Favorite Cousin Quotes

You know, Qhuinn's an interesting character." Saxton reached out with an elegant hand and picked up his port. "He's one of my favorite cousins, actually. His nonconformity is admirable and he's survived things that would crush a lesser male. Don't know that being in love with him would be easy, however." Blay didn't go near that one. "So do you come here often?" Saxton laughed, his pale eyes glinting, "Not for discussion, huh.

You said your cousin was a necromancer. You know how the natural necromancers operate?" They twisted the head off your favorite doll, stuffed a dead bird into it, and made it walk around. And then they were puzzled why you got upset.

Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone.

-I WOULD BREATHE FOR YOU MY JANE JANE WHERE HAVE YOU GONE I AM BEREFT WITHOUT MY JANE I SHALL SINK INTO ROGUERY -i am with my cousins -WHICH COUSIN IS IT THE SEXY ONE -Please don't try to talk to me again -IS IT YOUR SEXY COUSIN "ST. JOHN" WHAT KIND OF NAME IS ST. JOHN -I'm not going to answer that -I KNEW IT DID YOU LEAVE BECAUSE OF MY ATTIC WIFE IS THAT WHAT THIS IS ABOUT -yes Absolutely -BECAUSE MY HOUSE IN FRANCE DOESN'T EVEN HAVE AN ATTIC IF THAT'S WHAT YOU WERE WORRIED ABOUT IT HAS A CELLAR THOUGH SO YOU KNOW DON'T CROSS ME HAHA I'M ONLY JOKING

I have raised you to respect every human being as singular. And you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman whose mind is as active as your own, whose range of feelings as vast as your own, who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddys in the nearby stream, who loves her mother in her own complicated way, thinks her sister talks to loud, has a favorite cousin, a favorite season, who excels at dress making, and knows inside herself that she is as intelligent and capable as anyone. Slavery is the same woman born in a world that loudly proclaims its love of freedom and describes this world in essential texts. A world in which these same professors hold this woman a slave. Hold her mother a slave, her father a slave, her daughter a slave. And when this woman peers back into the generations, all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren, but when she dies, the world, which is really the only world she can really know, ends. For this woman enslavement is not a parable, it is damnation, it is the never ending night, and the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains, whole generations followed by more generations who knew nothing but chains.

I have raised you to respect every human being as singular. And you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman whose mind is as active as your own, whose range of feelings as vast as your own, who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddys in the nearby stream, who loves her mother in her own complicated way, thinks her sister talks to loud, has a favorite cousin, a favorite season, who excels at dress making, and knows inside herself that she is as intelligent and capable as anyone. Slavery is the same woman born in a world that loudly proclaims its love of freedom and describes this world in essential texts. A world in which these same professors hold this woman a slave. Hold her mother a slave, her father a slave, her daughter a slave.

The llama was wearing a bridle with a rope attached where you might expect to find reins. A greeting card was hanging from his neck: 'Hola Como se llama? Yo me llamo C. Llama.' During his preschool years, Clay's favorite cartoon had featured a Spanish-speaking boy naturalist who was always saving animals with his girl cousin, and Clay still knew enough of the language to translate: 'Hello. How do you call yourself? I call myself Como C. Llama.' The llama's name is What is your name?

I beg to differ. My former favorite cousin would have ridden her hard by now.” “What the—she’s not a horse.” I felt my nostrils flare when I turned on him. “Give me a fucking break. Of course, she’s not a horse. You can’t fuck a horse.” I ran my hand down my face and counted to five.

Even when there were good wars to write about, writers such as Jane Austen wrote novels concerning marriage. They usually went like this: 'You're being a real jerk.' 'Sorry about that. I was secretly helping you.' 'Oh, you're wonderful! And you have so much money! You're my new favorite cousin!' 'Let's get married." The End.

I was also one of those people who hadn’t caught up with the latest social networking site. Maura belonged to most of them. She passed most evenings befriending men who had tried to date-rape her in high school, but I was still stuck in the last virtual community, a sad place to be, like Europe, say, during the Black Death. Whenever I cruised this site, with its favorites lists and its paeans to somebody’s cousin’s gas station art gallery, I could not help but think of medieval corpses in the spring-thaw mud, buboes sprouted in every armpit and anus, black bile curling out of frozen mouths. Those of us still cursed with life wandered the blasted dales of this stricken network, wept and moaned and flogged ourselves with frayed AC adaptors, called out for God to strike us dead, or else let us find somebody who liked similar bands.

this publisher guy is asking me about my favorite canto in Child Harolde that’s like asking someone to pick who’s hotter his half-sister or his cousins it’s literally impossible

Hey, you just 'member it's all in the butter. I keep trynna tell your cousins that, and they don't listen for the life of 'em." Butter is probably Grandma's favorite ingredient, and she puts it in nearly everything. I believe she'd put it in her raisin bran in the mornings if she could. One year, she made deep-fried sticks of butter and dipped them in chocolate sauce and melted peanut butter. I'm not gonna lie. It was pretty flame, but I'm sure at least one of my arteries clogged up.

Slavery is not an undefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone.

I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. 'Slavery' is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. she can hope for more. But when she dies, the world - which is really the only world she can ever know - ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains - whole generations followed by more generations who knew nothing but chains. You must struggle to truly remember this past in all its nuance, error, and humanity. You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance - not matter how improved - as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have because the god of history is an atheist, and nothing about his world is meant to be. So you must wake up every morning knowing that no promise is unbreakable, least of all the promise of waking up at all. This is not despair. These are the preferences of the universe itself: verbs over nouns, actions over states, struggle over hope.

Clara’s parents, on the other hand, were fourth-generation Americans shaped predominately by the conventions of their gilded social class. A few smart investments—steel and timber did the trick—and they’d watched their inherited wealth grow to numbers so high that even they could scarcely conceive of them. As such, they had a fastidious respect for the orderly following of the rules and systems from which they benefited. It all made them feel quite secure in the correctness of their position within the social order, and security was Clara’s mother’s favorite feeling, outranked only by virtuous womanhood. (She was cousin Charles’s favorite aunt, after all.)

One of my cousins has stopped eating potato – her favorite vegetable. She wants to get married to her boyfriend and she thinks that by “sacrificing” something that she loves the most, the Gods would take notice of her and grant her the wish as a reward. Someone please explain to me the logic behind potatoes and The Right Man. Please?!

Ildiko shuddered.  Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain.  When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu.  She ordered roasted potatoes as well, much to the head cook’s disgust. When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear.  “Revenge, wife?” “Hardly,” she replied, keeping a wary eye on the pie closest to her.  The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation.  “But I’m starving, and I have no intention of filling up on that abomination.” Their guest of honor didn’t share their dislike of either food.  As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat. Ildiko’s stomach heaved.  She forgot her nausea when Serovek complimented her.  “An excellent choice to pair the scarpatine with the potato, Your Highness.  They are better together than apart.” Beside her, Brishen choked into his goblet.  He wiped his mouth with his sanap.  “What a waste of good scarpatine,” he muttered under his breath. What a waste of a nice potato, she thought.  However, the more she thought on Serovek’s remark, the more her amusement grew. “And what has you smiling so brightly?”  Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight. She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby.  Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner. “That’s us, you know,” she said. “What is us?” “The scarpatine and the potato.  Better together than alone.  At least I think so.” One of Brishen’s eyebrows slid upward.  “I thought we were hag and dead eel.  I think I like those comparisons more.”  He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang. Ildiko laughed and stabbed a piece of the potato off his plate.  She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.

That weekend, I preached my first sermon on heaven and hell to a sold-out crowd of siblings and cousins in our tiny bedroom, standing on a cardboard box. My cousins were so horrified, that some cried, some were sitting in terrified silence, and someone threw my favorite stuffed green turtle into the bedroom window and shattered it. My five year old self was indignant, angry and hurt. Hey, I loved that turtle. But that’s beside the point. No one should want to go to hell. Even a child can understand this. It's hot, it's stinky, it's lonely, it's painful and it's eternal.

Do you have any cheese preferences?” Jack asked. “All cheese is good cheese, Lend said. “True dat.” I nodded solemnly. “You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.” “Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’” “No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.” “But on Easton Heights—” “You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack. He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.” “Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.” “No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.” “True dat,” Arianna said, nodding. “How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged. “Because I’m dead, and none of the rules apply anymore.” Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks. Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.” “I kind of wish they’d shut up,” Jack said. “Dude, true dat,” Lend answered. Jack nodded solemnly. “For serious.

When she turned fifteen, Blue concluded that her mother’s tarot cards were just a pack of playing cards and that the dreams of her mother and the other clairvoyant women were fueled by mixed drinks rather than otherworldly insight, and so the prediction didn’t matter. She knew better, though. The predictions that came out of 300 Fox Way were unspecific, but undeniably true. Her mother had dreamt Blue’s broken wrist on the first day of school. Her aunt Jimi predicted Maura’s tax return to within ten dollars. Her older cousin Orla always began to hum her favorite song a few minutes before it came on the radio.

Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dress-making and knows, inside herself, that she is as intelligent and capable as anyone. "Slavery" is this same woman born in a world that loudly proclaims its love of freedom and inscribed this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world -- which is really the only world she can ever know -- ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains -- whole generations followed by more generations who knew nothing but chains.

Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.

Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.

Jase and I asked Mia what she wanted to do before her surgery. “How about a family party?” she suggested. So the invitation went out. It’s interesting when you mention to family members that they are going to be on TV--schwoom, they are there. As Willie said, “I didn’t know we had this much family.” Mia had always heard the funny stories about Jase wrestling with his brothers and cousins growing up, particularly how cousin Amy beat up Willie, so that’s what she requested for the special entertainment. As Jase said, “It’s the ultimate redneck dinner theater.” A wrestling ring was delivered, and the warmup act was the Robertson boys clowning around, performing their best wrestling moves. Willie surprised everyone with guest professional wrestlers, including Jase’s favorite, “Hacksaw” Jim Duggan. I felt kind of bad for them, wearing only their little wrestling pants, while the rest of us were bundled up in winter coats. Yes, it was January, but it was unusually cold in Louisiana--about twenty degrees. The wrestlers had to keep moving fast; otherwise, they would have frozen to death! At the end of the party, Mia took the stage between Jase and Willie, thanking everyone for coming and then sharing from her heart: “My favorite verse is Psalm 46:10: ‘Be still, and know that I am God!’ God is bigger than all of us, and He is bigger than any of your struggles, too.” I think I can say that there was hardly a dry eye in the crowd. Going into her surgery, Mia was being brave for all of us. In the end, seeing the final version of the episode, I thought the network did a great job of including enough humor to make people laugh but also providing a tender glimpse into the love our family shares with one another and the love we all have for Mia. When Duck Dynasty fans saw it on March 26, 2014, they agreed completely!

To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or

How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!

Your daughter is delightful!" Sejanus was saying to Aelia. I gripped the edge of the bench and bit my tongue as he spoke. "She is a living testament to the good looks that seem to follow the gens Aelia." Aelia smiled. "Cousin, you flatter me." Sejanus had set the tone for the evening with the clear slight against the Gavia clan. "It's only a shame I share the name through adoption- not blood- or who knows how much more attractive I might have been!" Nearby guests laughed at the joke but to me it seemed the true intent was to point out that Apicius had, at least at one time, found him attractive. Sejanus looked directly at Apicius directly as he spoke, a smile on his face. Apicius gave away nothing. He waved a boy over with a tray. "Have you tried the fried hare livers, Sejanus?" Apicata jumped up and down and smiled at her father. "May I? May I?" Her father smiled. Apicata could always melt his heart. "Only one and don't share with Perseus!" The serving boy lowered the tray so she could reach for the liver but not so low that the jumping puppy could steal treats for himself. She snatched a morsel and popped it into her mouth. I knew what she tasted, a sublime mixture of textures, the crispy breaded exterior and the smooth, sumptuous richness of the liver itself. The combination is unexpected. When I first introduced the recipe, it immediately became a family favorite. Apicata turned to Sejanus. She did not appear to recognize him from the market. "Oh, you must try! These are my favorite!" "If you say so, I must try!" Sejanus reached for the tray. He took a bite of the liver and surprise registered in his eyes. Sejanus reached for another liver. "Where on earth did you find your cook?" "Baiae." Aelia reached for her own sample. "Thrasius's cooking is always exceptional. Wait until you try the hyacinth bulbs!" "Hyacinth bulbs are one of my favorites." Sejanus ran his fingers affectionately through Apicata's hair as he talked. I stared, wondering what his intentions were. My right eye began to twitch. Apicius nodded at Passia to come forward and collect Apicata and her puppy. The girl went begrudgingly and only after Sejanus had planted a kiss on her forehead and promised he would visit again soon.

Originally there had been just two projects, which he had codenamed Bluebird and Artichoke; the bird and vegetable were among his favorites. Later had come Naomi, the name of a distant cousin. But soon there were so many projects that he had resorted to simply numbering them. By now the total number of projects stood at over 100 (they would eventually reach 149). MK-Project 94 was to investigate “remote directional control of activities in specific brain centers.” MK-Project 142 was to “study electrical brain stimulation.” In his never-ending search for information that could prove useful for the biological warfare program, Dr. Gottlieb had enlisted the support of the CIA archivists. They had turned up a box of documents which U.S. Army intelligence officers had recovered in Munich in 1945. The box was labeled: “German War Office Experiments 1934-39.” The documents still bore the German classification “Secret.” Among the experiments were those which had tracked air currents through the subway systems of Paris and London. “The tunnels would be prime targets in a future war when Londoners and Parisians sheltered in the tunnels during air raids. Using bacteria which were excellent biological tracers, the tunnels would be transformed into places for mass epidemics.” The memo had been written in July 1934, after the Nazis had come to power. Two months later on a hot summer’s day, according to another document, German agents had sprayed “billions of microbes into the Paris Metro system from cars they had driven past the subway entrances. Exhaust gasses provided a satisfactory disguise for the release of the microbes from tanks linked to the car exhausts.” A third document claimed that “six hours later, at the Place de la République Metro station, a mile and a half from the dispersal point, our agents discovered thousands of colonies of the germs.” In Berlin the findings had been eagerly studied. A memo sent to Herman Goering, the head of the Luftwaffe, from the German War Office read: “It was possible to drop a suitable biological bomb and be highly certain that the bacteria would enter the subway system.” Similar tests in London had been carried out by the Germans with “the same satisfying results.

I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. “Slavery” is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world—which is really the only world she can ever know—ends. For this woman, enslavement is not a parable. It is damnation.

Norman Cousins, author of Anatomy of an Illness and The Healing Heart, divides the human race into “positive” and “negative” people: The positive people work miracles, accounting for the evolution of human performance. I add another division, productive and nonproductive people: those who can do things and those who only talk about things (especially talk about why they can’t do things). As far back as I can remember, I was determined to contribute something, to be productive, and I’ve always questioned those who—though they may know much—go through life without making a mental contribution to the species: “If I live, I ought to speak my mind.” Productive people have a love affair with time, with all of love’s ups and downs. They get more from time than others, seem to know how to use time much better than nonproductive people—so much so that they can waste immense quantities of time and still be enormously creative and productive. One of my favorite examples is John Peabody Harrington, the great anthropologist of the American Southwest. At the time of his death, Harrington’s field notes filled a basement of the Smithsonian Institution in Washington, D.C., and several rented warehouses in the Washington suburbs were needed for the overflow. Yet Carobeth Laird, his wife and Harrington’s biographer, called him one of the greatest wasters of time she’d ever known—and said he felt the same way about himself.

There were things I never asked when picking up a stranger.  I didn't want to know what they did for a living.  I didn’t care what they drove, where they lived, or what their favorite color was.  I wanted to know how they liked their cock sucked.  I wanted to know if they made love or fucked.  Did they eat pussy?  Did they like rough sex?  He laughs.  “I thought those kinds of pickup lines weren’t allowed.”  He was cocky.  I liked that.  It was a cousin to arrogance and cruelty; I liked that even more.  Was this what it felt like to find your true north? He shook my hand and started a conversation like a gentleman.  But in my heart, I knew this man, the dark Viking, was dangerous.

Red Buffalo emerged from the darkness, leading his favorite war pony. Loretta and Hunter, arms looped around one another, turned to face him. When Red Buffalo reached Loretta, he grasped her hand and curled her fingers around the horse’s line. “Red Buffalo, I can’t take your war pony!” This horse, she knew, was Red Buffalo’s most prized possession, precision trained, his greatest edge when he rode into battle. It was a great honor he was bestowing upon her, perhaps the greatest honor a warrior could bestow on anyone, but she couldn’t in good conscience accept. “Please, keep your horse.” “My cousin’s fine Comanche wife must have a fine horse to carry her. You will never make it into the west lands on a scrawny, poorly trained tosi tivo horse.” Red Buffalo extended his hand to her. In friendship. She had vowed once that she would never take his hand in friendship, never. For a moment she hesitated. Then the last hard little knot of hatred within her disintegrated, and she placed her palm across his. Loretta knew that her mother would approve. For Loretta and Hunter, the war between their people had to end. There was no room for the past in their lives, no room for bitterness. Red Buffalo smiled, inclined his head to Hunter, and turned to leave. “Red Buffalo, would you give Swift Antelope a message for me? Tell him Amy hasn’t forgotten her promise, that she’ll wait for him.” Red Buffalo lifted his arm in farewell. “I will tell him.

I'm not sure we'll have much to your liking, other than the roasted vegetables. We Southerners are all about refined sugar and flours." "You don't eat sugar or flour?" Sam's eyebrows reached his hairline. "God, what else is there? I mean, don't get me wrong, I'm a carnivore through and through, but I couldn't live without breads and desserts." "Sam!" Poppy gave him a disapproving look. Maybe she could polish my brother, although I doubted it. Javier ladled several scoops of chicken and dumplings onto his plate. "I try to eat clean. But it's not as if I don't ever splurge. I love a grain-free veggie pizza with no cheese." The table gasped. "Veggie pizza with no cheese!" Meemaw looked appalled. "That's not pizza! What's the point without the cheese?" Javy passed the tureen to Betsy, who scowled at her grandmother. "It's still pizza, Meemaw. I might try that sometime." Alex choked on a sip of tea. I elbowed him as Betsy leaned around Javy to glare at her cousin. "I agree that on occasion, you gotta splurge." Alex laughed under his breath. "Cheese is your favorite food group, Bets." The idea of Betsy eating clean really seemed to tickle his funny bone. He was lucky she wasn't sitting closer to him. He'd pay later. Her knuckles were white as she gripped her knife. "And yours is beer foam." The table went silent.

What’s your favorite part, she asks. The cousins? The food? The thanks? The thanks.

Everywhere I look, everywhere I turn: salad. Potato salad. Pasta salad. Tuna salad. Ham salad. There aren't any leafy green ones, although some, like my aunt's beloved cottage cheese lime Jell-O salad, are decidedly green. No, the bowls lining the tables and windowsills are filled with the kinds of salads I grew up with in Michigan, most containing some combination of proteins and carbs, the ingredients bound up with a spoonful of mayonnaise or its zesty cousin, Miracle Whip, my mother's all-time favorite condiment. She told me she'd never met a recipe that couldn't be improved by a spoonful of Miracle Whip. That, and maybe a dash of rum.

Key Apache Warriors Cochise—one of the great Chiricahua (Chokonen) chiefs. Born c. 1805. No known pictures exist but he was said to be very tall and imposing, over six feet and very muscular. Son-in-law to Mangas Coloradas. Died in 1874, probably from stomach cancer. Chihuahua—chief of the Warm Springs band (Red Paint people) of the Chiricahua. Fought alongside Geronimo in the resistance. Died in 1901. Fun—probably a cousin to Geronimo and among his best, most trusted warriors. Fun committed suicide in captivity in 1892, after becoming jealous over his young wife, whom he also shot. Only slightly wounded, she recovered. Juh—pronounced “Whoa,” “Ho,” or sometimes “Who.” Chief of the Nedhni band of the Apache, he married Ishton, Geronimo’s “favorite” sister. Juh and Geronimo were lifelong friends and battle brothers. Juh died in 1883. Loco—chief of the Warm Springs band. Born in 1823, the same year as Geronimo. Once was mauled by a bear and killed it single-handedly with a knife, but his face was clawed and his left eye was blinded and disfigured. Known as the “Apache Peacemaker,” he preferred peace to war and tried to live under reservation rules. Died as a prisoner of war from “causes unknown” in 1905, at age eighty-two. Lozen—warrior woman and Chief Victorio’s sister. She was a medicine woman and frequent messenger for Geronimo. She fought alongside Geronimo in his long resistance. Mangas Coloradas—Born in 1790, he was the most noted chief of the Bedonkohe Apache. A massive man for his era, at 6'6” and 250 pounds, he was Geronimo’s central mentor and influence. He was betrayed and murdered by the U.S. military in 1863. Geronimo called his murder “the greatest wrong ever done to the Indians.” Mangas—son of the great chief Mangas Coloradas, but did not succeed his father as chief because of his youth and lack of leadership. Died as a prisoner of war in 1901. Naiche—Cochise’s youngest son. Succeeded older brother Taza after he died, becoming the last chief of the free Chiricahua Apache. Nana—brother-in-law to Geronimo and chief of the Warm Springs band. Sometimes referred to as “Old Nana.” Died as a prisoner of war in 1896. Victorio—chief of the Warm Springs band. Noted and courageous leader and a brilliant military strategist. Brother and mentor to warrior woman Lozen. Slain by Mexicans in the massacre of Tres Castillos in 1880.

As a lifelong romance reader (who devours up to a book a day when my writing schedule permits!), my favorite romances have always been about families. I love following brothers and sisters and cousins from book to book, not only for the pleasure of watching them fall in love, but also to watch each of their love stories grow deeper and richer throughout the series.

As we gather around the rough-hewn farm table made by my grandfather, I am reminded that my family has come together for generations in this same way. Summers were always our favorite times; we would eat outdoors under the shade of a tree - hand-rolled pasta with a sauce of fresh tomatoes and basil from the garden, cheese from my Aunt Carmella, olive oil sent by our cousin in Santa Margherita, and wine from our own jugs. After having our fill of food and laughter, we'd pluck ripe figs right off the trees, peel and eat them until the sun disappeared into the blue. I can still taste those summer days, and will always do everything in my power to re-create them.

Slavery is not an indefinable mass of flesh. IT is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dress making and who knows, inside herself, that she is as intelligent and capable as anyone. "Slavery" is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a word in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back in to the generations all she sees is the enslaved. She can hope for more. She cam imagine some future for her grandchildren. But when she dies, the world - which is really the only world she can ever know - ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night.

My cousin Rebecca teaches comparative English literature at Midlands College. She’s always seeing Austen in the world around her.” “Exactly.” Theresa beamed. “Life is easier to understand when you think of it in terms of Pride and Prejudice. And all the others.” “I didn’t realize there were that many others.” She thought for a moment. “Wait, I think I saw a bit of Emma on the BBC one year.” “Wasn’t it amazing?” Theresa gripped her hand, blue eyes bright with excitement. “What was your favorite part? The dance? Or the proposal?” She searched her memory for any bit of the plot line but came up empty. “I… I liked the hats,” she said. Theresa stared for a moment, then burst into laughter. Lucy felt her face warming as curious guests turned to watch. “You liked the hats. Oh, girl.

Quiz # 6 1.   Who is the father of all mankind? 2.   In Genesis, what was the name of Isaac’s brother-in-law? 3.   What was Obed’s famous grandson’s first occupation? 4.   Who was the favorite child of Isaac’s wife, Rebekah? 5.   In the Old Testament which royal prince got his head caught in the branches of a tree? 6.   What was the name of Jacob’s only daughter? 7.   What prize did Caleb the spy offer to the person who captured Kiriath Sepher? 8.   How many son’s did Zilpah, the wife of Jacob have? 9.   What was the name of Abraham’s first-born son? 10. What was the name of the first child ever born? 11. How old was Jesus when his parents left him behind in Jerusalem? 12. Which Old Testament prophet was the son of Amittai? 13. What was the name of Queen Esther’s cousin who raised her from childhood? 14. What family arrangements of King Solomon angered God? 15. Who was Jacob the patriarch’s second son?

Gathering all his courage, Sid caught her chin in his hand and lifted her face to him. He wished his fingers would stop trembling, but the glory of her soft skin nearly undid him. “Did’ja like the little present I left for you today?” With her face caught in his fingers, she couldn’t nod. But he saw a soft look creep into her eyes. She liked it. He smiled. “Y’know, Sadie, I loved you even back then. You’ve always been important to me.” She swallowed, the sound loud in the silent room. She leaned back slightly, removing herself from his quivering grasp. “I . . . I know, Sid. And you’ve been important to me, too. Always my favorite—” He covered her lips with his fingers. “Don’t say ‘cousin.’ ’Cause we aren’t.

Rita switched gears to her favorite topic—sex. Her philosophy: What a mess, but so pleasurable. “Speaking of confessions, tell us, have you and Jack been intimate again?” I cringed. “When I had your cousins, the doctahs told us not to have relations with our husbands for six weeks!” “So we had to call our boyfriends!” Bernice quipped. “You stole my punch line!” Rita exploded.

Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. “Slavery” is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world—which is really the only world she can ever know—ends. For this woman, enslavement is not a parable. It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born into chains—whole generations followed by more generations who knew nothing but chains. You

The best jobs in town are reserved for the politician’s distant cousins.

The guard heard it from his brother. His brother works in the mines with his cousin. The cousin cooks for the barracks on the weekends and overheard the horse poop cleaner talking about the temple. The horse poop cleaner found out from the pig butt wiper. The pig butt wiper heard about the temple while wiping the butt of General Deimos’s second favorite pig. He overheard General Deimos talking about how he was tasked with guarding the temple,

Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast as your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dress-making and knows, inside herself, that she is as intelligent and capable as anyone. "Slavery" is this same woman born in a world that loudly proclaims its love of freedom and inscribed this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world -- which is really the only world she can ever know -- ends.

How, then, do we reconcile our extraordinary capacities for cooperation and conflict avoidance (Rousseau) with our capacities for aggression (Hobbes)? A persuasive resolution to this age-old debate was proposed by Richard Wrangham, who points out that we wrongly conflate two profoundly different kinds of aggression: proactive and reactive.10 According to Wrangham, humans differ from other animals, especially our ape cousins, in having exceedingly low levels of reactive aggression but much higher levels of proactive aggression. We correspond to Rousseau in terms of reactive aggression and to Hobbes in terms of proactive aggression. To illustrate this difference, imagine I just now rudely snatched this book from your hands. You might shout indignantly and try to grab it back, but it is unlikely you will attack me. Your brain would immediately inhibit any major act of reactive aggression. If you were a chimpanzee, however, you’d probably respond to my theft with instantaneous, uninhibited violence. Unless I were the dominant male in the troop, without pausing to think, you’d give me a thumping and retrieve your book. One widely reported case of this sort of reactive aggression that is only too common among chimpanzees involved an adult chimp named Travis who had spent his entire life peacefully as part of Sandra and Jerome Herold’s family. Then, in February 2009, at the age of fifteen, he flew off the handle after one of Sandra’s friends, Charla, picked up one of his favorite toys. Travis’s immediate and savage attack left Charla with no hands and without much of her face including her nose, eyes, and lips.11

I may have to kill my cousin. It's unfortunate, really. He's my favorite cousin and a d@mn good business partner. Killing him will be all kinds of inconvenient for me. But it's inevitable at this point. He made my woman smile.

I have raised you to respect every human being as singular, and you must extend that same respect into the past. Slavery is not an indefinable mass of flesh. It is a particular, specific enslaved woman, whose mind is active as your own, whose range of feeling is as vast your own; who prefers the way the light falls in one particular spot in the woods, who enjoys fishing where the water eddies in a nearby stream, who loves her mother in her own complicated way, thinks her sister talks too loud, has a favorite cousin, a favorite season, who excels at dressmaking and knows, inside herself, that she is as intelligent and capable as anyone. "Slavery" is this same woman born in a world that loudly proclaims its love of freedom and inscribes this love in its essential texts, a world in which these same professors hold this woman a slave, hold her mother a slave, her father a slave, her daughter a slave, and when this woman peers back into the generations all she sees is the enslaved. She can hope for more. She can imagine some future for her grandchildren. But when she dies, the world - which is really the only world she can ever know - ends. For this woman, enslavement is not a parable, It is damnation. It is the never-ending night. And the length of that night is most of our history. Never forget that we were enslaved in this country longer than we have been free. Never forget that for 250 years black people were born in to chains - whole generations followed by more generations that knew nothing but chains. You must struggle to remember this past in all its nuance, error, and humanity. You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance - no matter how improved - as the redemption for the lives of the people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this. Perhaps our triumphs are not even the point. Perhaps struggle is all we have because the god of history is an atheist, and nothing about his world is meant to be. So you must wake up every morning knowing that no promise is unbreakable, least of all the promise of waking up at all. This is not despair. These are the preferences of the universe itself: verbs over nouns, actions over states, struggle over hope.

Iris's favorite item at Tenta is anago, sea eel. Unlike its freshwater cousin unagi, anago is neither endangered nor expensive. A whole anago at Tenta is about $7.50. I ordered one, and the chef pulled a live eel out of a bucket. It wriggled like, well, an eel. Iris screamed as water droplets flew toward us. The chef managed to wrestle the unruly thing into the sink and knocked it unconscious before driving a spike into its head and filleting it. He unzipped two fillets in seconds. A Provençal saying holds that a fish lives in water and dies in oil; in the world of tempura, a fish can go from watery cradle to oily grave in ten seconds. Iris loved fried eel meat, dipped in salt, but this is not her favorite part of the anago. After filleting the eel, the chef takes its backbone- hone in Japanese- ties it in a simple overhand knot, and tosses it into the frying oil. "Hone," he says, presenting it to Iris, who considers it the ultimate in crispy snack food- and this is a kid who considers taco-flavored Doritos a work of genius (OK, so do I).

Switch Witch. Distant cousin of Santa Claus and the Easter Bunny, the Switch Witch comes to children’s houses on the night of Halloween and turns their candy into toys. We told Jonas he could keep his five favorite pieces of candy but should put the rest by the fireplace so that the Switch Witch could perform her magic as he slept.

So, you’re Shea’s cousin?” Buck asked as the fire crackled and popped. “You must have known her when she was young. Got any good stories?”   Shea lifted her head and glared at Buck. “What kind of question is that?”   He spread his hands and shrugged. “What? I’m just trying to make conversation. Get to know the other pathfinder in our midst. You’re always such a mystery. You can’t blame me for being curious.”   “I’d be interested to learn whether she’s always been this grumpy,” Eamon said.   “Grumpy? I’m not grumpy.”   “Oh yes, you are,” Trenton said. “You get this frown on your face, and then the next thing you know, you’re questioning how someone has survived in the world this long. To their face.”   “Wait, wait,” Buck said. “My favorite is when she asks if they were dropped on their head as a baby.”   “She still does that?” Reece asked.   “Yup, and this was when she was masquerading as a man and a scout. Asked the leader of a war party that, and then when he said no told him that was a pity, because maybe being dropped on his head would have knocked some sense into him.”   The rest of the group laughed.   “Did you really do that?” Fallon asked in a low voice next to her ear. Shea’s shoulders tried to reach her ears as she looked away. That was answer enough. A warm chuckle feathered through her hair. Shea rolled her eyes. Yes, laugh it up. In her defense, that man had wanted to take the warband right through a nest of gravers when she had specifically told him it was a bad idea. It wasn’t her fault that he’d gotten so upset at her words that he’d tried to prove her wrong and nearly ended up dead in the process.   They laughed about it now, but at the time Eamon had been furious over her insubordination. The only thing that had saved her tail, was that the man had been so shaken he had forgotten all about her insults. The nice thing was that he hadn’t questioned any of her advice for the rest of their journey.   She frowned. She could kind of see why they thought she was grumpy.

On the day of the funeral, Marble Collegiate Church was filled to capacity. During the service, from beginning to end, everyone had a role to play. It was all extremely well choreographed. Elizabeth read my grandfather’s “favorite poem,” and the rest of the siblings gave eulogies, as did my brother, who spoke on behalf of my dad, and my cousin David, who represented the grandchildren. Mostly they told stories about my grandfather, although my brother was the only one who came close to humanizing him. For the most part, in ways both oblique and direct, the emphasis was on my grandfather’s material success, his “killer” instinct, and his talent for saving a buck. Donald was the only one to deviate from the script. In a cringe-inducing turn, his eulogy devolved into a paean to his own greatness. It was so embarrassing that Maryanne later told her son not to allow any of her siblings to speak at her funeral.

Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits. When I perched on the edge of the sofa in front of him, he wrapped his arms around my waist and pulled me against his chest. It wasn't exactly as comfortable as a sofa cushion would be, what with his chest being hard and cold-and perfect-as an ice sculpture, but it was preferable. He pulled the old afghan off the back of the couch and draped it over me, so I wouldn't freeze beside his body. ‘You know, I've never had much patience with Romeo,’ he commented as the movie started. ‘What's wrong with Romeo?’ I asked, a little offended. Romeo was one of my favorite fictional characters. Until I'd met Marcel, I'd had a thing for him. ‘Well, first, he's in love with this Rosaline-don't you think it makes him seem a little fickle? And then, a few minutes after their wedding, he kills Juliet's cousin. That's not very brilliant. Mistake after mistake. Could he have destroyed his happiness any more thoroughly?’ I sighed. ‘Do you want me to watch this alone?’ ‘No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair.

Did he really just ask me to take Ash out tonight? Was he insane? He didn’t deserve her. Any guy who would blow her off for something his daddy wanted shouldn’t get to have her. “Sure,” I replied, hearing the clipped tone in my voice. Stupid-ass cousin of mine had no clue what he was asking for. I was already headed for hell; I might as well enjoy the ride. “Great, thanks, man. Her favorite place to eat is the Seafood Shack. Just meet us there at six. I can grab a drink and spend a few minutes with you guys until I have to head out and meet Dad.” She hated the fried shrimp at the Seafood Shack, and their sweet tea always tasted bitter. It was Sawyer’s favorite place, and she had no doubt agreed with him that it was the best place to eat in town. He didn’t know her at all. “Since I’m agreeing to help out, let’s do this my way. I hate the Seafood Shack. I’m sure Princess Ashton won’t mind slumming it at Hank’s. The burgers there are better than anything the Seafood Shack has, and she really needs to taste their sweet tea.” Sawyer frowned a moment, then he nodded. “Okay, Ash’s agreeable. I’m sure she’ll be fine with Hank’s. I’ve not taken her there but a couple of times, and I think she might agree with you on the burgers. I remember her scarfing one down.” With bacon and cheese on a toasted bun. She even makes these cute little sounds of pleasure as she eats one. One of the many things I couldn’t believe he didn’t know about her.

SEVEN YEARS AGO… “You notice anything different about Ash?” my cousin Sawyer asked as he climbed up the tree to sit beside me on our favorite limb overlooking the lake. I shrugged, not sure how to answer his question. Sure, I’d noticed things about Ash lately. Like the way her eyes kind of sparkled when she laughed and how pretty her legs looked in shorts. But there was no way I was confessing those things to Sawyer. He’d tell Ash, and they’d both laugh their butts off. “No,” I replied, not looking at Sawyer for fear he’d be able to tell I was lying. “I heard Mom talking to Dad the other day, saying how you and me would start noticing Ash differently real soon. She said Ash was turning into a beauty, and things between the three of us would change. I don’t want things to change,” Sawyer said with a touch of concern in his voice. I couldn’t look at him. Instead I kept my eyes fixed on the lake. “I wouldn’t worry about it. Ash is Ash. Sure, she’s always been pretty, I guess, but that’s not what’s important. She can climb a tree faster than either of us, she baits her own hook, and she can fill up water balloons like a pro. The three of us have been best friends since preschool. That won’t change.” I chanced a glance at Sawyer. My speech sounded pretty convincing, even to me. Sawyer smiled and nodded. “You’re right. Who cares that she’s got hair like some kind of fairy princess? She’s Ash. Speaking of water balloons, could you two please stop sneaking out and throwing them at cars right outside my house at night? My parents are gonna catch y’all one of these days, and I won’t be able to get y’all outta trouble.” I grinned, thinking about Ash covering her mouth to silence her giggles last night when we’d snuck down there to fill up the balloons. That girl sure loved to break rules--almost as much as I did. “I heard my name.” Ash’s voice startled me. “You two better not still be making fun of me about this stupid bra Mama’s making me wear. I’ve had it with the jokes. I’ll break both your noses if it doesn’t stop.” She was standing at the bottom of the tree with a bucket of crickets in one hand and a fishing pole in the other. “Are we gonna fish or had y’all rather just stare down at me like I’ve grown another head?

The Ranking was a list they’d come up with in middle school, putting all the cousins in order from their grandmother’s most favorite to least favorite.

Some of my least favorite people are my cousins,” Zuberi sniffed, not untruthfully. “Well, then, that should make it easier for me not to disappoint you.