Fate Stay Night Quotes

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Will you stay no longer? nor will you not that I go with you? Sebastian: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you.
William Shakespeare (Twelfth Night)
Isn't it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth? Like tonight, watching all those brave men meet their fate here, on this shore, on this gentle night, through a karma ordained a thousand lifetimes ago, or perhaps even one. Isn’t it only through laughter we can stay human?
James Clavell (Shōgun (Asian Saga, #1))
They send a person who can never stay,: she whispered. "Who can never accept my offer of companionship for more than a little while. They send me a hero I can't help... Just the sort of person I can't help falling in love with." The night was quiet except for the gurgle of the fountains and waves lapping on the shore. It took me a long time to realize what she was saying. "Me?" I asked. "If you could see your face." She suppressed a smile, though her eyes were still teary. "Of course, you." "That's why you've been pulling away all this time?" "Itried very hard. But I can't help it. The Fates are cruel. They sent you to me, my brave one, knowing that you would break my heart." "But... I'm just... I mean, I'm just me." "That is enough," Calypso promised.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
The first time I kissed you I did it because I'd just died and come back to life, but I wasn't feeling alive. I needed something real. But tonight I kissed you because I wanted you. I haven't stopped wanting you since the night of the Fated Ball when you were willing to risk your life because you wanted to make me angry. After that, I couldn't stay away.
Stephanie Garber (Legendary (Caraval, #2))
Endymion The rising moon has hid the stars; Her level rays, like golden bars, Lie on the landscape green, With shadows brown between. And silver white the river gleams, As if Diana, in her dreams, Had dropt her silver bow Upon the meadows low. On such a tranquil night as this, She woke Endymion with a kiss, When, sleeping in the grove, He dreamed not of her love. Like Dian's kiss, unasked, unsought, Love gives itself, but is not bought; Nor voice, nor sound betrays Its deep, impassioned gaze. It comes,--the beautiful, the free, The crown of all humanity,-- In silence and alone To seek the elected one. It lifts the boughs, whose shadows deep Are Life's oblivion, the soul's sleep, And kisses the closed eyes Of him, who slumbering lies. O weary hearts! O slumbering eyes! O drooping souls, whose destinies Are fraught with fear and pain, Ye shall be loved again! No one is so accursed by fate, No one so utterly desolate, But some heart, though unknown, Responds unto his own. Responds,--as if with unseen wings, An angel touched its quivering strings; And whispers, in its song, "Where hast thou stayed so long?
Henry Wadsworth Longfellow (Ballads and Other Poems)
The time between first and second sleep is neither slumber nor waking. Too much dark and your mind will stay at rest, too much light and your dreams will surely flee. Use this time wisely—for writing spells, summoning spirits, and, most important, remembering your dreams. Queens have been crowned, schemes hatched, fortunes gained, demons defeated, lovers found—all from visions born in the stillness of the night. In dreams, our souls are given the eyes of Fate. Dreams must be encouraged by all possible means. —The Grimoire of Eleanor St. Clair
Ami McKay (The Witches of New York)
Title 'Yikin heykellerimi' ->'Destroy and shatter the statues you have built of me' O nation I am Kemal Mustafa If my thoughts and beliefs are not of this day and age If my wisdom isn't still the most authentic mentor Then let my tongue cleave to the roof of my palate I apoligize Forget everything I said Destroy and shatter the statues you have built of me If freedom isn’t still the supreme value If you’d rather have slaves stay chained Forget everything I said Destroy and shatter the statues you have built of me If you see no sense in living a civilized life If you want to be sent back in time to the middle ages and wish to put a crown on the head of a man who spits into the face of art Forget everything I said Destroy and shatter the statues you have built of me If the pain of war violence was not enough If peace at home, peace in the world has no meaning If to be awarded requires an arms race Forget everything I said Destroy and shatter the statues you have built of me If you miss the fez and the veil and prefer to light the night If you’re still hoping to find healing from a dervish, a sheik or an amulet Forget everything I said Destroy and shatter the statues you have built of me If you say women should not be equal to men and should be covered in black sheets in order to flee from the wrath of bigots If you say you don’t want to see our women and daughters to get an education just because you believe this is their fate Forget everything I said Destroy and shatter the statues you have built of me If freedom and democracy is too much for you to handle If you have a longing for the sultan of the Sultanate and are still not able to determine the significance of being a nation Be servants, stay on the path of religion and wait for şeyhülislam to lay down the law for you Forget everything I said Destroy and shatter the statues you have built of me And LEAVE ME ALONE… -Musafa Kemal Atatürk
Suleyman Apaydin
From this moment forth, my sword shall be with you and your fate shall be with me.
Kinoko Nasu (Fate/Stay Night)
Isn’t it only through laughter that we become one with the gods and thus can endure life and can overcome all the horror and waste and suffering here on earth? Like tonight, watching all those brave men meet their fate here, on this shore, on this gentle night, through a karma ordained a thousand lifetimes ago, or perhaps even one. Isn’t it only through laughter we can stay human?
James Clavell (Shōgun (Asian Saga, #1))
Your Divine Moment is the moment the fate between you and your Elysian Mate is decided. You will both be called under the night sky and be presented with the choice to seal your bond forever more. If you choose to stay together, your love will be branded on you, forming a ring of silver around your irises. But if you choose to part...
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
In the peaceful moments of night, Whenever i remember you..! At that moment, Me beg to Allah Almighty For your eternal happiness..! I pray to Him, All griefs, all tears and all sorrows, In your fate, Shift to mine..! And, All possible joys of mine, Shift to yours..! O Aysel Stay blessed and happy..!
zia
And I still say it was just a coincidence;' he muttered pugnaciously. 'You say it too! Look at me and say it! It was just a coincidence. That happened to be the nearest place on the dial where they both met exactly, those two hands. My blows dented them. They got stuck there just as the works died, that was all. Stay sane whatever you do. Say it over and over. It was just a coincidence!' Outside the tall French windows, in the velvety night-sky, the stars in all their glory twinkled derisively in at them. ("Speak To Me Of Death")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
The red setter who had been whining all night beside Flush on the floor was hauled off by a ruffian in a moleskin vest—to what fate? Was it better to be killed or to stay here? Which was worse—this life or that death?
Virginia Woolf (Flush)
In the peaceful moments of night, Whenever i remember you..! At that moment, Me beg to Allah Almighty For your eternal happiness..! I pray to Him, All griefs, all tears and all sorrows, In your fate, Shifts to mine..! And, All possible joys of mine, Shifts to yours..! O Aysel..! Stay blessed and happy..!
zia
Have I not reason, beldams as you are, Saucy and overbold? How did you dare To trade and traffic with Macbeth In riddles and affairs of death; And I, the mistress of your charms, The close contriver of all harms, Was never call'd to bear my part, Or show the glory of our art? And, which is worse, all you have done Hath been but for a wayward son, Spiteful and wrathful, who, as others do, Loves for his own ends, not for you. But make amends now: get you gone, And at the pit of Acheron Meet me i' the morning: thither he Will come to know his destiny: Your vessels and your spells provide, Your charms and every thing beside. I am for the air; this night I'll spend Unto a dismal and a fatal end: Great business must be wrought ere noon: Upon the corner of the moon There hangs a vaporous drop profound; I'll catch it ere it come to ground: And that distill'd by magic sleights Shall raise such artificial sprites As by the strength of their illusion Shall draw him on to his confusion: He shall spurn fate, scorn death, and bear He hopes 'bove wisdom, grace and fear: And you all know, security Is mortals' chiefest enemy. Music and a song within: 'Come away, come away,' & c Hark! I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me.
William Shakespeare
This country, our country, is pregnant. What it will give birth to, only God knows... Imagine! the children of us workers are fated to stay out in the sun, thirsty, hungry, naked, gazing at fruit ripening on trees which they can' t pick even to quieten a demanding belly! Fated to see food steaming in the pantry, but unable to dip a calabash into the pot to scoop out even a tiny portion Fated to lie awake all night telling each another stories about tears and sorrow, asking one and other to guess the same riddle day after day: "oh, for a piece of one of those" 'Ripe bananas!' Wangari replied, as if Muturi had asked her a real riddle. 'Oh for some of that ' Muturi said. 'Fresh, cool water in a cave that belongs to another,' Wangari replied again.
Ngũgĩ wa Thiong'o (Devil on the Cross)
I trust to take of truest Thisby's sight.              But stay;—O spite!              But mark,—poor knight,          What dreadful dole is here!              Eyes, do you see?              How can it be?          O dainty duck! O dear!              Thy mantle good,              What! stained with blood?          Approach, ye furies fell!              O fates! come, come;              Cut thread and thrum;          Quail, rush, conclude, and quell!
William Shakespeare (A Midsummer Night's Dream)
The Sphinx, so old that it had watched the childhood of the world, plunged in unbroken contemplation, had seen civilizations rise to glory and then slowly droop like withered flowers, had watched shouting invaders pass and repass, come and depart, come and stay. And yet it stood its ground, so utterly calm, so utterly removed from all human emotions. Something of that stony indifference to the mutations of fate seemed to have crept under my skin during the night‘s darkness. The Sphinx relieves one of all worry about the future, all burdens of the heart; and it turns the past into a cinema film, which one may watch in detachment, impersonally. (p. 34)
Paul Brunton (A Search in Secret Egypt)
The nymph blinked out and reappeared directly in front of me. Impressive. Even I couldn’t track its movement. “You’re making a huge mistake.” Gods. Some nights just couldn’t get any worse. “My entire existence is a mistake, so you’re going to have to get a little more detailed about what exact mistake you’re talking about.” The nymph’s all-white eyes crackled little bolts of light. “Staying away from her won’t save her.” Well, I was immediately proven wrong. Tonight was officially getting worse. “And it won’t save you either,” the nymph added. I barked out a harsh laugh. “There is no saving me. I know what the end game is.” “There is no such thing as finality,” he replied, leaning in so when he spoke next, his cool breath moved over my jaw. “All prophecies are designed to be rewritten. No fate, no matter what is sacrificed or bargained, is final.” He paused. “All the pieces are never shared.
Jennifer L. Armentrout (The Power (Titan, #2))
After that night, a week went by before Cady had a chance to visit Mary again. But one afternoon she made the time, deciding not to worry about her homework or other engagements. Even before she arrived at the Hopkenses’, she had a feeling she wouldn't find Mary at home, and sure enough, when she got there, the door was sealed. A terrible feeling of despair came over Cady. “Who knows where Mary is now?” she thought. She turned on her heel and went home. Once there, she ran to her room, slammed the door, threw herself on the divan with her coat still on and thought about Mary, only Mary. Why did Mary have to go while she was allowed to stay? Why did Mary have to suffer this awful fate while she was free to enjoy herself? What was the difference between them? Was she any better than Mary? Weren't the two of them just the same? What crime had Mary ever committed? Oh, this had to be the most terrible injustice. Suddenly she saw Mary's frail figure before her, locked up in a cell, dressed in rags, with a sunken, emaciated face. Her eyes had become huge, and she was looking at Cady with such sorrow and reproach.
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
Ah, Lina Cerullo, you are beyond correction. Why did you make that list? You don’t want to be exploited? You want to improve your condition and the condition of these people? You’re convinced that you, and they, starting from here, from what you are now, will join the victorious march of the proletariat of the whole world? No way. March to become what? Now and forever workers? Workers who slave from morning to night but are empowered? Nonsense. Hot air to sweeten the pill of toil. You know that it’s a terrible condition, it shouldn’t be improved but eliminated, you’ve known it since you were a child. Improve, improve yourself? You, for example, are you improved, have you become like Nadia or Isabella? Is your brother improved, has he become like Armando? And your son, is he like Marco? No, we remain us and they are they. So why don’t you resign yourself? Blame the mind that can’t settle down, that is constantly seeking a way to function. Designing shoes. Getting busy setting up a shoe factory. Rewriting Nino’s articles, tormenting him until he did as you said. Using for your own purposes the installments from Zurich, with Enzo. And now demonstrating to Nadia that if she is making the revolution, you are even more. The mind, ah yes, the evil is there, it’s the mind’s discontent that causes the body to get sick. I’ve had it with myself, with everything. I’ve even had it with Gennaro: his fate, if all goes well, is to end up in a place like this, crawling to some boss for another five lire. So? So, Cerullo, take up your responsibilities and do what you have always had in mind: frighten Soccavo, eliminate his habit of fucking the workers in the drying room. Show the student with the wolf face what you’ve prepared...
Elena Ferrante (Those Who Leave and Those Who Stay)
But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
At around six a.m., he gave up on trying to go back to sleep. He called Leo, whose first reply instead of good morning or hello was, “Haven’t you gone to bed yet?” “Actually, I am just getting up.” That silenced Leo for a moment. “Are you sick?” “No.” “You do realize it’s not even close to noon, right?” “I know what time it is,” Hayder snapped, getting irked. “It’s time for you to stop messing with me and bring me some clothes.” “Why would I do that? Where are you? Wait, don’t tell me you stayed with the girl last night.” “She’s mine. Where else would I be?” “Dude, you met her yesterday.” “Yeah, and?” “You. Met. Her. Yesterday.” Leo enunciated each word slowly. “I. Know,” Hayder mocked. “What is this hang-up everyone has with time? She keeps saying the same thing. Who cares? She’s the one.” “This is my fault,” Leo grumbled. “How do you figure that? Are you in charge of the fates and the decision on who belongs together?” “No, but I might have knocked some sense into you one too many times.” “Aren’t you just the comedian? But this is no joke. Arabella’s mine, and that’s that. Now would you bring me some clothes?” “What about Jeoff?” “What about Jeoff?” “You don’t think her brother might have an issue with you hooking up with his sister, who, by all accounts, is vulnerable right now.” “Hey, are you implying my Arabella has loose morals? I’ll have you know she turned me down. Would you believe she shoved me out of bed? Told me to go away?” Incredulity still filled him. It didn’t take super hearing to catch Leo’s snort of mirth. “Ha. In that case, maybe she is the one. You need a woman who can say no to you sometimes.” “You are not a nice omega, Leo.” “Nice is for pussies. Now, are you done whining, or should I come over there and really give you something to whine about?” Hayder rubbed his jaw. “No need.” “Are you sure? You know I’m always ready to help a pride member in need.” “All I need right now are some clothes.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
In the peaceful moments of night, Whenever i remember you..! At that moment, Me beg to Allah Almighty For your eternal happiness..! I pray to Him, All griefs, all tears and all sorrows, In your fate, Shift to mine..! And, All possible joys of mine, Shift to yours..! Stay blessed and happy..!
zia
She’s watching me in the dawn’s first light with an intensity that melts me. Her face a vivid world, I no longer know if I exist inside a photograph or if I once existed in the whiteness of the morning in front of this slow-gesturing woman who, never taking her eyes off me, is lying there in front of me, naked more naked than the night, more physical than a whole life spent caressing the beauty of the world. Sustaining her gaze is painful. I imagine, I breathe and imagine her once more. A few centimetres below the manubrium glints a little diamond that seems to stay on her chest by magic. The diamond, no doubt held there by a little ring inserted into the flesh, sparkles like a provocation, an object of light that lies in wait for desire, engulfs the other. I am that other. I am pure emotion lying in wait for the fate crouched inside this woman. The woman offers her desire, sows sentences in me whose syntax is unfamiliar and which I’m unable to follow and pronounce. Words there I cannot clearly distinguish – breasts, gusts, ships, stext – and, in between them, the woman’s lips move like some life-giving water that cleanses away all clichés, promises that every imprint of the gaze will be sexual, will be repeated and fluid as vivid as the morning light absorbing one’s most intimate thoughts. Her arms are open. She opens herself to the embraces that, in mother tongue, suspend reality. The woman has turned her head slightly and her throat astonishes. Her gaze contains traces of that water which, it is said, gushes when memory becomes verb and rekindles desire at the edge of the labia. The woman’s gaze sweeps into the future. Simone sometimes finds herself comparing herself to the woman of action, of business and of spirit, wise to intrigue, that was Marie de l’Incarnation.
Nicole Brossard (Yesterday, at the Hotel Clarendon)
Wait just a moment, please.” He looked around as if making sure they weren’t observed, then led her rather forcefully to the side of the house where the moon and lamplight did not touch them. “Let go!” He did. “Miss Erstwhile, I believe it is in your best interest to tell me what you are doing out here.” “Walking.” She glared. She did not particularly enjoy being dragged by her arm. His eyes darted to the servants’ quarters. To Martin’s exact window. It made her swallow. “You are not doing something foolish, are you?” In fact, she was, but that didn’t mean she had to stop glaring. “I don’t know if you realize,” he said in his unbearably condescending tone, “but it is not proper for a lady to be out alone after dark and worse to cavort with servants…” “Cavort?” “When doing so might lead to trouble of the worst nature…” “Cavort?” “Look,” he said, slipping into slightly more colloquial tones, “just stay away from there.” “Aren’t you all righteous concern, Mr. Nobley? Five minutes ago, I’d planned on changing careers and becoming a dairymaid, but you’ve saved me from that fate. I’ll kindly release you back to the night and return to my well-bred ways.” “Don’t be a fool, Miss Erstwhile.” He returned the way he’d come, from the back of the house. “Insufferable,” she said under her breath. No, she wasn’t going to go to Martin’s, curse him, but she wasn’t going to run back to her room either, if just to spite Mr. Nobley. The man deserved to be spited. Or spitted. Or both. Though boring and cold and hateful, Mr. Nobley was the most Darcy-esque of them all, so she despised him with vigorous enthusiasm. Perhaps, she hoped, the exercise would count toward therapy and her ultimate Austenland recovery. “Grab my arm, will he?” she said, getting a speck of satisfaction by muttering like an old crazy woman. “Call me a fool…” She walked around the park in angry circles. Her fingers were cold, and her thoughts wandered to memories of spending so much time in the bath as a kid that her fingertips crinkled like raisin skin. Wrinkly skin reminded her of Great-Aunt Carolyn, with her extravagantly soft fingers and conspiratorial eyes. She bought me this gift, Jane thought. Use it well, you floppy-brained, hopeless idiot, and stop trying to fall in love with gardeners. With anyone.
Shannon Hale (Austenland (Austenland, #1))
People die if they are killed
Shirou Emiya
The cloud-mottled night seemed full of signs and portents, as if fate itself was warning me to go or daring me to stay.
Gregory David Roberts (Shantaram)
It is at the moment of death humanity has any value.
Kinoko Nasu (Unlimited Blade Works (Fate/Stay Night VN, #2))
That’s right! I admired his desire to save people because it was beautiful! But none of that feeling is my own! What else can you call it but hypocrisy?! I was driven by my obsessive need to help someone. I kept running, neither noticing the pain nor how wrong I was! But it’s all a fake. Such hypocrisy can not save anything. No, first of all, I didn’t even know what I wanted to save!
Kinoko Nasu (Unlimited Blade Works (Fate/Stay Night VN, #2))
I didn’t suffer from a lack of fuel. The currentshadows had been so strong all my life, strong enough to render me incapable of attending a simple dinner party, strong enough to bow my back and force tears from my eyes, strong enough to keep me awake and pacing all through the night. Strong enough to kill, but now I understood why they killed. It wasn’t because they drained the life from a person, but because they overwhelmed it. It was like gravity—we needed it to stay grounded, alive, but if it was too strong, it formed a black hole, from which even light could not escape. Yes, the force of the current was too fierce for one body to contain— Unless that body was mine. My body, battered again and again by soldiers and brothers and enemies, but still working its way upright— My body, a channel for the pure force of current, the hum-buzz of life that brought others to their knees— Life is full of pain, I had told Akos, trying to draw him back from depression. Your capacity for bearing it is greater than you believe. And I had been right. I had had every reason to become closed off, wrapped up tight, pushing everything that resembled life and growth and power as far away from myself as possible. It would have been easier that way, to refuse to let anything in. But I had let Akos in, trusting him when I had forgotten how to trust, and I had let Teka in, too, and maybe one day, Sifa— I would let anyone in who dared draw near. I was like the planet Ogra, which welcomed anyone and anything that could survive life close to it. Not because I deserved pain, and not because I was too strong to feel it, but because I was resilient enough to accept it as an inevitability.
Veronica Roth (The Fates Divide (Carve the Mark #2))
Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡☛vk369☚ 〓 라인☛dpp3w☚ 홈피는 친추로 연락주세요 #구구정구입 #구구정구매 *⁀➷♥ 카톡 : vk369 #구구정판매 *⁀➷♥ 라인 : dpp3w #구구정처방 #구구정가격 #구구정후기 #구구정약효 #구구정효과 #구구정효능 #구구정파는곳 #구구정팝니다 #구구정삽니다 #구구정사는곳 #구구정사용법 #구구정거래처 #구구정구입방법 #구구정구매방법 #구구정지속시간 #구구정정품구입 #구구정정품구매 #구구정정품판매 #구구정복용법 #구구정부작용 #구구정약국 구구정 인터넷구입 구구정 20mg 가격 구구정 구입방법 구구정 지속시간 구구정 5mg 효과 구구정 시알리스 구구정 처방 가격 구구정 매일복용 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, but, it seems that I cannot see through its true meaning forever... Maybe, I do not just “absorb” your love; but because the love overpowers me and I am unable to dispute and refuse it... Do you know? It’s you who light up my life! And I stubbornly believe that such love can only be experienced once in my life. Because of love, we won’t be lonely anymore; because of yearning, we taste more loneliness. Stay hungry, stay foolish. Innovation distinguishes between a leader and a follower. Your time is limited, so don't waste it living someone else's life. Design is not just what it looks like and feels like. Design is how it works. We're here to put a dent in the universe. Otherwise why else even be here? The only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. Being the richest man in the cemetery doesn't matter to me ... Going to bed at night saying we've done something wonderful... that's what matters to me. I want to put a ding in the universe. Quality is more important than quantity. One home run is better than two doubles. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. When I do well in the exam, I will show my paper to my parents, they are so happy to see me do well in the exam. I want to be happy all the time. But I have put so much pressure on myself. One day, my parents tell me that they don’t care how I do well in the exam, they just want me to be happy. I know I should relax myself and be happy.
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Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.
Douglas M. Laurent
, because he was rich my father consented to our marriage, and they became partners in their business. Afterwards, within a month indeed, the Apostles came to Tyre, and we attended their preaching—at first, because we were curious to learn the truth of this new faith against which my father railed, for, as you know, he is of the strictest sect of the Jews; and then, because our hearts were touched. So in the end we believed, and were baptised, both on one night, by the very hand of the brother of the Lord. The holy Apostles departed, blessing us before they went, and Demas, who would play no double part, told my father of what we had done. Oh! mother, it was awful to see. He raved, shouted and cursed us in his rage, blaspheming Him we worship. More, woe is me that I should have to tell it: When we refused to become apostates he denounced us to the priests, and the priests denounced us to the Romans, and we were seized and thrown into prison; but my husband's wealth, most of it except that which the priests and Romans stole, stayed with my father. For many months we were held in prison here in Cæsarea; then they took my husband to Berytus, to be trained as a gladiator, and murdered him. Here I have stayed since with this beloved servant, Nehushta, who also became a Christian and shared our fate, and now, by the decree of Agrippa, it is my turn and hers to die to-day." "Child, you should not weep for that; nay, you should be glad who at once will find your husband and your Saviour." "Mother, I am glad; but, you see my state. It is for the child's sake I weep, that now never will be born. Had it won life even for an hour all of us would have dwelt together in bliss until eternity. But it cannot be—it cannot be." Anna looked at her with her piercing eyes. "Have you, then, also the gift of prophecy, child, who are so young a member of the Church, that you dare to say that this or that cannot be? The future is in the hand of God. King Agrippa, your father, the Romans, the cruel Jews, those lions that roar yonder, and we who are doomed to feed them, are all in the hand of God, and that which He wills shall befall, and no other thing. Therefore, let us praise Him and rejoice,
H. Rider Haggard (Pearl-Maiden)
I have lived in jebba Where the winds wander cold And forest worships the sky As nocturnal lives prowls at daylight The crocs waves its feastful teeth To close the fate of any unloved guest Alas! the night never stay still With its noiseless frig Here lies the bronze bowman and all its affectation With fineries beautiful even in death
Abdulkadir Abdullahi (13 Days of Solitude: Thoughts beyond Words)
Camels, unlike most animals, regulate their body temperatures at two different but stable states. During daytime in the desert, when it is unbearably hot, camels regulate close to 40°C, a close enough match to the air temperature to avoid having to cool by sweating precious water. At night the desert is cold, and even cold enough for frost; the camel would seriously lose heat if it tried to stay at 40°C, so it moves its regulation to a more suitable 34°C, which is warm
James E. Lovelock (The Revenge of Gaia: Earth's Climate Crisis & The Fate of Humanity)
The Archer's class really is made up of archers
Kinoko Nasu
People die if they are killed
Kinoko Nasu
Your Divine Moment is the moment the fate between you and your Elysian Mate is decided. You will both be called under the night sky and be presented with the choice to seal your bond forever more. If you choose to stay together, your love will be branded on you, forming a ring of silver around your irises. But if you choose to part...”  The stars collided in the sky above us and a fiery display seemed to rain down on the class. I flinched and some people screamed as the flames tumbled down over us, but they fizzled out before they reached our heads. “You will be Star Crossed and a black ring will form around your irises, marking your love as doomed by the stars themselves. From that day forward, every celestial being in the universe will work against you, forcing you apart.
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
In a world where hearts entwine, A love story, sweet and divine. In the gentle drizzle, we find, Affection's touch, in love, we're twined. Above, clouds tenderly pair, Sharing soft embraces in the air. Waltz with me in the rain, No words are needed to explain. Once our worlds collided, fate in play, A rare connection, sweetness to stay. Your love, a caress so light, Healing wounds in soothing night. In emotions' dance, uncertain ground, In your awareness, solace found. Lost in time, a bit astray, Let your voice guide my way. A wanderer in love's vastness, On love's shelf, in sweet distress. Hold me close in pure light, Guard my heart through the night. In your gaze, my forever lies, Journey or destination, love defies. Guide me, love, console my soul, In raindrops, our love takes its toll. Clouds heavy with grace, Pour affection in this space. Dance with me, embrace the weather, Our love endures, forever. Our worlds blended in the rain, A serendipitous union, love's sweet gain. Your touch, an artistry healing, A "marham" on my heart, revealing.
Manmohan Mishra (Self Help)
[My father’s] survival was his way of saying ‘Mulen Labe’ to his oppressors and murderers of his family. His people. In the Krakow Ghetto, in the camps of Auschwitz, Birkenau, Buna Monowitz, Buchenwald. The ability to fight was within him. In his blood. The challenge chose him. No spartan training. How did Dad confront the Nazi terror with no Spartan warrior to mentor him? The frustration and choked cries of rebellion were already internalised in his soul. Later, the frustration and choked back screams resonated in my soul as well when nourished by the relentless, gruelling training. When I was growing up coming my father told me a few stories that stayed with me through the long marches and along the IDF service. His story of the death March from Buna Monowitz to Gliviz through deep snow and freezing cold. It began January 17 and ended the night of January 22, 1945. The night of January 21 was especially cold. There was no place to get warm. As night fell, my father found a bare wooden door and covered himself with it. A little after midnight the freezing temperatures woke him. He attempted to wake up the people around him, shouting at them, “Wake up, wake up. You're going to freeze to death if you don't move.” A few woke up and joined him in stepping in place to warm up. Others remained unmoving and perished. That night thousands froze to death. The next morning, which was the 6th day of the death march, my father got up with a piercing pain in his hip. He could not take even one step, he told me the ball of the hip bone ground against the hip socket “like sandpaper”. When he asked to be left alone, his friends didn't listen and insisted on carrying him. He argued, “I will cause you to fall behind”. They were adamant. With their last ounce of energy, they put his arms over their shoulders, lifted him up and began to look forward. Supported by his two friends, he moved in a line with the rest of the dead. He continued to beg them to abandon him and they refused, insisting on helping him. After a few hundred yards, his joints warmed and he was able to leap forward on his own. Marching as part of the endless column of human suffering. So they marched, supporting each other, until they arrived that night at the train in Gliviz that was to take them to Buchenwald. When he told me this story, I felt immense gratitude to his friends. How did he do it? The hopeless atmosphere, the scant odds of surviving, inability to control your fate, the deep frustration, the desire to defeat a cruel enemy. All of these feelings are part of me. I tapped into them during my training with the Unit…. I recall after finishing very difficult marches, asking my father to tell me about the Death March. Time and again, everything fell into perspective. Each time I understood that no matter what hardships we endured, we would never come close to measuring up to the strength and courage of my dad and his friends.
Ouri Tsafrir (Along the Trail)
John Burroughs beautifully expresses this in his poem “Waiting”: Serene, I fold my hands and wait, Nor care for wind, nor tide, nor sea; I rave no more 'gainst time or fate, For, lo! my own shall come to me. I stay my haste, I make delays, For what avails this eager pace? I stand amid the eternal ways, And what is mine shall know my face. Asleep, awake, by night or day, The friends I seek are seeking me; No wind can drive my bark astray, Nor change the tide of destiny. What matter if I stand alone? I wait with joy the coming years; My heart shall reap where it hath sown, And garner up its fruit of tears. The waters know their own and draw The brook that springs in yonder height; So flows the good with equal law Unto the soul of pure delight. The stars come nightly to the sky; The tidal wave unto the sea; Nor time, nor space, nor deep, nor high, Can keep my own away from me.
Orison Swett Marden (7 Books on Prosperity & Success)
Richard Kay Richard Kay became friends with Diana, Princess of Wales, through his job as royal correspondent for London’s Daily Mail. After her separation in 1992, he used his knowledge to give a penetrating and unique insight into Diana’s troubled life, and they remained friends until the end. Richard is now diary editor or the Daily Mail and lives in London with his wife and three children. Over the years, I saw her at her happiest and in her darkest moments. There were moments of confusion and despair when I believed Diana was being driven by the incredible pressures made on her almost to the point of destruction. She talked of being strengthened by events, and anyone could see how the bride of twenty had grown into a mature woman, but I never found her strong. She was as unsure of herself at her death as when I first talked to her on that airplane, and she wanted reassurance about the role she was creating for herself. In private, she was a completely different person form the manicured clotheshorse that the public’s insatiable demand for icons had created. She was natural and witty and did a wonderful impression of the Queen. This was the person, she told me, that she would have been all the time if she hadn’t married into the world’s most famous family. What she hated most of all was being called “manipulative” and privately railed against those who used the word to describe her. “They don’t even know me,” she would say bitterly, sitting cross-legged on the floor of her apartment in Kensington Palace and pouring tea from a china pot. It was this blindness, as she saw it, to what she really was that led her seriously to consider living in another country where she hoped she would be understood. The idea first emerged in her mind about three years before her death. “I’ve got to find a place where I can have peace of mind,” she said to me. She considered France, because I was near enough to stay in close touch with William and Harry. She thought of America because she--naively, it must be said--saw it as a country so brimming over with glittery people and celebrities that she would be able to “disappear.” She also thought of South Africa, where her brother, Charles, made a home, and even Australia, because it was the farthest place she could think of from the seat of her unhappiness. But that would have separated her form her sons. Everyone said she would go anywhere, do anything, to have her picture taken, but in my view the truth was completely different. A good day for her was one where her picture was not taken and the paparazzi photographers did not pursue her and clamber over her car. “Why are they so obsessed with me?” she would ask me. I would try to explain, but I never felt she fully understood. Millions of women dreamed of changing places with her, but the Princess that I knew yearned for the ordinary humdrum routine of their lives. “They don’t know how lucky they are,” she would say. On Saturday, just before she was joined by Dodi Al Fayed for their last fateful dinner at the Ritz in Pairs, she told me how fed up she was being compared with Camilla. “It’s all so meaningless,” she said. She didn’t say--she never said--whether she thought Charles and Camilla should marry. Then, knowing that as a journalist I often work at weekends, she said to me, “Unplug your phone and get a good night’s sleep.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
ANTONIO: Will you stay no longer? Nor will you not that I go with you? SEBASTIAN: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you.   —William Shakespeare, Twelfth Night
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
To them that seek the highest good All things subserve the wisest ends; Nought comes as ill, and wisdom lends Wings to all shapes of evil brood. The dark’ning sorrow veils a Star That waits to shine with gladsome light; Hell waits on heaven; and after night Comes golden glory from afar. Defeats are steps by which we climb With purer aim to nobler ends; Loss leads to gain, and joy attends True footsteps up the hills of time. Pain leads to paths of holy bliss, To thoughts and words and deeds divine; And clouds that gloom and rays that shine, Along life’s upward highway kiss Misfortune does but cloud the way Whose end and summit in the sky Of bright success, sunkiss’d and high, Awaits our seeking and our stay. The heavy pall of doubts and fears That clouds the Valley of our hopes, The shades with which the spirit copes, The bitter harvesting of tears. The heartaches, miseries, and griefs, The bruisings born of broken ties, All these are steps by which we rise To living ways of sound beliefs. Love, pitying, watchful, runs to meet The Pilgrim from the Land of Fate; All glory and all good await The coming of obedient feet.
James Allen (Mind is the Master: The Complete Treasury)
I pushed my currentshadows up, up, up. Over the sizzle of the amphitheater’s force field, which Akos had disabled at a touch as he lifted us to safety. His arm had been strong across my back, tightly coiled as a rope. Over the center of Voa, where I had lived all my life, contained in spotless wood paneling and the glow of fenzu. I felt Ryzek’s hands, a little sweaty as they pressed over my ears, to shield me from the screams of whoever my father was tormenting. And higher over Voa, over even the fringes of the city where the Storyteller and his sweet purple tea lived, where the renegades had cobbled together a dinner table made of half a dozen other dinner tables. I didn’t suffer from a lack of fuel. The currentshadows had been so strong all my life, strong enough to render me incapable of attending a simple dinner party, strong enough to bow my back and force tears from my eyes, strong enough to keep me awake and pacing all through the night. Strong enough to kill, but now I understood why they killed. It wasn’t because they drained the life from a person, but because they overwhelmed it. It was like gravity--we needed it to stay grounded, alive, but if it was too strong, it formed a black hole, from which even light could not escape. Yes, the force of the current was too fierce for one body to contain-- Unless that body was mine.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
I knew I had no place here, at this impromptu Kereseth reunion--which was probably orchestrated by the oracles, if Sifa and Eijeh’s presence meant what I thought it did. I moved to leave, meaning to disappear into the constant night, but Akos knew me too well. I felt the shock of his hand, pressing against the small of my back. It was brief, but it sent a shiver through me. Do that again, I thought. Never do that again, I also thought. “Sorry,” he said, in low Shotet. “But--would you stay?” Behind him, Cisi and Sifa embraced, Sifa’s hand running over Cisi’s curls with a tenderness I remembered from my own mother. Akos’s gray eyes--set now in a face more sallow than it had any right to be--begged me to stay. I had distracted myself from him in the week since the attack, refusing most of the comfort he offered, unless it was in the form of a painkiller. I couldn’t let myself stay close to him now, knowing that he was only here because of his own fatalism. He made me weak, though. He always had.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Ethel Thompson[17] gives further testimony to the heartless abuse of small children being exiled: «During my stay in Amison (Samsunta), in early July 1921, the surrounding Greek villages were burnt down and the residents were displaced, including women and children... On approaching, we saw 300 children inside a circle formed by 20 gendarmes, who were hitting them with their swords. One mother who rushed in to save her child suffered the same fate and was thrown out. The children bent down to the ground or raised their little arms in order to avoid the blows. We couldn’t stand any more.» Turks, oh, you Turks, how can you sleep peacefully at night?
Theodora Ioannidou (The Holocaust of the Pontian Greeks: Still an open wound)
If fate was life, then Lene should just stay with the “wife-beater”, because every man she hooked up with would beat her. I couldn’t believe that was true, for her or for me. I had to believe my shitty life wasn’t some prearranged hell I could never escape. I wasn’t doing the best with decisions, or money, or finding someone to love me, but I hoped I was finally on the road to controlling my ‘crazy’. And just to prove I had control, I was going to turn this train-wreck of a night around. I stood, zipped up my jeans, and kicked open the stall door. “I’m goin’ to par-tay!” I sang out loud. Party, but not get laid, I reminded myself.
Cheryl R. Cowtan (Girl Desecrated: Vampires, Asylums and Highlanders 1984)
Why has she chosen me? Why has fate thrown us together? If I wasn’t who I was and hadn’t done the things I’ve done … I’d grab a hold of her and never let go. I’ve give her every reason to want to stay and love me just as much as I love her. And I do love her. I don’t know when it happened, but some time or another it’s changed from the brotherly love I used to feel for her to this new soul-deep kind of love that takes my fucking breath away. I just wish our pasts weren’t what they were.
Alex Grayson (Key to Hell (Hell Night, #4))
ANTONIO: Will you stay no longer? Nor will you not that I go with you? SEBASTIAN: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therfore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you.
William Shakespeare (Twelfth Night)
going to kill him. “I did it,” Adrien offered, pulling Isla from her thoughts with the wrong notion of her upset. “Other alphas have. It’s a rite of passage for everyone. If you’re second to an alpha, that’s still pretty damn—” “I don’t care about being second,” Isla breathed, shaking her head and looking towards the ground like it would offer some solace.  I care about staying alive. She’d finally managed to get the alpha off her mind, scrubbed him enough from her senses so that she could think straight. It may have required a late-night shifted run through the woods, and addressing her pent-up frustrations by her own hand when she made it back to her room, but it was done. As she wrapped the customary hunter’s cloths
Melissa Kieran (A Warrior's Fate (Wolves of Morai, #1))
I hadn’t spoken to her, just curled up in bed between her and Gabriel while she slept. Me and my brother had stayed up talking half the night in a silencing bubble about Tory, the Imperial Star, Lionel’s awful Orderist shit and just…everything.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
I ask of you. Are you my Master?
Kinoko Nasu (Fate/Stay Night)