Faster Than A Kiss Quotes

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As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day. But
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
Because she did not look behind, September did not see the smoky-glass casket close itself primly up again. She did not see it bend in half until it cracked, and Death hop up again, quite well, quite awake, and quite small once more. She certainly did not see Death stand on her tiptoes and blow a kiss after her, a kiss that rushed through all the frosted leaves of the autumnal forest, but could not quite catch a child running as fast as she could. As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I guess it's their friend time?
Meca Tanaka (キスよりも早く1 [Kisu Yorimo Hayaku 1] (Faster than a Kiss #1))
She put her arms around me again and we held each other for a long moment, her head on my shoulder, breath warm on my neck, and suddenly I wanted nothing more than to close all the little gaps that existed between our bodies, to collapse into one being. But then she pulled away and kissed my forehead and started back toward the others. I was too dazed to follow right away, because there was something new happening, a wheel inside my heart I’d never noticed before, and it was spinning so fast it made me dizzy. And the farther away she got, the faster it spun, like there was an invisible cord unreeling from it that stretched between us, and if she went too far it would snap—and kill me.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay.7
Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
He thinks it's because he was born in the wrong body, but we want to whisper in his ears that many of us were born in the right bodies and still felt foreign inside them, felt betrayed. We completely misunderstood our bodies. We punished them, berated them, held them to an Olympian ideal that was deeply unfair to them. We loathed the hair in some places and the lack of hair in others. We wanted to everything to be tighter, stronger, harder, faster. We rarely recognized our own beauty unless someone else was recognizing it for us. We starved or we pushed or we hid or we paraded, and there was always another body we thought was better than ours. There was always something wrong, most time numerous things wrong. When we were healthy, we were ignorant. We could never be content within our own skin. Breathe, we want to tell Avery. Feel yourself breathe. Because that is as much a part of your body as anything else. Avery, we whisper, you are a marvel. And he is. He may never believe it, but he is.
David Levithan (Two Boys Kissing)
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
Stephenie Meyer (The Host (The Host, #1))
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
My pet-sitting day ends around sunset, and it's very satisfying to know that I've made several living beings happy that day. That I left their food bowls sparkling clean and fresh water in their water bowls. That I brushed them so their coats shined, and played with them until all our hearts were beating faster. That I kissed them goodbye and left them with their tails wagging or flipping or at least raised in a happy kind of way. That's a heck of a lot more than any president, pope, prime minister, or potentate can say, and I wouldn't switch places with any of them.
Blaize Clement (Cat Sitter on a Hot Tin Roof (A Dixie Hemingway Mystery, #4))
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day. But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
There, I saw Adam messing around with a container of tic tacs. I had found the source of the cinnamon taste of his kisses. He looked up. "Want one?" he offered. "Sure, thanks," I replied. He proceeded to knock exactly one tic tac into his palm and hand it to me. "Are you sure you can spare this?" I asked solemnly. "How many did you want?" "Well, more than one. Who gives somebody one tic tac? Would it kill to be a little more generous? some psychologist somewhere probably has some theory about one tic tac givers and fear of commitment." "Fear of commitment, my ass. You should be committed, you loon. If you were intended to have more than one tic tac, they would have just made tic tacs bigger. This is regulation sized tic tac, and it should be more than enough to satisfy your breath freshening needs," he said, sounding affronted. "A tic tac is not merely a breath freshener, it is a candy," I pointed out, voice rising in anger. Who was he calling a loon? "And they make them small on purpose, so you'll think you're getting more, and so you'll run out faster when someone asks for one, and you will give them a few!" "Why would someone ask for A tic tac when they really wanted several tic tacs? What does that say about their psychology?! Why not be honest from the get-go about what you want?!" he shouted back at me. " I didn't ask for one! You offered me one, God damn it!" "And as for your other points, it is primarily a breath freshener, and maybe you should alert the media about your great tic tac size conspiracy!" "I can't believe we're fighting about motherfucking tic tacs!" I screamed and the two of us glowered each other across my desk for several seconds before smiles slowly appeared on both of our faces. "Want to have make-up sex?" he asked. "Yeah, let's go," I said, getting up and heading for the bedroom.
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
Wait—what?” He’d said the last statement so casually, I almost didn’t grasp its significance. “There are merrow who want to destroy the human race?” I pictured a hundred thousand Sebastians, capable of punching through picnic tables and moving faster than we could even see them. It would be a slaughter. A mermaid apocalypse. I almost laughed at the thought, but the impulse died in my throat. I felt sick. I couldn’t believe I’d wanted to kiss him just a few moments ago.
D.S. Murphy
I hope your horse is faster than you are.” The girl stretched up to kiss his cheek. “Good day to you, brother. You may leave now.
Danielle L. Jensen (The Inadequate Heir)
Then they kiss again, and she goes to work, and he goes to work, and so the days go by, faster than ever.
David Nicholls (One Day)
How can we distinguish what is biologically determined from what people merely try to justify through biological myths? A good rule of thumb is ‘Biology enables, culture forbids.’ Biology is willing to tolerate a very wide spectrum of possibilities. It’s culture that obliges people to realise some possibilities while forbidding others. Biology enables women to have children – some cultures oblige women to realise this possibility. Biology enables men to enjoy sex with one another – some cultures forbid them to realise this possibility. Culture tends to argue that it forbids only that which is unnatural. But from a biological perspective, nothing is unnatural. Whatever is possible is by definition also natural. A truly unnatural behaviour, one that goes against the laws of nature, simply cannot exist, so it would need no prohibition. No culture has ever bothered to forbid men to photosynthesise, women to run faster than the speed of light, or negatively charged electrons to be attracted to each other. In truth, our concepts ‘natural’ and ‘unnatural’ are taken not from biology, but from Christian theology. The theological meaning of ‘natural’ is ‘in accordance with the intentions of the God who created nature’. Christian theologians argued that God created the human body, intending each limb and organ to serve a particular purpose. If we use our limbs and organs for the purpose envisioned by God, then it is a natural activity. To use them differently than God intends is unnatural. But evolution has no purpose. Organs have not evolved with a purpose, and the way they are used is in constant flux. There is not a single organ in the human body that only does the job its prototype did when it first appeared hundreds of millions of years ago. Organs evolve to perform a particular function, but once they exist, they can be adapted for other usages as well. Mouths, for example, appeared because the earliest multicellular organisms needed a way to take nutrients into their bodies. We still use our mouths for that purpose, but we also use them to kiss, speak and, if we are Rambo, to pull the pins out of hand grenades. Are any of these uses unnatural simply because our worm-like ancestors 600 million years ago didn’t do those things with their mouths?
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
She certainly did not see Death stand on her tiptoes and blow a kiss after her, a kiss that rushed through all the frosted leaves of the autumnal forest but could not quite catch a child running as fast as she could. As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Trot? I laughed scathingly. “Nothing you can say or do will incentivize me to smash my genitals against this saddle any harder or faster than they’re already being smashed.” “Feeling a little sore, human?” “Sore doesn’t come close,” I grumbled. “I’ll happily kiss all of your aches and pains better for you once we strike camp. I’ve been told my mouth has healing properties. Especially when administered between a pair of thighs.
Callie Hart (Quicksilver (Fae & Alchemy, #1))
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
Bloody rain” says Mr Chivers Bouncing a basketball On the one dry patch of court bloody rain” he nods to our Sports class And gives us the afternoon off. Bloody rain all right As Annabel and I run to Megalong Creek hut Faster than we ever have in Chivers’s class And the exercise we have in mind We’ve been training for all year But I doubt if old Chivers Will give us a medal if he ever finds out. We high jump into the hut And strip down Climb under the blankets And cheer the bloody rain As it does a lap or two Around the mountain While Annabel and me Embrace like winners should Like good sports do As Mr. Chivers sips his third coffee And twitches his bad knee From his playing days While miles away Annabel and I Score a convincing victory And for once in our school life The words “Physical Education” Make sense…
Steven Herrick (Kissing Annabel: Love, Ghosts, and Facial Hair; A Place Like This)
The kiss comes hotter and faster than before. Our lips move quickly, a hunger grows between us that can’t seem to be quenched. There’s a rhythm, a dance, and somehow, I know the steps. An instinct tells me to follow his lead, to explore even further, to touch. My hands drift down his back and when I feel scorching skin near the hem of his shirt, I gasp for air. Isaiah moans, and his lips leave mine to travel along my throat. My heart picks up speed as my entire body becomes one live electrical current. His tongue swirls against the sensitive skin right where my jaw meets my neck. I shiver and press my body closer to his. When he meets my lips again, Isaiah loops his arm around my waist and pulls me farther onto the bed. On our sides, his body heat penetrates past my clothes, past my skin, creating an inferno in my blood. A sudden coldness causes my eyes to flash open. Kneeling beside me, Isaiah’s hands go behind his head and he yanks off his shirt, tossing it to the floor. A flutter of excitement and nerves trembles in my stomach.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
Merrow have long memories. And remember, we live longer. So while most humans have forgotten the brutality and injustice that led to the merrow wars, the older merrow are still angry. They hate all humans. And now that the royal family is missing… some merrow think it’s time to stop hiding. They argue that the humans are destroying the world, and that it’s our duty to wipe them out.” “Wait—what?” He’d said the last statement so casually, I almost didn’t grasp its significance. “There are merrow who want to destroy the human race?” I pictured a hundred thousand Sebastians, capable of punching through picnic tables and moving faster than we could even see them. It would be a slaughter. A mermaid apocalypse. I almost laughed at the thought, but the impulse died in my throat. I felt sick. I couldn’t believe I’d wanted to kiss him just a few moments ago.
Derek Murphy
The crowd went quiet, and when the whistle blew, and he sliced through the surface, I heard it. The moment when the sun broke past the horizon and kissed his body as he parted through the water. Brilliant and bold. An orchestra with each stroke. I couldn't take my eyes off him as he manipulated the elements. Using air as fuel, bending water to his will. He was fast, faster than humanly possible, and each kick of his foot mimicked the galloping beat of my heart.
A.M. Johnson (Let There Be Light (Twin Hearts, #1))
Eventually she ran out of tears. There were centuries’ worth still locked up inside her, but her body could only shed so many at a time. She was aware that her eyes were ringed with black and looked as if she had been beaten, but there was nothing to be done about that. “I’m sorry,” she said again. “I’m sobbing all over you when I should be mixing up a draft for your pain.” “You were in pain, as well,” he said, “and bones heal faster than spirits, I think. But I’ve felt a great deal better than I do now—I won’t deny it.” And then he kissed her forehead.
T. Kingfisher (Thornhedge)
She tightened her grip on his wrist and slowly pulled it towards her. His index finger slid in farther and she gasped at how it felt. She paused, pulled again. Deeper. Deeper. Her pussy throbbed and she took him as far in to her body as she could. His hand was flat against her pulsing lips, his palm pressing on her clit. “Oh!” she said. “Oh, Chris… oh, God.” “It feels good, baby?” “Yes… it feels amazing.” She withdrew his finger slowly, feeling the suction of her body, then pulled him in again, using both her hands this time. He groaned as her pussy muscles tightened on him, and he felt the answering burst of wetness between her lips. Jenny pulled his finger in and out of her, slowly at first, then faster, and Chris felt her body start to tremble. I’m going to come myself if this goes on much longer. She pulled him out of her heat completely, unfolded his middle finger to join his index one. The she pulled both of them in to her, giving a small cry at the renewed sensation. “Touch my clit,” she begged. “Use your thumb… Chris, please.” He did as she asked, swirling around her hard nub every time she pulled his fingers in to her body. She plunged his fingers faster, every pull in going deeper and harder. His thumb pushed down consistently, not breaking the contact, and she closed her eyes as the wave of pleasure rose and rose, became larger and stronger than she’d expected. She released his hand now. “I trust you,” she breathed. “I want you to do it. I want you to make me come…” He groaned and kissed her, hard, his fingers moving in and out of her at a steady pace. Her hands gripped the headboard above her, her toes curled, she threw her head back. “So close, sweetheart,” he said, his voice almost a growl against her mouth. “You’re going to love it. Let go. Let me see you.
Marysol James (Enemy Mine (Unseen Enemy, #3))
There was never a threat of things going too far when we were fake. But I see now how fast things can change without you even realizing it. It can go from a kiss to hands under my shirt in two seconds, and it’s so feverish, so frenzied. It’s like we’re on a high-speed train that’s going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It’s like I don’t want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready? I still find it very surprising, having a boy in my personal space. I still get nervous when he puts his arm around my waist or reaches for my hand. I don’t think I know how to date in the 2010s. I’m confused by it. I don’t want what Margot and Josh had, or Peter and Genevieve. I want something different. I guess you could call me a late bloomer, but that implies that we’re all on some predetermined blooming schedule, that there’s a right or a wrong way to be sixteen and in love with a boy. My body is a temple not just any boy gets to worship at. I won’t do any more than I want to do.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
-did you just ask something?" "I asked if you can undress any faster." Evie huffed with a mixture of amusement and exasperation. "No, I can't. There are too many b-buttons, and they're very small." "What a pity. Because in thirty seconds, I'm going to rip away whatever clothing you have left." Evie knew full well not to take the threat lightly- he'd done it before, on more than one occasion. "Sebastian, no. I like this dress." Her husband's eyes glinted with devilish humor as he watched her increasingly frantic efforts. "No dress is as beautiful as your naked skin. All those sweet freckles scattered over you, like a thousand tiny angel kisses... you have twenty seconds left, by the way." "You don't even h-have a clock," she complained. "I'm counting by heartbeats. You'd better hurry, love." Evie glanced anxiously down at the row of pearl buttons, which seem to have multiplied. With a defeated sigh, she dropped her arms to her sides. "Just go on and rip it off," she mumbled. She heard his silky laugh, and a sluice of water. He stood with streams runneling over the sleek, muscled contours of his body, and Evie gasped as she was pulled into a steaming embrace. His amused voice curled inside the sensitive shell of her ear. "My poor little put-upon wife. Let me help you. I have a way with buttons...
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Cleaning up the breakfast mess may only take ten minutes, but in that time my oldest has taken her pajamas off on the kitchen floor, pulled out a box of LEGOs, and fallen and scraped her knee. Cleaning up breakfast, picking up floor pj’s, tidying LEGOs, and getting a Band-Aid cannot physically happen all at once. Just as I get done kissing boo-boos and putting clothes on the oldest, the youngest has asked for more milk and shat her pants. The list of things that needs to be cleaned simply grows faster than any one person can move. Not to mention I must get these children out the door in the next five minutes or we won’t have time to go to the park before nap time.
K.C. Davis (How to Keep House While Drowning)
IN SCHOOL. "I used to go to a bright school Where Youth and Frolic taught in turn; But idle scholar that I was, I liked to play, I would not learn; So the Great Teacher did ordain That I should try the School of Pain. "One of the infant class I am With little, easy lessons, set In a great book; the higher class Have harder ones than I, and yet I find mine hard, and can't restrain My tears while studying thus with Pain. "There are two Teachers in the school, One has a gentle voice and low, And smiles upon her scholars, as She softly passes to and fro. Her name is Love; 'tis very plain She shuns the sharper teacher, Pain. "Or so I sometimes think; and then, At other times, they meet and kiss, And look so strangely like, that I Am puzzled to tell how it is, Or whence the change which makes it vain To guess if it be--Love or Pain. "They tell me if I study well, And learn my lessons, I shall be Moved upward to that higher class Where dear Love teaches constantly; And I work hard, in hopes to gain Reward, and get away from Pain. "Yet Pain is sometimes kind, and helps Me on when I am very dull; I thank him often in my heart; But Love is far more beautiful; Under her tender, gentle reign I must learn faster than of Pain. "So I will do my very best, Nor chide the clock, nor call it slow; That when the Teacher calls me up To see if I am fit to go, I may to Love's high class attain, And bid a sweet good-by to Pain.
Susan Coolidge (What Katy Did)
The hot crown of his cock notched against my sex, and we both stopped, our gazes clashing. "Em." I knew what he meant. This felt different. This felt more like than sex. He didn't look away as he slowly pushed into me, all that hot girth making itself at home. I moaned and spread my legs wider, working with him. He was big. And there. And it felt so good I could barely breathe through it all. Lucian dipped his head, trembling with effort to go slow. "God. God. You feel..." He broke off with a tortured groan and a hard thrust, filling me completely. I closed my eyes, my hands smoothing over his damp back. "So good, Lucian. So good." That was all he needed. Moving like liquid, he rocked into me, kissing my mouth, whispering how much he wanted me. I grew incandescent with it, heat licking through me in waves. Lucian fucked like he did most everything, with perfect finesse and fierce determination. With swagger. Soon we were both panting, moving faster, reaching for that peak yet wanting to prolong it. "I don't want it to end," he said against my mouth. But then he canted his hips, hitting that spot that lit me up and made me scream. There was no more finesse, no more drawing it out. Just basic rutting, fucking each other like we might die and not get another chance. And when he came, I stared up at him, at those muscles straining, his wintergreen eyes gleaming in lust and surprise, as though he couldn't quite believe how good it was. Neither could I. Because it had never been like this.
Kristen Callihan (Make It Sweet)
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something — an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
When he slides in, I press my eyes shut and groan. This is going to be so, so good. His smooth, slow thrusts turn animalistic in a matter of minutes. All I can do is cry out as the pleasure consumes me from head to toe, gripping for dear life onto the glass. My head is shrouded in a fog of arousal. I can't get out a single coherent thought other than more, harder, faster, please. I tell Max exactly that. And he does it all. When his sounds turn quick and desperate, when his fingers turn viselike against my hips, I slide one of my hands between my thighs and circle frantically in the spot I need it most. This is the wildest, most lustful thing I've ever done in my life. Never in a million years did I think I'd ever be the type of girl who wants to have sex against a window overlooking downtown Portland, but I've never been so turned on. I've never been so consumed with pleasure. This is the effect Max Boyson has on me. Not only does he make me ooey-gooey on the inside with his thoughtful gestures, his sweet words, and the way he looks at me like I'm the only person in the room. But with a single teasing kiss and the touch of his hand on my skin, I turn sex-crazed. He makes me feel so sexy and comfortable all at once. I love love love all the sides this man brings out in me. With a firm hand, he grips my jaw and turns my face to the side so he can plant a desperate kiss on my mouth. Soon I'm trembling as climax threatens to wreck me. When it hits, that's exactly what happens. I groan-scream and come apart in Max's grip. My head goes foggy as pleasure annihilates me. It's a glorious end, though. I'm left quivering, barely able to stand, but Max holds me securely in his arms. It's the sweetest and hottest hug from behind: his entire body covers me while his open mouth rests against my shoulder, gasping and growling at once.
Sarah Echavarre Smith (The Boy With the Bookstore)
You're trying to kiss Emma?" Rayna says, incredulous. "But you haven't even sifted yet, Galen." "Sifted?" Emma asks. Toraf laughs. "Princess, why don't we go for a swim? You know that storm probably dredged up all sorts of things for your collection." Galen nods a silent thank you to Toraf as he ushers his sister into the living room. For once, he's thankful for Rayna's hoard of human relics. He almost had to drag her to shore by her fin to get past all the old shipwrecks along this coast. "We'll split up, cover more ground," Rayna's saying as they leave. Galen feels Emma looking at him, but he doesn't acknowledge her. Instead, he watches the beach as Toraf and Rayna disappear in the waves, hand in hand. Galen shakes his head. No one should feel sorry for Toraf. He knows just exactly what he's doing. Something Galen wishes he could say of himself. Emma puts a hand on his arm-she won't be ignored. "What is that? Sifted?" Finally he turns, meets her gaze. "It's like dating to humans. Only, it goes a lot faster. And it has more of a purpose than humans sometimes do when they date." "What purpose?" "Sifting is our way of choosing a life mate. When a male turns eighteen, he usually starts sifting to find himself a companion. For a female whose company he will enjoy and ho will be suitable for producing offspring." "Oh," she says, thoughtful. "And...you haven't sifted yet?" He shakes his head, painfully aware of her hand still on his arm. She must realize it at the same time, because she snatches it away. "Why not?" she says, clearing her throat. "Are you not old enough to sift?" "I'm old enough," he says softly. "How old are you, exactly?" "Twenty." He doesn't mean to lean closer to her-or does he? "Is that normal? That you haven't sifted yet?" He shakes his head. "It's pretty much standard for males to be mated by the time they turn nineteen. But my responsibilities as ambassador would take me away from my mate too much. It wouldn't be fair to her." "Oh, right. Keeping a watch on the humans," she says quickly. "You're right. That wouldn't be fair, would it?" He expects another debate. For her to point out, as she did last night, that if there were more ambassadors, he wouldn't have to shoulder the responsibility alone-and she would be right. But she doesn't debate. In fact, she drops the subject altogether. Backing away from him, she seems intent on widening the space he'd closed between them. She fixes her expression into nonchalance. "Well, are you ready to help me turn into a fish?" she says, as if they'd been talking about this the whole time. He blinks. "That's it?" "What?" "No more questions about sifting? No lectures about appointing more ambassadors?" "It's not my business," she says with an indifferent shrug. "Why should I care whether or not you mate? And it's not like I'll be sifting-or sifted. After you teach me to sprout a fin, we'll be going our separate ways. Besides, you wouldn't care if I dated any humans, right?" With that, she leaves him there staring after her, mouth hanging open. At the door, she calls over her shoulder, "I'll meet you on the beach in fifteen minutes. I just have to call my mom and check in and change into my swimsuit." She flips her hair to the side before disappearing up the stairs. He turns to Rachel, who's hand-drying a pan to death, eyebrows reaching for her hairline. He shrugs to her in askance, mouth still ajar. She sighs. "Sweet pea, what did you expect?" "Something other than that.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
Diana Palmer (Paper Rose (Hutton & Co. #2))
became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.
John Laurence (The Cat From Hue: A Vietnam War Story)
She had a big, beautiful man at her mercy, and she wasn't going to relinquish control. Oh, she was under no illusions that she had him physically overpowered. He could have flipped their places at any instant. She hadn't taken the reins. He'd given her the reins. And that made it all the better. She decided how to begin, when to stop. Whether to tease them both with grazing friction or grind her hips. She set the pace. It was hers to grant or deny him mercy when he pleaded in a whisper. "Faster." With every motion- slow or quick, form or gentle- her pleasure spiraled higher. Her breathing grew uneven, and she flushed with heat. She fell forward to kiss him, searching his mouth. Exploring. As their tongues tangled, his whiskers scraped her lips and chin. Her nipples puckered to knots, exquisitely sensitive. With every movement, they kissed the hard planes of his chest. Bliss rushed at her from all sides, propelling her toward that distant promise of satisfaction. Her rhythm lost all elegance. Her hips jerked and bounced as her urgency grew. "Yes." His voice was strained. "Hold nothing back. I want to feel you come against me. I want to hear the sounds you make." His words of encouragement had the opposite effect. For the first time, she felt a moment's trepidation. She'd never climaxed with another person. It had taken her years to feel comfortable with herself, let alone a man. When the pleasure broke, she would be bared to him. More naked than naked.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
You don't have to like me, but I'd like to make working with me less difficult for you. Just tell me what to do, and I'll do it. But I'm not going anywhere." Sanna watched him say these words, giving her permission to set the rules- yet she could really only focus on his soft pink lips and how she wanted a cider that was precisely that color. It would be sweet and crisp and bubbly. Something you could drink and drink and never get enough of- each sip would reveal a different shade to the flavor, from a lush rose to a pale blush. She had to know what lips that color tasted like, so she leaned forward and kissed him. Barely a whisper, the briefest of touches on his fascinating lips, with a hint of the toasty cider they'd had with dinner. Her senses lit up like Christmas lights. She pulled back even faster than she'd leaned in. The surprise she saw on his face matched her own. "I don't know why I..." Her voice trailed off. Colors still crackled around her. Isaac moved an inch closer, leaning in to inhale near her ear, but he didn't touch her, didn't push her any further. His face was so close she could count the silver flecks in his beard. "I'm glad you did. I like you. You're interesting, smell unexpectedly like roses, and are obviously gifted." He waved a hand at the cidery as he took a shaky breath. "The few times I've made you laugh have made my days, and I hope to succeed at it again. If that will be a problem, let me know. And, Sanna, I give you permission to kiss me whenever you want.
Amy E. Reichert (The Simplicity of Cider)
He gently tugged her panties to the side and, watching her watch him, delivered a kiss that was almost as hot as the big ball of fire raging between them. "God, don't stop," she moaned, and, man of big words, he did not. Using his tongue, his teeth, teasing and tempting, he set a delicious pace that had her pressing against him. Harder and faster, he launched an all-out attack until breathing became nonexistent. He got her body so primed it was humming and, in an embarrassing amount of time, he had her careening toward the finish line. The finish line was good. The finish line was great. She hadn't crossed that line in a really, really, really long time. It almost pained her to stop, but Mila was a team player and determined that, when those champagne bottles exploded, they'd fly high together. "Come here." She fisted her hand in his shirt, yanking him forward and his shirt up and over his head. She made quick work of his belt and jeans, then slid her hands down the front to his--- my word, indeed. "Mi," he breathed, so she did it again, only this time beneath his BVDs. Pushing his jeans around his ankles with one hand, she kept up a steady pace with the other. "Slow down," he groaned, but she noticed he didn't make a move to stop her, instead pushing harder into her palm. "One more stroke, and it's game over, Buttercup. I've waited too long to have it end in three seconds." She gave a little squeeze. "Big words go both ways." Okay, more than a little squeeze, but he didn't seem to mind. His eyes darkened. His expression dazed.
Marina Adair (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
Reth narrowed his eyes and looked from me to the gate and back again. “Don’t even think about it,” I said, suddenly scared. “If you so much as take a step to drag me through, I will drain your soul and send it through the gate in the stars you’re so scared of. And you know you can’t fight me right now.” His lips jutted out petulantly, then he sighed. “I really will miss you, my love. If nothing else you were always entertaining.” I smiled. “I think I might miss you, too. So few things left in this world to terrorize me and look pretty while doing it. Now get out of here and enjoy your eternity.” He glanced calculatingly at the gate once again, and I raised my hand in warning. “I can drain faster than you can run.” He looked torn, then leaned forward and pressed his smooth lips against mine in a whisper of a kiss. I staggered back, putting my fingers to my lips and still feeling his heat there. “Perhaps if I had done that earlier you would be coming with me now.” He smiled at me, that enigmatic faerie smile that I realized with a pang I really would miss, then turned and walked, stooped and unsteady, through the gate. “Good-bye, Reth,” I whispered, letting the wind carry my words through the gate and wondering if he heard them on the other side. Something tight around my heart released as he grew taller and brighter, healed, his features smoothing until they were so much less human than they had ever been. He turned his head ever so briefly in my direction, smiled, and then ran on dancing feet to join the rest of his brothers and sisters.
Kiersten White (Endlessly (Paranormalcy, #3))
And then his mouth was on her, his tongue stroking in long, slow licks, curling almost unbearably at the place where pleasure pooled and strained and begged for release. She cried out, sitting up straight before he lifted his head and pressed one large hand to her soft stomach. "Lie back... let me taste you. Let me show you how good it can be. Watch. Tell me what you like. What you need." And she did, God help her. As he licked and sucked with his perfect tongue and his wicked lips, she whispered her encouragement, learning what she wanted even as she was not sure of the end result. More, Michael.... Her hands slid into his curls, holding him close to her. Michael, again... Her thighs widened, willing and wanton. There, Michael... Michael... He was her world. There was nothing beyond this moment. And then his fingers joined his tongue, and she thought she might die as he pressed more firmly, rubbed more deliberately, giving her everything for which she did not know to ask. Her eyes flew open, his name on a gasp. His tongue moved faster, circling at the place where she needed him, and she moved, all inhibitions gone, lost to the rising, cresting pleasure... wanting nothing more than to know what lay beyond. "Please, don't stop," she whispered. He didn't. With his name on her lips, she threw herself over the edge, rocking against him, pressing to him, begging for more even as he gave it to her with tongue and lips and fingers until she lost awareness of everything but the bold, brilliant pleasure he gave her. As she floated back from her climax, he pressed long lovely kisses to the inside of her thighs until she sighed his name and reached for his soft mahogany curls, wanting nothing more than to lie next to him for an hour... a day... a lifetime. He stilled at her touch as her fingers sifted through his hair, and they remained that way for long moments. She was limp with pleasure, her whole world in the feel of his silken curls in her hands, in the scrape of his beard at the soft skin of her thigh.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
It’s a basic fact of their relationship that Olivia wants sex more often than Patrick does, so she ends up initiating most of the time. But Olivia’s experience of being the target of Patrick’s placebo-powered rampant lust the previous night had given her a powerful insight: It had felt good to be open to sex, without feeling driven to have sex. It had felt good to allow sexual desire to pull her gradually and gently toward sex, rather than feeling like it was pushing her. So as the next step in their experiment, they tried flipping their usual dynamic on its head. They set a “date night” and then didn’t do anything to prepare; they just showed up that night in their usual states of mind—Olivia ready to go, Patrick not disinterested, but not actively interested either. And they made Olivia follow her partner’s lead, while Patrick started to explore what kinds of things he could do to shift himself into active interest. They spent a lot of time “preheating the oven”: kissing and talking and massaging—and, surprisingly, a little adventure, moving from the bedroom to the kitchen to feed each other. When Patrick was in charge with full permission to do whatever occurred to him, they tried new things and played together. They learned a lot about what context worked for Patrick, because he had to create that context, had to ask for what felt right. They learned a surprising thing about Olivia, too: When she stayed still enough to move at Patrick’s pace rather than her own naturally faster pace, the gradual buildup and the sustained arousal and the necessity of holding herself back created a context that wasn’t just as good as the context that worked for her. It was unbelievably better. Olivia emailed me: “One of the rules we set was I had to ask for permission before I had an orgasm. And he did not always say yes when I asked. Um, we’ll be doing that again.” In other words: Creating a great sex-positive context for the lower-desire partner resulted in a context that was mind-blowingly, almost painfully erotic for the higher-desire partner. This chapter is about why and how that works.
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper. By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively. "No, love. I could hurt you." "You won't. Please... Keir..." "Please what?" "I need more." His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'." "I can." She strained against him. "This deep?" he asked, reaching places in her that had never been touched before. She shook at the pleasure of it. "Oh, God. Yes." His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out... "Faster," she said desperately. "No' yet," he whispered. "Please," she begged. His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt." She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses. None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach. "You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
They'd eaten dinner in bed, and Lindsay had accidentally dropped an edamame bean down her towel dress, which he'd needed to fish out. With his mouth, naturally. "Ohhh," she moaned again. Was she trying to kill him? "My dick is hard enough to hammer nails," he said, gritting his teeth. 'I could be a proper handyman now." She didn't seem to hear him. She was too busy moaning as he rubbed her foot, using one of the techniques he'd discovered using Google. This would be the end of him. When she shimmied a little to adjust her position, her towel dress split apart, and fuck, it was a beautiful view. Her skin was so dewy, but her nipples were tight buds... He could be a fairly patient man at times, but this was testing his limits. "That's it," he growled. "I'll do the other foot afterward." "After...?" A moment later, he was on top of her. He slipped his hand down her body, cupping her mound as his middle finger slid inside her. She made some noises that were even better than the ones she'd made earlier, and she certainly squirmed more than she had during the foot massage. He grinned down at her. "How does that feel? Am I hitting the right spot?" "Yeah, that's a good...spot," she said in a strangled voice. He thrust a finger inside her before bending down and bringing the peak of her nipple into his mouth. She jerked beneath him. "What about that spot?" he asked, raising his head. In response, she cupped the back of his head and brought it down to her other breast. He tugged the brownish pink tip into his mouth as he continued to pleasure her between her legs. "Ryan," she moaned, raking her nails over his back. He didn't care about anything but making her feel good right now. He slid down her body and circled his tongue over her clit before feasting on her. "Is that the right spot?" Her inarticulate response was certainly gratifying, and when he looked up, she shoved his head back down. He chuckled. It didn't take long before she was coming apart, bucking against his face, twisting the sheets in her hands. He moved up her body and kissed her slowly, reverently on the lips as he fumbled for a condom. When he finally managed to roll it on, his hands shaking, he positioned his erection at her entrance and pushed inside. Sex was different with her than with other women. Not that sex had been bad for him before, and not that his partners hadn't enjoyed themselves---he always made sure of it. But. This. This was something else entirely. She ran her foot over the back of his leg, and he groaned as he pumped inside her. Her lips were parted, and he needed to kiss them. So, he did. She met him greedily, and that spurred him on. He didn't move faster; rather, he moved deeper. Filling her up, pulling back... again and again... When he stopped kissing her, he watched every little change in her expression, and then her face contorted in the loveliest way, and she cried out.
Jackie Lau (Donut Fall in Love)
Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this. I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.” “Okay.” “Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool. He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.” I leap forward, and quick like a cat I snatch it out of his hand. Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.” “Thanks.” I start to back away from him. The paper is shaking in my hand. “Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--” I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room. How did this even happen? I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity. And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard. Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything. As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes. "Tell me." "Tell you what?" I asked, brain nothing but sparking misfirings right then. He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both. I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head. Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper. "Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me. "Fuck," he growled, his hand crushing into the back of my head as he came down my throat. I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze. "From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his. "I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together. It wasn't a slow, sweet, post-orgasm kiss. It was still wild, hungry, primal. It said we weren't done. "Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now." Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy. I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs. I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women. But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs. He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray. "Yeah, I think not," I said when he looked at me expectantly. I should have known to step away. I really should have. But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
Jessica Gadziala
The ceremony was over faster than Cinderella’s dazed mind could take in. She felt so loved and so lucky, the thing she mostly remembered was the intensity of the cheers when the clergyman declared Cinderella and Friedrich married. It was an explosion of noise, shouts, and bells when Friedrich kissed her, and all of it was happy. Her
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
My leg is sore," he told her, clasping her thighs to settle astride his hips. "I thought you could ride me tonight." Her eyes widened, her lips parting on a stunned breath as his wide palms raised her up, then angled her so he could thrust himself inside. "That's right," he urged, showing her how to accept him in this new position. "Take me in. Take me deep." And she did, obeying him implicitly, following his every demand and direction as he taught her each delicious, sinuous move. Her hair fell forward in a pale circle, framing her face and his as he leaned up to take her lips in a series of wild, rapacious kisses. Surrendering completely, she clung as he surged up into her, driving himself completely deep. She moaned, her body burning like white hot ash, need enslaving her as she fell into a dazed, relentless rhythm. When she tired, he took command, pushing her farther and faster than she imagined she could go until finally she broke on a long, tormented cry. Bliss roared through her, everything she was, given over to the ecstasy of the man and the moment. Collapsing over him, she lay drained and dreamy as he thrust into her with relentless intensity. He took his own release seconds later, his rough shout captured against a pillow.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
of the cup. “Mmmfff!” “Swallow,” he said, clapping a hand tightly across my mouth and ignoring both my frenzied squirming and the muffled sounds of protest I was making. He was a lot stronger than I was, and he didn’t mean to let go. It was swallow or strangle. I swallowed. “Good as new.” Jamie finished polishing the silver ring on his shirttail and held it up, admiring it in the glow of the lantern. “That is somewhat better than can be said of me,” I replied coldly. I lay in a crumpled heap on the deck, which in spite of the placid current, seemed still to be heaving very slightly under me. “You are a grade-A, double-dyed, sadistic fucking bastard, Jamie Fraser!” He bent over me and smoothed the damp hair off my face. “I expect so. If ye feel well enough to call me names, Sassenach, you’ll do. Rest a bit, aye?” He kissed me gently on the forehead and sat back. Excitement over and order restored to the ravaged decks, the other men had gone back to the cabin to restore themselves with the aid of a bottle of applejack that Captain Freeman had contrived to save from the pirates by dropping it into the water barrel. A small cup of this beverage rested on the deck near my head; I was still too queasy to countenance swallowing anything, but the warm, fruity smell was mildly comforting. We were under sail; everyone was eager to get away, as though some danger still lingered over the place of the attack. We were moving faster, now; the usual small cloud of insects that hovered near the lanterns had dispersed, reduced to no more than a few lacewings resting on the beam above, their delicate green bodies casting tiny streaks of shadow. Inside the cabin, there was a small burst of laughter, and an answering growl
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Saintcrow watched her for several minutes, admiring her curvy bottom, the way the moon cast silver highlights in her hair, the sound of her heart as it began to beat fast. All his predatory instincts came to life as he watched her run away from him. Yanking off his boots and socks, he pursued her. She let out a squeal when he grabbed her to the ground, twisting at the last minute so that she landed on top of him. She stared down at him, breathless, a hint of fear in her eyes. He took a deep breath, inhaling the fragrance of her hair and skin, the tempting scent of her blood. Cupping the back of her head, he kissed her. The salty smells of sea and sand clung to her skin. He tasted it on her lips. She moaned softly as he rolled over, tucking her beneath him. She wrapped her arms around him, drawing him closer. And all the while, she made little hungry sounds deep in her throat. Holding her close, he whisked them up into the hills above the bay. Removing his long leather coat, he held her to his chest with one arm while he spread his coat on the ground, then lowered her onto it. With hands that moved faster than her eyes could follow, he removed her clothing and his own, and then he gathered her body to his, his hunger for her blood, his longing for her body, merging in a maelstrom of desire that would not be ignored. She writhed beneath him, as eager as he, her hands roaming over him, now caressing him, now raking her nails across his back, down his chest. With a low growl, he buried himself deep within her, felt her answering cry of pleasure as desire engulfed them.
Amanda Ashley (As Twilight Falls (Morgan Creek, #1))
Lance grinned back. “In the old days, you were faster,” he said as he sheathed his sword. “My grandma has better moves than you.” “Your grandma once raised an army of mummies from the dead in order to overthrow a terrorist military regime.” “Yeah, she’s feisty.
Erica Ridley (Kissed by Magic (Mayhem & Magic #1))
The British Somali poet, Warsan Shire, wrote: no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breathe bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay.
Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
In the dim light of the pizzeria I could see the corners of his blue eyes crinkle. He was leaning back in his chair and ruffling his thick brown hair in that way he had. I had a good idea of what he was going to say…and yet he looked so totally cute and irresistible sitting there in his leather jacket that I was caught between two desires: one to steer him off the course I was pretty sure he was about to set out on, the other to kiss him. As it was, neither of my desires became a reality. Sebastian moved in faster than I did.
Carina Axelsson (Dressed to Kill (Model Under Cover #4))
I’ll miss you so much,” he says, just as the warning bell goes off. He curses under his breath, and I kiss him quickly. “I have to go,” I rush out. Another short kiss. “I’ll see you on Monday.” Then I shrug out of his hold and start running up the steps, the ache in my chest causing the heat behind my eyes. It’s just four days, I keep telling myself. I can do this. With each step up, each inch I move farther from him, the stronger my emotions become. Tears well in my eyes, and I can’t fight them off. And I don’t want to. Shit. I turn quickly, thankful he’s still there watching me. And then I run back to him, faster than I’ve ever run before. I didn’t want him to see me like this, but I can’t let him go without saying goodbye properly. He pushes off his truck when I get near enough, his arms open, and I practically jump into his embrace, my arms around his neck while he wraps his around my waist. Feet off the ground, my legs circle him. “I don’t want you to go,” I mumble into his neck. It’s stupid and petty, and I’m The Worst Girlfriend Ever. “Dammit, Ava, don’t mess with my emotions like that!” I rear back, still holding on to him. “I didn’t want you to know how badly I’ll miss you,” I murmur, unable to control my pout.
Jay McLean (First and Forever (Heartache Duet, #2))
Imagine you and I were eternal— A Goddess and a God capable of miracles, Standing as one at the beginning of time. Every time you kiss me, a world is created. Every time I kiss you, a world vanishes. When we kiss, time stops again. Between two kisses, time continues to flow. You kiss me first, for your breath ruptures with creativity. One kiss, and a universe is brought to life— A perfect world full of beauty and pain. Wait, I whisper—another universe would be one too many. I kiss you back, and the world vanishes. Once again we are all alone, just you and me. It took one cosmic unit of time for you to kiss me And just half of that time, for me to kiss you back. And a half of that half for you to kiss me again. We take infinitely many turns: Who can tell if this game is one of lust or a brawl? Each kiss betides twice faster than the last. When the clock strikes the second cosmic unit of time Who’ll be the winner between the two of us? If you kiss me last, I promise we’ll be dancing through a multiverse If I kiss you last, then everything will fall into oblivion— even this eternal love.
Lidija Stankovikj (Alexander's Infinity)
Imagine you and I were eternal— A Goddess and a God capable of miracles, Standing as one at the beginning of time. Every time you kiss me, a world is created. Every time I kiss you, a world vanishes. When we kiss, time stops again. Between two kisses, time continues to flow. You kiss me first, for your breath ruptures with creativity. One kiss, and a universe is brought to life— A perfect world full of beauty and pain. Wait, I whisper—another universe would be one too many. I kiss you back, and the world vanishes. Once again we are all alone, just you and me. It took one cosmic unit of time for you to kiss me And just half of that time, for me to kiss you back. And a half of that half for you to kiss me again. We take infinitely many turns: Who can tell if this game is one of lust or a brawl? Each kiss betides twice faster than the last. When the clock strikes the second cosmic unit of time Who’ll be the winner between the two of us? If you kiss me last, I promise we’ll be dancing through a multiverse If I kiss you last, then everything will fall into oblivion— even this eternal love.
Lidija Stankovikj (Alexander's Infinity)
You’re not running again,” he growled before pouncing up onto the table. I shrieked, stumbling backwards as he leapt towards me. I threw my shoes at him and they bounced off of his chest making him pause in surprise. He barked a laugh then lunged at me, faster than was humanly possible. He caught my waist and I squealed as he pushed me back against a heavy bookcase which stood along the wall. My hands landed on his shoulders like I was going to push him off of me but I didn’t. “Cheat,” I breathed as my heart pounded. “Only a little,” he admitted. Before I could say anything else, he leaned forward and kissed me. My heart leapt, my skin tingled and my traitorous body gave in to his demand. I was supposed to hate him. I was supposed to be shoving him off of me and slapping him and telling him to stay the hell away from me. I definitely shouldn’t have been pulling him closer, my hands fisting in the material of his shirt, my lips parting to admit his tongue. I could still taste blood from where I’d bitten my lip and he obviously could too, a groan of desire escaping him as I felt a soft tug on my magic from the welt on my lip. Why am I always a sucker for the bad guys? And why does it always feel so good? The heat of his kiss lit me up and I gave up on any thoughts of pushing him away. It wasn’t like I was giving him my heart anyway. Just a kiss... or maybe two... Caleb’s hands slid into my hair and I arched my back, pressing my body against his. His grip tightened in my hair and he dragged my head backwards, breaking our kiss as he moved his mouth down my neck, teasing with the idea of biting me, his fangs flirting with my flesh. My body was alight with his proximity and I moaned, urging him on. I didn’t want this to stop even if I really should have. Caleb withdrew just enough to look into my eyes and the heat I saw in his gaze made my toes curl. “You wanna play another game, sweetheart?” he asked, his voice deep. “What do I get if I win?” I breathed. “I think this game will have two winners,” he promised. My gaze roamed over his face hungrily but then I glanced at the open door. This really wasn’t the best place for us to be making out... or doing anything else either. “I can sort that,” he said, taking one hand off of me and casting magic at the door. A long vine curled across the carpet before pushing the door closed and winding itself around the handle to lock it. An orb of orange light flickered into existence overhead as we were plunged into darkness, casting shadows over his stunning features. He aimed his palm at the ceiling next and I felt a wave of magic wash over me. “Silencing bubble, so we don’t have to hold back,” he explained. I looked into his eyes, wondering if I was really going to do this with him. Heat was curling its way through my body, lighting me up with desire for this beast before me and I decided to act on it before I had the chance to question my decision. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day. But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack. It lasers in on what you perceive your personal shortcomings and failures to already
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Zev nodded. He smiled up at Tatijana as she came to his side. “It’s good to see you,” he greeted her. “Thanks for saving us out there.” She smiled back at him and sank down into the grass, taking his arm to inspect the damage. “It’s getting to be a habit. We can’t have anyone killing you, Zev. My sister wouldn’t be too pleased. She’s hoping to get another dance with you sometime.” “She probably doesn’t remember my name,” Zev said. “But it’s kind of you to say so.” Tatijana laughed. “Silly man. Your name is probably the only one she does remember. She’s not very social.” Fen gave a small derisive snort. “The lengths you go to, getting yourself hurt just for a little female sympathy. You know, Tatijana, he really is far faster than he lets on and he could have prevented the knife from slicing him open. He was just hoping your sister would show up and kiss it all better.” Zev sent him a warning glare. “I’m still armed to the teeth, you bastard.
Christine Feehan (Dark Wolf (Dark, #22))
Narian was once more making preparations for a journey to Cokyri; as official liaison, he frequently traveled between the mother empire and the province. Knowing that the trip was long and arduous I didn’t expect him to come to me that night, and I didn’t bother to light a lantern when I adjourned to my bedroom. Instead, I relied on memory and moonlight to guide me to my dressing table. I unpinned my dark brown hair--it was not yet long enough to tie back, but letting it merely hang was impractical--and reached behind to tug at the laces of my dress. They were difficult to loosen without the aid of my personal maid, Sahdienne, who had been among those servants rehired for the sake of the economy. I sighed in frustration and stood, about to send for her when I felt warm hands rest on my waist from behind. My irritation dispersed as I closed my eyes and tilted my head back against a sturdy chest, breathing in his presence. Narian had come. He swept my hair off my neck, his fingers giving me pleasant chills, then took over what I had been attempting. My dress rustled to the floor, leaving me standing in my chemise, and he sweetly and tenderly kissed my neck and shoulders. He pushed my shift down my arms, his mouth following, and I leaned against him, my legs weak, keenly attuned to every brush of his lips against my flushed skin. My heart beat faster, and I twisted to face him, kissing him deeply, hardly aware that he had begun to walk backward, leading me toward the bed. We fell together upon the mattress, not entirely gracefully, but neither of us thinking about form. He rolled on top of me, his breath quickening along with mine, and it was only when he took hold of my bunched up chemise that my brain snapped into action. I placed my hands on his shoulders and shook my head, and he flopped flat on his back beside me with a groan. After a moment to regain his composure, he propped himself up on his elbow to look down at me, desire still lurking in his mesmerizing eyes. “Alera? Are you…all right?” “Narian, we can’t do this.” I was more than a little shocked at the both of us. His brow furrowed, and he ran a hand through his disheveled hair. He took a breath and opened his mouth, then stopped, apparently unable to decide exactly what he wanted to say. “Why not?” “Because,” I said, pushing myself upright. “We’re not married!
Cayla Kluver (Sacrifice (Legacy, #3))
Michaels heard his name whispered so tenderly from Judge’s mouth. It was as if he was in some kind of euphoric trance. That carnal sound threw him over the edge faster than he could ready himself to fall. Buried balls deep, he ground his pelvis against Judge’s furry ass and jerked spastically; plastered against him as come shot from him, filling the tip of the condom. He purred and moaned Judge’s name while he rode it out. Milking every drop. With his arm still around Judge’s chest, Michaels held him close to him; trying to level out his breathing, but lingering shudders hit him as his cock deflated inside Judge’s warm channel. Michaels kissed the back of Judge’s neck. I’m ruined. He
A.E. Via (Don't Judge (Nothing Special, #4))
Finally our eyes held each other. Don’t kiss him. “I was worried,” he said, slowly pulling himself off the bed frame, leaning forward. His face was so close to mine in the quiet morning. My heart faltered once before catching a new rhythm, faster than before. Sebastian’s dark hair had never looked so careless and my fingers itched to return to the inky strands. His eyes were the softest mossy green, and I was sure that all his usual awkward reserve had melted in this strange dawn. When I realized that his eyes were glued to my lips, I instinctively parted them, sucking in a fast breath. Don’t you dare kiss him, Evelyn. He was so close I could have counted the strands of gold that gleamed in the green of his eyes. I could have shifted forward one breath and his lips would be on mine. I was dizzy, lost in the world that existed here between us.
Tarun Shanker (These Ruthless Deeds (These Vicious Masks, #2))
Maybe there is a way to have it all,” he said, lowering his head to hers. “If you want me, Starfish, we’ll find that way.” “I do,” she said, the sudden prickle of tears surprising her, but it was such a huge rush finally to admit it, to tell him. To tell herself. “But--” “No buts,” he said, kissing the damp from the corner of one eye, then the other. “We’ll sort it out,” he said. “It’s what we do for the people we love.” If she hadn’t already been certain her heart had tipped his way, it was definitely in free fall now. She reached up, stroked his face. “What have I done to deserve you?” she asked, quite serious. “Why me?” “Because you’re made for me,” he replied. “I knew it from the moment I met you.” He leaned in, kissed the side of her jaw. “It’s not about earning or deserving. Everyone deserves to be loved.” He lifted his head, and the intensity of his gaze was matched by the slow slide of his beautiful, cocky, sexy-as-hell grin. “We just have to be smart enough to recognize our perfect match when we find it.” Her smile matched his, her heart bumping hard inside her chest. “Are you calling me a dummy?” “Not at all. I’m just saying that maybe some of us caught on a bit faster than others.” She tried to hook his ankle and roll him to his back but he was on to that move. “Now, now, my little pirate wench, the only one with a hook is me.” He rolled fully on top of her, then, bracing his weight even as he nudged her thighs apart. “My, my,” she teased, her heart full to bursting, “what a big…sword you have.” “All the better to pillage you with,” he murmured, lowering his head again. “I should tell you one more thing,” she whispered, making him lift his head a bit, an eyebrow raised in question. “I’m protected. Makes traveling easier when you know what will be happening when,” she explained. “So if you’re okay with, uh, keeping your sword there unsheathed, I’m okay with--” “Oh, aye, I’m very okay,” he said, eyes gleaming that much more brightly. “Good,” she sighed, then tipped her head back and arched up into him. “Please feel free to pillage away.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
He smoothed a little hair off her forehead. “I’m proud of you.” “It was so awesome.” “See? I knew you’d find something here to sink your teeth into.” He reached down, crossed his arms under her bottom and lifted her straight up so that her face was even with his. “Nowwww, what did we decide?” she asked, but her tone was teasing. Her smile was playful. “We decided that I would not kiss you.” “That’s right.” “I haven’t,” he said. “Maybe we should have talked about this,” she added, but she certainly didn’t struggle. In fact, this seemed oddly right. Celebratory. Like being picked up and swung around after the win of a big game. And that was how she felt—as though she’d just scored a touchdown. Arms resting on his shoulders, she clasped her hands behind his head. “We further decided that if you kissed me, I would let you,” he said. “You’re fishing.” “Does this look like fishing to you?” “Begging?” “Doing exactly as I’ve been told. Waiting.” What the hell, she thought. Absolutely nothing could feel better after the night she’d just spent than to plant a big wet one on this guy—a guy who’d keep his business open all night just in case they needed something. So she laid one on him. She slid her lips over his, opening them, moving over his with wicked and delicious intent, getting her tongue involved. And he did nothing but hold her there, allowing this. “Did you not like that?” she asked. “Oh,” he said. “Am I allowed to respond?” She whacked him softly in the head, making him laugh. She tried it again, and this time it was much more interesting. It made her heart beat faster, made her breathe hard. Yes, she thought. It is okay to feel something that doesn’t hurt sometimes. This wasn’t because she was grief-stricken or needy, this was because she was victorious. And all she could think about at the moment was his delicious mouth. When their mouths came apart, she said, “I feel like a total champ.” “You are,” he said, enjoying her mood more than she would ever guess. “God, you taste good.” “You don’t taste that bad,” she said, laughing. “Put me down now,” she instructed. “No. Do it again.” “Okay, but only one more, then you have to behave.” She planted another one on him, thoroughly enjoying his lips and tongue, the strength of the arms that held her. She refused to worry about whether this was a mistake. She was here, she was happy for once, and his mouth felt as natural to hers as if she’d been kissing him for years. She let the kiss be a little longer and deeper than she thought prudent, and even that made her smile. When it was over, he put her on her feet. “Whew,” she said. “We don’t have nearly enough births in this town.” “We have another one in about six weeks. And if you’re very, very good…” Ah, he thought. That gives me six weeks. He touched the end of her nose. “Nothing wrong with a little kissing, Mel.” “And you won’t get ideas?” He bellowed. “You can make me behave, it turns out. But you can’t keep me from getting ideas.” *
Robyn Carr (Virgin River (Virgin River #1))
I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon.
Jen Turano (Playing the Part (A Class of Their Own, #3))
I only ever had one friend who was a person. His name was Orchid Harm. He could read faster than anyone I ever met and he kissed as fast as reading. He had hair the color of beetroot and eyes the color of mangosteen and he was a Sunslinger like his Papo before him. They caught sunshine in buckets all over Plum Pudding, mixed it with sugar and lorikeet eggs and fermented it into something not even a little bit legal. Orchid had nothing to do all day while the sun dripped down into his stills. He used to strap on a wash-basket full of books and shimmy up onto the roof of the opera house, which is actually a giantess’s skull with moss and tourmalines living all over it, scoot down into the curve of the left eye socket, and read seven books before twilight. No more, no less. He liked anything that came in sevens. I only came in ones, but he liked me anyway.
Catherynne M. Valente (Clarkesworld Magazine, Issue 100, January 2015)
Wait,” Lacey calls. I turn back, filled with hope. Does she want me to stay? We could kick everyone out and go back to what we were doing. I could kiss the girl that I want more than anything or anyone. I could make her mine. I could pour my heart out to her. I could tell her that I love her and always will. “What?” I ask quietly. “Are you coming to my booth?” she asks. “For the results of the contest?” And watch another man kiss her? I don’t think so. “I have a lot of laundry to do,” I say. She inhales quickly and blinks even faster. “Are you going to meet us for dinner after?” she asks, her voice quivering. “Where are you going?” If I go, I’ll have to see her with her lipstick sucked off her face, and I really don’t want to. She picks up a sticky pad and writes something down. I take it from her hand, which is shaking ever so slightly. “Are you all right?” She nods, looking everywhere but at me. “I’ll see you at dinner,” she says. I shove the note into my pocket, not even bothering to look at it. I
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Freshman year, kissing and deep French kissing. Then sophomore year, I’d want to be making out with her. By sixteen we should be having oral sex, and by seventeen or eighteen, full frontal sex. Of course, it could go faster than that, but basically, he said, that was the standard progression. Before I finished high school, I should be having full frontal sex with her.
George Bishop (The Night of the Comet: A Novel)
Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you. Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
They both groaned into that first kiss. Four months and more of longing released in a frantic rush that started out fast and rolled into something more, faster than the gathering storm and threatening to do far more damage. And
S.E. Jakes (Long Time Gone (Hell or High Water, #2))
Eva—Evangeline—had finally broken down the wall he had always felt with her, had opened her heart and told him the truth. She had looked so vulnerable, so desperate and determined . . . and so beautiful. Her lips were plump and red and her eyes sparkling and bright green from the tears swimming in them. Holding her made him feel completely alive. He’d never wanted anything so much in his life as to kiss her. He could not be thinking this way. His mind was churning even faster than his heart was beating.
Melanie Dickerson (The Silent Songbird (Hagenheim #7))
I wanted nothing more than to close all the little gaps that existed between our bodies, to collapse into one being. But then she pulled away and kissed my forehead and started back toward the others. I was too dazed to follow right away, because there was something new happening, a wheel inside my heart I’d never noticed before, and it was spinning so fast it made me dizzy. And the farther away she got, the faster it spun, like there was an invisible cord unreeling from it that stretched between us, and if she went too far it would snap—and kill me. I wondered if this strange, sweet pain was love.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
I’m a MAMA! I’ve got REACTIONS & REFLEXES faster than any speeding bullet! HUGS & KISSES more POWERFUL than any drug! EYES in the back of my head! The amazing ABILITY to find stuff out to protect what I LOVE!And the STRENGTH to carry the weight of the world on my shoulders to keep my children safe from harm!
Tanya Masse
The Deliverator does not know for sure what happens to the driver in such cases, but he has heard some rumors. Most pizza deliveries happen in the evening hours, which Uncle Enzo considers to be his private time. And how would you feel if you bad to interrupt dinner with your family in order to call some obstreperous dork in a Burbclave and grovel for a late fucking pizza? Uncle Enzo has not put in fifty years serving his family and his country so that, at the age when most are playing golf and bobbling their granddaughters, he can get out of the bathtub dripping wet and lie down and kiss the feet of some sixteenyear- old skate punk whose pepperoni was thirty-one minutes in coming. Oh, God. It makes the Deliverator breathe a little shallower just to think of the idea. But he wouldn't drive for CosaNostra Pizza any other way. You know why? Because there's something about having your life on the line. It's like being a kamikaze pilot. Your mind is clear. Other people -- store clerks, burger flippers, software engineers, the whole vocabulary of meaningless jobs that make up Life in America -- other people just rely on plain old competition. Better flip your burgers or debug your subroutines faster and better than your high school classmate two blocks down the strip is flipping or debugging, because we're in competition with those guys, and people notice these things. What a fucking rat race that is. CosaNostra Pizza doesn't have any competition. Competition goes against the Mafia ethic. You don't work harder because you're competing against some identical operation down the street. You work harder because everything is on the line. Your name, your honor, your family, your life. Those burger flippers might have a better life expectancy -- but what kind of life is it anyway, you have to ask yourself. That's why nobody, not even the Nipponese, can move pizzas faster than CosaNostra. The Deliverator is proud to wear the uniform, proud to drive the car, proud to march up the front walks of innumerable Burbclave homes, a grim vision in ninja black, a pizza on his shoulder, red LED digits blazing proud numbers into the night: 12:32 or 15:15 or the occasional 20:43.
Neal Stephenson (Snow Crash)
Don’t be looking at me like that, Lady Rose.” His tone grew rigid, like he was holding himself back. “Like what?” she whispered. “Like you’re wanting me to kiss you.” He moved in closer, and his expression left no doubt that he wanted to. The words made her heart beat faster, and she tried to calm herself. “We’re only friends,” she reminded him. “So we are. It doesn’t mean that I’m dead.” His pirate smile returned, and she did pull away this time. “Behave yourself.” She rested her hands upon his chest to keep him at arm’s length. “Is that what you want?” He reached out and covered her hands with his own. Her eyes locked with his, and she was conscious of his roughened hands against her gloved ones. She ought to pull away, but she couldn’t bring herself to do so. “O-of course.” Lord Ashton slid his hand into her hair, drawing it down the edge of her cheek. His touch burned through her skin in a path of heat. She felt the echo of sensation coursing through her, and she couldn’t have moved away if she’d wanted to. His green eyes held hers captive, and she was intently conscious of his touch. “Please don’t do this,” she whispered, while he was staring at her. He let his hand linger upon her chin, sliding it down her throat to her shoulder. A thousand shivers broke over her skin, and she felt herself bloom with arousal. She imagined this man kissing her again, and the very thought made her self-conscious. They had an agreement to help one another, and that was all. She shouldn’t dream of letting down the boundaries between them. “You’re worth more than six letters,” he said quietly. “I hope you know that.” And
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
One more thing,” Arobynn said. It was an effort to lift a brow as he came close enough to kiss her, embrace her. But he just took her hand in his, his thumb caressing her palm. “I’m going to enjoy having you back,” he purred. Then, faster than she could react, he slid the Wyrdstone ring onto her finger.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
...Her heart was racing faster than an Enzo Ferrari, and her hands became icy cold and trembling. She went wild. Her senses varnished. Suddenly her purse dropped onto the floor, but neither one of them looked away to the ground beneath their feet. Their faces attracted each other until they could feel their breaths upon each other. His hands started moving towards her without him noticing—but Chioma noticed. He moved his hands over her hips, and she slipped hers around his huge biceps. She was no longer shy.
Nick Nwaogu (The Almost Kiss)
Her kiss shut me down faster than a sustained ruling on an objection.
Nikki Sloane (Three Sweet Nothings (Blindfold Club, #5))
I should be dead. But I’m not human, am I?” She swiped a tear of frustration off her face. “Whatever I am makes me stronger, faster, and scary as hell when fighting. I changed, scaled the top of a moving truck, and fought a guy shooting a gun at me.” She ran her hand across her face to wipe away the tears. “I’m a mess. The mud in that ravine got in all the cracks, even my underwear. But the injuries are already almost gone, and somehow, I know all this will heal. Based on you being all pissy, I assume your meeting didn’t go well.” “It took an unanticipated turn.” His tone was odd as he continued to stare at her. “What exactly do you do that involves secrecy and the Crown?” “I can’t tell you.” Something about how he looked at her was different. Her skin tingled like it had before she’d shifted. Survival instinct flared. “Did they order you to…kill me?” It came out of her on a fatigued exhale. Her shoulders drooped. His face remained remote as if trying to wall off emotion. He neither confirmed nor denied, which might as well have been a screaming affirmative. She dropped her chin. He said nothing, so she looked up. He stared intently at her, making her almost shrink in place under the gaze of those thunderous eyes. “Is this when you tell me to leave again?” she asked. “Would you go?” “If they ordered you to kill me, wouldn’t you be forced to come after me? To hunt me down? So, what’s the point in me running unless you like the hunt?” He pushed his hand through his dark hair and stepped away from her. Frustration oozed from him. Seeing him start to lose some of his composure made him less threatening. He wasn’t the robot assassin. She wanted to run her fingers through his thick hair and down his scruff-roughened chiseled jawline to soothe him. Would her touch, if done in comfort, affect him the way she suspected his touch would destroy her? From the way he simply stared at her, she guessed yes. The silence was killing her. “What’s going on here?” “No idea.” He muttered something under his breath that she couldn’t make out. He stepped toward her and slid a finger under her chin to tilt her face upward. Their eyes met and held. “I’m sorry someone hurt you. That you had to fight for your life and went through a windshield.” In a whisper, he added, “I should’ve been there.” The grit in his voice, the despair, as if he’d let her down, packed one hell of a punch. What was she supposed to do with that? Oh dear…God. His hold on her face, how his thumb gently stroked over the skin on her jaw… How he moved in so she could feel the hard surfaces of his body, the concrete chest and abs… All of it swirled together, turning her mind to mush, which was bad when she needed to remain alert. Death… her death was on the line. But she was about to make a very bad decision to let him do whatever the hell he wanted after that declaration. “I made a promise to erase Dom’s kiss. To make you forget. I never go back on my promises.” Like his promise to help her get answers? He didn’t lower his head, but stood there, hesitant. “You’re too hurt right now.” “Oh, for heaven’s sake.” She slid her good hand up his shoulders and neck. His muscles twitched under her touch, and his chest rose and fell more rapidly. Feeling how much just her hand on him affected him encouraged her to continue. Cradling the back of his head, she pressed her body into his. As she pulled him toward her mouth, his incredible size and power registered but didn’t intimidate. Didn’t scare her. Her mouth touched his. Warmth on warmth. Once… Twice… Three times. His lips were a lot softer than they appeared. The roughness of his facial scruff scratched her skin.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Our culture today is obsessively focused on unrealistically positive expectations. Be Happier. Be Healthier. Be the Best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then, fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that's likely to save the planet one day. But when you stop and really think about it, conventional life advice - all the positive and happy self-help stuff we hear all the time- is actually fixating on what you lack. This fixation on the positive - on what's better, what's superior - only serves to remind us over and over again of what we are not, of what we lack, of what we should have been but failed to be.
Manson Mark
When David heard that I needed a stage name, he started with A and worked his way through the alphabet, ripping off names faster than I thought anyone could think and speak at the same time. When he got to W and said, “Wilder,” the bell went off . . . Thornton Wilder . . . Our Town. I wanted to be “Wilder.
Gene Wilder (Kiss Me Like a Stranger: My Search for Love and Art)
Our culture today is obsessively focused on unrealistically positive expectations: Be Happier. Be Healthier. Be the Best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied and more admired Be perfect and amazing and crap out twelve-karat-golf nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that's likely to save the planet one day. But when you stop and really think about it, conventional life advice-all the positive and happy self-help stuff we hear all the time - is actually fixating on what you lack. This fixation on the positive-on what's better, what's superior- only serves to remind us over and over again of what we are not, of what we lack, of what we should have been but failed to be.
Manson Mark (The Subtle Art Of Not Giving A F*ck (Gujarati))
She and Doroshenko had been together for close to a year by then, and she still hadn’t let him do anything more than kiss her. He wasn’t confusing love and sexuality. He knew they were opposite ends of a stick—but the same stick. It wasn’t like he wanted to have sex with her. Well, he did. But he would have been satisfied with foreplay. Feeling a breast, say, or slipping a hand down her pants. Even better, her slipping a hand down his pants. But they participated in none of that. She wasn’t shy. Zina was anything but shy. She was simply prudish. And hypocritical. Hence the reason he finally decided to end their relationship. He’d taken her aside one day at UPI and told her it would be best if they took a break from seeing each other. The surprise on her face had been satisfying. She’d cried and pleaded for him to reconsider. He almost did. However, he’d had a plan. He’d let her stew on her own for a couple of weeks. Only then, after she realized how much he meant to her, how much she needed him, would he take her back—for which she would be so grateful she would most certainly loosen up. Only Zina got over him much faster than he anticipated. In fact, she bounced back to her cheerful self within a few days. She didn’t seem to miss him at all; at least she didn’t show this.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay.
Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
The British Somali poet, Warsan Shire, wrote: no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay.
Abhijit V. Banerjee (Good Economics for Hard Times: Better Answers to Our Biggest Problems)
Another example of a wasted wish--though still better than a sloppy kiss. The problem with world peace was that it never lasted. Yes, if you wished for it and your wish was chosen, the Granters would make it happen, but for a fleeting moment only, and then the world went back to its usual routine. The last time that particular wish was granted it lasted for all of forty heartbeats (and fairy heartbeats at that, which are considerably faster). Less than a minute with no war, no bloodshed, no beating or bullying. Nobody really noticed.
John David Anderson (Granted)
I’ve found your weakness,” he said. “I just have to taunt you with knowledge you don’t have, and you’re distracted immediately.” I considered that. “I guess you’re allowed to know one of my weaknesses…considering you have so many to exploit.” He raised his eyebrows in question, and I attacked him with my fingers, jabbing his left side just under his elbow, his right side just above his hip, the tendon behind his right leg. I had learned these soft places when we were training--places he didn’t protect well enough, or that made him cringe harder than usual when struck--but I teased him now with more gentleness than I had thought myself capable of, drawing from him laughs instead of cringes. He pulled me on top of him, holding me by the hips. A few of his fingers slipped under the waistband of my pants, and it was a kind of agony I was unfamiliar with, a kind I didn’t mind at all. I braced myself on the blanket, on either side of his head, and lowered myself slowly to kiss him. We hadn’t kissed more than a few times, and I had never kissed anyone but him, so each time was still a discovery. This time I found the edge of teeth, skimming, and the tip of a tongue; I found the slide of a knee between mine, and the weight of a hand at the back of my neck, urging me closer, further, faster. I didn’t breathe, didn’t want to take the time, and so I ended up gasping against the side of his neck before long, making him laugh. “I’ll take that as a good sign,” he said. “Don’t get cocky, Kereseth.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
We hadn’t kissed more than a few times, and I had never kissed anyone but him, so each time was still a discovery. This time I found the edge of teeth, skimming, and the tip of a tongue; I found the slide of a knee between mine, and the weight of a hand at the back of my neck, urging me closer, further, faster. I didn’t breathe, didn’t want to take the time, and so I ended up gasping against the side of his neck before long, making him laugh. “I’ll take that as a good sign,” he said. “Don’t get cocky, Kereseth.” I couldn’t keep myself from smiling. Lazmet--and whatever questions I had about my parentage--didn’t feel as close to me now. I was safe here, floating on a ship in the middle of nowhere, with Akos Kereseth.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Truth About Love" I apologize for not being Gandhi or Tom            the mailman who is always kind. He makes his way every day no matter            the mood of the sky with our words in a sack and Gandhi made the English            give India back without taking a gun for a wife. My contribution            to the common good is playing with the alphabet in a little room            while the world goes foraging for food. I’m a better poet than man            and it’s well known how little my verbs are worth. I am my only subject,            being the god of my horizons. What saves me is that just beyond my skin            the world of yours is where I’d rather live. The AMA says you’ve added            seven point six years to my life. In a phrase, love is a transfer of wealth.            This is why Adam Smith gave up romantic verse. In trying to say what can’t            be said I’ll take the Dragnet approach. Just the facts. I’d be dead            sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more          clearly defined. To make amends I offer ten percent more kisses each year.            Or do I do more harm the closer we become? If yes, leaving would be love            and a better man might. But my thrills are selfishly domestic. I like sweeping words            into piles and whispering good night. Bob Hicok, Insomnia Diary. (University of Pittsburgh Press. 2004)
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
Bye, Maggie.’ I pulled his hand from my hair and kissed his palm. I couldn't bear to look at his face. ‘Sorry,’ I whispered. Then I spun and raced for the car. The door on the passenger side was open and waiting. I threw my backpack over the headrest and slid in, slamming the door behind me. ‘Take care of Mr. Anderson!’ I turned to shout out the window, but Marcel was nowhere in sight. As Olivia stomped on the gas and with the tires screeching like human screams-spun us around to face the road, I caught sight of a shred of white near the edge of the trees. A piece of a shoe. HATE- WE MADE OUR FLIGHT WITH SECONDS TO SPARE, AND THEN the true torture began. The plane sat idle on the tarmac while the flight attendants strolling-so casually- up and down the aisle, patting the bags in the overhead compartments to make sure everything fit. The pilots leaned out of the cockpit, chatting with them as they passed. Olivia's hand was hard on my shoulder, holding me in my seat while I bounced anxiously up and down. ‘It's faster than running,’ she reminded me in a muffled voice. I just nodded in time with my bouncing.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Lara's gaze met his. His dark eyes gleamed with amusement. Her breath caught as she accidentally touched the hard surface of his midriff, his heat filtering through the thin linen shirt. She snatched her hand back at once. "Excuse me, I-" "No." He caught her wrist swiftly, enclosing it in a gentle grip. They stared at each other, frozen in a quiet tableau. Hunter exerted only a light tension on her wrist. It would be so easy for him to pull her forward, bring her tumbling into his lap, but he held still. It seemed as if he were waiting for something, his expression arrested, his chest rising and falling in a rhythm much faster than normal. Lara sensed that if she took one step toward him, he would pull her into his arms... Her nerves clamored with excited alarm at the prospect. She looked at his mouth, remembered the warmth and taste of him... Yes, she wanted him to kiss her... but before she could move her leaden feet, Hunter released her with a crooked smile.
Lisa Kleypas (Stranger in My Arms)