Faux Real Quotes

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people had been working for so many years to make the world a safe, organized place. nobody realized how boring it would become. with the whole world property-lined and speed-limited and zoned and taxed and regulated, with everyone tested and registered and addressed and recorded. nobody had left much room for adventure, except maybe the kind you could buy. on a roller coaster. at a movie. still, it would always be that kind of faux excitement. you know the dinosaurs aren't going to eat the kids. the test audiences have outvoted any chance of even a major faux disaster. and because there's no possibility of real disaster, real risk, we're left with no chance for real salvation. real elation. real excitement. Joy. Discovery. Invention. the laws that keep us safe, these same laws condemn us to boredom. without access to true chaos, we'll never have true peace.
Chuck Palahniuk (Asfixia)
All of it just confirmed his belief that his real life, the life he should be living, had been mislaid through some clerical error by the cosmic bureaucracy. This couldn't be it. It had been diverted elsewhere, to somebody else, and he'd been issued this shitty substitute faux life instead
Lev Grossman (The Magicians (The Magicians, #1))
Lies erase. Lies are power. Power to be had by you. Truth is relative, no? Power defeats truth, paper, scissors. Are you faux real?
David David Katzman (A Greater Monster)
Unbelief, just like Satan, will always take the easy way out. It will tell us to eat the fruit in exchange for knowledge, instead of fearing God to gain real wisdom. Unbelief will unravel our perceptions of both suffering and the blessedness of life and beckon us to skip self-denial at all costs with the faux promises of comfort that can’t extend beyond the grave.
Jackie Hill Perry (Gay Girl, Good God: The Story of Who I Was, and Who God Has Always Been)
The hope is indeed that some will experience and believe: The purpose of a number of spiritual gurus is to demonstrate to God-fearing men faux spirituality.
Criss Jami (Healology)
I was surrounded by love, and not some cheesy, overbearing, faux in-your-face kind of love, but real, intimate, I-know-all-your-quirks-and-habits-and-still-love-you kind of love.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Faux self-care is a method—in the moment, going for a run might improve your mood, but it does nothing to change the circumstances in your life that led you to feel drained, energy-less, or down. On the other hand, the work of real self-care is about going deeper and identifying the core principles to guide decision-making. When you apply these principles to your life, you don’t just feel relief in the moment, you design a system of living that prevents the problems from coming up in the first place.
Pooja Lakshmin (Real Self-Care: A Transformative Program for Redefining Wellness (Crystals, Cleanses, and Bubble Baths Not Included))
The president has listened to some people, the so-called Vulcans in the White House, the ideologues. But you know, unlike the Vulcans of Star Trek who made the decisions based on logic and fact, these guys make it on ideology. These aren't Vulcans. There are Klingons in the White House. But unlike the real Klingons of Star Trek, these Klingons have never fought a battle of their own. Don't let faux Klingons send real Americans to war.
David Wu
You cannot cut an apple with an apple. I have interrupted that living to write: the story of a faux-prodigy, which is the real story of Fabienne and Agnes, as real as on that day when we were in th graveyard, wanting, and unable, to kill each other; wanting, and unable, to save each other.
Yiyun Li (The Book of Goose)
We even hired a Faux-Bama, or fake Obama, to record a video where Trump ritualistically belittled the first black president and then fired him, a kind of fantasy fulfillment that it was hard to imagine any adult would spend serious money living out—until he did the functional equivalent in the real world.
Michael Cohen (Disloyal: The True Story of the Former Personal Attorney to President Donald J. Trump)
our patriarchal society has saddled women with the mental load, leaving us burned out, disconnected, and primed to practice faux self-care as an individual solution to a societal problem.
Pooja Lakshmin MD (Real Self-Care: A Transformative Program for Redefining Wellness (Crystals, Cleanses, and Bubble Baths Not Included))
What the above examples reveal is not a man prone to the faux pas, but a gentleman—strictly defined, by Hitchens, as “someone who is never rude except on purpose.” A spectacular instance of his gentlemanliness occurred during an appearance on HBO’s Real Time with Bill Maher. Unlike most guests, Hitchens did not try to flatter or pacify the audience. Instead, after being booed and jeered for pointing out the horrors of a nuclear Iran, he raised his middle finger and pointed it at them, while intoning, “Fuck you! Fuck you!” What this little episode demonstrated was not only his indifference to crowd opinion—impressive in itself—but also his binary nature: He has a large mind and a big mouth—neither of which ever seems to be closed. Whereas
Windsor Mann (The Quotable Hitchens: From Alcohol to Zionism -- The Very Best of Christopher Hitchens)
The faux university also did not have professors, not even part-time adjunct professors, and the “faculty” (as they were called) were certainly not “the best of the best.” They were commissioned sales people, many with no experience in real estate. One managed a fast food joint, as Senator Marco Rubio would point out during the March 3 Republican primary debate in 2016. Two other instructors were in personal bankruptcy while collecting fees from would-be Trump University graduates eager to learn how to get rich. Trump
David Cay Johnston (The Making of Donald Trump)
She was at that period of her life that almost everyone must pass through, when childhood is done with and a faux maturity, untrammeled by experience, gives one a sense that anything is possible until the arrival of real adulthood proves conclusively that it is not.
Julian Fellowes (Belgravia)
But mostly, it’s hard to enjoy the faux–acid trip because I keep running into the same fears I had when I used to take psychedelics for real, like, What if this feeling never goes away? and What if I’m like this forever? I’m always scared that every feeling is going to be permanent.
Melissa Broder (So Sad Today: Personal Essays)
explosion n. energetic disassembly fake beef n. 1. restructured beef 2. textured meat alternative fake cheese n. cheese analog fake crab meat n. surimi-based crab analog fake diamonds n. real counterfeit diamonds fake jewels n. faux jewels fake leather n. genuine imitation leather
William D. Lutz (Doublespeak Defined: Cut Through the Bull**** and Get the Point!)
From Hobbes to the slaveholders to the neoconservatives, the right has grown increasingly aware that any successful defense of the old regime must incorporate the lower orders in some capacity other than underlings or starstruck fans. The masses must either be able to locate themselves symbolically in the ruling class or be provided with real opportunities to become faux aristocrats themselves in the family, the factory, and the field. The former path makes for an upside-down populism, in which the lowest of the low see themselves projected in the highest of the high; the latter makes for a democratic feudalism, in which the husband or supervisor plays the part of a lord. The former path was pioneered by Hobbes, Maistre, and various prophets of racism and nationalism, the latter by Southern slaveholders, European imperialists, and Gilded Age apologists. (And neo–Gilded Age apologists: “There is no single elite in America,” writes David Brooks. “Everyone can be an aristocrat within his own Olympus.” 105) Occasionally, as in the writing of Werner Sombart, the two paths converge: ordinary people get to see themselves in the ruling class by virtue of belonging to a great nation among nations, and they also get to govern lesser beings through the exercise of imperial rule.
Corey Robin (The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin)
At school, the news that Pia Kolvenbach was moving to England and that her parents were divorcing had circulated with lightening speed. Suddenly I was no longer ostracized for being the Potentially Exploding Girl, but the new attention was worse. I could tell that the girls who sidled up to me and asked with faux-sympathetic smiles whether it was true were doing it on the basis of discussions they had heard between their own parents, to who they would report back like scouts. Soon there would be nothing left of me at all, nothing real: I would be a walking piece of gossip, alternatively tragic and appalling and, worse of all, a poor thing.
Helen Grant (The Vanishing of Katharina Linden)
No one shines more luridly on this faux-real stage than a woman. Whether it’s a modeling competition, a chance to compete for love, a weight-loss challenge, or a look into the lives of an aging magazine publisher’s harem, women are often the brightly polished trophies in the display case of reality television. The genre has developed a very successful formula for reducing women to an awkward series of stereotypes about low self-esteem, marital desperation, the inability to develop meaningful relationships with other women, and an obsession with an almost pornographic standard of beauty. When it comes to reality television, women, more often than not, work very hard at performing the part of woman, though their scripts are shamefully, shamefully warped.
Roxane Gay (Bad Feminist: Essays)
listening to him go on and on and on about Obama and caricature his mannerisms. We even hired a Faux-Bama, or fake Obama, to record a video where Trump ritualistically belittled the first black president and then fired him, a kind of fantasy fulfillment that it was hard to imagine any adult would spend serious money living out—until he did the functional equivalent in the real world.
Michael Cohen (Disloyal: The True Story of the Former Personal Attorney to President Donald J. Trump)
In academia, the ‘cultural turn’ saw a radical shift in scholarship whereby universities made culture the focus of contemporary debates. It also meant a shift in emphasis toward meaning and away from a positivist epistemology of discerning objective truth. Despite attempts to use the anti-postmodern language of real conservatives at times, Milo and his 4chan troll fans are in many ways the perfect postmodern offspring, where every statement is wrapped in layers of faux-irony, playfulness and multiple cultural nods and references.
Angela Nagle (Kill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt-Right)
But her no leather - no fur policy drew fire. Critics charged that faux hides, many of which are petroleum based, were more damaging to the earth than the real stuff. Bull, said McCartney. "Livestock production is one of the major causes of ... global warming, land degradation, air and water pollution, and loss of biodiversity", she shot back, with more than fifty million animals farme and slaughtered each year just to make handbags and shoes. Conventional leather tanning employs heavy metals such as chromium, which results in waste that is toxic to humans.
Dana Thomas (Fashionopolis: The Price of Fast Fashion and the Future of Clothes)
Meanwhile, the extraordinary measures we take to stay abreast of each minuscule change to the data stream end up magnifying the relative importance of these blips to the real scheme of things. Investors trade, politicians respond, and friends judge based on the micromovements of virtual needles. By dividing our attention between our digital extensions, we sacrifice our connection to the truer present in which we are living. The tension between the faux present of digital bombardment and the true now of a coherently living human generated the second kind of present shock, what we're calling digiphrenia—digi for "digital," and phrenia for "disordered condition of mental activity.
Douglas Rushkoff (Present Shock: When Everything Happens Now)
But dire as the situation may be, there is some hope.  Genuine hope, not the hope that is found in presidential speeches and pablum.  Hope that is practical, real, and will yield results.  However, this hope comes from the only place real hope can come from – within – which means we have to focus on ourselves and what is within our control to realize this hope and capitalize on it.  This isn’t to say that the world will turn out all roses and dachshunds, nor is it going to be the “faux depressing type of hope” akin to when your mother would say,   “Well at least you aren’t a cancerous, Ebola-infected, starving, blind quadriplegic, leper living in war-torn Ethiopia with lice!”   But at minimum this book will show you there is a future, you can live a happy life, the left will get their comeuppance, and no matter how bad it gets, there is always a way to “Enjoy the Decline.
Aaron Clarey (Enjoy the Decline)
The right to choose to abort a fetus is critical, as is the ability to effect that choice in real life, so it's great that Hillary Clinton wants to repeal the Hyde Amendment. But without welfare, single-payer health care, a minimum wage of at least $15--all policies she staunchly opposes--many people have to forgo babies they'd really love to have. That's not really a choice. It seems ill-conceived to have tethered feminism to such a narrow issue as abortion. Yet it makes sense from an insular Beltway fundraising perspective to focus on an issue that makes no demands--the opposite, really--of the oligarch class; this is probably a big reason why EMILY'S List has never dabbled in backing universal pre-K or paid maternity leave; a major reason 'reproductive choice' has such a narrow and negative definition in the American political discourse. The thing is, an abortion is by definition a story you want to forget, not repeat and relive. And for the same reason abortion pills will never be the blockbuster moneymakers heartburn medications are, abortion is a consummately foolish thing to attempt to build a political movement around. It happens once or twice in a woman's lifetime. Kids, on the other hand, are with you forever. A more promising movement--one that goes against everything Hillary Clinton stands for--might take that to heart.
Liza Featherstone (False Choices: The Faux Feminism of Hillary Rodham Clinton)
Conservative elites first turned to populism as a political strategy thanks to Richard Nixon. His festering resentment of the Establishment’s clubby exclusivity prepared him emotionally to reach out to the “silent majority,” with whom he shared that hostility. Nixon excoriated “our leadership class, the ministers, the college professors, and other teachers… the business leadership class… they have all really let down and become soft.” He looked forward to a new party of independent conservatism resting on a defense of traditional cultural and social norms governing race and religion and the family. It would include elements of blue-collar America estranged from their customary home in the Democratic Party. Proceeding in fits and starts, this strategic experiment proved its viability during the Reagan era, just when the businessman as populist hero was first flexing his spiritual muscles. Claiming common ground with the folkways of the “good ole boy” working class fell within the comfort zone of a rising milieu of movers and shakers and their political enablers. It was a “politics of recognition”—a rediscovery of the “forgotten man”—or what might be termed identity politics from above. Soon enough, Bill Clinton perfected the art of the faux Bubba. By that time we were living in the age of the Bubba wannabe—Ross Perot as the “simple country billionaire.” The most improbable members of the “new tycoonery” by then had mastered the art of pandering to populist sentiment. Citibank’s chairman Walter Wriston, who did yeoman work to eviscerate public oversight of the financial sector, proclaimed, “Markets are voting machines; they function by taking referenda” and gave “power to the people.” His bank plastered New York City with clever broadsides linking finance to every material craving, while simultaneously implying that such seductions were unworthy of the people and that the bank knew it. Its $1 billion “Live Richly” ad campaign included folksy homilies: what was then the world’s largest bank invited us to “open a craving account” and pointed out that “money can’t buy you happiness. But it can buy you marshmallows, which are kinda the same thing.” Cuter still and brimming with down-home family values, Citibank’s ads also reminded everybody, “He who dies with the most toys is still dead,” and that “the best table in the city is still the one with your family around it.” Yale preppie George W. Bush, in real life a man with distinctly subpar instincts for the life of the daredevil businessman, was “eating pork rinds and playing horseshoes.” His friends, maverick capitalists all, drove Range Rovers and pickup trucks, donning bib overalls as a kind of political camouflage.
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)
\“Capital has no home,” George Bernard Shaw observed. It is always a transgressor, a disputer of tradition and champion of equality in the abstract while reproducing material inequality in real life: the yuppie was homeless in just this new way. Many others would join their spiritual ranks, but without their more outsized material accoutrements, as the economy came to rest increasingly on the fabricating and manipulation of mass desire and fantasy. No hidebound prejudices, customs, and authorities from the past could be allowed to stand in its way… unless of course they could be rebranded and packaged nostalgically—Marlboro men, faux rednecks, family and family dog behind white picket fences, peasant coffee gatherers, yeomen-farmer wheat growers, and smithies and handicraftsmen in leather smocks—and sold into their own special niche markets.
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)
Instead of calling plastic décor fake-- or it's fancy sister, faux-- I refer to it as pretend. It's pretend because using it and believing it's real is a workout for the imagination. We all know there's no way those tulips could survive the night in the wreath on the front door, so we are all silently agreeing to pretend together.
Myquillyn Smith (Welcome Home: A Cozy Minimalist Guide to Decorating and Hosting All Year Round)
The bed is warmer tonight. Warmer than it's ever been and stranger. But easier, too. Lucien catches me looking at him on the pillows, and he smirks. "You have my permission to stare at me all night." "And why would I do that?" I fire off a half-downy mumble. "I've already memorized everything on you." "Well." His smirk grows unmanageable. "Not everything." Since when is he the one who seduces, instead of me? My face fills red. "Princes aren't supposed to have roguish manners." "And ladies aren't supposed to sleep in beds with unmarried men." "Only married men, then." He hefts up on one elbow, tracing my hand under the covers. "What are you implying, Lady Zera?" "Go. To. Sleep." I pause. "Your Highness." The kiss comes, as I knew it would, breathless and enmeshed in each other, and I'm the first one to pull away and the only one to roll over in faux grumpiness. Lucien's laugh rumbling the mattress. I try to sleep--try so hard to play at being a human as he is--but I fade in and out, waking up in the odd hours to reach over and feel that he's still there. Still real. Still with me, despite everything. Despite how many mistakes I've made.
Sara Wolf (Send Me Their Souls (Bring Me Their Hearts, #3))
And even if I met a fellow agent who seemed to jibe with me, no guarantee they’d be the same when I rendezvoused with them later and/or earlier (let me tell you, it’s frankly embarrassing to clap your fellow time warrior on the shoulder only to find that, from their perspective, it’s before the pair of you ever met and then they’re trying to stick a gun up your nose and… take it from me, it’s a real faux pas; the social anxiety alone was enough to justify burning it all down).
Adrian Tchaikovsky (One Day All This Will Be Yours)
Then he or she grants to that small number primary causal power, while ignoring others of equal or greater importance. It is most effective to utilize a major motivational system or large-scale sociological fact or conjecture for such purposes. It is also good to select those explanatory principles for an unstated negative, resentful, and destructive reason, and then make discussion of the latter and the reason for their existence taboo for the ideologue and his or her followers (to say nothing of the critics). Next, the faux theorist spins a post-hoc theory about how every phenomenon, no matter how complex, can be considered a secondary consequence of the new, totalizing system. Finally, a school of thought emerges to propagate the methods of this algorithmic reduction (particularly when the thinker is hoping to attain dominance in the conceptual and the real worlds), and those who refuse to adopt the algorithm or who criticize its use are tacitly or explicitly demonized.
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Arnoult of course thinks that the silence of Rimbaud is the half-glimpsed, half-borne curse of the man who surpassed the allowed limits and who loses language at the very moment that he has something to reveal. That is, in fact, all that one can ever say about the abdication of a poet. The more he grasps the essence of what he is, the more he is threatened with losing it. He obeys night; he wants to be night himself, and at the same time he continues to assert, through language, his faithfulness to day. This compromise has value only through the union of tendencies that make it impossible. Catastrophe must keep watch for perfection, the solidity of the poetic work to have meaning. If the poet expresses himself in the language of clear communication, it is because he is engaged in the obscurity that at every instant risks snatching away from him the communication of all things, and if he is master of the powers that make him the richest man, it is because he touches a tragic point of destitution where he may succumb to madness. These remarks must be recalled in any poetic situation, but one must realize that by themselves they explain nothing. They presuppose what they manifest, and by a generalized mythology they describe day, night, whatever poetic experience encounters only as the most particular ordeal, the one least suited to comparisons and exchanges. It will always be absurd and, in any case, sterile to try to understand the madness of Nietzsche through the madness of Hölderlin, the madness of Hölderlin through the suicide of Nerval, the suicide of Nerval through the silence of Rimbaud. That there was a kind of common necessity in these events that anecdotal history wants to use to explain them from without, that Nietzsche's madness is born from the heart of his reason and as its ultimate demand, that Nerval's death is the effect of his existence lived poetically, that Rimbaud's speech asks to be heard, the last echo of the unspeakable, beneath the silence that sacrifices it -- these manifestations of night leave us nothing but a quick flash of light after which we remain in the illusion of real knowledge, far from a truly enlightened awareness.
Maurice Blanchot (Faux Pas)
She was at that period of her life that almost everyone must pass through, when childhood is done with and a faux maturity, untrammeled by experience, gives one a sense that anything is possible until the arrival of real adulthood
Julian Fellowes (Belgravia)
But oh, if that day must come, L would have it come right now. He would have this faux-Kira be the real Light, psychotic and laughing, all the last shreds of pretend morality evaporated. He would have that fight now, today, or at least within the next ten months. While he still has Rae. Because L is sure, he is absolutely certain, that the two of them could vanquish Light for good. Rae's staunch agreement with the original Kira's goals is purely idealistic, and if Rae saw the real Light - lying and scrabbling and manipulative and pathetic - L knows it would take his side in a heartbeat. And Light Yagami would be begging to be let back into hell.
Spades 44 (Second Chances)
Supreme NO2 learn extra facts on a product from need to be real left by using others, then some long drawn out faux evaluation. Create a larger penis head - produce a more muscular mushroomed searching penis imagination! Have more than one orgasms - analyze the intercourse male enhancement reviews secrets and techniques in the la
hplcead
Real self-care, as you’ll see, is not a one-stop shop like a fancy spa retreat or a journaling app; it’s an internal process that involves making difficult decisions that will pay off tenfold in the long run as a life built around the relationships and activities that matter most to you. My goal is to teach you the difference between the two not only by lifting the veil on commodified faux self-care but also by transforming your understanding of what a real practice of caring for yourself could look like and showing you that it’s possible.
Pooja Lakshmin (Real Self-Care: A Transformative Program for Redefining Wellness (Crystals, Cleanses, and Bubble Baths Not Included))
What was the inspiration for all this? Snow White's forest?" "Close, kind of," I replied. "This one's actually FernGully." "You're kidding," he said. "Nope. She wanted her very own enchanted rain forest, and it looks like that's exactly what she got," I said. "She sure did," he replied. "I can't believe we're in Tennessee." The clear-top tent was anchored by fourteen-foot faux weeping willow trees. Candles in glass orbs hung from every branch. The elevated dance floor floated in the center of the space and could be described only as an enormous Lucite shadow box filled with thousands of faux flowers in a rainbow of colors. The bars were covered in green moss and adorned with hundreds of colorful butterflies. The clear ceiling was almost entirely covered in twinkling fairy lights that would look just like a sky full of stars once the sun set. But the real showstopper was the centerpiece on every dining table. Atop every amethyst silk tablecloth was an antique birdcage that housed two real-life lovebirds. The rosy-faced little birds were hopping around and singing, and the space looked, sounded, and felt exactly like an enchanted forest from the movie. I wasn't precisely sure how authentic they were to the rain forest setting, but their chirping certainly added to the wild vibe.
Mary Hollis Huddleston (Piece of Cake)
Do you know what you are Sidney? You’re an ol’Uncle Ruckus ass nigga. Steven the Butler from Django ass nigga. News Flash Sidney Malik Collier. A house nigger, is still a nigger. ‘Light nigga, dark nigga, faux nigga, real nigga, rich nigga, po’ nigga, house nigga, field nigga. Still Nigga.” Tamika said as she stood in front of me with her head held high.
Octavia Grant (Black Husband White Wife)
had time to become what the Japanese called an idoru, a software representation that was better than the real thing, smarter and sexier than any possible human mind or form, like those wide-eyed, faux-innocent anime brats or the simulated stars of pornography and romance. Sex wasn’t the half of it – there were other codes, other keys, in the semiotics of charm: the subtle suggestions of wisdom, the casual hints at a capacity for violence, the assumed readiness to command, the mirroring glance of empathy; all the elements that went to make up an image of a man that men would die for and women would fall for.
Ken MacLeod (The Sky Road (The Fall Revolution, #4))
Faux self-care is a method—in the moment, going for a run might improve your mood, but it does nothing to change the circumstances in your life that led you to feel drained, energy-less, or down. On the other hand, the work of real self-care is about going deeper and identifying the core principles to guide decision-making.
Pooja Lakshmin (Real Self-Care: A Transformative Program for Redefining Wellness (Crystals, Cleanses, and Bubble Baths Not Included))
Who is that full-figured fellow?” “I’m not a man!” was the response. “You’re backlit, I’m sorry. You’re just bringing more to the party as far as I’m concerned.” Bill’s apology sounded sincere, but he didn’t dwell on the faux pas. “What’s up? What’s your question?” “What’s up, Bill Murray?” she asked. “Don’t worry—that’s not my question. I actually came all the way from Vancouver for this.” “Is anyone driving back to Vancouver after this?” Bill called out. “Is that the question?” “There’s a million things I could ask you right now,” she said. “The only thing that comes to my mind is ‘How does it feel to be you?’ 
Gavin Edwards (The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing)
The Sunday Guardian, in its issue of 22 August, 2010 stated, on the basis of credible information, that a settlement took place at the Ritz Hotel in Paris and that it was worked out by Warren Anderson and a personal friend and representative of the then prime minister of India. Under this unofficial settlement, the government wanted to be paid secretly, under the table. When Union Carbide officers raised serious doubts regarding the Supreme Court’s acceptance of this unfair and corrupt settlement, they were assured that the Supreme Court was not their worry. The negotiators would manage everything. And manage, they did. The entire manifestly illegal and corrupt settlement did go through the judicial filter. A somnolent Supreme Court permitted composition of non-compoundable offences and quashed proceedings without falling under the well settled rule of quashing jurisdiction. Surely, if there was an honest and real negotiated settlement between Union Carbide and the Indian government it would require large and complex correspondence evidencing genuine bargaining prior to the settlement being finalized. Such huge claims are not settled by a telephonic talk of which no record exists. It is worth recalling here an interesting faux pas that occurred in connection with the financial settlement of the Bhopal gas tragedy. When N.D. Tewari became external affairs minister, he went to the United States to plead with potential investors to come to India. The consul general of India was present at the meeting addressed by the minister. The minister innocently referred to the Bhopal gas tragedy and the inadequate compensation received from Union Carbide. A Union Carbide representative present in the audience, stood up and caused consternation by declaring in public that Union Carbide had paid almost everything that India had asked for, but a large part of the amount was paid as out of court settlement, ostensibly for the purposes of the Congress party. If the Indian government denies the truth of the story that some people in or connected with the government swallowed a big fortune, they must produce the documents which were exchanged during the pre-settlement negotiations and until their final termination. The government must produce them even now. The people of this country are entitled to know how a claim of $3.3 billion came to be settled for a paltry amount of $475 million. However, neither has the government given any explanation, nor has the story been refuted till today.
Ram Jethmalani (RAM JETHMALANI MAVERICK UNCHANGED, UNREPENTANT)
There are three alternatives to real leadership. One is drift, which is pretty much what this country has experienced for the past decade. Business as usual, though, would likely bring about the second alternative: crisis. It could come in many forms, including an economic disaster imposed by a world that tires of lending dollars to the United States. A third alternative—faux leadership in the form of populism that would deepen social divisions without fixing problems—would be the worst of all outcomes.
Richard N. Haass (Foreign Policy Begins at Home: The Case for Putting America's House in Order)
Yes, Germany is dark, and Berlin is darker. But it is not so clear in Berlin what part of the dark is now faux dark and what part of the dark is real.
Thomas Geoghegan (Were You Born on the Wrong Continent?: How the European Model Can Help You Get a Life)
He had turned forty yesterday, and a bunch of his friends had thrown a big party for him down at the bar across the street from his bail bond office. The beer had been flowing freely. They’d even sprung for a day-old cake from the deli section of one of the big grocery stores across town. Their gift to Wilson had been Wanelle, the prettiest hooker on their side of the city, which was a title Wanelle held proudly, even if her claim to fame came from a real long stretch of the truth. Still, Wanelle had all her own teeth and clear skin, and she was almost pretty when she laughed. Wilson knew her slightly. He’d seen her around Ft. Worth from time to time, but buying a woman had never been his style. He’d felt trapped when Wanelle had been presented to him, especially since his buddies had tied a big red bow around her neck. Turning her down would have been a serious social faux pas to his friends and to Wanelle. So, rather than hurt everyone’s feelings, Wilson had graciously accepted, and they’d spent the night in her fifth floor apartment, only to be awakened by the scent of smoke.
Sharon Sala (Nine Lives (Cat Dupree, #1))
How do you build a history based on ceaseless self-slaughter and betrayal? Do you deny it? Forget it? But then you are left orphaned. So history is rewritten to suit the present. As the President looks for a way to validate his own authoritarianism, Stalin is praised as a great leader who won the Soviet Union the war. On TV the first attempts to explore the past, the well-made dramas about Stalin’s Terror of the 1930s, are taken off screen and replaced with celebrations of World War II. (But while Stalin’s victory is celebrated publicly and loudly, invoking him also silently resurrects old fears: Stalin is back! Be very afraid!) The architecture reflects these agonies. The city writhes as twentyfirst-century Russia searches, runs away, returns, denies, and reinvents itself. “Moscow is the only city where old buildings are knocked down,” says Mozhayev, “and then rebuilt again as replicas of themselves with straight lines, Perspex, double glazing.” The Moskva Hotel opposite the Kremlin, a grim Stalin gravestone of a building, is first deconstructed, then after much debate about what should replace it, is eventually rebuilt as a slightly brighter-colored version of itself. And this will be the fate of Gnezdnikovsky, demolished and then rebuilt to house restaurants in the faux tsarist style, where waiters speak pre-revolutionary Russian, the menu features pelmeni with brains, and tourists are delighted at encountering the “real Russia.” And
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
Not real rain, of course. But the sound of it. The sizzle and the whisper and the hiss and the splash of it. The blue light along the faux horizon of the room. The projected banners and veils of rain all around them. Rain like lace curtains, rain like smoke, rain like spiderwebs and flags and wind you could see. Rain that sang to their bones, that ached inside their bellies and their hands, rain that made them thirst and cower and hide. Rain they had never felt yet knew as intimately as they knew their own skins. It was dreadful. Sammy clutched Billy as hard as anyone could, and he wept into her red hair and didn’t care if she knew
Luis Alberto Urrea (The Water Museum: Stories)
He only gives me faux jewelry. Even my engagement ring is a fake. He says you never know what can happen—why tempt somebody to rob you? I guess he figures that if I get shot for my diamonds, at least he’ll have the satisfaction of knowing that the real ones are locked up in the safe.” —Bobbette, Biloxi, MS
Merry Bloch Jones (I Love Him, But . . .)