Feat Husband Quotes

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A gross hag And, lozel, thou art worthy to be hang'd, That wilt not stay her tongue. ANTIGONUS ~ Hang all the husbands That cannot do that feat, you'll leave yourself Hardly one subject.
William Shakespeare (The Winter's Tale)
Everything I have become, everything I will ever accomplish cannot compare to my most impressive feat: I have loved you fiercely and assiduously with the very marrow inside my bones. So that when I die, they can crack them to find you there. So that when I die, they can open me up and see your name tattooed on the wall of my heart. So that when I die, my epitaph will neither commemorate who I was nor what I did, but will read: “She loved. And loved. And loved.” And so, I smile now, because that is no small thing.
Kamand Kojouri
Relationship ties heart of two souls eager to fly freely soaring to sky feats in full-fledged wings unrestrained passions to a realm in which both remain invisible.
Rajesh Nanoo
all the husbands That cannot do that feat, you'll leave yourself Hardly one subject.
William Shakespeare (The Winter's Tale)
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own. From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
A farmer, as one of his farmer correspondents once wrote to Liberty Hyde Bailey, is “a dispenser of the ‘Mysteries of God.’” The mothering instinct of animals, for example, is a mystery that husbandry must use and trust mostly without understanding. The husband, unlike the “manager” or the would-be objective scientist, belongs inherently to the complexity and the mystery that is to be husbanded, and so the husbanding mind is both careful and humble. Husbandry originates precautionary sayings like “Don’t put all your eggs into one basket” and “Don’t count your chickens before they hatch.” It does not boast of technological feats that will “feed the world.” Husbandry,
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
What a feat, she thinks, to want to marry every woman he fucks. He is so good at being in love that Ernest Hemingway makes a rotten husband.
Naomi Wood (Mrs. Hemingway)
For example, only some members of a hunting society have the experience of losing their weapons and being forced to fight a wild animal with their bare hands. This frightening experience, with whatever lessons in bravery, cunning and skill it yields, is firmly sedimented in the consciousness of the individuals who went through it. If the experience is shared by several individuals, it will be sedimented intersubjectively, may perhaps even form a profound bond between these individuals. As this experience is designated and transmitted linguistically, however, it becomes accessible and, perhaps, strongly relevant to individuals who have never gone through it. The linguistic designation (which, in a hunting society, we may imagine to be very precise and elaborate indeed—say, “lone, big kill, with one hand, of male rhinoceros,” “lone big kill, with two hands, of female rhinoceros,” and so forth) abstracts the experience from its individual biographical occurrences. It becomes an objective possibility for everyone, or at any rate for everyone within a certain type (say, fully initiated hunters); that is, it becomes anonymous in principle even if it is still associated with the feats of specific individuals. Even to those who do not anticipate the experience in their own future biography (say, women forbidden to hunt), it may be relevant in a derived manner (say, in terms of the desirability of a future husband); in any case it is part of the common stock of knowledge. The objectification of the experience in the language (that is, its transformation into a generally available object of knowledge) then allows its incorporation into a larger body of tradition by way of moral instruction, inspirational poetry, religious allegory, and whatnot. Both the experience in the narrower sense and its appendage of wider significations can then be taught to every new generation, or even diffused to an altogether different collectivity (say, an agriculture society that may attach quite different meanings to the whole business). Language
Peter L. Berger (The Social Construction of Reality: A Treatise in the Sociology of Knowledge)
But then she reminded herself that there were plenty of people who were afraid of the police, even if they had clear consciences. These were people who had been the victims of bullying when young--bullying by severe teachers, by stronger children; there were so many ways in which people could be crushed. Such people might feat the police in the same way in which they feared all authority.
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
Over the next weeks and months, my daughters had to learn to live without their father, and me without my husband. In addition to the overwhelming, everyday tasks like buying groceries, making meals, and getting the girls to their activities, I suddenly had to navigate the legal system and file for divorce. I had to figure out the nearly impossible feat of owning a small business and solo parenting two active, preteen girls. I learned the hard way that you have to remove the leaves from the gutter if you don’t want your basement to flood. I had to muster the courage to pull the hair out of the shower drain. I had to somehow find the time and energy to decontaminate the entire house when the dreaded scourge that is lice made its unwanted appearance. And I had to do it all with the added anger, sadness, and sheer frustration that these were all things John used to take care of. As tempting as it was to collapse, I had two girls who needed me now more than ever. I needed my business to survive. I had a mountain of legal bills—tens of thousands of dollars and increasing daily. As a business owner, if I didn’t work, I didn’t get paid. Stepping away to take care of my mental and emotional state was a luxury I couldn’t afford. I had to balance what was best for my business in the long term with what the girls and I needed in the short term. I had to get through each day and keep moving forward. This meant I toggled back and forth between dealing with this trauma and running a business. I lived in a constant state of holding it all together, while simultaneously watching it all fall apart.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
Tell me who you are, Junah. Who, in your deepest parts, when all that is unauthentic has been stripped away. Are you your name, Rannulph Junah? Will that hit this shot for you? Are you your illustrious forebears? Will they hit it? "Are you your roles, Junah? Scion, soldier, Southerner? Husband, father, lover? Slayer of the foe in battle, comforter of the friend at home? Are you your virtues, Junah, or your sins? Your deeds, your feats? Are you your dreams or your nightmares? Tell me Junah. Can you hit the ball with any of these?
Steven Pressfield (The Artist's Journey: The Wake of the Hero's Journey and the Lifelong Pursuit of Meaning)
I get to fall in love thousands of times over, a feat I’m afraid I’ll never accomplish if my illness brings me to Lo instead of my future husband.
B. Celeste (Underneath the Sycamore Tree)