β
Faithless is he that says farewell when the road darkens.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
Maybe...you'll fall in love with me all over again."
"Hell," I said, "I love you enough now. What do you want to do? Ruin me?"
"Yes. I want to ruin you."
"Good," I said. "That's what I want too.
β
β
Ernest Hemingway (A Farewell to Arms)
β
But I'd long ago learned not to be picky in farewells. They weren't guaranteed or promised.
You were lucky, more than blessed, if you got a good-bye at all.
β
β
Sarah Dessen (The Truth About Forever)
β
All thinking men are atheists.
β
β
Ernest Hemingway (A Farewell to Arms)
β
The world breaks every one and afterward many are strong at the broken places.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Atque in pepetuum, frater, ave atque vale,β he whispered. The words of the poem had never seemed so fitting: Forever and ever, my brother, hail and farewell.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Iβm not brave any more darling. Iβm all broken. Theyβve broken me.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Good bye may seem forever. Farewell is like the end, but in my heart is the memory and there you will always be.
β
β
Walt Disney Company
β
Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.
β
β
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
β
And you'll always love me won't you?
Yes
And the rain won't make any difference?
No
β
β
Ernest Hemingway (A Farewell to Arms)
β
Sweets to the sweet, farewell! I hoped thou shouldst have been my Hamletβs wife; I thought thy bride-bed to have decked, sweet maid, And not have strewed thy grave.
β
β
William Shakespeare (Hamlet)
β
If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
β
β
Ernest Hemingway (A Farewell to Arms)
β
No, that is the great fallacy: the wisdom of old men. They do not grow wise. They grow careful.
β
β
Ernest Hemingway (A Farewell to Arms)
β
But life isn't hard to manage when you've nothing to lose.
β
β
Ernest Hemingway (A Farewell to Arms)
β
When you love you wish to do things for. You wish to sacrifice for. You wish to serve.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Well, here at last, dear friends, on the shores of the Sea comes the end of our fellowship in Middle-earth. Go in peace! I will not say: do not weep; for not all tears are an evil.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Farewell! O Gandalf! May you ever appear where you are most needed and least expected!
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness.
β
β
Haruki Murakami (Sputnik Sweetheart)
β
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.
β
β
Margaret Atwood (The Blind Assassin)
β
The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
β
β
Ernest Hemingway (A Farewell to Arms)
β
I'll never see them again. I know that. And they know that. And knowing this, we say farewell.
β
β
Haruki Murakami (Kafka on the Shore)
β
Why, darling, I don't live at all when I'm not with you.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Farewell Hope, and with Hope farewell Fear
β
β
John Milton
β
Farewell! I go to find the Sun!
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
I know the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started.
β
β
Ernest Hemingway (A Farewell to Arms)
β
You attend the funeral, you bid the dead farewell. You grieve. Then you continue with your life. And at times the fact of her absence will hit you like a blow to the chest, and you will weep. But this will happen less and less as time goes on. She is dead. You are alive. So live.
β
β
Neil Gaiman (The Sandman, Vol. 6: Fables & Reflections)
β
Believe nothing a man tells you and everything he shows you"....(Taken from a farewell video from a dying father to his infant daughter on dating)
β
β
Randy Pausch
β
Your time may come. Do not be too sad, Sam. You cannot be always torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
It always is harder to be left behind than to be the one to go...
β
β
Brock Thoene (Shiloh Autumn)
β
Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. But we were never lonely and never afraid when we were together.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Farewell has a sweet sound of reluctance. Good-by is short and final, a word with teeth sharp to bite through the string that ties past to the future.
β
β
John Steinbeck (The Winter of Our Discontent)
β
For a moment, he looks back at me, and his farewell is in his smile. Then he turns to the stars.
And he is gone.
β
β
Beth Revis (Across the Universe (Across the Universe, #1))
β
I'm not unfaithful, darling. I've plenty of faults but I'm very faithful. You'll be sick of me I'll be so faithful.
β
β
Ernest Hemingway (A Farewell to Arms)
β
But, reader, there is no comfort in the word "farewell," even if you say it in French. "Farewell" is a word that,in any language, is full of sorrow. It is a word that promises absolutely nothing.
β
β
Kate DiCamillo (The Tale of Despereaux)
β
I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
β
β
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
β
Above all shadows rides the Sun
and Stars for ever dwell:
I will not say the Day is done,
nor bid the Stars farewell.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
God knows I had not wanted to fall in love with her. I had not wanted to fall in love with any one. But God knows I had and I lay on the bed in the room of the hospital in Milan and all sorts of things went through my head but I felt wonderful...
β
β
Ernest Hemingway (A Farewell to Arms)
β
Oh, darling, you will be good to me, wonβt you? Because weβre going to have a strange life.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Farewell," they cried, "Wherever you fare till your eyries receive you at the journey's end!" That is the polite thing to say among eagles.
"May the wind under your wings bear you where the sun sails and the moon walks," answered Gandalf, who knew the correct reply.
β
β
J.R.R. Tolkien (The Annotated Hobbit: The Hobbit, or, There and back again)
β
And now...farewell to kindness, humanity and gratitude. I have substituted myself for Providence in rewarding the good; may the God of vengeance now yield me His place to punish the wicked.
β
β
Alexandre Dumas (The Count of Monte Cristo)
β
There isnt always an explanation for everything.
β
β
Ernest Hemingway (A Farewell to Arms)
β
You've such a lovely temperature.
β
β
Ernest Hemingway (A Farewell to Arms)
β
The coward dies a thousand deaths, the brave but one'.... (The man who first said that) was probably a coward.... He knew a great deal about cowards but nothing about the brave. The brave dies perhaps two thousand deaths if he's intelligent. He simply doesn't mention them.
β
β
Ernest Hemingway (A Farewell to Arms)
β
It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.
β
β
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
β
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
β
β
Rabindranath Tagore (Selected Poems)
β
You know I don't love any one but you. You shouldn't mind because some one else loved me.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Farewell, and may the blessing of Elves and Men and all Free Folk go with you.
May the stars shine upon your faces!
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
I walked past Malison, up Lower Main to Main and across the road. I didnβt need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Β
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. βDo you like living in the High Lordβs kitchens?β
He, of course, replied, βNo.β
βWell, weβre going to a better place.β
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calecβs cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. βItβs a graveyard.β
βAre you afraid of ghosts?β I asked.
βMy fatherβs a ghost,β he whispered.
I asked if he wanted to learn how to throw a knife. He said, βYes,β as I knew he would.Β He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. Iβd spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Β
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
βArenβt you going to show me?β Malison prompted, as if to echo my prayer.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
Farewell is said by the living, in life, every day. It is said with love and friendship, with the affirmation that the memories are lasting if the flesh is not.
β
β
R.A. Salvatore (The Legacy (Forgotten Realms: Legacy of the Drow, #1; Legend of Drizzt, #7))
β
No one can be a replacement for another person. That is why, farewells are always difficult.
β
β
Matsuri Hino (Vampire Knight, Vol. 1 (Vampire Knight, #1))
β
I don't know how you say good-bye to whom and what you love. I don't know a painless way to do it, don't know the words to capture a heart so full and a longing so intense.
β
β
Laura Wiess (How It Ends)
β
Faithless is he that says farewell when the road darkens,'said Gimli.
'Maybe,'said Elrond,'but let him not vow to walk in the dark, who has not seen the nightfall.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
Wine is a grand thing," I said. "It makes you forget all the bad.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Look in my face; my name is Might-have-been;
I am also call'd No-more, Too-late, Farewell
β
β
Dante Gabriel Rossetti (The House of Life)
β
There, did you think to kill me? There's no flesh or blood within this cloak to kill. There's only an idea.
Ideas are bulletproof.
Farewell.
β
β
Alan Moore (V for Vendetta)
β
and now we get to the hard part. the endings, the farewells, and the famous last words. if you don't hear from me often, remember that you're in my thoughts.
β
β
Paul Auster (Moon Palace)
β
Do you realize that all great literature β "Moby Dick," "Huckleberry Finn," "A Farewell to Arms," "The Scarlet Letter," "The Red Badge of Courage," "The Iliad and The Odyssey," "Crime and Punishment," the Bible, and "The Charge of the Light Brigade" β are all about what a bummer it is to be a ...human being?
β
β
Kurt Vonnegut Jr.
β
This world of ours is piled high with farewells and goodbyes of so many different kinds, like the evening sky renewing itself again and again from one instant to the next-and I didnβt want to forget a single one.
β
β
Banana Yoshimoto (Goodbye Tsugumi)
β
She gave me a smile I could feel in my hip pocket.
β
β
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
β
Cowards die a thousand deaths, but the brave only die once.
β
β
Ernest Hemingway (A Farewell to Arms)
β
When I saw her I was in love with her. Everything turned over inside of me. She looked toward the door, saw there was no one, then she sat on the side of the bed and leaned over and kissed me.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Farewell until eternity, where you and I shall not find ourselves together.
β
β
Comte de LautrΓ©amont (Les Chants de Maldoror)
β
Keep right on lying to me. That's what I want you to do.
β
β
Ernest Hemingway (A Farewell to Arms)
β
If more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But, sad or merry, I must leave it now. Farewell. - Thorin
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
Maybe I am fated to always be alone, Tsukuru found himself thinking. People came to him, but in the end they always left. They came, seeking something, but either they couldnβt find it, or were unhappy with what they found (or else they were disappointed or angry), and then they left. One day, without warning, they vanished, with no explanation, no word of farewell. Like a silent hatchet had sliced the ties between them, ties through which warm blood still flowed, along with a quiet pulse.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Journeyβs end
In western lands beneath the Sun
The flowers may rise in Spring,
The trees may bud, the waters run,
The merry finches sing.
Or there maybe 'tis cloudless night,
And swaying branches bear
The Elven-stars as jewels white
Amid their branching hair.
Though here at journey's end I lie
In darkness buried deep,
Beyond all towers strong and high,
Beyond all mountains steep,
Above all shadows rides the Sun
And Stars for ever dwell:
I will not say the Day is done,
Nor bid the Stars farewell.J.
β
β
J.R.R. Tolkien
β
There are many different types of kisses. Thereβs a passionate kiss of farewellβlike the kind Rhett gave Scarlett when he went off to war. The kiss of I-canβt-really-be-with-you-but-I-want-to-beβlike with Superman and Lois Lane. Thereβs the first kissβone that is gentle and hesitant, warm and vulnerable. And then thereβs the kiss of possessionβwhich was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didnβt want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything Iβd ever felt before that we belonged together.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
She whispered a verse by Amanda Hamilton:
You came again,
blinding my eyes
like the shimmer of sun upon the sea.
Just as I feel free
the moon casts your face upon the sill.
Each time I forget you
your eyes haunt my heart and it falls still.
And so farewell
until the next time you come,
until at last I do not see you.
β
β
Delia Owens (Where the Crawdads Sing)
β
There isn't any me. I'm you. Don't make up a separate me.
β
β
Ernest Hemingway (A Farewell to Arms)
β
My life used to be full of everything. Now if you aren't with me I haven't a thing in the world.
β
β
Ernest Hemingway (A Farewell to Arms)
β
We spoke of how to say good-bye,β Jem said. βWhen Jonathan bid farewell to David, he said, βGo in peace, for as much as we have sworn, both of us, saying the Lord be between me and thee, forever.β They did not see each other again, but they did not forget. So it will be with us. When I am Brother Zachariah, when I no longer see the world with my human eyes, I will still be in some part the Jem you knew, and I will see you with the eyes of my heart.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Though here at journey's end I lie
In darkness buried deep,
Beyond all towers strong and high,
Beyond all mountains steep,
Above all shadows rides the Sun
And Stars for ever dwell:
I will not say the Day is done,
Nor bid the Stars farewell.
β
β
J.R.R. Tolkien
β
You won't do our things with another girl, or say the same things, will you?
β
β
Ernest Hemingway (A Farewell to Arms)
β
A dog has no use for fancy cars or big homes or designer clothes. Status symbol means nothing to him. A waterlogged stick will do just fine. A dog judges others not by their color or creed or class but by who they are inside. A dog doesn't care if you are rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his. It was really quite simple, and yet we humans, so much wiser and more sophisticated, have always had trouble figuring out what really counts and what does not. As I wrote that farewell column to Marley, I realized it was all right there in front of us, if only we opened our eyes. Sometimes it took a dog with bad breath, worse manners, and pure intentions to help us see.
β
β
John Grogan
β
So thatβs how we live our lives. No matter how deep and fatal the
loss, no matter how important the thing that's stolen from us - that's
snatched right out of our hands - even if we are left completely
changed, with only the outer layer of skin from before, we continue to
play out our lives this way, in silence. We draw ever nearer to the
end of our allotted span of time, bidding it farewell as it trails off
behind. Repeating, often adroitly, the endless deeds of the everyday.
Leaving behind a feeling of insurmountable emptiness...
Maybe, in some distant place, everything is already, quietly, lost.
Or at least there exists a silent place where everything can
disappear, melting together in a single, overlapping figure. And as
we live our lives we discover - drawing toward us the thin threads
attached to each - what has been lost. I closed my eyes and tried to
bring to mind as many beautiful lost things as I could. Drawing them
closer, holding on to them. Knowing all the while that their lives
are fleeting.
β
β
Haruki Murakami (Sputnik Sweetheart)
β
His library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.
β
β
Ray Bradbury (Farewell Summer)
β
Learning to let go should be learned before learning to get. Life should be touched, not strangled. You've got to relax, let it happen at times, and at others move forward with it. It's like boats. You keep your motor on so you can steer with the current. And when you hear the sound of the waterfall coming nearer and nearer, tidy up the boat, put on your best tie and hat, and smoke a cigar right up till the moment you go over. That's a triumph.
β
β
Ray Bradbury (Farewell Summer)
β
May we meet again on distant shores.
β
β
Amie Kaufman (Obsidio (The Illuminae Files, #3))
β
It could be worse,' Passini said respectfully. "There is nothing worse than war."
Defeat is worse."
I do not believe it," Passini said still respectfully. "What is defeat? You go home.
β
β
Ernest Hemingway (A Farewell to Arms)
β
Pity the nation that is full of beliefs and empty of religion.
Pity the nation that wears a cloth it does not weave
and eats a bread it does not harvest.
Pity the nation that acclaims the bully as hero,
and that deems the glittering conqueror bountiful.
Pity a nation that despises a passion in its dream,
yet submits in its awakening.
Pity the nation that raises not its voice
save when it walks in a funeral,
boasts not except among its ruins,
and will rebel not save when its neck is laid
between the sword and the block.
Pity the nation whose statesman is a fox,
whose philosopher is a juggler,
and whose art is the art of patching and mimicking
Pity the nation that welcomes its new ruler with trumpeting,
and farewells him with hooting,
only to welcome another with trumpeting again.
Pity the nation whose sages are dumb with years
and whose strongmen are yet in the cradle.
Pity the nation divided into fragments,
each fragment deeming itself a nation.
β
β
Kahlil Gibran (The Garden of The Prophet)
β
Farewell sweet earth and northern sky,
for ever blest, since here did lie
and here with lissom limbs did run
beneath the Moon, beneath the Sun,
LΓΊthien TinΓΊviel
more fair than Mortal tongue can tell.
Though all to ruin fell the world
and were dissolved and backward hurled;
unmade into the old abyss,
yet were its making good, for thisβ
the dusk, the dawn, the earth, the seaβ
that LΓΊthien for a time should be.
β
β
J.R.R. Tolkien (The Silmarillion)
β
Fly you high.
β
β
Suzanne Collins (Gregor the Overlander Box Set (Underland Chronicles, #1-5))
β
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
β
β
Yann Martel (Life of Pi)
β
For God's sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison'd by their wives: some sleeping kill'd;
All murder'd: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear'd and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!
β
β
William Shakespeare (Richard II)
β
Come, come, you wasp; i' faith, you are too angry.
Katherine: If I be waspish, best beware my sting.
Petruchio: My remedy is then, to pluck it out.
Katherine: Ay, if the fool could find where it lies.
Petruchio: Who knows not where a wasp does wear his sting? In his tail.
Katherine: In his tongue.
Petruchio: Whose tongue?
Katherine: Yours, if you talk of tails: and so farewell.
Petruchio: What, with my tongue in your tail? Nay, come again, Good Kate; I am a gentleman.
β
β
William Shakespeare (The Taming of the Shrew)
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Do you know that there's a halfway world between each ending and each new beginning? It's called the hurting time, Jean Perdu. It's a bog; it's where your dreams and worries and forgotten plans gather. Your steps are heavier during that time. Don't underestimate the transition, Jeanno, between farewell and new departure. Give yourself the time you need. Some thresholds are too wide to be taken in one stride.
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Nina George (The Little Paris Bookshop)
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Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For tho' from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar.
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Alfred Tennyson (Crossing the Bar)
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Because I liked you better
Than suits a man to say,
It irked you, and I promised
I'd throw the thought away.
To put the world between us
We parted stiff and dry:
'Farewell,' said you, 'forget me.'
'Fare well, I will,' said I.
If e'er, where clover whitens
The dead man's knoll, you pass,
And no tall flower to meet you
Starts in the trefoiled grass,
Halt by the headstone shading
The heart you have not stirred,
And say the lad that loved you
Was one that kept his word.
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A.E. Housman (A Shropshire Lad)
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Bilboβs Last Song
Day is ended, dim my eyes,
But journey long before me lies.
Farewell, friends! I hear the call.
The ship's beside the stony wall.
Foam is white and waves are grey;
Beyond the sunset leads my way.
Foam is salt, the wind is free;
I hear the rising of the Sea.
Farewell, friends! The sails are set,
The wind is east, the moorings fret.
Shadows long before me lie,
Beneath the ever-bending sky,
But islands lie behind the Sun
That I shall raise ere all is done;
Lands there are to west of West,
Where night is quiet and sleep is rest.
Guided by the Lonely Star,
Beyond the utmost harbour-bar,
Iβll find the heavens fair and free,
And beaches of the Starlit Sea.
Ship, my ship! I seek the West,
And fields and mountains ever blest.
Farewell to Middle-earth at last.
I see the Star above my mast!
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J.R.R. Tolkien (Bilbo's Last Song (Middle Earth, #4.5))
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Then you and I should bid good-bye for a little while?"
I suppose so, sir."
And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it."
They say, Farewell, or any other form they prefer."
Then say it."
Farewell, Mr. Rochester, for the present."
What must I say?"
The same, if you like, sir."
Farewell, Miss Eyre, for the present; is that all?"
Yes."
It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands for instance; but no--that would not content me either. So you'll do nothing more than say Farwell, Jane?"
It is enough, sir; as much good-will may be conveyed in one hearty word as in many."
Very likely; but it is blank and cool--'Farewell.
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Charlotte BrontΓ« (Jane Eyre)
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...people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste. Can you tell me what kind of day can follow a beginning of such violence? What happens to people whose alarm clock daily gives them a small electric shock? Each day they become more used to violence and less used to pleasure.
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Milan Kundera (Farewell Waltz)
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Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt's grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.
Kisses them. IRAS falls and dies
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.
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William Shakespeare (Antony and Cleopatra)
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The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged-the same house, the same people- and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.
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Vladimir Nabokov (Speak, Memory)
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For Sayonara, literally translated, 'Since it must be so,' of all the good-bys I have heard is the most beautiful. Unlike the Auf Wiedershens and Au revoirs, it does not try to cheat itself by any bravado 'Till we meet again,' any sedative to postpone the pain of separation. It does not evade the issue like the sturdy blinking Farewell. Farewell is a father's good-by. It is - 'Go out in the world and do well, my son.' It is encouragement and admonition. It is hope and faith. But it passes over the significance of the moment; of parting it says nothing. It hides its emotion. It says too little. While Good-by ('God be with you') and Adios say too much. They try to bridge the distance, almost to deny it. Good-by is a prayer, a ringing cry. 'You must not go - I cannot bear to have you go! But you shall not go alone, unwatched. God will be with you. God's hand will over you' and even - underneath, hidden, but it is there, incorrigible - 'I will be with you; I will watch you - always.' It is a mother's good-by. But Sayonara says neither too much nor too little. It is a simple acceptance of fact. All understanding of life lies in its limits. All emotion, smoldering, is banked up behind it. But it says nothing. It is really the unspoken good-by, the pressure of a hand, 'Sayonara.
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Anne Morrow Lindbergh (North to the Orient)
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I had gone to no such place but to the smoke of cafes and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring.
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Ernest Hemingway (A Farewell to Arms)
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The stars are brilliant at this time of night
and I wander these streets like a ritual I donβt dare to break
for darling, the times are quite glorious.
I left him by the waterβs edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldnβt have heard for Iβve said goodbye so many times in my short life that farewells are a muscular task and Iβve taught them well.
Thereβs a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said heβd come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are canβt be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now Iβm writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until theyβre all gone.
Nothing left to hold me back.
You kissed me that morning as if youβd never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
itβs my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
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Charlotte Eriksson (You're Doing Just Fine)
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At the hillβs foot Frodo found Aragorn, standing still and silent as a tree; but in his hand was a small golden bloom of elanor, and a light was in his eyes. He was wrapped in some fair memory: and as Frodo looked at him he knew that he beheld things as they had been in this same place. For the grim years were removed from the face of Aragorn, and he seemed clothed in white, a young lord fall and fair; and he spoke words in the Elvish tongue to one whom Frodo could not see. Arwen vanimelda, namarie! He said, and then he drew a breath, and returning out of his thought he looked at Frodo and smiled.
`Here is the heart of Elvendom on earth,β he said, `and here my heart dwells ever, unless there be a light beyond the dark roads that we still must tread, you and I. Come with me!β And taking Frodoβs hand in his, he left the hill of Cerin Amroth and came there never again as a living man.
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J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
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The alternate domination of one faction over another, sharpened by the spirit of revenge, natural to party dissension, which in different ages and countries has perpetrated the most horrid enormities, is itself a frightful despotism. But this leads at length to a more formal and permanent despotism. The disorders and miseries, which result, gradually incline the minds of men to seek security and repose in the absolute power of an individual; and sooner or later the chief of some prevailing faction, more able or more fortunate than his competitors, turns this disposition to the purposes of his own elevation, on the ruins of Public Liberty.
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George Washington (George Washington's Farewell Address (Books of American Wisdom))
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That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
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Ernest Hemingway (A Farewell to Arms)
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I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3:
ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever.
And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it:
BERTIE: Touch of indigestion, Jeeves?
JEEVES: No, Sir.
BERTIE: Then why is your tummy rumbling?
JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us.
BERTIE: Animal? What animal?
JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner.
BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?"
JEEVES: I fancy it might be judicious if you were to make an exit, Sir.
BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile.
Who can say which method is superior?"
(As reproduced in
Plum, Shakespeare and the Cat Chap
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P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)