Fart Sayings And Quotes

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Any man can fart in a closed room and say that he commands the wind
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
What can I say about love that’s never been said by me or anyone else? Well, sometimes love smells like my farts, after I eat a dozen roses.
Jarod Kintz (This Book is Not for Sale)
Your friends are at the house.' I sit up, straight. 'Who'? 'I don't know. Weird people. The Sullivan girl, whose father got the Gosford police to pick you up.' 'Siobhan?' 'And another one who's making cups of tea for everyone, and keeping the boy who's telling Luca fart jokes away from the girl who says he's "the last bastion of patriarchal poor taste".' 'Justine, Thomas and Tara.' And the drug fiend, Jimmy, is keeping Mia calm and the Trombal boy's rung about ten times. I don't like his manner on the phone.' 'You won't like any guy's manner on the phone.
Melina Marchetta (Saving Francesca)
People say that you always have to tell the truth. But they do not mean this because you are not allowed to tell old people that they are old and you are not allowed to tell people if they smell funny or if a grown-up has made a fart. And you are not allowed to say, 'I don't like you,' unless that person has been horrible to you.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Love is like a lost fart. If you have to force it, it's probably shit.
Stephen K. Amos (I Used to Say My Mother Was Shirley Bassey)
I am of a different mind ten times in the course of a day. But I resist the devil, and often it is with a fart that I chase him away. When he tempts me with silly sins I say, 'Devil, yesterday I broke wind too. Have you written it down on your list?
Martin Luther
Television, my dear Daniel, is the Antichrist, and I can assure you that after only three or four generations, people will no longer even know how to fart on their own. Humans will return to living in caves, to medieval savagery, and to the general state of imbecility that slugs overcame back in the Pleistocene era. Our world will not die as a result of the bomb, as the papers say - it will die of laughter, of banality, of making a joke of everything, and a lousy joke at that.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
I swear, guys in groups are capable of the stupidest things." "Like war," Kellan says, heaping napkins and ketchup packets onto her tray. "And jumping off rooftops." "And lighting their farts on fire," she says.
Jay Asher (The Future of Us)
Suddenly, the gods have stopped saying yes and have started making really obnoxious farting noises. In my face. With their armpits.
Jody Gehrman (Babe in Boyland)
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
No matter how politely one says it, we owe our existence to the farts of blue-green algae.
Diane Ackerman (An Alchemy of Mind: The Marvel and Mystery of the Brain)
No one ever answered my question," Hayden says. "Looks like no one has the guts" "Which one?" Asks Connor. " You've got questions coming out of you like farts on Thanksgiving.
Neal Shusterman (Unwind (Unwind, #1))
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
Jonathan Safran Foer
We say “brain fart” when we should really say “cache miss.
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
I thought, What a miserable life he's had, having to hide his religion, his name, just to get a job as a driver—and he is a good driver, no question of it, a far better one than I will ever be.Part of me wanted to get up and apologize to him right there and say, You go and be a driver in Delhi. You never did anything to hurt me. Forgive me, brother. I turned to the other side, farted, and went back to sleep.
Aravind Adiga (The White Tiger)
Mmm, butt bagels." Elody reaches into the bag and pulls out a bagel, half squashed, then makes a big deal of taking an enormous bite out of it. "Taste like Victoria's Secret." "Taste like thong floss," I say. "Taste like crack," Lindsay says. "Taste like fart," Elody says, and Lindsay spits coffee on the dashboard, and I start laughing and can't stop, and all the way to school we're thinking of flavors for butt bagels, and I'm thinking that this---my life, my friends---might be weird or screwy or imperfect or damaged or whatever, but it's never seemed better to me.
Lauren Oliver (Before I Fall)
Are you still doing that crap?" I ask. "You can't even do it properly," Eileen says. "Just a matter of practice," Simone says. "Wow! Practicing how to poison yourself and make your breath reek like the fart of a seagull!" Eileen cries.
Randa Abdel-Fattah (Does My Head Look Big In This?)
Hey, it's not like we were together for a hundred years or anything." He tapped his fingernail against his teeth and sucked in a breath. "No, wait." "If you don't knock it off I'm going to kick your ass so hard you'll fart everything you say.
Dana Marie Bell (Noble Blood (The Gray Court, #2))
That is a fart without wind....." in reference to when you can't back up what you say. very funny.
Faye Kellerman (Straight into Darkness)
What kind of power was it if everybody knew that it would never be used? Better to say that it was not there, that it was no more than the power in the anus of the proud dog who tried to put out a furnace with his puny fart.... He turned the yam with a stick.
Chinua Achebe (Arrow of God (The African Trilogy, #3))
I know that when ye think o’ love you’re supposed to think o’ kissy faces and scented soap and hummin’ happy songs together, but there’s another vital part to it that people rarely admit to themselves: We want somebody to rescue us from other people. From talking to them, I mean, or from the burden of giving a damn about what they say. We don’t want to be polite and stifle our farts, now, do we? We want to let ’em rip and we want to be with someone who won’t care if we do, who will love us regardless and fart right back besides.
Kevin Hearne (Staked (The Iron Druid Chronicles, #8))
I’d straight-up suck a fart out of that ass,' I hear Adrian say, followed by, 'Ow, motherfucker!
Charleigh Rose (Bad Habit (Bad Love, #1))
Things can get tough out there. I am in no way saying life is easy and we should breeze through it like a fart through silk filter; we are going to take our lumps and deal with our own unique adversity. What I am saying is that in all the chaos, remember to breathe, remember to smile, and remember that the only time to panic is when there is truly no tomorrow. Fortunately for the majority of us, tomorrow will always meet us in the morning with a cup of coffee and a fresh deck of cigarettes, ready to crack it's cocoon and mature into today. So ease the grip on your moralities and be yourself. Fantastic is really just the flaws. Nobody is perfect - not you, not me, not Jesus, Buddha, Jehovah, not God. But the great thing is that you do not have to be perfect to be alive, and that is what makes life absolutely perfect.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’ Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
O woman, father says natural is beautiful so why do you redden your cheeks and blacken your eyes? Why do you remove the hair on your legs and draw them into your brows? Why do you hold your breath lest your stomach show and hold your fart lest they know that you’re a human? O woman, father says natural is beautiful so why do you straighten your hair to curl it next and pretend to orgasm so they think you enjoyed the sex? Why do you dumb yourself down and push your breasts up? Why do you smile when you’re told to and love when you don’t want to? When? When will you stop, woman? Father says natural is beautiful but that is doubtful for what does father know he’s only a fellow.
Kamand Kojouri
These guys fart a lot as well. I'm not saying that girls don't. We just aren't as passionate about them. The smell is sometimes overwhelming and I want to gag. They don't just limit these attacks to the classroom-they can come at you from anywhere around the school. The corridor, the stairwell, the canteen line. There's one area we call Fart Corridor because it belongs to the Year Eights and Nines, who are the biggest perpetrators. They make no apologies and feel no embarrassment. If a girl did one at St. Stella's she'd be an outcast for the rest of her natural life. Here, it's a badge of honor.
Melina Marchetta (Saving Francesca)
But you can't say no to a birthday present, so she took the little pony to her room, where it ate things it shouldn't have, and farted too much.
Kate Beaton (The Princess and the Pony)
On the great Belomor Canal even an automobile was a rarity. Everything was created, as they say in camp, with 'fart power'.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
I am a millennial. Generation Y; born between the birth of AIDS and 9/11, give or take. They call us the global generation. We are known for our entitlement and narcissism. Some say it’s because we’re the first generation where every kid gets a trophy just for showing up. Others think it’s because social media allows us to post when we fart or have a sandwich for all the world to see. But it seems our one defining trait is a numbness to the world. An indifference to suffering.
American Horror Story
I will say one thing about those males, there is never a dull moment." Peri suddenly appeared causing everyone to jump. "Bloody hell," Jen barked. "Couldn't you send out some sort of signal that you're about to appear out of thin air?" Lilly asked. "What do you expect me to do...fart just before I appear so the smell alerts you?" Peri took a seat next to Alina and crossed her legs, appearing regal despite her crude words. "Why do you say we would be alerted by the smell, rather than the sound?" Sally asked. Peri smiled. "I think you humans call them silent but deadly.
Quinn Loftis (Sacrifice of Love (The Grey Wolves, #7))
He says that I'm as subtle as a fart at a funeral.
Martin Crosbie
I had two beady brown eyes that, no matter how hard I tried to look mysterious and cool, always seemed to say "It wasn't just me who farted.
Brian Katcher (Playing with Matches)
Your smile is weird," Ed says when I reach him. "Like you're farting."...."Do you want to sit inside or outside?" He points to my stomach. "Maybe outside, better air circulation?
Christina Lauren (My Favorite Half-Night Stand)
Kat turns his eyes to heaven, lets off a mighty fart, and says meditatively: Every little bean must be heard as well as seen.
Erich Maria Remarque (All Quiet on the Western Front (Dead Reckoning))
Exeter was a walled city and on his arrival William found the rebels manning the whole circuit of its ramparts. In a final attempt to induce a surrender he ordered one of the hostages to be blinded in view of the walls, but, says Orderic, this merely strengthened the determination of the defenders. Indeed, according to William of Malmesbury, one of them staged something of a counter-demonstration by dropping his trousers and farting loudly in the king’s general direction.
Marc Morris (The Norman Conquest)
There was a rare quality about Nurse Grace’s smile. It was the knowledge that sooner or later her smile would inspire some witty observer to say something around the lines of, “Every time you do this, an angel farts”.
Sorin Suciu (The Scriptlings)
He said he'd teach her the important things, starting with the most important thing of all, the correct way to make tea and rice, so tea wasn't overbrewed and the rice wasn't overcooked. He said: You want to make food forget Indian way. Indian's system is like American system, everything overdone. They have no subtle. He sent her to buy octopus. She brought the tentacles home in a bag of ice and cut them into thin slices, at a sharp angle. She put the sliced octopus in a saucepan with ginger and green onions and added a black bean paste. He told her to touch the octopus to the flame and serve. But she let the dish cook for a good five minutes until the flesh was tough and rubbery. You overdid, he told her. Old Chinese saying, you don't need take off your pant to fart.
Jeet Thayil (Narcopolis)
When Maester Aemon heard him sing, he said his voice was honey poured over thunder.” Jon smiled. “Toad sometimes sings too, if you call it singing. Drinking songs he learned in his father’s winesink. Pyp says his voice is piss poured over a fart.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Here’s a free tip,” his father says: “The feds aren’t terribly impressed by infantile egoism. In fact, if Objectivism were at the center of human philosophical discourse rather than the fringes, we wouldn’t be here—the Big Zap would have arrived decades ago. But I’m going to be generous and let you write down the ghost of Ayn Rand as a brain fart. I won’t bring her up again if you don’t.
Cory Doctorow (The Rapture of the Nerds)
On the weekend I made up some cool sounding superhero names. Just in case I ever need one. I have to say, it was quite difficult because, you know, it’s important to get just the right tone. Here they are: Farty McFart Pants Stinky McFarter Captain Fart-a-lot The Fartinator
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
We got to the moment when I wake up from being "mostly dead" and say: "I'll beat you both apart! I'll take you both together!", Fezzik cups my mouth with his hand, and answers his own question to Inigo as to how long it might be before Miracle Max's pill begins to take effect by stating: "I guess not very long." As soon as he delivered that line, there issued forth from Andre' one of the most monumental farts any of us had ever heard. Now I suppose you wouldn't expect a man of Andre's proportions to pass gas quietly or unobtrusively, but this particular one was truly epic, a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set were now grabbing on to out of sheer fear. It was long enough and loud enough that every member of the crew had time to stop what they were doing and take notice. All I can say is that it was a wind that could have held up in comparison to the one Slim Pickens emitted int eh campfire scene in Mel Brooks's Blazing Saddles, widely acknowledged as the champion of all cinematic farts. Except of course, this one wasn't in the script.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
She’d taken the time and care to have her tape recorder ready so that any time she had to fart, she could just pick it up and rip one. When she had a full cassette tape, she drew up a cover and mailed it to the office. I’d play it for people and they’d say, “That’s from your Mother???” She
Doug Stanhope (Digging Up Mother: A Love Story)
Some well-meaning folks think if we stop talking about racism, it’ll magically disappear, like the smell of an errant fart. But like a fart, people might try to be polite and ignore it, but everyone knows it’s there. Avoidance has never been a great tactic in solving any problem. For most situations in life, not addressing what's going wrong only makes matters worse. It’s like someone breaks your arm, and the person who slammed the baseball bat into it is saying, 'The only reason it won’t heal is because you keep complaining that it hurts.' How about you get me a cast so the bone can set straight again? America does not want to put the effort into providing this cast. This is why we must talk about race, and we must do it openly.
Luvvie Ajayi Jones (I'm Judging You: The Do-Better Manual)
I soon learned that everyone in Paris was like that. You would go into a bakery and be greeted by some vast sluglike creature with a look that told you you would never be friends. In halting French you would ask for a small loaf of bread. The woman would give you a long, cold stare and then put a dead beaver on the counter. “No, no,” you would say, hands aflutter, “not a dead beaver. A loaf of bread.” The sluglike creature would stare at you in patent disbelief, then turn to the other customers and address them in French at much too high a speed for you to follow, but the drift of which clearly was that this person here, this American tourist, had come in and asked for a dead beaver and she had given him a dead beaver and now he was saying that he didn’t want a dead beaver at all, he wanted a loaf of bread. The other customers would look at you as if you had just tried to fart in their handbags, and you would have no choice but to slink away and console yourself with the thought that in another four days you would be in Brussels and probably able to eat again.
Bill Bryson (Neither Here Nor There: Travels in Europe)
We don’t simply say something that’s untrue. We make statements so insane that there’s no possible intelligent response. Like arguing with some old fart in a rocking chair who claims we never landed on the moon. Any educated person can only laugh. Meanwhile, we’ve just won over all the non-moon-landing votes.
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
We want somebody to rescue us from other people. From talking to them, I mean, or from the burden of giving a damn about what they say. We don’t want to be polite and stifle our farts, now, do we? We want to let ’em rip and we want to be with someone who won’t care if we do, who will love us regardless and fart right back besides.
Kevin Hearne (Staked (The Iron Druid Chronicles, #8))
My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.
James Joyce
Mikey’s father, champion of all pint drinkers, is like my uncle Pa Keating, he doesn’t give a fiddler’s fart what the world says and that’s the way I’d like to be myself.
Frank McCourt (Angela's Ashes)
Like it says in the Bible, being a friend means never having to witness farting belly buttons. Or something. I might be misremembering.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
To say that a fart cleared the air may seem a contradiction in terms, but life is full of contradictions.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
When I’m cold and I fart, I always admonish myself saying, “Stop! Close the back door. You’re letting all the cold air in.
Jarod Kintz (This Book is Not for Sale)
Oh for God’s sake, Jack, lighten up. You know the old saying. Every man loves the smell of his own farts.” In
Jake Needham (Laundry Man (Jack Shepherd #1))
Mom says the farting nurse turned out to be a very nice woman.
R.J. Palacio (Wonder)
Confucius say, man who fart in church sit in own pew.
Angela Roquet (Psychopomp (Lana Harvey, Reapers Inc. #4))
We say "brain fart" when we should really say "cache miss".
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
Right now is the shiny happy part that everyone loves. It’s why so many people get married after barely knowing each other. It’s also why they get divorced when they do know each other.” She laughs, and I lean back, mulling that over. I don’t remember the ‘honeymoon’ phase being this damn good in the past. “I’m overanalyzing this,” I say on a sigh. “It’s your nature. It’s what makes you good at this job. But I’m telling you, right now the girl could fart out toxic waste that had you pulling on a mask, and you’d think it was cute. It’s part of the phase.
S.T. Abby (The Risk (Mindf*ck, #1))
(talking about when he tells his wife he’s going out to buy an envelope) Oh, she says well, you’re not a poor man. You know, why don’t you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I’m going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don’t know. The moral of the story is, is we’re here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don’t realize, or they don’t care, is we’re dancing animals.
Kurt Vonnegut Jr.
Teenage guys are not supposed to be concerned like this. They are supposed to tell fart jokes, and comment on girls' boobs, and not really pay attention when something is bothering a friend. It's really, really difficult when they convince you they can be something else entirely - a human being, one who truly cares, especially when they're less yours and more someone else's.
Karole Cozzo (How to Say I Love You Out Loud)
Ah, okay, I understand,” Gennady says, nodding, his signature smile starting to emerge. “It’s from when the Russian diet consisted mostly of potatoes, cabbage, and vodka. Dill gets rid of farts.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
Classically, cosmetics companies will take highly theoretical, textbookish information about the way that cells work—the components at a molecular level or the behavior of cells in a glass dish—and then pretend it’s the same as the ultimate issue of whether something makes you look nice. “This molecular component,” they say, with a flourish, “is crucial for collagen formation.” And that will be perfectly true (along with many other amino acids which are used by your body to assemble protein in joints, skin, and everywhere else), but there is no reason to believe that anyone is deficient in it or that smearing it on your face will make any difference to your appearance. In general, you don’t absorb things very well through your skin, because its purpose is to be relatively impermeable. When you sit in a bath of baked beans for charity, you do not get fat, nor do you start farting.
Ben Goldacre (Bad Science: Quacks, Hacks, and Big Pharma Flacks)
Pleasure died forty years ago in America, perhaps further back, in a wave of carbon monoxide, gasoline, cigarettes for dames, the belief in everything and everybody, tolerance for the intolerable, the hatred of being alone in silence for more than twenty seconds, the assurance that immortality was Americans eating all-cow franks, with speeded-up peristalsis while talking to a crowd of fifteen trillion other same-bodies eating sandwiches, gassing cokes, peristalsing, and talking, while baseball-sound-movie-TV tomorrow's trots off track betting howled roared farted choked gagged exploded reentered atmo honked bawled deafened pawed puked croaked shouted repeated repeated REPEATED, especially SAY IT AGAIN LOUDER SAY IT AGAIN, stick that product in every God-damned American's mouth and make him say I BOUGHT IT, GOD I BOUGHT IT AND IT'S GREAT IT's HOLLYWOOD IT'S MY ARSE GOING UP AND DOWN AGAIN, IT'S USA, GOD, and if you can't get it in his mouth and make him SWEAR IT SWEAR IT USA, stick it in his anal sphincter (look it up in the dictionary, college graduates, on account of you didn't have time to learn it in the College of Your Choice).
James Purdy
I want more friends, more casual impromptu hangs, more dropping by with dinner, more walking and talking and advice sessions, more kids underfoot, more asking for and saying what we need, more hands to carry heavy boxes, more laughing and cackling and snorting, more children farting at the dinner table, more of what makes life messy, less painful, more sweet. I want to give and receive, to always be swapping Tupperware and food, all of us crowded together like curvy lumpen mangoes in a baking dish.
Angela Garbes (Essential Labor: Mothering as Social Change)
Your mother didn't give birth to you," I told hint, "but farted you out of her shrivelled arsehole." "Frightened or not," Asser said, "you've taken Peredur's silver, so you must fight them now." "Say one more word, monk," I said, "and I'll cut off your scrawny balls.
Bernard Cornwell (The Pale Horseman (The Saxon Stories, #2))
Holly wanted to be sure she understood what was being said. “So you’re saying that Shelly is going to light a fart?” “No, Shelly is going to light the fart. He has stored enough methane to power Haven for a year. There hasn’t been a fart like this since the last dwarf tribal gathering.
Eoin Colfer (The Time Paradox (Artemis Fowl, #6))
His humor has many levels. The lowest is his puerile affection for poop emojis, fart sounds programmed into the Tesla, and other discharges of bathroom humor. Say the voice command “Open Butthole” to the console in a Tesla, and it opens the electric charging port at the rear of the vehicle.
Walter Isaacson (Elon Musk)
I have to say, it was quite difficult because, you know, it’s important to get just the right tone. Here they are: Farty McFart Pants Stinky McFarter Captain Fart-a-lot The Fartinator The Vominator The Snotinator (he has a gun called the Booger Blaster) Captain Poop-a-lot Captain Booger Butt
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Alec took another bite and pushed it to the side of his mouth. “That’s the spirit.” “Do they not teach manners in the army?” Trina asked. “You know, it’s just as easy to take a bite after you say something as right before it.” Alec chomped on his bar. “It is?” He croaked a laugh and little pieces of granola shot out. Which made him roar even harder. He choked out a cough, composed himself, then was laughing all over again. It was such a rare sight to see Alec acting like this, Mark didn’t know how to respond at first. But then he soaked it in, chuckling right along even though he’d forgotten what was funny in the first place. Trina had a smile on her face, and little Deedee was giggling heartily. The sound of it filled Mark up and washed away the doldrums. “You’d think someone farted, the way you’re all getting on,” Lana said with a deadpan look. That sent everyone into an even bigger fit that went on for several minutes, resparked every time it began to die down by Alec making gassy noises. Mark laughed until his face hurt and he tried his best to stop smiling, which made him laugh even harder. Finally it did settle down, ending with one big sigh from the former soldier. Then he stood up.
James Dashner (The Kill Order (The Maze Runner, #0.4))
Fleaver, babe?” he asks Landry. Again, what did he just say? Rhett groans. “I’m already sorry, and I apologize to the whole table in advance, but I just have to know. What the hell does fleaver mean?” “You know, when a woman’s sitting down and farts?” Jarrett looks at Rhett incredulously, positive everyone knows random stuff like this. “If they’re on their ass, especially if their pants are tight, sometimes a fart is forced in a new direction and fluffs its way up their beaver. A fleaver.” He puts up either “ta-da” or “duh” hands—I’m not sure which. “It gives ‘em a shocking lil’ tickle, like oh, ahhhh.
S.E. Hall (Pretty Remedy (Finally Found, #2))
People say that you always have to tell the truth. But they do not mean this because you are not allowed to tell old people that they are old and you are not allowed to tell people if they smell funny or if a grown-up has made a fart. And you are not allowed to say “I don’t like you” unless that person has been horrible to you.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
You look beautiful.” Lindsay giggles, checks Elody out in the rearview. “There are some bagels under your butt, beautiful.” “Mmm, butt bagels.” Elody reaches into the bag and pulls out a bagel, half squashed, then makes a big deal of taking an enormous bite out of it. “Tastes like Victoria’s Secret.” “Tastes like thong floss,” I say. “Tastes like crack,” Lindsay says. “Tastes like fart,” Elody says, and Lindsay spits coffee on the dashboard, and I start laughing and can’t stop, and all the way to school we’re thinking of flavors for butt bagels, and I’m thinking that this—my life, my friends—might be weird or screwy or imperfect or damaged or whatever, but it’s never seemed better to me.
Lauren Oliver (Before I Fall)
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
J.D. Salinger (The Catcher in the Rye)
After deliberating my options for a split second, I rolled my chair over to watch him tattoo the guy he had hunched over, working on an old pirate ship right smack on the middle of the man’s brawny shoulder. I didn’t say a word as I watched him, not wanting to distract him from the man who had been all too excited to request Slim’s work an hour before. But my friend Slim had other thoughts. His green eyes flashed up at me. “What was that about?” "Huh?" I played stupid. Slim pulled the gun off the customer’s skin, dabbing at the beaded blood before continuing with a shake of his head. "Since when are you guys BFFs?" I’d learned over the last month how chatty all the guys were, well, specifically Slim and Blake. If I answered his question just remotely weird, I’d bet my first born Slim would jump to some kind of crazy conclusion that I wanted no part of. So I went with the truth. “I heard him fart last night. It kind of broke the ice.” The little whistle he let out told me that was good enough. He snorted and raised an eyebrow before getting back to work. “That’ll do it.
Mariana Zapata (Under Locke)
It is still three days,” she says, “and there is always the Hunt. The ritual hunt to provide meat for the feasts. Then normally there are daily blessings, and rites that the temple performs. But this year there won’t be much of that. Everyone will be preparing for the Disembarking the night after the Hunt, and the Quickening on the night after that.” “The Disembarking,” he says. “Where you are presented to the suitors.” “Where the suitors are presented to us,” she says, and punches him in the arm. “All right. Ow. And the Quickening. That’s when you demonstrate your gift. How are you going to manage that?” he asks, and braces for another hit. Arsinoe chuckles instead. “I thought I would learn to juggle three herring,” she says. “Katharine will eat poison, and Mirabella . . . Mirabella can fart cyclones for all it will matter. The island will love her best.” “Fart cyclones,” Billy says, smirking. “Yes, you would like that, would you?” He shakes his head. “And after Beltane is over, that’s when you are courted, officially,” he says. “And when . . .” “And when we can kill one another,” Arsinoe says. 
Kendare Blake (Three Dark Crowns (Three Dark Crowns, #1))
They would be on the brink of a serious falling out when suddenly the danger would pass as if it had never existed—“like a fart in a gale of wind,” as Dan liked to say. He had a way of saying the most patently offensive things, plain or profane, without offending. A rare gift, she concluded. The other men in her life somehow always managed to offend even when they were tiptoeing.
Richard Russo (Mohawk)
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
People change for each other all the time. Take any love story, any great love story at all, and you'll see that people have to be willing to change if they're going to make things work out. Like Shrek, when Fiona tells Shrek that she's sick of his burping and farting and everything. And Shrek's like, 'I'm an ogre. Deal with it.' And Fiona says, 'What if I can't?' So Shrek takes that potion that turns him into a hunky prince. He does it out of love for Fiona.
Lauren Myracle
It pisses me off sometimes, thinking about everything he’s been through. He’s a good person. He really cares, and he tries. He never deserved any of it.” June leans forward, looking at the picture too. “Have you ever told him that?” “We don’t really…” Alex coughs. “I don’t know. Talk like that?” June inhales deeply and makes an enormous fart noise with her mouth, shattering the serious mood, and Alex is so grateful for it that he melts onto the floor in a fit of hysterical laughter. “Ugh! Men!” she groans. “No emotional vocabulary. I can’t believe our ancestors survived centuries of wars and plagues and genocide just to wind up with your sorry ass.” She throws a pillow at him, and Alex scream-laughs as it hits him in the face. “You should try saying some of that stuff to him.” “Stop trying to Jane Austen my life!” he yells back. “Listen, it’s not my fault he’s a mysterious and retiring young royal and you’re the tempestuous ingénue that caught his eye, okay?
Casey McQuiston (Red, White & Royal Blue)
All we really have is the present moment. If we can't find happiness now, will we really have it when our "dream life" is here? It seems like so many people are waiting for the perfect job, to lose 30 pounds, to reach retirement, or to find the right partner to be happy. We think THEN everything will be great, and we'll magically find the peace in life we are looking for. But how many times have you reached that goal only to find that you immediately move on to the next life goal? You don't even relish what you achieved... The key is in the present moment.
Crystal Gray (Goddesses Fart Too: A modern guide to spiritual enlightenment for increased happiness, patience, and inner peace)
I squeak when he lifts me up and over his shoulder. Smacking my ass so hard it tingles, he says, “I told you, girl. I am lucky.” He throws me down onto the bed and I giggle. Freeze. Hold the hell up. I gasp and Ash chuckles. I whisper, “Did I- I think that was- I can’t believe I just-” “I think you just giggled,” he smirks, thoroughly amused. Shaking my head, I lie, “No, it wasn’t. I don’t giggle. It was gas.” Ash throws his head back and laughs hard. I can’t help but laugh with him. He runs a hand through his hair. “Only you would think that giggling is worse than farting.” Shaking his head, he mutters, “Too damn cute.
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
When Love becomes a command, Hatred can become a pleasure. *  *  * if you don’t gamble, you’ll never win *  *  * Beautiful thoughts, and beautiful women never last *  *  * you can cage a tiger but you’re never sure he’s broken. Men are easier *  *  * if you want to know where God is, ask a drunk. *  *  * there aren’t any angels in the foxholes *  *  * no pain means the end of feeling; each of our joys is a bargain with the devil. *  *  * the difference between Art and Life is that Art is more bearable *  *  * I’d rather hear about a live American bum than a dead Greek God. *  *  * there is nothing as boring as the truth *  *  * The well balanced individual is insane *  *  * Almost everybody is born a genius and buried an idiot *  *  * a brave man lacks imagination. Cowardice is usually caused by lack of proper diet. *  *  * sexual intercourse is kicking death in the ass while singing *  *  * when men rule governments, men won’t need governments; until then we are screwed *  *  * an intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way. *  *  * everytime I go to a funeral I feel as if I had eaten puffed wheat germ *  *  * dripping faucets, farts of passion, flat tires — are all sadder than death. *  *  * if you want to know who your friends are, get yourself a jail sentence
Charles Bukowski (Notes of a Dirty Old Man)
Besides, I'm okay alone. I don't always want to answer a question about why I'm coughing if I'm coughing. I like falling into Return to a Place Lit by a Glass of Milk without being asked what am I reading. I appreciate not being interrupted in the middle of thinking about nothing. Nobody shoos my dogs off the sofa or objects to the three of them with sardine breath farting under the covers in bed at night. I like moving furniture around without anyone wishing I wouldn't or not noticing that I have. I like cooking or not, making the bed or not, weeding or not. Watching movies until three am and no one the wiser. Watching movies on a spring day and no one the wiser. To say nothing of the naps.
Abigail Thomas (A Three Dog Life)
It jars me. I remain in control but groping, grappling, wrestling with how to think of it. Here's one way. All those years, all those Labours, I'm living a completely socialist existence. The Labours have to be done and that is that. The Labours tell me when to go to bed, what to eat, what to wear, who to kill and what next. Then I come up from hell, Labours done and they say, Magic! Two o'clock today you are a capitalist! Figure it out! I find no assistance only degradation. I know no rules. I am assigned a therapist who tells me I'm fine. I watch myself become debased, hateful, resentful, mean, I yell all the time. You think psychopathy has nothing to do with the capitalist system? You're wrong. Capitalism farts cruelty like gas from a lawnmower.
Anne Carson (H of H Playbook)
As soon as he delivered that line, there issued forth from André one of the most monumental farts any of us had ever heard. Now, I suppose you wouldn’t expect a man of André’s proportions to pass gas quietly or unobtrusively, but this particular one was truly epic, a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set we were now grabbing on to out of sheer fear. It was long enough and loud enough that every member of the crew had time to stop what they were doing and take notice. All I can say is that it was a wind that could have held up in comparison to the one Slim Pickens emitted in the campfire scene in Mel Brooks’s Blazing Saddles, widely acknowledged as the champion of all cinematic farts.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
He looked directly at Grant: “I will tell them that I think you are guilty of the murder of three people and that you were the sponsor of the child-pornography smear, and that I think a person of your brand of social pathology—I believe you are a psychopath, and I will tell them that—has no place in the Senate. And I will continue to argue that here in Minnesota for the full six years of your term, and do everything I can to wreck any possible political career that you might otherwise have had.” Grant smiled at him and said, “Fuck you.” The governor said, “Okay, okay, Porter. Now, Taryn, do you have anything for us?” “No, not really. I’ll be the best senator I can be, I reject any notion that I was involved in this craziness.” She looked at Smalls: “As for you, bring it on. If you want to spend six years fighting over this, by the time we’re done, you’ll be unemployable and broke. I would have no problem setting aside, say, a hundred million dollars for a media campaign to defend myself.” “Fuck you,” Smalls said. And, “By the way, I’d like to thank Agent Davenport for his work on this. I thought he did a brilliant job, even if I wound up losing.” Grant jumped in: “And I’d like to say that I think Davenport created the conditions that unnecessarily led to the deaths in this case, that if he’d been a little more circumspect, we might still have Helen Roman and Carver and Dannon alive, and might be able to actually prove what happened, so that I’d be definitively cleared.” Smalls made a noise that sounded like a fart, and Henderson said, “Thank you for that comment, Porter.
John Sandford (Silken Prey (Lucas Davenport #23))
If he says, “I'm dropping a pearl,” or “A pearl slipped,” he means that he has farted in a certain way, very softly, that the fart has flowed out very quietly. Let us wonder at the fact that it does suggest a pearl of dull sheen: the flowing, the muted leak, seems to us as milky as the paleness of a pearl, that is, slightly cloudy. It makes Darling seem to us a kind of precious gigolo, a Hindu, a princess, a drinker of pearls. The odor he has silently spread in the prison has the dullness of the pearl, coils about him, haloes him from head to foot, isolates him, but isolates him much less than does the remark that his beauty does not fear to utter. “I'm dropping a pearl” means that the fart is noiseless. If it rumbles, then it is coarse, and if it's some jerk who drops it, Darling says, “My cock's house is falling down!
Jean Genet (Our Lady of the Flowers)
I couldn't change enough, and I knew it. All I could do was something that would have pleased mo t h e r . I could give up swearing, I could clean up my language which had upset mother so. And so I did. "You mean you're not going to say 'fuck' or 'shit' or 'cocksucker' or even 'up yours' or 'in the ear' or anything, anymore?" Franny asked me. that's right," I said. "Not even 'asshole'?" Franny asked. "Right," I said. "You asshole," Franny said. "It makes as much sense as anything else," Frank reasoned. "You dumb prick," Franny baited me. "i think it's rather noble," Lilly said. "Small, but noble." "He lives in a second-rate whorehouse with people who want to start the world over and he wants to clean up his language," Franny said. "Cunthead," she told me. "You wretched fart," Franny said. "Beat your meat all night and dream of tits, but you want to sound nice, is that it?" she
John Irving (The Hotel New Hampshire)
The dead man’s nephew, excused from this duty, walks far ahead out of earshot. We are free as we go stumbling and sweating along to say exactly what we please, without fear of offending. “Heavy son of a bitch.…” “All blown up like he is, you’d think he’d float like a balloon.” “Let’s just hope he don’t explode.” “He won’t. We let the gas out.” “What about lunch?” somebody asks; “I’m hungry.” “Eat this.” “Why’d the bastard have to go so far from the road?” “There’s something leaking out that zipper.” “Never mind, let’s try to get in step here,” the sheriff says. “Goddamnit, Floyd, you got big feet.” “Are we going in the right direction?” “I wonder if the old fart would walk part way if we let him out of that bag?” “He won’t even say thank you for the ride.” “Well I hope this learned him a lesson, goddamn him. I guess he’ll stay put after this.…” Thus we meditate upon the stranger’s death.
Edward Abbey (Desert Solitaire)
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
Ray Gonzalez
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
William S. Burroughs
I really think that if we don’t start caring about whether people tell the truth or not, it’s going to be literally impossible to restore anything approaching a reasonable political discourse. Politicians have always shaded the truth. But if you can say something that is provably false, and no one cares, then you can’t have a real debate about anything. I firmly believe that you can draw a straight line from Rush Limbaugh through Fox News through present-day websites like Breitbart and the explosion in “fake news”* that played such a big role in the 2016 campaign. And that’s how someone like Trump can wind up in the Oval Office. I know I’m sort of farting into the wind on this. But I hope you’ll fart along with me. I’ve always believed that it’s possible to discern true statements from false statements, and that it’s critically important to do so, and that we put our entire democratic experiment in peril when we don’t. It’s a lesson I fear our nation is about to learn the hard way.
Al Franken (Al Franken, Giant of the Senate)
Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
Patrick O'Brian (Desolation Island (Aubrey & Maturin #5))
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
He thinks about it for a moment. "All right. I'll go firts" He takes a deep breath. Do you know what a bidet is? One of those fancy toilet things with the hose to was your-" I know what it is," I cut him off. Well. I didn't. At least I didn't when I was ten. We were on vacation in New York when we got to the room, I went into the bathroom and saw it there. And I just stared at it for a while trying to figure out what it might be." This isn't going to end well, is it?" Finally, I did figure it out. Or at least I thought I did." You didn't!" Oh, yes I did. I called out, 'Mon, Dad, there's a water fountain in the bathroom.' They tried to rush in and stop me, but they were too late." .... This spring I took the SAT at the comunity college. About halfway through the test, I adjusted the way I was sitting and-" He cuts me off. "Oh, my God. You're Fart Girl!" Fart Girl?" I say, mortified. "You mean, you heard about what happened?" He started laughing. "I didn't hear about it. I heard it. I was there, in the same classroom. I didn't know who did it, but I definately heard it." He laughs some more. "The whole section was cracking up.
Jamie Ponti
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
Kelly Bryson (Don't Be Nice, Be Real)
I came from a place where everyone was friendly, where even funeral directors told you to have a nice day as you left to bury your grandmother – but I soon learned that everyone in Paris was [rude]. You would go into a bakery and be greeted by some vast slug-like creature with a look that told you you would never be friends. In halting French you would ask for a small loaf of bread. The woman would give you a long, cold stare and then put a dead beaver on the counter. ‘No, no,’ you would say, hands aflutter, ‘not a dead beaver. A loaf of bread.’ The slug-like creature would stare at you in patent disbelief, then turn to the other customers and address them in French at much too high a speed for you to follow, but the drift of which clearly was that this person here, this American tourist, had come in and asked for a dead beaver and she had given him a dead beaver and now he was saying that he didn’t want a dead beaver at all, he wanted a loaf of bread. The other customers would look at you as if you had just tried to fart in their handbags, and you would have no choice but to slink away and console yourself with the thought that in another four days you would be in Brussels and probably able to eat again.
Bill Bryson (Neither Here nor There: Travels in Europe)
What do woman say to little boys? " Stop fighting. Stop being so rough. Stop rough housing." They're boys you know, that's kinda what they're sapossed to do. So, men are sapossed to overcome all these biological drives and I'm just really interested in helping women overcome theirs caus' I think the spotlight of " Outgrow your bestial nature." has been pointed just a little bit too long at men and I think it's time to swivel that motherfucker around and point it at woman and say stop making yourself look like fucking sex clowns to milk money out of men's dicks. Stop lying about who you are and what you're about. Stop being flirty, manipulative, and trying to be sexy. Just stop doing it. It's time for women to outgrow biology just as men have been instructed to for about the last 20,000 years to outgrow their biology. "Stop slamming doors. Stop yelling. Stop climbing trees. Stop being rude. Stop farting. Stop enjoying fart jokes. Just stop being men." Ok, Well; women stop being women. Be people. Be people who have sex, absolutely but, don't be caricatures. Don't aim to be like a woman who looks like the outline of some playboy mudflap on a trucker's rig. Just be people. Be sexual. Enjoy your sexuality and bodies but, stop trying to bury us in tits so that we pass out and you can rifle through our bank accounts. Just stop doing that shit. I won't enable it anymore. Why does your face have to look like some half rained on Picasso water color? I don't need rainbows on the face of a woman. I don't need these weird butterfly wing goth eyebrows and shit like that. Male sexuality is demonized and female sexuality is elevated. That's bullshit. Then women wonder why men prefer porn to them. It's caus' porn doesn't nag you for wanting stuff that's defined as "kinky" or "weird". Male sexuality is demonized and held in low esteem. Woman's sexuality is always beautiful. Woman's sexuality is unremitting shallow. I'm not saying men's isn't but, we know that about men, right? What turns women on? Women say confidence. Do you know what that means? Money. Do women say " He is really confident about his sidewalk art. He is really confident about his subway busking. That's such a turn on!" Why do men like looking at naked women and women get turned on looking at clothed men? Because if a man's clothes aren't on you don't know how expensive his wardrobe is. This is what Mohammad Ali said. I'm going to throw on some old jeans and a old t-shirt and I'm just gonna walk down into some little town and find some woman who doesn't know who the hell I am and then when she's fallen in love with me and we get married, I'm going to take her to my million dollar mansion and my yacht. This is the reality. Once you start having money, once you start having power, then the true nature of massive swaths of female sexuality becomes clear.
Stefan Molyneux
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
(from) ARTAUD THE MOMO- In the humus of the plot with wheels, on the breathing humus of the plot of this void, between hard and soft. Black, violet, rigid, recreant and that's all. Which means that there is a bone, where god sat down on the poet, in order to sack the ingestion of his lines, like the head farts that he wheedles out of him through his cunt, that he would wheedle out of him from the bottom of the ages, down to the bottom of his cunt hole, and it's not a cunt prank that he plays on him in this way, it's the prank of the whole earth against whoever has balls in his cunt. And if you don't get the image, --and that's what i hear you saying in a circle, that you don't get the image which is at the bottom of my cunt hole,-- it's because you don't know the bottom, not of things, but of my cunt, mine, although since the bottom of the ages you've all been lapping there in a circle as if badmouthing an alienage, plotting an incarceration to death. ge re ghi regheghi geghena e reghena a gegha riri Between the ass and the shirt, between the gism and the under-bet, between the member and the let down, between the membrane and the blade, between the slat and the ceiling, between the sperm and the explosion, 'tween the fishbone and 'tween the slime, between the ass and everyone's seizure of the high-pressure trap of an ejaculation death rattle is neither a point nor a stone burst dead at the foot of a bound nor the severed member of a soul (the soul is nothing more than an old saw) but the terrifying suspension of a breath of alienation raped, clipped, completely sucked off by all the insolent riff-raff of all the turd-buggered who had no other grub in order to live than to gobble Artaud momo there, where one can fuck sooner than me and the other get hard higher than me in myself if he has taken care to put his head on the curvature of that bone located between anus and sex, of that hoed bone that i say in the filth of a paradise whose first dupe on earth was not father nor mother who diddled you in this den, but I screwed into my madness.
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year of the King: An Actor's Diary and Sketchbook)