Ruined Trust Quotes

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A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night — every night, every night — the moment I feigned sleep.
Vladimir Nabokov (Lolita)
What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?
Donna Tartt (The Goldfinch)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
Most of us prefer to believe we are the active subjects of our victories but only the passive objects of our defeats. We triumph, but it is not really we who fail - we are ruined by forces beyond our control.
Hernan Diaz (Trust)
It's impossible. I can't be your friend. It hurts too much. If I'm ruining you, then you've destroyed me. I finally trusted someone enough to love and you proved that all along it wasn't worth it.
Kimberly Lauren (Beautiful Broken Rules (Broken, #1))
Do not trust their words. Challenge them to a staring contest, at the sun. That is the true measure of a man. The willingness to ruin oneself to prove.
L.P. Cowling (Infinite)
Thank you, Josh. Thank you for ruining my capacity to trust so that any guy that comes after you will automatically have the cards stacked against him.
R.S. Grey (Scoring Wilder)
Rhys brushed the hair from my face. “It’s all part of the game, Feyre darling. Who to trust, when to trust them—what information to barter.” “Do you enjoy it?” “Sometimes. Right now, I don’t. Not when the risks are this high.” His fingers grazed my brow. “When I have so much to lose.” I
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Tell me, Acheron, is there anyone you will ever trust enough to release your soul? (Artemis) You know better. You’ve tutored me too well on how vicious women are. On how much love ruins and destroys. Thank you for the lesson, Artemis. It was just what I needed. And I assure you, it’s one I’ll never forget. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Well . . . he lets it ruin his life. He gets so obsessed with going after the one thing that hurt him that he loses sight of everything else. He becomes isolated from everyone and everything. Paranoid. He feels like he can't trust anyone around him ever. In the end, he loses everything, even his life. And for what? Total stupidity, if you ask me.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
Maybe this was trust ... Giving someone the power to ruin you, betting your life on the belief that they wouldn't.
Tehlor Kay Mejia (We Set the Dark on Fire (We Set the Dark on Fire, #1))
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
I felt that pull, the longing of a frightened girl. Even now, after everything he'd done, I wanted to believe the Darkling, to find some way to forgive him. I wanted Nikolai to be alive. I wanted to trust the other Grisha. I wanted to believe anything so that I wouldn't have to face the future alone. The problem with wanting is that it makes us weak.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I have committed a terrible crime,” she said, voice firm, controlled, machined to a polish. “So terrible that I feel I can do anything, commit any sin, betray any trust, because no matter what ruin I make of myself, it cannot be worse than what I have already done.
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
We're the unmended, the untended, cold soldiers of the shoe. We're the neglected, the never resurrected, agonies of the few. We're the once kissed, unmissed and always refused. Because we're the unfinished and feared and we're never pursued. And just that easily, on my behalf, I come around. Because I'm burning. The beast of War feeds only on the meats of War. And now I'm for carnage. Here's how my anguish frees. Destroy everyone of course. Because I'm unwanted and unsafe. And I'll take tears away with torments and rape, killings and fears not even the dead will escape. Encircling the Guilty, Ashamed, Blameless and Enslaved. Absolved. Butchering their prejudice. Patience. Their Value. Because I'm without value. I'm the coming of every holocaust. Turning no lost. Rending tissue, sinew and bone. Excepting no suffering. By me all levees will break. All silos heave. I will walk heavy. And I will walk strange. Because I am too soon. Because without Her, I am only revolutions Of ruin. Because I am too soon. Because without You, I am only revolutions Of ruin. I'm the prophecy prophecies pass. Why need dies at last. How oceans dry. Islands drown. And skies of salt crash to the ground. I turn the powerful. Defy the weak. Only grass grows down abandoned streets. For a greater economy shall follow Us and it will be undone. And a greater autonomy shall follow Us and it too will be undone. And a greater feeling shall follow Love and it too we will blow to dust. For I am longings without trust. The cycloidal haste freedom from Hailey forever wastes. Dust cares for only dust. And time only for Us. Because I am too soon. Because without Her, I am only revolutions Of ruin. Because I am too soon. Because without You, I am only revolutions Of ruin. We are always sixteen...
Mark Z. Danielewski (Only Revolutions)
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
Then he had run, unarmed and bleeding, trusting to the maze like confusion of the ruins to evade the monster behind him.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
If one wishes to be instructed--not that anyone does--concerning the treacherous role that memory plays in a human life, consider how relentlessly the water of memory refuses to break, how it impedes that journey into the air of time. Time: the whisper beneath that word is death. With this unanswerable weight hanging heavier and heavier over one's head, the vision becomes cloudy, nothing is what it seems... How then, can I trust my memory concerning that particular Sunday afternoon?...Beneath the face of anyone you ever loved for true--anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other--beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone.
James Baldwin (Just Above My Head)
…I feel like he’s taking advantage of me. Advantage of my illness. He thinks he can rewrite history in any way that he likes and I will never know, never be any the wiser. But I do know. I know exactly what he’s doing. And so I don’t trust him. In the end he is pushing me away, Dr. Nash. Ruining everything.
S.J. Watson (Before I Go to Sleep)
So you're his new Juliet, huh? Has he ruined you yet? Run while you still can. Trust me on this. You do not want to be around when that boy self-destructs. He'll just take you with him, and the damage he'll do will fuck you up forever. Just ask my therapist. And my sponsor.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
Of course I wasn't pretending!” The words exploded out of her before she could stop them. Heat spread across her cheeks. Cas's mouth had been open, ready with a reply, and he snapped it shut. She cleared her throat. She'd already embarrassed herself horribly, might as well finish it off. “I fully intended to ignore you, but it turns out you're very hard to ignore. I never pretended to feel anything for you, Cas. All of that was real, and definitely never part of the plan. And I should have...” A lump formed in her throat, and she swallowed, her voice shaking. “I should have warned you about the attack. I should have trusted you. I'm sorry.
Amy Tintera (Ruined (Ruined, #1))
Less thinking. More trust. Breathe.
Bonnie McKernan (Cliff of the Ruin)
One thing I can say with complete certainty is that it is a bad idea to trust the majority of experts in any domain in which both complexity and large amounts of money are involved.
Scott Adams (Loserthink: How Untrained Brains Are Ruining America)
Mor made no comment—and I knew that if had worn nothing but my undergarments, she would have told me to own every inch of it. I turned to her. “I’d like my sisters to meet you. Maybe not today. But if you ever feel like it …” She cocked her head. I rubbed the back of my bare neck. “I want them to hear your story. And know that there is a special strength … ” As I spoke I realized I needed to hear it, know it, too. “A special strength in enduring such dark trials and hardships … And still remaining warm, and kind. Still willing to trust—and reach out.” Mor’s mouth tightened and she blinked a few times. I went for the door, but paused with my hand on the knob. “I’m sorry if I was not as welcoming to you as you were to me when I arrived at the Night Court. I was … I’m trying to learn how to adjust.” A pathetic, inarticulate way of explaining how ruined I’d become. But Mor hopped off the bed, opened the door for me, and said, “There are good days and hard days for me—even now. Don’t let the hard days win.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It is well that Indians are unable to look at their country directly, for the distress they would see would drive them mad. And it is well that they have no sense of history, for how then would they be able to continue to squat amid their ruins, and which Indian would be able to read the history of his country for the last thousand years without anger and pain? It is better to retreat into fantasy and fatalism, to trust to the stars in which the fortunes of all are written
V.S. Naipaul (An Area of Darkness: His Discovery of India (Picador Collection))
God triumphs on the ruins of our plans'. And maybe that is what is happening here. We make blunders, we make mistakes, and somehow new doors open, new possibilities arise, opportunities of which, we've never dreamed. Let's trust that that is what is happening here for each of us".
Anne Rice (The Wolves of Midwinter (The Wolf Gift Chronicles, #2))
Always assume everyone is lying. Don’t trust anyone, except those closest to you.
Amy Tintera (Ruined (Ruined, #1))
Trust me, my darling, leaving you is the hardest decision I make each day.
Scarlett St. Clair (A Touch of Ruin (Hades x Persephone Saga, #2))
Sometimes one false accusation is enough to ruin what you have in an instant; regardless of how long you have known each other or how much time you have spent together.
Krizha Mae G. Abia
Now, he told me, I could see what humanity was worth. It could form the conception of justice, but could not trust its flesh to provide judges. Whatever it started was likely to end in old men raving. There was ruin everywhere and we should see more of it.
Rebecca West (The Fountain Overflows)
You’ve been downgraded from a thrill-kill to a simple bill-kill. (Nykyrian) Bill-kill? (Kiara) Kill you any way possible and send the bill in for payment. (Nykyrian) I can’t believe that someone’s life can be bartered and sold so easily. That it’s so common that there are even names for the different ways to take a person’s life. For torturing them? My God, what is wrong with you people? (Kiara) We’re not the ones who are sick, mu Tara. With us –the predators– you know what we’ll do and why we do it. What we’re capable of. We make no bones about it and we wear the uniform so that you can see us coming. The ones who are sickening are the cowards who masquerade as sheep. The ones who lull you into trusting them and smile at your face while they plot your downfall behind your back for any number of psychotic reasons. The friends who turn on you out of jealousy or greed. Who try to ruin you for no reason at all. They are the ones who should be put down. And they’re the ones who are truly sickening. (Nykyrian)
Sherrilyn Kenyon (Born of the Night (The League, #1))
From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?
Donna Tartt (The Goldfinch)
In your life, you will inevitably: misspeak, trust the wrong person, underreact, overreact, hurt the people who didn't deserve it, overthink, not think at all, self sabotage, create a reality where only your experience exists, ruin perfectly good moments for yourself and others, deny any wrongdoing, not take the steps to make it right, feel very guilty, let the guilt eat at you, hit rock bottom, finally address the pain you caused, try to do better next time, rinse, repeat. These mistakes will cause you to lose things. But, losing things doesn't just mean losing. A lot of the time, when we lose things, we gain things too. Life can be heavy, especially if you try to carry it all at once. Part of growing up and moving into new chapters of your life is about catch and release; you can't carry all things, decide what is yours to hold and let the rest go. Oftentimes, the good things in your life are lighter anyway, so there's more room for them. NEVER BE ASHAMED OF TRYING.
Taylor Swift
....We don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are....What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, and civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster? p.761, "The Goldfinch
Donna Tartt
A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you?
Donna Tartt (The Goldfinch)
Dearly weird and motley beings, we're gathered here today for . . . yada, yada, yada. Seth say something profound and sweet to Lydia." Savitar "My Lydia is like a star rising to guide me through the darkest night." Seth "Look, kid, I can say the words for you, but I think she'd rather hear them from your lips. Ignore the assholes in the chairs. If one of them laughs, I'll gut him for you." Savitar Lydia laid her hand against his cheek and kissed his lips. "Hey, hey, hey!" Savitar snapped. "You're jumping ahead, woman. It's your turn to make a vow to him." "Love is paitent. Love is kind. It does not envy. It does not boast. It does not proud. It is not rude. It is not self seeking. It is not easily angered> It keeps no records of wrongs. Love does not delight in evil, but rejoices with the truth. It always protects, it always trusts, always hopes, always perseveres." Lydia "Yeah, okay,beings . . . now you ." Savitar "Alright then, to the handful here, let me present Mr. and Mrs. Demigod jackal beings." Savitar "You know this would be much easier if some of us had last names." Savitar to Seth and Lydia "Would you stop ruining this for them?" Ma'at "I'm not ruining it, Mennie, I'm making it memorable," Savitar
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
Act in faith, don't W.O.R.R.Y. W = Waste O = Outstanding R = Resources R = Ruining Y = Your life
Farshad Asl
I lie there, naked beneath him. I want him to touch my naked skin, but not because he’s dirty or he’ll ruin me. Because I love everything about him. I trust him
Annika Martin (Hostage (Criminals & Captives, #2))
Love isn’t the expectation that eventually you’ll end up in heartache; it’s the expectation that you can fully trust another human being with everything and still hope for a happy ending.
Rachel Van Dyken (Shame (Ruin, #3))
She was not the sort of woman guys settle for. She was the one they lust after and strive for. She was the one who ruins other people's relationships simply by existing, but she will always be surmounted as guys come to realize the virtues of the approachable girl next door. She was, in brief, too pretty to be trusted or had.
Thomm Quackenbush (Artificial Gods (Night's Dream, #3))
And I catch myself thinking today that our long journey had only been defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night - every night, every night - the moment I feigned sleep.
Vladimir Nabokov
What if one happens to be possessed of a heart that can't be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all that blandly held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to run away? Ignore all the perverse glory your heart is screaming at you? Or is it better to throw yourself headfirst and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
I know I get crazy when it comes to you, but God knows I’m tryin’, Pidge. I don’t wanna screw this up.” “Then don’t.” “This is hard for me, ya know. I feel like any second you’re going to figure out what a piece of shit I am and leave me. When you were dancing last night, I saw a dozen different guys watching you. You go to the bar, and I see you thank that guy for your drink. Then that douchebag on the dance floor grabs you.” “You don’t see me throwing punches every time a girl talks to you. I can’t stay locked up in the apartment all the time. You’re going to have to get a handle on your temper.” “I will. I’ve never wanted a girlfriend before, Pigeon. I’m not used to feeling this way about someone…about anyone. If you’ll be patient with me, I swear I’ll get it figured out.” “Let’s get something straight; you’re not a piece of shit, you’re amazing. It doesn’t matter who buys me drinks, or who asks me to dance, or who flirts with me. I’m going home with you. You’ve asked me to trust you, and you don’t seem to trust me.” He frowned. “That’s not true.” “If you think I’m going to leave you for the next guy that comes along, then you don’t have much faith in me.” He tightened his grip. “I’m not good enough for you, Pidge. That doesn’t mean I don’t trust you, I’m just bracing for the inevitable.” “Don’t say that. When we’re alone, you’re perfect. We’re perfect. But then you let everyone else ruin it. I don’t expect a one-eighty, but you have to pick your battles. You can’t come out swinging every time someone looks at me.” He nodded. “I’ll do anything you want. Just…tell me you love me.” “You know I do.” “I need to hear you say it,” he said, his brows pulling together. “I love you,” I said, touching my lips to his. “Now quit being such a baby.” He laughed, crawling into the bed with me. We spent the next hour in the same spot under the covers, giggling and kissing, barely noticing when Kara returned from the shower.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I once took over a State which was faced by complete ruin, thanks to its trust in the promises of the rest of the world and to the bad regime of democratic governments… I have conquered chaos in Germany, re-established order and enormously increased production… developed traffic, caused mighty roads to be built and canals to be dug, called into being gigantic new factories and at the same time endeavored to further the education and culture of our people. I
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
To a Felid, the neck was the most vulnerable part of the body. Sloane’s hand slid up Dex’s smooth, tan skin to his neck, and his fingers wrapped around it. Dex moaned. Did he know how he was exposing himself? The Felid inside Sloane stirred. At that moment Dex’s eyes opened, and he looked right into Sloane’s eyes. “I’d put my neck in your jaws without a second thought,” Dex said hoarsely, his eyes reflecting fire and a trust the likes of which Sloane had never seen.
Charlie Cochet (Rack & Ruin (THIRDS, #3))
It takes 20 years to build a reputation and 5 minutes to ruin it.
Warren Buffett
Trust was a luxury I could ill afford.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Do not trust their words. Challenge them to a staring contest, at the sun. That is the true measure of a man. The willingness to ruin oneself to prove.
L. P. Cowling
There is so much ruin in your eyes. And that's why I trust you. You've seen too much pain To be the one to cause it.
M.A. Thompson
Suspicion ruins the atmosphere of trust in a team and makes it ineffective
Sunday Adelaja
If we put this whole progression in terms of our discussion of the possibilities of heroism, it goes like this: Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the possibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and cultural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard's thought. The truly open person, the one who has shed his character armor, the vital lie of his cultural conditioning, is beyond the help of any mere "science," of any merely social standard of health. He is absolutely alone and trembling on the bring of oblivion-which is at the same time the brink of infinity. To give him the new support that he needs, the "courage to renounce dread without any dread...only faith is capable of," says Kierkegaard. Not that this is an easy out for man, or a cure-all for the human condition-Kierkegaard is never facile. He gives a strikingly beautiful idea: not that [faith] annihilates dread, but remaining ever young, it is continually developing itself out of the death throe of dread. In other words, as long as man is an ambiguous creature he can never banish anxiety; what he can do instead is to use anxiety as an eternal spring for growth into new dimensions of thought and trust. Faith poses a new life task, the adventure in openness to a multi-dimensional reality.
Ernest Becker (The Denial of Death)
He does not get to strut over here and make me go all lusty for his dirty, dirty man rod. Especially after what Roxy just told me. Has my vagina no shame? There are probably cooties crawling up and down that overused flagpole. I blame my body’s indecent reaction on the current state of my love life. Which is sucktastic, thanks to my dipshit ex essentially ruining my trust in mankind.
Kendall Ryan (Screwed (Screwed, #1))
Our destinies are riddled with challenges that have a tendency to ruin well laid plans. Many have attempted to take fate into their own hands and have been unsuccessful in changing it. Others find that their paths differ from what they have dreamed for themselves. We must be aware that our choices may come back to haunt us later in life, but to trust that is is all part of fate's desing.
Peter Koevari
Trusting that someone can change is wishful thinking in ninety-nine percent of cases. It’s a waste of time and energy. However, there’s always that pesky one percent. The anomaly. The…deviation of human behavior. The fact that it’s almost impossible to predict or catch such a moment is what makes it special. Desirable, even. It’s a sin waiting to be committed. An untouched rose about to be plucked so it will wither in a place that’s far away from her natural habitat. And even that one percent can’t be trusted. It’s not that people change of their own volition. They’re forced to by external exertions, by circumstances and tragedies. In a way, second chances don’t really exist. They’re a myth told once in a while to appease emotionally fragile people so they can look forward to new days instead of spiraling into depression. Sooner or later, however, they realize such things don’t exist and are hit by a deeper form of depression, a form that will eventually lead to their ruin.
Rina Kent (Vow of Deception (Deception Trilogy, #1))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I don’t trust you with him,” Cole continued. “I’m certain you’ll ruin him. You’ll want to make him be something other than what he is. He can’t change, Livia. He can’t be a normal husband or father—or man. He’ll never hold a job. He won’t provide you with a cushy house and a decent medical plan.” Cole’s anger was at odds with the peace of the darkened church. The wall candles flickered as if the change in energy had moved the air.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
No one who goes astray affects himself alone, but rather will be the cause and instigator of someone else going astray; it is harmful to attach oneself to the people in front, and, so long as each one of us prefers to trust someone else's judgment rather than relying on his own, we never exercise judgment in our lives but constantly resort to trust, and a mistake that has been passed down from one hand to another takes us over and spins our ruin.
Seneca (Dialogues and Essays)
Ox, I swear to god, if you’ve ruined a normal life for outside of this, I will punch you in the spleen.” Chris said, “She’ll do it too. Trust me. When she was seven, I accidentally --ow, fine, it was on purpose, stop hitting me for fucks sake--left one of her barbies on the heating vent. It melted its face and looked...well, it looked just awesome. She didn’t think so. I still have a scar on my elbow from where she attacked me with her fingernails.
T.J. Klune (Wolfsong (Green Creek, #1))
the goddess knew that her daughter had been taken, and tore her hair into utter disorder, and repeatedly struck her breasts with the palms of both hands. With her daughter’s location a mystery still, she reproaches the whole earth as ungrateful, unworthy her gift of grain crops, and Sicily more than the others, where she has discovered the proof of her loss; and so it was here that her fierce hand shattered the earth-turning plows, here that the farmers and cattle perished alike, and here that she bade the plowed fields default on their trust by blighting the seeds in their keeping. Sicilian fertility, which had been everywhere famous, was given the lie when the crops died as they sprouted, now ruined by too much heat, and now by too heavy a rainfall; stars and winds harmed them, and the greedy birds devoured the seed as it was sown; the harvest of wheat was defeated by thorns and darnels and unappeasable grasses.
Ovid
I shall be as willing as the next man to fall down in worship before the System, if only I can manage to set eyes on it. Hitherto I have had no success; and though I have young legs, I am almost weary from running back and forth... Once or twice I have been on the verge of bending the knee. But at the last moment, when I already had my handkerchief spread on the ground, to avoid soiling my trousers, and I made a trusting appeal to one of the initiated who stood by: "Tell me now sincerely, is it entirely finished; for if so I will kneel down before it, even at the risk of ruining a pair of trousers (for on account of the heavy traffic to and from the system, the road has become quite muddy)," - I always receive the same answer: "No, it is not yet quite finished." And so there was another postponement - of the system, and of my homage. System and finality are pretty much one and the same, so much so that if the system is not finished, there is no system.
Søren Kierkegaard
Forgiving someone doesn’t mean you condone or approve of what they did. Forgiveness is not for the other person at all. It has nothing to do with whether they deserve it or not. Forgiveness is an act of self-love. The best revenge really is a life well lived. While fantasizing about all kinds of revenge was fun for a while, I realized it would only perpetuate what I wanted to be free of, and it would keep me from healing. My advice to anyone struggling with betrayal is don’t let yourself be abused twice. First by the act committed against you, and second by believing it has ruined your ability to experience happiness, trust, or love. Forgive someone who has hurt you so they may receive that gift, and more important because you know it is the scissor that cuts the cord that binds you together. Remember that betrayal doesn’t happen to you so much as it happens by someone else. Forgiveness allows you to release anger. Carrying anger with you is like lighting your own house on fire to get rid of rats. The rats run to safety while you burn yourself down. Forgive. Let go. Heal.
Jewel (Never Broken: Songs Are Only Half the Story)
The reality is that most of us grow up strapped in an educational system that favors obedience over independent thinking. We’re rewarded for trusting authority, and punished for challenging it. We focus on memorizing the stuff other people came up with—formulas in math, grammar rules in English, theories in physics, cell functions in biology—rather than grasping the logic behind our most important breakthroughs and tracing the footsteps of their discovery. We answer test questions with what we think our teacher wants to hear. We chase grades instead of knowledge. And worst of all, we leave the classroom woefully unequipped with the thinking skills that matter most: how to balance open-mindedness with skepticism, how to identify bias, and how to challenge assumptions—including our own—in a way that’s truly objective.
Denise Minger (Death by Food Pyramid: How Shoddy Science, Sketchy Politics and Shady Special Interests Have Ruined Our Health)
What is it, in the end, that induces a man to go his own way and to rise out of unconscious identity with the mass as out of a swathing mist? Not necessity, for necessity comes to many, and they all take refuge in convention. Not moral decision, for nine times out of ten we decide for convention likewise. What is it, then, that inexorably tips the scales in favour of the extra-ordinary? It is what is commonly called vocation: an irrational factor that destines a man to emancipate himself from the herd and from it’s well-worn paths. True personality is always a vocation and puts its trust in it as God, despite its being, as the ordinary man would say, only a personal feeling. But vocation acts like a law of God from which there is no escape. The fact that many a man who goes his own way ends in ruin means nothing to one who has a vocation. He must obey his own law, as if it were a daemon whispering to him of new and wonderful paths. Anyone with a vocation hears the voice of the inner man: he is called…. The original meaning of “to have a vocation” is “to be addressed by a voice.” The clearest examples of this are to be found in the avowals of the Old Testament prophets. That it is not just a quaint old-fashioned way of speaking is proved by the confessions of historical personalities such as Goethe and Napolean, to mention only two familiar examples, who made no secret of their feeling of vocation.
C.G. Jung (The Collected Works of C.G. Jung)
Explain how you can be so sure." "The first time blood touched my tongue, I knew I was a blood-drinker forever. I didn't need to date Blood for a few months and then move in with Blood and meet Blood's family to be sure." "Yes, but that's instinct." "Exactly. Don't you trust yours?
Kresley Cole (Sweet Ruin (Immortals After Dark, #15))
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
You can ask why all day long if you want to. You can ask God why and your friends why and yourself why until you're buried in nothing but that single question, but you'll never get an answer. This side of heaven, time is the only thing that helps a little bit. So don't give in. Don't let the whys have it. Don't let them take advantage of you. They'll crush your heart and steal your peace and mess with your mind and wrap around you so tight you won't be able to breathe. Don't let the whys ruin your life, child. Every time they try to sneak up, push them aside and move forward. Trust me, it's the only way you can get on with living." I turn toward the window and think about her words. "What if I can't? Let it go, I mean?" I don't see her smile, but I can hear it. "You can. I know you can. Because no matter how hard life gets, there's always goodness right around the corner. All you have to do is look for it.
Amy Matayo (The Whys Have It)
We all have a stake in the truth. Society functions based on an assumption that people will abide by their word - that truth prevails over mendacity. For the most part, it does. If it didn't, relationships would have a short shelf life, commerce would cease, and trust between parents and children would be destroyed. All of us depend on honesty, because when truth is lacking we suffer, and society suffers. When Adolf Hitler lied to Neville Chamberlain, there was not peace in our time, and over fifty million people paid the price with their lives. When Richard Nixon lied to the nation, it destroyed the respect many had for the office of the president. When Enron executives lied to their employees, thousands of lives were ruined overnight. We count on our government and commercial institutions to be honest and truthful. We need and expect our friends and family to be truthful. Truth is essential for all relations be they personal, professional, or civic.
Joe Navarro (What Every Body is Saying: An Ex-FBI Agent's Guide to Speed-Reading People)
True friendship is being able to look your best friends in the eye and make fun of their deepest insecurities, call back the biggest mistakes of their lives, and say things that would normally get you punched in the head without fear of consequence. That is trust. You can say these things to me because I trust that you don't mean a word of them. If you did, it would utterly destroy me. But you don't. That's why it's fun. It's a safe version of the thing that would decimate me. Friends that don't take banter well do not trust you. They think you mean the horrible things you say and that means that they think, underneath it all, you are horrible. Or that they are.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
Not only are your visitors technologically advanced, they have greater social cohesion, or they would not have been able to reach your shores. They are coming into a world where tribal warfare is dominant, where one human being cannot recognize another, where everyone claims different allegiances and authorities. They are coming into a world where people are ruining their environment at a frightening pace. They are coming into a world where people are fearful, superstitious and self-indulgent and where there is great tragedy, suffering and human abuse. How would this world look to you if you were a visitor coming here for the first time? Even with your human viewpoint, you can gain a perspective of how you must look to those who are visiting. Will they be compassionate towards you? Will they attempt to help you? Will they attempt to avoid you? Will they want to have a relationship with you? Can they trust you? Can you be relied upon? Are you consistent enough in order to establish relations? These are all meaningful questions for you to ask in order to gain a Greater Community perspective, even from a human point of view. Seeing yourself from a Greater Community perspective will show you what you must accomplish and what your great disabilities are at this time. This will give you a new understanding of yourself, one that is very fair and honest.
Marshall Vian Summers (Greater Community Spirituality: A New Revelation)
Once you survive trauma, outrage is the warning bell that sounds when you hear truth being distorted by those who haven’t passed through shadowed valleys. Because you have endured trauma, you can detect their lies. Maybe it’s like having survived the measles or the flu. Your body now has some small measure of immunity and recognizes that same poison when it tries to invade again. I wish you would never have to know trauma. But when trauma does appear in your path, don’t fear it. There are things you can’t fight. Still, by God’s power, you will prevail. Our God brings life out of death. Sometimes there is no option except to let the waves of trauma engulf you for a time. Just trust that they will recede again. What’s left in you will rise up afterward, and that will be enough. More than enough! There’s more to you than you know. There is more to God than you know. Trust that the trauma will leave gifts in its wake—hard gifts like outrage and perspective. Maybe this is what faith is: this trusting that God will bring something new and beautiful out of the pain.
Ruth Everhart (Ruined)
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
No,' Andy says. 'If you ruin this, Jude-if you keep lying to someone who loves you, who really loves you, who has only ever wanted to see you exactly as you are-then you will only have yourself to blame. It will be your fault. And it'll be your fault not because of who you are or what's been done to you or the diseases you have or what you think you look like, but because of how you behave, because you won't trust Willem enough to talk to him honestly, to extend to him the same sort of generosity and faith that he has always, always extended to you. I know you think you're sparing him, but you're not. You're selfish and you're stubborn and you're proud and you're going to ruin the best thing that has happened to you. Don't you understand that?
Hanya Yanagihara (A Little Life)
The absence of authority in the face of obscene criminality prompts delusions, peddled by propagandists and true believers alike, that noble actors are fighting the good fight but Must Keep Silent for Reasons You Will Understand in Time. In order for this delusion to hold, the sound of their silence must drown out the evidence heard with your own ears. They are dotting the I’s and crossing the T’s, the cult of the savior state bleats, they are playing 3-D chess, they are reeling in the big fish, they are aiming for the king so they best not miss, they can’t show their cards without ruining their hand, they’re getting all their ducks in a row, the dam is breaking, the storm is here, they’ve got this, be patient, be quiet, relax, trust the plan.
Sarah Kendzior (They Knew: How a Culture of Conspiracy Keeps America Complacent)
Each of us has a different life puzzle to assemble. The choices you make in the midst of your life journey do have eternal consequences. Yes, you can throw the pieces at God in anger and say, “I do not like the life You have given me, and I refuse to live within these limitations with a humble heart. You have made me a victim. You have ruined my life. I will choose to live in darkness.” If that is your choice, the puzzle of your life will remain fragmented and separated, with holes in the picture. However, if you choose to bow your knee and submit to the varied circumstances of your life, God will do miracles. If you choose to trust and develop your integrity and an inner standard of holiness that isn’t dependent on cultural standards, the puzzle pieces will begin to come together. No matter what your limitations are—health issues, financial problems, a difficult marriage or divorce, a loss of friendship, death of a dream—your life is meant to be filled to the brim with the potential of God’s blessings. But in order to thrive and heal, you must accept any limitations by faith, trust in His faithfulness each step of the way, and wait for His grace so you can live a faithful story right in the place you find yourself.
Sally Clarkson (Own Your Life: Living with Deep Intention, Bold Faith, and Generous Love)
How could it be, she wondered. How could it be that the simple act of having a child did this to you? Had every birth in the world ruined every woman in the world? Was this a secret they’d been keeping, or had she just not been listening? Underneath all the vacuous, cruel wisdom the women who saw her in her late stages of pregnancy imparted to her, most of which had to do with banking sleep or measuring every precious moment because it all goes so fast, were they really telling her to mark her personhood? The other women in her prenatal yoga class had kept up an email chain, and in their messages, she tried to discern that they, too, were terrified and violated and sad and broken, but they weren’t. Trust her, they just weren’t. They made jokes about how they were tired and it was a tragedy that one of them had had an epidural and it was a tragedy that one of them couldn’t produce enough milk for her baby and had to supplement with formula. She wanted to write back to tell them she couldn’t look in the mirror at herself. She wanted someone to understand how small she was now. She wanted to ask one of them if this was the real her—if the real her had been revealed to her suddenly that day in the hospital, or if she would somehow bounce back. Bouncing back was a language they understood: their vaginas needed to bounce back, their breasts needed to bounce back, would their abdomens ever bounce back. With a few small adjustments, these women would acclimate to life. They would recognize themselves. But would Rachel? Would Rachel bounce back? The entire phrase “bouncing back” seemed to her like it existed to make fun of her. There was no bouncing. There was no back.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Where the strongest natures are to be sought. The ruin and degeneration of the solitary species is much greater and more terrible: they have the instincts of the herd, and the tradition of values, against them; their weapons of defence, their instincts of self-preservation, are from the beginning insufficiently strong and reliable — fortune must be peculiarly favourable to them if they are to prosper (they prosper best in the lowest ranks and dregs of society; if ye are seeking personalities it is there that ye will find them with much greater certainty than in the middle classes!) When the dispute between ranks and classes, which aims at equality of rights, is almost settled, the fight will begin against the solitary person. (In a certain sense the latter can maintain and develop himself most easily in a democratic society: there where the coarser means of defence are no longer necessary, and a certain habit of order, honesty, justice, trust, is already a general condition.) The strongest must be most tightly bound, most strictly watched, laid in chains and supervised: this is the instinct of the herd. To them belongs a régime of self-mastery, of ascetic detachment, of 'duties' consisting in exhausting work, in which one can no longer call one's soul one's own.
Friedrich Nietzsche (The Will to Power)
Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?
Donna Tartt (The Goldfinch)
Jay sat down across from Chelsea and took both of her hands in his. The oversized lunchroom was buzzing with activity, and he practically had to yell to be heard. “Chelsea, for the love of everything good and holy, please…please stop ruining my friend.” Violet bit her lip to stop from laughing at the two of them. She knew what he was talking about before he even explained. It was the new facial hair. Chelsea jerked her hands out of his. “Oh, relax, drama queen. He’s not broken. Besides, I’m gonna fix him this weekend.” Jay seemed relieved. “I wish you’d do it sooner. The poor guy’s really taking a ration of crap over that thing.” “He’ll be fine. Trust me. It’s like a character-building exercise. When this is all over, he’ll be a stronger person.” She said it like she meant it. She was actually trying to convince someone that this was all for Mike’s own good. Jay wasn’t buying it, but he let the subject drop when Mike came up behind Chelsea and panted an enthusiastic kiss on her cheek. Obviously, Mike wasn’t too much from Chelsea’s little experiment. Chelsea rubbed the spot where his lips had touched her and made a face that only they could see. “There’s my guy!” she said. “Jay was just telling me that he doesn’t like your ‘stache, baby. But I told him he’s crazy. I think it’s hot.” Mike looked embarrassed that they were talking about it again. Violet realized that it was a sore subject and wondered what Chelsea had done to make him so eager to please her.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The decision to create a book trailer is entirely up to you. I can remember when "video killed the radio star" on MTV and how excited I was with some music videos (the ones that lived up to or exceeded my imagined vision of the song) and the ones I disliked so much, I even stopped listening to the song (the imagery just ruined it for me!) Some people argue that in a visual landscape, a book trailer is a must, while others stand firm that books should be read and not seen; unless of course it gets made into a screenplay and then a film. The most practical advice is to trust your instinct. You know what you want to say with your book and if it aligns congruently with your brand, then for a non-fiction book it may be a strategic move. On the other hand, it may come off as too "salesy" and go in the opposite direction. As you can see, I still have a love / hate relationship with matching someone else's images to my own imagination. No matter what you decide, remember to keep it aligned with your brand.
Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.
Kameron Hurley (The Geek Feminist Revolution)
I'm talking about your lovely long arms and your perfectly shaped legs... I find I am quite jealous of those stockings for knowing the feel of you, the warmth of you." She shifted, unable to keep still beneath the onslaught of his words. "I'm talking about that corset that hugs you where you are lovely and soft... is it uncomfortable?" She hesitated. "Not usually." "And now?" She heard the knowledge in the question. She nodded once. "It's rather- constricting." He tutted once, and she opened her eyes, instantly meeting his, hot and focused on her. "Poor Pippa. Tell me, with your knowledge of the human body, why do you think that is?" She swallowed, tried for a deep breath. Failed. "It's because my heart is threatening to beat out of my chest." The smile again. "Have you overexerted yourself?" She shook her head. "No." "What, then?" She was not a fool. He was pushing her. Attempting to see how far she would go. She told the truth. "I think it is you." He closed his eyes then, hands fisting again, and pressed his head back against the side of the desk, exposing the long column of his neck and his tightly clenched jaw. Her mouth went dry at the movement, at the way the tendons there bunched and rippled, and she was quite desperate to touch him. When he returned his gaze to hers, there was something wild in those pewter depths... something she was at once consumed and terrified by. "You shouldn't be so quick with the truth," he said. "Why?" "It gives me too much control." "I trust you." "You shouldn't." He leaned forward, bracing his arm against his raised knee. "You are not safe with me." She had never once felt unsafe with him. "I don't think that's correct." He laughed, low and dark, and the sound rippled through her, a wave of pleasure and temptation. "You have no idea what I could do to you, Philippa Marbury. The ways I could touch you. The wonders I could show you. I could ruin you without thought, sink with you into the depths of sin and not once regret it. I could lead you right into temptation and never ever look back." The words stole her breath. She wanted it. Every bit of it.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
1. Men are easy to please but are not pleased for long before some new novelty must delight them. 2. Men are easy to make passionate but are unable to sustain it. 3. Men are always seeking soft women but find their lives in ruins without strong women. 4. Men must be occupied at all times otherwise they make mischief. 5. Men deem themselves weighty and women light. Therefore it is simple to tie a stone round their necks and drown them should they become too troublesome. 6. Men are best left in groups by themselves where they will entirely wear themselves out in drunkenness and competition. While this is taking place a woman may carry on with her own life unhindered. 7. Men are never never to be trusted with what is closest to your heart, and if it is they who are closest to your heart, do not tell them. 8. If a man asks you for money, do not give it to him. 9. If you ask a man for money and he does not give it to you, sell his richest possession and leave at once. 10. Your greatest strength is that every man believes he knows the sum and possibility of every woman.
Jeanette Winterson (Sexing the Cherry)
...when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?
Donna Tartt (The Goldfinch)
Can I trust him again? Even after all he said? If I do and I'm wrong, the cost is too high. My life. "You'll wait for me to agree to go back with you?" I want to be clear on this point. "You won't force me in any way? Or reveal yourself to anyone, no matter what?" "I'll wait," he promises. "However long you need." He'll wait. But he'll be lurking about. Nearby. Watching. And I won't always know it. Funny how things change. In the beginning, I thought I could never stay here. Now I don't want to leave. Mostly because of Will, but also because I've decided to give Mom and Tamra what they want. A chance. It can't be all about me. If I'm strong enough, smart enough, my draki can make it. And of course, Will can help with that. A few kisses. A smile. A brush of his hand and my draki is revived. And I no longer have to hide it from him. I can last through high school. For Mom, for Tamra. After graduation, I can go with Will when he cuts free from his family. Just two more years. We'll figure out the specifics. The how and where. For the first time since coming here, I feel the stirrings of hope. I won't let Cassian ruin that. "You're going to wait forever," I vow. "I won't change my mind." Cassian's mouth curves enigmatically. Like he knows something I don't. He's eighteen, but in that moment I can believe he has several more years than that on me. "Things change all the time. People change. I'll take my chances." I shake my head. "You'll see. I won't change my mind." And then he'll go. Because he can't wait forever. No matter what he says. He's got a pride to lead. He's not going to hang around here for two years. No matter how interesting I am to him. "We'll see." I glance at the blinking clock on top of the TV. "You better go before my mom gets home." "Right." He moves to the door. "Bye, Jacinda." I don't return the farewell. Don't want to pretend we've reached a level where niceties exist between us. We're not friends. Not even close. And we never will be.
Sophie Jordan (Firelight (Firelight, #1))
If...capital is divided between two different grocers, their competition will tend to make both of them sell cheaper, than if it were in the hands of one only; and if it were divided among twenty, their competition would be just so much the greater, and the chance of their combining together, in order to raise the price, just so much the less. Their competition might perhaps ruin some of themselves; but to take care of this is the business of the parties concerned, and it may safely be trusted to their discretion. It can never hurt either the consumer, or the producer; on the contrary, it must tend to make the retailers both sell cheaper and buy dearer, than if the whole trade was monopolized by one or two persons.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
If our democracy worked as it should, we would elect wise women and men who made laws for the good of the people and enforced those laws. That, though, is not the way things work. Greedy, power–mad billionaires spend money so that politicians such as George W. Bush can buy elections. Corrupt corporations such as Enron defraud old ladies and commit crimes. And they get away with it. They get away with it because most of us are so afraid of losing the security of our nice, normal lives that we are not willing to risk anything about those lives. We are either afraid to fight or we don’t know how. Or we believe that bad things won’t happen to us. And so, in the end, too many people lose their lives anyway. In Nazi Germany, millions of men who acquiesced to Hitler’s murderous rise to power wound up marching into Russia’s icy wasteland—into the Soviet Army’s machine guns and cannon—to themselves be murdered. In America after 9–11, trusting teenagers who had joined the National Guard found themselves sent to Iraq on extended and additional tours. Our enemy killed many of them because we, citizens of the richest country in the world, did not provide them with body armor. Grieving mothers protested the wasting of their sons’ lives. Nadia McCaffrey defied Bush’s shameful ban on the filming of U.S. soldiers’ coffins returning home from Iraq. She knew, as we all did, that this tyrannical dictum of Bush dishonored our soldiers’ sacrifice. And so she invited the press to the Sacramento International Airport to photograph her son’s flag–draped coffin. Again, I am not comparing George W. Bush to Adolph Hitler, nor America to Germany’s Third Reich. What I do believe is that each of us has the duty to keep the Bushes of the world from becoming anything like Hitler—and to keep America from invading other countries with no just cause. We will never, though, be able to stop corrupt politicians and corporations from doing criminal things until we stop surrendering our power to them. The more we fear to oppose them—the more we want to retreat into the supposed safety of our nice gated communities or downtown lofts—the more powerful people will conspire to ruin our prosperity and wreck our lives.
David Zindell (Splendor)
What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead, straight towards a beautiful flare of ruin, self-immolation, disaster? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? ignore all the perverse glory you heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular check ups, stable relationships and steady career advancement, the New York Times and brunch on Sunday, all with the promise of being somehow a better person?
Donna Tartt (The Goldfinch)
We had been out for one of our evening rambles, Holmes and I, and had returned about six o’clock on a cold, frosty winter’s evening. As Holmes turned up the lamp the light fell upon a card on the table. He glanced at it, and then, with an ejaculation of disgust, threw it on the floor. I picked it up and read: CHARLES AUGUSTUS MILVERTON, Appledore Towers, Hampstead. Agent. “Who is he?” I asked. “The worst man in London,” Holmes answered, as he sat down and stretched his legs before the fire. “Is anything on the back of the card?” I turned it over. “Will call at 6:30--C.A.M.,” I read. “Hum! He’s about due. Do you feel a creeping, shrinking sensation, Watson, when you stand before the serpents in the Zoo, and see the slithery, gliding, venomous creatures, with their deadly eyes and wicked, flattened faces? Well, that’s how Milverton impresses me. I’ve had to do with fifty murderers in my career, but the worst of them never gave me the repulsion which I have for this fellow. And yet I can’t get out of doing business with him--indeed, he is here at my invitation.” “But who is he?” “I’ll tell you, Watson. He is the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry. The fellow is a genius in his way, and would have made his mark in some more savoury trade. His method is as follows: He allows it to be known that he is prepared to pay very high sums for letters which compromise people of wealth and position. He receives these wares not only from treacherous valets or maids, but frequently from genteel ruffians, who have gained the confidence and affection of trusting women. He deals with no niggard hand. I happen to know that he paid seven hundred pounds to a footman for a note two lines in length, and that the ruin of a noble family was the result. Everything which is in the market goes to Milverton, and there are hundreds in this great city who turn white at his name. No one knows where his grip may fall, for he is far too rich and far too cunning to work from hand to mouth. He will hold a card back for years in order to play it at the moment when the stake is best worth winning. I have said that he is the worst man in London, and I would ask you how could one compare the ruffian, who in hot blood bludgeons his mate, with this man, who methodically and at his leisure tortures the soul and wrings the nerves in order to add to his already swollen money-bags?” I had seldom heard my friend speak with such intensity of feeling.
Arthur Conan Doyle (The Complete Sherlock Holmes)
What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement, the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or—like Boris—is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
remembered an incident from the prison. In that other world-within-a-world, back then, I moved into a new prison cell and discovered a tiny mouse there. The creature entered through a cracked air vent, and crept into the cell every night. Patience and obsessional focus are the gems we mine in the tunnels of prison solitude. Using them, and tiny morsels of food, I bribed the little mouse, over several weeks, and eventually trained it to eat from the edge of my hand. When the prison guards moved me from that cell, in a routine rotation, I told the new tenant—a prisoner I thought I knew well—about the trained mouse. On the morning after the move, he invited me to see the mouse. He’d captured the trusting creature, and crucified it, face down, on a cross made from a broken ruler. He laughed as he told me how the mouse had struggled when he’d tied it by its neck to the cross with cotton thread. He marvelled at how long it had taken to drive thumbtacks into its wriggling paws. Are we ever justified in what we do? That question ruined my sleep for a long time after I saw the tortured little mouse.
Gregory David Roberts (Shantaram)
Psalm 56a For the director of music. To the tune of “A Dove on Distant Oaks.” Of David. A miktam.b When the Philistines had seized him in Gath. 1Be merciful to me, my God, for my enemies are in hot pursuit; all day long they press their attack. 2My adversaries pursue me all day long; in their pride many are attacking me. 3When I am afraid, I put my trust in you. 4In God, whose word I praise— in God I trust and am not afraid. What can mere mortals do to me? 5All day long they twist my words; all their schemes are for my ruin. 6They conspire, they lurk, they watch my steps, hoping to take my life. 7Because of their wickedness do notc let them escape; in your anger, God, bring the nations down. 8Record my misery; list my tears on your scrolld— are they not in your record? 9Then my enemies will turn back when I call for help. By this I will know that God is for me. 10In God, whose word I praise, in the LORD, whose word I praise— 11in God I trust and am not afraid. What can man do to me? 12I am under vows to you, my God; I will present my thank offerings to you. 13For you have delivered me from death and my feet from stumbling, that I may walk before God in the light of life.
Anonymous (Holy Bible: NIV, New International Version)
Too often in the past, I made a public spectacle of myself on the worst possible occasions, in front of the worst possible people. I was an absolute swine. Brawling at parties. Pissing in fountains and vomiting in potted plants. I've slept with other men's wives, I've ruined marriages. It takes years of dedicated effort to discredit one's own name as thoroughly as I did, but by God, I set the bar. There will always be rumors and ugly gossip, and I can't contradict most of it because I was always too drunk to know whether it happened or not. Someday your sons will hear some of it, and any affection they feel for me will turn to ashes. I won't let my shame become their shame." Phoebe knew if she tried to argue with him point by point, it would only lead to frustration on her part and wallowing on his. She certainly couldn't deny that upper-class society was monstrously judgmental. Some people would perch ostentatiously on their moral pedestals, loudly accusing West while ignoring their own sins. Some people might overlook his blemished reputation if there was any advantage to them in doing so. None of that could be changed. But she would teach Justin and Stephen not to be influenced by hypocritical braying. Kindness and humanity- the values her mother had imparted- would guide them. "Trust us," she said quietly. "Trust me and my sons to love you.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who  teams it, farms it, peddles, keeps a school, preaches, edits  a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not ‘studying a profession,’ for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a Stoic open the resources of man, and tell men they are not leaning willows, but can and must detach themselves; that with the exercise of self-trust, new powers shall appear; that a man is the word made flesh, born to shed healing to the nations, that he should  be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history.
Ralph Waldo Emerson (Self-Reliance)
The Rockefeller Foundation was established in 1913 to maintain the control of the family’s oil empire. Today this foundation is the most important shareholder of Exxon with 4.3 million shares. Additionally, the foundation has two million shares in Standard Oil of California and 300.000 shares in Mobil Oil. Other smaller foundations belonging to the Rockefellers have three million shares in Exxon, and 400.000 shares in Standard Oil of Ohio. The total asset of this group of Rockefeller companies, amount to more than fifty billion dollars.[20] For a researcher who concentrates on the Rockefeller family, it won’t be difficult to prove that this immensely rich family has played an important role in the American politics of the twentieth century. The drift and decisions of American politics lead directly back to the Rockefeller family. The Rockefellers immigrated to America from Spain. The best-known member of this family was the influential industrialist, banker John Davidson Rockefeller. He asserted himself as the richest man of his time. Before going into oil transport, he was a wholesaler of narcotic drugs.[21] With an unbridled energy, he set up the Standard Oil Trust, which now possesses ninety percent of the oil refineries in the United States.[22] John Davidson Rockefeller also bought the Pocantico Hills territory in New York, which is the domicile of over a 100 families with the name Rockefeller. David Rockefeller, an absolute genius in the field of finances, has been managing Chase Manhattan Bank, the most important bank in the world, since 1945. The power of this bank is great enough to bring about or destroy governments, to start or end wars, and ruin companies or let them flourish worldwide, ultimately exerting great influence on the entire human race.
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)
But it’s not about knowing. It is simply about going forward. The cureds want to know; we have chosen faith instead. I asked Grace to trust me. We will have to trust too—that the world won’t end, that tomorrow will come, and that truth will come too. An old line, a forbidden line from a text Raven once showed me, comes back to me now. He who jumps may fall, but he may also fly. It’s time to jump. “Let’s go,” I say to Grace, and let her lead me into the surge of people, keeping a tight hold on her hand the whole time. We push into the shouting, joyful throng, and fight our way toward the wall. Grace scrabbles up a pile of broken-down wood and shards of shattered concrete, and I follow clumsily until I am balancing next to her. She is shouting—louder than I have ever heard her, a babble-language of joy and freedom—and I find that I join in with her as together we begin to tear at chunks of concrete with our fingernails, watching the border dissolve, watching a new world emerge beyond it. Take down the walls. That is, after all, the whole point. You do not know what will happen if you take down the walls; you cannot see through to the other side, don’t know whether it will bring freedom or ruin, resolution or chaos. It might be paradise, or destruction. Take down the walls. Otherwise you must live closely, in fear, building barricades against the unknown, saying prayers against the darkness, speaking verse of terror and tightness. Otherwise you may never know hell, but you will not find heaven, either. You will not know fresh air and flying. All of you, wherever you are: in your spiny cities or your one-bump towns. Find it, the hard stuff, the links of metal and chink, the fragments of stone filling your stomach. And pull, and pull, and pull. I will make a pact with you: I will do it if you will do it, always and forever. Take down the walls.
Lauren Oliver (Requiem (Delirium, #3))
Looks like everybody's asleep. Don't they keep a light on for you?" "They probably figured I wouldn't be needing it." "Sorry to disappoint your cousins." "Not to mention me.I'm gravely disappointed at the way this evening has ended.You're going to ruin my reputation as a lady-killer." He flashed her one of his famous smiles. He opened the door and climbed down.When he rounded the front of the truck, he paused beside her open window. "Good night,Marilee. I appreciate the ride home. I just wish you didn't have to make that long drive back to town all alone." "I'll be fine.I've got my radio to keep me company." "You could always coe inside and bunk in my room." "What a generous offer.But once again, I'm afraid I'll have to decline,though I have to admit that I've had more fun in a few hours with you than I've had in years." The minute the words were out of her mouth,she wanted to call them back. What was it about Wyatt that had her trusting him enough to reveal such a thing? Though she barely knew him,he'd uncovered an inherent goodness in him that was rare and wonderful. This had been one of the best nights of her life. Still,he'd gone very quiet.As though digesting her words and searching for hidden meanings. As he turned away she called boldly, "What? No kiss good night? Just because I refused to spend the night with you?" He turned back with a smile, but it wasn't his usual silly grin.Instead, she noted,there was a hint of danger in that smile. He studied her intently before reaching out as though to touch her face. Then he seemed to think better of it and withdrew his hand as if he'd been burned. His eyes locked on hers. "I've already decided that I'll never be able to just kiss you and walk away.So a word of warning,pretty little Marilee. When I kiss you,and I fully intend to kiss you breathless,be prepared to go the distance. There's a powerful storm building up inside me,and when it's unleashed,it's going to be one hell of an earth-shattering explosion.For both of us." He walked away then and didn't look back until he'd reached the back door. Startled by the unexpected intensity of his words,Marilee put the truck in gear and started along the gravel lane. As her vehicle ate up the miles back to town,she couldn't put aside the look she'd seen in his eyes.The carefully banked passion she'd taken such pains to hide had left her more shaken than she cared to admit. In truth,she was still trembling. And he hadn't even touched her.
R.C. Ryan (Montana Destiny)
Be thou joyous, Prince! Whose lot is set apart for heavenly Birth. Two stamps there are marked on all living men, Divine and Undivine; I spake to thee By what marks thou shouldst know the Heavenly Man, Hear from me now of the Unheavenly! They comprehend not, the Unheavenly, How Souls go forth from Me; nor how they come Back unto Me: nor is there Truth in these, Nor purity, nor rule of Life. "This world Hath not a Law, nor Order, nor a Lord," So say they: "nor hath risen up by Cause Following on Cause, in perfect purposing, But is none other than a House of Lust." And, this thing thinking, all those ruined ones—Of little wit, dark-minded—give themselves To evil deeds, the curses of their kind. Surrendered to desires insatiable, Full of deceitfulness, folly, and pride, In blindness cleaving to their errors, caught Into the sinful course, they trust this lie As it were true—this lie which leads to death—Finding in Pleasure all the good which is, And crying "Here it finisheth!" Ensnared In nooses of a hundred idle hopes, Slaves to their passion and their wrath, they buy Wealth with base deeds, to glut hot appetites; "Thus much, to-day," they say, "we gained! thereby Such and such wish of heart shall have its fill; And this is ours! and th' other shall be ours! To-day we slew a foe, and we will slay Our other enemy to-morrow! Look! Are we not lords? Make we not goodly cheer? Is not our fortune famous, brave, and great? Rich are we, proudly born! What other men Live like to us? Kill, then, for sacrifice! Cast largesse, and be merry!" So they speak Darkened by ignorance; and so they fall—Tossed to and fro with projects, tricked, and bound In net of black delusion, lost in lusts—Down to foul Naraka. Conceited, fond, Stubborn and proud, dead-drunken with the wine Of wealth, and reckless, all their offerings Have but a show of reverence, being not made In piety of ancient faith. Thus vowed To self-hood, force, insolence, feasting, wrath, These My blasphemers, in the forms they wear And in the forms they breed, my foemen are, Hateful and hating; cruel, evil, vile, Lowest and least of men, whom I cast down Again, and yet again, at end of lives, Into some devilish womb, whence—birth by birth—The devilish wombs re-spawn them, all beguiled; And, till they find and worship Me, sweet Prince! Tread they that Nether Road. The Doors of Hell Are threefold, whereby men to ruin pass,—The door of Lust, the door of Wrath, the door Of Avarice. Let a man shun those three! He who shall turn aside from entering All those three gates of Narak, wendeth straight To find his peace, and comes to Swarga's gate.
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
You could have just asked.” She straightened up from Murphy and looked at me. “Instead, you took advantage of me and never said a word.” “I didn’t take advantage of you. I was just doing what I thought was best.” “Well, you don’t get to decide what’s best for me!” Her voice rose, and Murphy paused in purring to look up at her. “I don’t get a say?” I shot back, trying to hold on to my temper. She took a deep breath. “Of course you do. But you didn’t say anything. You just did. Just like at dinner. You just announced I was getting a restraining order. There was no conversation.” I opened my mouth, but she kept talking. “How am I supposed to trust you when you do things like this without me knowing?” “You don’t trust me anymore?” I said the words with quiet calm. Surely this wasn’t enough to ruin the trust between us. She blew out a breath and paced across the room. “I didn’t say that.” She spun away from me and looked at the wall. “I’m just upset.” I strode across the room. It was darker where she was. The lights were off in here, and from this position in the room, the crackling fire in the bedroom didn’t cast much light. My feet stopped when I was directly behind her. Usually, I would touch her without thought. But right then I paused. Fuck. That. I wrapped my hands around her wrists, then loosened my grip to slide my palms up her arms to rest at her shoulders. I felt her exhale, and I wrapped one of my arms across her chest and pulled her back against my front. “I could tell you I’m sorry,” I whispered in her ear. “I could whisper how much I love you and that I won’t ever do something like this again.” The back of her head hit my chest as I spoke. The silky strands of her perfectly straight hair tickled my lips as I talked, and the scent of her shampoo enticed me closer. “But I’m not going to apologize.” She stiffened, but I strengthened my hold, unwilling to let her pull away. I kept my voice whisper soft and my lips right beside her ear. “I’d do it again, in a friggin’ heartbeat if that’s what I thought you needed.” The frustration in her body was evident, but I ignored it. “Do you know how much I love you?” I whispered. “I love you so g**damned much that it scares the shit out of me. You have no idea the kind of power you wield, how much of me you own. Knowing you were completely vulnerable, that you were locked unknowingly in a bathroom with someone who literally lurked around while you were naked, while you were washing yourself, makes me sick. He could have raped you.” My voice broke on the last part because I had to force the words out of my mouth. “He didn’t,” she said quickly and tried to turn to face me. I wouldn’t let her. I liked her where she was. It was easier to bare my heart when she wasn’t staring into me with her eyes. “No, he didn’t. But he’s put bruises on you. The way you looked in that pool last night. The way your body just kind of stopped. You sank to the bottom with a dark cloud of hair obscuring your face. I knew you had to be reliving what happened. It broke me, Rim. Loving me has cost you so fucking much. Too much.” This time, she wouldn’t let me hold her. She spun around and tipped her chin up to look at me. I let her see. I let her see the bleakness in my eyes. “Loving you has given me way more than I imagined.” She reached up and brushed the backs of her knuckles across my cheek. I dragged my fingers through her hair. “It scares me too,” Rimmel whispered. “How much I love you.” “I’m going to protect you. I’m going to protect us,” I said. “I won’t ever stop.
Cambria Hebert