol)
β
Books open your mind, broaden your mind, and strengthen you as nothing else can.
β
β
William Feather
β
You didn't listen to me," Lan whispered. One last lesson. The hardest. Demandred struck, and Lan saw his opening. Lan lunged forward placing Demandred's sword point against his own side and ramming himself forward onto it.
"I did not come here to win," Lan whispered, smiling. "I came here to kill you. Death is lighter than a feather."
Demandred's eyes opened wide, and he tried to pull back. Too late. Lan's sword took him straight though the throat.
β
β
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
β
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
β
β
James Patterson
β
[Tyson] looked him over with that massive baby-brown eye. βYou are not dead. I like it when you are not dead.β
Ella fluttered to the ground and began preening her feathers. βElla found a dog,β she announced. βA large dog. And a Cyclops.β Was she blushing?
Before Percy could decide, his black mastiff pounced on him, knocking Percy to the ground and barking so loudly that even Arion backed up. βHey, Mrs. O'Leary,β Percy said. βYeah, I love you, too, girl. Good dog.β
Hazel squeaked. βYou have a hellhound named Mrs. O'Leary?β
βLong story.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea, see the titbits and topsyturvies, bobs and buttontops, bags and bones, ash and rind and dandruff and nailparings, saliva and snowflakes and moulted feathers of dreams, the wrecks and sprats and shells and fishbones, whale-juice and moonshine and small salt fry dished up by the hidden sea.
β
β
Dylan Thomas (Under Milk Wood)
β
If you don't feel as close to God today as you did yesterday, who moved?
β
β
Chris Heimerdinger (Feathered Serpent, Part 1 (Tennis Shoes, #3))
β
You both passed out,β Percy said. βI donβt know why, but Ella told me not to worry about it. She said you wereβ¦sharing?β
βSharing,β Ella agreed. She crouched in the stern, preening her wing feathers with her teeth, which didnβt look like a very effective form of personal hygiene. She spit out some red fluff. βSharing is good. No more blackouts. Biggest American blackout, August 14, 2003. Hazel shared. No more blackouts.β
Percy scratched his head. βYeahβ¦weβve been having conversations like that all night. I still donβt know what sheβs talking about.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
The wicked at heart probably know something.
β
β
Woody Allen (Without Feathers)
β
I love
all things,
not because they are passionate or sweet-smelling
but because,
I don't know,
because
this ocean is yours,
and mine:
these buttons
and wheels
and little
forgotten
treasures,
fans upon
whose feathers
love has scattered
its blossoms,
glasses, knives and
scissors --
all bear
the trace
of someone's fingers
on their handle or surface,
the trace of a distant hand
lost
in the depths of forgetfulness.
β
β
Pablo Neruda
β
So, Angel?" I said, looking over at her. She was gliding through the night, her eight-foot wings looking like a dove's. "Have you picked up anything from Anne, about anything? Anything off?"
Not really." Angel thought. "From what I can tell, she does work for the FBI. She does care about us and wants us to be happy. She thinks the boys are slobs.
I'm blind," Iggy said irritably. "How am I supposed to make everything all tidy?"
Yeah, because you're so handicapped," I said sarcastically. "Like- you can't build bombs or cook or win at Monopoly. You can't tell us apart by the feel of our skin or feathers.
β
β
James Patterson (School's OutβForever (Maximum Ride, #2))
β
You are where you need to be. Just take a deep breath.
β
β
Lana Parrilla
β
Illium, his expression subdued as it had been for too many days, turned to her. βMind if I have a go?β
βKick his ass.β
Stripping off his shirt and boots, Illium held out his hand for one of Venomβs blades. Lips curving, Venom passed it over. βSure you can handle me, pretty, pretty Bluebell?β
βDid I ever tell you about my snakeskin boots?β A savage grin, and she knew Venom was about to bear the brunt of whatever haunted the blue-winged angel.
Venom swirled his blade in hand. βI do think I need some new feathers for my pillow.
β
β
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
β
I feel alone.
I don't mean i feel lonely; I mean i feel alone, the same way i feel the blanket resting on my body, or the feathers of my pillow under my head, or the tight string of my sleep pants twisted up around my waist. I feel alone as if it were an actual thing, seeping throughout this whole level like mist blanketing a field, reaching into all the hidden corners of my room and finding nothing living but me. It's a cold sort of feeling, this.
β
β
Beth Revis (A Million Suns (Across the Universe, #2))
β
I don't know then that one day I won't be seventeen. I don't know that youth doesn't last, that it's only a moment, and then it disappears and by the time you finally realize it, it's too late. It's finished, vanished, lost. There are some around me who can sense it; the adults repeat it constantly but I don't listen. Their words roll over me but don't stick. Like water off the feathers of a duck's back. I'm an idiot. An easygoing idiot.
β
β
Philippe Besson (Lie With Me)
β
Sona looked slightly horrified. βCordelia has a tendency to throw herself into every situation headlong,β she said to Tessa and Will. βIβm sure you understand.β
βOh, we do,β said Will. βWeβre always speaking very sternly to our children about that very thing. βIf you donβt throw yourself into situations headlong, James and Lucie, you can expect bread and water for supper again.ββββ
Alastair choked on a laugh. Sona stared at Will as if he were a lizard with feathers.
β
β
Cassandra Clare (Chain of Gold (The Last Hours, #1))
β
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
β
β
James Patterson (Maximum Ride Five-Book Set)
β
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.Β The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.Β In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.Β The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.Β So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fateβs screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fateβs heart and kept it safe. When the furor died down there was nothing else left of Fate.Β The owl who consumed Fateβs eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.Β Occasionally Fate can pull itself together again.Β And Time is always waiting.
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Erin Morgenstern (The Starless Sea)
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My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my lifeβfor we possess nothing certainly except the pastβwere always with me. Like the pigeons of St. Markβs, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.
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Evelyn Waugh (Brideshead Revisited)
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We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldnβt sing, not effortlessly as they do, we canβt fly, not without smoke and metal, and as for the eggs we donβt stand a chance. Weβre mired in gravity, weβre earthbound. Weβre ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
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Margaret Atwood
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While he writes, I feel as if he is drawing me; or not drawing me, drawing on me--drawing on my skin--not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
But underneath that is another feeling, a feeling of being wide-eyed awake and watchful. It's like being wakened suddenly in the middle of the night, by a hand over your face, and you sit up with your heart going fast, and no one is there. And underneath that is another feeling still, a feeling like being torn open; not like a body of flesh, it is not painful as such, but like a peach; and not even torn open, but ripe and splitting open of its own accord.
And inside the peach there's a stone.
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Margaret Atwood (Alias Grace)
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I believe . . . that the petal of a flower or a tiny worm on the path says far more, contains far more than all the books in the library. One cannot say very much with mere letters and words. Sometimes I'll be writing a Greek letter, a theta or an omega, and tilt my pen just the slightest bit; suddenly the letter has a tail and becomes a fish; in a second it evokes all the streams and rivers of the world, all that is cool and humid, Homer's sea and the waters on which Saint Peter wandered; or becomes a bird, flaps its tail, shakes out its feathers, puffs itself up, laughs, flies away. You probably don't appreciate letters like that, very much, do you, Narcissus? But I say: with them God wrote the world.
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Hermann Hesse (Narcissus and Goldmund)
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Why are we bringing him along, again?" Will inquired, of the world in general as well as his sister.
Cecily put her hands on her hips. "Why are you bringing Tessa?"
"Because Tessa and I are going to be married," Will said, and Tessa smiled; the way that Will's little sister could ruffle his feathers like no one else was still amusing to her.
"Well, Gabriel and I might well be married," Cecily said. "Someday."
Gabriel made a choking noise, and turned an alarming shade of purple.
Will threw up his hands. "You can't be married Cecily! You're only fifteen! When I get married, I'll be eighteen! An adult!"
Cecily did not look impressed. "We may have a long engagement," she said. "But I cannot see why you are counseling me to marry a man my parents have never met."
Will sputtered. "I am not counseling you to marry a man your parents have never met!"
"Then we are in agreement. Gabriel must meet Mam and Dad.
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Cassandra Clare
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Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek."
I smiled my best smile of the day. "Hello Auri," I said. "You smell like a
pretty young girl."
"I do," she agreed happily.
She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked.
"What did you bring me?" I countered.
She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce."
"It's a clever lettuce then."
"Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater.
I unwrapped my bundle. "I brought you some potatoes, half a squash,
and a bottle of beer that thinks it is a loaf of bread."
"What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back
"It knows it's a squash," I said. "But it's pretending to be the setting sun."
"And the potatoes?" she asked.
"They're sleeping," I said. "And cold, I'm afraid."
She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
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Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
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The Day is Done
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
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Henry Wadsworth Longfellow (The Belfry of Bruges and Other Poems)
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Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
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James Patterson
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From her thighs, she gives you life
And how you treat she who gives you life
Shows how much you value the life given to you by the Creator.
And from seed to dust
There is ONE soul above all others --
That you must always show patience, respect, and trust
And this woman is your mother.
And when your soul departs your body
And your deeds are weighed against the feather
There is only one soul who can save yours
And this woman is your mother.
And when the heart of the universe
Asks her hair and mind,
Whether you were gentle and kind to her
Her heart will be forced to remain silent
And her hair will speak freely as a separate entity,
Very much like the seaweed in the sea --
It will reveal all that it has heard and seen.
This woman whose heart has seen yours,
First before anybody else in the world,
And whose womb had opened the door
For your eyes to experience light and more --
Is your very own MOTHER.
So, no matter whether your mother has been cruel,
Manipulative, abusive, mentally sick, or simply childish
How you treat her is the ultimate test.
If she misguides you, forgive her and show her the right way
With simple wisdom, gentleness, and kindness.
And always remember,
That the queen in the Creator's kingdom,
Who sits on the throne of all existence,
Is exactly the same as in yours.
And her name is,
THE DIVINE MOTHER.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
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AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
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His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.
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D.H. Lawrence (Lady Chatterley's Lover)
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From Jess:
FANG.
I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions.
DO YOU HAVE A JAMAICAN ACCENT? No, Mon
DO YOU MOLT? Gross.
WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio.
HAVE YOU TOLD JEB I LOVE HIM YET? No.
DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true...
DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy?
DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does.
DO YOU USE HAIR PRODUCTS? No. Again,no.
DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet.
WHAT'S YOU FAVORITE MOVIE? There are a bunch
WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing.
WHAT'S YOUR FAVORITE SMELL? Max, when she showers.
DO THESE QUESTIONS MAKE YOU ANGRY? Not really.
IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so.
DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody?
ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again.
WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy.
WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast.
DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above.
DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside.
DO YOU LIKE MAX? Duh.
DO YOU LIKE ME? I think you're funny.
DOES IGGY LIKE ME? Sure
DO YOU WRITE DEPRESSING POETRY? No.
IS IT ABOUT MAX? Ahh. No.
IS IT ABOUT ARI? Why do you assume I write depressing poetry?
IS IT ABOUT JEB? Ahh.
ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no.
WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans.
DO YOU WEAR BOXERS OR BRIEFS? No freaking comment.
DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal?
DO YOU WEAR SUNGLASSES? Yes, cheap ones.
DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see.
DO YOU SMOKE APPLES, LIKE US? Huh?
DO YOU PREFER BLONDES OR BRUNETTES? Whatever.
DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock.
ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh...
WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh...
WOULD YOU TELL US IF YOU WERE GAY? Yes.
DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No.
ARE YOU EMO? Whatever.
DO YOU LIKE EGGS? Yes. I had them for breakfast.
DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby.
DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world?
DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek!
HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah
DO YOU LIKE SPONGEBOB? He's okay, I guess.
DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely
CAN YOU COOK? Iggy cooks.
DO YOU LIKE TO COOK? I like to eat.
ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife?
DO YOU SECRETLY HAVE INNER TURMOIL?
Isn't it obvious?
DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars.
DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure.
WHERE DID YOU LEARN TO PLAY POKER? TV.
DO YOU HAVE A GOOD POKER FACE? Totally.
OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes.
CAN HE EVEN PLAY POKER? Iggy beats me sometimes.
DO YOU LIKE POKING PEOPLE HARD? Not really.
ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be.
Fly on,
Fang
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James Patterson (Fang (Maximum Ride, #6))
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What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals β at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
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James Joyce (A Portrait of the Artist as a Young Man)
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-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
β
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Leonard Cohen (Flowers for Hitler)
β
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.β
βIt is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldnβt make any difference.β
Gideon frowned. βJust keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . Iβve had absolutely no practice in this kind of thing.β
βWhat?β
βGwyneth,β he said, perfectly seriously, βIβve fallen in love with you.β
My stomach muscles contracted as if Iβd had a shock. But it was joy. βReally?β
βYes, really!β In the light of the torch I saw Gideon smile. βI do realize weβve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But youβre terribly complicated, I never know what youβll do next, and in some ways you really are terrifyingly . . . er. . . naΓ―ve. Sometimes I just want to shake you.β
βOkay, I can see you were right about having no practice in making declarations of love,β I agreed.
βBut then youβre so amusing, and clever, and amazingly sweet,β Gideon went on, as if he hadnβt heard me. βAnd the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .β
βYes, thatβs really too bad,β I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright.
βHey, Gwyneth, try breathing in and out in the normal way,β said Gideon, amused.
I gave him a little push. βStop that! I canβt believe how conceited you are!β
βSorry. Itβs just such a . . . a heady feeling to think youβd forget to breathe on my account.
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Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
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It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
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Mark Twain (The Adventures of Huckleberry Finn)