Faye Dunaway Quotes

He hadn't expected anyone so pretty, and it threw him. Tina had the Faye Dunaway thing. Faye before the surgery, when her cheekbones were still as sharp as can openers and she looked like a feral gazelle.

The Oscars ceremony ended with a colossal snafu, an envelope mix-up that caused Faye Dunaway to mistakenly declare La La Land, rather than Moonlight, the year’s best picture. The botched announcement resulted in an interrupted acceptance speech and a quick reversal that left more than 30 million television viewers cringing.

1967, when Hollywood, in the guise of The Thomas Crown Affair, came to Crane Beach. On a couple of occasions, I was handed the job of driving Steve McQueen and Faye Dunaway back and forth from their dressing trailers, set up in the parking lot, down to locations near the water.

Eyes of Laura Mars (1978)—This New York-set thriller operates on mood and atmosphere and moves so fast, with such delicate changes of rhythm, that its excitement has a subterranean sexiness. Faye Dunaway, with long, thick, dark-red hair, is Laura Mars, a celebrity fashion photographer who specializes in the chic and pungency of sadism; the pictures she shoots have a furtive charge—we can see why they sell. Directed by Irvin Kershner, the film has a few shocking fast cuts, but it also has scabrous elegance and a surprising amount of humor. Laura’s scruffy, wild-eyed driver (Brad Dourif) epitomizes New York’s crazed, hostile flunkies; he’s so wound up he seems to have the tensions of the whole city in his gut. Her manager (René Auberjonois) is tense and ambivalent about Laura—about everything. Her models (Lisa Taylor and Dar-lanne Fluegel), who in their poses look wickedly decadent, are really just fun-loving dingalings.