Color Illustration Quotes

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My own style grew out of my work as a graphic designer. I try to express the essence of my stories and ideals very clearly, using simple shapes, often in bright colors against a white background. You might almost think of my illustrations, and especially the cover art, as little posters.
Eric Carle
I don’t know what else to do, so I’m asking You to give me a solution.
Sophia R. Tyler (The Friendly Mouse)
Code is not like other how-computers-work books. It doesn't have big color illustrations of disk drives with arrows showing how the data sweeps into the computer. Code has no drawings of trains carrying a cargo of zeros and ones. Metaphors and similes are wonderful literary devices but they do nothing but obscure the beauty of technology.
Charles Petzold (Code: The Hidden Language of Computer Hardware and Software)
I want to live my life in such a way that it colors my things with memories.
Marie Kondō (Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up)
I have heard it called a dance, I have heard it called a battle. Some men speak of it with a knowing laugh, some with a sneer. I have heard the study market women chuckling over it like hens clucking over bread crumbs; I have been approached by bawds who spoke their wares as boldly as peddlers hawking fresh fish. For myself, I think some things are beyond words. The color blue can only be experienced, as can the scent of jasmine or the sound of a flute. The curve of a warm bared shoulder, the uniquely feminine softness of a breast, the startled sound one makes when all barriers suddenly yield, the perfume of her throat, the taste of her skin are all but parts, and sweet as they may be, they do not embody the whole. A thousand such details still would not illustrate it.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.
Wisława Szymborska
24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
truth, justice, temperance, and
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The empress, and young princes of the blood of both sexes, attended by many ladies, sat at some distance in their chairs; but
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I likewise felt several slender ligatures across my body, from my arm-pits to my thighs. I could only look upwards; the sun began to grow hot, and the light offended my eyes. I heard a confused noise about me; but in the posture I lay, could see nothing except the sky.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Children need to see themselves in books. They need to see their gender. They need to see their color, hair texture, their disability, themselves. Picture books are like many children’s first introduction to the world. Seeing yourself is almost like a message. It’s saying, you matter, you are visible, and you’re valuable
Christian Robinson
They look upon fraud as a greater crime than theft, and therefore seldom fail to punish it with death; for
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The emperor, and all his court, came out to meet us; but his great officers would by no means suffer his majesty to endanger his person by mounting on my body. At
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
and the first words I learnt, were to express my desire “that he would please give me my liberty;” which I every day repeated on my knees. His
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
it. He called it his oracle, and said, it pointed out the time for every action of his life.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I could not sufficiently wonder at the intrepidity of these diminutive mortals, who
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
He had therefore begun to think it not unwise in us to cover our bodies, and by that invention conceal many of our deformities from each other, which would else be hardly supportable.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The Houyhnhnm’s notion of truth and falsehood. The author’s discourse disapproved by his master. The author gives a more particular account of himself, and the accidents of his voyage. M
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
It had never occurred to me, though when you read the bible it is perfectly plain if you pay attention only to the words. It is the pictures in the bible that fool you. The pictures that illustrate the words. All of the people are white and so you just think all the people from the bible were white too. But really white white people lived somewhere else during those times. That’s why the bible says that Jesus Christ had hair like lamb’s wool. Lamb’s wool is not straight, Celie. It isn’t even curly.
Alice Walker (The Color Purple)
The other project was, a scheme for entirely abolishing all words whatsoever; and this was urged as a great advantage in point of health, as well as brevity.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
petition to be excused from the said service, upon pretence of unwillingness to force the consciences, or destroy the liberties and lives of an innocent people.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The newspapers kept stroking my fear. New surveys provided awful statistics on just about everything. Evidence suggested that we were not doing well. Researchers gloomily agreed. Environment psychologists were interviewed. Damage had ‘unwittingly’ been done. There were ‘feared lapses’. There were ‘misconceptions’ about potential. Situations had ‘deteriorated’. Cruelty was on the rise and there was nothing anyone could do about it. The populace was confounded, yet didn’t care. Unpublished studies hinted that we were all paying a price. Scientists peered into data and concluded that we should all be very worried. No one knew what normal behavior was anymore, and some argued that this was a form of virtue. And no one argued back. No one challenged anything. Anxiety was soaking up most people’s days. Everyone had become preoccupied with horror. Madness was fluttering everywhere. There was fifty years of research supporting this data. There were diagrams illustrating all of these problems – circles and hexagons and squares, different sections colored in lime or lilac or gray. Most troubling were the fleeting signs that nothing could transform any of this into something positive. You couldn’t help being both afraid and fascinated. Reading these articles made you feel that the survival of mankind didn’t seem very important in the long run. We were doomed. We deserved it. I was so tired.
Bret Easton Ellis
From this time my constant practice was, as soon as I rose, to perform that business in open air, at the full extent of my chain; and due care was taken every morning before company came, that the offensive matter should be carried off in wheel-barrows, by two servants appointed for that purpose. I
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Undoubtedly philosophers are in the right, when they tell us that nothing is great or little otherwise than by comparison. It
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Thus the young ladies are as much ashamed of being cowards and fools as the men, and despise all personal ornaments, beyond decency and cleanliness: neither did I perceive any difference in their education made by their difference of sex, only that the exercises of the females were not altogether so robust; and
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The cottagers and labourers keep their children at home, their business being only to till and cultivate the earth, and therefore their education is of little consequence to the public: but
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The chains that held my left leg were about two yards long, and gave me not only the liberty of walking backwards and forwards in a semicircle, but, being fixed within four inches of the gate, allowed me to creep in, and lie at my full length in the temple. ,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Lilliputians think nothing can be more unjust, than for people, in subservience to their own appetites, to bring children into the world, and leave the burthen of supporting them on the public. As
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
felt great numbers of people on my left side relaxing the cords to such a degree, that I was able to turn upon my right, and to ease myself with making water; which I very plentifully did, to the great astonishment of the people; who, conjecturing by my motion what I was going to do, immediately opened to the right and left on that side, to avoid the torrent, which fell with such noise and violence from
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I rather take this quality to spring from a very common infirmity of human nature, inclining us to be most curious and conceited in matters where we have least concern, and for which we are least adapted by study or nature.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Abstract Art is considered as one of the pious forms in expressing one-self without any detailed illustration of reality. It uses a perceptible language such as shapes, color, line, form and gestural marks to create a beauty which may persist with a degree of freedom from visual references in the world.
7 Arts Online
The emperor of Lilliput, attended by several of the nobility, comes to see the author in his confinement. The emperor’s person and habit described. Learned men appointed to teach the author their language. He gains favour by his mild disposition. His pockets are searched, and his sword and pistols taken from him.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
In like manner, the disbelief of a Divine Providence renders a man incapable of holding any public station; for,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I swam as fortune directed me, and
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The reader may remember, that when I signed those articles upon which I recovered my liberty, there were some which I disliked, upon account of their being too servile; neither
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
that Providence never intended to make the management of public affairs a mystery to be comprehended only by a few persons of sublime genius, of
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I slept about eight hours, as I was afterwards assured; and it was no wonder, for the physicians, by the emperor’s order, had mingled a sleepy potion in the hogsheads of wine.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
The colors burned in three dimensions. They were windows looking in upon a fiery reality.
Ray Bradbury (The Illustrated Man)
In a word, my work is digressive, and it is progressive too,—and at the same time.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman: Color Illustrated, Formatted for E-Readers (Unabridged Version))
Stella knew that no matter how far a person traveled, there would always be places that held undiscovered treasure; the secrets of people and their hearts
Suzy Davies (The Girl in The Red Cape)
was all uniformity;—he was systematical, and, like all systematic reasoners, he would move both heaven and earth, and twist and torture every thing in nature to support his hypothesis.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman: Color Illustrated, Formatted for E-Readers (Unabridged Version))
However, in my thoughts I could not sufficiently wonder at the intrepidity of these diminutive mortals, who durst venture to mount and walk upon my body, while one of my hands was at liberty, without trembling at the very sight of so prodigious a creature as I must appear to them.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
door. It was likewise ordered, that three hundred tailors should make me a suit of clothes, after the fashion of the country; that six of his majesty’s greatest scholars should be employed to instruct me in their language; and lastly, that the emperor’s horses, and those of the nobility and troops of guards, should be frequently exercised in my sight, to accustom themselves to me.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Two days after this adventure, the emperor, having ordered that part of his army which quarters in and about his metropolis, to be in readiness, took a fancy of diverting himself in a very singular manner. He desired I would stand like a Colossus, with my legs as far asunder as I conveniently could.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Blood covered his face and dirt had gummed to it, so that his visage was ocher in color and appeared like a clay sculpture illustrating some earlier phase of mankind when facial features were yet provisional.
Charles Frazier (Cold Mountain)
I had as I before observed, one private pocket, which escaped their search, wherein there was a pair of spectacles (which I sometimes use for the weakness of mine eyes,) a pocket perspective, and some other little conveniences; which, being of no consequence to the emperor, I did not think myself bound in honour to discover, and I apprehended they might be lost or spoiled if I ventured them out of my possession. ,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Name the colors, blind the eye” is an old Zen saying, illustrating that the intellect’s habitual ways of branding and labeling creates a terrible experiential loss by displacing the vibrant, living reality with a steady stream of labels. It is the same way with space, which is solely the conceptual mind’s way of clearing its throat, of pausing between identified symbols. At any rate, the subjective truth of this is now supported by actual experiments (as we saw in the quantum theory chapters) that strongly suggest distance (space) has no reality whatsoever for entangled particles, no matter how great their apparent separation.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
His features are strong and masculine, with an Austrian lip and arched nose, his complexion olive, his countenance erect, his body and limbs well proportioned, all his motions graceful, and his deportment majestic. He
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
body by the help of a quadrant, and finding it to exceed theirs in the proportion of twelve to one, they concluded from the similarity of their bodies, that mine must contain at least 1724 of theirs, and consequently would require as much food as was necessary to support that number of Lilliputians. By which the reader may conceive an idea of the ingenuity of that people, as well as the prudent and exact economy of so great a prince., ,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
beholders. His features are strong and masculine, with an Austrian lip and arched nose, his complexion olive, his countenance erect, his body and limbs well proportioned, all his motions graceful, and his deportment majestic.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
My hours of leisure I spent in reading the best authors, ancient and modern, being always provided with a good number of books; and when I was ashore, in observing the manners and dispositions of the people, as well as learning their language; wherein I had a great facility, by the strength of my memory. The last of these voyages not proving very fortunate,
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.
Ray Bradbury (Something Wicked This Way Comes)
I had been for some hours extremely pressed by the necessities of nature; which was no wonder, it being almost two days since I had last disburdened myself. I was under great difficulties between urgency and shame. The best expedient I could think of, was to creep into my house, which I accordingly did; and shutting the gate after me, I went as far as the length of my chain would suffer, and discharged my body of that uneasy load.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
He acted every part of an orator, and I could observe many periods of threatenings, and others of promises, pity, and kindness. I answered in a few words, but in the most submissive manner, lifting up my left hand, and both my eyes to the sun, as calling him for a witness; and being almost famished with hunger, having not eaten a morsel for some hours before I left the ship, I found the demands of nature so strong upon me, that I could not forbear showing my impatience (perhaps against the strict rules of decency) by putting my finger frequently to my mouth, to signify that I wanted food. The hurgo
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Oluale Kossola was not just a repository of black genius, tapped for a few stories, tales, and colorful phrases, and Zora Neale Hurston knew this. She did not perceive Barracoon as another cultural artifact illustrating the theoretical characteristics of Negro expression but as one, singular, portrait of black humanity.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
I suspect that it refers to that friend of our childhood, the prince of the old folk tale; the young man who travels for seven miles and comes to seven gates guarded by seven dragons, and passes through all sorts of perils, which are marked at once by moral heroism and mathematical symmetry. It is he who is to be exhibited in as a despot and oppressor; as a despot of elfland and an oppressor of seven-headed dragons. As he is rather a remote as well as a romantic figure, it may be a little difficult for historians to discover what were his true colours. His true colours, so far as I am concerned, are silver and gold and crimson, and all the colours of the rainbow.
G.K. Chesterton (The Collected Works of G.K. Chesterton Volume 32: The Illustrated London News, 1920-1922)
It seemed as if we were driving through a golden haze. The violet shadows were creeping up between the hills, while away back of us the snow-capped peaks were catching the sun's last rays. On every side of us stretched the poor, hopeless desert, the sage, grim and determined to live in spite of starvation, and the great, bare, desolate buttes. The beautiful colors turned to amber and rose, and then to the general tone, dull gray. Then we stopped to camp, and such a scurrying around to gather brush for the fire and to get supper! Everything tasted so good! Jerrine ate like a man. Then we raised the wagon tongue and spread the wagon sheet over it and made a bedroom for us women.
Elinore Pruitt Stewart (Letters Of A Woman Homesteader: By Elinore Pruitt : Illustrated)
of the culprit. Architecture next engaged his attention, and in 1657 he designed a house at Viry for his brother and supervised its construction.
Charles Perrault (The Fairy Tales of Charles Perrault: with original color illustrations by Harry Clarke)
friend
Charles Perrault (The Fairy Tales of Charles Perrault: with original color illustrations by Harry Clarke)
Recognizing that two points of data are connected is not enough. The System must ask why one point affects another.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Artificial Intelligence is not a new wave of technology. It is much more like a Tsunami that threatens to flood us if we are not mindful.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Artificial Intelligence is highly Interdisciplinary. Therefore, let’s approach it in a Multidisciplinary & Holistic way
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Artificial intelligence fires the imagination of many people. Unfortunately, also that of the foolish.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
You can’t do AI-Ethics without Ethics.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Don’t be scared of racist people. Be frightened of ‘racist’ algorithms because they have no conscience and are much more effective.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Team Diversity is the easiest and, at the same time, one of the most effective means of reducing bias
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Explainability is one thing; interpreting it rightly (for the good of society), is another.
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Probably the most promising AI Use-Case: Fighting Natural Stupidity with Artificial Intelligence
Murat Durmus (The AI Thought Book: Inspirational Thoughts & Quotes on Artificial Intelligence (including 13 colored illustrations & 3 essays for the fundamental understanding of AI))
Creating a world within the imagination one day at a time through words and colors.
Peggy A. Borel
I speak advisedly when I say this,—that killing a slave, or any colored person, in Talbot county, Maryland, is not treated as a crime, either by the courts or the community
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
whether a stranger, with a strong purse, might not influence the vulgar voters to choose him before their own landlord, or the most considerable gentleman in the neighbourhood?
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
12.  If we do not wish to fight, we can prevent the enemy from engaging us even though the lines of our encampment be merely traced out on the ground. All we need do is to throw something odd and unaccountable in his way. [This extremely concise expression is intelligibly paraphrased by Chia Lin: “even though we have constructed neither wall nor ditch.” Li Ch’uan says: “we puzzle him by strange and unusual dispositions;” and Tu Mu finally clinches the meaning by three illustrative anecdotes—one of Chu-ko Liang, who when occupying Yang-p’ing and about to be attacked by Ssu-ma I, suddenly struck his colors, stopped the beating of the drums, and flung open the city gates, showing only a few men engaged in sweeping and sprinkling the ground. This unexpected proceeding had the intended effect; for Ssu-ma I, suspecting an ambush, actually drew off his army and retreated. What Sun Tzu is advocating here, therefore, is nothing more nor less than the timely use of “bluff.”]
Sun Tzu (The Art of War)
before I got to the shore, which I conjectured was about eight o’clock in the evening. I then advanced forward near half a mile, but could not discover any sign of houses or inhabitants; at least I was in so weak a condition, that I did not observe them. I was extremely tired, and with that, and the heat of the weather, and about half a pint of brandy that I drank as I left the ship, I found myself much inclined to sleep. I lay down on the grass, which was very short and soft, where I slept sounder than ever I remembered to have done in my life, and, as I reckoned, about nine hours; for when I awaked, it was just day-light. I attempted to rise, but was not able to stir: for, as I happened to lie on my back, I found my arms and legs were strongly fastened on each side to the ground; and my hair, which was long
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I had, the evening before, drunk plentifully of a most delicious wine called glimigrim, (the Blefuscudians call it flunec, but ours is esteemed the better sort,) which is very diuretic. By the luckiest chance in the world, I had not discharged myself of any part of it. The heat I had contracted by coming very near the flames, and by labouring to quench them, made the wine begin to operate by urine; which I voided in such a quantity, and applied so well to the proper places, that in three minutes the fire was wholly extinguished, and the rest of that noble pile, which had cost so many ages in erecting, preserved from destruction.
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
Normally my clients were my mother, my grandmother, and my dad, and I would sell them the issues with a great color cover. There was a story I remember called ‘The Invader,’ and it had an invisible dome covering a city, with a giant tentacled monster eating everybody in sight, and people trying to drill a hole in the dome. And I did these epic Prismacolor pencil illustrations and sold out the three issues to my captive audience.
Guillermo del Toro (Guillermo del Toro's Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions)
The Flint water crisis illustrates how the challenges in America's shrinking cities are not a crisis of local leadership - or, at least, not solely that - but a crisis of systems. Paternalism, even if it is well meaning, cannot transcend the political, economic, and social obstacles that relegate places such as Flint to the bottom. The chronic underfunding of American cities imperils the health of citizens. It also stunts their ability to become full participants in a democratic society, and it shatters their trust in the public realm. Communities that are poor and communities of color - and especially those that are both - are hurt worst of all.
Anna Clark (The Poisoned City: Flint's Water and the American Urban Tragedy)
Beaumont's intention was to promote the virtue and nutritional value of fruit-bearing trees. Fifteen different genera of fruit and a number of their different species are described in the work: almonds, apricots, a barberry, cherries, quinces, figs, strawberries, gooseberries, apples, a mulberry, pears, peaches, plums, grapes, and raspberries. Each colored plate illustrates the plant's seed, foliage, blossom, fruit, and sometimes cross sections of the species.
Lucinda Riley (The Lavender Garden)
Some time after, asking a friend at court how they came to fix on that determinate number, he told me that his majesty’s mathematicians, having taken the height of my body by the help of a quadrant, and finding it to exceed theirs in the proportion of twelve to one, they concluded from the similarity of their bodies, that mine must contain at least 1724 of theirs, and consequently would require as much food as was necessary to support that number of Lilliputians. By
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
One of the most popular illustrations we use in Love and Respect Conferences compares women and men to pink and blue. The audience responds immediately when I talk about how she sees through pink sunglasses and hears with pink hearing aids, while he sees through blue sunglasses and hears with blue hearing aids. In other words, women and men are very different. Yet, when blue blends with pink, it becomes purple, God’s color—the color of royalty. The way for pink and blue to blend is spelled out in Ephesians 5:33: “[Every husband] must love his wife as he loves himself, and the wife must respect her husband” (NIV). Living out Ephesians 5:33 is the key to blending together as one to reflect the very image of God.
Emerson Eggerichs (The Language of Love & Respect: Cracking the Communication Code with Your Mate)
Markers Markers are my go-to for coloring anime characters. They are simple to use and versatile, especially brush-tip markers. For the illustrations in this book, I only used alcohol-based markers, specifically Copic Sketch or Ciao markers.
Yoai (Anime Art Class: A Complete Course in Drawing Manga Cuties (Cute and Cuddly Art))
While I was busied in reflection, my eyes fell upon a narrow ledge in the eastern face of the rock, perhaps a yard below the summit upon which I stood. This ledge projected about eighteen inches, and was not more than a foot wide, while a niche in the cliff just above it, gave it a rude resemblance to one of the hollow-backed chairs used by our ancestors. I made no doubt that here was the 'devil's seat' alluded to in the MS., and now I seemed to grasp the full secret of the riddle.
Edgar Allan Poe (The Works of Edgar Allan Poe - Volume I: Color Illustrated, Formatted for E-Readers (Unabridged Version))
Finally she found what she was looking for. “See, child?” she said, holding out a framed illustration that looked as if it had been ripped from a book. In it, a man was being crucified—a black man with an Afro—and up above, floating in the vicinity
Jodi Picoult (The Color War)
general anatomy book (1984) devoted three pages of illustrations (two in color) to the penis, with the clitoris relegated to an inset image in an upper outer corner—and the entire structure is the worst shade of puce. It’s also called a “miniature penis.
Jennifer Gunter (The Vagina Bible: The Vulva and the Vagina: Separating the Myth from the Medicine)
One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration? A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.
Alice Munro
To be a man and live among men is miraculous, even if we know the vile deeds and crimes that people are capable of. Every day we build together an enormous beehive with our thoughts, discoveries, inventions, works, lives. Even that analogy is hardly accurate; it is too static, since our collective work is constantly changing and displaying itself in various colors, subject to time or history. Again, this is an insufficient description, because it ignores the most important thing: that this collective creation is given life by the most private, hidden fuel of all individual aspirations and decisions. The oddity of man's exceptional calling rests principally on his being a comical being, forever immature, so that a group of children with their easy mood swings from laughter to crying is the best illustration of his lack of dignity. A few years pass, and suddenly they are adults, taking control and supposedly prepared to make pronouncements on public matters and even to take upon themselves the duties of father and mother, although it would be good if they first had an entire life of their own to prepare for this.
Czesław Miłosz (Milosz's ABC's)
George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.
Elizabeth Gilbert (The Signature of All Things)
Hollis looked to see, but saw nothing. There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God’s voice mingling among the crystal fires. There was a kind of wonder and imagination in the thought of Stone going off in the meteor swarm, out past Mars for years and coming in toward Earth every five years, passing in and out of the planet’s ken for the next million centuries, Stone and the Myrmidone cluster eternal and unending, shifting and shaping like the kaleidoscope colors when you were a child and held the long tube to the sun and gave it a twirl. “So long, Hollis.” Stone’s voice, very faint now. “So long.
Ray Bradbury (The Illustrated Man)
Just beyond the opening the cave was higher, and as the boat floated into the dim interior they found themselves on quite an extensive branch of the sea. For a time neither of them spoke and only the soft lapping of the water against the sides of the boat was heard. A beautiful sight met the eyes of the two adventurers and held them dumb with wonder and delight. It was not dark in this vast cave, yet the light seemed to come from underneath the water, which all around them glowed with an exquisite sapphire color. Where the little waves crept up the sides of the rocks they shone like brilliant jewels, and every drop of spray seemed a gem fit to deck a queen.
L. Frank Baum (The Sea Fairies - Fully Illustrated Version)
Let me illustrate. This morning I had a fresh mango for breakfast: a large, beautiful, fragrant one which had been allowed to ripen until just the right moment, when the skin was luminous with reds and oranges. You can see from that kind of description that I like mangoes. I must have eaten thousands of them when I was growing up, and I probably know most varieties intimately by their color, shape, flavor, fragrance, and feel. Sankhya would say that this mango I appreciated so much does not exist in the world outside – at least, not with the qualities I ascribed to it. The mango-in-itself, for example, is not red and orange; these are categories of a nervous system that can deal only with a narrow range of radiant energy. My dog Bogart would not see a luscious red and orange mango. He would see some gray mass with no distinguishing features, much less interesting to him than a piece of buttered toast. But my mind takes in messages from five senses and fits them into a precise mango-form in consciousness, and that form – nothing outside – is what I experience. Not that there is no “real” mango! But what I experience, the objects of my sense perception and my “knowing,” are in consciousness, nowhere else. A brilliant neuroscientist I was reading recently says something similar in contemporary language: we never really encounter the world; all we experience is our own nervous system.
Krishna-Dwaipayana Vyasa (The Bhagavad Gita)
The author’s economy, and happy life, among the Houyhnhnms. His great improvement in virtue by conversing with them. Their conversations. The author has notice given him by his master, that he must depart from the country. He falls into a swoon for grief; but submits. He contrives and finishes a canoe by the help of a fellow-servant, and puts to sea at a venture. I
Jonathan Swift (Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham)
I am quite sure that (bar one) I have no race prejudices, and I think I have no color prejudices nor caste prejudices nor creed prejudices. Indeed, I know it. I can stand any society. All that I care to know is that a man is a human being-that is enough for me; he can't be any worse. I have no special regard for Satan; but I can at least claim that I have no prejudice against him. It may even be that I lean a little his way, on account of his not having a fair show. All religions issue bibles against him, and say the most injurious things about him, but we never hear his side. We have none but the evidence for the prosecution, and yet we have rendered the verdict. To my mind, this is irregular. It is un-English; it is un-American; it is French. Without
Mark Twain (Mark Twain: Collection of 51 Classic Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
The example of a child publicly calling out a black man’s race and embarrassing the mother illustrates several aspects of white children’s racial socialization. First, children learn that it is taboo to openly talk about race. Second, they learn that people should pretend not to notice undesirable aspects that define some people as less valuable than others (a large birthmark on someone’s face, a person using a wheelchair). These lessons manifest themselves later in life, when white adults drop their voices before naming the race of someone who isn’t white (and especially so if the race being named is black), as if blackness were shameful or the word itself were impolite. If we add all the comments we make about people of color privately, when we are less careful, we may begin to recognize how white children are taught to navigate race.
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
Now in her hands, the final copy- every brushstroke, every carefully thought-out color, every word of the natural histories, printed in a book. There were also drawings of the creatures who live inside- how they eat, how they move, how they mate- because people forget about creatures who live in shells. She touched the pages and remembered each shell and the story of finding it, where it lay on the beach, the season, the sunrise. A family album.
Delia Owens (Where the Crawdads Sing)
just at that time, the slightest manifestation of humanity toward a colored person was denounced as abolitionism, and that name subjected its bearer to frightful liabilities. The watchwords of the bloody-minded in that region, and in those days, were, "Damn the abolitionists!" and "Damn the niggers!" There was nothing done, and probably nothing would have been done if I had been killed. Such was, and such remains, the state of things in the Christian city of Baltimore.
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
Individualism, relationalism, and antistructuralism have built renowned and racially homogenous ministries, but these have been cold comfort to those members of the body of Christ who exist outside the boundaries of racial whiteness. If white Christians are to reckon with racial discipleship, we must also look critically at the deeply held assumptions that have thus far hindered our attempts to address racial segregation and injustice. While it’s been over a hundred years since Ida B. Wells and Dwight L. Moody overlapped in Chicago, the dynamic they illustrate continues today. In the current cultural moment, black Christians are fighting for more equitable criminal justice policies, immigrant churches are advocating for policies that don’t separate asylum-seeking parents from their children, and Native American believers are lamenting as ancient tribal lands are being polluted by oil pipelines. At the same time, there are prominent white Christians publicly debating whether justice, from a biblical vantage point, can ever be social. Some of these leaders wonder whether justice can even be considered Christian when not limited to an individual. As disheartening as this divide is between white Christianity and many Christians of color, white Christianity’s tools help us to see why we haven’t been able to move past it.
David W. Swanson (Rediscipling the White Church: From Cheap Diversity to True Solidarity)
The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.
James Salter
The United States has had only one woman of color serve as governor and one lesbian woman. All the other intersections of identity… zero. This country is not an anomaly in its history of centralizing political power toward a very specific sort of body; most nations have a default body in their government structures. Although social and cultural realities may shift what those bodies look like, using default bodies to establish a social hierarchy and distribute power and resources is a global phenomenon. The statistics above illustrate an irrefutable truth: body shame and oppression are both symptoms of and tools in a far more complex and sweeping system of access and resources. A system that impacts not only how we feel about ourselves but also our opportunities and ability to thrive in the world. There is a reason we hate our bodies, and it isn’t because of Curtis, our mamas, or even our low self-esteem. We are saddled with body shame because it is an age-old system whose roots and pockets are deep. Body shame flourishes in our world because profit and power depend on it.
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
More or less the same can be said for Art Therapy, which is organized infantilism. Our class was run by a delirious young woman with a fixed, indefatigable smile, who was plainly trained at a school offering courses in Teaching Art to the Mentally Ill; not even a teacher of very young retarded children could have been compelled to bestow, without deliberate instruction, such orchestrated chuckles and coos. Unwinding long rolls of slippery mural paper, she would tell us to take our crayons and make drawings illustrative of themes that we ourselves had chosen. For example: My House. In humiliated rage I obeyed, drawing a square, with a door and four cross-eyed windows, a chimney on top issuing forth a curlicue of smoke. She showered me with praise, and as the weeks advanced and my health improved so did my sense of comedy. I began to dabble happily in colored modeling clay, sculpting at first a horrid little green skull with bared teeth, which our teacher pronounced a splendid replica of my depression. I then proceeded through intermediate stages of recuperation to a rosy and cherubic head with a “Have-a- Nice-Day” smile. Coinciding as it did with the time of my release, this creation truly overjoyed my instructress (whom I’d become fond of in spite of myself), since, as she told me, it was emblematic of my recovery and therefore but one more example of the triumph over disease by Art Therapy.
William Styron
For instance, emotional memories are stored in the amygdala, but words are recorded in the temporal lobe. Meanwhile, colors and other visual information are collected in the occipital lobe, and the sense of touch and movement reside in the parietal lobe. So far, scientists have identified more than twenty categories of memories that are stored in different parts of the brain, including fruits and vegetables, plants, animals, body parts, colors, numbers, letters, nouns, verbs, proper names, faces, facial expressions, and various emotions and sounds. Figure 11. This shows the path taken to create memories. Impulses from the senses pass through the brain stem, to the thalamus, out to the various cortices, and then to the prefrontal cortex. They then pass to the hippocampus to form long-term memories. (illustration credit 5.1) A single memory—for instance, a walk in the park—involves information that is broken down and stored in various regions of the brain, but reliving just one aspect of the memory (e.g., the smell of freshly cut grass) can suddenly send the brain racing to pull the fragments together to form a cohesive recollection. The ultimate goal of memory research is, then, to figure out how these scattered fragments are somehow reassembled when we recall an experience. This is called the “binding problem,” and a solution could potentially explain many puzzling aspects of memory. For instance, Dr. Antonio Damasio has analyzed stroke patients who are incapable of identifying a single category, even though they are able to recall everything else. This is because the stroke has affected just one particular area of the brain, where that certain category was stored. The binding problem is further complicated because all our memories and experiences are highly personal. Memories might be customized for the individual, so that the categories of memories for one person may not correlate with the categories of memories for another. Wine tasters, for example, may have many categories for labeling subtle variations in taste, while physicists may have other categories for certain equations. Categories, after all, are by-products of experience, and different people may therefore have different categories. One novel solution to the binding problem uses the fact that there are electromagnetic vibrations oscillating across the entire brain at roughly forty cycles per second, which can be picked up by EEG scans. One fragment of memory might vibrate at a very precise frequency and stimulate another fragment of memory stored in a distant part of the brain. Previously it was thought that memories might be stored physically close to one another, but this new theory says that memories are not linked spatially but rather temporally, by vibrating in unison. If this theory holds up, it means that there are electromagnetic vibrations constantly flowing through the entire brain, linking up different regions and thereby re-creating entire memories. Hence the constant flow of information between the hippocampus, the prefrontal cortex, the thalamus, and the different cortices might not be entirely neural after all. Some of this flow may be in the form of resonance across different brain structures.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)