Fawn Quotes

We've searched our database for all the quotes and captions related to Fawn. Here they are! All 100 of them:

I won’t be that girl who lets the guy treat her like crap and still fawns all over him.
Cynthia Hand (Unearthly (Unearthly, #1))
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand. Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed. Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence. "You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit. His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings." "Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" "Hardly a special talent," ter Borcht said witheringly. Nudge was offended. "Yeah? Let's see YOU do it." ... "I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing." Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica." "I vill now destroy de Snickuhs bahrs!" Gazzy barked.
James Patterson
Some men break your heart in two, Some men fawn and flatter, Some men never look at you; And that cleans up the matter.
Dorothy Parker (Enough Rope)
It's awful to be rich and mind-boggingly handsome and have women fawn over you. My heart bleeds for you. Poor dear, how do you manage?
Ilona Andrews (On the Edge (The Edge, #1))
I have no use for people who throw their weight around as celebrities, or for those who fawn over you just because you are famous.
Walt Disney Company
What about your crepe?" "Stuff It." "She's crazy about you," Mavis commented. "It's almost embarrassing, the way she fawns.
J.D. Robb (Immortal in Death (In Death, #3))
You're always begging things to love you," he said, "as if you were a beggar for love. Even the flowers, you have to fawn on them--
D.H. Lawrence (Sons and Lovers)
Right before I was escorted to the jail, Fawn waved bye bye to me. I smiled. My empty, pointless life for hers. Not bad.
Maria V. Snyder (Touch of Power (Healer, #1))
The sooner you get dressed the sooner you can start fawning over me like a proper date and remember just because I agreed to go out on this date with you doesn't mean I am easy. I expect you to do a little work to get my out of my pants.
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
In my early twenties, it had never occurred to me that the women who gained their power from beauty were indebted to the men whose desire granted them that power in the first place. Those men were the ones in control, not the women the world fawned over. Facing the reality of the dynamics at play would have meant admitting how limited my power really was—how limited any woman’s power is when she survives and even succeeds in the world as a thing to be looked at.
Emily Ratajkowski (My Body)
Oh, Daisy, it's revolting the way I want to fawn all over him. I'm afraid I'm going to do something dreadfully silly today. Burst into song or something. For God's sake, don't let me.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Nice words and nice appearance doesn't conclude that someone is nice, i believe that the nicer you look, the more deceptive you appear.
Michael Bassey Johnson
She jerked away from me like a startled fawn might,if I had a startled fawn and it jerked away from me.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
Maybe it was the angle, but her fawn's eyes, looking up at me, seemed larger than ever. I had to make an effort to keep my balance lest I fall into them.
Jerry Spinelli (Stargirl (Stargirl, #1))
I am the guardian of the sleeping fawn; the snow is dear to me; and the moon rising; and the silver sea.
Virginia Woolf (Orlando)
Like a girl, a baby running after her mother, begging to be picked up, and she tugs on her skirts, holding her back as she tries to hurry off—all tears, fawning up at her, till she takes her in her arms… That’s how you look, Patroclus, streaming live tears.
Homer (The Iliad)
He lay down beside the fawn. He put one arm across its neck. It did not seem to him that he could ever be lonely again.
Marjorie Kinnan Rawlings (The Yearling)
Spending all this time fretting and fawning over a bloke just wasn't her. If this was what infatuation did to a girl she'd take herself off to a convent in the morning.
Kady Cross (The Girl with the Iron Touch (Steampunk Chronicles, #3))
Am I in love? Absolutely. I’m in love with ancient philosophers, foreign painters, classic authors, and musicians who have died long ago. I’m a passionate lover. I fawn over these people. I have given them my heart and my soul. The trouble is, I’m unable to love anyone tangible. I have sacrificed a physical bond, for a metaphysical relationship. I am the ultimate idealistic lover.
James Byron Dean
I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.
Paula McLain (A Ticket to Ride)
The gods! long since they hold us in contempt, Scornful of gifts thus offered by the lost! Why should we fawn and flinch away from doom?
Aeschylus (The Seven Against Thebes (Dover Thrift Editions))
Oh, poor me, I have to make out with a hot superstar. Women fawn over me wherever I go. I have fucktastic hair and an eight pack. Boo-hoo.” Twisting his lips in a look of contempt, he made an obscene gesture over his privates. I couldn’t help the small smile that crept onto my face. He was rude and crude and said things I didn’t want to hear sometimes, but somehow Griffin was also amusing in a comforting sort of way, and I actually did feel better. Lord, help me.
S.C. Stephens (Reckless (Thoughtless, #3))
You again,” she said, and she did not sound happy. “I know,” the warrior replied with a heartfelt sigh. “You’re so lucky to see me twice in one day. You’re honored by my presence, yada, yada, heard it all before. Let’s just move on, shall we. I don’t handle fawning very well.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
How do you caution a fawn about a cigarette a motorist has just flipped from his car window into a patch of yellow grass, or tell a sparrow that winged creatures eventually plummet to earth?
James Lee Burke (In the Moon of Red Ponies (Billy Bob Holland, #4))
I didn’t realize,” she said in a voice so polite it drew blood, “that fawning over you was part of the job requirement.
Nalini Singh
And just so you know, we might be having dinner together, but this isn’t a date,” Neil says, completely straight-faced. “I just don’t want you to get too excited. I mean, your parents are going to be there, so it would be really awkward if you were fawning over me the whole time.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
If we secretly feel unworthy, we will unconsciously be drawn to those who will confirm this “fact” for us, even though we will outwardly complain about it. We will dismiss people who try to praise us while fawning over those who denigrate us.
Blair Warren (The One Sentence Persuasion Course - 27 Words to Make the World Do Your Bidding)
fawn face, the expression a deer makes not when it's caught in headlights but when it catches a human looking at it in wonder. The deer looks back, acknowledging not only its own terror but its own grace, and it shows off for a moment in front of the human. It flirts.
Meg Wolitzer (The Interestings)
She has enough men fawning over her," I said. "They come and go like . . ." I strained to think of an analogy and failed. "I’d rather be her friend." "You would rather be close to her heart," Wilem said without any particular inflection. "You would rather be joyfully held in the circle of her arms. But you fear she will reject you. You fear she would laugh and you would look the fool." Wilem shrugged easily. "You are hardly the first to feel this way. There is no shame in it." That struck uncomfortably close to the mark, and for a long moment I couldn’t think of anything to say in reply. "I hope," I admitted quietly. "But I don’t want to assume. I’ve seen what happens to the men that assume too much and cling to her.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
You are unmannerly,sharp-tounged, and show no respect for your betters,which is practically everyone given your lowly ravel birth." "I am Edema Ruh to my bones. That means my blood is red. It means I breathe the free air and walk where my feet take me. I do not cringe and fawn like a dog at a man's title. That looks like pride to people who have spent their lives cultivating supple spines" -Kvothe
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
What are you seeking in the Devil’s Book—treasure?” she asks, even though she knows what the Mesmerizer seeks. “What kind of old man in his nineties would fawn over treasures?” the Mesmerizer chuckles.
Misba (The Oldest Dance (Wisdom Revolution, #2))
You're always begging things to love you as if you were a beggar for love. Even the flowers, you have to fawn on them -- You don't want to love -- your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere.
D.H. Lawrence (Sons and Lovers)
And then he pressed his lips onto mine. “Live”, he said. “Oh live, my life, my love, live.” And that’s when I’m supposed to open my eyes like a dewy fawn, and see him poised over me like the sun, and make a little gasping noise of wonder and gratitude, and then he fucks me.
Madeline Miller (Galatea)
Connection starves suspicion.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Considering the length of time that women have been dependent, is it surprising that some of them hug their chains, and fawn like the spaniel?
Mary Wollstonecraft (A Vindication of the Rights of Woman)
She. Silent, fawn-eyed. Clever.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
I replied that England (the dear place of my nativity) was computed to produce three times the quantity of food, more than its inhabitants are able to consume, ... But, in order to feed the luxury and intemperance of the males, and the vanity of the females, we sent away the greatest part of our necessary things to other countries, from whence in return we brought the materials of diseases, folly, and vice, to spend among ourselves. Hence it follows of necessity that vast numbers of our people are compelled to seek their livelihood by begging, robbing, stealing, cheating, pimping, forswearing, flattering, suborning, forging, gaming, lying, fawning, hectoring, voting, scribbling, freethinking,
Jonathan Swift (Gulliver’s Travels)
Lenin refused to recognise moral norms established by slave-owners for their slaves and never observed by the slave-owners themselves; he called upon the Proletariat to extend the class struggle into the moral sphere too. Who fawns before the precepts established by the enemy will never vanquish that enemy!
Leon Trotsky
Clever talk, ingratiating looks, fawning reverence: Tso-ch’iu Ming found that shameful, and so do I. Friendly while harboring resentment: Tso-ch’iu Ming found that shameful, too, and so do I.
Confucius (The Analects)
The kind of people I absolutely cannot tolerate are those who never let you forget they are religious. It seems to me that a truly religious person would let his life be example enough, would not let his religion interfere with being a human being, and would not be so insecure as to have to fawn publicly before his gods.
W.P. Kinsella
Four of Dan's sisters had made it. They wore white sundresses they'd altered so three spelled out FOX. The fourth sported a fox paw that was already starting to lose a toe pad. They practically crushed Dan, smothering her with a group hug before fawning over her.
Nora Sakavic (The King's Men (All for the Game, #3))
The merrel also knew its wing had not healed. But I could reach a great height once more before it failed me, it said. And from there I would fold my wings and plummet to the earth as if a hare or a fawn had caught my eye; but it would be myself I stooped toward. It would be a good flight and a good death. And so I eat their dead things cut up on a pole, dreaming of my last flight.
Robin McKinley (Spindle's End)
This was what I needed— multiple men at all times. Then I wouldn’t need any of them. Put me naked in a clamshell. Let them all fawn around me.
Melissa Broder (The Pisces)
In a dazzling vote of confidence for form over substance, our culture fawns over the fleetingness of being “in love” while discounting the importance of loving.
Thomas Lewis (A General Theory of Love)
He's coming to hate the gratitude of women. It is like being fawned on by rabbits, or like being covered with syrup: you can't get it off.
Margaret Atwood (Alias Grace)
Elain looked up at Azriel, their eyes meeting, his hand still lingering on the hilt of the blade. I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Creating a happy marriage begins with choosing the right spouse.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had! "I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now." "Think again," it said: "that won't do." Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little." "I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here." So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
To be oneself on a basis of gold is no better than founding one’s house on the sand. For your watch, and your ring, and the rest of your trappings the good people fawn on you, grovelling to earth; they lift their hats to your jewelled breast-pin; but your ring and your breast-pin are not your person.-
Henrik Ibsen (Peer Gynt)
Paris and Helen He called her: golden dawn She called him: the wind whistles He called her: heart of the sky She called him: message bringer He called her: mother of pearl barley woman, rice provider, millet basket, corn maid, flax princess, all-maker, weef She called him: fawn, roebuck, stag, courage, thunderman, all-in-green, mountain strider keeper of forests, my-love-rides He called her: the tree is She called him: bird dancing He called her: who stands, has stood, will always stand She called him: arriver He called her: the heart and the womb are similar She called him: arrow in my heart.
Judy Grahn (The work of a common woman: The collected poetry of Judy Grahn, 1964-1977 ; with an introduction by Adrienne Rich)
You can either feed negative thoughts or you can starve the suckers.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Happy marriages are alive and well. The cries of their demise have been highly overrated, and couples happily married do indeed exist.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
I will not raise you up and give you a gun. I will not take you shooting and fawn over how great your aim is. I won’t tell you how brilliant you can be or how many Marinos you can murder if you really put your mind to it. I won’t walk you into danger and clap as you shoot to kill. I will take the gun from you and tell you you’re a thousand times better without it. I will always take the gun from you, Sophie. I will always tell you that you don’t need it. I will always support you, but I will never support that. Never.
Catherine Doyle (Mafiosa (Blood for Blood, #3))
What if I tell you what the rock and darkness and sea beyond whispered to me, Lord of Bloodshed? How they shuddered in fear, on that island across the sea. How they trembled when she emerged. She took something - something precious. She ripped it out with her teeth. What did you wake that day in Hybern, Prince of Bastards? What came out was not what went in. How lovely she is - new as a fawn and yet ancient as the sea. How she calls to you. A queen, as my sister once was. Terrible and proud; beautiful as a winter sunrise. Nesta. Nes-ta. How the wind moans her name. Can you hear it, too? Nesta. Nesta. Nesta. What did she do, drowning in the ageless dark? What did she take?
Sarah J. Maas (A Court of Thorns and Roses Hardcover Box Set)
But there were also times when she cried out in the darkness biting her lips - cried out against the substance of her age: for it was now that she should be young; now above all other times, with the wisdom in her, the wisdom that was frittered away in her 'teens', set aside in her twenties, now, lying there, palpable and with forty summers gone. She clenched her hands together. What good was wisdom; what good was anything when the fawn is fled from the grove?
Mervyn Peake (Titus Alone (Gormenghast, #3))
Those who don't take themselves too seriously have marriages that seem to just be better.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Making love is not equivalent to love. But not making love is most certainly a waste. We didn't want to be wasteful.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Every happily married person I interviewed on my trip was grateful for his or her spouse, thanking God daily for one another.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
When you give a happy couple the opportunity to talk about what makes marriage great, it's like a water spigot you can't quite turn off.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
If you can figure out how to choose happiness in your marriage daily, and stop sweating the small stuff, it'll take ten years off your life.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Sublimity,” Hauptmann says, panting, “you know what that is, Pfennig?” He is tipsy, animated, almost prattling. Never has Werner seen him like this. “It’s the instant when one thing is about to become something else. Day to night, caterpillar to butterfly. Fawn to doe. Experiment to result. Boy to man.
Anthony Doerr (All the Light We Cannot See)
I am your spaniel; and, Demetrius, The more you beat me, I will fawn on you: Use me but as your spaniel, spurn me, strike me, Neglect me, lose me; only give me leave, Unworthy as I am, to follow you. What worse place can I beg in your love,-- And yet a place of high respect with me,-- Than to be used as you use your dog?
William Shakespeare
He lay down on his pallet and drew the fawn down beside him. He often lay so with it in the shed, or under the live oaks in the heat of the day. He lay with his head against its side. its ribs lifted and fell with its breathing. It rested its chin on his hand. It had a few short hairs there that prickled him. He had been cudgeling his wits for an excuse to bring the fawn inside at night to sleep with him, and now he had one that could not be disputed. He would smuggle it in and out as long as possible, in the name of peace.
Marjorie Kinnan Rawlings (The Yearling)
Catholicism - all the perversions of Christianity - is not a faith of love. It is a faith of fear. Obey, be good, toe the line, and heaven is yours, the first prize in the lottery of eternity. Disobey, react, cut the lifeline, and never-ceasing damnation is the booby prize. The dogma is, love the only god and you shall be safe. Fail in that love and he will not rescue you, not until you crawl and apologize and fawn before the altar. What kind of a religion demands such indignity?
Martin Booth (A Very Private Gentleman)
Emily, do not sleep!’ Emily’s eyes flashed open. Fawn was twisted around on the stallion’s back and shaking her. ‘I – I’m awake. Thanks. I’m just so tired.’ ‘Hey, Em,’ Joel called, struggling to be heard over the whooshing of the Solar Stream. ‘Sing along with me.’ His deep voice rose clear and loud: ‘Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. If one of those bottles should happen to fall, there’d be ninety-eight bottles of beer on the wall . . .’ Joel looked back at Paelen. ‘C’mon, it’s easy. Sing to keep Emily awake!’ ‘Wait,’ Paelen cried. He flew closer to Joel to be heard. ‘Why are there ninety-nine bottles of beer on a wall? What wall? And what caused one to fall?’ ‘It doesn’t matter – just shut up and sing!’ Joel ordered.
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival;
Edgar Allan Poe
Divorce was never a thought...A life together forever was our only plan.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
Sometimes your talent can steer you away from your passion.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
[You for] the fragrant-blossomed Muses’ lovely gifts [be zealous,] girls, [and the] clear melodious lyre: [but my once tender] body old age now [has seized;] my hair’s turned [white] instead of dark; my heart’s grown heavy, my knees will not support me, that once on a time were fleet for the dance as fawns. This state I oft bemoan; but what’s to do? Not to grow old, being human, there’s no way. Tithonus once, the tale was, rose-armed Dawn, love-smitten, carried off to the world’s end, handsome and young then, yet in time grey age o’ertook him, husband of immortal wife.
Sappho
She’s having a party, you know. This coming week.” He took a sip of wine. “I know. I received an invitation this morning before you arrived. According to her flowing prose, I am to be the guest of honor.” He shuddered. Miranda couldn’t help but laugh. “Yes, my mother is quite taken with you now that you’re assisting us financially. I’m sure she’ll fawn over you all evening.” He downed the remainder of his wine in one swig. “Dear God, now I wish I hadn’t accepted the invitation.” She giggled at his twisted, pained expression. “Oh, of course you must come. Drink the wine, appreciate the orchestra. After all, you’re paying for it.” Ethan’s expression went from a playfully pained one to a truly pained one for a brief instant. His frown drew down and he looked at her evenly. “No, Miranda. I believe it is you who are paying,” he said softly.
Jess Michaels (Everything Forbidden (Albright Sisters, #1))
Mr. Blue's way of death was fitting. He had been utterly corrupted by America, and I find it proper that his carotid artery should have been severed by flak from a jumbo-sized can of mentholated shave cream. Like James Joyce, who tried to bend and subjugate the ironmongery of the cosmos with words (wasn't it The Word Joyce was after?), Mr. Blue tried to undo the empyrean mysteries with Seedy and his red carpet, with his elevated alligator shoes, with the ardent push-ups he seemed so sure would make him outlast time's ravages, with his touching search for some golden pussy that would yield to his lips the elixir of eternal life. And like Joyce's Leopold Bloom, like Quixote, Mr. Blue had become the perennial mock-epic hero of his country, the salesman, the boomer who believed that at the end of his American sojourn of demeaning doorbell-ringing, of faking and fawning, he would come to the Ultimate Sale, conquer, and soar.
Frederick Exley (A Fan's Notes)
In my early twenties, it had never occurred to me that the women who gained their power from beauty were indebted to the men whose desire granted them that power in the first place. Those men were the ones in control, not the women the world fawned over. Facing the reality of the dynamics at play would have meant admitting how limited my power really was - how limited any woman's power is when she survives and even succeeds in the world as a thing to be looked at. With that one gesture, Robin Thicke had reminded everyone on set that we women weren't actually in charge. I didn't have any real power as the naked girl dancing around in his music video. I was nothing more than the hired mannequin.
Emily Ratajkowski (My Body)
The Fawn and His Mother A YOUNG FAWN once said to his Mother, "You are larger than a dog, and swifter, and more used to running, and you have your horns as a defense; why, then, O Mother! do the hounds frighten you so?" She smiled, and said: "I know full well, my son, that all you say is true. I have the advantages you mention, but when I hear even the bark of a single dog I feel ready to faint, and fly away as fast as I can." No arguments will give courage to the coward.
Aesop (Aesop's Fables)
Are you gonna kill me?" the kid asked. Kid definitely didn't know who he was. There would be fawning. Wait. He looked that scary? Grinning, Evie said, "Nah. You've got nothing to worry about, squirt. Mr. Brothario is a lover, not a fighter." Blue glared at her. Drew flipped him off before rushing inside his house, probably to hide. "Aw, how sweet," Evie said, settling in her seat. "I think he was trying to warn you against unleashing your dreadful wrath on sweet, innocent me." "If the poor kid thinks you're sweet, I have to fear his home life.
Gena Showalter (Black and Blue (Otherworld Assassin, #2))
Bonnie and Jerry told me they never run away fro disagreements. They face each one head-on. "By holding it in, you'll begin to slowly form a negative opinion of each other," Bonnie reasoned, "which means you can't work out what the disagreement is.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
You are burnt beyond recognition," he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her fawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.
Kate Chopin (The Awakening)
Live for the gifts the fragrant-breasted Muses send, for the clear, the singing, lyre, my children. Old age freezes my body, once so lithe, rinses the darkness from my hair, now white. My heart’s heavy, my knees no longer keep me up through the dance they used to prance like fawns in. Oh, I grumble about it, but for what? Nothing can stop a person’s growing old. They say that Tithonus was swept away in Dawn’s passionate, rose-flushed arms to live forever, but he lost his looks, his youth, failing husband of an immortal bride.
Sappho
Many freeze types unconsciously believe that people and danger are synonymous, and that safety lies in solitude. Outside of fantasy, many give up entirely on the possibility of love. The freeze response, also known as the camouflage response, often triggers the individual into hiding, isolating and eschewing human contact as much as possible. This type can be so frozen in retreat mode that it seems as if their starter button is stuck in the ‘off’ position. It is usually the most profoundly abandoned child - ‘the lost child’ - who is forced to ‘choose’ and habituate to the freeze response… Unable to successfully employ fight, flight or fawn responses, the freeze type’s defenses develop around classical dissociation.
Pete Walker
He was from a fantasy where fairies and pixies danced through the woods and slept in dewy beds of twigs and petals. He was a creature unlike anything poets or philosophers could conjure up. He was born from alchemy, created by twisting storm clouds and rays of sunshine together.
Nash Summers (fawn)
Behind the tall-backed and elaborately wrought chairs, stand the servants, men and maidens—fifteen in number—discriminately selected, not only with a view to their industry and faithfulness, but with special regard to their personal appearance, their graceful agility and captivating address. Some of these are armed with fans, and are fanning reviving breezes toward the over-heated brows of the alabaster ladies; others watch with eager eye, and with fawn-like step anticipate and supply wants before they are sufficiently formed to be announced by word or sign.
Frederick Douglass (My Bondage and My Freedom (The Autobiographies #2))
Early in our marriage, we knew that once the kids were gone, we would still be married and have to work on it. So, we decided to pay it forward. We worked in the first year like we wanted things to be in the fiftieth year. I'm so glad we did.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
This producer was a woman, a type I became acquainted with at the beginning of my stand-up career in Denver. I cared little for them: blondes in high heels who were so anxious to reach the professional level of the men they worshipped, fawned over, served, built up, and flattered that they would stab other women in the back. They are the ultimate weapon used by men against actual feminists who try to work in media, and they are never friends to other women, you can trust me on that.
Roseanne Barr
I've known plenty of couples who choose to ignore budding problems or dissatisfactions because it's easier in the moment. But too much of that for long enough, and you all of a sudden have a huge problem on your hands, or a midlife crisis, or a broken marriage.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
If I had smiled and fawned over you at Lady Mannering’s ball,” she said, “and if I had simpered and giggled during the drive in Hyde Park, you would have lost interest in me in a moment, Lord Ravensberg.” “Good Lord, yes,” he agreed. Perceptive of her. “I would thank you not to take the Lord’s name in vain,” she said so primly that he was momentarily enchanted. “I see that I have behaved in quite the wrong manner with you. I should have encouraged you.” “There is always time,” he suggested, moving his chair half an inch closer to hers, “to mend your ways, Miss Edgeworth.
Mary Balogh (A Summer to Remember (Bedwyn Prequels, #2))
In that conversation with Richard, Kris did precisely what she'd done before offering her tennis quitting advice from years before. She paid attention. Instead of getting swept up in a reaction--regardless of how legitimate it would have been--she unseated herself and chose to focus on what Richard was saying. That kind of awareness is rare. It's rare in a person and even more so with a couple.
Fawn Weaver (Happy Wives Club: One Woman's Worldwide Search for the Secrets of a Great Marriage)
When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires. ("The Basilisk")
R. Murray Gilchrist (Terror by Gaslight: More Victorian Tales of Terror)
He (Lafcadio) was sitting all alone in a compartment of the train which was carrying him away from Rome, & contemplating–not without satisfaction–his hands in their grey doeskin gloves, as they lay on the rich fawn-colored plaid, which, in spite of the heat, he had spread negligently over his knees. Through the soft woolen material of his traveling-suit he breathed ease and comfort at every pore; his neck was unconfined in its collar which without being low was unstarched, & from beneath which the narrow line of a bronze silk necktie ran, slender as a grass snake, over his pleated shirt. He was at ease in his skin, at ease in his shoes, which were cut out of the same doeskin as his gloves; his foot in its elastic prison could stretch, could bend, could feel itself alive. His beaver hat was pulled down over his eyes & kept out the landscape; he was smoking dried juniper, after the Algerian fashion, in a little clay pipe & letting his thoughts wander at their will …
André Gide
My father is deceast, come Gaveston,' And share the kingdom with thy deerest friend.' Ah words that make me surfet with delight: What greater blisse can hap to Gaveston, Then live and be the favorit of a king? Sweete prince I come, these these thy amorous lines, Might have enforst me to have swum from France, And like Leander gaspt upon the sande, So thou wouldst smile and take me in thy armes. The sight of London to my exiled eyes, Is as Elizium to a new come soule. Not that I love the citie or the men, But that it harbors him I hold so deare, The king, upon whose bosome let me die, And with the world be still at enmitie: What neede the artick people love star-light, To whom the sunne shines both by day and night. Farewell base stooping to the lordly peeres, My knee shall bowe to none but to the king. As for the multitude that are but sparkes, Rakt up in embers of their povertie, Tanti: Ile fawne first on the winde, That glaunceth at my lips and flieth away: ....
Christopher Marlowe (Edward II)
There were kind lies. You still look beautiful. I love you. I forgive you. There were frightened lies. Someone else must have taken it. Of course I am Anglican. I never saw that baby before. There were predatory lies. Buy this tonic if you want your child to recover. I will look after you. Your secret is safe with me. Half-lies, and the tense little silences where a truth should have been. Lies like knives, lies like poultices. The tiger's stripe, and the fawn's dusky dapple. And everywhere, everywhere, the lies that people told themselves. Dreams like cut flowers, with no nourishing root. Will-o'-the-wisp lights to make them feel less alone in the dark. Hollow resolutions and empty excuses.
Frances Hardinge (The Lie Tree)
Wherever the family was, these two dogs, both six-year-old shepherd mixes, took up their posts at the central coming-and-going point. Gil called them concierge dogs. And it's true, they were inquisitive and accommodating. But they were not fawning or overly playful. They were watchful and thoughtful. Irene thought they had gravitas. Weighty demeanors. She thought of them as diplomats. She had noticed that when Gil was about to lose his temper one of the dogs always appeared and did something to divert his attention. Sometimes they acted like fools, but it was brilliant acting. Once, when he was furious about a bill for the late fees for a lost video, one of the dogs had walked right up to Gil and lifted his leg over his shoe. Gil was shouting at Florian when the piss splattered down, and she'd felt a sudden jolt of pride in the dog.
Louise Erdrich (Shadow Tag)
The black bird cocked its head to one side, and then said, in a voice like stones being struck, 'You shadow man.' 'I'm Shadow,' said Shadow. The bird hopped up onto the fawn's rump, raised its head, ruffled its crown and neck feathers. It was enormous and its eyes were black beads. There was something intimidating about a bird that size, this close. 'Says he will see you in Kay-ro.' tokked the raven. Shadow wondered which of Odin's ravens this was: Huginn or Munnin, Memory or Thought. 'Kay-ro?' he asked. 'In Egypt.' 'How am I going to go to Egypt?' 'Follow Mississippi. Go south. Find Jackal.' 'Look,' said Shadow, 'I don't want to seem like I'm-- Jesus, look...' he paused. Regrouped. He was cold, standing in a wood, talking to a big black bird who was currently brunching on Bambi. 'Okay. What I'm trying to say is I don't want mysteries.' 'Mysteries,' agreed the bird helpfully. 'What I want is explanations. Jackal in Kay-ro. This does not help me. It's a line from a bad spy thriller.
Neil Gaiman (American Gods (American Gods, #1))
Recently I've been working very hard and quickly; in this way I try to express the desperately fast passage of things in modern life. Yesterday, in the rain, I painted a large landscape with fields as far as the eye can see, viewed from a height, different kinds of greenery, a dark green field of potatoes, the rich purple earth between the regular rows of plants, to one side a field of peas white with bloom, a field of clover with pink flowers and the little figure of a mower, a field of tall, ripe, fawn-coloured grass, then some wheat, some poplars, on the horizon a last line of blue hills at the foot of which a train is passing, leaving an immense trail of white smoke over the greenery. A white road crosses the canvas, on the road a little carriage and some white houses with bright red roofs alongside a road. Fine drizzle streaks the whole with blue or grey lines.
Vincent van Gogh (The Letters of Vincent van Gogh)
When we reflect that her century was the brutalest, the wickedest, the rottenest in history since the darkest ages, we are lost in wonder at the miracle of such a product from such a soil. The contrast between her and her century is the contrast between day and night. She was truthful when lying was the common speech of men; she was honest when honesty was become a lost virtue; she was a keeper of promises when the keeping of a promise was expected of no one; she gave her great mind to great thoughts and great purposes when other great minds wasted themselves upon pretty fancies or upon poor ambitions; she was modest, and fine, and delicate when to be loud and coarse might be said to be universal; she was full of pity when a merciless cruelty was the rule; she was steadfast when stability was unknown, and honorable in an age which had forgotten what honor was; she was a rock of convictions in a time when men believed in nothing and scoffed at all things; she was unfailingly true to an age that was false to the core; she maintained her personal dignity unimpaired in an age of fawnings and servilities; she was of a dauntless courage when hope and courage had perished in the hearts of her nation; she was spotlessly pure in mind and body when society in the highest places was foul in both—she was all these things in an age when crime was the common business of lords and princes, and when the highest personages in Christendom were able to astonish even that infamous era and make it stand aghast at the spectacle of their atrocious lives black with unimaginable treacheries, butcheries, and beastialities.
Mark Twain (Joan of Arc)
Think, but don’t fret. Ponder, but don’t worry. Contemplate, but don’t fuss. Decide, but don’t agonize. Speak, but don’t babble. Emphasize, but don’t exaggerate. Debate, but don’t argue. Confront, but don’t offend. Challenge, but don’t provoke. Praise, but don’t flatter. Respect, but don’t cower. Defy, but don’t threaten. Oppose, but don’t antagonize. Contradict, but don’t alienate. Bow, but don’t yield. Humor, but don’t insult. Honor, but don’t idolize. Revere, but don’t worship. Pamper, but don’t spoil. Assist, but don’t indulge. Discipline, but don’t harm. Chastise, but don’t bruise. Adapt, but don’t settle. Nurture, but don’t coddle. Cherish, but don’t pander. Admire, but don’t fawn. Love, but don’t deify. Extol, but don’t adore.
Matshona Dhliwayo
For long hours they sat without thinking, when, in the earliest stirrings of the long dawn, the fog lifting in peels from the surface of the warming water, Marie saw at the farthest edge of the pool the shape of a deer. And it was a doe, because a fawn was nuzzling at its belly, but it was unworldly, because it wore a rack of antlers upon its head and its body was made of the purest white. Seeing this creature as if fog gathered and made flesh, Marie held her breath and went entirely still. If her aunt had seen the doe, it would already be dead, blood unspooling in ribbons into the water. Then the white doe lifted her head and looked at Marie across the pond; looked her entire self into the girl. She spoke something there into the wordlessness at the center of Marie. Time stilled. The forest watched. Then the doe turned and with a single bound disappeared into the shrubbery with the fawn leaping behind.
Lauren Groff (Matrix)
What comforted me was the prospect of oblivion after death. The thought of an after-life frightened and fatigued me. I had never been able to adapt myself to the world in which I was now living. Of what use would another world be to me ? I felt that this world had not been made for me but for a tribe of brazen, money-grubbing, blustering louts, sellers of conscience, hungry of eye and heart—for people, in fact, who had been created in its own likeness and who fawned and grovelled before the mighty of earth and heaven as the hungry dog outside the butcher’s shop wagged his tail in the hope of receiving a fragment of offal. The thought of an after-life frightened and fatigued me. No, I had no desire to see all these loathsome worlds peopled with repulsive faces. Was God such a parvenu that He insisted on my looking over His collection of worlds ? I must speak as I think. If I had to go through another life, then I hoped that my mind and senses would be numb. In that event I could exist without effort and weariness. I would live my life in the shadow of the columns of some lingam temple. I would retire into some corner where the light of the sun would never strike my eyes and the words of men and the noise of life never grate upon my ears.
Sadegh Hedayat (The Blind Owl)
The old woman sits on a bench before the door and quarrels With her meagre pale demoralized daughter. Once when I passed I found her alone, laughing in the sun And saying that when she was first married She lived in the old farmhouse up Garapatas Canyon. (It is empty now, the roof has fallen But the log walls hang on the stone foundation; the redwoods Have all been cut down, the oaks are standing; The place is now more solitary than ever before.) "When I was nursing my second baby My husband found a day-old fawn hid in a fern-brake And brought it; I put its mouth to the breast Rather than let it starve, I had milk enough for three babies. Hey how it sucked, the little nuzzler, Digging its little hoofs like quills into my stomach. I had more joy from that than from the others." Her face is deformed with age, furrowed like a bad road With market-wagons, mean cares and decay. She is thrown up to the surface of things, a cell of dry skin Soon to be shed from the earth's old eye-brows, I see that once in her spring she lived in the streaming arteries, The stir of the world, the music of the mountain.
Robinson Jeffers (The Selected Poetry)
They live beyond the quick ghetto. In hovels. In the shantytown.' He smiled. 'And every night, after the sun's descended, they can crawl safely out from their shacks and shuffle into the town. Stick-figures in rags, leaning against the walls. Exhausted and starving, hands outstretched. Begging.' His voice was soft and vicious. 'Begging for the quick to take pity on them. And every so often one of us will acquiesce, and out of pity and contempt, embarrassed by our soft philanthropy, we'll stand in the eaves of a building and offer up our wrists. And you and your kind will open them, all frantic with hunger and fawning with gratitude, and take a few eager swigs, till we decide you've had enough and take back our hands while you weep and beg for more, and maybe spew because you've gone without a hit so long your stomach can't handle what it craves, and we leave you lying in the dirt, blissed by your little fix.
China Miéville (The Scar (New Crobuzon, #2))
A woman once told me that, for a time after her husband died, her grief was as constant as breathing. Then one day, while pushing a shopping cart, she realized she was thinking about yogurt. With time, thoughts in this vein became contiguous. With more time thoughts in this vein became sustained. Eventually they won a kind of majority. Her grieving had ended while she wasn’t watching (although, she added, grief never ends). And so it was with my depression. One day in December I changed a furnace filter with modest interest in the process. The day after that I drove to Gorst for the repair of a faulty seat belt. On the thirty-first I went walking with a friend—grasslands, cattails, asparagus fields, ice-bound sloughs, frost-rimed fencerows—with a familiar engrossment in the changing of winter light. I was home, that night, in time to bang pots and pans at the year’s turn: “E quindi uscimmo a riveder le stelle.” It wasn’t at all like that—this eve was cloudy, the stars hidden by high racing clouds—but I found myself looking skyward anyway, into the night’s maw, and I noticed I was thinking of January’s appointments without a shudder, even with anticipation. Who knows why, but the edge had come off, and being me felt endurable again. My crucible had crested, not suddenly but less gradually than how it had come, and I felt the way a newborn fawn looks in an elementary school documentary. Born, but on shaky, insecure legs. Vulnerable, but in this world for now, with its leaf buds and packs of wolves. Was it pharmacology, and if so, is that a bad thing? Or do I credit time for my healing? Or my Jungian? My reading? My seclusion? My wife’s love? Maybe I finally exhausted my tears, or my dreams at last found sufficient purchase, or maybe the news just began to sound better, the world less precarious, not headed for disaster. Or was it talk in the end, the acknowledgments I made? The surfacing of so many festering pains? My children’s voices down the hall,
David Guterson (Descent: A Memoir of Madness (Kindle Single))
Whether this propensity be one of those original principles in human nature of which no further account can be given; or whether, as seems more probable, it be the necessary consequence of the faculties of reason and speech, it belongs not to our present subject to inquire. It is common to all men, and to be found in no other race of animals, which seem to know neither this nor any other species of contracts. Two greyhounds, in running down the same hare, have sometimes the appearance of acting in some sort of concert. Each turns her towards his companion, or endeavours to intercept her when his companion turns her towards himself. This, however, is not the effect of any contract, but of the accidental concurrence of their passions in the same object at that particular time. Nobody ever saw a dog make a fair and deliberate exchange of one bone for another with another dog. Nobody ever saw one animal by its gestures and natural cries signify to another, this is mine, that yours; I am willing to give this for that. When an animal wants to obtain something either of a man or of another animal, it has no other means of persuasion but to gain the favour of those whose service it requires. A puppy fawns upon its dam, and a spaniel endeavours by a thousand attractions to engage the attention of its master who is at dinner, when it wants to be fed by him. Man sometimes uses the same arts with his brethren, and when he has no other means of engaging them to act according to his inclinations, endeavours by every servile and fawning attention to obtain their good will. He has not time, however, to do this upon every occasion. In civilised society he stands at all times in need of the cooperation and assistance of great multitudes, while his whole life is scarce sufficient to gain the friendship of a few persons. In almost every other race of animals each individual, when it is grown up to maturity, is entirely independent, and in its natural state has occasion for the assistance of no other living creature. But man has almost constant occasion for the help of his brethren, and it is in vain for him to expect it from their benevolence only. He will be more likely to prevail if he can interest their self-love in his favour, and show them that it is for their own advantage to do for him what he requires of them. Whoever offers to another a bargain of any kind, proposes to do this. Give me that which I want, and you shall have this which you want, is the meaning of every such offer; and it is in this manner that we obtain from one another the far greater part of those good offices which we stand in need of. It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard to their own interest. We address ourselves, not to their humanity but to their self-love, and never talk to them of our own necessities but of their advantages. Nobody but a beggar chooses to depend chiefly upon the benevolence of his fellow-citizens. Even a beggar does not depend upon it entirely. The charity of well-disposed people, indeed, supplies him with the whole fund of his subsistence. But though this principle ultimately provides him with all the necessaries of life which he has occasion for, it neither does nor can provide him with them as he has occasion for them. The greater part of his occasional wants are supplied in the same manner as those of other people, by treaty, by barter, and by purchase. With the money which one man gives him he purchases food. The old clothes which another bestows upon him he exchanges for other old clothes which suit him better, or for lodging, or for food, or for money, with which he can buy either food, clothes, or lodging, as he has occasion.
Adam Smith (The Wealth of Nations)