Farming Inspirational Quotes

Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself.

You can put off your dreams, your desires, your careers, your farms. You can avoid your responsibilities, obligations, promises, and sovereign rights. But any person who wants to make music, and doesn't, is a goddamned fool.

The soul grows into lovely habits as easily as into ugly ones, and the moment a life begins to blossom into beautiful words and deeds, that moment a new standard of conduct is established, and your eager neighbors look to you for a continuous manifestation of the good cheer, the sympathy, the ready wit, the comradeship, or the inspiration, you once showed yourself capable of. Bear figs for a season or two, and the world outside the orchard is very unwilling you should bear thistles.

A farmer is a magician who produces money from the mud.

Live as though you’ll die tomorrow, but farm as though you’ll live forever.

No matter where I go, I’ll never forget home. I can feel its heartbeat a thousand miles away. Home is the place where I grew my wings.

Awake! arise! the hour is late! Angels are knocking at thy door! They are in haste and cannot wait, And once departed come no more. Awake! arise! the athlete's arm Loses its strength by too much rest; The fallow land, the untilled farm Produces only weeds at best.

You’re my north, south, east, and west, Millie Rose. You ground me, you guide me, you inspire me. And I’m madly in love with you.

Warm familiar scents drift softly from the oven, And imprint forever upon our hearts That this is home and that we are loved.

If the farmer is rich, then so is the nation.

In an earlier stage of our development most human groups held to a tribal ethic. Members of the tribe were protected, but people of other tribes could be robbed or killed as one pleased. Gradually the circle of protection expanded, but as recently as 150 years ago we did not include blacks. So African human beings could be captured, shipped to America, and sold. In Australia white settlers regarded Aborigines as a pest and hunted them down, much as kangaroos are hunted down today. Just as we have progressed beyond the blatantly racist ethic of the era of slavery and colonialism, so we must now progress beyond the speciesist ethic of the era of factory farming, of the use of animals as mere research tools, of whaling, seal hunting, kangaroo slaughter, and the destruction of wilderness. We must take the final step in expanding the circle of ethics. -

A big reason for optimism about the end of animal farming is that it doesn't have to be the end of meat.

We must learn from our struggles.

The vast majority of people eat animal products not because of how they’re produced, but in spite of it.

One of the most useful skills advocates can develop is a sincere satisfaction in changing their mind, putting the goal of effectiveness before the goal of having been correct.

Many years from now, our descendants will look back on the use of animals for food—particularly the intense animal suffering in factory farms—as a moral atrocity.

What we dedicate today is not a memorial to war, rather it's a tribute to the physical and moral courage that makes heroes out of farm and city boys and that inspires Americans in every generation to lay down their lives for people they will never meet, for ideals that make life itself worth living.

The farm is a base of operations–a stronghold. You can withdraw into yourself there. Solitude for reflection is an essential ingredient in self-development. I think a person has to be withdrawn into himself to gather inspiration so that he is somebody when he comes out again among folks–when he “comes to market’ with himself. He learns that he’s got to be almost wastefully alone.

Freedom of action is disguised as a freedom of discipline.

One who has a clear mind can never be fooled by his senses.

Amidst all the criticisms and prejudgement in life, we should strive to do good in return; however small, instead of just turning your back against the world.

To a farmer dirt is not a waste, it is wealth.

Ellis,” he said. “You’re watchin’ a miracle right under your nose.” He gave a few of the seeds to Ellis and let him drop them into the hole he had already made. “In each of them little things, God put life. Now you take care with it, and you feed it with water and sunlight. And, most important of all of ’em, put it in good ground, and that life is gonna sprout right out.

I will never cut it as a Quaker - I cannot find it in me to renounce all violence, not with two daughters under my protection - but I do love their silent hour, which in my case invariably evolved into a self-scouring meditation on the idea that the busy life is not the full life.

Everywhere, despite all the sorrows from which our lives are woven, there will flash a glittering dream of joy, just like a brilliant carriage with gold trappings, fairytale steeds, sparkling windows which suddenly appears from nowhere and flashes past some wretched backwater village, which has never seen anything other than farm carts, and for a long time after the peasants remain standing, mouths agape and caps still doffed, although the wondrous carriage has long since passed from view

Hiding had been effortless in New York City. Getting lost in a sea of people was as easy as stepping onto a crowded Subway car. Sweet Laurel Cove would be very different. Generations of families filled its church pews, ran its farms, and schooled its children. Anonymity was as rare as lightning bugs in wintertime—as her grandmother would say.

Her words made her pause. She couldn't have anything that was truly worthwhile without fighting for it-her farm, her family, and perhaps even love -Annalisa

Boy, farm with your hand on the plow, your eyes on the furrow, and your mind on the Lord.

Bad weather never stopped anyone from reaping a good harvest.

The ripen fruit is for a sacred season.

Me? Rebuild" I shook my head."First off, I don't know anything about construction or reconstruction. And second, have you been down there? Have you seen it? So many people haven't moved back or rebuilt, and I totally get it. Why invest all that time and money when each hurricane season brings a new threat?" Aimee regarded me with a steady blue gaze. "Why build skyscrapers in San Francisco that might be knocked down by an earthquake? Or why build farms in Kansas and Oklahoma that might get blown away by a tornado?" She snorted, and it seemed so uncharacteristic for the elegant old woman that I almost laughed. "Where did they want us to go, anyway? I figure if we're still breathing, then we're meant to keep going. So we rebuild. We start over. It's just what we do.

Save one life, save the world.’ Kindness begets kindness. Small efforts inspire larger ones. If you stand up for mercy and compassion, others will stand with you. The ripple effect just goes on and on.

The interstate seems to stretch for miles in a straight line as the fields and farms give way to a more barren landscape. "Loneliness has been good to me' is playing on my personal radio where I hear songs before I write them, and I wonder if this is just another mirage I will forget or if this will become a real song. It has been a long time since I've written a song, and the visits from the muse seem to be lessened by something. I still keep my faith that the muse knows best and whn I am ready the inspiration will be there. I am trying not to look too ready. I know that just invites false promise.

What were they thinking?' we ask about our ancestors, but we know that, a century hence, our descendents will ask the same thing about us. Who knows what will strike them as strangest? The United States incarcerates 1 percent of its population and subjects many thousands of inmates to years of solitary confinement. In Saudi Arabia, women are forbidden to drive. There are countries today in which homosexuality is punishable by life in prison or by death. Then there's the sequestered reality of factory farming, in which hundreds of millions of mammals, and billions of birds, live a squalid brief existence. Or the toleration of extreme poverty, inside and outside the developed world. One day, people will find themselves thinking not just that an old practice was wrong and a new one right but that there was something shameful in the old ways. In the course of the transition, many will change what they do because they are shamed out of an old way of doing things. So it is perhaps not too much to hope that if we can find the proper place for honor now, we can make the world better.

We were the church. As the New Testament instructed. When it was time for Sunday morning meeting, we convened in private homes. To raise a structure and call it a church was the worldly way. A church made of hands was soon cluttered with altars and crucifixes, and was thereupon idolatrous. These false churches, they were not walking in Truth. They were whistling off to Hades. This was a shame, because I knew some real nice Lutherans.

The mandarins of culture—what do they do to teach the common folk to read? It's no good writing down lists of books for farmers and compiling five-foot shelves; you've got to go out and visit the people yourself—take the books to them, talk to the teachers and bully the editors of country newspapers and farm magazines and tell the children stories—and then little by little you begin to get good books circulating in the veins of the nation. It's a great work, mind you!

Never miss an opportunity to learn another life skill. Just because you are an author or a doctor does not mean that you cannot learn carpentry, auto mechanics,electrical wiring, farming, or any other discipline. Each of these skills will give you the opportunity to help someone and to make a friend. Your new friend probably has a skill that you do not. If you will just ask every skilled person you see to show you how he does what he does, you will have the tools to succeed in life, to make new friends, and to save a boatload of money.

Since the late 1840s settlers used close-planted Osage orange trees along the borders of their farms, creating, as the thorny wood filled in over some years of trimming, a living fence “horse-high, bull-strong and hog-tight.” It was barbed wire in the days before barbed wire was invented.

The part of the Lake District that Beatrix Potter chose as her own was not only physically beautiful, it was a place in which she felt emotionally rooted as a descendant of hard-working north-country folk. The predictable routines of farm life appealed to her. There was a realism in the countryside that nurtured a deep connection. The scale of the villages was manageable. Yet the vast desolateness of the surrounding fells was awe-inspiring. It was mysterious, but easily imbued with fantasy and tamed by imagination. The sheltered lakes and fertile valleys satisfied her love of the pastoral. The hill farms and the sheep on the high fells demanded accountability. There was a longing in Beatrix Potter for association with permanence: to find a place where time moved slowly, where places remained much as she remembered them from season to season and from year to year.

This death, no matter how “humane,” no matter how respectfully administered, no matter how thickly clothed in feel-good rationalizations (“it had a good life”), essentially negates the moral consideration that inspired us to condemn factory farms in the first place. You can’t claim to truly care about an animal, alter her environment to demonstrate your care for that animal, and then, when the animal is nowhere near even the middle of her natural life, kill the animal for no vital reason. Doing so is morally and logically inconsistent. It’s worse than ambiguous. It’s wrong. It is, alas, the omnivore’s contradiction.

Every day when I wake up and head out for chores, I'm struck by the beauty we enjoy on our farm. Based on visitors' comments, that's a shared awareness. Not one of our doors has a skull and crossbones. We want visitors to be struck not by what we've done, but rather by how we've caressed this beautiful niche of God's creation into a productive and profoundly inspiring place.

Methinks I am a prophet new inspired And thus expiring do foretell of him: His rash fierce blaze of riot cannot last, For violent fires soon burn out themselves; Small showers last long, but sudden storms are short; He tires betimes that spurs too fast betimes; With eager feeding food doth choke the feeder: Light vanity, insatiate cormorant, Consuming means, soon preys upon itself. This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry, Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!

We had a strict routine that nothing could change: we'd get up at six, and it would be my job or Meinhard's to get milk from the farm door. When w were a little older and starting to play sports, exercises were added to the chores, and we had to earn our breakfast by doing sit-ups. In the afternoon, we'd finish our homework and chores, and my father would make us practice soccer no matter how bad the weather was.

What is life anyway? Is it a bridge between thoughts and emotions? Is it a reflection of brilliant and foolish notions? Is it a system that provides methods to find roots? Is it a map of many illusions and absolute truths? What is life anyway? Is it a gate to worlds that are not yet known? Is it a farm where ideas are planted and grown? Is it a tiny seed that blooms into a beautiful rose? Is it a time capsule of experiences that you chose?

This is our struggle: to re-bury the coal and slow the flow of petroleum from the earth," she counted them off from pinky to thumb on one hand, "To teach the farming way that cleans the soil and enriches the land. To bring the lore of machines run by energy of grass and waters and sun and wind. To place the love of silence and darkness again beside the love of noise and light. And to cause humans to greatly slow their breeding and breeding and breeding and breeding. This is our struggle.

When older people ask me, “How have you been so successful after age 65?” I tell them, “Anyone who’s reached 65 years of age has had a world of experience behind him. He’s had his ups and downs and all the trials and tribulations of life. He certainly ought to be able to gather something out of that, something he can put together at the end of his 65 years so he can get a new start.” The way I see it, a man’s life is written by the way he lives it. It’s using any talent God has given him, even if his talent is cooking food or running a good motel. You can reach higher, think bigger, grow stronger and live deeper in this country of ours than anywhere else on Earth. The rules here give everybody a chance to win. If my story is different, it’s because my life really began at age 65 when most folks have already called it a day. I’d been modestly successful before I hit 65. After that I made millions. When they’re about 60 or 65, a lot of people feel that life is all over for them. Too many of them just sit and wait until they die or they become a burden to other people. The truth is they can make a brand new life for themselves if they just don’t give up and hunker down. I want to tell people, “You’re only as old as you feel or as you think, and no matter what your age there’s plenty of work to be done.” I don’t want to sound like I’m clearing my throat and giving advice about how a man can be successful. I’m not all puffed up. My main trade secret is I’m not afraid of hard, back-cracking work. After all, I was raised on a farm where hard work is the way of life.

Early farming villages worldwide were much less authoritarian places than later societies. But the Indians of the eastern seaboard institutionalized their liberty to an unusual extent—the Haudenosaunee especially, but many others, too. (“Their whole constitution breathes nothing but liberty,” said colonist James Adair of the Ani Yun Wiya [Cherokee].) Important historically, these were the free people encountered by France and Britain—personifications of democratic self-government so vivid that some historians and activists have argued that the Great Law of Peace directly inspired the U.S. Constitution.

Luke begins as that innocent farm boy, with no particular religious convictions. He is isolated and rootless—an excellent target for extremists. Sure enough, he embarks on what an online commentator describes as a “dark journey into religious fundamentalism and extremism.” A disaffected and somewhat lost young man, in search of something, he comes across Obi-Wan Kenobi, plainly a religious fanatic, who follows self-evidently extremist ideas about the Force. “Within moments of meeting Luke, Obi-Wan tells Luke he must abandon his family and join him, going so far as telling a shocking lie that the Empire killed Luke’s father, hoping to inspire Luke to a life of jihad.” Obi-Wan

One of the Project’s more enthusiastic, ambitious, optimistic, and inspirational characters, Ernest Lawrence found it impossible to believe what the District Engineer was saying: Those high school girls they had pulled from rural Tennessee to operate his calutrons in Y-12 were doing it better than his own team of scientists. In Berkeley, only PhDs had been allowed to operate the panels controlling the electromagnetic separation units. When Tennessee Eastman suggested turning over the operation of Lawrence’s calutrons to a bunch of young women fresh off the farm with nothing more than a public school education, the Nobel Prize winner was skeptical. But it was decided Lawrence’s team would work out the kinks for the calutron units and then pass control to the female operators.

Perhaps it is time to question goals that run counter to near-universal behavior. There may be lessons for us in the failure of Soviet-style Communism. It is our era's foremost example of a system that made mesmerizing promises of an earthly paradise but betrayed those promises. Millions of people were inspired by an ideology that would do away with capitalist exploitation. Marxists believed that the working class would seize the means of production, the state would wither away, selfishness would disappear, and man would live 'from each according to his ability to each according to his needs.' In the name of this ideology millions gave their lives and took the lives of millions of others. Communism failed. It failed for many reasons, not least because it was a misreading of human nature. Selfishness cannot be abolished. People do not work just as hard on collective farms as they do on their own land. The almost universal rejection of Communism today marks the acceptance of people as they are, not as Communism wished them to be. Is it possible that our racial ideals assume that people should become something they cannot? If most people prefer the company of people like themselves, what do we achieve by insisting that they deny that preference? If diversity is a weakness rather than a strength, why work to increase diversity?

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a ___. 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he ___. [The hero’s world must be in balance in the first act.] 3. Until one day ___. [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that ___. [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that ___. 6. Until finally ____. [The climax reveals the triumph of good over evil.] 7. Ever since then ___. [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements.

I do not believe that we have finished evolving. And by that, I do not mean that we will continue to make ever more sophisticated machines and intelligent computers, even as we unlock our genetic code and use our biotechnologies to reshape the human form as we once bred new strains of cattle and sheep. We have placed much too great a faith in our technology. Although we will always reach out to new technologies, as our hands naturally do toward pebbles and shells by the seashore, the idea that the technologies of our civilized life have put an end to our biological evolution—that “Man” is a finished product—is almost certainly wrong. It seems to be just the opposite. In the 10,000 years since our ancestors settled down to farm the land, in the few thousand years in which they built great civilizations, the pressures of this new way of life have caused human evolution to actually accelerate. The rate at which genes are being positively selected to engender in us new features and forms has increased as much as a hundredfold. Two genes linked to brain size are rapidly evolving. Perhaps others will change the way our brain interconnects with itself, thus changing the way we think, act, and feel. What other natural forces work transformations deep inside us? Humanity keeps discovering whole new worlds. Without, in only five centuries, we have gone from thinking that the earth formed the center of the universe to gazing through our telescopes and identifying countless new galaxies in an unimaginably vast cosmos of which we are only the tiniest speck. Within, the first scientists to peer through microscopes felt shocked to behold bacteria swarming through our blood and other tissues. They later saw viruses infecting those bacteria in entire ecologies of life living inside life. We do not know all there is to know about life. We have not yet marveled deeply enough at life’s essential miracle. How, we should ask ourselves, do the seemingly soulless elements of carbon, hydrogen, oxygen, zinc, iron, and all the others organize themselves into a fully conscious human being? How does matter manage to move itself? Could it be that an indwelling consciousness makes up the stuff of all things? Could this consciousness somehow animate the whole grand ecology of evolution, from the forming of the first stars to the creation of human beings who look out at the universe’s glittering constellations in wonder? Could consciousness somehow embrace itself, folding back on itself, in a new and natural technology of the soul? If it could, this would give new meaning to Nietzsche’s insight that: “The highest art is self–creation.” Could we, really, shape our own evolution with the full force of our consciousness, even as we might exert our will to reach out and mold a lump of clay into a graceful sculpture? What is consciousness, really? What does it mean to be human?

Geoff told me once that part of being gay is the journey to accept who you are. It's often not an easy journey, but once you make it, you're stronger and happier because of it.

They’re not fat pigs; we’re mad scientists.

Ruth Price is a Pennsylvania native and devoted mother of four. After her youngest set off for college, she decided it was time to pursue her childhood dream to become a fiction writer. Drawing inspiration from her faith, her husband and love of her life Harold, and deep interest in Amish culture that stemmed from a childhood summer spent with her family on a Lancaster farm, Ruth began to pen the stories that had always jabbered away in her mind. Ruth believes that art at its best channels a higher good, and while she doesn’t always reach that ideal, she hopes that her readers are entertained and inspired by her stories.

Dashing by Maisie Aletha Smikle On my farm I keep a firearm The deer I charm And then disarm To feed my family venison And stay away from medicine Sheep so sweet We love to eat Young lambs we chop To get lamb chops Pigs in wigs Dished their wigs to do a jig Pigs skinny dip Floated and strip So turkey chicken and rabbit May be covered with bacon strips Cows roaming in the valleys Cats left in the Alleys Bring the cows It's time to chow Beef for steak Make no mistake Mince it grind it chop it We must have it We plant dashene To cook and steam To feed the animals so they keep lean Fit and ready to consume Eat we must Or we'd be dust Knead the dough for the pie crust Get the pan it will not rust We will dine Without wine We will roast eat then toast Thanking God that He is our Host

Russell knew that football could jump-start a life. Football had been his ticket off the farm. Football would eventually help the orphans navigate these tough times.

U.S. chipmakers built facilities from Taiwan to South Korea to Singapore. These territories were defended from Communist incursions not only by military force but also by economic integration, as the electronics industry sucked the region’s peasants off farms—where rural poverty often inspired guerilla opposition—into good jobs assembling electronic devices for American consumption.

Martin Luther King Jr., on April 4, 1967, at the Riverside Church, he speaks out against the Vietnam War. People push back against King. They tell him he's not patriotic. In that speech, he says that there comes a time when silence is betrayal. He says he's about to say this criticism because he loves the country, not because he hates the country. He also, in the same speech, says America is the greatest purveyor of violence in the world. But he says it's going to be a bitter but beautiful struggle to transform America, because he says the goal of America is freedom. Now, that's perfect. That's brilliant. That's beautiful. He's telling us all the different sides of our country and he's inspiring us to do something about it - right? - but he's also not calling us villains. He's saying that we can actually transform and create and build this beloved community. But King wants us to tell the story of poor people, farm workers. He wants us to end militarization and materialism and racism. So what I think, again, I think everything comes down to storytellers and the story, everything. And I - and I'm serious about that. And so we need to tell ourselves a different story about America.

The current scene hasn't arisen by chance. Rather, there's "a definite strategy to it," according to John Altman, who began reviving the old farm David's Folly with his wife. Like Semler and Moffet, Altman knows making a resilient alternative to the mainstream requires knowing how "to cultivate the community" as well as the land. These efforts are succeeding; this remote peninsula supports three weekly farmers' markets during the summer and one in the winter.

I'm trying to find where I fit into this world." Salem's purr changed tone. "Ah, I see your confusion. You've made an incorrect assumption you believe is the truth and are trying to validate it." "Huh?" "People don't fit anywhere, Arnold. You aren't building materials that are made to fit a perfect purpose. There is no place set aside where you perfectly slot into. No place which exists in adulthood, anyway. If you go around expecting to find that place, you will only find frustration and disappointment." "So, if I can't find where I fit into this world, what can I do?" "You get to know yourself, your skills, your limitations, your hopes and fears, you understand your shape and substance, and then make a place in the world that fits you.

I think I know why all these people line up by that big plaque on the boulder every year and funnel—baby step-by-baby step—onto the Grandma Gatewood Trail. To be here is to participate in an experience, her experience. To walk this path that she loved is to embrace her memory, to come as close to her as possible. To see what she saw and step where she stepped and feel some thin connection to a farm woman who decided one day to take a walk, and then kept going, getting faster until the end. I could be imagining all this, but I lost myself a little. In her footsteps, I forgot my troubles. Maybe the fountain of youth wasn’t a fountain at all.

To be alive makes up for everything; there ought to be fears in my heart, but there aren't; something stronger sweeps them out; something like a wind.

This s real, this is who I am. This is what matters. There is a moment of absolute freedom when you realize that the things that used to scare you have no power over you anymore. I had the freedom to tell the truth.

Examples of farmers who practice this type of agriculture can be found in the inspiring book Growing a Revolution: Bringing Our Soil Back to Life by David Montgomery.3

The Interview is a 2014 American action comedy film co-produced and directed by Seth Rogen and Evan Goldberg in their second directorial work, following This Is the End (2013). The screenplay was written by Dan Sterling, based on a story he co-wrote with Rogen and Goldberg. The film stars Rogen and James Franco as journalists who set up an interview with North Korean leader Kim Jong-un (Randall Park), and are then recruited by the CIA to assassinate him. The film is heavily inspired by a 2012 Vice documentary.In June 2014, The Guardian reported that the film had "touched a nerve" within the North Korean government, as they are "notoriously paranoid about perceived threats to their safety.” The Korean Central News Agency (KCNA), the state news agency of North Korea, reported that their government promised "stern" and "merciless" retaliation if the film was released. KCNA said that the release of a film portraying the assassination of the North Korean leader would not be allowed and it would be considered the "most blatant act of terrorism and war. Wikipedia

Farmers are at the core of the livelihood of the world population, without them,the livelihood of humanity is compromised.

There is nothing so exciting or so satisfying or so beautiful as the earth and the seasons and rich green fields and fat cattle, the sound of foxes barking in the night and the raccoon's print in the snow. It is [my] profound belief that farming is the most honorable of professions and unquestionably a romantic and inspiring one.

When it comes to the desire for freedom, companionship and respect, all animals are alike. The different treatments and fates we impose on our fellow creatures aren't about them but about us.

So while other teenagers were stuck in classrooms studying textbooks and taking notes during lectures, I was already out in the world, having dived head first into working for social change. I was learning complicated adult lessons in activism, campaign strategy, public relations, mass media, and corporate relations. And I was able to travel around the country, even if that sometimes meant seeing it through the eyeholes of an animal costume.

I readily admit that I am not a minimalist. I find solace in the fact that the traditional Japanese minimal aesthetic was made possible by the equally traditional kura (storehouse) where the items not in use or on display in the home would be kept. I like being surrounded by things that inspire me and allow me to start new projects instantly. I know it’s wrong, but I do judge people. An obsession with minimalism has always smacked to me of a romanticism of poverty (and potentially an outdated one at that) from a wealthy perspective. I think of Marie Antoinette having a little farm built on the castle grounds so that she could play at being a peasant shepherdess. Considered minimalism in this day and age is generally a pastime for those with the affluence to buy (or rebuy) what they need, when they need it. The considered minimalist needn’t be as resourceful about keeping things around “just in case,” because, at any moment, he or she can replenish the shelves with abundance.

...where we go in life is not contingent upon where we came from, but rather upon where our hopes and dreams reside.

Japanese paranoia stemmed partly from xenophobia rooted in racism. This combination wasn’t peculiar to Japan, as the Nazis were demonstrating in Germany. In the United States, the 1924 Exclusion Act remained in force, prohibiting all immigration from Asia. Some Western states didn’t think the Exclusion Act went far enough, because it hadn’t gotten rid of the Japanese who had immigrated before the United States slammed the door. Xenophobes argued that these immigrants were now breeding more Japanese, who were recognized, outrageously, as American citizens under the Fourteenth Amendment. Farmers in California and Arizona were especially hostile. Even before the Exclusion Act, these states had passed Alien Land Laws severely restricting the property rights of Japanese. Then in 1934 a group of farmers in Arizona’s Salt River Valley began agitating to kick Japanese farmers out, alleging that they had flooded into the region and were depriving farmland from deserving whites who were already hurting from the Depression. They also demanded that white landowners stop leasing acreage to Japanese farmers. The white farmers and their supporters held rallies and parades, blaring their message of exclusion. In the fall of that year, night riders began a campaign of terrorism. They dynamited irrigation canals used by Japanese farmers and threw dynamite bombs at their homes and barns. The leaders of the Japanese community tried to point out that only 700 Japanese lived in the valley and most had been there for more than twenty years. Three hundred fifty of them were American citizens, and only 125 worked in agriculture, mostly for American farmers. Facts made no impression on the white farmers’ racist resentments. Some local officials exploited the bigotry for political gain. The Japanese government protested all this. Hull didn’t want a few farmers to cause an international incident and pushed the governor of Arizona to fix the problem. The governor blamed the terrorism on communist agitators. Dynamite bombs continued to explode on Japanese farms through the fall of 1934. The local and state police maintained a perfect record—not a single arrest. In early February 1935 the Arizona legislature began considering a bill that would forbid Japanese immigrants from owning or leasing land. If they managed to grow anything, it could be confiscated. Any white farmer who leased to a Japanese would be abetting a crime. (Japan had similar laws against foreigners owning farmland.) American leaders and newspapers quickly condemned the proposed law as shameful, but farmers in Arizona remained enthusiastic. Japanese papers covered the controversy as well. One fascist group, wearing uniforms featuring skulls and waving a big skull flag, protested several times at the US embassy in Tokyo. Patriotic societies began pressuring Hirota to stand up for Japan’s honor. He and Japan’s representatives in Washington asked the American government to do something. Arizona politicians got word that if the bill passed, millions of dollars in New Deal money might go elsewhere. Nevertheless, on March 19 the Arizona senate passed the bill. On March 21 the state house of representatives, inspired more by fears of evaporating federal aid than by racial tolerance, let the bill die. The incident left a bad taste all around.

Outside, the sweet smell of freshly cut alfalfa hay was a welcome change from the odours of sweat and cheap cologne on the dance floor.

He is wrong; my talent is not a great one, but no talent is wholly wasted unless its owner chooses to hide it in a napkin. Remember that of your own gifts, Rebecca; they may not be praised of men, but they may cheer, console, inspire, perhaps, when and where you least expect. The brimming glass that overflows its own rim moistens the earth about it.

The great force! Few of us relate it with the dark, Many with the world unknown, A realm that erases every mark, Of every seed that in the farm of life was sown, Life fears it and hides at a place called nowhere, Yet it chases it and seeks it, Because its domain is everywhere, And life ultimately before it does submit, It rules over priests, emperors and paupers alike, A force that expects complete submission, It is not a feeling visceral that you may like, Because it enters every domain without any permission, Some say it even rules over time and its every moment, And it is not vindictive at all, Because even without the Sun its shadow is permanent, It has existed since the world witnessed the great fall, Its appearance is not due to serendipity, Because it is the final destiny of everything, It is an experience, felt just for a brevity, It appears from nothing and disappears into nothing, A force before which all kneel, Many incriminate it because it robs them entirely, Throughout one's life it seems unreal and in a moment becomes real, It leaves all sentimental and teary, It is death, the force all living shall experience one day, I wonder why flowers and butterflies do not dread it, I saw it capture and wilt a beautiful flower today, Yet the drooping and dead flower smiled as the hope of next Summer in its fading petals lit, Because death can wilt a summer flower, but it can't keep the Summer from returning again, It can kill a man and a woman, but it can never kill life’s spirit, Without life what shall it kill again and again, So you may despise it, but without it who shall renew life, if not it? There maybe no foreboding feeling about its arrival, But then it is the same about Summer’s advent too, Maybe life and death travel together for life’s continuous revival, And whose act is it who knows, because when a newly married couple says “We do!” We shower them with dead flowers, beautiful flowers, Who killed them, who hurled them, who ended their lives? Just for the sake of prolonging the romance of two lovers, I guess that is how death in mysterious ways strives, Killing all eventually but never taking the blame, So let me too pluck a beautiful rose and gift it to my beautiful lady, All for the sake of love and in the love’s name, Let me love her today and love her everyday, Because who knows when the dark force might strike, A rose too feels happier in her hands, Because it knows it makes her smile and in this act they are alike, Spreading happiness even in death forsaken lands, That is where all beautiful flowers go when they wilt here, To the land where there is everlasting Summer, And every form of beauty always looks the same everywhere, They go there to impart it colours and shades warmer, So when the flower fades and falls, Let us not blame death and curse it, Because it is the only way to climb and cross few walls, For it too ultimately before the mighty will of the Universe does submit!

Global food insecurity is a stark reminder that in a world of abundance, there is a fundamental need to ensure the access to food in every community.

Harry Powers, the Depression-era Bluebeard who kept his victims in a torture bunker on his West Virginian “murder farm” and whose crimes inspired the cinematic classic The Night of the Hunter.

I'm crazy. I'm so crazy, I laugh in the face of fear, and even failure is afraid to approach me. I'm extremely crazy that life throws money at me instead of lemons, given that I own lemon farms from the previous lemon it threw at me. I'm insanely crazy that success follows me around now. Everything I touch is successful. My kind of crazy builds empires. Never too crazy to know it's not by my might or strength, but always by God's grace and mercy. I love being crazy. I'm Marion Bekoe and I'm crazy AF.

I'm extremely crazy that life throws money at me instead of lemons, given that I own lemon farms from the previous lemon it threw at me.

I got it for you.” His voice was quiet but firm. “You’re my north, south, east, and west, Millie Rose. You ground me, you guide me, you inspire me. And I’m madly in love with you.

In time I told Clarissa the difficulties we had had escaping from the war zone. She warmed up to me as we worked together and I felt that I could trust her. Once when the farmer was away we undertook to till a field with a southern exposure. I wore the harness and pulled the plow like a horse as she steered it. Together we plowed an entire field alone, preparing it for the springtime planting. Their farm was alongside the main road going up the mountain directly behind the Village of Überlingen. It was situated high on one of the foothills of the Alps that surround the Bodensee.

A good example of a really large-scale anarchist revolution—in fact the best example to my knowledge—is the Spanish revolution in 1936, in which over most of Republican Spain there was a quite inspiring anarchist revolution that involved both industry and agriculture over substantial areas, developed in a way which to the outside looks spontaneous. Though in fact if you look at the roots of it, you discover that it was based on some three generations of experiment and thought and work which extended anarchist ideas to very large parts of the population in this largely pre-industrial—though not totally pre-industrial—society. And that again was, by both human measures and indeed anyone's economic measures, quite successful. That is, production continued effectively; workers in farms and factories proved quite capable of managing their affairs without coercion from above, contrary to what lots of socialists, communists, liberals and others wanted to believe, and in fact you can't tell what would have happened. That anarchist revolution was simply destroyed by force, but during the period in which it was alive I think it was a highly successful and, as I say, in many ways a very inspiring testimony to the ability of poor working people to organize and manage their own affairs, extremely successfully, without coercion and control. How relevant the Spanish experience is to an advanced industrial society. one might question in detail.

CRITICAL OVERVIEW POLITICAL MEANING The political message of Animal Farm is inspired by the events of the Russian (Bolshevik) Revolution (1917–21), when Russian peasants overthrew the monarchy in favor of socialism, a political system in which land, business, property, and capital are owned by the community as a whole. In Animal Farm, Orwell (a Socialist) shows the animals’ efforts to overthrow human dictatorship and to establish a socialist community in which everyone contributes to the common gain. During the course of the novel, Napoleon takes control, moves socialism in the direction of communism (Stalinism), a political system in which all economic and social activity is controlled by a “totalitarian” state (dictatorship) dominated by a single political group or party that keeps itself in power. Orwell’s intent in writing this fable was to destroy the Soviet (communist) myth of the perfect society and to restore genuine socialist principles. He wanted to show how the original intentions of revolution have all too often been corrupted and perverted by one person or group who, for selfish reasons, seizes power, exploits people, and eliminates all opposition.

Every morning and evening at Lakefield, the fruit bats would come and go from the trees near our campsite. During the day, you could hear them in the distance as they squabbled over territory. Each fruit bat wanted to jockey for the best position on a branch. But when evening came, as if by silent agreement, all the bats knew to fly off at the same time. Steve grabbed me and the kids one evening just at dusk, and we went out into the river to watch the bats. I would rank that night as one of the most incredible experiences of my life, right up there with catching crocs and swimming with manatees. Sitting at dusk with the kids in the boat, all of a sudden the trees came alive. The bats took flight, skimming over the water to delicately dip for a drink, flying directly over our heads. It was as if we had gone back in time and pterodactyls flew once again. It was such an awe-inspiring event that we all fell quiet, the children included. The water was absolutely still, like an inky mirror, almost like oil. Not a single fish jumped, not a croc moved. All we heard were the wings of these ancient mammals in the darkening sky. We lay quietly in the bottom of the boat, floating in the middle of this paradise. We knew that we were completely and totally safe. We were in a small dinghy in the middle of some of the most prolifically populated crocodile water, yet we were absolutely comfortable knowing that Steve was there with us. “One day, babe,” Steve said softly to me, “we’ll look back on wildlife harvesting projects and things like croc farming the same way we look back on slavery and cannibalism. It will be simply an unbelievable part of human history. We’ll get so beyond it that it will be something we will never, ever return to.” “We aren’t there yet,” I said. He sighed. “No, we aren’t.” I thought of the sign Steve had over his desk back home. It bore the word “warrior” and its definition: “One who is engaged in battle.” And it was a battle. It was a battle to protect fragile ecosystems like Lakefield from the wildlife perpetrators, from people who sought to kill anything that could turn a profit. These same people were out collecting croc eggs and safari-hunting crocodiles. They were working to legalize a whole host of illicit and destructive activities. They were lobbying to farm or export everything that moved, from these beautiful fruit bats we were watching, to magpie geese, turtles, and even whales.

...our great modern error is the belief that we must invariably give up one thing in order to have another. But it is possible, for instance, to find comfort, pleasure, and beauty in food, clothing, and shelter. It is possible to find pleasure and beauty and even "recreation" in work. It is possible to have farms that do not waste and poison the natural world.

So in 2013, Patagonia launched a venture capital fund to invest in environmentally and socially responsible for-profit start-ups. We wanted to apply the many lessons we have learned in trying to conduct our business more responsibly to applications beyond the outdoor apparel industry. We were willing to sacrifice short-term returns for long-term financial and environmental gains. Tin Shed Ventures serves as a vehicle for the third pillar of Patagonia’s mission statement: “ . . . use business to inspire and implement solutions to the environmental crisis.” But it also serves to do good in the world: providing funding for people who have business ideas that could help solve the environmental crisis. It is really the small private businesses we hope to influence. It is the tens of thousands of young people who dream of owning their small farm someday. All of us working together can create the change that we need.

Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger. And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding, Under the smoke, dust all over his mouth, laughing with white teeth, Under the terrible burden of destiny laughing as a young man laughs, Laughing even as an ignorant fighter laughs who has never lost a battle, Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people, Laughing! Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.

The Tokiwa family did not own the land they farmed. Japanese immigrants were prohibited from owning any sort of land by virtue of a set of anti-Asian laws that had roots reaching back to the arrival of Chinese laborers in California during the gold rush of 1849.

Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015

Do not waste your life, do some useful work; farming, fishing, planting, gardening, singing, painting, writing, inspiring, mentoring, learning, lecturing, sewing, drawing, crafting,dancing , reading etc.

TEACHING Showing a hungry person the way to the food market is good. Feeding a hungry person is better. Feeding a hungry person and teaching him farming is best.

So you can't make a living as a novelist—why not try farming or teaching? Or even begging—what difficulties would that present? Were you born into the world to make a living? Or have you another aim, that of becoming a novelist or something akin? If you want to become a novelist but are worried about how you will eat, then let me share my bowl of rice with you (though I am not as well off as I once was). If, in return, you become a great novelist, it will be my greatest joy. . . . I do not presume to urge you to become a novelist. I say only this—be firm of purpose and don't worry about trivialities. And remember the saying: the final tax you pay to achieve your goal is your life.

The lover of nature is he who has retained the spirit of infancy even into the era of manhood. —Ralph Waldo Emerson, Nature

You Are All You Need And You Know It

As I was doing this, I was also reading the book that Charlotte Clingstone had selected from Horace's library and left for me, Candide-- her cafe's namesake. It was, unexpectedly, a screwball action comedy. The hapless main character, whose name was Candide, travelled with a band of companions from Europe to the New World and back. Along the way, characters were flogged, ship-wrecked, enslaved and nearly executed several times. There were earthquakes and tsunamis and missing body parts. One of Candide's companions, Pangloss, whose name I recognized from the hundred-dollar adjective he inspired-- I'd never known the etymology-- insisted throughout that all their misfortunes were for the best, for they delivered the companions into situations that seemed, at first, pretty good. Until those situations, too, went to shit. The story concluded on a small farm outside Istanbul, where Candide plunked a hoe into the dirt and declared his intention to retreat from adventure (and suffering) and simply tend his garden. The way the author told it-- the book was written in 1959-- it was clear I was supposed to think Candide had finally discovered something important.

Rachael dropped her handbag on the kitchen bench and sat on a stool. “How do you cope with everything?” “I have staff. Donna is still here. She helps in the gift shop. Pete and Courtney work on the farm. They work longer hours when the lavender is harvested. Karen and Sue - you haven’t met them - help me make lavender candles and pot pourri

Violeta put her head down in her humble way. "I'm certainly able to bray loudly, Bart, dear. But that would attract a lot of attention. I don't like to do that because it is not always a good thing. Besides, braying loudly wastes energy. I don't want to do that unless it's for something very important." Bart thought that made a lot of sense. The silly goats were always making noises over the littlest things. "Oh, we're being let out now? Buh-uh-uh! Oh, there's a butterfly! Buh-uh-uh!" The lambs and the ewes were only slightly better. You're right, Violeta. From now on I'm not going to make noise without a good reason, either," said Bart.

The future of food isn't in distant fields or corporate warehouses—it's in every home, every garden, and every community that takes control of its own food security.