Fashionable Dog Quotes

There is one other reason for dressing well, namely that dogs respect it, and will not attack you in good clothes.

Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.

Why is it that everyone else can look like they’re part of a zombie hunting party, but I still have to worry about fashion?” He won’t stop snickering. “You look like a leopard-spotted Shar-Pei.” I think those are the little pug-like dogs drowning in massive folds of skin. “You’re scarring me, you know. It could haunt me for the rest of my life to be called a wrinkly little dog at the tender age of seventeen.” “Yup. A sensitive girl. That just defines you, Penryn.

Your friends are all the dullest dogs I know. They are not beautiful: they are only decorated. They are not clean: they are only shaved and starched. They are not dignified: they are only fashionably dressed. They are not educated: they are only college passmen. They are not religious: they are only pewrenters. They are not moral: they are only conventional. They are not virtuous: they are only cowardly. They are not even vicious: they are only “frail.” They are not artistic: they are only lascivious. They are not prosperous: they are only rich. They are not loyal, they are only servile; not dutiful, only sheepish; not public spirited, only patriotic; not courageous, only quarrelsome; not determined, only obstinate; not masterful, only domineering; not self-controlled, only obtuse; not self-respecting, only vain; not kind, only sentimental; not social, only gregarious; not considerate, only polite; not intelligent, only opinionated; not progressive, only factious; not imaginative, only superstitious; not just, only vindictive; not generous, only propitiatory; not disciplined, only cowed; and not truthful at all: liars every one of them, to the very backbone of their souls.

Hermes's eyes twinkled. "Martha, may I have the first package, please?" Martha opened her mouth ... and kept opening it until it was as wide as my arm. She belched out a stainless steel canister-an old-fashioned lunch box thermos with a black plastic top. The sides of the thermos were enameled with red and yellow Ancient Greek scenes-a hero killing a lion; a hero lifting up Cerberus, the three-headed dog. "That's Hercules," I said. "But how-" "Never question a gift," Hermes chided. "This is a collector's item from Hercules Busts Heads. The first season." "Hercules Busts Heads?" "Great show." Hermes sighed. "Back before Hephaestus-TV was all reality programming. Of course, the thermos would be worth much more if I had the whole lunch box-

If you stick to something doggedly, you are off to a bad start.

You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents - each man to see what the other looked like.

It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.

First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.

In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear.

In front of her, Samuel Rain's spectacles shimmered, and she belatedly realized they weren't old-fashioned at all, but tools to allow him to see to a microcellular level. "Imbeciles." The engineer shut the interface panel, nodded at Vasic to close the protective carapace. "Stealing my work and thinking they know what to do with it. Like monkeys deciding to program a computronic system." "Can you fix it?" Vasic asked. "No, I'm brain damaged." With that, he put away the tool, snapped the toolbox shut, and hefted it. "Come back tomorrow." Ivy stared after the engineer, hope a tight, hard knot in her chest. "He's either mad or brilliant." "There's often only a razor-thin line between the two." "And" - Rain called over his shoulder - "bring the dog!

The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.

When bad news is riding high and despair in fashion, when loud mouths and corruption seem to own center stage, when some keep crying that the country is going to the dogs, remember it’s always been going to the dogs in the eyes of some, and that 90 percent, or more, of the people are good people, generous-hearted, law-abiding, good citizens who get to work on time, do a good job, love their country, pay their taxes, care about their neighbors, care about their children’s education, and believe, rightly, as you do, in the ideals upon which our way of life is founded.

The ten billion animals that are killed every year for meat and the virulent consequences of contemporary animal agricultural practices remain conspicuously absent from public discourse. How often have you seen media exposés on the violent treatment of farm animals and the corrupt practices of carnistic industry? Compare this with the amount of coverage afforded fluctuating gas prices or Hollywood fashion blunders. Most of us are more outraged over having to pay five cents more for a gallon of gas than over the fact that billions of animals, millions of humans, and the entire ecosystem are systematically exploited by an industry that profits from such gratuitous violence. And most of us know more about what the stars wore to the Oscars than we do about the animals we eat.

I have heard people say that men and the Fae are as different as dogs and wolves. While this is an easy analogy, it is far from true. Wolves and dogs are only separated by a minor shade of blood. Both howl at night. If beaten, both will bite. No. Our people and theirs are as different as water and alcohol. In equal glasses they look the same. Both liquid. Both clear. Both wet, after a fashion. But one will burn, the other will not. This has nothing to do with temperament or timing. These two things are profoundly, fundamentally not the same. The same is true with humans and the Fae. We forget it at our peril.

FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

it grinned the foolish and charmingly witless grin of all dogs who had ever ridden shotgun in such a fashion. In

Seen on her own, the woman was not so remarkable. Tall, angular, aquiline features, with the close-cropped hair which was fashionably called an Eton crop, he seemed to remember, in his mother's day, and about her person the stamp of that particular generation. She would be in her middle sixties, he supposed, the masculine shirt with collar and tie, sports jacket, grey tweed skirt coming to mid-calf. Grey stockings and laced black shoes. He had seen the type on golf courses and at dog shows - invariably showing not sporting breeds but pugs - and if you came across them at a party in somebody's house they were quicker on the draw with a cigarette lighter than he was himself, a mere male, with pocket matches. The general belief that they kept house with a more feminine, fluffy companion was not always true. Frequently they boasted, and adored, a golfing husband. ("Don't Look Now")

We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously, that only we fashion supplication into courtesy, that only we hear the whiny pathos in a dog's yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum's scream; that only we feel the panic at sunset the rookie kindergartener feels on his mother's retreating. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd and stop not to dwell on what's brought the crowd into being. That we are, always, faces in a crowd.

THERE IS ONE MORE POINT to be made about animal minds and evolution. Evolution is not a progressive force. Although it was once thought that there was a scale of nature or a Great Chain of Being, with all the forms of life ascending in some orderly, preordained fashion—from jellyfish to fish to birds to dogs and cats to us—this is not the case. We are not the culmination of all these “lesser” beings; they are not lesser and we are not the pinnacle of evolution.

leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

The little man behind that desk was the joke candidate of election years, best remembered for his trademark yellow bowtie. In Riker's fashion philosophy, bows should be reserved to the pigtails of little girls or the collars of tiny dogs hatched from peanut shells.

This man had saved his life, which was something; but, further, he was the ideal master. Other men saw to the welfare of their dogs from a sense of duty and business expediency; he saw to the welfare of his as if they were his own children, because he could not help it. And he saw further. He never forgot a kindly greeting or a cheering word, and to sit down for a long talk with them ("gas" he called it) was as much his delight as theirs. He had a way of taking Buck's head roughly between his hands, and resting his own head upon Buck's, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would reverently exclaim, "God! you can all but speak!" Buck had a trick of love expression that was akin to hurt. He would often seize Thornton's hand in his mouth and close so fiercely that the flesh bore the impress of his teeth for some time afterward. And as Buck understood the oaths to be love words, so the man understood this feigned bite for a caress.

Thereafter were the stars persuaded to depict compasses and quadrants, stripped of their names, given numbers, all but regimented into a grid, before they had had enough and reverted to their old subjects: dogs, dragons, herdsmen, bears. Take heed, worldly fashion—someone may trust you up to a point, but if you push him too far you will lose all the power you ever had over him and he will blaze up and turn into a bear.

One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.

The hangover of regret comes hard and fast. The anger floods out. It wasn’t just memories Z protected me from. It was always myself. Always the overcompensating pride of a street dog who can’t bear to be laughed at, so he buys nice suits, drains his account on fashionable flats, yaps at monsters, gambles with people who can afford to lose.

These cages, which in their naked state are indistinguishable from something you trap wild dogs in, have a sensible use. Without one, you won't be able to walk.

Turnoffs: the word conflate and women who think a small dog in a purse is a fashion accessory.

Tolkien believed doggedly in the old-fashioned notion that the purpose of philology was to read literature and that literature couldn’t be properly studied without philology.

When we get out of here, we will celebrate with corn dogs, sloppy joes, and snow cones. I want to bathe in the blood of our enemies and fashion their skulls into battle drums. Are you with me?

Every man has a weakness. Every dog has its day. Those two truths collided in spectacular fashion the second I learned that Brenna James – my one true weakness – is in desperate need of great sex.

Writer Camille Paglia offers a refreshing exception to this disparagement of men, as pointed out by Christina Hoff Sommers: For Paglia, male aggressiveness and competitiveness are animating principles of creativity: “Masculinity is aggressive, unstable, and combustible. It is also the most creative cultural force in history.” Speaking of the “fashionable disdain for ‘patriarchal society’ to which nothing good is ever attributed,” she writes, “But it is the patriarchal society that has freed me as a woman. It is capitalism that has given me the leisure to sit at this desk writing this book. Let us stop being small-minded about men and freely acknowledge what treasures their obsessiveness has poured into culture.” “Men,” writes Paglia, “created the world we live in and the luxuries we enjoy”: “When I cross the George Washington Bridge or any of America’s great bridges, I think—men have done this. Construction is a sublime male poetry.”1 Our society has become the angry leered-at woman who doesn’t care that men can build buildings or do amazing things like be good dads, husbands and sons. She focuses instead on the small flaws that some men have and extrapolates to all men; they are all dogs, rapists, perverts, deadbeats and worthless. Who needs them? We

You open your eyes and you know the person lying next to you is your spouse because of your past experiences together. You hear barking outside your door, and you know it’s your dog wanting to go out. There’s a pain in your back, and you remember it’s the same pain you felt yesterday. You associate your outer, familiar world with who you think you are, by remembering yourself in this dimension, this particular time and space. Our Routines: Plugging into Our Past Self What do most of us do each morning after we’ve been plugged into our reality by these sensory reminders of who we are, where we are, and so forth? Well, we remain plugged into this past self by following a highly routine, unconscious set of automatic behaviors. For example, you probably wake up on the same side of the bed, slip into your robe the same way as always, look into the mirror to remember who you are, and shower following an automatic routine. Then you groom yourself to look like everyone expects you to look, and brush your teeth in your usual memorized fashion. You drink coffee out of your favorite mug and eat your customary

He had pursued his strikingly beautiful, spirited, fashionable wife for years and years before marrying her in mid-Channel aboard a man-of-war: for so many years indeed that he had become a confirmed bachelor at last, too old a dog to give up his tricks of smoking tobacco in bed, playing his 'cello at odd untimely moments, dissecting anything that interested him, even in the drawing-room; too old to be taught to shave regularly, to change his linen, or to wash when he did not feel the need - an impossible husband. He was not house-trained; and although he made earnest attempts at the beginning of their marriage he soon perceived that in time the strain must damage their relationship, all the more so since Diana was as intransigent as himself and far more apt to fly into a passion about such things as a pancreas in the drawer of the bedside table or orange marmalade ground into the Aubusson.

I once compiled a list of events that frightened her, and it was quite comprehensive: very loud snoring; low-flying aircraft; church bells; fire engines; trains; buses and lorries; thunder; shouting; large cars; most medium-sized cars; noisy small cars; burglar alarms; fireworks, especially crackers; loud radios; barking dogs; whinnying horses; nearby silent horses; cows in general; megaphones; sheep; corks coming out of sparkling wine bottles; motorcycles, even very small ones; balloons being popped; vacuum cleaners (not being used by her); things being dropped; dinner gongs; parrot houses; whoopee cushions; chiming doorbells; hammering; bombs; hooters; old-fashioned alarm clocks; pneumatic drills; and hairdryers (even those used by her).

In the end, neither fretting nor bravado could distract him any longer from the thought that he was fatherless. He and his father had in their jocular, gingerly fashion loved each other, but now that his father was dead, Joe felt only regret. It was not just the usual regret over things left unsaid, thanks unexpressed and apologies withheld. Joe did not yet regret the lost future opportunities for expatiation on favorite shared subjects, such as film directors (they revered Buster Keaton) or breeds of dogs.

I don't know why it is, but the present generation has a marvelous way of skimming around any kind of work with their hands, They'll work their brains till they haven't got any more backbone than a caterpillar, but as for manual labor, it's old-timey and out of fashion.

God Will, I wish you'd stop telling me what to do. What if I like watching television? What if I don't want to do much else other than read a book?" My voice had become shrill. "What if I'm tired when I get home? What if I don't need to fill my days with activity?" "Bur one day you might wish you had", he said quietly. "Do you know what I would do if I were you?" I put down my peeler. "I suspect you're going to tell me." "Yes. And I'm completely unembarrassed about telling you. I'd be doing night school. I'd be training as a seamstress or a fashion designer or whatever it is that taps into what you really love." He gestured at my minidress, a Sixties-inspired Pucci-type dress, made with the fabric that had once been a pair of Grandad's curtains. The first time Dad had seen it he had pointed at me and yelled, "Hey, Lou, pull yourself together!" It had taken him a full five minutes to stop laughing. "I'd be finding out what I could do that didn't cost much - keep-fit classes, swimming, volunteering, whatever. I'd be teaching myself music or going for long walks with somebody else's dog, or -" "Okay, okay, I get the message," I said, irritably. "But I'm not you, Will." "Luckily for you.

On Growing Old Be with me, Beauty, for the fire is dying; My dog and I are old, too old for roving. Man, whose young passion sets the spindrift flying, Is soon too lame to march, too cold for loving. I take the book and gather to the fire, Turning old yellow leaves; minute by minute The clock ticks to my heart. A withered wire, Moves a thin ghost of music in the spinet. I cannot sail your seas, I cannot wander Your cornland, nor your hill-land, nor your valleys Ever again, nor share the battle yonder Where the young knight the broken squadron rallies. Only stay quiet while my mind remembers The beauty of fire from the beauty of embers. Beauty, have pity! for the strong have power, The rich their wealth, the beautiful their grace, Summer of man its sunlight and its flower. Spring-time of man, all April in a face. Only, as in the jostling in the Strand, Where the mob thrusts, or loiters, or is loud, The beggar with the saucer in his hand Asks only a penny from the passing crowd, So, from this glittering world with all its fashion, Its fire, and play of men, its stir, its march, Let me have wisdom, Beauty, wisdom and passion, Bread to the soul, rain when the summers parch. Give me but these, and though the darkness close Even the night will blossom as the rose.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

The new home fashion will be spare. This will be the return of an old WASP style: the good, frayed carpet; dogs that look like dogs and not a hairdo in a teacup, as miniature dogs back from the canine boutique do now. A friend, noting what has and will continue to happen with car sales, said America will look like Havana—old cars and faded grandeur. It won't. It will look like 1970, only without the bell-bottoms and excessive hirsuteness. More families will have to live together. More people will drink more regularly. Secret smoking will make a comeback as part of a return to simple pleasures. People will slow down. Mainstream religion will come back. Walker Percy again: Bland affluence breeds fundamentalism. Bland affluence is over.

And this is the marvel of marvels, that he called me Beloved, me who am but as a dog—” “Eh? What’s that?” said one of the Dogs. “Sir,” said Emeth. “It is but a fashion of speech which we have in Calormen.” “Well, I can’t say it’s one I like very much,” said the Dog. “He doesn’t mean any harm,” said an older Dog. “After all, we call our puppies Boys when they don’t behave properly.” “So we do,” said the first Dog. “Or girls.” “S-s-sh!” said the Old Dog. “That’s not a nice word to use. Remember where you are.

{On the death of Hale's esteemed friend and fellow scientist, Luther Burbank. Burbank was much beloved by the population unil in an interview he revealed that he was an atheist. After this, the public turned on him and sent him thousands of letters with death threats. This upset the kind-hearted Burbank, who tried to amiably reply to each letter, so much that it ultimately led to his death} . . . he was misled into believing that logic, kindliness, and reason could convince and help the bigoted. He fell sick. The sickness was fated to be his last. What killed Luther Burbank, at just that time and in just that abrupt and tragic fashion, was his baffled, yearning, desperate effort to make people understand. His desire to help them, to clarify their minds, and to induce them to substitute fact for hysteria drove him beyond his strength. He grew suddenly old attempting to make reasonable a people which had been unreasonable through twenty stiff-necked generations. . . He died, not a martyr to truth, but a victim of the fatuity of blasting dogged falsehood.

That something I cannot yet define completely but the feeling comes when you write well and truly of something and know impersonally you have written in that way and those who are paid to read it and report on it do not like the subject so they say it is all a fake, yet you know its value absolutely; or when you do something which people do not consider a serious occupation and yet you know, truly, that it is as important and has always been as important as all th things that are in fashion, and when, on the sea, you are alone with it and know that this Gulf Stream you are living with, knowing, learning about, and loving, has moved, as it moves, since before man and that it has gone by the shoreline of that long, beautiful, unhappy island since before Columbus sighted it and that the things you find out about it, and those that have always lived in it are permanent and of value because that stream will flow, as it has flowed, after the Indians, after the Spaniards, after the British, after the Americans and after all the Cubans and all the systems of governments, the richness, the poverty, the martyrdom, the sacrifice and the venality and the cruelty are all gone as the high-piled scow of garbage, bright-colored, white-flecked, ill-smelling, now tilted on its side, spills off its load into the blue water, turning it a pale green to a depth of four or five fathoms as the load spreads across the surface, the sinkable part going down and the flotsam of palm fronds, corks, bottles, and used electric light globes, seasoned with an occasional condom or a deep floating corset, the torn leaves of a student's exercise book, a well-inflated dog, the occasional rat, the no-longer-distinguished cat; well shepherded by the boats of the garbage pickers who pluck their prizes with long poles, as interested, as intelligent, and as accurate as historians; they have the viewpoint; the stream, with no visible flow, takes five loads of this a day when things are going well in La Habana and in ten miles along the coast it is as clear and blue and unimpressed as it was ever before the tug hauled out the scow; and the palm fronds of our victories, the worn light bulbs of our discoveries and the empty condoms of our great loves float with no significance against one single, lasting thing - the stream.

And there it is, proof if proof were needed, that though God may mould the clay and fashion some of us hale, some strong, some beautiful, inside we make ourselves, from foolish things, breakable, fragile things: the thorns, that dog, the hope that Katherine might make me better than I am. Even Rike’s blunt wants were born of losses he probably remembered only in dreams. All of us fractured, awkward collages of experience wrapped tight to present a defensible face to the world. And what makes us human is that sometimes we snap. And in that moment of release we’re closer to gods than we know.

We circled around and came in from the northwest.” I lifted my wrist to show him the compass on my watch band, although I hoped that, being the pilot, he knew we’d approached from the northwest. “I was looking out the window. I saw a woman running down the street. There was a pack of dogs after her and a guy with a switchblade down the street in the direction she was running.” “Ma’am,” he said, still very patiently. I reached out and took a fistful of his shirt. Actually, at the last moment, I grabbed the air in front of his shirt. I didn’t think security could throw me out of the airport for grabbing air in a threatening fashion, not even in this post-9/11 age. “Don’t ma’am me . . .

It’s the people whom she now belongs to, the family who’ve encircled her so completely. And it’s the person she discovered she was, underneath all the neat piles and careful planning. She was never really that person. She made herself into that person to counterbalance her mother’s inconsistencies. To fit in at school. To fit in with a group of friends whose values she never really shared, not really, not deep down inside. There is more to her than arm’s-length friendships and stupidly proscriptive Tinder requirements. She is the product of better people than her fantasy birth parents, the graphic designer and the fashion PR with the sports car and the tiny dogs. How unimaginative she’d been.

Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. "I am taking Doofus for another walk," I said clearly,daring him to defy me. "That would not be good for Doofus." Josh folded his arms. "Mom,that would not be good for Doofus." Oh! Dragging Mom into this was low.Not to mention Doofus. "Since when is going for a walk not good for a dog?" I challenged Josh. "He's an old dog," Josh protested. "He's four!" I pointed out. "That's twenty-eight in dog years! He's practically thirty!" "Strike!" Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. "I'm not stupid, you know.And I'm not as out of it as you assume. I know the two of you are really arguing about something else.It's those jeans again, isn't it?" She nodded to me. "I should cut them in half and give each of you a leg.Why does either of you want to wear jeans with 'boy toy' written across the seat anyway?" "I thought that was the fashion." Josh said. "Grandma wears a pair of sweatpants with 'hot mama' written across the ass." "That is different," Mom hissed. "She wears them around the kitchen." I sniffed indignantly. "I said," I announced, "I am goig for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that,well! What is this world coming to? Come along, dear Doofus." I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around "our fair community," Mom and Josh both had lost interest and turned back to the TV. Or so I thought.But just as I was about to step outside,hosh appeared in the doorway between the kitchen and the mud room. "What the hell are you doing" he demanded. I said self-righteously, "I am taking my loyal canine for a w-" "You're going to Nick's,aren't you?" he whispered. "Do you think that's a good idea? I heard you yelled at him for no reason at the half-pipe,right before he busted ass.

When Alice was young, she had no idea what a jag even was. In those early days of their love affair, Alice found Ted’s rogue demeanor attractive. He was a Snow. But he was a rebel. He stood up to his stern father, and no one in the Snow family did that. The Snows were all too afraid of losing their entitlements. Ted had a relaxed swagger in his walk. Alice loved his confidence, the fashion of his easy laughter. She had no idea, not even a suspicion, that it was drink that fueled his swagger as well as his gumption. He was almost always drunk. But she was a teenager and a dreamer, and she loved his seeming fearlessness. He was handsome as well, with soft eyes that had a happy mischief to them. His thick, curly hair bounced as he swaggered. He was a picture. She thought he was hardy and strong, but it was the heat of the alcohol that made his cheeks flush apple red. He appeared to be the picture of health, but indeed, he wasn’t. He never was.

On November 24, 1855, Hans Christian Andersen wrote to a friend about the funeral and its aftermath. His observations help set the stage for the whole scenario as it played itself out. Søren Kierkegaard was buried last Sunday [November 18] following a service at the Church of Our Lady. The parties concerned had done very little. The church pews were closed, and the crowd in the aisles was unusually large. Ladies in red and blue hats were coming and going. Item: a dog with a muzzle. At the graveside itself there was a scandal: when the whole ceremony was over out there (that is, when [Dean] Tryde had cast earth upon the casket), a son of a sister of the deceased stepped forward and denounced the fact that he had been buried in this fashion. He declared—this was the point, more or less—that Søren Kierkegaard had resigned from our society, and therefore we ought not bury him in accordance with our customs! I was not there, but it was said to be unpleasant.

Here,” he said abruptly. “Turn here.” A rutted path ran up a little rise toward a beige trailer. “This is Grover's place.” The trailer sat exposed on a treeless hill. A perfectly ordered woodpile stood in the yard to the left. Each log seemed to have been cut to an identical length, and they were piled in a crisscross fashion, with each layer running perpendicular to the one below and above. A small patch of earth to the right of his stoop had been cleared of brush and raked smooth. Two lawn chairs sat evenly spaced against the skirting of the trailer. There were no junk cars, no engine parts, no kids' bicycles — just Grover's old Buick parked in a spot marked off by a frame of fist-sized rocks arranged in a perfect rectangle. Dan glanced over at me. The twinkle was back in his eye. “Goddamn reservation Indian,” he muttered. “Lost his culture.” Then he sat back and let out a long rolling laugh that seemed, like prairie thunder, to come from the beginning of time.

I was a lonely nightwalker and a steady stander-at-corners. I liked to walk through the wet town after midnight, when the streets were deserted and the window lights out, alone and alive on the glistening tramlines in dead and empty High Street under the moon, gigantically sad in the damp streets by ghostly Ebenezer Chapel. And I never felt more a part of the remote and overpressing world, or more full of love and arrogance and pity and humility, not for myself alone, but for the living earth I suffered on and for the unfeeling systems in the upper air, Mars and Venus and Brazell and Skully, men in China and St Thomas, scorning girls and ready girls, soldiers and bullies and policemen and sharp, suspicious buyers of secondhand books, bad, ragged women who’d pretend against the museum wall for a cup of tea, and perfect, unapproachable women out of the fashion magazines, seven feet high, sailing slowly in their flat, glazed creations through steel and glass and velvet.

And then we went out to see the town. I was particularly eager to have a look at Gatlinburg because I had read about it in a wonderful book called The Lost Continent. In it the author describes the scene on Main Street thus: “Walking in an unhurried fashion up and down the street were more crowds of overweight tourists in boisterous clothes, with cameras bouncing on their bellies, consuming ice-creams, cotton candy, and corn dogs, sometimes simultaneously.” And so it was today. The same throngs of pear-shaped people in Reeboks wandered between food smells, clutching grotesque comestibles and bucket-sized soft drinks. It was still the same tacky, horrible place. Yet I would hardly have recognized it from just nine years before. Nearly every building I remembered had been torn down and replaced with something new—principally, mini-malls and shopping courts, which stretched back from the main street and offered a whole new galaxy of shopping and eating opportunities. In The Lost Continent I

They saw the governor himself erect and formal within his silkmullioned sulky clatter forth from the double doors of the palace courtyard and they saw one day a pack of viciouslooking humans mounted on unshod indian ponies riding half drunk through the streets, bearded, barbarous, clad in the skins of animals stitched up with thews and armed with weapons of every description, revolvers of enormous weight and bowieknives the size of claymores and short twobarreled rifles with bores you could stick your thumbs in and the trappings of their horses fashioned out of human skin and their bridles woven up from human hair and decorated with human teeth and the riders wearing scapulars or necklaces of dried and blackened human ears and the horses rawlooking and wild in the eye and their teeth bared like feral dogs and riding also in the company a number of half-naked savages reeling in the saddle, dangerous, filthy, brutal, the whole like a visitation from some heathen land where they and others like them fed on human flesh.

Yet each time, after consulting her watch, she sat down again at my request, so that in the end she had spent several hours with me without my having demanded anything of her; the things I said to her were related to those I had said during the preceding hours, were totally unconnected with what I was thinking about, what I desired, and remained doggedly parallel to all this. There is nothing like desire for obstructing any resemblance between what one says and what one has on one’s mind. Time presses, and yet it seems as though we were trying to gain time by speaking about things that are utterly alien to the one thing that preoccupies us. We chatter away, whereas the words we should like to utter would have by now been accompanied by a gesture, if indeed we have not – to give ourselves the pleasure of immediate action and to slake the curiosity we feel about the ensuing reactions to it – without a word, without so much as a by-your-leave, already made this gesture. It is true that I was not in the least in love with Albertine: born from the mist outside, she could do no more than satisfy the fanciful desire awakened in me by the change in the weather, poised midway between the desires that are satisfied by culinary arts and by monumental sculpture respectively, because it made me dream both of mingling my flesh with a substance that was different and warm, and of attaching to some point of my recumbent body a divergent body, as Eve’s body is barely attached by the feet to the side of Adam, to whose body hers is almost perpendicular in the Romanesque bas-reliefs in the Balbec cathedral, representing in so noble and so placid a fashion, still almost like a classical frieze, the creation of woman; in them God is followed everywhere, as by two ministers, by two little angels recalling – like the winged, swirling creatures of the summer that winter has caught by surprise and spared – cupids from Herculaneum still surviving well into the thirteenth century, flagging now in their last flight, weary, but never relinquishing the grace we might expect of them, over the whole front of the porch.

Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

Where is Albert?" "He'll be here momentarily. I asked our housekeeper to fetch him." Christopher blinked. "She's not afraid of him?" "Of Albert? Heavens, no, everyone adores him." The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look. And then the housekeeper returned with an obedient and well-groomed dog trotting by her side. "Albert?" Christopher said. The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly. Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled. "I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly. She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine." To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him." "He's much better behaved than before," she said. "You can take him anywhere now." Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly. "He's very much worth saving. Anyone could see that." The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.

I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.

In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.

A real house with a copper pot for making jam, and sugar cookies in a metal box hidden deep inside a dresser. A long farmhouse table, thick and homey, and cretonne curtains. She smiled. She had no idea what cretonne was, or even if she'd like it, but she liked the way the words went together: cretonne curtains. She'd have a guest room and- who knows- maybe even some guests. A well-kept little garden, hens who'd provide her with tasty boiled eggs, cats to chase after the field mice and dogs to chase after the cats. A little plot of aromatic herbs, a fireplace, sagging armchairs and books all around. White tablecloths, napkin rings unearthed at flea markets, some sort of device so she could listen to the same operas her father used to listen to, and a coal stove where she could let a rich beef-and-carrot stew simmer all morning along. A rich beef-and-carrot stew. What was she thinking. A little house like the ones that kids draw, with a door and two windows on either side. Old-fashioned, discreet, silent, overrun with Virginia creeper and climbing roses. A house with those little fire bugs on the porch, red and black insects scurrying everywhere in pairs. A warm porch where the heat of the day would linger and she could sit in the evening to watch for the return of the heron.

My Hitler Youth! With pride and joy I have noted your enlistment as war volunteers of the 1928 age-group. In this hour in which the Reich is threatened by our enemies who are filled with hatred, you set a shining example of fighting spirit and fanatical readiness for action and sacrifice. The youth of our National Socialist movement fulfilled at the front and in the homeland what the nation expected of it. In an exemplary fashion, your war volunteers in the divisions named Hitler Youth and Grossdeutschland, in the Volk grenadier divisions, and as individual fighters in all branches of the Wehrmacht have by action demonstrated their loyalty, hardness, and unshakable will to win. Today, the realization of the necessity of our fight fills the entire German Volk, above all its youth. We know our enemies’ merciless plans of annihilation. For this reason, we will all the more fanatically wage this war for a Reich in which you will one day be able to work and live in selfrespect. However, as young National Socialist fighters, you have to outdo our entire Volk in steadfastness, dogged perseverance, and unbending hardness. Through the victory, the reward for the sacrifice of our heroic young generation will be the proud and free future of our Volk and the National Socialist Reich. Telegram to the Hitler Youth October 8, 1944

And there, until 1884, it was possible to gaze on the remains of a generally neglected monument, so-called Dagobert’s Tower, which included a ninth-century staircase set into the masonry, of which the thirty-foot handrail was fashioned out of the trunk of a gigantic oak tree. Here, according to tradition, lived a barber and a pastry-cook, who in the year 1335 plied their trade next door to each other. The reputation of the pastry-cook, whose products were among the most delicious that could be found, grew day by day. Members of the high-ranking clergy in particular were very fond of the extraordinary meat pies that, on the grounds of keeping to himself the secret of how the meats were seasoned, our man made all on his own, with the sole assistance of an apprentice who was responsible for the pastry. His neighbor the barber had won favor with the public through his honesty, his skilled hairdressing and shaving, and the steam baths he offered. Now, thanks to a dog that insistently scratched at the ground in a certain place, the ghastly origins of the meat used by the pastry-cook became known, for the animal unearthed some human bones! It was established that every Saturday before shutting up shop the barber would offer to shave a foreign student for free. He would put the unsuspecting young man in a tip-back seat and then cut his throat. The victim was immediately rushed down to the cellar, where the pastry-cook took delivery of him, cut him up, and added the requisite seasoning. For which the pies were famed, ‘especially as human flesh is more delicate because of the diet,’ old Dubreuil comments facetiously. The two wretched fellows were burned with their pies, the house was ordered to be demolished, and in its place was built a kind of expiatory pyramid, with the figure of the dog on one of its faces. The pyramid was there until 1861. But this is where the story takes another turn and joins the very best of black comedy. For the considerable number of ecclesiastics who had unwittingly consumed human flesh were not only guilty before God of the very venial sin of greed; they were automatically excommunicated! A grand council was held under the aegis of several bishops and it was decided to send to Avignon, where Pope Clement VI resided, a delegation of prelates with a view to securing the rescindment if not of the Christian interdiction against cannibalism then at least of the torments of hell that faced the inadvertent cannibals. The delegation set off, with a tidy sum of money, bare-footed, bearing candles and singing psalms. But the roads of that time were not very safe and doubtless strewn with temptation. Anyway, the fact is that Clement VI never saw any sign of the penitents, and with good reason.

Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh

She had a lovely singing voice. Most well-bred young ladies could play, but few could sing, and Miss Cross could. Eliza, he reminded himself. Perhaps his future wife, the mother of his children, the woman would share his bed and his house. She loved her dog, she sang beautifully, and she liked the theater. Other than that, he knew nothing about her.Could he do this? She wasn't a typical beauty. Her face was round and her hair was an ordinary shade of light brown. A string of pearls circled her neck, and Hugh was sure her pale green silk gown had cost as much as Edith's court gown, but it suited her. Some women had no sense of style and bought the latest fashion whether it made them ugly or exquisite. With two sisters and a mother in his house, Hugh knew enough of ladies' clothing to see that this lady chose well. When she reached to turn the page, he got up and went to stand beside her to turn the next one. Her voice wobbled a bit as he did so, but she played on. Her skin was lovely. He spied a few freckles on her nose, but her shoulders and bosom were as pale as cream. Her bosom... Hugh reached for the next page and stole a quick glance downward. Plump and tempting, now that he looked at it. Her hands were graceful on the keys, and his mind wandered involuntarily into thoughts of what they would feel like on him. What it would be like to kiss her. What she would be like in bed. Would she be shy? Frightened? He found himself hoping not, even though he hadn't even decided to court her yet.

Love, genuine passionate love, was his for the first time. This he had never experienced at Judge Miller’s down in the sun-kissed Santa Clara Valley. With the Judge’s sons, hunting and tramping, it had been a working partnership; with the Judge’s grandsons, a sort of pompous guardianship; and with the Judge himself, a stately and dignified friendship. But love that was feverish and burning, that was adoration, that was madness, it had taken John Thornton to arouse. This man had saved his life, which was something; but, further, he was the ideal master. Other men saw to the welfare of their dogs from a sense of duty and business expediency; he saw to the welfare of his as if they were his own children, because he could not help it. And he saw further. He never forgot a kindly greeting or a cheering word, and to sit down for a long talk with them (“gas” he called it) was as much his delight as theirs. He had a way of taking Buck’s head roughly between his hands, and resting his own head upon Buck’s, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would reverently exclaim, “God! you can all but speak!

The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!

How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—

Come here, you flea-ridden hair wad. You’ll have all the sugar biscuits you want, if you’ll give your new toy to me.” He whistled softly and clicked. But the blandishments did not work. Dodger merely regarded him with bright eyes and stayed at the threshold, clutching the vial in his tiny paws. “Give him one of your garters,” Leo said, still staring at the ferret. “I beg your pardon?” Miss Marks asked frostily. “You heard me. Take off a garter and offer it to him as a trade. Otherwise we’ll be chasing this damned animal all through the house. And I doubt Rohan will appreciate the delay.” The governess gave Leo a long-suffering glance. “Only for Mr. Rohan’s sake would I consent to this. Turn your back.” “For God’s sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?” But Leo complied, facing the opposite direction. He heard a great deal of rustling as Miss Marks sat on a bedroom chair and lifted her skirts. It just so happened that Leo was positioned near a full-length looking glass, the oval cheval style that tilted up or down to adjust one’s reflection. And he had an excellent view of Miss Marks in the chair. And the oddest thing happened—he got a flash of an astonishingly pretty leg. He blinked in bemusement, and then the skirts were dropped. “Here,” Miss Marks said gruffly, and tossed it in Leo’s direction. Turning, he managed to catch it in midair. Dodger surveyed them both with beady-eyed interest. Leo twirled the garter enticingly on his finger. “Have a look, Dodger. Blue silk with lace trim. Do all governesses anchor their stockings in such a delightful fashion? Perhaps those rumors about your unseemly past are true, Marks.” “I’ll thank you to keep a civil tongue in your head, my lord.” Dodger’s little head bobbed as it followed every movement of the garter. Fitting the vial in his mouth, the ferret carried it like a miniature dog, loping up to Leo with maddening slowness. “This is a trade, old fellow,” Leo told him. “You can’t have something for nothing.” Carefully Dodger set down the vial and reached for the garter. Leo simultaneously gave him the frilly circlet and snatched the vial.

Under these circumstances the most anodyne book was a source of danger from the simple fact that love was alluded to, and woman depicted as an attractive creature; and this was enough to account for all—for the inherent ignorance of Catholics, since it was proclaimed as the preventive cure for temptations—for the instinctive horror of art, since to these craven souls every written and studied work was in its nature a vehicle of sin and an incitement to fall. Would it not really be far more sensible and judicious to open the windows, to air the rooms, to treat these souls as manly beings, to teach them not to be so much afraid of their own flesh, to inculcate the firmness and courage needed for resistance? For really it is rather like a dog which barks at your heels and snaps at your legs if you are afraid of him, but who beats a retreat if you turn on him boldly and drive him off. The fact remains that these schemes of education have resulted, on the one hand, in the triumph of the flesh in the greater number of men who have been thus brought up and then thrown into a worldly life, and on the other, in a wide diffusion of folly and fear, an abandonment of the possessions of the intellect and the capitulation of the Catholic army surrendering without a blow to the inroads of profane literature, which takes possession of territory that it has not even had the trouble of conquering. This really was madness! The Church had created art, had cherished it for centuries; and now by the effeteness of her sons she was cast into a corner. All the great movements of our day, one after the other—romanticism, naturalism—had been effected independently of her, or even against her will. If a book were not restricted to the simplest tales, or pleasing fiction ending in virtue rewarded and vice punished, that was enough; the propriety of beadledom was at once ready to bray. As soon as the most modern form of art, the most malleable and the broadest—the Novel—touched on scenes of real life, depicted passion, became a psychological study, an effort of analysis, the army of bigots fell back all along the line. The Catholic force, which might have been thought better prepared than any others to contest the ground which theology had long since explored, retired in good order, satisfied to cover its retreat by firing from a safe distance, with its old-fashioned match-lock blunderbusses, on works it had neither inspired nor written. The Church party, centuries behind the time, and having made no attempt to follow the evolution of style in the course of ages, now turned to the rustic who can scarcely read; it did not understand more than half of the words used by modern writers, and had become, it must be said, a camp of the illiterate. Incapable of distinguishing the good from the bad, it included in one condemnation the filth of pornography and real works of art; in short, it ended by emitting such folly and talking such preposterous nonsense, that it fell into utter discredit and ceased to count at all. And it would have been so easy for it to work on a little way, to try to keep up with the times, and to understand, to convince itself whether in any given work the author was writing up the Flesh, glorifying it, praising it, and nothing more, or whether, on the contrary, he depicted it merely to buffet it—hating it. And, again, it would have done well to convince itself that there is a chaste as well as a prurient nude, and that it should not cry shame on every picture in which the nude is shown. Above all, it ought to have recognized that vices may well be depicted and studied with a view to exciting disgust of them and showing their horrors.

When the Nightingales turn out the light and the dark, dressed for the opera, begins its smothering, I summon my guard dog. I fashion the fierce shape of him with fingers and thumbs, and leash him to the wall. The moon strokes his dew claws. He gets me through another long Kubrick night.

What matters? Lives of the good and the great, the innocence of dogs, the cunning of cats, the elegance of nature, the wonders of space, the perfectly thrown outfield assist, the difference between historical guilt and historical responsibility, homage and sacrilege in monumental architecture, fashions and follies and the finer uses of the F-word.

There is no word to describe exactly what the High Line is to the non-architects among us, nor the collective reframing process required to see beyond its dingy path. 24 The promenade’s landscaping and minimal architectural interference is meant to find a balance between “melancholia and exuberance,” Diller told me. “Whatever that intermediate thing is, it’s ineffable and is kind of what makes the High Line so popular.” “Part of what is so successful about the High Line is that it looks like it’s about nothing,” Diller said. Everything is prohibited on the promenade but the act of moving forward or stopping to look at the vistas from that vantage point. A dedicated place for strolling, where there are no dogs, no bicycles, or wheeled objects of any kind, it is “radically old fashioned,” designed to let us do what we ordinarily don’t, like taking time to linger and gaze at passing traffic. There is even a “sunken overlook” viewing station with movie-theater-style rows of descending seats and a window instead of a screen to see Tenth Avenue’s traffic instead of a featured film. Looking at the path beneath our feet and the view before us are the High Line’s activities. The High Line’s path will extend up the island in nearly interminable stages, “perpetually unfinished.” 25 As if to underscore it, on the west-facing side of the High Line, with views of the skyline and the Hudson River, sculptor Anatsui erected a monumental mural, Broken Bridge II, a three-dimensional painting the size of a city block made of flattened, dull-finish tin and mirrors with expert placement and hours of scaling. The vista in its upper reaches blends sky and land “in such a way that you do not know where mirrors end and sky begins.” 26 Anatsui, known for his radiant, monumental murals with a unique luster, fashioned as they are out of recycled metal bottle caps from his studio in Nigeria, starts his work from an approximate center with exquisite discards. He then builds outward, unscrolling the once-scattered shards so that they shine in their new form, as if they could unfurl to the full extent of vision.

I must have been one of the original latchkey kids…. My father worked in New York City and my mother worked the counter at a local bakery. With both of my parents working, I would let myself into the house after school. We all used a big old-fashioned key, hidden in plain sight, under the doormat. When I entered, the only one to greet me was our dog “Putzy,” a mixed breed who would jump with glee when I came in. The first thing I would do was to feed him, from his own special container left in the refrigerator. I would also open the back door and let him run around in our enclosed backyard. Billy came home about an hour after I did and since he was younger, I was responsible for him as well. There was always dried-out, day-old cake in the refrigerator that my mother had brought home from her job. Again, being the oldest, it was up to me to cut the cake into big slices, and pour two jelly jar glasses of milk for us. Afterward, my brother would go to his room to do his homework and I cleaned up, washing whatever dishes we had used.

The fact that the arrow can't disappear is both a comfort and a worry. It makes Nechtr feel special, true. But from special it's not very far to Alone. Although we all, Mark would know if he bothered to ask J.D. Steelritter, who'd done solipsistic-delusion-fear research back in the halcyon days of singles bars, we all have our little solipsistic delusions. All of us. The truth's all there, too, tracked and graphed in black and white—forgotten, now that fear of disease has superseded fear of retiring alone—sitting in dusty aluminum clipboards in a back archive at J.D. Steelritter Advertising, in Collision, where they're headed. We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog's yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum's scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother's retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what's brought the crowd into being. That we are, always, faces in a crowd.

Self-examination requires time alone spent in thoughtful study. We naturally fear aloneness, which reluctance can stifle attaining self-knowledge. In her 1942 memoir titled ‘West with the Night,. Beryl Marham spoke eloquently why we must overcome our fear of aloneness and conduct a search for our inner authenticity. “You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make the alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents – each man to see what the other looked like.

The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?

Working was a matter of pride and we did it because we wanted to, not because we had to. During our infrequent breaks, the reward was going to the small store we called a “geedunk.” Getting to it required a climb up the long ladder or wooden stairs from the dock area. The geedunk was owned by Ma & Pa McCloud and, although it wasn’t anything to write home about, it was a safe haven for underclassmen and had everything from lobster rolls to hot dogs and hamburgers. Having an old-fashioned soda fountain, some tables and booths, it was a place where we could sit and shoot the breeze, without being hassled by the upperclassmen. Although the Academy fed us well, I was at an age when I was always hungry and if I got some slack time from Bo’sun Haskell or Bill Cooms, and had the money, I’d climb the back ladder for some chow. Sometimes I’d even be able to afford a lobster roll, but they were few and far between. I always tried to stretch the break into at least twenty minutes. Our respite never seemed long enough, but just by looking at my hands you could tell that the work was hard and the day was long. Finally, when the working day was behind us, we usually just dragged ourselves back up the steep hill, forgetting the idea of marching in formation. Time was always a factor, so it was imperative that I get cleaned up and into the uniform of the day before the chow line closed.

Their entrance was marked in dramatic fashion by an ear-piercing “Eeeeeee! Eeeeeee! Eeeeeee!” I rushed out of the kitchen. My colleague’s wife, wrapped in a lovely sari, had backed herself into a corner, shrieking like a bird at the mere sight of the dogs. This behavior baffled Callie, so she paid no further notice to her and moved on to look for food droppings. Lyra, on the other hand, found these vocalizations highly stimulating. She tracked right to the sound and starting jumping up and down and barking in what appeared to me to be a request to play.

conversation, as conversations between whores go, and Willow took his time with the last few sips of his Kennessy’s Light Lager, thinking about all those fictional private investigators, the rigidly uncompromising, death-before-dishonor guys out of New York and Los Angeles. Well, maybe they were that way in New York and Los Angeles, but this was Chicago, Illinois, and in Chicago, Illinois, there are times when a private investigator can be had for five hundred dollars and the promise of a roll in the hay with a washed-up fashion model who has quite literally gone to the dogs—Great Danes and Irish wolfhounds, to be specific.

When my dog picked up scent he immediately left the main wash and took off up one of the 40’ ravine walls to head cross country. He had been working just ahead of us as we went northerly up the wash. He was not ranging any distance at all before he got scent. When my partner and I followed him and got to the top of the ridge, my dog was already at the bottom of the ravine and starting to climb up the next ridge. He paused to look back and see we were coming and then disappeared out of sight over the next ridge as we were working our way down. He repeated his behavior as we negotiated at least three ravines and ridges in this fashion. When he came again to the main wash he waited only long enough to make eye contact again before entering the narrow slot canyon where the subject was found.” – Susan Williams

People said that dogs tended to resemble their owners, and considering that my little wiener dog was a super cute brown girl with stubby legs, great fashion sense, and a tendency toward plumpness, I had to agree.

Cat themed accessories and dog themed t shirts are not just fashion statements – they're symbols of our love and admiration for our beloved pets.

Behind its spectacular topographical façade and under its polished, semi-fashionable surface, Stockholm had become an asphalt jungle, where drug addiction and sexual perversion ran more rampant than ever. Unscrupulous profiteers could make enormous profits quite legally on pornography of the smuttiest kind. Professional criminals became not only more numerous but also better organized. An impoverished proletariat was also being created, especially among the elderly. Inflation had given rise to one of the highest costs of living in the world, and the latest surveys showed that many pensioners had to live on dog and cat food in order to make ends meet. The fact that juvenile delinquency and alcoholism (which had always been a problem) continued to increase surprised no one but those with responsible positions in the Civil Service and at the Cabinet level. Stockholm.

Mary, however in typical matter of fact fashion, does not see any conflict in her multiple roles. “You know, rescue people often ask why breeders keep breeding dogs when there are so many unwanted dogs that have to be put down every year. My answer is that responsible breeders produce the best puppies for a long and healthy life, creating an opportunity for a fabulous human/canine bond that is based on a breeds particular attributes.” Mary loves the breed and enjoys all the time she spends with them, but she also takes her role as a breeder very seriously. “Do not over produce, do health testing and breed to improve the overall quality of the dog,” she implores. “And educate a potential dog owner about your breed so that you and they can be sure the dog is right for them.” Mary Remer, in the essay 'What a Good Dog!

(The seige of Alma's castle) For all so soone, as Guyon thence was gon Vpon his voyage with his trustie guide, That wicked band of villeins fresh begon That castle to assaile on euery side, And lay strong siege about it far and wide. So huge and infinite their numbers were, That all the land they vnder them did hide; So fowle and vgly, that exceeding feare Their visages imprest, when they approched neare. Them in twelue troupes their Captain did dispart And round about in fittest steades did place, Where each might best offend his proper part, And his contrary obiect most deface, As euery one seem’d meetest in that cace. Seuen of the same against the Castle gate, In strong entrenchments he did closely place, Which with incessaunt force and endlesse hate, They battred day and night, and entraunce did awate. The first troupe was a monstrous rablement Of fowle misshapen wights, of which some were Headed like Owles, with beckes vncomely bent, Others like Dogs, others like Gryphons dreare, And some had wings, and some had clawes to teare, And euery one of them had Lynces eyes, And euery one did bow and arrowes beare: All those were lawlesse lustes, corrupt enuies, And couetous aspectes, all cruell enimies. Those same against the bulwarke of the Sight Did lay strong siege, and battailous assault,... The second Bulwarke was the Hearing sence, Gainst which the second troupe dessignment makes; Deformed creatures, in straunge difference, Some hauing heads like Harts, some like to Snakes, Some like wild Bores late rouzd out of the brakes; Slaunderous reproches, and fowle infamies, Leasings, backbytings, and vaine-glorious crakes, Bad counsels, prayses, and false flatteries. All those against that fort did bend their batteries. Likewise that same third Fort, that is the Smell Of that third troupe was cruelly assayd: Whose hideous shapes were like to feends of hell, Some like to hounds, some like to Apes, dismayd, Some like to Puttockes, all in plumes arayd: All shap’t according their conditions, For by those vgly formes weren pourtrayd, Foolish delights and fond abusions, Which do that sence besiege with light illusions. And that fourth band, which cruell battry bent, Against the fourth Bulwarke, that is the Tost, Was as the rest, a grysie rablement, Some mouth’d like greedy Oystriges, some fast Like loathly Toades, some fashioned in the wast Like swine; for so deformd is luxury, Surfeat, misdiet, and vnthriftie wast, Vaine feasts, and idle superfluity: All those this sences Fort assayle incessantly. But the fift troupe most horrible of hew, And fierce of force, was dreadfull to report: For some like Snailes, some did like spyders shew, And some like vgly Vrchins thicke and short: Cruelly they assayled that fift Fort, Armed with darts of sensuall delight, With stings of carnall lust, and strong effort Of feeling pleasures, with which day and night Against that same fift bulwarke they continued fight.

Naomi wondered if the twins had been implanted into her womb by some sinister, external force. “This is unnatural,” Naomi wrote. “Babies shouldn’t be born in this fashion, so far removed from anything human.” When Khalid held the twins up for Naomi to see, she looked away. She was reminded of a friend’s dog who had to be put under during labor. When the dog woke up after a C-section, she appeared not to understand why these foreign puppies were sniffing her body as if they were entitled to it.

about the future or harboring resentment for past wrongs, he pursues his passion with abandon and demands that the world accept him, quirks and all. Like so many dogs, he only requires five things — food, water, shelter, belly rubs, and Mr. Ballie. No costumes, no elaborate resumes, no honorary degrees, no Facebook likes. Just good old-fashioned love, family, friends, and purpose.

Thanksgiving Day can be a good or bad day, it all depends if there's anyone here at the house. If the family gets invited to head over to pig out at one of the relatives, then I'm screwed. No gourmet meal with the trimmings for me, just the same old drab dog food. But when they stay here and fire up a feast there's plenty to chow down on. I sleep enough as it is, but wow, that tryptophan in the turkey knocks me out even twice as long. The more I think about it, I'm done after dinner until Black Friday morning. So how can I be a dog and smart enough to know about something like Black Friday? It all comes down to one thing - cable TV, the Wikipedia of dog smarts. Ask me anything about news, sports, fashion, weather, celebrity gossip, World War II history. Oh, I can't leave out food.

In a 1957 experiment that helped launch the modern study of language acquisition, the late Roger Brown showed that children know that if you say, "Can you see a sib?" you probably have in mind an action or a process. No other mammal seems to be equipped to use such clues for word learning. Even more dramatically, no other species seems to be able to make much of word order. The difference between the sentence "Dog bites man" and the sentence "Man bites dog" is largely lost on our nonhuman cousins. There is a bit of evidence that Kanzi can pay attention to word order to some tiny extent, but certainly not in anything like as rich a fashion as a three-year-old human child.

Key to the Pronunciations This dictionary uses a simple respelling system to show how entries are pronounced, using the symbols listed below. Generally, only the first of two or more identical headwords will have a pronunciation respelling. Where a derivative simply adds a common suffix such as -less, -ness, or -ly to the headword, the derivative may not have a pronunciation respelling unless some other element of the pronunciation also changes. as in hat //, fashion // as in day //, rate // as in lot //, father //, barn // as in big // as in church //, picture // as in dog //, bed // as in men //, bet //, ferry // as in feet //, receive // as in air //, care // as in soda //, mother /, her // as in free //, graph //, tough // as in get //, exist // as in her //, behave // as in fit //, women // as in time /t/, hire //, sky // as in ear //, pierce // as in judge //, carriage // as in kettle //, cut //, quick // as in lap //, cellar //, cradle // as in main //, dam // as in need //, honor //, maiden // as in sing //, anger // as in go //, promote // as in law //, thought //, lore // as in boy //, noisy // as in wood //, sure // as in food //, music // as in mouse //, coward // as in put //, cap // as in run //, fur //, spirit // as in sit //, lesson //, face // as in shut //, social // as in top //, seat //, forty // as in thin //, truth // as in then //, father // as in very //, never // as in wait //, quit // as in when //, which // as in yet //, accuse // as in zipper //, musician // as in measure //, vision // Foreign Sounds as in Bach // as in en route //, Rodin / / as in hors d’oeuvre //, Goethe // as in Lully //, Utrecht // Stress Marks Stress (or accent) is represented by marks placed before the affected syllable. The primary stress mark is a short, raised vertical line // which signifies that the heaviest emphasis should be placed on the syllable that follows. The secondary stress mark is a short, lowered vertical line // which signifies a somewhat weaker emphasis than on the syllable with primary stress. Variant Pronunciations There are several ways in which variant pronunciations are indicated in the respellings. Some respellings show a pronunciation symbol within parentheses to indicate a possible variation in pronunciation; for example, in sandwich //. Variant pronunciations may be respelled in full, separated by semicolons. The more common pronunciation is listed first, if this can be determined, but many variants are so common and widespread as to be ofequal status. Variant pronunciations may be indicated by respelling only the part of the word that changes. A hyphen will replace the part of the pronunciation that has remained the same. Note: A hyphen sometimes serves to separate syllables where the respelling might otherwise look confusing, as at reinforce //.

The sound of pounding started again. “He’s not going to just go away,” Millie yelled. “Besides, we still have his dog.” “Oh, very well, I’ll deal with him,” Harriet said, struggling to her feet and heading out of the kitchen. She stalked down the short hallway, reached the door, pushed aside the bolt that secured it, twisted the lock, and then wrenched it open, her temper steadily rising when she looked at Oliver and found him smiling back at her, although his eyes held a distinct trace of temper. “What?” “Is that any way to greet your fiancé?” “You’re not my fiancé, you’ve only ever been my pretend fiancé, or maybe temporary fiancé would be a better way to put it. But since I’ve decided I can’t be trusted not to harm you if I have to spend any additional time in your company, you need to go away and leave me alone.” “Don’t you think you’re being a little overly dramatic? I mean—” Not allowing the annoying man to finish his sentence, Harriet shut the door in his face, locked it, brushed her hands together, turned, and pretended not to hear his demands for her to open up as she headed back toward the kitchen.

Traditionalism is not fashionable. It is the dog-crawl to fashion’s catwalk.

Why won’t you marry me?” “Gracious, you are persistent.” She patted the bun he’d so expertly fashioned. “Has it occurred to you if I marry you all my wealth and independence would be forfeit?” “If you don’t trust me to leave your fortune in peace, transfer your wealth to your brother’s name. He’ll steward it as you direct.” Gayle would be more conscientious with her money than she was, which was saying something. “And what of my freedom, my independence?” How such a big man could move so quickly was beyond her. One moment Maggie was looking around for her boots and stockings, the next she was flat on her back with fifteen stone of determined earl poised above her. “You call it independence, but you never so much as go for a drive in the park, Maggie Windham. You do not make social calls except on your family members, you do not entertain, and you do not permit yourself even a dog for companionship. As my countess, you’ll have the run of the society functions, your invitations will be accepted by all and sundry, and you will have my charming and devoted company at your beck and call, even and especially in your confinements. Plural, God willing. Marry me.” Devoted

Saadanne haarde Vilkaar underkaste de fleeste sig selv, for at følge Strømmen, og for at i Agt tage det som gemeenligen kaldes en Anstændighed, da dog intet er mindre anstændigt og meere daarligt, end at anvende Penge ikke alleene paa unyttige Ting, men endogsaa paa saadanne, som ere Legemet skadelige, og skille en ved mange uskyldige Fornøjelser. Jeg meener, at dens Opførsel er anstændig, der fører et Levnet lige tvert her imod; der sparer unyttige Udgifter, for at være i Stand til at anvende Penge til sin egen og Landets Ære; der gaaer til Fods, og bevæger sig, for at have et sundt Legeme; der æder og drikker saaledes til Middag, at han ikke spilder sit Aftens-Maaltiid. Saaledes er og stedse haver været mit Levnet; og veed jeg ikke at have giort Exces af noget, uden af Snus-Tabac, hvilket, saasom jeg omsider haver mærket, at det var mig ikke tienligt, jeg udi nogle Aar haver modereret.

I was away too long,” Christopher murmured, looking into the soulful brown eyes. “I won’t leave you again.” He dragged his gaze up to Beatrix’s. “It was a mistake to leave him,” he said gruffly. She was smiling at him. “Albert won’t hold it against you. To err is human, to forgive, canine.” To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. “You’ve taken good care of him.” “He’s much better behaved than before,” she said. “You can take him anywhere now.” Rising to his feet, Christopher looked down at her. “Why did you do it?” he asked softly. “He’s very much worth saving. Anyone could see that.” The awareness between them became unbearably acute. Christopher’s heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.

Characters and events fashion bonds that the heart quietly gathers into itself until heart and ‘home’ are one and the same. This process happens in odd little ways that you don’t always notice at the time.

freezer and put them on the counter." "Mom! How many vegetables are there? This freezer is jammed with stuff." "Eight. There are also six desserts I'll need you to get ready later on." "Have you lost your mind! Why so many?" "I sent out questionnaires this year and for once everyone responded in a timely fashion." "Hey Karla, how about another round of beers in here? We're getting thirsty. And another plate of cookies too." Will is bellowing from the living room. His butt has been welded to that chair for hours. I don't think he realizes that Karla is right next to the knife block. If he keeps this obnoxious behavior up she might be serving his head on a plate along with the turkey. I have to say, even with a house full of deadbeats, except for Karla, there really is a nice cozy, quaint and festive atmosphere in the house this afternoon. It's sunny outside and kind of chilly. It can snow here in Virginia right before or after Christmas Day, but very rarely on the 25th. We've got a tree with twinkling colorful lights while a glowing fireplace warms the room and laughter fills the air. As for the adorable English bulldog, I'm still steamed that I'm merely an afterthought, if even that. Give it a few hours and I'll

And that's exactly the trouble with having celebrities take the "SNAP challenge": Gwyneth would hardly feature a spaghetti-and-hot dogs meal on GOOP.com, unless the spaghetti was artisinal, hand made only by women over the age of 70, in an Italian town that doesn't have the Internet yet and relies on goats to deliver important messages to the next village, wrapped lovingly in antique parchment and flown in on a private jet, while packed in ice hammered out of the Alps and carefully reformed into crystal clear "ice globes," served only with hot dogs fashioned from macrobiotic tofu, made of hand-selected soybeans in rural Japan, aged to perfection in the bosom of a 16th century Samurai warrior's armor, and then hand cut with a 24-karat gold wire. The very thought of setting foot in a discount grocery store where she has to pack her own generic, store-brand dried fruit and expired milk in a cardboard box after counting out her pennies probably breaks her out in such nasty hives, she has to have an allergy-banishing skin cream custom mixed for her in Paris by trained monkeys in bellhop uniforms.