Father Flood Quotes

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Beyah, My father once told me love is a lot like water. It can be calm. Raging. Threatening. Soothing. Water will be many things, but even in all its forms, it will always be water. You are my water. I think I might be yours, too. If you’re reading this, it means I’ve evaporated. But it doesn’t mean you should evaporate, too. Go flood the whole goddamn world, Beyah.
Colleen Hoover (Heart Bones)
However, there is a way to know for certain that Noah’s Flood and the Creation story never happened: by looking at our mitochondrial DNA (mtDNA).  Mitochondria are the “cellular power plants” found in all of our cells and they have their own DNA which is separate from that found in the nucleus of the cell.  In humans, and most other species that mitochondria are found in, the father’s mtDNA normally does not contribute to the child’s mtDNA; the child normally inherits its mtDNA exclusively from its mother.  This means that if no one’s genes have mutated, then we all have the same mtDNA as our brothers and sisters and the same mtDNA as the children of our mother’s sisters, etc. This pattern of inheritance makes it possible to rule out “population bottlenecks” in our species’ history.  A bottleneck is basically a time when the population of a species dwindled to low numbers.  For humans, this means that every person born after a bottleneck can only have the mtDNA or a mutation of the mtDNA of the women who survived the bottleneck. This doesn’t mean that mtDNA can tell us when a bottleneck happened, but it can tell us when one didn’t happen because we know that mtDNA has a rate of approximately one mutation every 3,500 years (Gibbons 1998; Soares et al 2009). So if the human race were actually less than 6,000 years old and/or “everything on earth that breathed died” (Genesis 7:22) less than 6,000 years ago, which would be the case if the story of Adam and the story of Noah’s flood were true respectively, then every person should have the exact same mtDNA except for one or two mutations.  This, however, is not the case as human mtDNA is much more diverse (Endicott et al 2009), so we can know for a fact that the story of Adam and Eve and the story of Noah are fictional.   There
Alexander Drake (The Invention of Christianity)
My father had told me that no matter how comfortable we might feel, we must live like fish, unattached to any land. Wherever there was water, we would survive. Some fish could stay in the mud for months, even years, and when at last there was a high flooding tide, they would swim away, a dark flash, remembered only by their own kind. So perhaps the stories they told of our people were true: no net could hold us.
Alice Hoffman (The Marriage of Opposites)
And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow. Someday,” he said, “when we are ready, I will give you back your tears.
Francesca Lia Block (Echo)
my house only felt like a home underwater, in floods; my father was an astronaut because to me stars or the distant flashing of satellites seemed closer than wherever he was; when
Neil Hilborn (Our Numbered Days)
Millions of fathers in rain Millions of mothers in pain Millions of brothers in woe Millions of sisters nowhere to go Millions of daughters walk in the mud Millions of children wash in the flood A million girls vomit and groan Millions of families hopeless alone
Allen Ginsberg (Poems)
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
And if it seem evil unto you to serve the Lord, choose you this day whom you will serve, wether the Gods of your fathers who were on the other side of the flood, or the Gods of the ammorites in whos land you dwell: but as for me and my house, we will serve the Lord.
Anonymous (The Holy Bible: King James Version)
Please, please, help me grow to be like them, the ones'll soon be here, who never grow old, can't die, that's what they say, can't die, no matter what, or maybe they died a long time ago but Cecy calls, and Mother and Father call, and Grandmere who only whispers, and now they're coming and I'm nothing, not like them who pass through walls and live in trees or live underneath until seventeen-year rains flood them up and out, and the ones who run in packs, let me be the one! If they live forever, why not me?
Ray Bradbury
All those years I'd kept an outline of my father in my head, like a chalk line enclosing a father-shaped space. When I was little, I'd coloured it in often enough. But those colours had been too bright and the outline had been too large...
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
I explained we lost the porch to the flood. 'Father hasn't gotten around to rebuilding it, although he's quite a good carpenter. He says if Jesus was a carpenter, it's good enough for a clergyman. But I don't remember that Jesus let his house fall down.
Franny Billingsley (Chime)
We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.
Greg M. Epstein (Good Without God: What a Billion Nonreligious People Do Believe)
The stream of Time, irresistible, ever moving, carries off and bears away all things that come to birth and plunges them into utter darkness, both deeds of no account and deeds which are mighty and worthy of commemoration; as the playwright [Sophocles] says, it 'brings to light that which was unseen and shrouds from us that which was manifest.' Nevertheless, the science of History is a great bulwark against this stream of Time; in a way it checks this irresistible flood, it holds in a tight grasp whatever it can seize floating on the surface and will not allow it to slip away into the depths of Oblivion. ...I, having realized the effects wrought by Time, desire now by means of my writings to give an account of my father's deeds, which do not deserve to be consigned to Forgetfulness nor to be swept away on the flood of Time into an ocean of Non-Remembrance; I wish to recall everything....
Anna Comnena (The Alexiad)
But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
In class I had been taught about neurotransmitters and their effect on brain chemistry; I understood that disease is not a choice. This knowledge might have made me sympathetic to my father, but it didn’t. I felt only anger. We were the ones who’d paid for it, I thought. Mother. Luke. Shawn. We had been bruised and gashed and concussed, had our legs set on fire and our heads cut open. We had lived in a state of alert, a kind of constant terror, our brains flooding with cortisol because we knew that any of those things might happen at any moment. Because Dad always put faith before safety. Because he believed himself right, and he kept on believing himself right—after the first car crash, after the second, after the bin, the fire, the pallet. And it was us who paid.
Tara Westover (Educated)
One day, a high summer flood washed him out of the burrow where he lived with his father and mother, and carried him, kicking and clucking, down a roadside ditch. He found a
Rudyard Kipling (Rikki-Tikki-Tavi)
One day, a high summer flood washed him out of the burrow where he lived with his father and mother, and carried him, kicking and clucking, down a roadside ditch.
Rudyard Kipling (Rikki-Tikki-Tavi)
And I told Father Flood that since I would already be getting my reward in heaven, I have that nicely arranged, thank you, he owes me a favour that I would like repaid on this earth.
Colm Tóibín (Brooklyn)
To strengthen our faith and deepen our testimony to the point that we can successfully endure to the end, we must know for ourselves with a surety that: God is our Heavenly Father, and we are His literal children. He and His Beloved Son want us to be happy and eventually come to a fulness of joy. They know us intimately and love us infinitely. They want to bless us, and they actually take great joy in doing -so. I am deeply convinced that this is the bedrock of which Christ spoke. And if we build our house on this rock, we can withstand the rains, the storms, and the floods that may come our way. With this testimony, we will endure. Without it, we are-vulnerable.
Gerald N. Lund (Divine Signatures: The Confirming Hand of God (Divine Guidance, #2))
Where I grew up, death is a constant visitor. A virus, bacteria, a parasite; drought and famine; soldiers, and torturers; could bring it to anyone, any time. Death comes riding on raindrops that turned to floods. It catches the imagination of men in positions of authority who order their subordinates to hunt, torture, and kill people they imagine to be enemies. Death lures many others to take their own lives in order to escape a dismal reality. For many women, because of the perception of lost honor, death comes at the hands of a father, brother, or husband. Death comes to young women giving birth to new life, leaving the newborn orphaned in the hands of strangers. For those who live in anarchy and civil war, as in the country of my birth, Somalia, death is everywhere.
Ayaan Hirsi Ali (Infidel)
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
She explained to him that she had been homesick, and that Father Flood had inscribed her on the course as a way of making her busy, and how studying in the evening made her feel happy, or as happy as she had been since she had left home.
Colm Tóibín
OUR age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs? Embosomed for a season in nature, whose floods of life stream around and through us, and invite us by the powers they supply, to action proportioned to nature, why should we grope among the dry bones of the past, or put the living generation into masquerade out of its faded wardrobe? The sun shines to-day also. There is more wool and flax in the fields. There are new lands, new men, new thoughts. Let us demand our own works and laws and worship.
Ralph Waldo Emerson (Nature)
I went to my father’s funeral after he died in hospital. When my uncle died of a heart attack, and Zayd drowned in the flood, and Maneen was killed by a bullet, and Hafiza died of AIDS and Marwan killed himself with his father’s dagger, I went to their funerals, and I also attended funerals for my friends’ fathers and mothers, but I didn’t go to Zarifa’s. Simply, no one told me.
Jokha Alharthi (Celestial Bodies)
Listen to your gut, her father was fond of saying, but make up your own damn mind.
Jeremy Robinson (Flood Rising (Jenna Flood #1))
when the two ventricles of our home—our father and our mother—held silence as the ventricles of the heart retain blood, we could flood the house if we poked them.
Chigozie Obioma (The Fishermen)
I was its king once, a long time ago, when the great gods decided to send the Flood. Five gods decided, and they took an oath to keep the plan secret: Anu their father, the counselor Enlil, Ninurta the gods’ chamberlain, and Ennugi the sheriff. Ea also, the cleverest of the gods, had taken the oath, but I heard him whisper the secret to the reed fence around my house. ‘Reed fence, reed fence, listen to my words. King of Shuruppak, quickly, quickly tear down your house and build a great ship, leave your possessions, save your life. The ship must be square, so that its length equals its width. Build a roof over it, just as the Great Deep is covered by the earth. Then gather and take aboard the ship examples of every living creature.
Anonymous (Gilgamesh)
And then it occurred to her that she was already feeling that she would need to remember this room, her sister, this scene, as though from a distance. In the silence that had lingered, she realized, it had somehow been tacitly arranged that Eilis would go to America. Father Flood, she believed, had been invited to the house because Rose knew that he could arrange it. Her
Colm Tóibín (Brooklyn)
I had been eagerly waiting just such a disaster. Storms, wolves, snakebite, floods-these are the occasions to find out how your father sees you, how strong and necessary he thinks you are.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair. But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive! Of course it's Jesus, who's done the impossible and beaten death. And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy. Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.
Tony Hendra (Father Joe: The Man Who Saved My Soul)
She would try to put those two days behind her. No matter what she dreamed about, no matter how bad she felt, she had no choice, she knew, but to put it all swiftly out of her mind. She would have to get on with her work if it was during the day and go back to sleep if it was during the night. It would be like covering a table with a tablecloth, or closing curtains on a window; and maybe the need would lessen as time went on, as Jack had hinted it would, as Father Flood had suggested.
Colm Tóibín (Brooklyn)
Rose appeared to be in a sort of dream. As Eilis watched her, it struck her that she had never seen Rose look so beautiful. And then it occurred to her that she was already feeling that she would need to remember this room, her sister, this scene, as though from a distance. In the silence that had lingered, she realized, it had somehow been tacitly arranged that Eilis would go to America. Father Flood, she believed, had been invited to the house because Rose knew that he could arrange it. Her
Colm Tóibín (Brooklyn)
But Saeed’s father was thinking also of the future, even though he did not say this to Saeed, for he feared that if he said this to his son that his son might not go, and he knew above all else that his son must go, and what he did not say was that he had come to that point in a parent’s life when, if a flood arrives, one knows one must let go of one’s child, contrary to all the instincts one had when one was younger, because holding on can no longer offer the child protection, it can only pull the child down, and threaten them with drowning, for the child is now stronger than the parent, and the circumstances are such that the utmost of strength is required, and the arc of a child’s life only appears for a while to match the arc of a parent’s, in reality one sits atop the other, a hill atop a hill, a curve atop a curve, and Saeed’s father’s arc now needed to curve lower, while his son’s still curved higher, for with an old man hampering them these two young people were simply less likely to survive.
Mohsin Hamid (Exit West)
It may sound ridiculous to say that Bell and his successors were the fathers of modern commercial architecture—of the skyscraper. But wait a minute. Take the Singer Building, the Flatiron Building, the Broad Exchange, the Trinity, or any of the giant office buildings. How many messages do you suppose go in and out of those buildings every day? Suppose there was no telephone and every message had to be carried by a personal messenger? How much room do you think the necessary elevators would leave for offices? Such structures would be an economic impossibility.
John J. Carty (The Information: A History, a Theory, a Flood)
Osiris, to go directly to the important part of this, was not a "dying god," not "life caught in the spell of death," or "a dead god," as modern interpreters have said. He was the hallucinated voice of a dead king whose admonitions could still carry weight. And since he could still be heard, there is no paradox in the fact that the body from which the voice once came should be mummified, with all the equipment of the tomb providing life's necessities: food, drink, slaves, women, the lot. There was no mysterious power that emanated from him; simply his remembered voice which appeared in hallucination to those who had known him and which could admonish or suggest even as it has before he stopped moving and breathing. And that various natural phenomena such as the whispering of waves could act as the cue for such hallucinations accounts for the belief that Osiris, or the king whose body has ceased to move and is in his mummy cloths, continues to control the flooding of the Nile. Further, the relationship between Horus and Osiris, 'embodied' in each new king and his dead father forever, can only be understood as the assimilation of an hallucinated advising voice into the king's own voice, which then would be repeated with the next generation.
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
mighty tribes of men who had once inhabited this vast continent, but were now exterminated by internecine wars; that their fathers had told them of a great flood, which had covered all the land, except the highest peaks of the mountains, where some of the inhabitants and the buffaloes resorted, and saved themselves from destruction.
T.D. Bonner (The Life and Adventures of James P. Beckwourth: Mountaineer, Scout, and Pioneer and Chief of the Crow Nation of Indians (1856))
Gloria put a bowl of stew in Peter's hands. "Eat," she said. Peter raised the spoon to his lips. He chewed. He swallowed. It had been a long time since he had eaten anything besides tiny fish and old bread. And so when Peter had his first bite of stew, it overwhelmed him. The warmth of it, the richness of it, knocked him backward; it was as if a gentle hand had pushed him when he was not expecting it. Everything he had lost came flooding back: the garden, his father, his mother, his sister, the promises that he had made and could not keep. "What's this?" said Gloria Matienne. "The boy is crying." "Shhh," said Leo. He put his hand on Peter's shoulder. "Shhh. Don't worry, Peter. Everything will be good. All will be well. We will do together whatever it is that needs to be done. But for now, you must eat." Peter nodded. He raised his spoon. Again he chewed and swallowed, and again he was overcome. He could not help it. He could not stop the tears; they flowed down his cheeks and into the bowl. "It is a very good stew, Madam Matienne. he managed to say. "Truly, it is an excellent stew.
Kate DiCamillo (The Magician's Elephant)
So I explained to Connie that she needed to send a green light by, for example, talking about her father in a relaxed manner for a few seconds; then, I said, the queries about him would start flooding in. But what struck me as so odd was that I had been acting on this understanding all my life without ever having brought it to consciousness. As the French (and the Paraguayans) say, “A fish does not know the water that it swims in.” And eighteen years later, when I was writing A Fish Called Wanda, I used this realisation, when Archie is trying to explain to Wanda the social straitjacket from which he is desperate to escape: Wanda, do you have any idea what it’s like being English? Being so correct all the time, being so stifled by this dread of, of doing the wrong thing, of saying to someone, “Are you married?” and hearing, “My wife left me this morning,” or saying, “Do you have children?” and being told they all burned to death on Wednesday. You see, Wanda, we’re all terrified of embarrassment. That’s why we’re so … dead. Most of my friends are dead, you know; we have these piles of corpses to dinner.
John Cleese (So, Anyway...)
I pray even as the news in the papers makes my prayers seem insignificant in scale and wholly selfish. There is a devastating hurricane and flooding and suicide bombers and crashes and tsunamis and terrorism and cancer and war—endless and brutal war—disease and famine and earthquakes and everywhere there is addiction, and today the heavens must be overwhelmed with the noise of all the prayers.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
It was the Age of Anything-Can-Happen, he reminded himself. He had heard many people say that on TV and on the outré video clips floating in cyberspace, which added a further, new-technology depth to his addiction. There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist- entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.
Salman Rushdie (Quichotte)
I pray even as the news in the papers makes my prayer seem insignificant in scale and wholly selfish. There is a devastating hurricane and flooding and suicide bombers and crashes and tsunamis and terrorism and cancer and war—endless and brutal war—disease and famine and earthquakes and everywhere there is addiction, and today the heavens must be overwhelmed with the noise of all the prayers. Here is one more. Please God heal Nic. Please God heal Nic. The
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.
Maggie O'Farrell (Hamnet)
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Ethel thought that a slave was someone who lived in your house like family but was not family. Her father explained the origin of the negro to disabuse her of this colorful idea. Some maintained that the negro was the remnant of a race of giants who had ruled the earth in an ancient time, but Edgar Delany knew they were descendants of cursed, black Ham, who had survived the Flood by clinging to the peaks of a mountain in Africa. Ethel thought that if they were cursed, they required Christian guidance all the more.
Colson Whitehead (The Underground Railroad)
This unusual situation is due to the fact that the tablet omits all outbreaks of the conventional literary structure – Anu opened his mouth to speak, saying to the lady Ishtar … followed by Ishtar opened her mouth to speak, saying to her father, Anu … Gilgamesh VI: 87–88; 92–93 – with which Babylonian narrative literature is, not to put too fine a point on it, slightly tiresomely littered. In fact, I cannot come up with another example of Babylonian mythological or epic literature that is devoid of this characteristic speech-linking device. Its repetitive nature at first sight looks like a remnant of oral literature, where things are repeated more than we would repeat them today, which the modern connoisseur of cuneiform literature just has to accept, or appreciate as atmospheric and authentic. On reflection, however, it is just the opposite. The characteristic dependence on this formula originates in the very transition from oral to written literature, for who is speaking at any one time will always be clear in a storyteller’s presentation, but the process of writing down what has previously been spoken aloud creates ambiguity for the reader unless each speaker is clearly identified.
Irving Finkel (The Ark Before Noah: Decoding the Story of the Flood)
A memory long forgotten swept over him and he was a child four years of age standing in the front seat of the 1936 Studebaker his father drove all through the war and his mother was sitting beside him in her best dress and coat and she had wet her handkerchief with her tongue and wiped his chin and his mouth and adjusted his cap while his father backed up the car and the wartime plywood house in which they lived receded before them. It was the smell of her perfume on that day that had flooded his nostrils. The muskrats would repair the roof faultlessly. But they never built another house in the millpond. Clouds
Cormac McCarthy (The Passenger (The Passenger #1))
I’ll prove who I am, Kingsley, after I’ve seen my son, now back off if you know what’s good for you!” Harry had never heard Mr. Weasley shout like that before. He burst into the living room, his bald patch gleaming with sweat, his spectacles askew, Fred right behind him, both pale but uninjured. “Arthur!” sobbed Mrs. Weasley. “Oh thank goodness!” “How is he?” Mr. Weasley dropped to his knees beside George. For the first time since Harry had known him, Fred seemed to be lost for words. He gaped over the back of the sofa at his twin’s wound as if he could not believe what he was seeing. Perhaps roused by the sound of Fred and their father’s arrival, George stirred. “How do you feel, Georgie?” whispered Mrs. Weasley. George’s fingers groped for the side of his head. “Saintlike,” he murmured. “What’s wrong with him?” croaked Fred, looking terrified. “Is his mind affected?” “Saintlike,” repeated George, opening his eyes and looking up at his brother. “You see…I’m holy. Holey, Fred, geddit?” Mrs. Weasley sobbed harder than ever. Color flooded Fred’s pale face. “Pathetic,” he told George. “Pathetic! With the whole wide world of ear-related humor before you, you go for holey?” “Ah well,” said George, grinning at his tear-soaked mother. “You’ll be able to tell us apart now, anyway, Mum.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
If we will but let our God and Father work His will with us, there can be no limit to His enlargement of our existence, to the flood of life with which He will overflow our consciousness. We have no conception of what life might be, of how vast the consciousness of which we could be made capable. Many can recall some moment in which life seemed richer and fuller than ever before. To some, such moments arrive mostly in dreams. Shall soul, awake or asleep, infold a bliss greater than its Life, the living God, can seal, perpetuate, enlarge? Can the human twilight of a dream be capable of generating or holding a fuller life than the morning of divine activity?
George MacDonald (Unspoken Sermons: Series I, II, III)
The river is rising. All over the planet the floods come often and the structures we build to contain them prove more ineffectual. It does not matter what kind of dikes we build. We can throw up massive security forces and still the drugs move at will. We can build big steel walls and still the people cross and move and mock the walls. We can create quarantines and still the plagues migrate to new ground and flesh. The world we think we believe in is ending before our eyes and no amount of meetings or discussions will come up with enough sandbags to stop the flow. Our fathers and mothers placed their faith in the new high dams. We sense the rivers cannot really be tamed.
Amy Goodman (Blues for Cannibals: The Notes from Underground)
Emily picked up her fork and contemplated eating the waffles left-handed in front of Carter. Her skin prickled as she imagined a trail of strawberry syrup cascading down the ruffles of her pristine blouse. “Aren’t you going to eat, Emily?” Grandma Kate asked. “Your waffles will get soggy.” “I like it when the syrup soaks in.” “Nonsense.” Her grandmother waved her hand in the air, shoved her own empty plate away, and set a leather-bound ledger on the table. Emily bit her lip and used the side of her fork to try to cut off the corner. Ah. Success. She glanced up and caught Carter grinning at her. Heat flooded her cheeks, and she dropped her gaze back to her breakfast. Even without looking, she knew he was still watching. She’d show him she was a woman who could tackle anything—big or small. Her grandmother thumbed through the ledger. “And Carter studied finance, Emily. Since your brother is busy running your father’s business, I’ve asked Carter to help me manage my assets.” “But I thought—” Emily jerked. The bite of waffle on the tip of her fork, drenched in strawberry syrup, went flying across the table. 4 Instinct alone propelled Carter to catch the chunk of waffle midair. The contents squished in his palm, and he grabbed his napkin from the table. When he’d managed to scrub the worst of the berry stain off, he looked up and met Emily’s horrified gaze. Laughter rumbled in his chest, but with great effort he kept it in check.
Lorna Seilstad (A Great Catch)
know, would be ready to break with grief if you thought this was the last day that I would be with you. But, my child, though you now think yourself mighty happy because you have hold of my hand, you are now in the hands and under the tender care of a much greater Father and Friend than I am, whose love to you is far greater than mine, and from whom you receive such blessings as no human being can give. This is the God whom you have seen me daily worship, whom I daily call upon to bless both you and me, and all mankind, whose wondrous acts are recorded in those Scriptures which you constantly read. This is that God who created the heavens and the earth, who brought a flood upon the whole world, who saved Noah in the ark, who
William Law (A Serious Call to a Devout and Holy Life)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
There is something in the contemplation of the mode in which America has been settled, that, in a noble breast, should forever extinguish the prejudices of national dislikes. Settled by the people of all nations, all nations may claim her for their own. You can not spill a drop of American blood without spilling the blood of the whole world. Be he Englishman, Frenchman, German, Dane, or Scot; the European who scoffs at an American, calls his own brother Raca, and stands in danger of the judgment. We are not a narrow tribe of men, with a bigoted Hebrew nationality—whose blood has been debased in the attempt to ennoble it, by maintaining an exclusive succession among ourselves. No: our blood is as the flood of the Amazon, made up of a thousand noble currents all pouring into one. We are not a nation, so much as a world; for unless we may claim all the world for our sire, like Melchisedec, we are without father or mother. For who was our father and our mother? Or can we point to any Romulus and Remus for our founders? Our ancestry is lost in the universal paternity; and Caesar and Alfred, St. Paul and Luther, and Homer and Shakespeare are as much ours as Washington, who is as much the world's as our own. We are the heirs of all time, and with all nations we divide our inheritance. On this Western Hemisphere all tribes and people are forming into one federated whole; and there is a future which shall see the estranged children of Adam restored as to the old hearthstone in Eden. The other world beyond this, which was longed for by the devout before Columbus' time, was found in the New; and the deep-sea-lead, that first struck these soundings, brought up the soil of Earth's Paradise. Not a Paradise then, or now; but to be made so, at God's good pleasure, and in the fullness and mellowness of time. The seed is sown, and the harvest must come; and our children's children, on the world's jubilee morning, shall all go with their sickles to the reaping. Then shall the curse of Babel be revoked, a new Pentecost come, and the language they shall speak shall be the language of Britain. Frenchmen, and Danes, and Scots; and the dwellers on the shores of the Mediterranean, and in the regions round about; Italians, and Indians, and Moors; there shall appear unto them cloven tongues as of fire.
Herman Melville (Redburn)
You are made of life and beauty, and the dreams of my family for a hundred years. You are made of wind, water and wide blue days. My beauty, my pride, you must not die. If all else fails, if darkness devours all I was, you, at least, must go on. She opened both heart and mind to her ship, and flooded her with memories: her father’s deep booming laugh, and the proud moment when she had first taken the wheel into her own hands. A sun-swept vista from the crow’s nest, the horrific poetry of looking up at waves in a storm. You cannot end with me, Althea insisted fiercely. For if you do, all this does with you. All this beauty, all this life. How can you be made of death? It was not his death my father poured into you, but the summation of his life. How can you be made of death, when it was inheriting his life that quickened you?
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
over the long fabric. You are the virgin daughter of a Jewish father, so you have draped your veil over your head and crossed it over your shoulders for the duration of the day. You have never known another kind of dress, so you are completely accustomed to the weight and the constant adjusting of a six-foot-long, four-foot-wide veil. Beneath the veil, thick, dark hair frames a deep complexion and near-ebony eyes. Without warning, a messenger from God appears and announces that you have been chosen among women to bear the Son of God. You can hardly believe, yet you dare not doubt. As suddenly as the angel appeared, he vanishes. You are flooded with emotions. What do you imagine you would be thinking and feeling right now? What in the world does a young woman do after receiving such life-altering news? Often God allows the space between the lines of His Word to capture our imaginations and prompt us to wonder. Not
Beth Moore (Jesus, the One and Only)
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space. I was not left drifting. A new string held me where I was. Not one string, but a million. Not strings, but steel cables. A million steel cables all tying me to one thing—to the very center of the universe. I could see that now—how the universe swirled around this one point. I’d never seen the symmetry of the universe before, but now it was plain.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
Each one of us has to save his own soul, and has to do God's work himself, but instead of that we busy ourselves saving other people and teaching them. And what do we teach them? We teach them now, at the end of the nineteenth century, that God created the world in six days, then caused a flood, and put all the animals in an ark, and all the rest of the horrors and nonsense of the Old Testament. And then that Christ ordered everyone to be baptized with water; and we make them believe in all the absurdity and meanness of an Atonement essential to salvation; and then that he rose up into the heavens which do not really exist, and there sat down at the right hand of the Father. We have got used to all this, but really it is dreadful! A child, fresh and ready to receive all that is good and true, asks us what the world is, and what its laws are; and we, instead of revealing to him the teaching of love and truth that has been given to us, carefully ram into his head all sorts of horrible absurdities and meannesses, ascribing them all to God.
Leo Tolstoy (The Light Shines in Darkness)
In a televised version of one of Nancy’s books, these child hunts were given a more sinister connotation with the children running terrified through woods while their father, on horseback, thundered after them with a pack of hounds baying. In fact the children loved it – they thought the hound was ‘so clever’.29 In her novel Nancy had referred to ‘four great hounds in full cry after two little girls’ and ‘Uncle Matthew and the rest would follow on horseback’.30 As a result, fiction overlaid fact, and during research for this book I met people who believed, and read articles that stated, that the Mitfords led the lives of the fictional Radletts, and at least one American journalist was convinced that David had ‘hunted’ his poor abused children with dogs. There was never any pressure to conform and the children grew as they wanted. There were no half-measures in their behaviour. ‘We either laughed so uproariously that it drove the grown-ups mad, or else it was a frightful row which ended in one of us bouncing out of the room in floods of tears, banging the door as loud as possible.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
There on my knees I closed my eyes and wept like a child. The sorrow I had carried for so many years was washed from my mind and heart, which were flooded instead with light and love. I knew without a shadow of doubt that I had found not only myself, but in Yeshua my master, and through him my Father. A groan broke from my throat and I began to shake with sobs, overwhelmed by such exquisite relief, for I, like the son in his parable, had been lost, but now I was found. Waves of light seemed to sweep over and through me, filling my veins and my bones with warm love. I was awash in the kingdom of heaven. And there was no end to those waves of light… they were eternal. Time had vanished. He was gone, I finally realized. And yet he was still with me, as near as my own breath. I don’t know how long I wept; I only know that when I then sighed a great breath and opened my eyes, morning had come. The sight offered to me by my two eyes was still blurred, but this was of no consequence. I was seeing with new eyes. Eyes that did not require the light of the sun in this sky. The light of the kingdom of heaven was bright within me.
Ted Dekker (A.D. 30 (A.D., #1))
In Cal the process had been so long and so slow that he felt no strangeness. He had built a wall of self-sufficiency around himself, strong enough to defend him against the world. If his wall had any weak places they may have been on the sides nearest Aron and Lee, and particularly nearest Adam. Perhaps in his father's very unawareness Cal had felt safety. Not being noticed at all was better than being noticed adversely. When he was quite small Cal had discovered a secret. If he moved very quietly to where his father was sitting and if he leaned very lightly against his father's knee, Adam's hand would rise automatically and his fingers would caress Cal's shoulder. It is probable that Adam did not even know he did it, but the caress brought such a raging flood of emotion to the boy that he saved this special joy and used it only when he needed it. It was a magic to be depended on. It was the ceremonial symbol of a dogged adoration. Things do not change with a change of scene. In Salinas, Cal had no more friends than he had in King City. Associates he had, and authority and some admiration, but friends he did not have. He lived alone and walked alone.
John Steinbeck (East of Eden)
Are you willing?" Through the shadows, he found her gleaming eyes, her slightly curved mouth. "No, it's too reckless. Too irresponsible." "You're sounding like a father. Or a constable, Constable." "I'm both, Miss Connor." He watched her lips tilt and flow into a glorious smile. "Rory's in bed, safe and sound. Most of the town is in bed, safe and sound. And you're here, with a pragmatic woman who can take care of herself. Two adults and one magnificent challenge." "More like a dare," he said and drained his glass. She took a step closer, until her skirt brushed his knee. "Call it a dare if you like." "No." His resolve slipped a notch when she crouched before him, the pleasing angles of her face flooding into view. She was much, much too tempting. "I'll do it all. You don't have to participate. That should be enough to prove my case." "I wasn't serious when I said that. I'm sure you're not, hell, frigid." She leaned in, her hands sliding along the arms of the chair, her face fading out of view as it closed in on his. A scent, provocative and earthy, stole in with his stuttered breath. "You see, Constable, I'm always serious." He watched her moisten her lips, so near he could almost taste her. "Close your eyes. I've heard that's the way it's done.
Tracy Sumner (Tides of Passion)
right now my mind is full of images, an overwhelming flood of memories and ideas—you have any idea how many memories are buried in the mind? Fishing for bluegill on Lake Argyle with my father, the hook caught in his thumb, forcing it through the other side and cutting it off with wirecutters, the severed barb flying dangerously into the air spinning its cut facet gleaming in the sun and I jerking back for fear it would plunge into my eye, squinting protectively, opening my eyes again it is mud, all mud, a universe of mud and the mortar shell has just taken flight, my fingers jammed into my ears, the smell of the explosion penetrating my sinuses making them clench up and bleed, the shell exploding in the trees, a puff of white smoke but the trees are still there and the gunfire still raining down like hailstones on the cellar door on the day that the tornado wrecked our farmhouse and we packed into my aunt’s fruit cellar and I looked up at the stacked mason jars of rhubarb and tomatoes and wondered what would happen to us when the glass shattered and flew through the air like the horizontal sleet of Soldier Field on the day that I caught five for eighty-seven yards and put such a hit on Cornelius Hayes that he took five minutes to get up. God, I can see my entire life!
Neal Stephenson (Interface: A Novel)
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
Dot didn’t answer. The Sheriff bared his teeth at her. “You ugly, disgusting pig.” He raised his hand to strike her— Hester’s demon slammed into him, bashing the Sheriff in the groin with its horns. Before it could gore him again, a scim ripped through the demon’s claw, pinning the demon to the ceiling. The Sheriff crumpled to the floor, wailing high-pitched noises. Hester gasped, buckling against the wall, as if the wind had been crushed out of her, her skin turning white. Overhead, her red-skinned demon bleated in pain. “H-H-Hester, you okay?” Agatha sputtered. But Hester wasn’t listening, her eyes bloodshot and still fixed on the Sheriff. “Too bad for you, your daughter has friends,” she said. “Lots of friends,” Anadil seethed. “And if you ever touch Dot, you ever speak to her like that again, those friends will tear out your throat,” said Hester. “We will kill her own father to protect her and we won’t feel an ounce of guilt. You don’t know us. You don’t know what we’re capable of.” “And you don’t know the truth about your daughter either,” said Anadil, red glare slashing through the Sheriff. “She isn’t an embarrassment or ugly or any of the other lies you dump on her. She’s a miracle. You know why? Because she came from stock like you and is still the best friend anyone could ask for.” Dot’s face flooded with tears, her whole body quivering. The Sheriff sobbed in pain behind the couch.
Soman Chainani (Quests for Glory (The School for Good and Evil: The Camelot Years, #1))
Ten thousand men had come to attend solemn service, heads of the blocks, Kapos,functionaries of death. "Bless the Eternal. " The voice of the officiant had just made itself heard. I thought at first it was the wind. "Blessed be the Name of the Eternal!" Why, but why should I bless Him? in every fib er I rebelled. Because He had had thousands of children burned in His pits? Because He kept six crematories working night and day, on Sundays and feast days? Because in His great might He had created Auschwitz, Birkenau, Buna, and so many factories of death? How could I say to Him: "Blessed art thou, Eternal, Master of the Universe, Who chose us from among the races to be tortured day and night, to see our fathers, our mothers, our brothers, end in the crematory? Praised be Thy Holy Name, Thou Who hast chosen us to be butchered on Thine altar?" I heard the voice of the officiant rising up, powerful yet at the same time broken, amid the tears, sobs, the sighs of the whole congregation: "All the earth and the Universe are God's!" He kept stopping every moment, as though he did not have the strenght to find the meaning beneath the words. The melody choked in his throat. And I, mystic that I had been, I thought: "Yes, man is very strong, greater than God. When You were deceived by Adam and Eve, You drove them out of the Paradise. When Noah's generation displeased You, You brought down the Flood. When Sodom no longer found favour in Your eyes, You made the sky rain down fire and sulphur. But these men here, whom You have betrayed, whom You have allowed to be tortured, butchered, gassed, burned, what do they do? They pray before You! They praise Your name!" "All creation bears witness to the Greatness of God
Elie Wiesel (Night (The Night Trilogy, #1))
Cinderella barely recognized her own voice. She sounded strong, firm- nothing like the girl she'd once been. "Stepmother. Anastasia. Drizella." They halted in their step, turning slowly to face her. Cinderella caught her breath, not at all surprised by Lady Tremaine's upturned nose and lifted chin. She used to fear that expression, used to fear displeasing her stepmother. She no longer had that fear. The crowds had gone silent, but even if they hadn't, Cinderella wouldn't have noticed the dozens of onlookers in the chamber. A strange sense of calm had flooded her; the words she was about to say were ones she'd never dared before, but she'd dreamed of them for years. No longer would they be fantasy. "I wish we could have been a family," she said, her voice strong yet quiet. "Ever since my father married you, it's what I wished for most. Instead, you neglected me, you made me serve you, and then you tried to sell me." She paused. "But I'm not angry with you." Now she had Lady Tremaine's attention. "I thought I would be," Cinderella admitted. "I was. But then I realized that it would only make me unhappy. And after being unhappy in your house for so long, I would never choose to feel that way again. I've accepted we aren't a family, and that we never will be. I've also accepted that I cannot forget those years that you were cruel to me." The height of Lady Tremaine's chin wilted ever so slightly. She wouldn't look at Cinderella, but her stepsisters lowered their eyes, shame tingeing their cheeks. "I forgive you, Stepmother, Anastasia, Drizella. I am not angry with you; if anything, I pity you. You can't know happiness if your life is built around resentment. For your sakes, I hope your hearts change.
Elizabeth Lim (So This is Love)
Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.
Pekwa Nicholas Mohlala
April 12 MORNING “My heart is like wax; it is melted in the midst of my bowels.” — Psalm 22:14 OUR blessed Lord experienced a terrible sinking and melting of soul. “The spirit of a man will sustain his infirmity, but a wounded spirit who can bear?” Deep depression of spirit is the most grievous of all trials; all besides is as nothing. Well might the suffering Saviour cry to His God, “Be not far from me,” for above all other seasons a man needs his God when his heart is melted within him because of heaviness. Believer, come near the cross this morning, and humbly adore the King of glory as having once been brought far lower, in mental distress and inward anguish, than any one among us; and mark His fitness to become a faithful High Priest, who can be touched with a feeling of our infirmities. Especially let those of us whose sadness springs directly from the withdrawal of a present sense of our Father’s love, enter into near and intimate communion with Jesus. Let us not give way to despair, since through this dark room the Master has passed before us. Our souls may sometimes long and faint, and thirst even to anguish, to behold the light of the Lord’s countenance: at such times let us stay ourselves with the sweet fact of the sympathy of our great High Priest. Our drops of sorrow may well be forgotten in the ocean of His griefs; but how high ought our love to rise! Come in, O strong and deep love of Jesus, like the sea at the flood in spring tides, cover all my powers, drown all my sins, wash out all my cares, lift up my earth-bound soul, and float it right up to my Lord’s feet, and there let me lie, a poor broken shell, washed up by His love, having no virtue or value; and only venturing to whisper to Him that if He will put His ear to me, He will hear within my heart faint echoes of the vast waves of His own love which have brought me where it is my delight to lie, even at His feet for ever.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Worlds don't GROW, Roland." "Don't they? When I was a boy, Eddie, there were maps. I remember one in particular. It was called the Greater Kingdoms of the Western Earth. It showed my land, which was called by the name Gilead. It showed the Downland Baronies, which were overrun by riot and civil war in the year after I won my guns, and the hills, and the desert, and the mountains, and the Western Sea. It was a long distance from Gilead to the Western Sea--a thousand miles or more--but it had taken me over twenty years to cross that distance." "That's impossible," Susannah said quickly, fearfully. "Even if you WALKED the whole distance it couldn't take twenty years." "Well, you have to allow for stops to write postcards and drink beer," Eddie said, but they both ignored him. "I didn't walk but rode most of the distance on horseback," Roland said. "I was--slowed up, shall we say?--every now and then, but for most of that time I was moving. Moving away from John Farson, who led the revolt which toppled the world I grew up in and who wanted my head on a pole in his courtyard--he had good reason to want that, I suppose, since I and my compatriots were responsible for the deaths of a great many of his followers--and because I stole something he held very dear." "What, Roland?" Eddie asked curiously. Roland shook his head. "That's a story for another day...or maybe never. For now, think not of that but of this: I've come MANY thousands of miles. Because the world is growing." "A thing like that just can't happen," Eddie reiterated, but he was badly shaken, all the same. "There'd be earthquakes...floods...tidal waves...I don't know what all..." "LOOK!" Roland said furiously. "Just look around you! What do you see? A world that is slowing down like a child's top even as it speeds up and moves on in some other way none of us understand. Look at your kills, Eddie! Look at your kills, for your father's sake!
Stephen King (The Waste Lands (The Dark Tower, #3))
We must add that there is no real conflict between the God of the Old Testament and the God of the New Testament. It was the Old Testament God whom Christ called "Father." It was the God of Abraham, Isaac, and Jacob who so loved the world that He sent His one and only Son to redeem it. it was Jesus' meat and drink to do the will of this God. It was zeal for the God who slew Nadab, Abihu, and Uzzah that consumed Christ. It was the God who destroyed the world by a flood who pours the waters of His grace out to us. The false conflict between the two testaments may be seen in the most brutal act of divine vengeance ever recorded in Scripture. It is not found in the Old Testament but in the New Testament. The most violent expression of God's wrath and justice is seen in the Cross. If ever a person had room to complain of injustice, it was Jesus. He was the only innocent man ever to be punished by God. If we stagger at the wrath of God, let us stagger at the Cross. Here is where our astonishment should be focused. If we have cause for moral outrage, let it be directed at Golgotha. The Cross was at once the most horrible and the most beautiful example of God's wrath. It was the most just and the most gracious act in history. God would have been more than unjust, He would have been diabolical to punish Jesus if Jesus had not first willingly taken on Himself the sins of the world. Once Christ had done that, once he volunteered to be the Lamb of God, laden with our sin, then He became the most grotesque and vile thing on this planet. With the concentrated load of sin He carried, He became utterly repugnant to the Father. God poured out His wrath on this obscene thing. God made Christ accursed for the sin He bore. Herein was God's holy justice perfectly manifest. Yet it was done for us. He took what justice demanded for us. This "for us" aspect of the Cross is what displays the majesty of its grace. At the same time justice and grace, wrath and mercy. It is too astonishing to fathom.
R.C. Sproul
We paused to breathe and I slid my arms around his neck and held his face the way I'd wanted to for so long. My fingers weaved into his wind-blown hair and tugged the back of his head, pulling his lips toward mine once more. There would be time for breathing later. "I love you," I whispered when our lips finally parted. "The biggest lie I ever told was telling you I didn't. And if I ever claim you're not romantic, please remind me of the time we were 1.200 feet in the air in December and I needed to fan myself." I saw a smile overtake his eyes and felt it overtake his mouth. "I mean, seriously, Will," I said, my breath still coming back to me. He pulled away, which was the last thing I wanted, and laughed. "But I'm also just a boy, standing in front of a girl..." I threw my head back in joyous laughter. "You don't have to ask me to love you, Whitaker. It's done." "Actually..." He kissed my hand and lowered onto one knee. "I was going to say "asking her to marry him." The hand that wasn't linked with mine was holding a beautiful emerald cut diamond ring. "Sorry there's not a box," he said with a wink. My breath caught in my throat. "But, how did you...why do you..." "Sorry, but Kevin's on my team. I claimed him pretty early. And he understands, in a way you still don't seem to, that not even Willie Mays and Hank Aaron could provide me with the motivation that you could. Besides, McCaffrey, even I'm not stupid enough to fall for that ridiculous plan you hatched." His smile grew wider and he kissed my hand once more. "But I just like that you try." I Ieaned down to kiss him. Tears flooded my cheeks, but still I said nothing. "You're killing me here. And frankly, I'm not sure how long my knee can stay on this cold concrete." He smiled and asked, "Will you marry me or not?" I sniffed. "Have you asked my father's permission?" I began laughing as he jumped up to face me. "Oh, you think that's funny, do you?" "Too soon?" He captured my mouth once again, and I threw my arms around his neck before pulling away from his kiss, just long enough to whisper, "My answer is yes." I smiled against his lips and added, "I really thought you'd never ask.
Bethany Turner (Wooing Cadie McCaffrey)
But now be so kind as to tell me: what does a baby smell like when he smells the way you think he ought to smell? Well?’ ‘He smells good,’ said the wet nurse. ‘What do you mean, “good”?’ Terrier bellowed at her. ‘Lots of things smell good. A bouquet of lavender smells good. Stewed meat smells good. The gardens of Arabia smell good. But what does a baby smell like, is what I want to know?’ The wet nurse hesitated. She knew very well how babies smell, she knew precisely – after all she had fed, tended, cradled and kissed dozens of them … She could find them at night with her nose. Why, right at that moment she bore that baby smell clearly in her nose. But never until now had she described it in words. ‘Well?’ barked Terrier, clicking his fingernails impatiently. ‘Well it’s – ’ the wet nurse began, ‘it’s not all that easy to say, because … because they don’t smell the same all over, although they smell good all over, Father, you know what I mean? Their feet for instance, they smell like a smooth warm stone – or no, more like curds … or like butter, like fresh butter, that’s it exactly. They smell like fresh butter. And their bodies smell like … like a pancake that’s been soaked in milk. And their heads, up on top, at the back of the head, where the hair makes a cowlick, there, see where I mean, Father, there where you’ve got nothing left …’ And she tapped the bald spot on the head of the monk who, struck speechless for a moment by this flood of detailed inanity, had obediently bent his head down. ‘There, right there, is where they smell best of all. It smells like caramel, it smells so sweet, so wonderful, Father, you have no idea! Once you’ve smelled them there, you love them whether they’re your own or somebody else’s. And that’s how little children have to smell – and no other way. And if they don’t smell like that, it they don’t have any smell at all up there, even less than cold air does, like that little bastard there, then … you can explain it however you like, Father, but I’ – and she crossed her arms resolutely beneath her bosom and cast a look of disgust towards the basket at her feet as if it contained toads – ‘I, Jeanne Bussie, will not take that thing back!
Patrick Süskind (Perfume: The Story of a Murderer (Penguin Essentials))
What's in the papers then, Son?" he asked with the curtness of a father. "Nothing much, Dad," his son answered. "I saw that those newts have got up as far as Dresden, though." "Germanys had it then," Mr. Povondra asserted. "They're funny people you know, those Germans. They're well educated, but they're funny. I knew a German once, chauffeur he was for some factory; and he wasn't half coarse, this German. Mind you, he kept the car in good condition, I'll say that for him. And now look, Germanys disappearing from the map of the world," Mr. Povondra ruminated. "And all that fuss they used to make! Terrible, it was: everything for the army and everything for the soldiers. But not even they were any match for these newts. And I know about these newts, you know that, don't you. Remember when I took you out to show you one of them when you were only so high?" "Watch out, Dad," said his son, "you've got a bite." "That's only a tiddler," the old man grumbled as he twitched on his rod. Even Germany now, he thought to himself. No-one even bats an eyelid at it these days. What a song and dance they used to make at first whenever these newts flooded anywhere! Even if it was only Mesopotamia or China, the papers were full of it. Not like that now, Mr. Povondra contemplated sadly, staring out at his rod. You get used to anything, I suppose. At least they're not here, though; but I wish the prices weren't so high! Think what they charge for coffee these days! I suppose that's what you have to expect if they go and flood Brazil. If part of the world disappears underwater it has its effect in the shops. The float on Mr. Povondra's line danced about on the ripples of the water. How much of the world is it they've flooded so far then?, the old man considered. There's Egypt and India and China - they've even gone into Russia; and that was a big country, that was, Russia! When you think, all the way up from the Black Sea as far the Arctic Circle - all water! You can't say they haven't taken a lot of our land from us! And their only going slowly .. "Up as far as Dresden then, you say?" the old man spoke up. "Ten miles short of Dresden. That means almost the whole of Saxony will soon be under water." "I went there once with Mr. Bondy," Father Povondra told him. "Ever so rich, they were there, Frank. The food wasn't much good though. Nice people, though. Much better than the Prussians. No comparison.
Karel Čapek (War with the Newts)
Every bit of evidence would suggest that the will to be moving is as old as mankind. Take the people in the Old Testament. They were always on the move. First, it's Adam and Eve moving out of Eden. Then it's Cain condemned to be a restless wanderer, Noah drifting on the waters of the Flood, and Moses leading the Israelites out of Egypt toward the Promised Land. Some of these figures were out of the Lord's favor and some of them were in it, but all of them were on the move. And as far as the New Testament goes, Our Lord Jesus Christ was what they call a peripatetic--someone who's always going from place to place--whether on foot, on the back of a donkey, or on the wings of angels. But the proof of the will to move is hardly limited to the pages of the Good Book. Any child of ten can tell you that getting-up-and-going is topic number one in the record of man's endeavors. Take that big red book that Billy is always lugging around. It's got twenty-six stories in it that have come down through the ages and almost every one of them is about some man going somewhere. Napoleon heading off on one of his conquests, or King Arthur in search of the Holy Grail. Some of the men in the book are figures from history and some from fancy, but whether real or imagined, almost every one of them is on his way to someplace different from where he started. So, if the will to move is as old as mankind and every child can tell you so, what happens to a man like my father? What switch is flicked in the hallway of his mind that takes the God-given will for motion and transforms it into the will for staying put? It isn't due to a loss of vigor. For the transformation doesn't come when men like my father are growing old and infirm. It comes when they are hale, hearty, and at the peak of their vitality. If you asked them what brought about the change, they will cloak it in the language of virtue. They will tell you that the American Dream is to settle down, raise a family, and make an honest living. They'll speak with pride of their ties to the community through the church and the Rotary and the chamber of commerce, and all other manner of stay-puttery. But maybe, I was thinking as I was driving over the Hudson River, just maybe the will to stay put stems not from a man's virtues but from his vices. After all, aren't gluttony, sloth, and greed all about staying put? Don't they amount to sitting deep in a chair where you can eat more, idle more, and want more? In a way, pride and envy are about staying put too. For just as pride is founded on what you've built up around you, envy is founded on what your neighbor has built across the street. A man's home may be his castle, but the moat, it seems to me, is just as good at keeping people in as it is at keeping people out.
Amor Towles (The Lincoln Highway)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
I have heard the people dwelling in my land, hall-rulers, say that they had often seen two such mighty stalkers of the marches, spirits of otherwhere, haunting the moors. One of them, as they could know full well, was like unto a woman; the other miscreated being, in the image of man wandered in exile (save that he was larger than any man), whom in the olden time the people named Grendel. They knew not if he ever had a father among the spirits of darkness. They dwell in a hidden land amid wolf-haunted slopes and savage fen-paths, teh wind-swept cliffs where the mountain-stream falleth, shrouded in the mists of the headlands, its flood flowing underground.
Chauncey Brewster Tinker
My heart is crushed, my knees are weakened. My tears drench my pillow, my tears flood my bed every night. Do you know how much I miss you father of my children.
Euginia Herlihy
Is there more to the Fatima secret not yet revealed? Well, before he later revealed the content of the 3rd Secret of Fatima in 2000, John Paul II spoke to a select group of German Catholics at Fulda during his 1980 visit to Germany. Here is an excerpt from his words: The Holy Father was asked, “What about the Third Secret of Fatima? Should it not have already been published by 1960?” Pope John Paul II replied: “Given the seriousness of the contents, my predecessors in the Petrine office diplomatically preferred to postpone publication so as not to encourage the world power of Communism to make certain moves. On the other hand, it should be sufficient for all Christians to know this: if there is a message in which it is written that the oceans will flood whole areas of the earth, and that from one moment to the next millions of people will perish, truly the publication of such a message is no longer something to be so much desired.” At this point the Pope grasped a Rosary and said: “Here is the remedy against this evil. Pray, pray, and ask for nothing more. Leave everything else to the Mother of God.” The Holy Father was then asked: “What is going to happen to the Church?” He answered: “We must prepare ourselves to suffer great trials before long, such as will demand of us a disposition to give up even life, and a total dedication to Christ and for Christ. With your and my prayer it is possible to mitigate this tribulation, but it is no longer possible to avert it, because only thus can the Church be effectively renewed. How many times has the renewal of the Church sprung from blood! This time, too, it will not be otherwise. We must be strong and prepared, and trust in Christ and His Mother, and be very, very assiduous in praying the Rosary.” In his book, The Last Secret of Fatima, Cardinal Bertone, (now former) Vatican Secretary of State, acknowledged that John Paul II did in fact say these words (p. 48). What clarity, for those who can see!
Kelly Bowring (The Signs of the Times, the New Ark, and the Coming Kingdom of the Divine Will)
That man out there loves you, and you’re playing cat and mouse. I don’t understand the reason.” Heat flooded Summer’s cheeks. She flapped her jaw, but no words came out. “For months I’ve watched you finger the letters from the little boy, and each time you mentioned the father’s name, your expression changed.” Summer was amazed by Nadine’s observations. Had she really been so transparent? “Do you love him?” Nadine demanded. Summer dropped her chin, and Nadine gave her a little shake. “I said, do you love him?” Summer gave her a brief, painful nod. “Then why are you holding yourself aloof?” “I … I …” “Well? What!” “I’m afraid.” Nadine pulled back and lowered her brows. “Afraid? Of what?” Tears filled Summer’s eyes. “Oh, Nadine, he’s hardly spoken two words to me. We used to talk so easily, Peter and I. But now … He’s different. And I don’t know why.” She swallowed, and one tear spilled down her cheek. “I’m afraid his heart has changed.” “Nonsense.” Though the word was curt, Nadine’s tone was gentle. “He loves you—I could see it on his face at the train depot, and I saw it on his face at his house. His heart hasn’t changed—not one bit. Something is making him keep his distance, and you must find out what it is. I’ll take the boy away for a while. You talk. You work things out.
Kim Vogel Sawyer (Waiting for Summer's Return (Heart of the Prairie #1))
January 27 Look Again and Think Take no thought for your life. Matthew 6:25 A warning which needs to be reiterated is that the cares of this world, the deceitfulness of riches, and the lust of other things entering in, will choke all that God puts in. We are never free from the recurring tides of this encroachment. If it does not come on the line of clothes and food, it will come on the line of money or lack of money; of friends or lack of friends; or on the line of difficult circumstances. It is one steady encroachment all the time, and unless we allow the Spirit of God to raise up the standard against it, these things will come in like a flood. “Take no thought for your life.” “Be careful about one thing only,” says our Lord—“your relationship to Me.” Common sense shouts loud and says—“That is absurd, I must consider how I am going to live, I must consider what I am going to eat and drink.” Jesus says you must not. Beware of allowing the thought that this statement is made by One Who does not understand our particular circumstances. Jesus Christ knows our circumstances better than we do, and He says we must not think about these things so as to make them the one concern of our life. Whenever there is competition, be sure that you put your relationship to God first. “Sufficient unto the day is the evil thereof.” How much evil has begun to threaten you to-day? What kind of mean[9] little imps have been looking in and saying—“Now what are you going to do next month—this summer?” “Be anxious for nothing,” Jesus says. Look again and think. Keep your mind on the “much more” of your Heavenly Father.
Oswald Chambers (My Utmost for His Highest)
Know this first of all, that in the last days mockers will come… saying, ‘Where is the promise of His coming? For ever since the fathers fell asleep, all continues just as it was from the beginning of creation.’ For when they maintain this, it escapes their notice that by the word of God the heavens existed long ago and the earth was formed out of water and by water, through which the world at that time was destroyed, being flooded with water.” 2 Peter 3:3-6   Word Faith Movement In 1 Timothy 6, Paul says it is an error to assume godliness is a means of financial gain. Today this manifests as the “Word Faith Movement” and the “Prosperity Doctrine.”   “…men of depraved mind and deprived of the truth, who suppose that godliness is a means of gain.” 1 Timothy 6:5   Received Text We have been told by the ancient church fathers
Ken Johnson (Ancient Prophecies Revealed)
Prince Modupe, a young West African who, in his autobiography, related his encounter with the written word: The one crowded space in Father Perry’s house was his bookshelves. I gradually came to understand that the marks on the pages were trapped words. Anyone could learn to decipher the symbols and turn the trapped words loose again into speech. The ink of the print trapped the thoughts; they could no more get away than a doomboo could get out of a pit. When the full realization of what this meant flooded
Leonard Shlain (The Alphabet Versus the Goddess: The Conflict Between Word and Image (Compass))
And if it seem evil unto you to serve the LORD, choose you this day whom ye will serve; whether the gods which your fathers served that were on the other side of the flood, or the gods of the Amorites, in whose land ye dwell: but as for me and my house, we will serve the LORD.
Anonymous (KING JAMES BIBLE with VerseSearch - Red Letter Edition)
She eased the ring from her finger and extended it to him. The frown returned, settling between his brows like claw marks in the sand. “Meridith. Put it back.” She opened his hand and placed the ring on his palm, the certainty growing roots. She looked at his clean-shaven jaw, the short-clipped hair that wasn’t long enough for the wind to disturb, his high forehead and straight nose. She was trading stability for chaos. Security for ambiguity. Predictability for uncertainty. In some ways, it would be her childhood all over again. But this time she was in charge. She was the one calling the shots. She was no helpless little girl swinging by the tail end of her mother’s illness. Even if he agreed in the end, what kind of father would he be if he didn’t want the children? She wouldn’t do that to her siblings. They deserved far more. “It’s over, Stephen.” “You don’t mean that.” He took her hand. “We’re perfect for each other, you’ve said it yourself a hundred times.” She had said it, believed it. She wondered now if it was true. She couldn’t deny the feelings that had sprung up for Jake, who was not at all what she needed, not at all the man for her. Still, if she truly loved Stephen, those feelings wouldn’t be there. “My future includes Noelle and Max and Ben. Things have changed since I agreed to marry you, and I’m doing what’s right for these kids. I have to do what’s best for them. That’s my reality, but it doesn’t have to be yours. I understand it’s not what you want.” His jaw twitched. “It’s that contractor, isn’t it?” “No.” “I saw the way he looked at you.” The comment sent a pleasant warmth flooding through her. “This is between us, Stephen. My future’s taken an unexpected turn. I can’t leave the kids, and you can’t accept them. There’s nothing to do now but say it’s over.” “Meridith . . .” His eyes pled, turned glossy. She’d never seen him get emotional, not even when his grandfather passed away last November. She
Denise Hunter (Driftwood Lane (Nantucket, #4))
You love me?” “Yes, Maddie.” His reached for her, his hand curling around her neck. “I love you. I adore you. I can’t live without you. Please don’t make me.” Her heart filled with joy, erasing the last hours from her mind in an instant. “I thought you hated me. I didn’t think you’d forgive me.” He gave a sharp nod. “I was angry. I was hurt. And it didn’t matter. I loved you anyway.” She wrapped her arms around his waist and pressed her body close to his. “I’m sorry. I didn’t feel like I had any other choice. I was wrong. I will never go behind your back again.” He shook his head and trailed a path down her spine. “You’re right, I didn’t give you a choice. I shut you out. I didn’t fight for you. I don’t have a good excuse. Only I fell for you so quickly and I was afraid to let you go, for fear I’d ruin you.” Confused, she searched his gaze. “Ruin me?” “Every day that passed, I became more of a mess. Every time I turned around, something else was falling apart and I had no answers. Everything in my life was going to hell: my family sucks, I own a bar I hate, I couldn’t go back to the career I loved, and my father is being blackmailed. And worst of all, I couldn’t figure out a way to keep you. I have never felt so helpless.” Tears flooded the corners of her eyes. “Mitch, why didn’t you tell me?” “Because.” His voice cracked and he cleared his throat as his fingers tightened on the back of her neck. “You were becoming the woman you needed to be. Every day, you got stronger. More confident. More sure of who you were and what you wanted. I couldn’t ruin it for you.” She went to her tiptoes and kissed him, a soft brush of promise. “Don’t you understand?” He shook his head. “I’ve never been so clueless in my life.” She rubbed her thumb over his jaw. “You saved me. And I will love you forever.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The sound stopped Chris' heart. It was the tinkle of a tag swinging on a collar. It called out through the house and was accompanied by the skittering steps of two dogs running up the stairs. As if to finish off this cruel, audible narrative, two sniffing noses were pressed to the small gap beneath the airing cupboard's door. The little fuckers had found them already! Heavy footsteps ascended the stairs.  Light flooded into the cupboard. Sitting weak and helpless, Chris kept a hold of Michael and stared up at the big man who filled the doorway. It was George. Thank God. Frowning down at them, George scratched his head before closing the door. Tears rushed forwards. It had worked. It had fucking worked! Squeezing Michael's arm, Chris whispered, "I love you, Michael. So much. I love you—" The door flew open again, the second rush of light stinging Chris' sore eyes. Leaning into the tiny space, George lifted Chris to his feet, breaking the connection between father and son as Chris lost his hold on Michael's arm.  Yanking him out of the cupboard, he pushed Chris forward.
Michael Robertson (Crash (Crash, #1))
Listen, I haven’t even seen half of what there is to see in Hytanica. You could show me one day.” “You seem to be everywhere in this city,” I scoffed. “There can’t be much left for you to explore. Or have you just been following me around?” “Well, you’re the most interesting feature of the city I’ve come across.” He smirked, and I gave him a sideways glance. Was he admitting to stalking me? Then he chuckled. “As long as I’m assigned to oversee the city, we’re bound to run into each other. I would be lying, however, if I denied that I look forward to our encounters.” Heat again flooded my face. Saadi was making me uncomfortable. I was in danger of liking him too much. “That reminds me,” I said. “I owe you for a lock.” I glanced to see that Dahnath was still talking to Drael. He was holding her hands, preparing to depart. Knowing from the general length of their goodbyes that it would be at least five minutes more, I removed a coin from my pocket. Saadi grinned. “I thought you had forgotten.” “Not at all.” I pressed the coin into his hand. “But you have to go. My sister will be coming to find me at any moment. She can’t see us together or she’ll tell my mother and probably Cannan. We could both end up in dismal straits.” I expected him to ridicule me for being afraid of my mother, but he did not. “What do you say, Shaselle? Two days from now I’ll be off duty.” “You really want to see me?” “Yes,” he confirmed, pale blue eyes sparkling, his bronze hair sticking erratically up in front. “All right then.” “Wonderful. I can meet you whenever, wherev--” “On one condition.” His smile faded and his tone grew wary. “Which is?” “I’ll spend a day with you only if you can beat me in a horse race.” He laughed and shook his head. “Of course I can beat you.” “Then prove it. We’ll each pick a mount and race--I’ll need to borrow one from your Cokyrian stables. Take it or leave it. Either way, I have to go now. But I wouldn’t be so cocky if I were you, boy.” He smiled, intrigued by my challenge. “I’ll take it, but let’s raise the stakes. Make it more worthwhile.” Curious, I motioned for him to go on. “If I win, you agree to spend two days with me, when I’m off duty. If you win, you get to keep the horse you chose to ride.” I stared into his eyes for a long moment, until I was certain he wasn’t toying with me. He knew as well as I did that I would choose one of my father’s horses--one that had been stolen by his sister. He was giving me a chance to bring one of them home. My spirits soared, and I extended my hand. Saadi shook it, then shoved the basket at me, turning to stride away. Just in time, too, for Dahnath was approaching.
Cayla Kluver (Sacrifice (Legacy, #3))
Jeeter?" Grace whispered into her walkie-talkie. "Are you awake?" She waited. A few weeks ago, she and Jeeter had started chatting on their walkie-talkies late at night when she couldn't sleep. He always answered her call no matter how late it was. "I'm here," his voice echoed back. "Trouble sleeping again?" "Yeah." "Another bad dream?" "Uh-huh," she sniffed, unexpected tears flooding her eyes. My dad was calling for me, but I couldn't find him." She couldn't believe she'd said it. She'd never told anyone what she saw in her dreams. But Jeeter understood. He'd told her before that he had bad dreams too, since his mom had died.
Jo Ann Yhard (Fossil Hunter of Sydney Mines)
Father, you don’t promise we won’t experience floods and torrents and fires and flames. But you do promise you will be with us. To know you are near and to know you are good is all we really need. We will go anywhere and do anything as long as we are convinced that you will never leave us, forsake us, abandon us, shame us, or reject us.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
Now, straight to the Word. Before let's just give a little word of thanks to the Lord Jesus. Our heavenly Father, we're just so grateful today for the--for You down here in this modern age, in the age of automobiles, airplanes, jets, the rockets, and--and all kind of science: telephone, television, and a modern atomic weapons, and so forth. You are still the supreme, almighty, omnipotent, omniscient God that created the heavens and earth and patterned out the sky. God, we can't explain it. We can't explain it. Neither can we explain why the sky doesn't have an end, how the world can revolve around, and so perfect till twenty years before, they can tell when the eclipse of the sun is coming; because Your machinery works exact. We can't produce a piece of machinery to be that exact. Oh, but great Jehovah, Who holds this earth here in space, it's perfect. And we love You, and all Your doings are just and right. And we submit ourselves to Thee this morning, the beginning of this new year, and ask that You fill us all with the Holy Spirit, Lord, and draw us close to Thee; and may Thy everlasting arms be around us and hold us, Lord, for the days are shaking and dark, but the Morning Star is leading the way. We shall follow, Lord. Where He leads me, I will follow. If it be some through the waters, some through the flood, some through deep trials, but all through the Blood. 8-1 O God, lead us by Thy everlasting hand until the victory finally is won, and Jesus returns to the earth. Sin, sickness, and sorrow will be ended, and we'll live this glorious millennium with Thee. We're longing for that great day. Come, Lord Jesus, to Thy Word today. Get into It. Circumcise the lips that speak, and the hearts that hear. And may the seed fall into the heart where the Holy Spirit will sow it, and bring forth a hundredfold. We ask in Jesus' Name. Amen. { See Message "Why are people so tossed about " - Preached on Sunday, 1st January 1956 at the Branham Tabernacle in Jeffersonville, Indiana, U.S.A - See Paragraph 7-7 to 8:1 ).
William Marrion Branham
Spindletop Fishtails flap and screw through earth’s cradled womb through heaving sands and ocean floors for fortunes crude and wildcat dreams for days of easy living. Earth retaliates with rotten eggs and busted drills but her resistance spent the caprock crumbles and exhales and like a newborn slapped she screams the scream which marks the birth of a spanking new-sprung era. Jubilant the fathers dance Stetson’s tossed high into the air their faces flecked with bootblack gold their hair slicked back with glistenin’ oil. Their upstart child’s a heifer to milk until it moos then trade unto the butcher’s block for meat when it goes dry. Enriched in the meantime between breakdowns rain and air turns to poison rivers flood the poor starve. We’re all wildcatters with the gleam of gold in our eyes and the spray of crude on our faces.
Beryl Dov
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
He pointed to the notebook he had pulled down from a shelf and started reading. “‘This morning I woke with the thought that Rugen should indeed kill Inigo. I realize that I lose the “Hello, my name is Inigo Montoya” and I would miss that, but if Inigo did die here, then Westley would have to conquer both Humperdinck and Rugen, all this while so recently murdered, and remember please that Westley is your main hero.’” By this time we were seated at a table, looking at The Princess Bride diary. Who knew such a thing existed? What a miracle—I sat there, in Morgenstern’s Sanctuary, with my grandson, while memories of my father flooded back, reading to me with his limited English, changing my life forever. Willy turned the page, started reading again. “‘I have decided Inigo must not die. I was up half the night and finally I tried to write the scene where he kills Rugen, saying that line over and over until finally he cries “I want my father back you son of a bitch”— “‘—and when I wrote those words I realized what I wanted most on earth that I cannot have is my own father back— “‘—so Inigo will triumph and live and Westley will have to be content in just besting Humperdinck.’” Willy looked up from the diary. “Wow—he almost screwed up his own book.
William Goldman (The Princess Bride)
A detachment of General Cos's army appeared at the village of Gonzales, on the 28th of September, and demanded the arms of the inhabitants; it was the same demand, made for the same purpose, which the British detachment, under Major Pitcairn, had made at Lexington, on the 16th of April, 1775. It was the same demand l And the same answer was given—resistance—battle—victory ! The American blood was at Gonzales what it had been at Lexington; and between using their arms, and surrendering their arms, that blood can never hesitate. Then followed the rapid succession of brilliant events, which in two months left Texas without an armed enemy in her borders, and the strong forts of Goliad and the Alamo, with their garrisons and cannon, the almost bloodless prizes of a few hundred Texan rifles. This was the origin of the revolt; and a calumny more heartless can never be imagined than that which would convert this rich and holy defence of life, liberty, and property, into an aggression for the extension of slavery. Just in its origin, valiant and humane in its conduct, the Texan revolt has illustrated the Anglo-Saxon character, and given it new titles to the respect and admiration of the world. It shows that liberty, justice, valor—moral, physical, and intellectual power— characterise that race wherever it goes. Let our America rejoice, let old England rejoice, that the Brasos and Colerado, new and strange names—streams far beyond the western bank of the Father of Floods—have felt the impress, and witnessed the exploits of a people sprung from their loins, and carrying their language, laws, and customs, their magna charta and its glorious privileges, into new regions and far distant climes.
Charles Edwards Lester (The Life of Sam Houston: (1855))