“
          Now I know grief is a whetstone that sharpens all your love, all your happiest memories, into blades that tear you apart from within. Something has been torn out from inside me that will never be filled up, not ever, no matter how long I live. They say "time heals," but even now, less than a week after my father's death, I know that's a lie. What people really mean is that eventually you'll get used to the pain. You'll forget who you were without it; you'll forget what you looked like without your scars.
          ”
          ”
         
        Claudia Gray (A Thousand Pieces of You (Firebird, #1))
       
        
          “
          I was a wound, half-healed-over and scraped raw again. "Everybody Hurts" was running through my mind. I could see the consolation of it, the idea that your pain wasn't unique. 
Something about that made it seem both bigger and smaller. Smaller because all the world was aching. Bigger because I could finally admit that every other feeling I'd been focusing on had been a distraction from the deepest hurt. My father was gone. And I would always miss him.
          ”
          ”
         
        Emily Henry (Beach Read)
       
        
          “
          Having one's mother or father or past abuser admit to their crimes or even apologize for them changes nothing--certainly not what they did. Rather, such an apology would give you the psychological permission to "move on" with your life.
But you do not need anybody's permisson to move on with your life.
It does not matter whether or not those responsible for harming you ever understand what they did, care about what they did, or apologize for it. 
It does not matter.
All that matters is your ability to stop fondling the experience with your brain. Which you can do right now.
          ”
          ”
         
        Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
       
        
          “
          Wait.” Stefan’s voice was hard suddenly. Bonnie and Elena turned back and froze, embracing each other, trembling. “What is your—your father—going to do to you when he finds out that you allowed this?”
"He will not kill me,” Sage said brusquely, the wild tone back in his voice. “He may even find it as amusant as I do, and we will be sharing a belly laugh tomorrow.
          ”
          ”
         
        L.J. Smith (Midnight (The Vampire Diaries: The Return, #3))
       
        
          “
          Edgar, do you actually think that how long a person grieves is a measure of how much they loved someone? There's no rule book that says how to do this." She laughed, bitterly. "Wouldn't that be great? No decisions to make. Everything laid right out for us. But there's no such thing. You want facts, don't you? Rules. Proof. You're like your father that way. Just because a thing can't be logged, charted, and summarized doesn't mean it isn't real. Half the time we walk around in love with the idea of a thing instead of the reality of it. But sometimes things don't turn out that way. You have to pay attentin to what's real, what's in the world. Not some imaginary alternative, as if it's a choice we could make.
          ”
          ”
         
        David Wroblewski (The Story of Edgar Sawtelle)
       
        
          “
          I choose to believe that my father is still alive, that he has survived death, outlived us all, and possesses the soul that goes on and lives forever; We just cannot see him yet, for we have not caught up with him. our time will come just as his did. and no matter how woeful and lost I was when he passed away, I know I will be glad to go to a place where I can see him, and know he is okay and happy. It’s just not my time yet and there is no way of knowing if any of it is true." - Jane Adams
          ”
          ”
         
        Noorilhuda (The Governess)
       
        
          “
          Bath," I said, relishing the short A of my new accent. "Baaaath. Privacy. Aluminum. Laboratory. Tomato. Schhhhhedule."
The giggles come over me, and I stop right there, hand against my chest, trying to catch my breath. I know I'm laughing mostly because I refuse to give in and start crying. The grief for my father has nowhere to go and is twisting every other mood I have into knots. And... tomahhhhto. That's hilarious.
          ”
          ”
         
        Claudia Gray (A Thousand Pieces of You (Firebird, #1))
       
        
          “
          One of the great Confederate combat leaders, General John B. Gordon, had sat at his horse and spoken farewell to his men. Some he had seen weeping as they folded burnt and shot-pierced battle flags and laid them on the stacked arms of surrender. As he told his troops his own grief he tried to give them hope to rebuild out of the poverty and ashes to which many would return. Gordon would never forget a Kentucky father who lost two sons, one dying for the North, the other for the South. Over the two graves of his soldier boys the father set up a joint monument inscribed "God knows which was right.
          ”
          ”
         
        Carl Sandburg (Abraham Lincoln)
       
        
          “
          I think we're all monsters deep down, if we're pushed to that extent. Maybe if I felt like he was my father I could hate him. How could I hate a man that was just a stranger to me?
          ”
          ”
         
        Amina  Khan (Loathing You)
       
        
          “
          On February 14, I received a telegram from Buenos Aires urging me to return home immediately; my father was "not at all well." God forgive me, but the prestige of being the recipient of an urgent telegram, the desire to communicate to all of Fray Bentos the contradiction between the negative form of the news and the absoluteness of the adverbial phrase, the temptation to dramatize my grief by feigning a virile stoicism-all this perhaps distracted me from any possibility of real pain.
          ”
          ”
         
        Jorge Luis Borges
       
        
          “
          Because honor still matters. Honor is what echoes." His father's words. But they are as empty on his lips as they feel in my ears. This was has taken everything from him. I see in his eyes how broken he is. how terribly hard he is trying to be his father's son. If he could, he would choose to be back by the campfire we made in the highlands of the Institute. He would return to the days of glory when life was simple, when friends seemed true. But wishing for the past doesn't clean the blood from either of our hands.
          ”
          ”
         
        Pierce Brown (Morning Star (Red Rising Saga, #3))
       
        
          “
          The reality of death has come upon us and a consciousness of the power of God has broken our complacency like a bullet in the side. A sense of the dramatic, of the tragic, of the infinite, has descended upon us, filling us with grief, but even above grief, wonder. Our plans were so beautifully laid out, ready to be carried to action, but with magnificent certainty God laid them aside and said, "You have forgotten - Mine?"
 A meditation on her fathers death.
          ”
          ”
         
        Flannery O'Connor
       
        
          “
          Apart from my father, this house if filled with women. Women stop their lives; they're programmed that way. A child comes into the world and suddenly the choices grow fewer. The women seem to understand the payoff. You sacrifice, yes. You don't get to the gym, to the shrink, to the office, but you get this fragment of a moment with a person who is momentary, who will not be like this again." - 74
          ”
          ”
         
        Robin Romm (The Mercy Papers)
       
        
          “
          Riko still believes he can win his father's attention with his fame. If the lord does not recover, Riko will take his anger and grief out on everyone around him." Neil considered that, then said, "Good thing you're not there anymore." "Jean still is," Kevin answered, and Neil knew better than to comment.
          ”
          ”
         
        Nora Sakavic (The King's Men (All for the Game, #3))
       
        
          “
          When my late father died — now I'm in mourning for my late mother — that sense of grief and bereavement suddenly taught me that so many things that I thought were important, externals, etc., all of that is irrelevant. You lose a parent, you suddenly realize what a slender thing life is, how easily you can lose those you love. Then out of that comes a new simplicity and that is why sometimes all the pain and the tears lift you to a much higher and deeper joy when you say to the bad times, "I will not let you go until you bless me.
          ”
          ”
         
        Jonathan Sacks
       
        
          “
          Goodbye forever" is the perfect joke, because forever is impossible. Every night I say it, and every morning I see my father again. Forever is meaningless. Tough talk, an empty threat. Forever is our secret handshake. Our code word. Our decoder ring. Not a measurement of time at all. I know this because "Goodbye Forever" comes easily. The passage of actual time is much more difficult.
          ”
          ”
         
        Joey Comeau (Malagash)
       
        
          “
          You told her I was gay."
"Yes, but see--"
"And she BELIEVED you!" he asked with horror.
"Yes, of course. Why would she think I'd lie about something like that?" she asked with exasperation.
"Julius," Marguerite chastised gently when his father muffled a guffaw.
"Sorry, darling, but he gave me such grief over wooing you that I can't help but think this is funny," Julius said, slipping his arm around Marguerite.
"It isn't funny," Christian growled. "She told my lifemate I'm gay."
Zanipolo gave a bark of laughter. "And she BELIEVED it."
Christian scowled at the man, considering violence until Gia said, "Actually, at first I just said my cugino was gay and didn't tell her which one. She thought it must be you before I said it was Christian.."
"What?" Zanipolo cried. "Why would she think that? Do I look gay?"
Christian growled impatiently, and turned on Gia. "I don't see how her thinking I am gay is supposed to help."
"Is it my hair that made her pick me for the gay one, do you think?" Zanipolo asked suddenly. "Maybe I should cut it."
"It could be," Santo said, eyeing him consideringly.
"Nah. Christian has long hair too," Raffeale pointed out.
          ”
          ”
         
        Lynsay Sands (Under a Vampire Moon (Argeneau, #16))
       
        
          “
          And what about faith? Hadn't Mama taught me that God is a good and faithful father, that He knew the plans He had for me, and they were plans to proper me and not to harm me? If she had lived through the grief and despair I was feeling and had clung to her faith, living by the very things she'd taught me, then couldn't I trust that God was faithful and loving and that He knew what was best for me even when i couldn't see it for myself?
          ”
          ”
         
        Gabrielle Meyer (When the Day Comes (Timeless, #1))
       
        
          “
          There once was a sage who loved his only son as much as you loved yours. One day the son died, and yet the father shed no tears and made no mourning. When they asked why, he told them, I did not mourn him before he was born, and I will not mourn him now he is gone. What do you think of that?"
"I think that was foolishness. You mourn, for it is proper to mourn. But your grief serves you: you do not become a slave to grief. You bid the dead farewell, and you continue.
          ”
          ”
         
        Neil Gaiman (The Sandman, Vol. 10: The Wake)
       
        
          “
          The single dinner plate, the silent house, the tumbler in the sink--this was how it would be if he lost her. His mother had gone quickly, from liver cancer, the mass discovered too late. He thought of his father alone in his condo, crossing off days on the calendar like a prisoner. He'd survived her by thirteen years, yet every time Henry saw him, he quoted her as if they'd just spoken. Henry could picture himself doing the same to the children. He already lived too much in his memory.
          ”
          ”
         
        Stewart O'Nan (Henry, Himself)
       
        
          “
          In the movies there are always these poignant moments when people work out their misunderstandings, their miscommunications. But that's not real life. In real life it's hard to tell someone you don't love them anymore. It's harder to tell your father you don't know how to live another day. My grief has stolen my voice" -Audrey
          ”
          ”
         
        Suzanne Young (Hotel Ruby)
       
        
          “
          My father, Md. Shamsul Alam, was the most selfish man in the world—selfish enough to give away everything to us, so we can never breathe without remembering him with tear-filled eyes.
          ”
          ”
         
        Sayem Sarkar
       
        
          “
          At Abraham's burial, his two most prominent sons, rivals since before they were born, estranged since childhood, scions of rival nations, come together for the first time since they were rent apart nearly three-quarters of a century earlier. The text reports their union nearly without comment. "His sons Isaac and Ishmael buried him in the cave of Machpelah, in the field of Ephron son of Zohar the Hittite, facing Mamre, in the field that Abraham had bought from the Hittites." 
But the meaning of this moment cannot be diminished. Abraham achieves in death what he could never achieve in life: a moment of reconciliation between his two sons, a peaceful, communal, side-by-side flicker of possibility in which they are not rivals, scions, warriors, adversaries, children, Jews, Christians, or Muslims. They are brothers. They are mourners. 
In a sense they are us, forever weeping for the loss of our common father, shuffling through our bitter memories, reclaiming our childlike expectations, laughing, sobbing, furious and full of dreams, wondering about our orphaned future, and demanding the answers we all crave to hear: What did you want from me, Father? What did you leave me with, Father? 
And what do I do now?
          ”
          ”
         
        Bruce Feiler (Abraham: A Journey to the Heart of Three Faiths)
       
        
          “
          One consequence of losing a parent—obvious enough, although it hadn't occurred to me beforehand—is that it reconfigures the rest of your family. All my life, it had been the four of us; to the extent that had ever changed, it had only been joyfully, in the direction of more. But part of mourning my father involved acclimating to a new family geometry, a triangle instead of a square. As a unit, we were smaller, differently balanced, and, at first, unavoidably sadder.
          ”
          ”
         
        Kathryn Schulz (Lost & Found: A Memoir)
       
        
          “
          I leaned into the world without my dad and the hope of him returning. As I began to wake up and to feel again, I realized everything my father had ever taught me was for this moment – that he was preparing me for this moment his entire life.
          ”
          ”
         
        Rebecca Rainstrom
       
        
          “
          Yes, and our sister's sons are candid now about a creepy business which used to worry them a lot: They cannot find their mother or their father in their memories anywhere - not anywhere.
 The goat farmer, whose name is James Carmalt Adams, Jr., said this about it to me, tapping his forehead with his fingertips: "It isn't the museum, it should be."
 The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
          ”
          ”
         
        Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
       
        
          “
          When you don't have something anymore, you learn to live without it." That's what my dad told me that first night after he found me sleeping inside a closet underneath a pile of my mom's clothes. All the different smells of her were still there and the memories were alive even if she wasn't. 
I looked up into his face and wondered why would I ever want to learn to live without her? That felt like she really would be gone forever, and I wanted to limp on the broken piece of me so I could feel her there all the time.
          ”
          ”
         
        Alan Silberberg
       
        
          “
          We will talk of this again, when the grass has first withered on her grave. Then you'll hear him spouting about "the child too early torn from her father's heart;" then you'll see him steep himself in a syrup of sentiment and self-admiration and self-pity. Just you wait!
          ”
          ”
         
        Henrik Ibsen (The Wild Duck)
       
        
          “
          I need to ask, are you afraid of spiders?"
Nicholas blinked, suddenly caught off guard, "Yes, I'm afraid of spiders."
"Were you always?"
"What are you, a psychiatrist?"
Pritam took a breath. He could feel Laine's eyes on him, appraising his line of questioning.
"Is it possible that the trauma of losing your best friend as a child and the trauma of losing your wife as an adult and the trauma of seeing Laine's husband take his life in front of you just recently..." Pritam shrugged and raised his palms, "You see where I'm going?"
Nicholas looked at Laine. She watched back. Her gray eyes missed nothing.
"Sure," agreed Nicholas, standing. "And my sister's nuts, too, and we both like imagining that little white dogs are big nasty spiders because our daddy died and we never got enough cuddles."
"Your father died?" asked Laine. "When?"
"Who cares?"
Pritam sighed. "You must see this from our point of - "
"I'd love to!" snapped Nicholas. "I'd love to see it from your point of view, because mine is not that much fun! It's insane! It's insane that I see dead people, Pritam! It's insane that this," he flicked out the sardonyx necklace,"stopped me from kidnapping a little girl!"
"That's what you believe," Pritam said carefully.
"That's what I fucking believe!" Nicholas stabbed his finger through the air at the dead bird talisman lying slack on the coffee table.
          ”
          ”
         
        Stephen M. Irwin (The Dead Path)
       
        
          “
          When you wake raise your soul to God, realising His divine presence; adore the Blessed Trinity, imitating the great St. Francis Xavier, "I adore You, God the Father, who created me, I adore You, God the Son, who redeemed me, I adore You, God the Holy Ghost who have sanctified me, and continue to carry on the work of my sanctification. I consecrate this day entirely to Your love and to Your greater glory. I know not what this day will bring me either pleasant or troublesome, whether I shall be happy or sorrowful, shall enjoy consolation or undergo pain and grief, it shall be as You please; I give myself into Your hands and submit myself to whatever You will.
          ”
          ”
         
        Jean-Pierre de Caussade (Abandonment to Divine Providence)
       
        
          “
          The Biden's have another belief as well:" If you have to ask, it's too late." When someone is in need, when they're hurting, when they're overwhelmed, you don't wait until they tell you they need your help. You give it before they have to ask. So when Neilia died and Joe was left with two young boys, trying to father them and get through his own grief, all while juggling the new hectic life of a senator, Val didn't ask if there was something she could do. She moved in. And for three years, through her own career ambitions, through her courtship and eventual marriage to her husband, Jack, she lived with Joe and the boys and made sure they had the love and support they needed to keep going.
          ”
          ”
         
        Jill Biden (Where the Light Enters: Building a Family, Discovering Myself)
       
        
          “
          Loftus grew up with a cold father who taught her nothing about love but everything about angles. A mathematician, he showed her the beauty of the triangle's strong tip, the circumference of the circle, the rigorous mission of calculus. Her mother was softer, more dramatic, prone to deep depressions. Loftus tells all this to me with little feeling "I have no feelings about this right now," she says, "but when I'm in the right space I could cry." I somehow don't believe her; she seems so far from real tears, from the original griefs, so immersed in the immersed in the operas of others. Loftus recalls her father asking her out to see a play, and in the car, coming home at night, the moon hanging above them like a stopwatch, tick tick, her father saying to her, "You know, there's something wrong with your mother. She'll never be well again. Her father was right. When Loftus was fourteen, her mother drowned in the family swimming pool. She was found floating face down in the deep end, in the summer. The sun was just coming up, the sky a mess of reds and bruise. Loftus recalls the shock, the siren, an oxygen mask clamped over her mouth as she screamed, "Mother mother mother," hysteria. That is a kind of drowning. "I loved her," Loftus says. "Was it suicide?" I ask. She says, "My father thinks so. 
Every year when I go home for Christmas, my brothers and I think about it, but we'll never know," she says. Then she says, "It doesn't matter." "What doesn't matter?" I ask. "Whether it was or it wasn't," she says. "It doesn't matter because it's all going to be okay." Then I hear nothing on the line but some static. on the line but some static. "You there?" I say. "Oh I'm here," she says. "Tomorrow I'm going to Chicago, some guy on death row, I'm gonna save him. I gotta go testify. Thank God I have my work," she says. "You've always had your work," I say. "Without it," she says, "Where would I be?
          ”
          ”
         
        Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
       
        
          “
          Ah sir," replied Caderousse, "we cannot console those who will not be consoled, and he was one of these; besides, I know not why, but he seemed to dislike seeing me. One night, however, I heard his sobs, and I could not resist my desire to go up to him, but when I reached his door he was no longer weeping but praying.
I cannot now repeat to you, sir, all the eloquent words and imploring language he made use of; it was more than piety, it was more than grief, and I, who am no canter, and hate the Jesuits, said then to myself, 'It is really well, and I am very glad that I have not any children; for if I were a father and felt such excessive grief as the old man does, and did not find in my memory or heart all he is now saying, I should throw myself into the sea at once, for I could not bear it.
          ”
          ”
         
        Alexandre Dumas
       
        
          “
          Your dad been gone long?"
"Last June," he said. "Early."
"That's no time."
"It changes. Sometimes he's been dead for years and other times it was yesterday or this morning or ten minutes ago. It just depends on how things are going. There's no counting on it." Carl put his finger in his drink and spun it around. He was trying to make the ice melt faster. "Sometimes I think he's going to walk in that door.
          ”
          ”
         
        Ann Patchett (Taft)
       
        
          “
          Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say.
And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?'
The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.'
'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.'
'I am all aflame,' said the Beauty softly.
And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs.
("The Poison Garden")
          ”
          ”
         
        Valery Bryusov (Silver Age of Russian Culture (An Anthology))
       
        
          “
          You want to travel to Greece? You ask for a passport, but you discover you're not a citizen because your father or one of your relatives had fled with you during the Palestine war. You were a child. And you discover that any Arab who had left his country during that period and had stolen back in had lost his right to citizenship.
You despair of the passport and ask for a laissez-passer. You find out you're not a resident of Israel because you have no certificate of residence. You think it's a joke and rush to tell it to your lawyer friend: "Here, I'm not a citizen, and I'm not a resident. Then where and who am I?" You're surprised to find the law is on their side, and you must prove you exist. You ask the Ministry of the Interior: "Am I here, or am I absent? Give me an expert in philosophy, so that I can prove to him I exist."
Then you realize that philosophically you exist but legally you do not.
          ”
          ”
         
        Mahmoud Darwish
       
        
          “
          Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt.
"      'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.
        'He wished very much to bring you this message himself, but he could not.  He bids you goodbye with a love he confesses he never felt toward you...until this day.  He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'
        He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display.  He could not effectively carry on, no even turn his face away or flee the pulpit.  He was in the grip of a wild grief that paralyzed everything but itself.
         He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.  
        He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.  
        It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.
        And people wept with him, most of them.  Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further.  But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously.  He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.    
        And then it was over.  He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief.  And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'
                And the people said, 'Amen.
          ”
          ”
         
        Jan Karon
       
        
          “
          Upon the listening spirit of God fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen!  “Lord our Father, our young patriots, idols of our hearts, go forth into battle — be Thou near them! With them — in spirit — we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended in the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames in summer and the icy winds of winter, broken in spirit, worn with travail, imploring thee for the refuge of the grave and denied it —   For our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimmage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet!   We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen.   (After a pause.) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.”  …
          ”
          ”
         
        Mark Twain
       
        
          “
          Death and the Turtle"
I watched the turtle dwindle day by day,
Get more remote, lie limp upon my hand;
When offered food he turned his head away;
The emerald shell grew soft. Quite near the end
Those withdrawn paws stretched out to grasp
His long head in a poignant dying gesture.
It was so strangely like a human clasp,
My heart cracked for the brother creature.
I buried him, wrapped in a lettuce leaf,
The vivid eye sunk inward, a dull stone.
So this was it, the universal grief:
Each bears his own end knit up in the bone.
Where are the dead? we ask, as we hurtle
Toward the dark, part of this strange creation,
One with each limpet, leaf, and smallest turtle---
Cry out for life, cry out in desperation!
Who will remember you when I have gone,
My darling ones, or who remember me?
Only in our wild hearts the dead live on.
Yet these frail engines bound to mystery
Break the harsh turn of all creation's wheel,
for we remember China, Greece, and Rome,
Our mothers and our fathers, and we steal
From death itself its rich store, and bring it home.
          ”
          ”
         
        May Sarton (A Private Mythology: Poems)
       
        
          “
          Do you think if I could help it, I would sit still with folded hands, content to mourn? Do you not believe that as long as hope remained I would be up and doing? I mourn because what has occurred cannot be helped. The reason you give me for not grieving, is the very sole reason of my grief. Give me nobler and higher reasons for enduring meekly what my Father sees fit to send, and I will try earnestly and faithfully to be patient; but mock me not, or any other mourner, with the speech, "Do not grieve, for it cannot be helped. It is past remedy.
          ”
          ”
         
        Elizabeth Gaskell (Mary Barton)
       
        
          “
          Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
          ”
          ”
         
        David Foster Wallace (Infinite Jest)
       
        
          “
          As the third evening approached, Gabriel looked up blearily as two people entered the room.
His parents.
The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside.
His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears.
"I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking.
Evie's gentle hands patted his back.
"I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion.
Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?"
"That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?"
"It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?"
Keeping his face pressed against her hair, Gabriel shook his head.
"Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me."
"Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery."
"You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement.
"I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover."
"I agree," Evie said firmly.
Letting out a shuddering sigh, Gabriel tightened his arms around her.
After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit."
"A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
          ”
          ”
         
        Lisa Kleypas (Devil in Spring (The Ravenels, #3))
       
        
          “
          Tybalt is dead, and Romeo — banished."
That "banished," that one word "banished,"
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there;
Or, if sour woe delights in fellowship
And needly will be ranked with other griefs,
Why followed not, when she said "Tybalt's dead,"
Thy father, or thy mother, nay, or both,
Which modern lamentation might have moved?
But with a rearward following Tybalt's death,
"Romeo is banished" — to speak that word
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. "Romeo is banished" —
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
          ”
          ”
         
        William Shakespeare (Romeo & Juliet)
       
        
          “
          Tybalt is dead, and Romeo — banished."
That "banished," that one word "banished,"
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there;
Or, if sour woe delights in fellowship
And needly will be ranked with other griefs,
Why followed not, when she said "Tybalt's dead,"
Thy father, or thy father, nay, or both, 
Which modern lamentation might have moved?
But with a rearward following Tybalt's death,
"Romeo is banished" — to speak that word
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. "Romeo is banished" —
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
          ”
          ”
         
        William Shakespeare (Romeo & Juliet)
       
        
          “
          Then He who loves me drew me very near Him, and there in the stillness he reminded me about the time He prayed in the garden under the shadow of the cross-shaped cloud. He had prayed until He literally sweat blood; He prayed for another way if possible, and yet He prayed for God's will to be done and not His own. I looked at Him and noticed the thorn scars on His brow, which in the shadowed light of clouds seemed more pronounced, and I thought of Him hanging in agony on the cross as His Father turned His face away and He cried from the depths of His soul, "My God, my God, why have you forsaken me?" I wondered about the disciples and Jesus' friends who stood that day at the foot of the cross. They must have felt so sad and frightened and alone as Jesus breathed His last, and the cloud of death engulfed them and took their beloved Jesus from them, along with all their hopes and dreams. When the clouds seemed darkest and the storm raged about them, behind it all God was working out His plan with precision timing and perfection. Three days later as the clouds of grief hung thick and heavy, Mary Magdalene went early to the tomb; and it was there, as the eastern sky was just waking up, it revealed with breathtaking beauty that Jesus had walked out of the tomb: the stone rolled away, the cloud of death lifted.
          ”
          ”
         
        Diana  Morgan (Conversations at the Well Heart-to-Heart Conversations With God)
       
        
          “
          But I can cite ten other reasons for not being a father."
"First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it."
"Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag."
"The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile."
"And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?"
"And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence.
"The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated."
"And you have not found life to be good?" asked Bertlef.
Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.
          ”
          ”
         
        Milan Kundera (Farewell Waltz)
       
        
          “
          So -- where do you want to go now, pateesa?" "Forward, Syn. Only way we can go. My father always said 'We take what is given.' Felt like all the galaxy ever handed me was darkness and grief. Like Krayt, I took what was given and gave into my anger... wrapped the anger around me so close, it blocked out the light. Suffocated myself in death and darkness until I forgot how to live. Tried to cut myself off from the Force so I didn't have to feel anything. Tried to make my heart a void... But nothing's a void -- not even in space. I've seen the way all things connect. Energy flows through the galaxy. Creating life, healing it. As long as the galaxy exists, life will find a way. There is no Death -- There is only the Force
          ”
          ”
         
        John Ostrander (Star Wars: Legacy, Volume 11: War)
       
        
          “
          Now, as they pressured perfect footprints into the snow that had been accumulating all day, his father took Harry's hand.
"Heshele, how are you?"
"OK, I guess."
"Are you very sad?"
"I don't know. I know I should be. But what does it mean to be sad?"
His father stopped. He cupped his free hand to let the snow gather. It quickly turned from an inviting white coating to black-specked gray water.
"Sadness is in my hand. In a second, a thing of beauty becomes dirty water; innocence leaves a child's eyes; he who strived for immortality lies forgotten under weeds. Sad is missing the love that death has sealed in the ground or that life has denied life to."
"Then I'm sad. When you took my hand, I remembered how he took my hand when we went to the pier to fish. And I thought: That will never happen again. And then I thought: Up until now I never understood the word never, and there was a lump in my throat.
          ”
          ”
         
        Amram Ducovny (Coney)
       
        
          “
          A of my parents floats into my head the moment I close my eyes. Once when I was about 11 I stopped at the doorway to my parents bedroom to watch them make the bed together. My father smiled at my mother as the pulled the sheets back and pulled them back in perfect synchronicity. I knew by the way he looked at her that he held her in a higher regard than he did himself no selfishness or insecurity kept him from seeing the full extent of her goodness as it so often with the rest of us. That love might only be possible in Abmigation. I do not know my father Erudite born Abnigation grown he often found it difficult to live up to the demands of his chosen faction just as I did but he tried and he knew true selflessness when he saw it." Tris saw the true meaning of love through her parents versus Tobias only saw abuse and grief and his perception of what a relationship or love should be is obviously be.
          ”
          ”
         
        Veronica Roth
       
        
          “
          You weren’t supposed to choose me,” he said.
Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it.
“The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.”
Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed.
“Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone.
“I was in the dory,” he whispered. Ira cocked his head.
“Say again?”
Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat.
“The dory?”
Oscar nodded again, eyebrows creased.
“I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.”
So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably.
“And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued.
Samuel and Ira glanced at each other with marked expressions of doubt and confusion.
“But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.”
Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him?
"Did he say anything?" she asked, anxious to know yet afraid to hear.
"It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces."
Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side.
"I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry."
She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool.
"No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
          ”
          ”
         
        Angie Frazier (Everlasting (Everlasting, #1))
       
        
          “
          Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little.
"Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!"
...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
          ”
          ”
         
        George Eliot (The Mill on the Floss)
       
        
          “
          I pulled the sheet off their faces. Their faces were black with coal dust and didn't look like anything was wrong with them except they were dirty. The both of them had smiles on their faces. I thought maybe one of them had told a joke just before they died and, pain and all, they both laughed and ended up with a smile. Probably not true but but it made me feel good to think about it like that, and when the Sister came in I asked her if I could clean their faces and she said, "no, certainly not!" but I said, "ah, c'mon, it's me brother n' father, I want to," and she looked at me and looked at me, and at last she said, "of course, of course, I'll get some soap and water."
When the nun came back she helped me. Not doing it, but more like showing me how, and taking to me, saying things like "this is a very handsome man" and "you must have been proud of your brother" when I told her how Charlie Dave would fight for me, and "you're lucky you have another brother"; of course I was, but he was younger and might change, but she talked to me and made it all seem normal, the two of us standing over a dead face and cleaning the grit away. The only other thing I remember a nun ever saying to me was, "Mairead, you get to your seat, this minute!
          ”
          ”
         
        Sheldon Currie (The Glace Bay Miners' Museum: The novel)
       
        
          “
          What!" said the king; "is that wretch still alive? Go and behead him at once. I authorise you." "Sire," said Saouy, "I thank your Majesty for the justice you do me. I would further beg, as Noureddin publicly affronted me, that the execution might be in front of the palace, and that it might be proclaimed throughout the city, so that no one may be ignorant of it." The king granted these requests, and the announcement caused universal grief, for the memory of Noureddin's father was still fresh in the hearts of his people. Saouy, accompanied by twenty of his own slaves, went to the prison to fetch Noureddin, whom he mounted on a wretched horse without a saddle. Arrived at the palace, Saouy went in to the king, leaving Noureddin in the square, hemmed in not only by Saouy's slaves but by the royal guard, who had great difficulty in preventing the people from rushing in and rescuing Noureddin. So great was the indignation against Saouy that if anyone had set the example he would have been stoned on his way through the streets. Saouy, who witnessed the agitation of the people from the windows of the king's privy chambers, called to the executioner to strike at once. The king, however, ordered him to delay; not only was he jealous of Saouy's interference, but he had another reason. A troop of horsemen was seen at that moment riding at full gallop towards the square.
          ”
          ”
         
        Anonymous (The Arabian Nights Entertainments)
       
        
          “
          And white-armed Andromache led the lament among them, holding in her arms the head of horse-breaking Hector: "My husband, you were lost from life while young, and are leaving me a widow in your halls; and the child is still just a baby, whom we bore, you and I, ill-fated both, nor do I think he will reach young manhood; before that this city will be wholly ravaged; for you its watchman have perished, who used to guard it, who protected its devoted wives and tender children. They soon will be carried away in the hollow ships, and I with them; and you then, my child, either you will follow with me, and there do work unworthy of you toiling for a harsh master-or some Achaean man seizing you by the arm will hurl you from the ramparts, unhappy death, in his anger, one whose brother, perhaps, Hector slew, or his father or even his son, since so many of the Achaeans gripped the broad earth in their teeth at Hector's hands. For your father was no gentle man in sad battle; therefore the people mourn him through the city, and cursed is the grief and lamentation you have laid upon your parents, Hector. And to me beyond all others will be left painful sorrow; for you did not reach out your hands to me from your bed as you were dying, nor did you speak some close word to me, which I might always remember through the nights and days as I shed my tears." So she spoke, crying, and the women in response mourned.
          ”
          ”
         
        Caroline Alexander (The Iliad)
       
        
          “
          Chicken Francese, or lamb chops, or plump spinach gnocchi that she'd roll out by hand and drop into boiling salt water. When her brothers came home for the holidays, she'd spend days in the kitchen, preparing airy latkes and sweet and sour brisket; roast turkey with chestnut stuffing; elaborately iced layer cakes. She'd stay in the kitchen for hours, cooking dish after dish, hoping that all the food would somehow conceal their father's absence; hoping that the meals would take the taste of grief out of their mouths.
"After my father died, I think cooking saved me. It was the only thing that made me happy. Everything else felt so out of control. But if I followed a recipe, if I used the right amounts of the right ingredients and did everything I was supposed to do..."
She tried to explain it- how repetitive motions of peeling and chopping felt like a meditation, the comfort of knowing that flour and yeast, oil and salt, combined in the correct proportions, would always yield a loaf of bread; the way that making a shopping list could refocus her mind, and how much she enjoyed the smells of fresh rosemary, of roasting chicken or baking cookies, the velvety feel of a ball of dough at the precise moment when it reached its proper elasticity and could be put into an oiled bowl, under a clean cloth, to rise in a warm spot in the kitchen, the same step that her mother's mother's mother would have followed to make the same kind of bread. She liked to watch popovers rising to lofty heights in the oven's heat, blooming out of their tins. She liked the sound of a hearty soup or grain-thickened stew, simmering gently on a low flame, the look of a beautifully set table, with place cards and candles and fine china. All of it pleased her.
          ”
          ”
         
        Jennifer Weiner (That Summer)
       
        
          “
          Lucifer Sansfoi
Varlet Sansfoi
 
Omer Perdiu
I.B.Perdie
Billy Perdy
 
I'll unwind your
guts from Durham
to Dover
and bury em
in Clover--
 
Your psalms I'll 'ave
engraved
in your toothbone--
 
Your victories
nilled--
You jailed under
under a woman's skirt
of stone--
 
Stone blind woman
with no guts
and only a scale--
 
Your thoughts & letters
Shandy'd about
in Beth
(Gaelic for grave)
 
Your philosophies
run up your nose
again--
 
Your confidences
and essays bandied
in ballrooms
from switchblade
to switchblade
 
--Your final
duel with
sledge hammers--
Your essential secret twinned
to buttercups
& dying--
 
Your guide to 32
European cities
scabbed in Isaiah
--Your red beard
snobbed in
Dolmen ruins
in the editions
of the Bleak--
 
Your saints and
Consolations bereft
--Your handy volume
rolled into
an urn--
 
And your father
And mother besmeared
at thought of you
th'unspent begotless
crop of worms
--You lay
there, you
queen for a
day, wait
for the "fun-
sucked frogs"
to carp at you
 
Your sweety beauty
discovered by No Name
in its hidingplace
till burrs
Part from you
from lack
of issue,
sinew, all
the rest--
Gibbering quiver
graveryard Hoo!
 
The hospital
that buries
you
be Baal,
the digger
Yorick,
& the shoveler
groom--
 
My rosy tomatoes
pop squirting
from your awful
rotten grave--
 
Your profile,
erstwhile
Garboesque,
mistook by earth-
eels for some
fjord to
Sheol--
 
And your timid
voice box
strangled
by lie-hating
earth
forever.
 
May the plighted
Noah-clouds
dissolve in grief of you--
 
May Red clay
be your center,
& woven into necks,
of hogs, boars,
booters & pilferers
& burned down
with Stalin, Hitler
& the rest--
 
May you bite
your lip that
you cannot
meet with God--
or
Beat me to a pub
--Amen
 
The Almoner,
his cup hat
no bottom,
nor I
a brim.
 
Devil, get thee
back
to the russet caves.
          ”
          ”
         
        Jack Kerouac (Scattered Poems)
       
        
          “
          If all ministers said: Bear the evils of this life; your Father in heaven counts your tears; the time will come when pain and death and grief will be forgotten words; I should have listened with the rest. What else does the minister say to the poor people who have answered the chimes of your bell? He says: "The smallest sin deserves eternal pain." "A vast majority of men are doomed to suffer the wrath of God forever." He fills the present with fear and the future with fire. He has heaven for the few, hell for the many. He describes a little grass-grown path that leads to heaven, where travelers are "few and far between," and a great highway worn with countless feet that leads to everlasting death. Such Sabbaths are immoral. Such ministers are the real savages. Gladly would I abolish such a Sabbath. Gladly would I turn it into a holiday, a day of rest and peace, a day to get acquainted with your wife and children, a day to exchange civilities with your neighbors; and gladly would I see the church in which such sermons are preached changed to a place of entertainment. Gladly would I have the echoes of orthodox sermons—the owls and bats among the rafters, the snakes in crevices and corners—driven out by the glorious music of Wagner and Beethoven. Gladly would I see the Sunday school where the doctrine of eternal fire is taught, changed to a happy dance upon the village green. Music refines. The doctrine of eternal punishment degrades. Science civilizes. Superstition looks longingly back to savagery.
          ”
          ”
         
        Robert G. Ingersoll (The Essential Works of Robert G. Ingersoll)
       
        
          “
          Grief is not gauzy; it is substantial, oppressive, a thing opaque. The weight is heaviest in the mornings, post-sleep: a leaden heart, a stubborn reality that refuses to budge. 
I will never see my father again. Never again. It feels as if I wake up only to sink and sink.
          ”
          ”
         
        Chimamanda Ngozi Adichie (Notes on Grief)
       
        
          “
          صمت الروح
صمت يصقل الحرف قبل ان اتفوه به.
صمت فنجان القهوة قبل ان ارتشفه.
صمت الفاجعة.
هذا الصمت عندما رنّ الهاتف، ما بعد منتصف الليل وقال لي مواسياً: 
"لقد حاولنا وخسرناه..." 
صمت الهاتف عندما اغلقته وتوجهت نحو المطبخ كي اشرب كأس ماء.
كأس ماء كي لا اذرف دمعة.
على الشرفة يردد المذياع النعوة: 
"انتقل الى رحمته تعالى المأسوف على شبابه...." 
هذا الغريب الذي لم انس حتى الآن صوته قال بجمود: 
"انتقل" 
ولم يذكر الى اين..
قال: 
"المأسوف على شبابه" 
ونسي طفولتي..
ينعون الميت وينسون من يخلف وراءه..
كان أبي يردد:
"الحياة زهرية حتّى في حزنها"
فارتديت الزهر.
تأتي امي ترتدي الاسود وترحل.
ترتدي الاسود وتنسى الوصية.
          ”
          ”
         
        Malak El Halabi (سمير)
       
        
          “
          And in just this way the days after my father's death became weeks became months in the familiar ceaseless cruelty of time, carrying us ever forward even when we sit still. Time does not pass, pain grows." (p.223)
          ”
          ”
         
        Niall Williams
       
        
          “
          My God, my God, why hast thou forsaken me?" Psalm 22:1 We here behold the Saviour in the depth of his sorrows. No other place so well shows the griefs of Christ as Calvary, and no other moment at Calvary is so full of agony as that in which his cry rends the air--"My God, my God, why hast thou forsaken me?" At this moment physical weakness was united with acute mental torture from the shame and ignominy through which he had to pass; and to make his grief culminate with emphasis, he suffered spiritual agony surpassing all expression, resulting from the departure of his Father's presence. This was the black midnight of his horror; then it was that he descended the abyss of suffering. No man can enter into the full meaning of these words.
          ”
          ”
         
        Charles Haddon Spurgeon (Christian Classics:  Six books by Charles Spurgeon in a single collection, with active table of contents)
       
        
          “
          When Juliet — at your bidding, I might add — came to us last April, I saw a woman who was the complete opposite of Gareth.  I saw a woman who was steadfast where he was impulsive, who was practical where he was reckless, who was grieving where he was full of fun and laughter.  I also saw that she was greatly in need of a father for her little baby." Charles slowly turned his head, his expression going cold as he met Lucien's black stare.  "No.  Don't tell me that you're behind this, Lucien.  Don't tell me that you, with your infernal machinations and manipulations, engineered this damnable union." "I'm afraid that is precisely what I did.  You were dead, or so we thought.  Your charming fiancée needed not only a husband who could give your daughter her proper name, but someone to pull her out of her grief.  In Gareth, I saw a man who was capable of doing both.  She needed to laugh again, and he needed someone to teach him the meaning of responsibility.  The two of them, as I was quick to discern, brought out the best in each other.  Of course I —" he tapped a finger, once, against his pursed lips — "arranged things so that the two of them ended up together.  How could I not?" Very slowly, Charles put down his brandy.  "And just what was it you did?" "It is not important." "It is to me." "Very well, then."  Lucien affected a weary sigh.  "I told the girl that I could not make baby Charlotte my ward.  Her pride was most grievously injured, and so she left, just as I suspected she might do.  Meanwhile I allowed Gareth, who had pushed me beyond the limits of my patience with a certain act of public vandalism the night before, to think that I had banished her.  He was already half in love with her, and determined to do right by both the young lady and the child of the older brother that he had so loved.  He went after her, and had what he thought was his revenge on me and my apparent cruelty by marrying her — just as I suspected he might do.  It was all very neat and simple, really, and I am most pleased with the consequences of my . . . manipulations.  There is nothing that will make a fellow grow up faster than a little responsibility, and with a wife and baby to look after, I daresay Gareth had more than enough." Charles,
          ”
          ”
         
        Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
       
        
          “
          He has been waiting for us, waiting in vain, and His fatherly heart was filled with grief. When He then sought to call us home through chastenings, we rebelled against Him and His actions and again refused to come home to the Father. What else should He do with us?
          ”
          ”
         
        Basilea Schlink
       
        
          “
          But she thought with love of the roads and fields of Way. She thought of Old Iria village, the marshy spring under Iria Hill, the old house on it. She thought about Daisy singing ballads in the kitchen, winter evenings, beating out the time with her wooden clogs; and old Coney in the vineyards with his razor-edge knife, showing her how to prune the vine "right down to the life in it;" and Rose, her Etaudis, whispering charms to ease the pain in a child's broken arm. I have known wise people, she thought. Her mind flinched away from remembering her father, but the motion of the leaves and shadows drew it on. She saw him drunk shouting. She felt his prying, tremulous hands on her. She saw him weeping; sick, shamed; and grief rose up through her body and dissolved, like an ache that melts away in a long stretch of arms. He was less to her than the mother she had not known.
 She stretched, feeling the ease of her body in the warmth, and her mind drifted back to Ivory. She had had no one in her life to desire. When the young wizard first came riding by so slim and arrogant, she wished she could want him; but she didn't and couldn't, and so she had thought him spell-protected. Rose had explained to her how wizards' spells worked "so that it never enters your head nor theirs, see, because it would take from their power, they say." But Ivory, poor Ivory, had been all too unprotected. If anybody was under a spell of chastity it must have been herself, for charming and handsome as he was she had never been able to feel a thing for him but liking, and her only lust had been to learn what he could teach her.
          ”
          ”
         
        Ursula K. Le Guin (Tales from Earthsea (Earthsea Cycle, #5))
       
        
          “
          BOOK CLUB QUESTIONS Throughout the story, there is significant friction between Rory and Camilla, much of which stems from Camilla’s need to manage her daughter’s life. In what ways, if any, do you feel Rory contributes to the chronic tension between them? Soline’s mother, Esmée, believes that each of us creates a unique echo in the world and that those echoes are constantly seeking their match—in order to become complete. Do you believe such a thing is possible? One of the threads running through the book touches on the tendency of daughters to repeat their mothers’ mistakes, especially in relationship matters. Have you or someone you know experienced this in real life? If so, was the pattern eventually recognized and broken? The theme of chasing one’s dreams figures prominently in the journeys of both Rory and Soline. From an early age, Soline was taught that the work they did was a sacred vocation for which the Roussels had been especially chosen, and Hux once told Rory that the dream of opening an art gallery had her name all over it. Do you believe we are each given a calling in life, a talent or gift that feeds our soul and benefits others? “Everything happens for a reason” is a commonly used axiom, particularly when events suddenly turn our lives upside down. Throughout the book, Rory’s and Soline’s lives are upended by a series of seeming coincidences, causing them to wonder if some unseen hand might be at work. Do you believe that certain things are meant to be? That some benevolent force is trying to guide us to our highest good? Or is everything random? Rory tells Soline that she and Camilla push each other’s buttons. Soline understands, but at times she seems to side with Camilla, perhaps because she had a similar relationship with her own mother. What parallels did you note in the relationships between Soline and Esmée and Rory and Camilla? By the end of the book, it seems obvious that Soline has come into Rory’s life for a reason and that the reverse is also true. In the end, each has irrevocably altered the other’s life. Have you ever had someone come into your life, even briefly, who you feel came to teach you a lesson or help you find your path? On her deathbed, Esmée tells Soline about the father she never knew, a man Esmée loved dearly but sent away out of obedience to her mother. She speaks to her daughter about a grief worse than death—the grief of a life half-lived. How do you think these revelations affect Soline’s choices when Anson suddenly reappears in her life? One of Esmée’s quotes is about forgiveness. She says forgiveness is the greatest magick of all and that it makes all things new. Do you believe in the power of forgiveness? If so, is it true in all things, or are there certain things that can never be made new?
          ”
          ”
         
        Barbara  Davis (The Keeper of Happy Endings)
       
        
          “
          I imagine I shall hunt orchids, in one fashion or another, until the day I die. My father considers the whole thing a mania, and perhaps he's right."
"A mania," she repeated. "Why, that's putting it rather strongly!"
James shrugged. "I'm not so sure. If something brings you more grief and heartache than reward and pleasure, yet you persist in the endeavour anyway, then how else might one describe it?
          ”
          ”
         
        Alexandra  Bell (The Winter Garden)
       
        
          “
          How do we not fall into a perpetual state of despair? My father said to me the other day, "We have to stare it down. IT being grief." IT being everything he can't control like age, the waning strength of his legs, or the loss of another son.
          ”
          ”
         
        Terry Tempest Williams
       
        
          “
          Don't despair," she told me. "This is our hope in the Resurrection." The words might have upset me coming from anyone else in that church, anyone else in the world. But I felt her sorrow as something deeper and more powerful than my own, a great river spilling its banks. I couldn't help but feel awed by her abiding faith in what she saw as my father's victory over death. She was a warrior, even in grief.
          ”
          ”
         
        Nicole Chung (A Living Remedy: A Memoir)
       
        
          “
          Would that I knew what others ignore,
Such as has not been repeated,
To say it and have my heart answer me,
To inform it of my distress.
Shift to it the load on my back,
The matters that afflict me.
Relate to it of what I suffer
And sigh “Ah" with relief!
of meditate on what has happened,
The events that occur throughout the land: Changes take place, it is not like last year,
One year is more irksome than the other.
The land breaks up, is destroyed.
Becomes [a wasteland].
Order is cast out,
Chaos is in the council hail ;
The ways of the gods are violated,
Their provisions neglected.
The land is in turmoil.
There is mourning everywhere;
Towns, districts are grieving,
All alike are burdened by wrongs.
One turns one’s back on dignity.
The lords of silence are disturbed;
As dawn comes every day.
The face recoils from events.
I cry out about it,
My limbs are weighed down,
I grieve in my heart.
It is hard to keep silent about it,
Another heart would bend;
But a heart strong in distress:
It is a comrade to its lord.
Had I a heart skilled in hardship,
I would take my rest upon it.
Weigh it down with words of grief.
Lay on it my malady!
He said to his heart:
Come, my heart, I speak to you.
Answer me my sayings!
Unravel for me what goes on in the land,
Why those who shone are overthrown.
I meditate on what has happened:
While trouble entered in today,
And turmoil will not cease tomorrow,
Everyone is mute about it.
The whole land is in great distress,
Nobody is free from erime;
Hearts are greedy.
He who gave orders takes orders,
And the hearts of both submit.
One wakes to it every day.
And the hearts do not reject it.
Yesterday's condition is like today’s
None is wise enough to know it,
None angry enough to cry out,
One wakes to suffer each day.
My malady is long and heavy.
The sufferer lacks strength to save himself
From that which overwhelms him.
It is pain to be silent to what one hears,
It is futile to answer the ignorant.
To reject a speech makes enmity;
The heart does not accept the truth,
One cannot bear a statement of fact,
A man loves only his own words.
Everyone builds on crookedness,
Right-speaking is abandoned.
I spoke to you, my heart, answer you me,
A heart addressed must not be silent,
Lo, servant and master fare alike,
There is much that weighs upon you!
          ”
          ”
         
        Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
       
        
          “
          Think how Jesus works what the Father wills. In the wounds of the dying Saviour see the love of the great I AM. Let every thought of Jesus be also connected with the Eternal, ever-blessed God, for "It pleased the Lord to bruise Him; He hath put Him to grief.
          ”
          ”
         
        Charles Haddon Spurgeon (Morning and Evening Daily Devotions with Charles Spurgeon Book (Annotated))
       
        
          “
          Jeeter?" Grace whispered into her walkie-talkie. "Are you awake?" She waited.
A few weeks ago, she and Jeeter had started chatting on their walkie-talkies late at night when she couldn't sleep. He always answered her call no matter how late it was.
"I'm here," his voice echoed back. "Trouble sleeping again?"
"Yeah."
"Another bad dream?"
"Uh-huh," she sniffed, unexpected tears flooding her eyes. My dad was calling for me, but I couldn't find him." She couldn't believe she'd said it. She'd never told anyone what she saw in her dreams. But Jeeter understood. He'd told her before that he had bad dreams too, since his mom had died.
          ”
          ”
         
        Jo Ann Yhard (Fossil Hunter of Sydney Mines)
       
        
          “
          My parents often talked about how beautiful a city Hamburg was. We had coffee table books with beautiful glossy black and white photographs showing the city prior to the heavy Allied bombings and subsequent firestorm. It showed the famous harbor, the lakes and canals. Hamburg is sometimes referred to as the Venice of the north. As our train pulled into the huge covered station I really did not know what to expect. None of us were aware of the tremendous amount of damage the city had sustained, however we had been informed that two of my father’s sisters and their families had died in “Operation Gomorrah” the hellish fire that had all but eradicated the city. Although I was quite young at the time I vividly remember my parent’s tremendous grief when they learned from the scarce, intermittent correspondence they received via the Red Cross, that many members of our family had died and much of what they remembered of Hamburg was gone.
          ”
          ”
         
        Hank Bracker
       
        
          “
          When my mother fell ill, my father felt it as a great burden. He paid a woman to look after her until the end, and sent me away to live with my aunt and grandmother, and I never heard from him again. He may be dead, for all I know."
"I'm sorry," Leo said. And he was. Genuinely sorry, wishing he could somehow have gone back in time to comfort a small girl in spectacles, who had been abandoned by the man who should have protected her. "Not all men are like that," he felt the need to point out.
"I know. It would hardly be fair of me to blame the entire male population for my father's sins."
Leo became uncomfortably aware that his own behavior hadn't been any better than her father's, that he had indulged in his own bitter grief to the point of abandoning his sisters. "No wonder you've always hated me," he said. "I must remind you of him, I deserted my sisters when they needed me."
Catherine gave him a clear-eyed stare, not pitying, not censorious, just... appraising. "No," she said sincerely. "You're not at all like him. You came back to your family. You've worked for them, cared for them. And I've never hated you."
Leo stared at her closely, more than a little surprised by the revelation. "You haven't?"
"No. In fact-" She broke off abruptly.
"In fact?" Leo prompted. "What were you going to say?"
"Nothing."
"You were. Something along the lines of liking me against your will."
"Certainly not." Catherine said primly, but Leo saw the twitch of a smile at her lips.
"Irresistibly attracted by my dashing good looks?" he suggested. "My fascinating conversation?"
"No, and no."
"Seduced by my brooding glances?" He accompanied this with a waggish swerving of his brows that finally reduced her to laughter.
"Yes, it must have been those."
Settling back against the pillows, Leo regarded her with satisfaction. 
What a wonderful laugh she had, light and throaty, as if she had been drinking champagne.
And what a problem this could become, this madly inappropriate desire for her. She was becoming real to him, dimensional, vulnerable in ways he had never imagined.
          ”
          ”
         
        Lisa Kleypas (Married by Morning (The Hathaways, #4))
       
        
          “
          Meditation at Lagunitas"
All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remembered how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy places where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.
          ”
          ”
         
        Robert Hass (Praise)
       
        
          “
          He wasn't always a wrinkled old man, Trixie," Mrs. Belden said quietly. "And Ten Acres was once as much of a showplace as the Manor House on the other hill is now. Grief sometimes changes people, you know. Before Mrs. Frayne died, he was a charming old gentleman, and he and his wife were very kind to your father and me when we moved up here from the city.
          ”
          ”
         
        Julie  Campbell (The Secret of the Mansion (Trixie Belden, #1))
       
        
          “
          Howbeit the holy man was sore perplexed when the summons arrived. So great was his distemperature that no sooner had he read Huldbrand's letter, than he girt himself for his journey with far greater expedition than the messenger had used in his coming. What time his breath failed him or his aged limbs refused their service, he would say to himself, " Fail not, body of mine, fail not till the goal be reached ! Perchance I may yet be soon enough to prevent a crime ! ' And thus with renewed strength he would press and urge himself on, without stop or stay, until late one evening he found himself at last in the shady courtyard of Ringstetten.
Now it chanced that the betrothed pair were sitting side by side under the trees, while the fisherman sate near, deep in many thoughts. Seeing Father Heilmann, they sprang up and pressed round him with warm welcome. But he was sparing of speech, only begging Huldbrand to go with him into the castle. When the knight hesitated and marvelled somewhat at the grave summons, the father spoke :
" My lord of Ringstetten," quoth he, "to speak to thee in private was my desire, but why should I persist in it any longer ? \Vhat I have to say concerneth equally Bertalda and the fisherman, and what must be heard at some time had better be heard forthwith. Art thou then so sure, Knight Huldbrand, that thy first wife is dead ? For myself, I cannot think so. Naught indeed will I say of the mystery that surroundeth her, for of that I know nothing certain. But that she was a faithful and God-fearing wife, of that at least there is no doubt. Now, for the last fortnight she hath stood in dreams at my bedside, wringing her hands in anguish and murmuring at my ear : ' Good Father, stay him from his purpose ! I am yet living. Ah ! Save his life ! Save his soul ! ' What this night vision might mean passed my comprehension, until thy messenger came for me. Then I hurried hither with all imaginable speed — not to unite, but to separate, those who must on no account be joined. Leave her, Huldbrand ! Leave him, Bertalda! For he belongs still to another. Dost thou not see how pale his cheek is through grief for his lost wife ? He hath no bridegroom's air, and a voice telleth me that, an thou leave him not, thou wilt never be happy."
Now Father Heilmann spoke the truth, and the three listeners knew it in their innermost hearts ; yet would they not believe it. Even the old fisherman was under a spell, for he thought that the issue must needs be what they had settled in their recent discussions. So they all set their wild and reckless haste against the priest's warnings in such sort that the holy father must perforce leave the" castle with a sad heart.
          ”
          ”
         
        La Motte-Fou Freiherr de, 1777-1843; Courtney, W. L. (William Leonard), 1850-1928; Rackham, Arthur,
       
        
          “
          Elizabeth took a sip of coffee as Mason prattled on. She was well aware that she needed fixing. She'd reached a new stage in her grief: from mourning the man she'd fallen in love with, to mourning the father she knew he would have been. She tried hard not to imagine how high Calvin would have tossed Mad in the air, how easily he would have plopped her on his shoulders. Neither of them had wanted children, and Elizabeth still fervently believed that no woman should be forced to have a baby. Yet here she was, a single mother, the lead scientist on what had to be the most unscientific experiment of all time: the raising of another human being. Every day she found parenthood like taking a test for which she had not studied. The questions were daunting and there wasn't nearly enough multiple choice. Occasionally she woke up damp with sweat, having imagined a knock at the door and some sort of authority figure with an empty baby-sized basket saying, "We've just reviewed your last parental performance report and there's really no nice way to put this. You're fired.
          ”
          ”
         
        Bonnie Garmus (Lessons in Chemistry)