“
Breckin shrugs. “I’m new here. And if you haven’t deducted from my impeccable fashion sense, I think it’s safe to say that I’m…” he leans forward and cups his hand to his mouth in secrecy. “Mormon,” he whispers.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
I stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share."---Forward to Kafka's Short stories
”
”
Anne Rice
“
Men invent new ideals because they dare not attempt old ideals. They look forward with enthusiasm, because they are afraid to look back.
”
”
G.K. Chesterton (What's Wrong with the World)
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage.
”
”
Naomi Wolf (The Beauty Myth)
“
Back when I was a regular mortal kid, I didn't know much about combat.
I had some murky ideas that armies would line up, blow trumpets, and then march forward to kill one another in an orderly fashion. If I thought about Viking combat at all, I would envision some dude yelling, SHIELD WALL! and a bunch of hairy blond guys calmly forming ranks and merging their shields into some cool geometric pattern like a polyhedron or a Power Ranger Megazord.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
It isn't a brute instinct that keeps us restless and dissatisfied. I'll tell you what it is: it's the highest goal of man - the need to grow and advance . . . to find new things . . . to expand. To spread out, reach areas, experiences, comprehend and live in an evolving fashion. To push aside routine and repetition, to break out of mindless monotony and thrust forward. To keep moving on . . .
”
”
Philip K. Dick (Solar Lottery)
“
Carried away in a sort of dream, he smiled, then he began to hurry back towards the lady; he was walking faster than usual, and his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; altogether he looked, so utterly had he abandoned himself to it, ignoring all other considerations, as though he were the lifeless and wire-pulled puppet of his own happiness.
”
”
Marcel Proust (Remembrance of Things Past: Volume I - Swann's Way & Within a Budding Grove)
“
As soon as he was in range, I struck. I put all my wrath into that punch. It should have been enough to vaporize Mikey and leave a thug-shaped impression on the asphalt.
Instead he ducked, which I found quite annoying.
I stumbled forward. I have to say that when Prometheus fashioned you humans out of clay he did a shoddy job. Mortal legs are clumsy. I tried to compensate, drawing upon my boundless reserves of agility, but Mikey kicked me in the back. I fell on my divine face.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
We can conclude that a project as grand as the scientific-mythical construction of victory over human limitation is not something that can be programmed by science. Even more, it comes from the vital energies of masses of men sweating within the nightmare of creation-and it is not even in man's hands to program. Who knows what form the forward momentum of life will take in the time ahead or what use it will make of our anguished searching. The most that any one of us can seem to do is to fashion something-an object or ourselves-and drop it into the confusion, make an offering of it, so to speak, to the life force.
”
”
Ernest Becker (The Denial of Death)
“
In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity! Imagination is busy sketching rose-tinted pictures of joy. In fancy, the voluptuous votary of fashion sees herself amid the festive throng, 'the observed of all observers.' Her graceful form, arrayed in snowy robes, is whirling through the mazes of the joyous dance; her eye is brightest, her step is lightest in the gay assembly. "In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance into the Elysian world, of which she has had such bright dreams. How fairy-like does everything appear to her enchanted vision! Each new scene is more charming than the last. But after a while she finds that beneath this goodly exterior, all is vanity, the flattery which once charmed her soul, now grates harshly upon her ear; the ball-room has lost its charms; and with wasted health and imbittered heart, she turns away with the conviction that earthly pleasures cannot satisfy the longings of the soul!
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
The nothingth of a second for which the hole existed reverberated backwards and forwards through time in a most improbable fashion. Somewhere in the deeply remote past it seriously traumatized a small random group of atoms drifting through the empty sterility of space and made them cling together in the most extraordinarily unlikely patterns. These patterns quickly learnt to copy themselves (this was part of what was so extraordinary about the patterns) and went on to cause massive trouble on every planet they drifted on to. That was how life began in the Universe.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
“
Dear Mr. Wedgewood,
Welcome to the Flying Rose. I hope you have settled to sea comfortably. Your lot may improve in direct proportion to your willingness. I do look forward to more of your fare. Let me lay out my proposal: You will, of a Sunday, cook for me, and me alone, the finest supper. You will neither repeat a dish nor serve foods that are in the slightest degree mundane. In return I will continue to keep you alive and well, and we may discuss an improvement of your quarters after a time. Should you balk in any fashion you will find yourself swimming home, whole or in pieces, depending upon the severity of my disappointment. How does this strike you?
In anticipation,
Capt. Hannah Mabbot
”
”
Eli Brown (Cinnamon and Gunpowder)
“
Back when I was a regular mortal kid, I didn’t know much about combat.
I had some murky ideas that armies would line up, blow trumpets, and then march forward to kill one another in an orderly fashion. If I thought about Viking combat at all, I would envision some dude yelling SHIELD WALL! and a bunch of hairy blond guys calmly forming ranks and merging their shields into some cool geometric pattern like a polyhedron or a Power Ranger Megazord.
Actual battle was nothing like that. At least, not any version I’d ever been in.
It was more like a cross between interpretive dance, lucha libre wrestling, and a daytime talk show fight.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
I keep forgetting to get glasses. It makes my husband crazy. I ask my most stylish friend to come with me to pick them out. The salesman wants me to buy bright blue ones. Fashion forward, he calls them. My friend laughs. "I don't think they go with the way you dress." How do I dress? I wonder. Like a bus driver is the answer....
I get glasses that are a little bit fashion backward.
”
”
Jenny Offill (Dept. of Speculation)
“
Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being.
This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
Tides
Every day the sea
blue gray green lavender
pulls away leaving the harbor’s
dark-cobbled undercoat
slick and rutted and worm-riddled, the gulls
walk there among old whalebones, the white
spines of fish blink from the strandy stew
as the hours tick over; and then
far out the faint, sheer
line turns, rustling over the slack,
the outer bars, over the green-furred flats, over
the clam beds, slippery logs,
barnacle-studded stones, dragging
the shining sheets forward, deepening,
pushing, wreathing together
wave and seaweed, their piled curvatures
spilling over themselves, lapping
blue gray green lavender, never
resting, not ever but fashioning shore,
continent, everything.
And here you may find me
on almost any morning
walking along the shore so
light-footed so casual.
”
”
Mary Oliver (A Thousand Mornings: Poems)
“
For not in our fashion does He look forward to what is future, nor at what is present, nor back upon what is past; but in a manner quite different and far and profoundly remote from our way of thinking. For He does not pass from this to that by transition of thought, but beholds all things with absolute unchangeableness; so that of those things which emerge in time, the future, indeed, are not yet, and the present are now, and the past no longer are; but all of these are by Him comprehended in His stable and eternal presence.
”
”
Augustine of Hippo (St. Augustine of Hippo: The City of God)
“
Such is the privilege of survival: to be allowed to fashion the means that fit our ends, to cobble together a narrative that reveals (as by the divine light of illumination) the predestined arc of our days. This is no small gift. With it we can neutralize all but the greatest losses, reduce even the greatest bastards to nothing more than bit actors in the drama of our lives, put on this earth for the sole purpose of forwarding our cause. Blessed are those who can believe their own stories.
”
”
Mark Slouka (God's Fool)
“
At the same time, we may not as a culture be fond of old-fashioned supernaturalism, but we certainly like spirituality in whatever form we can get it. I suspect that if anyone other than Jesus (Krishna, say, or Buddha) were suddenly put forward as being due for a second coming, millions in our postsecular society would embrace such a thing uncritically, leaving Enlightenment rationalism huffing and puffing in the rear. We are a puzzled and confused generation, embracing any and every kind of nonrationalism that may offer us a spiritual shot in the arm while lapsing back into rationalism (in particular, the old modernist critiques) whenever we want to keep traditional or orthodox Christianity at bay.
”
”
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
“
The vainglory of wishing to understand is dangerous, immoral and, above all, old-fashioned. The modern way – perhaps the final way - is to say: Go forward, without knowing why, as quickly as possible, towards an unknown goal! To act and think are opposites which identify one only in the Absolute. To accomplish all one's movements – of the head, the arms, the legs – without ever quite attaining the status of a puppet, but with a certainty that gives one a feeling of rightness: that is what is nowadays held up as the ideal. Be citizens of Universal activity! Forget to be conscious of ourselves! The blind horse gallops without hesitation, not knowing where it is going, not caring where it has been: so let up put out our eyes!
”
”
Remy de Gourmont
“
He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.
”
”
Leo Tolstoy (War and Peace)
“
You've got it wrong." His voice was harsh.
"Jackson—"
He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying."
Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now.
She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers.
”
”
Lauren Layne (I Wish You Were Mine (Oxford, #2))
“
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
For Hamlet, and the trifling of his favour,
Hold it a fashion and a toy in blood,
A violet in the youth of primy nature,
Forward, not permanent, sweet, not lasting,
The perfume and suppliance of a minute,
No more.
”
”
William Shakespeare (Hamlet)
“
I'm overwhelmed with that powerful blend of confusion and withering embarrassment that leaves a person motionless and forces a brain to move forward as if it hadn't witnessed the incident that fashioned the feeling.
”
”
Ani Baker (Handsome Vanilla)
“
While good old-fashioned manners and etiquette have worked for centuries, new standards and expectations have come into play with the modern world. Behaviors which would have been appalling in the past are now socially acceptable.
”
”
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
“
The future - what should I do with the future? I felt like one who has climbed the brow of a great hill, and finds only a sea of mist beyond. Go forward I must; but to what goal? With what aim? With what hopes? My father had already distinctly forbidden me to adopt art as a profession. My sister, by ignoring all the purport of my last letter, as distinctly signified her own contempt for that which was to me as the life of my life. Neither loved me; both had wounded me bitterly; and I now, almost for the first time, distinctly saw how difficult a struggle lay before me.
"If I become a painter," I thought, "I become so in defiance of my family; and, defying them, am alone in the wide world evermore. If, on the contrary, I yield and obey, what manner of life lies before me? The hollow life of fashionable society, into which I shall be carried as a marriageable commodity, and where I shall be expected to fulfil my duty as a daughter by securing a wealthy husband as speedily as possible.
Alas! alas! what an alternative! Was it for this that I had studied and striven? Was it for this that I had built such fairy castles, and dreamt such dreams?
”
”
Amelia B. Edwards (Barbara's History: A Novel)
“
Perhaps the most powerful and appealing aspect of another's words, however, is simply their convenience. Whether distilled in the briefest apophthegm, or spread out across some voluminous tome, the thought is ready-made, the heavy lifting done. It's there to be used like a weapon or tool, and as time wanders on, seemingly leaving us fewer and fewer new things to say, it becomes ever more useful. As technology moves forward, as well, it also becomes much easier. Indeed, in this "information age" where so much is available to so many so quickly that enlightenment nearly verges on light pollution, it can sometimes appear that expression has been reduced to nothing more than a mad race to unearth and claim references. As such, the citation is also there to be donned, like some article of fashion from which we may reap the praise of discriminating taste without ever exerting ourself in the actual toil of manufacture.
”
”
Jasper Siegel Seneschal (Citations: A Brief Anthology)
“
Japan is a startling clash of the deeply traditional and the spiritual. The intensely current and the superficial. It’s ancient, but futuristic. Conservative, yet hedonistic. Sleek skyscrapers graze the clouds like trees seeking sun in a man-made rainforest. Their concrete foundations often fertilized by the bodies of locals run afoul of the yakuza. It’s a homogenous island nation with a quaint surface and a Twin Peaks underbelly. The polite, insular, and eerily innocuous, living symbiotically with the perverse, extroverted, and bizarre. Fashion-forward and fashion-retarded. You could make similar generalizations about most cultures of course, but Japan’s beautiful contrasts were better than most."--Parker Choi
”
”
Robet Jung
“
When the dogma of the Assumption was defined a friend of mine, a very intelligent Mohammedan, congratulated me on the gesture which the Holy Father had made; a gesture (said he) against materialism. And I think he was right. When our Lord took his blessed Mother, soul and body, into heaven, he did honour to the poor clay of which our human bodies are fashioned. It was the first step towards reconciling all things in heaven and earth to his eternal Father, towards making all things new. "The whole of nature", St Paul tells us, "groans in a common travail all the while. And not only do we see that, but we ourselves do the same; we ourselves although we have already begun to reap our spiritual harvest, groan in our hearts, waiting for that adoption which is the ransoming of our bodies from their slavery." That transformation of our material bodies to which we look forward one day has been accomplished—we know it now for certain-in her.
When the Son of God came to earth, he came to turn our hearts away from earth, Godwards. And as the traveller, shading his eyes while he contemplates some long vista of scenery, searches about for a human figure that will give him the scale of those distant surroundings, so we, with dazzled eyes looking Godwards, identify and welcome one purely human figure close to his throne. One ship has rounded the headland, one destiny is achieved, one human perfection exists. And as we watch it, we see God clearer, see God greater, through this masterpiece of his dealings with mankind.
”
”
Ronald Knox
“
Now, I’m not a fan of fad diets. They simply don’t work long term because they’re either too restrictive or they don’t emphasize a lifestyle that can be maintained. The truth is that the people who follow fad diets do so in a “yo-yo” fashion. They lose weight and then put it back on. Sometimes they’ll even gain more weight. In my opinion, fad diets are usually one step forward, two steps back. Really, the only way to maintain an optimal weight is to focus on lifestyle modification. Weight loss is a simple equation, but is hard to do in the real world. The “magical” formula is to expend more energy than you take in.
”
”
S.J. Scott (10,000 Steps Blueprint - the daily walking habit for healthy weight loss and lifelong fitness)
“
We experience almost all the emotions that make life deep and engaging as a consequence of moving forward successfully towards something deeply desired and valued. The price we pay for that involvement is the inevitable creation of hierarchies of success, while the inevitable consequence is difference in outcome. Absolutely equality would therefore require the sacrifice of value itself—and then there would be nothing worth living for. We might instead note with gratitude that a complex, sophisticated culture allows for many games and many successful players, and that a well-structured culture allows the individuals that compose it to play and to win, in many different fashions.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
A man worth his salt will treat a lady like a lady and make the effort to be a gentleman. While independent women are fully capable of being self-reliant, the majority whom I know appreciate being treated with respect, consideration, and chivalry. For the women who yearn for the old-fashioned, good-hearted, chivalrous guy, I promise, they do exist.
”
”
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
“
I am a Roman,' he said to the king; 'my name is Gaius Mucius. I came here to kill you - my enemy. I have as much courage to die as to kill. It is our Roman way to do and to suffer bravely. Nor am I alone in my resolve against your life; behind me is a long line of men eager for the same honor. Brace yourself, if you will, for the struggle - a struggle for your life from hour to hour, with an armed enemy always at your door. That is the war we declare against you: you need fear no action in the battlefield, army against army; it will be fought against you alone, by one of us at a time.'
Porsena in rage and alarm ordered the prisoner to be burnt alive unless he at once divulged the plot thus obscurely hinted at, whereupon Mucius, crying: 'See how cheap men hold their bodies when they care only for honor!' thrust his right hand into the fire which had been kindled for a sacrifice, and let it burn there as if he were unconscious of the pain. Porsena was so astonished by the young man's almost superhuman endurance that he leapt to his feet and ordered his guards to drag him from the altar. 'Go free,' he said; 'you have dared to be a worse enemy to yourself than to me. I should bless your courage, if it lay with my country to dispose of it. But, as that cannot be, I, as an honorable enemy, grant you pardon, life, and liberty.'
'Since you respect courage,' Mucius replied, as if he were thanking him for his generosity, 'I will tell you in gratitude what you could not force from me by threats. There are three hundred of us in Rome, all young like myself, and all of noble blood, who have sworn an attempt upon your life in this fashion. It was I who drew the first lot; the rest will follow, each in his turn and time, until fortune favor us and we have got you.'
The release of Mucius (who was afterwards known as Scaevola, or the Left-Handed Man, from the loss of his right hand) was quickly followed by the arrival in Rome of envoys from Porsena. The first attempt upon his life, foiled only by a lucky mistake, and the prospect of having to face the same thing again from every one of the remaining conspirators, had so shaken the king that he was coming forward with proposals for peace.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
You walk down a hallway papered in playing cards, row upon row of clubs and spades. Lanterns fashioned from additional cards hang above, swinging gently as you pass by. A door at the end of the hall leads to a spiraling iron staircase. The stairs go both up and down. You go up, finding a trapdoor in the ceiling. The room it opens into is full of feathers that flutter downward. When you walk through them, they fall like snow over the door in the floor, obscuring it from sight. There are six identical doors. You choose one at random, trailing a few feathers with you. The scent of pine is overwhelming as you enter the next room to find yourself in a forest full of evergreen trees. Only these trees are not green but bright and white, luminous in the darkness surrounding them. They are difficult to navigate. As soon as you begin walking the walls are lost in shadows and branches. There is a sound like a woman laughing nearby, or perhaps it is only the rustling of the trees as you push your way forward, searching for the next door, the next room. You feel the warmth of breath on your neck, but when you turn there is no one there.
”
”
Erin Morgenstern (The Night Circus)
“
The fundamentalist (or, more accurately, the beleaguered individual who comes to embrace fundamentalism) cannot stand freedom. He cannot find his way into the future, so he retreats to the past. He returns in imagination to the glory days of his race and seeks to reconstitute both them and himself in their purer, more virtuous light. He gets back to basics. To fundamentals. Fundamentalism and art are mutually exclusive. There is no such thing as fundamentalist art. This does not mean that the fundamentalist is not creative. Rather, his creativity is inverted. He creates destruction. Even the structures he builds, his schools and networks of organization, are dedicated to annihilation, of his enemies and of himself. But the fundamentalist reserves his greatest creativity for the fashioning of Satan, the image of his foe, in opposition to which he defines and gives meaning to his own life. Like the artist, the fundamentalist experiences Resistance. He experiences it as temptation to sin. Resistance to the fundamentalist is the call of the Evil One, seeking to seduce him from his virtue. The fundamentalist is consumed with Satan, whom he loves as he loves death. Is it coincidence that the suicide bombers of the World Trade Center frequented strip clubs during their training, or that they conceived of their reward as a squadron of virgin brides and the license to ravish them in the fleshpots of heaven? The fundamentalist hates and fears women because he sees them as vessels of Satan, temptresses like Delilah who seduced Samson from his power. To combat the call of sin, i.e., Resistance, the fundamentalist plunges either into action or into the study of sacred texts. He loses himself in these, much as the artist does in the process of creation. The difference is that while the one looks forward, hoping to create a better world, the other looks backward, seeking to return to a purer world from which he and all have fallen.
”
”
Steven Pressfield (The War of Art)
“
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission.
I nervously rambled, “What…umm…what do you mean you want my permission?”
He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it.
I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.”
What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy.
Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.”
Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness.
I shouted, “Ren, wait!” But it was too late. He was gone.
I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again.
I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.”
I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.”
Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Most of this fixation was easy to explain. Brady was a midfield player, a passer, and Arsenal haven’t really had one since he left. It might surprise those who have a rudimentary grasp of the rules of the game to learn that a First Division football team can try to play football without a player who can pass the ball, but it no longer surprises the rest of us: passing went out of fashion just after silk scarves and just before inflatable bananas. Managers, coaches and therefore players now favour alternative methods of moving the ball from one part of the field to another, the chief of which is a sort of wall of muscle strung across the half-way line in order to deflect the ball in the general direction of the forwards. Most, indeed all, football fans regret this. I think I can speak for all of us when I say that we used to like passing, that we felt that on the whole it was a good thing. It was nice to watch, football’s prettiest accessory (a good player could pass to a team-mate we hadn’t seen, or find an angle we wouldn’t have thought of, so there was a pleasing geometry to it), but managers seemed to feel that it was a lot of trouble, and therefore stopped bothering to produce any players who could do it. There are still a couple of passers in England, but then, there are still a number of blacksmiths.
”
”
Nick Hornby (Fever Pitch)
“
Yep,” Annabeth said weakly. “He really did it.” The giant belched. He wiped his steaming greasy hands on his robe and grinned at us. “So, if you’re not breakfast, you must be customers. What can I interest you in?” He sounded relaxed and friendly, like he was happy to talk with us. Between that and the red velour housecoat, he almost didn’t seem dangerous. Except of course that he was ten feet tall, blew fire, and ate cows in three bites. I stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration. “Um, yeah,” I said. “We might be customers. What do you sell?” Cacus laughed. “What do I sell? Everything, demigod! At bargain basement prices, and you can’t find a basement lower than this!” He gestured around the cavern. “I’ve got designer handbags, Italian suits, um…some construction equipment, apparently, and if you’re in the market for a Rolex…” He opened his robe. Pinned to the inside was a glittering array of gold and silver watches. Annabeth snapped her fingers. “Fakes! I knew I’d seen that stuff before. You got all this from street merchants, didn’t you? They’re designer knockoffs.” The giant looked offended. “Not just any knockoffs, young lady. I steal only the best! I’m a son of Hephaestus. I know quality fakes when I see them.
”
”
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
“
And what were the democracies fighting for? “In the future days, which we seek to make secure, we look forward to a world founded upon four essential human freedoms,” he said. The first is freedom of speech and expression—everywhere in the world. The second is freedom of every person to worship God in his own way—everywhere in the world. The third is freedom from want—which, translated into world terms, means economic understandings which will secure to every nation a healthy peacetime life for its inhabitants—everywhere in the world. The fourth is freedom from fear—which, translated into world terms, means a world-wide reduction of armaments to such a point and in such a thorough fashion that no nation will be in a position to commit an act of physical aggression against any neighbor—anywhere in the world. He closed on a note of realistic hope. “That is no vision of a distant millennium,” Roosevelt said. “It is a definite basis for a kind of world attainable in our own time and generation.
”
”
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
“
If a model did anything too obviously bizarre—flooded the Sahara or tripled interest rates—the programmers would revise the equations to bring the output back in line with expectation. In practice, econometric models proved dismally blind to what the future would bring, but many people who should have known better acted as though they believed in the results. Forecasts of economic growth or unemployment were put forward with an implied precision of two or three decimal places. Governments and financial institutions paid for such predictions and acted on them, perhaps out of necessity or for want of anything better. Presumably they knew that such variables as “consumer optimism” were not as nicely measurable as “humidity” and that the perfect differential equations had not yet been written for the movement of politics and fashion. But few realized how fragile was the very process of modeling flows on computers, even when the data was reasonably trustworthy and the laws were purely physical, as in weather forecasting.
”
”
James Gleick (Chaos: Making a New Science)
“
The Russian armies drove forward in the same desperate fashion in which they had retreated in the previous year, numbed by daily horrors. Victory at Kursk meant little to a soldier such as Private Ivanov of the 70th Army, who wrote despairingly to his family in Irkutsk: “Death, and only death awaits me. Death is everywhere here. I shall never see you again because death, terrible, ruthless and merciless is going to cut short my young life. Where shall I find strength and courage to live through all this? We are all terribly dirty, with long hair and beards, in rags. Farewell for ever.” Private Samokhvalov was in equally wretched condition: “Papa and Mama, I will describe to you my situation, which is bad. I am concussed. Very many of my unit have been killed—the senior lieutenant, the regimental commander, most of my comrades; now it must be my turn. Mama, I have not known such fear in all my eighteen years. Mama, please pray to God that I live. Mama, I read your prayer … I must admit frankly that at home I did not believe in God, but now I think of him forty times a day. I don’t know where to hide my head as I write this. Papa and Mama, farewell, I will never see you again, farewell, farewell, farewell.
”
”
Max Hastings (Inferno: The World at War, 1939-1945)
“
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?”
Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin.
“Hush, Beatrix,” Win murmured.
“But she’s wearing his ring—”
Poppy clamped her hand over Beatrix’s mouth. “Hush!”
“I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—”
One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs.
“No,” came Win’s soft cry.
Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam.
There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored.
“Oh, God,” Amelia muttered.
Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?”
Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.”
Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.”
She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.”
“He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.”
Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession.
Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging.
“I’m going to marry her,” Cam said, as if to pacify him.
“That’s even worse!” Merripen moved forward, murder in his eyes.
Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.”
“Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse.
St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
If people tell you that ‘religion is faith in a doctrine that teaches us how to save our souls by obeying a wise and eternal Creator of the universe’, these people probably have not travelled or read enough. In many cultures people think that the dead come back to haunt the living but this is not universal. In some places people believe that certain special individuals can communicate with gods or dead people, but this idea is not found everywhere. In some places people assume that humans have a soul which survives after death, but this idea is not universal. When we put forward general explanations of religion, we had better make sure that they apply outside our parish.
”
”
Pascal Boyer (Religion Explained: The Human Instincts That Fashion Gods, Spirits and Ancestors)
“
Through the windshield, I watched an old woman clad in an old-fashioned, buttoned up dress push a buggy across the street. The long, grey material barely swayed in the wind as she trudged forward, stopping right before us. The lights changed to green. Harry accelerated. He was going to kill them. Gasping, I grabbed hold of his arm, tugging as hard as I could. “No! Stop!” Harry didn’t even flinch as he drove right through them. He signaled and stopped on the bus lane. “What’s wrong? Did you forget something?” For a moment I just stared at him, open-mouthed, then turned in my seat to peer at the crossing. The woman with the buggy wasn’t there. “Where did she disappear?” “Who?” I turned to face him again. “You didn’t see them?
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
Let’s have a closer look at Sue. Appearance-wise, Jerry’s mother was a dark dream with full lips and almond eyes; fashion-wise, she spared no expense but looked as conservative as all the rest; in terms of morals she was entirely conventional; in personality a flirt; in outlook a skeptic; in disposition a bleak and dire depressive; in political mind-set more progressive than most; in matters of sex, boldly forward, then discreetly withholding; she was mercurial at parties and dances (a charmer one night, a mute the next); in love a total slave, but as an object of a man’s desire, she was a merciless and cunning manipulator. If her kindness was subject to moods, she had her table manners down cold, and her telephone etiquette was impeccable.
”
”
Joshua Ferris (A Calling for Charlie Barnes)
“
Incommunicable. Language used for communication with individual-persons will not contain other forms of relationship. Jor Jor.” The right hand, a great, greenish, flipperlike extremity, came forward in a slow and perhaps tentative fashion. “Tiua’k Ennbe Ennbe.” Orr shook hands with it. It stood immobile, apparently regarding him, though no eyes were visible inside the dark-tinted, vapor-filled headpiece. If it was a headpiece. Was there in fact any substantial form within that green carapace, that mighty armor? He didn’t know. He felt, however, completely at ease with Tiua’k Ennbe Ennbe. “I don’t suppose,” he said, on impulse again, “that you ever knew anyone named Lelache?” “Lelache. No. Do you seek Lelache.” “I have lost Lelache.” “Crossings in mist,” the
”
”
Ursula K. Le Guin (The Lathe of Heaven)
“
To feel anger on behalf of one's friends does not show a loving, but a weak mind: it is admirable and worthy conduct to stand forth as the defender of one's parents, children, friends, and countrymen, at the call of duty itself, acting of one's own free will, forming a deliberate judgment, and looking forward to the future, not in an impulsive, frenzied fashion. No passion is more eager for revenge than anger, and for that very reason it is unapt to obtain it: being over hasty and frantic, like almost all desires, it hinders itself in the attainment of its own object, and therefore has never been useful either in peace or war: for it makes peace like war, and when in arms forgets that Mars belongs to neither side, and falls into the power of the enemy, because it is not in its own.
”
”
Seneca (On Anger)
“
Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less."
I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?"
"Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue."
Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?"
"I don't-"
"Bullshit."
I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-"
"Right.Don't.Just don't, with me, anyway. I like you better feisty."
I couldn't help it; that made me smile. "Did you really just say 'feisty'?"
"I did.It's a good word."
"It's am old word, favored by granddads and pirates."
"Yar," Alex sighed.
"Face it.You're just an old-fashioned guy."
"Whatever.Three...?"
"Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst."
"What are the firsts?"
"Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal."
He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink."
"You don't-"
"Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
And what could Billy know of man except of man as a mere sailor? And the old-fashioned sailor, the veritable man before the mast, the sailor from boyhood up, he, though indeed of the same species as a landsman, is in some respects singularly distinct from him. The sailor is frankness, the landsman is finesse. Life is not a game with the sailor, demanding the long head—no intricate games of chess where few moves are made in straight-forwardness and ends are attained by indirection, an oblique, tedious, barren game hardly worth that poor candle burnt out in playing it. Yes, as a class, sailors are in character a juvenile race. Even their deviations are marked by juvenility, this more especially holding true with the sailors of Billy’s time. Then too, certain things which apply to all sailors do more pointedly operate here and there upon the junior one. Every sailor, too, is accustomed to obey orders without debating them; his life afloat is externally ruled for him; he is not brought into that promiscuous commerce with mankind where unobstructed free agency on equal terms—equal superficially, at least—soon teaches one that unless upon occasion he exercise a distrust keen in proportion to the fairness of the appearance, some foul turn may be served him. A ruled undemonstrative distrustfulness is so habitual, not with businessmen so much as with men who know their kind in less shallow relations than business, namely, certain men of the world, that they come at last to employ it all but unconsciously; and some of them would very likely feel real surprise at being charged with it as one of their general characteristics. 17
”
”
Herman Melville (Billy Budd, Bartleby, and Other Stories)
“
Quickly, I slid into the rifts between stars. I imagined the space as a sphere bedizened with little astral ornaments, and soon those heavy celestial bodies became small as candies held in one’s palms. The thread easily looped them together.
I grinned, turning to Amar. Between us was a sphere thick with stars and around us twined soft shadows like cats weaving between ankles.
“Magnificent,” he said.
His gaze was full of awe, but I saw something else in his eyes. Longing. Then, he reached into the sphere, drawing out the string with the three stars. He twisted them between his hands, fashioning a constellation no larger than a sparrow. Amar stepped forward, sliding the stars above my ear. It cast a glow that turned his face silvery and beautiful.
“There, my queen,” he said. “A constellation to wear in your hair.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight.
“You’re forcing me to take desperate measures,” she said.
His reply was very soft. “There’s nothing you can do.”
He had left her no choice.
Daisy turned the key in the lock and carefully withdrew it.
The decisive click was abnormally loud in the silence of the room.
Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap.
Matthew’s eyes widened as he understood what she intended. “You wouldn’t.”
As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel.
“Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage.
“I can’t.”
“I mean it, Daisy!”
“It’s fallen too far down. I’ll have to take my dress off.”
It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body.
His whisper contained the ferocity of a roar. “Don’t do this to me.”
Daisy waited patiently.
The next move was his.
He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep.
“Take off your gown.”
Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.”
Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.”
Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons.
“How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.”
“It’s fashionable.”
“It’s ridiculous.”
“You can send a letter of protest to Godey’s Lady’s Book,” she suggested.
Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body.
“It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—”
“Quiet,” he snapped.
She closed her mouth.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Ambitious but not revolutionary, they work within what they perceive as the grain of history, moving their societies forward while viewing their political institutions and fundamental values as an inheritance to be transmitted to future generations (albeit with modifications that sustain their essence). Wise leaders in the statesman mode will recognize when novel circumstances require existing institutions and values to be transcended. But they understand that, for their societies to thrive, they will have to ensure that change does not go beyond what it can sustain. Such statesmen include the seventeenth-century leaders who fashioned the Westphalian state system[*] as well as nineteenth-century European leaders such as Palmerston, Gladstone, Disraeli and Bismarck. In the twentieth century, Theodore and Franklin Roosevelt, Mustafa Kemal Ataturk and Jawaharlal Nehru were all leaders in the statesman mode.
”
”
Henry Kissinger (Leadership: Six Studies in World Strategy)
“
On November 24, 1855, Hans Christian Andersen wrote to a friend about the funeral and its aftermath. His observations help set the stage for the whole scenario as it played itself out. Søren Kierkegaard was buried last Sunday [November 18] following a service at the Church of Our Lady. The parties concerned had done very little. The church pews were closed, and the crowd in the aisles was unusually large. Ladies in red and blue hats were coming and going. Item: a dog with a muzzle. At the graveside itself there was a scandal: when the whole ceremony was over out there (that is, when [Dean] Tryde had cast earth upon the casket), a son of a sister of the deceased stepped forward and denounced the fact that he had been buried in this fashion. He declared—this was the point, more or less—that Søren Kierkegaard had resigned from our society, and therefore we ought not bury him in accordance with our customs! I was not there, but it was said to be unpleasant.
”
”
Stephen Backhouse (Kierkegaard: A Single Life)
“
The engineers were constantly baffled by what Musk would fund and what he wouldn’t. Back at headquarters, someone would ask to buy a $200,000 machine or a pricey part that they deemed essential to Falcon 1’s success, and Musk would deny the request. And yet he was totally comfortable paying a similar amount to put a shiny surface on the factory floor to make it look nice. On Omelek, the workers wanted to pave a two-hundred-yard pathway between the hangar and the launchpad to make it easier to transport the rocket. Musk refused. This left the engineers moving the rocket and its wheeled support structure in the fashion of the ancient Egyptians. They laid down a series of wooden planks and rolled the rocket across them, grabbing the last piece of wood from the back and running it forward in a continuous cycle. The whole situation was ludicrous. A start-up rocket company had ended up in the middle of nowhere trying to pull off one of the most difficult feats known to man, and, truth be told, only a
”
”
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
“
In time of war, under the banner of an enemy recognisable as such, a foreigner from a camp outside the lines, the imperial idea grew strong in confidence and temper. The British democracy rallied to the call of a strong leadership, and it was not just in rhetorical enthusiasm but with considerable personal satisfaction that Churchill hailed the year 1940-1 as the British people's 'finest hour'. He, with other imperialists, was delighted by the fact that, when it came to the sticking-place, it was the old-fashioned loyalty of the reactionary British Empire to all that was symbolised by allegiance to Crown and country that came forward to save European civilisation from utter overthrow by German tyranny...The days of showing the flag—even for only a momentary glimpse, such as wall that inhabitants of Greece and Crete and Dieppe had of it—had returned. The Empire was the Empire once more, and to 10, Downing Street returned that imperial control that two generations of Dominion opinion had combined to condemn as sinister.
”
”
A.P. Thornton (The Imperial Idea and its Enemies: A Study on British Power)
“
In the future days, which we seek to make secure, we look forward to a world founded upon four essential human freedoms.
The first is freedom of speech and expression—everywhere in the world.
The second is freedom of every person to worship God in his own way—everywhere in the world.
The third is freedom from want—which, translated into world terms, means economic understandings which will secure to every nation a healthy peacetime life for its inhabitants—everywhere in the world.
The fourth is freedom from fear—which, translated into world terms, means a world-wide reduction of armaments to such a point and in such a thorough fashion that no nation will be in a position to commit an act of physical aggression against any neighbor—anywhere in the world.
That is no vision of a distant millennium. It is a definite basis for a kind of world attainable in our own time and generation. That kind of world is the very antithesis of the so-called new order of tyranny which the dictators seek to create with the crash of a bomb..
”
”
Franklin Delano Roosevelt
“
It was so dark in the attic that at first the girls could see little by candlelight. As soon as Nancy’s eyes became accustomed to the dimness, she groped her way forward in the cluttered room. “The attic is really very interesting,” she said, surveying the assortment of boxes and trunks. She called her friends’ attention to a fine old table which stood in one corner. “I believe Mr. March could sell that,” she said. “And look at these old-fashioned hatboxes!” She picked up one of the round, cardboard boxes. On it was the picture of a gay rural scene of early American life. “Let me see that!” exclaimed Bess, blowing off the dust. “Mr. March certainly could get something for this. Only yesterday Mother told me about a hatbox like this which brought a good price at an auction sale.” “There are at least a dozen here!” George declared excitedly. “All in good condition, too!” They were decorated with pictures of eagles and flowers, as well as scenes of American history. Two of them contained velvet bonnets with feather ornaments. “Girls, this attic may be a valuable find!” Nancy exclaimed.
”
”
Carolyn Keene (The Secret in the Old Attic (Nancy Drew, #21))
“
The bag circles the table several times. Each time Maya passes it to her neighbor, saying nothing. Finally the discussion is done. Maya looks troubled. She’s embarrassed, I’m guessing, that she hasn’t participated. Samantha reads from her notebook a list of enforcement mechanisms that the group has brainstormed. “Rule Number 1,” she says. “If you break the laws, you miss recess.…” “Wait!” interrupts Maya. “I have an idea!” “Go ahead,” says Samantha, a little impatiently. But Maya, who like many sensitive introverts seems attuned to the subtlest cues for disapproval, notices the sharpness in Samantha’s voice. She opens her mouth to speak, but lowers her eyes, only managing something rambling and unintelligible. No one can hear her. No one tries. The cool girl in the group—light-years ahead of the rest in her slinkiness and fashion-forward clothes—sighs dramatically. Maya peters off in confusion, and the cool girl says, “OK, Samantha, you can keep reading the rules now.” [...] Maya, for her part, sits curled up at the periphery of the group, writing her name over and over again in her notebook, in big block letters, as if to reassert her identity. At least to herself.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
NOURISH YOUR HAIR:
1. There are a number of 'kitchen recipes' for feeding hair. It needs the contents of your refrigerator just as much as your skin does. Right back to mayonnaise! Olive oil, eggs, and lemon juice. Massage the mixture into your hair, let it stay on for ten or fifteen minutes, then rinse it off with cool water. Cool - or you'll have scrambled eggs on your head.
2. For years I washed my daughter' hair with raw eggs, never soap or shampoo. I wet their hair fist and then rubbed in six whole eggs, one by one - a trick I learned from Katherine. Hepburn. (Four eggs will do for short hair, but theirs was long.) Some people use eggs beaten up with a jigger of rum; others mix an egg with red wine.
3. Hot oils is good for dry hair. Apply it with the fingertips and then wrap your head in a warm towel. Keep changing the oil for an hour, to keep it hot and penetrating. Then shampoo.
4. I believe in brushing. I made my girls give their hair the old-fashioned hundred strokes every night, using two brushes, and bending forward from the waist. It stimulates hair grows, and the rush of blood to the face is an added benefit. I pull my hair gently to encourage growth too.
”
”
Joan Crawford (My Way of Life)
“
You never get used to the feeling of hot metal, entering your skull and exiting through the back of your head. It’s simulated in glorious detail. A burning train through your forehead, a warm spray of blood and brain on your shoulders and back, the sudden chill – and finally, the black, when things stop. The Archons of the Dilemma Prison want you to feel it. It’s educational. The Prison is all about education. And game theory: the mathematics of rational decision-making. When you are an immortal mind like the Archons, you have time to be obsessed with such things. And it is just like the Sobornost – the upload collective that rules the Inner Solar System – to put them in charge of their prisons. We play the same game over and over again, in different forms. An archetypal game beloved by economists and mathematicians. Sometimes it’s chicken: we are racers on an endless highway, driving at each other at high speeds, deciding whether or not to turn away at the last minute. Sometimes we are soldiers trapped in trench warfare, facing each other across no-man’s-land. And sometimes they go back to basics and make us prisoners – old-fashioned prisoners, questioned by hard-eyed men – who have to choose between betrayal and the code of silence. Guns are the flavour of today. I’m not looking forward to tomorrow.
”
”
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
“
together in such fashion. There was design in the arrangement; and in the midst of the circle of empty hogsheads might have been seen the contriver of this curious craft. He was, of course, a human being, and a man; but such an one as, under any circumstances, would arrest the attention of the beholder; much more in the singular situation in which he was then met with. He was a black man, in the fullest sense of the word; a true negro, with a skin shining like ebony; a skull of large size, and slightly square in shape, covered with a thick crop of curling wool, so close and short as to appear felted into the skin. A brace of broad ears stood prominently out from the sides of his head; and extending almost from one to the other, was a wide-gaping mouth, formed by a pair of lips of huge thickness, protruding far forward, so as to give to the countenance those facial outlines characteristic of the chimpanzee or gorilla. Notwithstanding his somewhat abnormal features, the expression of the negro’s face was far from being hideous. It was not even disagreeable. A double row of white teeth, gleaming between the purplish lips, could be exhibited upon ordinary occasions in a pleasant smile; and the impression derived from looking upon the countenance was, that the owner of it was rather good-natured than otherwise.
”
”
Walter Scott (The Greatest Sea Novels and Tales of All Time)
“
Finally, if there still are men who have not been sufficiently persuaded
of the existence of God and of their soul by means of the reasons I have
brought forward, I very much want them to know that all the other things
of which they think themselves perhaps more assured, such as having a
body, that there are stars and an earth, and the like, are less certain. For
although one might have a moral assurance about these things, which is
such that it seems one cannot doubt them without being extravagant, still
when it is a question of metaphysical certitude, it seems unreasonable for
anyone to deny that there is not a sufficient basis for one's being completely
assured about them, when one observes that while asleep one can, in the
same fashion, imagine that one has a different body and that one sees
different stars and a different earth, without any of these things being
the case. For how does one know that the thoughts that come to us in
dreams are any more false than the others, given that they are often no
less vivid and explicit? And even if the best minds study this as much as
they please, I do not believe they can give any reason sufficient to remove
this doubt, unless they presuppose the existence of God. For first of all,
even what I have already taken for a rule, namely that the things we very
clearly and very distinctly conceive are all true, is assured only for the
reason that God is or exists, and that he is a perfect being, and that all
that is in us comes from him.
”
”
René Descartes (Discourse on Method and Meditations on First Philosophy)
“
Frodo peering forward saw in the distance two great rocks approaching: like great pinnacles or pillars of stone they seemed. Tall and sheer and ominous they stood upon either side of the stream. A narrow gap appeared between them, and the River swept the boats towards it.
‘Behold the Argonath, the Pillars of the Kings!’ cried Aragorn. ‘We shall pass them soon. Keep the boats in line, and as far apart as you can! Hold the middle of the stream!’
As Frodo was borne towards them the great pillars rose like towers to meet him. Giants they seemed to him, vast grey figures silent but threatening. Then he saw that they were indeed shaped and fashioned: the craft and power of old had wrought upon them, and still they preserved through the suns and rains of forgotten years the mighty likenesses in which they had been hewn. Upon great pedestals founded in the deep waters stood two great kings of stone: still with blurred eyes and crannied brows they frowned upon the North. The left hand of each was raised palm outwards in gesture of warning; in each right hand there was an axe; upon each head there was a crumbling helm and crown. Great power and majesty they still wore, the silent wardens of a long-vanished kingdom. Awe and fear fell upon Frodo, and he cowered down, shutting his eyes and not daring to look up as the boat drew near. Even Boromir bowed his head as the boats whirled by, frail and fleeting as little leaves, under the enduring shadow of the sentinels of Númenor. So they passed into the dark chasm of the Gates.
”
”
J.R.R. Tolkien
“
short buzz followed, then silence. “They want to get rid of us,” said Trillian nervously. “What do we do?” “It’s just a recording,” said Zaphod. “We keep going. Got that, computer?” “I got it,” said the computer and gave the ship an extra kick of speed. They waited. After a second or so came the fanfare once again, and then the voice. “We would like to assure you that as soon as our business is resumed announcements will be made in all fashionable magazines and color supplements, when our clients will once again be able to select from all that’s best in contemporary geography.” The menace in the voice took on a sharper edge. “Meanwhile, we thank our clients for their kind interest and would ask them to leave. Now.” Arthur looked round the nervous faces of his companions. “Well, I suppose we’d better be going then, hadn’t we?” he suggested. “Shhh!” said Zaphod. “There’s absolutely nothing to be worried about.” “Then why’s everyone so tense?” “They’re just interested!” shouted Zaphod. “Computer, start a descent into the atmosphere and prepare for landing.” This time the fanfare was quite perfunctory, the voice now distinctly cold. “It is most gratifying,” it said, “that your enthusiasm for our planet continues unabated, and so we would like to assure you that the guided missiles currently converging with your ship are part of a special service we extend to all of our most enthusiastic clients, and the fully armed nuclear warheads are of course merely a courtesy detail. We look forward to your custom in future lives…. Thank you.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
A monopoly on the means of communication may define a ruling elite more precisely than the celebrated Marxian formula of “monopoly on the means of production.” Since man extends his nervous system through channels of communications like the written word, the telephone, radio, etc., he who controls these media controls part of the nervous system of every member of society. The contents of these media become part of the contents of every individual’s brain.
Thus, in pre-literate societies taboos on the spoken word are more numerous and more Draconic than at any more complex level of social organization. With the invention of written speech — hieroglyphic, ideographic, or alphabetical — the taboos are shifted to this medium; there is less concern with what people say and more concern with what they write.
(Some of the first societies to achieve literacy, such as Egypt and the Mayan culture of ancient Mexico, evidently kept a knowledge of their hieroglyphs a religious secret which only the higher orders of the priestly and royal families were allowed to share.) The same process repeats endlessly: Each step forward in the technology of communication is more heavily tabooed than the earlier steps. Thus, in America today (post-Lenny Bruce), one seldom hears of convictions for spoken blasphemy or obscenity; prosecution of books still continues, but higher courts increasingly interpret the laws in a liberal fashion, and most writers feel fairly confident that they can publish virtually anything; movies are growing almost as desacralized as books, although the fight is still heated in this area; television, the newest medium, remains encased in neolithic taboo.
(When the TV pundits committed lèse majesté after an address by the then Dominant Male, a certain Richard Nixon, one of his lieutenants quickly informed them they had overstepped, and the whole tribe — except for the dissident minority — cheered for the reassertion of tradition.) When a more efficient medium arrives, the taboos on television will decrease.
”
”
Robert Shea (The Illuminatus! Trilogy)
“
Where is Albert?"
"He'll be here momentarily. I asked our housekeeper to fetch him."
Christopher blinked. "She's not afraid of him?"
"Of Albert? Heavens, no, everyone adores him."
The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look.
And then the housekeeper returned with an obedient and well-groomed dog trotting by her side.
"Albert?" Christopher said.
The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly.
Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled.
"I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly.
She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine."
To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him."
"He's much better behaved than before," she said. "You can take him anywhere now."
Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly.
"He's very much worth saving. Anyone could see that."
The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
You mean you’re not going to kiss my wrist again,” I said. “But that’s all right, because I am going to kiss you.” And I did. If I could keep a single moment for all time, that would be the one. I became the very air; I was full of stars. I was the soaring spaces between the spires of the cathedral, the solemn breath of chimneys, a whispered prayer upon the winter wind. I was silence, and I was music, one clear transcendent chord rising toward Heaven. I believed, then, that I would have risen bodily into the sky but for the anchor of his hand in my hair and his round soft perfect mouth. No Heaven but this! I thought, and I knew that it was true to a standard even St. Clare could not have argued. Then it was done, and he was holding both my hands between his and saying, “In some ballad or Porphyrian romance, we would run off together.” I looked quickly at his face, trying to discern whether he was proposing we do just that. The resolve written in his eyes said no, but I could see exactly where I would have to push, and how hard, to break that resolve. It would be shockingly easy, but I found I did not wish it. My Kiggs could not behave so shabbily and still remain my Kiggs. Some other part of him would break, along with his resolve, and I did not see a way to make it whole again. The jagged edge of it would stab at him all his life. If we were to go forward from here, we would proceed not rashly, not thoughtlessly, but Kiggs-and-Phina fashion. That was the only way it could work. “I think I’ve heard that ballad,” I said. “It’s beautiful but it ends sadly.” He closed his eyes and leaned his forehead against mine. “Is it less sad that I’m going to ask you not to kiss me again?” “Yes. Because it’s just for now. The day will come.” “I want to believe that.” “Believe it.” He took a shaky breath. “I’ve got to go.” “I know.” I let him go inside first; my presence was not appropriate for tonight’s ritual. I leaned against the parapet, watching my breath puff gray against the blackening sky as if I were a dragon whispering smoke into the wind. The conceit made me smile, and then an idea caught me. Cautiously, avoiding ice, I hauled myself up onto the parapet. It had a wide balustrade, adequate for sitting, but I did not intend merely to sit. With comical slowness, like Comonot attempting stealth, I drew my feet up onto the railing. I removed my shoes, wanting to feel the stone beneath my feet.
”
”
Rachel Hartman (Seraphina (Seraphina, #1))
“
He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back.
"First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly.
"What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?"
The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!"
"But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips.
"THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!"
The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily.
Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!"
Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet.
"Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?"
He turned his attention back to Jake, still smiling his TV game-show host smile.
"All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh
”
”
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
“
Though Aristotle allows so many several forms of corrupted governments; yet he insists upon no one form of all those that he can define or describe, in such sort, that he is able to say that any one city in all Greece was governed just according to such a form; his diligence is only to make as many forms as the giddy or inconstant humour of a city could happen upon; he freely gives the people liberty to invent as many kinds of government as they please, provided he may have liberty to find fault with every one of them; it proved an easier work for him to find fault with every form, than to tell how to amend any one of them; he found so many imperfections in all sorts of common-weals, that he could not hold from reproving them before ever he tells us what a commonweal is, or how many sorts there are, and to this purpose he spends his whole second book in setting out, and correcting the chief commonweals of Greece, and among others the Lacedemonian, the Cretan and Carthaginian commonweals; which three he esteems to be much alike, and better than any other, yet he spares not to lay open their imperfections, and doth the like to the Athenian; wherein he breaks the rule of method, by delivering the faults of commonweals, before he teach us what a commonweal is; for in his first book, he speaks only of the parts, of which a city, or a commonweal is made, but tells us not what a city or commonweal is, until he come to his third book, and there in handling the sorts of government, he observes no method at all, but in a disorderly way, flies backward and forward from one sort to another: and howsoever there may be observed in him many rules of policy touching government in general, yet without doubt where he comes to discourse of particular forms, he is full of contradiction, or confusion, or both: it is true, he is brief and difficult, the best right a man can do him, is to confess lie understands him not; yet a diligent reader may readily discern so many irregularities and breaches in Aristotle's books of Politics, as tend to such distraction or confusion, that none of our new politicians can make advantage of his principles, for the confirmation of an original power by nature in the people, which is the only theme now in fashion: for Aristotle's discourse is of such commonweals as were founded by particular persons, as the Chalcedonian by Phaleas, the Milesian by Hippodamas, the Lacedemonian by Lycurgus, the Cretan by Minos, the Athenian by Solon, and the like: but the natural right of the people to found, or elect; their kind of government is not once disputed by him: it seems the underived majesty of the people, was such a metaphysical piece of speculation as our grand philosopher was not acquainted with; he speaks very contemptuously of the multitude in several places, he affirms that the people are base or wicked judges in their own cases, ‘οι πλειστοι φαυλοι κριται περι των οικειων and that many of them differ nothing from beasts; τι διαφερουσιν ενιοι των θηριων; and again he saith, the common people or freemen are such as are neither rich, nor in reputation for virtue; and it is not safe to commit to them great governments; for, by reason of their injustice and unskilfulness, they would do much injustice, and commit many errors and it is pleasanter to the multitude to live disorderly, than soberly, ‘ηδιον γαρ τοις πολλοις το ζην ατακτως η το σωφρονως.
”
”
Robert Filmer (Patriarcha and other Political Writings)
“
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
A monopoly on the means of communication may define a ruling elite more precisely than the celebrated Marxian formula of “monopoly on the means of production.” Since man extends his nervous system through channels of communication like the written word, the telephone, radio, etc., he who controls these media controls part of the nervous system of every member of society. The contents of these media become part of the contents of every individual’s brain. Thus, in pre-literate societies taboos on the spoken word are more numerous and more Draconic than at any more complex level of social organization. With the invention of written speech—hieroglyphic, ideographic, or alphabetical —the taboos are shifted to this medium; there is less concern with what people say and more concern with what they write. (Some of the first societies to achieve literacy, such as Egypt and the Mayan culture of ancient Mexico, evidently kept a knowledge of their hieroglyphs a religious secret which only the higher orders of the priestly and royal families were allowed to share.) The same process repeats endlessly: Each step forward in the technology of communication is more heavily tabooed than the earlier steps. Thus, in America today (post-Lenny Bruce), one seldom hears of convictions for spoken blasphemy or obscenity; prosecution of books still continues, but higher courts increasingly interpret the laws in a liberal fashion, and most writers feel fairly confident that they can publish virtually anything; movies are growing almost as desacralized as books, although the fight is still heated in this area; television, the newest medium, remains encased in neolithic taboo. (When the TV pundits committed lèse majesté after an address by the then Dominant Male, a certain Richard Nixon, one of his lieutenants quickly informed them they had overstepped, and the whole tribe—except for the dissident minority—cheered for the reassertion of tradition.) When a more efficient medium arrives, the taboos on television will decrease.
”
”
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
“
Our annual year-end bash was a tradition as sturdy as our conviction that socks and sandals were a fashion faux pas. From fashion outlaws, we became accepted as fashion forward style icons.
-Kim Lee
‘The Big Apple Took a Bite Off Me’
Now on Amazon Books and Kindle
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Kim Lee (The Big Apple Took a Bite Off Me: A funny memoir of a SoHo-living foreigner who survived NYC)
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Behaving like a fashion-forward model on a beach may be a novel approach to geopolitics, but I'm not sure if Vogue covers international relations.
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Dipti Dhakul (Quote: +/-)
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The Ultimate Minimalist Wallets For Men: Functionality Meets Style?
More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance.
The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me.
Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality.
Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose.
Here Is That The List Of Comfortable Wallets For Men
Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it.
1- Stripe Point Bi-Fold Wallet (Paul Smith)
"Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent.
Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders.
2- Zippy Wallet Vertical (Louis Vuitton)
"Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men.
With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved.
3- Grange (porter)
"Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas.
The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use.
4- Bellroy Note Sleeve
The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too!
This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.
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Funky men
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Despite their shared centrism, there was an ideological difference that separated them. They championed different constituencies. Where Sinema built an alliance with Wall Street, Manchin enjoyed occasionally sticking it to the bankers, like a good old-fashioned populist from the hollers. And where Manchin felt a home-state duty to the fossil fuels industry, and personally benefited from its success, Sinema wanted to break its stranglehold over climate policy. In the course of negotiations with Schumer, Manchin had insisted on a provision ending the carried-interest loophole—a gaping unfairness in the tax code that allows hedge fund and private equity managers to count their revenue as capital gains and avoid the income tax. But Sinema had a history of defending that loophole. Manchin had every reason to believe that Sinema would despise his proposal—and that she would likely consider it a red line—but he insisted on pushing forward with it, regardless. Schumer didn’t fight Manchin. He wasn’t going to worry about his Sinema problem when it was theoretical. But now her objection was more than a theoretical source of worry. Sinema constituted the primary obstacle to the realization of Schumer’s greatest achievement, and he was stuck.
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Franklin Foer (The Last Politician: Inside Joe Biden's White House and the Struggle for America's Future)
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Dchica is your go-to destination for trendy and playful Teen products! Explore our diverse collection featuring beginner bras, comfy cotton panties, athleisure sportswear, stylish footwear, and innovative period panties. We blend style with comfort, ensuring teens embrace their individuality. Our fashion-forward designs cater to the dynamic lifestyle of today's youth. Discover the perfect mix of quality and trendiness, empowering teens to express themselves confidently.
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Dchica
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This display of loveliness, however, took considerable effort, making the “dressing hour” a stressful time for ladies’ maids. The array of undergarments alone would baffle a modern woman, beginning with the corsets that most upper-class women still wore. The formidable whalebone devices of the Victorian era were a thing of the past, as were the padded S-curve corsets that had pushed the bosom forward and the derrière backward in the style so favored by King Edward VII. After 1907 a longer, slimmer look was in fashion and corsets had elastic gusset inserts that were supposed to make them less constricting.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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Yet the brassiere would not find wide acceptance till after World War I, by which time the corset had finally had its day. On this spring evening in 1912, therefore, only a few of the younger, more fashion-forward women on board, such as Edith Rosenbaum or Madeleine Astor, would have dared to shed their corsets for a brassiere and chemise. Most of the first-class women were helped into their corsets by their lady’s maids, after which they stepped into the various layers of knickers and petticoats that followed. The elegant rustle of undergarments was part of the allure of a well-dressed lady in 1912, and each evening this sound was heard on the Titanic’s grand staircase during the procession down to dinner.
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Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
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It was 1992, and the Knicks were hosting their first annual summer camp for youngsters. Like many camps with professional teams, the club wanted to have one of its players make an appearance for a day. Not someone like Ewing, a star who had too many demands on his time already. But not someone from the end of the bench, either. So they asked Mason—basically still new to the NBA—if he’d appear for $1,500. The forward said yes, and the team provided him with a limousine to the camp that day. Mason had his window rolled down as the vehicle arrived, and the kids hovered around it like paparazzi, wanting to catch a glimpse of him up close. Yet Mason stayed in the car. First for two minutes. Then five. Then almost fifteen. Finally Ed Tapscott, then the club’s administrative director, came outside. He’d been responsible for Mason’s appearance at the camp that day, and couldn’t figure out why Mason wasn’t making his way inside the gym. “I’m not getting out of the car for anything less than $2,000, bro. And I want cash,” Mason told him. Tapscott figured he was joking at first. But Mason was completely serious. Sure, he’d agreed to the $1,500 figure before, but now—with an army of young, excited kids waiting inside—he had the leverage to play hardball. Tapscott said he wasn’t even sure he could realistically get access to that much cash that soon. “I had to give one of our staffers my ATM card,” he recalls. “What choice did I really have in a situation like that?” With assurance of the pay increase, Mason hopped out. He played in a couple of scrimmages with the children. But, in classic Mason fashion, he couldn’t turn off his competitiveness. While playing, Mason inadvertently elbowed a kid, knocking the child out cold and breaking his nose, which gushed with blood. When the boy regained consciousness, he woke to find a worried Mason hovering over him. The child smiled and asked the Knick to sign his bloody T-shirt. Meanwhile, Tapscott said he and others running the camp were merely happy to escape the situation without the threat of a lawsuit.
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Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
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Mary Anne is to sports what I am to high fashion. She never goes near the stuff. Normally she’d be the last person I’d ask to coach. But I was desperate. Klinic was about to start, and Charlie was nowhere to be seen. That morning he’d stomped out of the house without saying a word. He hadn’t spoken to me since our argument, almost a whole day earlier. Poor Mary Anne. She wasn’t suspecting a thing. As she walked onto the field with Jamie, she was clutching a paperback book, looking forward to a nice, quiet morning of reading. “So the ball was coming to me like this: nyeeeeeeeeaar …” Jamie said, imitating the flight of the ball with one arm. “And I went like this.” He backpedaled, waving his arms. “And the ball went like this — pop!” He acted out a dramatic catch.
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Ann M. Martin (Mind Your Own Business, Kristy! (The Baby-Sitters Club, #107))
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Chapter 19: The Seven A's of Healing (pages 273-274)
Anger does not require hostile acting out. First and foremost, it is a physiological process to be experienced. Second, it has cognitive value—it provides essential information. Since anger does not exist in a vacuum, if I feel anger it must be in response to some perception on my part. It may be a response to loss or a threat of it in a personal relationship, or it may signal a real or threatened invasion of my boundaries. I am greatly empowered without harming anyone if I permit myself to experience the anger and to contemplate what may have triggered it. Depending on circumstances, I may choose to manifest the anger in some way or to let go of it. The key is that I have not suppressed the experience of it. I may choose to display my anger as necessary in words or in deeds, but I do not need to act it out in a driven fashion as uncontrolled rage. Healthy anger leaves the individual, not the unbridled emotion, in charge.
"Anger is the energy Mother Nature gives us as little kids to stand forward on our own behalf and say I matter," says the therapist Joann Peterson, who conducts workshops on Gabriola Island, in British Columbia. "The difference between the healthy energy of anger and the hurtful energy of emotional and physical violent is that anger respects boundaries. Standing forward on your own behalf does not invade anyone else's boundaries.
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Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
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Dressing in a way that projects authority and confidence can open doors, win over clients, unlock opportunities, forge connections, and propel your career forward.
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Michele Grant (The Power Dressers: A Women’s Guide to Professional Style)
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But, nevertheless, we found, in that old-fashioned lift with its accordion doors, that we had that rarest of things: chemistry. I don’t mean flirtation—don’t panic—I just mean that spiced banter that propels a marriage forward, that makes you laugh in the middle of arguments, that makes you tolerate long hours and sleepless nights and snoring, and, too, the things you thought would never happen.
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Gillian McAllister (Just Another Missing Person)
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The Allure of Impeccable Skin
Across continents and cultures, from ancient civilisations to today’s digital age, our desire for flawless skin remains as strong as ever. It serves not merely as an emblem of one's outer beauty, but also as a reflection of one's health, vitality, and inner harmony. Although some are fortunate to possess naturally pristine complexions, many of us are in a constant battle with blemishes, each imperfection eroding our confidence and well-being.
So today, journey with us as we delve into the timeless beauty standards that have shaped our perceptions of flawless skin, the modern remedies at our disposal, and one woman's gorgeous transformative experience. And if you're wondering where the best place is to achieve such results? Look no further than the exceptional Healand Clinic, a hub for these and many other treatments.
Through Time’s Lens
Historically, human beings have always been in pursuit of perfect beauty. The Ancient Egyptians, with their kohl-lined eyes and exquisite jewellery, weren't just embracing fashion; they were symbolising societal stature and their adoration of the divine. Similarly, Greeks cherished clear skin, turning to nature's gifts like honey and olive oil to retain youthfulness and fight off skin ailments.
Fast forward to today, and with the flood of beauty influencers, trends, and products, the narrative is more nuanced than ever. We've started celebrating 'flaws' be it freckles, scars, or birthmarks. They’re seen as unique identifiers, personal badges of one’s journey. Yet, for some, blemishes become profound sources of insecurity, impacting their daily interactions, self-worth, and even mental health.
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William Llewellyn (Anabolics)
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You’ll know you’re on the right rack when the butterflies start to flutter in your stomach. Your heart will beat just a little faster. You’ll feel more awake than you’ve ever felt. And you’ll probably be a little scared. I interpret these signs to mean, “Move forward.
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Jill Winger (Old-Fashioned on Purpose: A Homesteading Manifesto—Rediscovering Simplicity and Meaning Through the Lost Arts of the Past such as Gardening, Canning and More)
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Suppression Techniques
1. Making invisible: Silencing or otherwise marginalizing people in opposition by ignoring them.
2. Ridicule: Portraying the arguments of an opponent, or the opponents themselves, in a ridiculing fashion.
3. Withholding information: Excluding a person from the decision making process, or knowingly not forwarding information so as to make the person less able to make an informed choice.
4. Double bind: Punishing or otherwise belittling the actions of an opponent, regardless of how they act.
5. Heaping blame/putting to shame: Embarrassing someone or insinuating that they themselves are to blame for their position.
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Berit As
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Although London is known for many things, a fashion-forward capital is not one of them.
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Anastasia Pash (Travel With Style: Master the Art of Stylish and Functional Travel Capsules)
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Simpa took place the entire time the moon was full and visible, which meant it was sometimes held for as many as three consecutive nights. Once the moon started to wane, it ended. It was the only entertainment people looked forward to from month to month. But it has pretty much died out now. It went out of fashion once electricity became widespread in the villages. Now people sit in front of their televisions and watch the flirtations of foreigners on the telenovelas and soap operas that are imported.
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John Dramani Mahama (My First Coup d'Etat: And Other True Stories from the Lost Decades of Africa)
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This was in 1916, when Hortense had been in the city for barely a month, living with her husband and infant son in a cramped apartment in Brooklyn, filled with cheap vinyl furniture and a roommate to help them cover the rent. Floyd was working as a junior clerk at a white-shoe law firm in Manhattan. His paycheck was small, but the position had career potential and was a step forward for the ambitious young couple.
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Julie Satow (When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion)
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stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration.
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Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
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Inside the decorative hand-crafted note, I read: Master Young Foong You are cordially invited To THE JEWEL OF INDIA Miram Mahārājñī Kunnathuparambil Fashion Extravaganza At THE BUTTERFLY GARDEN Rashtrapati Bhavan (President’s House) On the Thirtieth day of March, 1968 At Six o’clock, post meridian I look forward to seeing you Sincerely, Miram M. K. Répondez s’il vous plait To Miss Anuja Singh Before the fifteenth Day of March, 1968
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Young (Turpitude (A Harem Boy's Saga Book 4))
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Joseph stopped and suddenly his vision seemed to memorize her face. Not once did he move his eyes from her. “Miss Campbell, would you think me too forward if I—” “Joseph!” Nathaniel’s voice and sudden presence made Kitty gasp. Her eyes shot open wide and she clamped her teeth together to keep her mouth from following suit. What in mercy’s name was he doing here? Unfazed, Nathaniel smacked Joseph on the shoulder and nodded approval as he scanned the man’s suit and breeches. “You are always my inspiration for proper fashion, Joseph, I must say. You are dressed far finer than any other gentleman here, including myself. I’m surprised you don’t have a chorus of women clamoring for your attention.” Joseph grinned as if well acquainted with Nathaniel’s humor, then his smile rested slightly and he looked toward Kitty. “That honor is reserved for you Nathaniel, for I am much more content with only one.” Kitty’s heart tapped against her ribs. Raising her lips in the most tantalizing smile she could create, she turned her head. Flirtatiousness was never her strong suit, but somehow at this moment the ability proved almost innate. And not, she told herself, because it might make Nathaniel wish he’d come to speak to her sooner. The music began again and Joseph bowed, offering his hand. “It appears another dance is beginning, Miss Campbell. Would you do me the honor?” Kitty stepped forward, brushing her fingers across Joseph’s, bursting to life with all the charm she knew how to use but so rarely did. “I’d be honored, Mr. Wythe.” Quickly shooting Nathaniel a smile she hoped would broil him, Kitty followed Joseph onto the dance floor. Nathaniel dodged in front of them, his expression drawn. “Forgive me but I’m afraid your brother-in-law sent me looking for you, Miss Campbell.” Kitty frowned. “Is Eliza unwell?” He shook his head. “Thomas is with her at the fainting couch and asked me to see if you would be available to bring her something to drink.” Worry replaced every other emotion as she gently gripped Joseph’s firm hand. “Forgive me, Mr. Wythe, but I need to see to my sister. May we postpone this dance until a later time?” Joseph nodded, his mouth tipped at one side. “Of course, Miss Campbell. Another time then, and I shall look forward to it.
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Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
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The Tleilaxu secret must be in their sperm. Our tests prove that their sperm does not carry forward in a straight genetic fashion. Gaps occur. Every Tleilaxu we have examined has hidden his inner self from us. They are naturally immune to an Ixian Probe! Secrecy at the deepest levels, that is their ultimate armor and their ultimate weapon. —Bene Gesserit Analysis, Archives Code: BTXX441WOR On
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Frank Herbert (Heretics of Dune (Dune, #5))
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leaders.’ Nebe snorted and went back round his desk. ‘You’re going to have to watch your mouth, Bernie,’ he said, half-amused. ‘Get to the funny bit.’ ‘Well, it’s this. A number of recent reports, complaints if you like, made to Kripo by those related to institutionalized people leads me to suspect that some sort of mercy-killing is already being unofficially practised.’ I leant forward and grasped the bridge of my nose. ‘Do you ever get headaches? I get headaches. It’s smell that really sets them off. Paint smells pretty bad. So does formaldehyde in the mortuary. But the worst are those rotten pissing places you get where the dozers and rum-sweats sleep rough. That’s a smell I can recall in my worst nightmares. You know, Arthur, I thought I knew every bad smell there was in this city. But that’s last month’s shit fried with last year’s eggs.’ Nebe pulled open a drawer and took out a bottle and two glasses. He said nothing as he poured a couple of large ones. I threw it back and waited for the fiery spirit to seek out what was left of my heart and stomach. I nodded and let him pour me another. I said: ‘Just when you thought that things couldn’t get any worse, you find out that they’ve always been a lot worse than you thought they were. And then they get worse.’ I drained the second glass and then surveyed its empty shape. ‘Thanks for telling me straight, Arthur.’ I dragged myself to my feet. ‘And thanks for the warmer.’ ‘Please keep me informed about your suspect,’ he said. ‘You might consider letting a couple of your men work a friend-and-foe shift on him. No rough stuff, just a bit of the old-fashioned psychological pressure. You know the sort of thing I mean. Incidentally, how are you getting on with your team? Everything working out there? No resentments, or anything like that?’ I could have sat down again and given him a list of
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Philip Kerr (Berlin Noir: March Violets / The Pale Criminal / A German Requiem)
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Isaiah also declares the very same: “For there shall be a new heaven and a new earth; and there shall be no remembrance of the former, neither shall the heart think about them, but they shall find in it joy and exultation.” Now this is what has been said by the apostle: “For the fashion of this world passeth away.” To the same purpose did the Lord also declare, “Heaven and earth shall pass away.” When these things, therefore, pass away above the earth, John, the Lord’s disciple, says that the new Jerusalem above shall [then] descend, as a bride adorned for her husband; and that this is the tabernacle of God, in which God will dwell with men. Of this Jerusalem the former one is an image—that Jerusalem of the former earth in which the righteous are disciplined beforehand for incorruption and prepared for salvation. And of this tabernacle Moses received the pattern in the mount; and nothing is capable of being allegorized, but all things are stedfast, and true, and substantial, having been made by God for righteous men’s enjoyment. For as it is God truly who raises up man, so also does man truly rise from the dead, and not allegorically, as I have shown repeatedly. And as he rises actually, so also shall he be actually disciplined beforehand for incorruption, and shall go forwards and flourish in the times of the kingdom, in order that he may be capable of receiving the glory of the Father. Then, when all things are made new, he shall truly dwell in the city of God. For it is said, “He that sitteth on the throne said, Behold, I make all things new. And the Lord says, Write all this; for these words are faithful and true. And He said to me, They are done.” And
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The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)