Far Away Mothers Day Quotes

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Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you." I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. "Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's." "Don't you guys have somewhere to be?" I asked hastily. "We're about to start." That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat." "Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
the backyard’s tall grass, he had somehow understood the fear in his mother’s voice. But on this day, the day they began taking the woods away, he hesitated. He took one extra breath of the fresh air, scented with clover and honeysuckle and—coming from far away—
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
Happiness There's just no accounting for happiness, or the way it turns up like a prodigal who comes back to the dust at your feet having squandered a fortune far away. And how can you not forgive? You make a feast in honor of what was lost, and take from its place the finest garment, which you saved for an occasion you could not imagine, and you weep night and day to know that you were not abandoned, that happiness saved its most extreme form for you alone. No, happiness is the uncle you never knew about, who flies a single-engine plane onto the grassy landing strip, hitchhikes into town, and inquires at every door until he finds you asleep midafternoon as you so often are during the unmerciful hours of your despair. It comes to the monk in his cell. It comes to the woman sweeping the street with a birch broom, to the child whose mother has passed out from drink. It comes to the lover, to the dog chewing a sock, to the pusher, to the basket maker, and to the clerk stacking cans of carrots in the night. It even comes to the boulder in the perpetual shade of pine barrens, to rain falling on the open sea, to the wineglass, weary of holding wine.
Jane Kenyon
See the stars my love, They never forget to shine bright like that, My love for you will always shine and twinkle, Even if I am far away from you.
Luffina Lourduraj
Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breath-taking, aching youth. And yet, the war was on, and his men had already died and frozen and starved … and his mother and father were gone… and he was far away from home, and getting farther and farther, and every day was his last – one way or another, every day was his last. And yet, he smiles, he shines, he is happy.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
the first tree shudder and fall, far off in the distance. Then he heard his mother call out the kitchen window: “Luke! Inside. Now.” He had never disobeyed the order to hide. Even as a toddler, barely able to walk in the backyard’s tall grass, he had somehow understood the fear in his mother’s voice. But on this day, the day they began taking the woods away, he hesitated. He took one extra breath of the fresh air, scented with clover and honeysuckle and—coming from far away—
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
At length the Turk turned to Larry: 'You write, I believe?' he said with complete lack of interest. Larry's eyes glittered. Mother, seeing the danger signs, rushed in quickly before he could reply. 'Yes, yes' she smiled, 'he writes away, day after day. Always tapping at the typewriter' 'I always feel that I could write superbly if I tried' remarked the Turk. 'Really?' said Mother. 'Yes, well, it's a gift I suppose, like so many things.' 'He swims well' remarked Margo, 'and he goes out terribly far' 'I have no fear' said the Turk modestly. 'I am a superb swimmer, so I have no fear. When I ride the horse, I have no fear, for I ride superbly. I can sail the boat magnificently in the typhoon without fear' He sipped his tea delicately, regarding our awestruck faces with approval. 'You see' he went on, in case we had missed the point, 'you see, I am not a fearful man.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
I’m going that way too. I live in Crouch End. Do you want to share a black cab?’ Black cabs were an extravagance that Neve couldn’t afford, not this far away from payday, but that wasn’t the reason why she declined. ‘No, thank you. I’m perfectly all right with catching the tube.’ ‘OK, tube it is,’ Max agreed, because he was quite obviously emotionally tone deaf and couldn’t sense the huge ‘kindly bugger off’ vibes that Neve was sure she was emitting. ‘You’re still mad at me, aren’t you?’ ‘You apologised, why would I still be mad at you?’ ‘One day we’ll laugh about this. When little Tommy asks how we met, I’ll say, “Well, son, I threw an ice cube at your mother, then slapped her arse, and we’ve been inseparable ever since.
Sarra Manning (You Don't Have to Say You Love Me)
Oh, all that was so far away, almost forgotten. But during her mother's five-day stay in Paris, that feeling of inferiority, of weakness, of dependency came over her again.
Milan Kundera (Ignorance)
I hope this email finds you well I hope this email finds you calm. I hope this email finds you unflustered about your inbox. I hope this email finds you in a state of acceptance that this email isn’t exactly important in the cosmic scheme of things. I hope this email finds your work happily unfinished. I hope this email finds you beneath a beautiful sky with the wind tenderly caressing your hair like an invisible mother. I hope this email finds you lying on a beach, or maybe beside a lake. I hope this email finds you with the sunlight on your face. I hope this email finds you eating some blissfully sweet grapes. I hope this email finds you well but, you know what, it is okay if it doesn’t because we all have bad days. I hope this email finds you reading a really good poem or something else that requires no direct response from you. I hope this email finds you far away from this email.
Matt Haig (The Comfort Book)
When I was a kid,” he said, “my mother had lovebirds. She used to clip their wings so when she let them out of their cage, they wouldn’t fly away. The lovebirds always tried, but they never got far with their short, fucked-up wings.” I inched the bedroom door open and stepped into the pool of warm light spilling from the street outside. He moved behind me, tucking my hair behind my right ear aside, pressing his face to it. “Until one day, one managed to escape. My mother forgot to clip her wings. A moment of distraction cost her her favorite lovebird.” I knew why he was telling me this, and the happiness in my gut swirled with a shot of sudden pain. “Failure is inevitable,” he continued in a flat tone that didn’t hold much emotion or hope, “and heartache is unstoppable. One day, I’ll forget to clip your wings. When that day arrives, when you run away, I guess I’d be happy to know you’ll still have some money and the means to make it in this wild, tough world.
L.J. Shen (Sparrow (Boston Belles #0.5))
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and bitter thoughts, and the world has seemed so hard and wrong to us. Then night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained face upto hers, and smiles, and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and borne on her dark wings, we pass for a moment into a mightier presence than her own, and in the wondrous light of that great presence, all human life's like a book before us, and we know that Pain and Sorrow are but the angels of God.
Jerome K. Jerome
Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again. Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with. “Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.” This was the point at which Arthur began to feel a little nervous again. “Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.” “That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it. “Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.” The sign read: “Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.” “It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.” He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers. “And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The Mercy The ship that took my mother to Ellis Island eighty-three years ago was named "The Mercy." She remembers trying to eat a banana without first peeling it and seeing her first orange in the hands of a young Scot, a seaman who gave her a bite and wiped her mouth for her with a red bandana and taught her the word, "orange," saying it patiently over and over. A long autumn voyage, the days darkening with the black waters calming as night came on, then nothing as far as her eyes could see and space without limit rushing off to the corners of creation. She prayed in Russian and Yiddish to find her family in New York, prayers unheard or misunderstood or perhaps ignored by all the powers that swept the waves of darkness before she woke, that kept "The Mercy" afloat while smallpox raged among the passengers and crew until the dead were buried at sea with strange prayers in a tongue she could not fathom. "The Mercy," I read on the yellowing pages of a book I located in a windowless room of the library on 42nd Street, sat thirty-one days offshore in quarantine before the passengers disembarked. There a story ends. Other ships arrived, "Tancred" out of Glasgow, "The Neptune" registered as Danish, "Umberto IV," the list goes on for pages, November gives way to winter, the sea pounds this alien shore. Italian miners from Piemonte dig under towns in western Pennsylvania only to rediscover the same nightmare they left at home. A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.
Philip Levine (The Mercy)
What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.
Robert Musil (The Man Without Qualities)
Katie stood alone... 'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?... Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!... 'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.' Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
Betty Smith
All summers take me back to the sea. There in the long eelgrass, like birds' eggs waiting to be hatched, my brothers and sister and I sit, grasses higher than our heads, arms and legs like thicker versions of the grass waving in the wind, looking up at the blue sky. My mother is gathering food for dinner: clams and mussels and the sharply salty greens that grow by the shore. It is warm enough to lie here in the little silty puddles like bathwater left in the tub after the plug has been pulled. It is the beginning of July and we have two months to live out the long, nurturing days, watching the geese and the saltwater swans and the tides as they are today, slipping out, out, out as the moon pulls the other three seasons far away wherever it takes things. Out past the planets, far away from Uranus and the edge of our solar system, into the brilliantly lit dark where the things we don't know about yet reside. Out past my childhood, out past the ghosts, out past the breakwater of the stars. Like the silvery lace curtains of my bedroom being drawn from my window, letting in light, so the moon gently pulls back the layers of the year, leaving the best part open and free. So summer comes to me.
Polly Horvath (My One Hundred Adventures (My One Hundred Adventures, #1))
All these years later it’s like the blanket is still imbibed with her sorrow. Like an umbilical cord, it still connects me to her, melds each of my days to the day of my entrance into the world and to my severance from her. Its edges are frayed and with each new day of my life, I think I see a run further unraveling the fibers, taking me further away from that first and last cuddle. I fear that one day it’ll unravel too far, it’ll make my bond with her so threadbare, it’ll waste away and vanish altogether. And I will forget. I will forget my mother; I will forget that I was ever born. I will forget everything.
Nataliya Deleva (Niewidzialni)
But far beneath this wondrous world upon the surface, another and still stranger world met our eyes as we gazed over the side. For, suspended in those watery vaults, floated the forms of the nursing mothers of the whales, and those that by their enormous girth seemed shortly to become mothers. The lake, as I have hinted, was to a considerable depth exceedingly transparent; and as human infants while suckling will calmly and fixedly gaze away from the breast, as if leading two different lives at the time; and while yet drawing mortal nourishment, be still spiritually feasting upon some unearthly reminiscence;- even so did the young of these whales seem looking up towards us, but not at us, as if we were but a bit of Gulfweed in their new-born sight. Floating on their sides, the mothers also seemed quietly eyeing us. One of these little infants, that from certain queer tokens seemed hardly a day old, might have measured some fourteen feet in length, and some six feet in girth. He was a little frisky; though as yet his body seemed scarce yet recovered from that irksome position it had so lately occupied in the maternal reticule; where, tail to head, and all ready for the final spring, the unborn whale lies bent like a Tartar’s bow. The delicate side-fins, and the palms of his flukes, still freshly retained the plaited crumpled appearance of a baby’s ears newly arrived from foreign parts.
Herman Melville
I take it from her, turn it around so I can see I right-side-up. Is this her, is this what she's like? My treasure. So tall and changed. Smiling a little now, so soon, and in her white dress as if for an olden-days First Communion. Time has not stood still. It has washed over me, washed me away, as if I'm nothing more than a woman of sand, left by a careless child too near the water. I have been obliterated for her. I am only a shadow now, far back behind the glib shiny surface of this photograph. A shadow of a shadow, as dead mothers become. You can see it in her eyes. I am not there. But she exists, in her white dress. She grows and lives. Isn't that a good thing? A blessing? Still, I can't bear it, to have been erased like that. Better she'd brought me nothing.
Margaret Atwood (The Handmaid's Tale)
Traffic is light as she leaves Mowbray. So is her heart. Light. Soon. Soon, she will be home. Strange how she was able to bear it -- bear being away. Until now. With a day to go, it has suddenly become unbearable. Since that party on Saturday night. Smashing send-off these lovely people gave her. Really smashing. So, why is she feeling so blue? Ah, well, she thinks to herself, I've always had a problem, saying goodbye. She hardly has a moment to breathe through the day. So busy. Her very last day at this place she has called home these ten months past. Here at the university too, many people want to talk about her trip back home. If only they knew. If only they knew. Excited as she is about the prospect of seeing her family, of going home, seeing her friends, with all that ... still, saying goodbye is not easy. Never has been for her. That is what she's doing now. How she wishes everybody would just forget she was going back home. But no. People insist on saying goodbye, on giving her party after party. Therefore, she is forced to take leave of her friends, to acknowledge the pain of parting. Bitter sweet. How she wishes she were home already. But, of course, before that can happen, she has to say goodbye to all these dear, dear friends, these people of whom she has grown so fond. But perhaps she will come back. Of course, she will come back, one day. A not too far-away day too, that's for sure. Yes, I can see how torn she must have felt. Excited and grieving. Happy and sad. At one and the same time. For the same, the very same, reason.
Sindiwe Magona (Mother to Mother (Bluestreak))
Tokyo, Los Angeles, and Santiago de Chile sit on the ring of fire. Tehran, far away from the ring still suffers the same fate. Earthquake-prone, the city has learned to adapt. The city, stacked with apartments on top of one another, looks like a box of Lego. Tight alleyways, covered with buildings, stretch all the way to the foot of the mountains. The folks in Tehran don’t want to even imagine what chaos will ensue if a major earthquake strikes. The most frightening phenomenon though isn’t the rubble and building blocks crumbling down. None of that scares the people. What concerns them is if the mother of all earthquakes pays a visit, the biggest threat will be rats. Tehran’s underground has a burgeoning “ratopolis.” To every living human being in the city, there are three rats to match every living soul. And if the city collapses, three rats are enough to ravage through human flesh in a matter of days. So the urban myth goes. Even if bodies can be rescued from the rubble there’ll likely be carcasses left behind.
Soroosh Shahrivar (Tajrish)
For the poverty in which my mother and father lived, for the failure of the mill, all the hard times, for the awful sheep, for constant tiredness, thank you, my God! For lips, which I was feeding too much, for the dirty noses of the children, for the guarded sheep, I thank you! Thank you, my God, for the prosecutor and the police commissioner, for the policemen, and for the harsh words of Father Peyramale! For the days in which you came, Mary, for the ones in which you did not come, I will never be able to thank you…only in Paradise. For the slap in the face, for the ridicule, the insults, and for those who suspected me for wanting to gain something from it, thank you, my Lady. For my spelling, which I never learned, for the memory that I never had, for my ignorance and for my stupidity, thank you. For the fact that my mother died so far away, for the pain I felt when my father instead of hugging his little Bernadette called me, “Sister Marie-Bernard”, I thank you, Jesus. I thank you for the heart you gave me, so delicate and sensitive, which you filled with bitterness. For the fact that Mother Josephine proclaimed that I was good for nothing, thank you. For the sarcasm of the Mother Superior: her harsh voice, her injustices, her irony and for the bread of humiliation, thank you. Thank you that I was the privileged one when it came to be reprimanded, so that my sisters said, “How lucky it is not to be Bernadette.” Thank you for the fact that it is me, who was the Bernadette threatened with imprisonment because she had seen you, Holy Virgin; regarded by people as a rare animal; that Bernadette so wretched, that upon seeing her, it was said, “Is that it?” For this miserable body which you gave me, for this burning and suffocating illness, for my decaying tissues, for my de-calcified bones, for my sweats, for my fever, for my dullness and for my acute pains, thank you, my God. And for this soul which you have given me, for the desert of inner dryness, for your night and your lightening, for your silences and your thunders, for everything. For you - when you were present and when you were not—thank you, Jesus.
Bernadette Soubirous
And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
No dragon was safe in the Sky Palace, but the ones in the most danger by far were the daughters of Queen Scarlet. Or was it now daughter, singular? Ruby hadn’t seen her sister, Tourmaline, in three days. Not since the night they went flying together and, high in the starlit sky, glowing in the light of two of the moons, Tourmaline had whispered that she was almost ready. “Don’t be an idiot. You’re only ten, and furthermore, you’ll never be ready,” Ruby had whispered back. “She killed her mother plus all three of her sisters and eleven of ours. There’s no way to defeat her.” “She can’t be queen forever,” Tourmaline said. “She has been queen forever,” Ruby argued. “Twenty-four years is a long time but not that long,” said Tourmaline. “Queen Oasis was queen longer than that, and look what happened to her.” “Are you planning to throw a scavenger at Mother?” Ruby asked. “Because I’m sure she’d appreciate a snack before she kills you.” “It’s always going to be like this,” Tourmaline hissed. She flicked clouds away with her dark orange wings. “Until one of us challenges her and wins. You and I are the only ones left now — the only hope the SkyWings have of a decent queen. Ruby, if I defeat her and become queen, we can get out of this war.” Ruby wasn’t so sure about that. She’d met Burn, and she suspected the SandWing wouldn’t let her allies go that easily. But it didn’t matter — there was no way Tourmaline could win a battle with their mother. “The prophecy will take care of the war,” she argued. “The brightest night is in four days … ” “Right.” Tourmaline rolled her eyes. “I’ll just wait for a bunch of eggs that haven’t even hatched yet to save us. Ruby, I don’t want to wait for things to happen to me. I want to make them happen.” “I don’t want to watch you die,” Ruby growled. Her sister hovered in front of her for a moment. Stars glittered in her eyes, searching Ruby’s. She’s wondering if I want the throne for myself, Ruby thought. She thinks I’m trying to talk her out of it because I’m planning something. Like I’m that stupid. “Well, don’t worry, I won’t do it yet,” Tourmaline promised. “Another few months of training, maybe. I’m feeling really strong, though. I beat Vermilion in a fight the other day. Want to hear about it?” Ruby
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
So shoot.” “I don’t know how to say this.” “I haven’t got all day, you know.” “I kissed Alex,” I blurt out. “Alex? ¡Benditaǃ Was that before or after the Colin breakup?” I wince. “I didn’t plan it.” Isabel laughs so hard and loud, I have to take the phone away from my ear. “You sure he didn’t plan it?” she asks once she can get words out. “It just happened. We were at his house and then we were interrupted when his mom came home and saw us--” “What? His ma saw you guys? In his house? ¡Benditaǃ” She goes off in Spanish, and I have no clue what the hell she’s saying. “I don’t speak Spanish, Isabel. Help me out here.” “Oh, sorry. Carmen is gonna shit a brick when she finds out.” I clear my throat. “I won’t tell her,” Isabel is quick to say. “But Alex’s mom is one tough woman. When Alex dated Carmen, he kept her far away from his mama. Don’t get me wrong, she loves her sons. But she’s overprotective, just like most Mexican mothers. Did she kick you out?” “No, but she pretty much called me a whore.” More laughing from the other end of the line. “It wasn’t funny.” “I’m sorry.” More laughing. “I would have loved to be a fly on the wall when she walked in on you two.” “Thanks for your compassion,” I say dryly. “I’m hanging up now.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Why does everyone call you Mexican?” he asks. My head jerks up. “Huh?” “I’m distracting you with an unrelated and potentially rude question. Aaron called you Mexican. So did they. But you don’t have an accent, and I knew a guy at school named Vasquez who was from Spain. So as the foreigner who hasn’t quite figured out your country, what tells them you’re Mexican?” I want to brush off the question. Really not the time. But that’s the point, isn’t it? I look down at my quavering hands, and when I squeeze my eyes shut, all I see is Predator, pulling the trigger. I can hear Gray’s and Predator’s footsteps. They’re far enough away and we’re well enough hidden that we’re safe here. For now. I glance at Max. “I don’t have an accent because my family has been here for three generations. My father’s family comes from Spain. My mother’s is from Cuba. That makes me Hispanic, and the presumption here—far enough from the border that there aren’t a lot of Latino immigrants—is that Hispanic equals Mexican.” “So Hispanic and Latino mean the same thing?” I shake my head. “Hispanic means you are descended from a country that speaks Spanish. Latino means you’re descended from a country in Latin America. Some are both, like Cuba. But if you come from Brazil, you’re Latino and not Hispanic, because the official language is Portuguese.” “And if it’s Spain, it’s Hispanic and not Latino. Excellent. My lesson in American terminology for the day.
Kelley Armstrong (The Masked Truth)
Where is everyone?" Alec shrugged, striding across the hall as if he owned the place, which Magnus supposed he sort of did. "I expect everyone's off gathering gear and weapons. We should just go find my mother." "How do you propose to find her?" Magnus said. "Ah," said Alec, "the Institute has a very old magic woven into its walls. I shall now use it to commune with my mother, wherever she might be found." He put his hands around his mouth and bellowed at the top of his lungs. "MOOOOOOOOOM!" Alec's voice reverberated impressively against the stone walls. Max giggled and yelled, "Maaaaaaaaaaaaaaaaaaa!" alongside Alec. The sound faded away and Magnus waited. "Well?" he said, and Alec held up a finger. After a moment, there was a flare, and a fire-message appeared in front of him. He plucked it from the air and opened it, giving Magnus a superior look. "'She's in the library,'" he read. A second fire-message appeared, in the same spot as the first. Alec opened it. "'Did you know you can send fire-messages within the Institute?'" he read. "'I just found out.'" He looked at Magnus in bewilderment. "Of course I knew that." "To the library, then?" said Magnus. A third fire-message appeared. Max lunged to try to grab it, but it was too far above his head. Magnus grabbed that one and read, "'I love fire-messages, have a great day, your friend, Simon Lovelace, Shadowhunter.' Can we go?" They heard a fourth one burst behind them as they left by the hall door, but neither of them looked back at it.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
After a short moment to collect my thoughts I went into the vertiginous opening of Asbestos and Fibre. Then as the first movement settled into its more reflective phase, I became increasingly relaxed, so much so that I found myself playing most of the first movement with my eyes closed. As I began the second movement, I opened my eyes again and found the afternoon sunshine streaming through the window behind me, throwing my shadow sharply across the keyboard. Even the demands of the second movement, however, did nothing to alter my calm. Indeed, I realised I was in absolute control of every dimension of the composition. I recalled how worried I had allowed myself to become over the course of the day and now felt utterly foolish for having done so. Moreover, now that I was in the midst of the piece, it seemed inconceiveable that my mother would not be moved by it. The simple fact was, I had no reason whatsoever to feel anything other than utter confidence concerning the evening's performance. It was as I was entering the sublime melancholy of the third movement that I became aware of a noise in the background. At first I thought it was connected with the soft pedal, and then that it was something to do with the floor. It was a faint, rhythmic noise that would stop and start, and for some time I tried not to pay any attention to it. But it continued to return, and then, during the pianissimo passages mid-way through the movement, I realised that someone was digging outside not far away.
Kazuo Ishiguro (The Unconsoled)
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.
Marcel Proust (Jean Santeuil)
Dear Mother, . . . We have been putting in our time here at very hard drilling, and are supposed to have learned in six weeks what the ordinary recruit, in times of peace, takes all his two years at. We rise at 5, and work stops in the afternoon at 5. A twelve hours day at one sou a day. I hope to earn higher wages than this in time to come, but I never expect to work harder. The early rising hour is splendid for it gives one the chance to see the most beautiful part of these beautiful autumn days in the South. We march up to a lovely open field on the end of the ridge behind the barracks, walking right into the rising sun. From this panorama, spread about on three sides is incomparably fine—yellow cornfields, vineyards, harvest-fields where the workers and their teams can be seen moving about in tiny figures—poplars, little hamlets and church-towers, and far away to the south the blue line of the Pyrenees, the high peaks capped with snow. It makes one in love with life, it is all so peaceful and beautiful. But Nature to me is not only hills and blue skies and flowers, but the Universe, the totality of things, reality as it most obviously presents itself to us; and in this universe strife and sternness play as big a part as love and tenderness, and cannot be shirked by one whose will it is to rule his life in accordance with the cosmic forces he sees in play about him. I hope you see the thing as I do, and think that I have done well, being without responsibilities and with no one to suffer materially by my decision, in taking upon my shoulders, too, the burden that so much of humanity is suffering under, and, rather than stand ingloriously aside when the opportunity was given me, doing my share for the side that I think right. . . .
Alan Seeger
Why the Leaves Change Colour The first girl who was ever born with amber skin was Mother Nature’s own child. Her birth was from a seed Mother Nature planted in the darkest, purest, most fertile soil, and soon there was a flower, and the flower opened up to show the most beautiful little girl imaginable. One day when the little girl was playing, the Sky, who was her brother, jealous of how lovely she was and how happy and distracted their mother had been since she was born, stole her and placed her upon a star so far away from the earth, Mother Nature could not get to her. In her grief, Mother Nature took every leaf that existed on Earth and turned them amber. The baby girl raised herself on this star—after all, she was her mother’s child, fortitude became her. She became majestic, and independent, and knew how to cope with anything alone because she had always only known alone. When the girl was finally old enough to explore the universe by itself, she travelled across the stars, finding beauty in thousands of planets, but none where she really felt at home. Until, that is, she came upon a beautiful blue planet with amber leaves. Walking through golden leaves, she remembered who she was, and who her mother was, for this is the magic of the bond children have with their mothers. They will remember them even if they are millions of miles away; why do you think good mothers can say things like ‘I love you all the way around the universe’ and you just know they mean it and know not to question it? When Mother Nature felt in her bones that her child had returned, she took her into her arms and turned all the leaves to green again. But because the leaves of amber gold were how her girl found her again, it happens every single year in commemoration. We call it a season. We named it after Mother Nature’s only daughter. We called it Autumn.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there. And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God. Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog) — Warbler Classics Illustrated Edition)
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there. And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God. Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
Jerome K. Jerome (Three Men in a Boat (Three Men #1))
Hasan, the Begger: Believe it or not, they call this purgatory on earth “holy-suffering”. I am a leper stuck in limbo. Neither the dead nor the living want me among them. Mothers point me out on the streets to scare their misbehaving little ones, and children throw stones at me. Artisans chase me from their storefronts to ward off the bad luck that follows me everywhere, and pregnant women turn their faces away whenever they set eyes on me, fearing that their babies will be born defec-tive. None of these people seem to realize that as keen as they are to avoid me, I am far keener to avoid them and their pitiful stares. Friday is the best day of the week to beg except when it is Ramadan, in which case the whole month is quite lucrative. The last day of Ramadan is by far the best time to make money. That is when even the hopeless penny-pinchers race to give alms, keen to compensate for all their sins, past and present. Once a year, people don't turn away from beggars. To the contrary, they specifically look for one, the more miserable the better. So profound is their need to show off how generous and charitable they are, not only do they race to give us alms, but for that single day they almost love us. I’ve realized that the trees and I had something in common. A tree shedding its leaves in autumn resembled a man shedding his limbs in the final stages of leprosy. I am naked tree. My skin, my organs, my face are falling apart. Every day another part of my body abandons me. And for me, unlike the trees, there would be no spring in which I would blossom. What I lost, I lost forever. When people looks at me, they don’t see who I am but what I am missing. Whenever they places a coin in my bowl, they do so with amazing speed and avoid any eye contacts, as if my gaze is contagious. In their eyes I am worse than a thief or a murderer. As much as they disapproves of such outlaws, they don’t treat them as if they are invisible. When it comes to me, however, all they see is death staring them in the face. That's what scares them--to recognize that death could be this close and this ugly.
Elif Shafak (The Forty Rules of Love)
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?" Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.
Peter Dickinson (The Glass-Sided Ant's Nest (Jimmy Pibble #1))
Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.
Karen Witemeyer (Full Steam Ahead)
He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul. Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt. As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles. He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them. What is best to say? “Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air. “Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.” The women do not lift their heads. They prod the sand, seemingly indifferent to what they find. Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!” [pp. 160-162]
John Lauricella
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
When the first day of the festival had concluded, I retired early, my feet aching and my body exhausted. Narian had left us after our tour of the grounds, and I had not seen him since, although I hoped he would come to me now. He did, but even as he dropped through my window, he seemed distracted, far away inside his own head. I tried to engage him in conversation, but found it to be mostly one-sided, for I could not hold his interest. Though there was no smooth way to launch into the necessary topic, I did so anyway, doubtful that he was even listening. “Are you upset that your family was with us today?” I asked. “You invited them?” Judging by the tone of his voice, I had landed upon the correct issue. “Yes. It made sense to do so.” “I suppose,” he replied, but I knew the answer did not reflect his actual thoughts. “They’re old friends of my family, Narian. And I thought perhaps you would…enjoy seeing them again.” “Alera, they don’t want my company.” “Your mother does.” His eyes at last met mine. “I spoke to her about you. She would give up her husband to regain her son.” “I doubt that’s true,” he said with a short laugh. “It is,” I insisted, reaching out to run a hand through his hair. I might have changed her words a little, but I understood her intent. “She told me so herself. Believe it.” Narian stared at me, a flicker of hope on his face that quickly faded into his stoic façade. “Even if what you say is true,” he said at last, “in order to have a relationship with her, with my siblings, I need to have one with Koranis.” “You’re right,” I admitted, for my dinner at the Baron’s home had proven that to be the case. He sat on the bed beside me and drew one knee close to his chest. “Koranis doesn’t want to be anywhere near me, and to be honest, I have no interest in a relationship with him. I have no respect for him.” Narian read the sympathy in my eyes. “It’s all right, Alera. I don’t need a family.” “Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.” I thought for a moment I had hit a nerve, but instead he made a joke out of it. “Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.” I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was.
Cayla Kluver (Sacrifice (Legacy, #3))
Looking at a photograph by Helen Levitt of four boys in a New York street, we are likely to find ourselves longing to comfort the grim-faced, stoic young man in the corner, whose mother perhaps only half an hour ago did up the many buttons of his handsome coat, and whose distressed expression evokes a pure form of agony. But how very different the same scene would have looked from just a metre away and another viewpoint. To the boy at the far right, what appears to matter most is a chance to take a closer look at his friend’s toy. He has already lost any interest in the overdressed crybaby by the wall, whom he and his classmates have just slapped hard for a bit of fun, on this day as on most others.
Alain de Botton (Religion for Atheists: A Non-Believer's Guide to the Uses of Religion)
MT: These texts are at one and the same time very beautiful and obscure; they need to be explicated, clarified. “What is hidden will be revealed.” Why must Revelation be hidden? RG: It's not that it must be hidden, actually it's not hidden at all. It's mankind that is blind. We're inside the closure of representation, everyone is in the fishbowl of his or her culture. In other words, mankind doesn't see what I was saying earlier, the principle of illusion that governs our viewpoint. Even after the Revelation, we still don't understand. MT: Does that mean that things are going to emerge gradually, but that at first they're incomprehensible? RG: They seem incomprehensible because mankind lives under the sign of Satan, lives a lie and lives in fear of the lie, in fear of liars. The reversal performed by the Passion has yet to occur. MT: Insofar as the Church itself has been mistaken for two thousand years and has been practicing a sacrificial reading of the Passion of the Christ, that reading is a way of hiding Revelation. RG: I'm not saying that the Church is mistaken. The reading that I'm proposing is in line with all the great dogmas, but it endows them with an anthropological underpinning that had gone unnoticed. MT: Why not just clean up our bad habits by sweeping them away once and for all in the year zero, making way for an era of love and infinite peace? RG: Because the world wouldn't have been able to take it! Since the sacrificial principle is the fundamental principle of the human order—up to a certain point human beings need to pour out their violence and tensions onto scapegoats—destroying it all at once is impossible. That's why Christianity is made in such a way as to allow for transitions. This is no doubt one of the reasons why it is at once so far from and so close to myth, and always susceptible to being interpreted a bit mythically. When Nietzsche says that Christianity is impossible, that it can only lead to absurdities, to outrageous, insane things, it can be said that he's superficially right, even if ultimately he's wrong. You can't get rid of the sacrificial principle by just flicking it away as if it were a piece of dust. History isn't finished. Every day very interesting things, changes in outlook, are happening right before our eyes. In the United States and everywhere, a lot of current cultural phenomena can be unified by describing them as the discovery of new victims, or rather as their concrete rehabilitation, for in truth we've known about them for a long time: women, children, the elderly, the insane, the physically and mentally handicapped, and so forth. For example, the question of abortion, which has great importance in American debates, is no longer formulated except in the following terms: “Who is the real victim? Is it the child or is it the mother?” You can no longer defend a given position, or indeed any of them, except by making it into a contribution to the anti-victimary crusade. MT
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
I knew the instant I saw you that you were not her.” “But you didn’t say anything!” He smirks. “To be honest, I was intrigued. I intended to question you in private, so as not to alarm my mother or Emily. But then I saw the change in my cousin. She had been quite despondent over her impending marriage--until your arrival. I admit I had no intention of interfering in her engagement, yet I could hardly take away what happiness you brought. Perhaps it was a way of alleviating my guilt for not helping her. And aside from that, you seemed to be doing no harm.” He grins at that last statement, as it’s obvious I was up to far more mischief than he realized. “You mean all this time I’ve been freaking out over you hating me and you knew?” He smiles sheepishly. It’s the closest thing to embarrassment I’ve ever seen on his face. “Yes.” I groan. “I guess I deserve that.” I turn back to the sky, and for the first time, an odd sense of peace washes over me. I want to stay here. I know now, without a shadow of a doubt, I want to stay here. Those mixed feelings have been replaced by something else: fear. Fear that it’s not really my choice to make. His thumb picks up its soft circling on my hand. “What will you do now?” “I don’t…I don’t know. I mean, I’m so lost I can’t find my way home. And maybe that sounds weird, but it’s true.” “You may stay here. As long as you need to.” I squeeze his hand. “Thank you. I’m not sure if I should, though. I belong somewhere else, and there may come a day when I need to go. When I…have to go. And I don’t want you to…I don’t want you to put anything on hold because of me.” I can’t believe I just said that. I can’t believe I implied he’d be so stuck on me that he wouldn’t pay attention to the other girls and his supposed duty to find a wife. A Duchess for Harksbury. “I would not wish you to leave if it is not your desire.” I nod and swallow the boulder-sized lump forming in my throat. I don’t know if he feels quite as strongly for me as I do for him, but he does care about me. And it feels good. “Thank you.” We turn back to the sky again, and I edge closer to him. I feel strange, dressed in my jeans and T-shirt, while he is still dressed as he always is. It makes it so painfully obvious that we’re from different worlds. Worlds that will never see one another. Worlds much too far apart. I turn toward him, so my cheek is resting on the cool grass. When he looks back at me, his eyes nearly blend with the blades until all I see is a sea of intense green. And then I do it. I edge closer to him, close my eyes, and kiss him. His lips are as soft and full as before, but I enjoy it this time, because my mind isn’t reeling like it was. I lose myself to the moment as he presses back against me. It is perfect. It is everything I want it to be and more. And then we both retreat, and I open my eyes. He moves his arm so that it wraps around my shoulders, and I have somewhere to rest my head, and then I snuggle up against him and close my eyes again, as the heavy draw of sleep lulls me under.
Mandy Hubbard (Prada & Prejudice)
Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
XIV [Every day you play with the light of the universe.]” Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees. Pablo Neruda, Twenty Love Poems and a Song of Despair. Trans. W.S. Merwin (Penguin Classics; Bilingual edition, December 26, 2006)
Pablo Neruda (Twenty Love Poems and a Song of Despair)
When I was little, and I thought that children grew up and their parents grew down, so that one day the child became the parent and the parent became the child, I had in my head such an impressive idea of what an adult was. My father seemed to me to know everything. My mother had such assurance and command. Inside my head was a little square of awe, compact and complete. They seemed as far away from me as a spaceship from the earth, orbiting in some darkness I could not comprehend. But now that I am an adult among adults, I am there. I am now here—in what once seemed like a stratosphere, another stratosphere entirely—but is this. This is the absolute outer limit of the human universe.
Sheila Heti (How Should a Person Be?: A Novel from Life)
Poet Ayoade, the first African immigrant to serve as a nuclear missile operator in the United States Air Force, debuts with an inspirational memoir chronicling his childhood in Nigeria and journey to become a doctor and American citizen. Ayoade, who at the age of seven promised his mother “One day, I will take you far away from here,” details his upbringing with an abusive father and the many family tragedies he endured—along with his dedication to creating a different life: “Underground is my unusual journey from childhood poverty to where I am today. How the impossible became a reality.” Readers will be swept into Ayoade’s vivid recollections of his early years, including his strict education, brushes with death, and a strained relationship with his father. He recounts the family’s passion for American movies that made “America seem like the perfect place,” sparking his desire for a better future, and details his decision to become a veterinarian and eventually pursue a career in the U.S. military to ensure the best life for his family (and future generations). Ayoade’s story is moving, particularly his reconciliation with his father and hard-earned American citizenship, and his message that it’s never too late to chase your dreams resonates. That message will evoke strong emotions for readers as Ayoade highlights the importance of hard work and the benefit of a committed support system, alongside his constant “wishing, praying, and fighting to be free from all the sadness and injustice around me”—a theme that echoes through much of the book, including in his acknowledgement that the fear he experienced as a nuclear missile operator was a “cost of this freedom.” Ayoade’s poetry and personal photographs are sprinkled throughout, illuminating his deep love for family and his ultimate belief in liberty as “The reason for it all./ A foundation for a new generation,/ The best gift to any child.” Takeaway: This stirring memoir documents an immigrant’s fight for the American dream. Great for fans of: Ashley C. Ford’s Somebody's Daughter, Maria Hinojosa’s Once I Was You. Production grades Cover: A- Design and typography: A Illustrations: A Editing: A Marketing copy: A
Booklife
when the snow begins to fall once again, she catches a flake on her tongue and feels, lapping against her belly, the lake it was drawn from by summer sun, far away—a lake like a promise she will one day know. Then as the world folds down for winter, so too do the girl and her mother, listening to the crackle of flame and, beyond the leather door curtain, the soft hiss of snow settling over the hills and hollows like white felt.
Nicola Griffith (Spear)
The passing of years had made him indifferent to feminine beauty, and long association with the police had utterly calloused him to human misery. His manner indicated that he had detached himself from the scene of which he was a part. His body hulked between the prisoners and the door, which constituted a discharge of his duty. His mind was far away, occupied with the mathematical percentages of his prospects for winning on the races the next afternoon; daydreaming what he would do when he became eligible for pension; and rehashing in his mind an argument he had had with his wife that morning, thinking somewhat ruefully of her natural aptitude for delivering an extemporaneous tongue lashing, whereas he hadn’t thought of his best retorts until long afterward. His wife had a gift that way. No, damn it, she’d inherited it from her mother—that must be it. He remembered some of the scenes with his mother-in-law before she’d died some ten years ago. At that time, Mabel had been all worked up over the way the old lady used to have tantrums. That was before Mabel had got fat. She certainly had a good figure in those days. Well, come to think of it, he’d put on a little weight himself.
Erle Stanley Gardner (The Case of the Crooked Candle (Perry Mason #24))
What you do, boy, is get the money and get as far away from here as you can. Don't even stay for your brother's funeral. It might end up being yours also. So start running and maybe one day you and me both will be thankful for what's happening. I don't know. I know your mother deserves more than a double funeral. When your mother talks to you, I hope you will keep this between us. It won't help matters if she knows I'm the one who made Jimmy pay for his ugliness.
Donald Goines (Daddy Cool: A Father Out to Revenge His Daughter's Shame)
I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more! We want more! We want and need it all! Just like the one girl Lily; I have her one hair ribbon; from Nevaeh, I have something far more personal than her underwear, and it is on display too, and that was her virginity! Who knows that she was a little cock sucker too? How do I have it, you ask? Tee- hee- Will I tell you- how! Now come to think of it, back then my idea was to drive her insane so that she will do it to herself… like she did; by not having anyone to confide in, I wanted that to kill her slowly, that was the plan. Just like I was the arranger of her first sexual partner. I told him to pound the shit out of her, and pop her cherry so hard and fast, that the next day she could not even walk; plus, bleed for many days; which is how I got what is on display… I did this so that it would take everything away from her. If my girls do not have it, then neither does she. I made the schooling system think that she has major problems, from kindergarten up through high school. I will do whatever it takes to have her fall! For the reason that I have to be triumphant! It was a promise that I made to her mother. If I cannot have her mind, body, and soul, no one can. Yeah, now I did not mind putting a bullet in her father's head, so I would have loved to put one on hers also. Yes, I should have gotten to her way back then, when she was just sitting in her playpens so defenseless. Then again, I thought what the hell… it would be better to torture her, and make everything in her life a living hell for her! Why should I play god, when I can send the devil to her bed every night! Let’s not forget to mention everybody showed up at her father's house right after the murder that took place. So, I did not have enough time to complete the job. Oh yes, her mother is a very good friend of mine, and I wanted to make sure that Nevaeh would have nothing. Nothing but pain, misery, and torture from me and my girls. Yes, without her ever knowing, that I was the one causing all the trouble in her life.
marcelduriez
I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more! We want more! We want and need it all! Just like the one girl Lily; I have her one hair ribbon; from Nevaeh, I have something far more personal than her underwear, and it is on display too, and that was her virginity! Who knows that she was a little cock sucker too? How do I have it, you ask? Tee- hee- Will I tell you- how! Now come to think of it, back then my idea was to drive her insane so that she will do it to herself… like she did; by not having anyone to confide in, I wanted that to kill her slowly, that was the plan. Just like I was the arranger of her first sexual partner. I told him to pound the shit out of her, and pop her cherry so hard and fast, that the next day she could not even walk; plus, bleed for many days; which is how I got what is on display… I did this so that it would take everything away from her. If my girls do not have it, then neither does she. I made the schooling system think that she has major problems, from kindergarten up through high school. I will do whatever it takes to have her fall! For the reason that I have to be triumphant! It was a promise that I made to her mother. If I cannot have her mind, body, and soul, no one can. Yeah, now I did not mind putting a bullet in her father's head, so I would have loved to put one on hers also. Yes, I should have gotten to her way back then, when she was just sitting in her playpens so defenseless. Then again, I thought what the hell… it would be better to torture her, and make everything in her life a living hell for her! Why should I play god, when I can send the devil to her bed every night! Let’s not forget to mention everybody showed up at her father's house right after the murder that took place. So, I did not have enough time to complete the job. Oh yes, her mother is a very good friend of mine, and I wanted to make sure that Nevaeh would have nothing. Nothing but pain, misery, and torture from me and my girls. Yes, without her ever knowing, that I was the one causing all the trouble in her life.
Marcel Ray Duriez (Nevaeh The Miracle)
Jesus’ Father is nearby, holy, powerful, caring, forgiving and our protector. These attributes provide strong images of who God is and what fatherhood means. And we now have a way to define the Father’s goodness. We also have a way to measure what true parenthood ought to be. A good parent, be it a father or mother, ought to possess these six characteristics. Of the six aspects of the nature of God the Father (present, pure, powerful, provides, pardons, protects) as seen in the Lord’s Prayer, which do you most need to see and understand about God? As a father, I try hard, but often fail, to reflect each of those six characteristics. I am near to my children, but sometimes I am distant, preferring to read the newspaper than play with them. And my work sometimes takes me far away for weeks at a time. I also try hard to be good and pure, but I fail miserably at times, snapping at them for minor infractions and being petty and selfish. I try to be strong for my kids, but sometimes I am scared and confused, just as they are. I do a decent job of providing for them, but sometimes I provide too much and spoil them. I forgive them, but I catch myself bringing up their past mistakes. And I try to protect them, but I am woefully aware that I cannot protect them from all enemies that lurk about. My children, my wife and most of my friends would rate me as a decent father. Every Father’s Day both of my children write me cards and say, “You are the best dad ever.” But I am aware of my deficiencies and pray that my children do not suffer because of them. My point here is that
James Bryan Smith (The Good and Beautiful God: Falling in Love with the God Jesus Knows)
The Son of a vacuum Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention. -He said: I am not a hero; I am nothing but a child looking for Eid. The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries. Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq. Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup. Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003. As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart. -When will you come back, dad? -On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts. The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland. Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote: Every morning takes me nostalgic for you, to the jasmine flower, oh, melody in the heart, oh balm I sip every while, To you, I extend a hand and a fire that ignites in the soul a buried love, night shakes me with tears in my eyes, my longing for you has shaped me into dreams, stretching footsteps to the left and to the right, gleam, calling out for me, you scream, waking me up to the glimpse of the light of life in your face, a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace, Eid comes to you as a companion, without, life yet has no trace, for roses, necklaces of love, so that you amaze. -Where is Ruslan? On the morning of the feast day, at the door of his house, the kids asked his mother, -with tears in her eyes: He went to meet his father. A moment of silence fell over the children, -Raman, with a little gut: Aunt, do you mean he went to the cemetery? -Mother: He went to meet him at those hills.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
That peculiar light just before sunset, before gloaming: it is then that Essa sees for the first time the famous dunes at Avanue, which roll like fat people in their sleep, and shift restlessly forever. “They cast long shadows, these sleeping giants, and Essa shivers. She has walked too far—after the trip north she was so grateful to be out of hospital—her hands and feet are cold, and she is dizzy with exhaustion. She sits down on the ragged grass at the edge of the bluff which overlooks the dunes, and tries not to hate them. “Her mother’s words, remembered in a dream, sound like water flowing in her thoughts. There is no water here. The grasses under her are dry and stiff, and they grow in sand so fine it grits through her clothing against the skin of her ass. The sea is too far away to see or smell. But at least she is alone. “Though she is shivering, it is still a hot day, and the sun has warmed the sand. The ground radiates heat into her body. She lies down flat on her belly, her head to one side so that she can still see the dunes, and puts her hands beneath her; gradually they warm. “Gradually her body comes back into balance and she starts to see an eerie beauty before her. The sun is fully down when she sits up, brushes the sand away as well as she can, and hugs her knees to her chest. She puts her chin on her knees and watches darkness descend over the low rolling landscape. “This is unlike any cliff on which she has rested yet. It is low and gives no perspective. The dunes come up almost to her feet. Yet the demarcation is quite abrupt: there is no grass growing anywhere after this brief crumbling drop-off, and she can see as the land-breeze begins to quicken that ahead of her the sand is moving. In fact, she realizes, she can hear it, a low sweeping sound which has mounted from inaudibility until it inexorably backs every other sound: sounds of grasses moving, insects scraping, birds calling from the invisible sea far beyond her viewpoint are all subsumed in one great sand-song. “It is a sound so relentlessly sad that Essa can hardly bear to listen, but so persistent that she cannot ignore it now that she has become aware of its susurration. She pulls her sweater—the one her mother made by her knitting—around her and waits. “When it is fully dark and the wind has died again, she rises and begins the long walk back to town in the dim light of stars and crescent moon.
Candas Jane Dorsey (Black Wine)
Her mother bought her a burgundy pair of VANS summer shoes in Italy, and they took a picture of her laughing happily while holding them in her hand in an exaggerated scene, as if they had been teasing him to take a picture of her for her boyfriend in a park somewhere in Italy. Shortly after, she started wearing them in Barcelona and cut off the tiny VANS logo with a scissor. When I asked her why, she tried to avoid answering at first until she said something like she didn't like it, or that they looked better without the tiny black VANS logos. It was suspicious that someone must have told her the urban legend in Barcelona soon after her Italian vacation, that VANS stands for „Vans Are Nazi Shoes.” It became more and more obvious in Barcelona that my life was in danger, as an awful vibe surrounded us due to the construction. It was mostly caused by rich tourists who I had never seen do much work in life, too high to take on a task as simple as changing a password on a bank account on an iPhone app – a crime organisation, quite international already and increasingly so, with a growing number of participants and secrets becoming more and more dangerous, I thought, and I wasn’t wrong, I just couldn’t see the whole picture yet as I was blindfolded. As if her nickname, Stupid Bunny which she had printed out at Ample Store with Adam, was a cute, nice thing, a reassurance after the day before she had been crying for some unknown reason and printing out the phrase, “You never loved me, you just broke my heart.” That couldn't have been further from the truth. She would fidget around and draw at home, and I didn't realise she was bored of being with me when she had so many other options in her mind because of what others had fed her, as if I was a monogamist who wouldn’t forgive her for cheating or making a mistake. Even if I had seen her, when she showed up at home she seemed in love with herself, watching herself in the mirror in her new tight, short shorts. It was weird. I had noticed something strange in Martina for a while now and I couldn’t put my finger on it. I thought it was only the drugs she was secretly doing behind my back, but I was far away from having all the answers.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
They used my name and permit to grow the weed and earn money to repay their debts and compensate their investors. To keep my girlfriend. To take her. I am uncertain if any of them have ever spent a minute in jail for any of these activities. Adam proudly showcases his new motorcycles on Instagram, posing on a hill above Barcelona. He also displays his brand new electric camper van, which they use to travel and transport drugs across Europe and Iberia, as well as his gigantic marijuana cultivation located in Portugal. People like Ruan and Martina admire his public images. I came across a picture of Ruan and Martina together in Berlin, where their mother Fernanda visited them. Martina became member of the Evil Eye Cult, and the custom made mafia group in Spain, which used her as a pawn in their porn and drug-related activities. She now operates as their representative in Berlin. Martina and I have lost the ability to genuinely smile. Her social media posts only show disinterest or a malicious demeanor. ‘A boot stomping on a human face.’ In a picture with her brother and mother, she puts on a forced fake “good vibe” and “happy” smile, revealing her flawless teeth and the subtle lines of aging. With each passing day, she bears a greater resemblance to her rich and so happy mother, the bad person. As far as I know, none of these individuals have faced consequences for their actions, such as having their teeth broken. As I had. Innocently. Taking care of business and their lives. With love. I find this to be incredibly unjust. In the 21st century. In Europe. On planet Earth. By non-EU criminals. “Matando – ganando” – “killing and gaining” like there were no Laws at all. Nowadays, you can observe Sabrina flaunting her fake lips and altered face, just like Martina her enhanced breasts. Guess who was paying for it? It seems that both girls now sustain themselves through their bodies and drug involvement, to this day, influencing criminals to gain friends in harming Tomas and having a lavish lifestyle filled with fun and mischief. Making a living. Enjoying Spain. Enjoying Life. My money. My tears. This is the situation as it stands. I was wondering what Salvador Dali was trying to tell me. I stood in front of the Lincoln portrait for a long time, but I couldn't grasp the point or the moral behind it. I can listen to Abraham Lincoln and ‘trust people. To see. If I can trust them.’ But he ultimately suffered a tragic fate, with his life being taken. (Got his head popped.) I believe there may have also been a female or two involved in that situation, too, possibly leading to his guards being let down. While he was watching: Acting performances, he was facing a: Stage. Theater. It is disheartening, considering he was a good person. Like Jesus, John Lennon and so on. Shows a pattern Machiavelli was talking about. Some individuals are too bright for those in darkness; they feel compelled to suppress those brighter minds simply because they think and act differently. Popping their heads. Reptilian lower brain-based culture, the concept of the Evil Eye, Homo erectus. He couldn't even stand up properly when I was shouting at him, urging him to stand up from the stairs. ‘Homo seditus reptilis.’ But what else was there in the Lincoln image that I didn't see? What was Dali trying to convey or express or tell me? Besides the fact that the woman is in his mind, on his mind, in the image, exactly, his head got popped open. Perhaps because he was focusing on a woman, trusting her for a split second, or turning his head away for a moment.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Of course you did not practice sitting meditation all day when you entered the temple. For months and sometimes years you had to take care of the cows, collect dry twigs and leaves, carry water, pound rice, and collect wood for the fire. Every time my mother came to visit from our village, which was far away, she would regard these things as being the challenges of the first stage of practice. At first my mother was concerned for my health, but as I grew healthier, she stopped worrying about me. As for me, I knew that these were not challenges — they were themselves the practice. If you enter this life you will see for yourself. If there was no taking care of the cows, no collecting of twigs and leaves, no carrying water, no growing potatoes, then there would no means for the practice of meditation.
Thich Nhat Hanh (My Master's Robe: Memories of a Novice Monk)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
Oh remember the Red River Valley and the cowboy who loved you so true …,’ ” I sang, my voice trailing off, not knowing the rest of the words. Images of Kyle’s little face and hands came to me, reverberations of his flawless voice. I wondered if I would ever be a mother and what kind of “horrible situation” Kyle’s mother was in, where his father might be and where mine was. What is he doing right this minute? I’d thought occasionally throughout my life, but I was never able to imagine it. I didn’t know my own father’s life. He was there, but invisible, a shadow beast in the woods; a fire so far away it’s nothing but smoke. That was my father: the man who hadn’t fathered me. It amazed me every time. Again and again and again. Of all the wild things, his failure to love me the way he should have had always been the wildest thing of all. But on that night as I gazed out over the darkening land fifty-some nights out on the PCT, it occurred to me that I didn’t have to be amazed by him anymore. There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn’t feel like a big fat idiot anymore. And I didn’t feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Her momma finds her stray hair still left in the bathroom sink. Where she combed out her ratty do for what seemed like forever. Staring at herself in the mirror and pulling and teasing and shaping all that her stingy god would give her and nothing ever more. She’d contemplate her face there. Her flat wide nose and dark eyes and the combinations. She’d test her looks to see how she looked when she kissed. She'd extend her tongue as far out of her mouth as she could to check out how long it was and if she had anything extra special to offer. And what she'd have to do to serve it up. Momma grabs a kleenex and cleans around the deep rust stains in the sink. Does she throw away the old dry hairs crumbled in her hand under the tissue or keep such sad memories. Does she store them in a drawer or is she just being silly. Should she cherish this precious angel manna or try and just fucking get over it. Not give into it. Could she even possibly throw them away into the garbage without bawling uncontrollably. Can she possibly change the urge over from utter despair. When she sees her child getting brutally raped and hammered into, her baby's baby fingers digging into the rocks and dirt she can pass by daily. A dilapidated pit that crumbles in the middle of all their continuing lives and remains standing out of sheer old bull-headed promise and well organized planning. The forefathers of this neighborhood didn't count on the incredibly heavy weight of the public’s filthy laziness. My poor baby. My poor baby. She has to seek help. This nameless faceless mother. She can’t deal with this all alone. She can’t quit these imaginings from her old yellowed eyes and ears and off her cleaning washing working fingertips and the very constant edges of her smaller brain. The sickness that slipped thick repetitive blobs of useless male sperm and thin streams of rust washed metal stripping toxins bleeding down her daughter’s black throat may or may not be only one in a great number of difficult dreams and attempts but she just can’t find a polite perspective anymore. She can’t live like this any longer. She should have offered her child more than a dirty smudged mirror in a peeling and running bathroom when she got home from a dirty hot school every damn day. Where were the cops? And the doctors who were supposed to save her? And the fucking psychiatrists who could have done some trepanning into that evil dog's motherfucking bursting crack head before he was let out on the streets with his glass dick and his screaming pussy hunting cock. Dogs don't need help. They need to be put down.
Peter Sotos (Tick)
Catalina: I need your help. I don’t have anyone else I can ask. I was sitting at my desk in my room trying to work on a Numerology assignment but since that message had come through, I hadn’t been able to think of anything else. Because it came down to this – was I going to help Mommy Acrux with her little problem? I hadn’t even replied yet so I had no idea what she wanted my help with, but I needed to make a decision before I did. Did I trust her? And how far was I willing to go for her? I tapped my pen against my lips as I wondered. Catalina had been messaging me every day since we’d swapped numbers. She gave me information on Lionel and Clara’s comings and goings and revealed anything they’d let slip but there hadn’t been a single, solid thing that she’d told me which would make any real difference to us. I understood that Lionel kept her out of his plans, but still, she hadn’t exactly given me any irrefutable evidence that she was actually on my side. ... I reached out and took a biscuit from the little stand and devoured it in two bites as Catalina watched me. It was fucking delicious. Going hungry in the mortal world had definitely left me with a taste for good food and there was no way I’d be letting those little treats go to waste. “Have you seen much of Darius?” she asked and I stilled. We talked a lot via text, but there was an unspoken rule that we didn’t discuss him, and I would have preferred to stick to it. “Every day,” I admitted. “Meals, classes, the common room. It’s kinda like getting punched in the heart every other hour.” I wasn’t really sure why I’d admitted to that and I looked away from her before she could get a read on the pain it caused me. Because I didn’t have a right to be hurting over it, did I? It had been my choice that put us in this position after all. The door opened before she could push me on the subject and I looked around with a smile as Xavier stepped into the room. He fell still as he spotted me. His dark hair was a mess, he was barefoot and the grey sweatpants he wore had a stain on the leg. He was also shirtless which gave me a look at the lean muscle lining his frame and the defined V which dipped beneath his waistband. “Well shit, Xavier, have you spent the last two months working out or something?” I teased and a faint blush lined his cheeks as he stared between me and his mother. “What…why are you here?” he asked, not seeming to know if he should be pleased to see me or not. She seemed to be waiting for me to make the move though so I beckoned Xavier closer and pointed to the chair beside me. He approached, his eyes narrowed suspiciously as he lowered himself into the seat and pushed a hand through his hair self consciously. “Did I interrupt your nap?” I teased. “No. I just…didn’t really expect to see anyone today so I didn’t exactly bother getting dressed.” There was a hollow tone to his voice which made me frown and my heart twisted painfully as I wondered how many days he spent alone like that. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
But she could make one decision- to change her environment. And if she could change her environment, she would be subject to a whole different set of cues and unconscious cultural influences. It's easier to change your environment than to change your insides. Change your environment and then let the new cues do the work. She spent the first part of eighth grade learning about the Academy, talking to students, asking her mother, and quizzing her teachers. One day in February, she heard that the board of the school had arrived for a meeting, and she decided in her own junior-warrior manner that she'd demand that they let her in. She snuck into the school when a group of kids came out the back door for gym class, and she made her way to the conference room. She knocked, and entered the room. There was a group of tables pushed toward the middle of the room, with about twenty-five adults sitting around the outside of them. The two Academy founders were sitting in the middle on the far side of the tables. "I would like to come to your school," she said loud enough for the whole room to hear. "How did you get in here?" somebody at the table barked. "May I please come to your school next year?" One of the founders smiled. "You see, we have a lottery system. If you enter your name, there is a drawing in April-" "I would like to come to your school," Erica interrupted, launching into the speech she had rehearsed in her head for months. "I tried to get into New Hope when I was ten, and they wouldn't let me. I went down to the agency and I told the lady, but she wouldn't let me. It took them three cops to get me out of there, but I'm thirteen now, and I've worked hard. I get good grades. I know appropriate behavior. I feel I deserve to go to your school. You can ask anyone. I have references." She held out a piece of binder paper with teachers' names on it. "What's your name?" the founder asked. "Erica." "You see, we have rules about this. Many people would like to come to the Academy, so we decided the fairest thing to do is to have a lottery each spring." "That's just a way of saying no." "You'll have as fair a chance as anyone." "That's just a way of saying no. I need to go to the Academy. I need to go to college." Erica had nothing more to say. She just stood there silently. She decided it would take some more cops to take her away. Sitting across from the founders was a great fat man. He was a hedge-fund manager who had made billions of dollars and largely funded the school. He was brilliant, but had the social graces of a gnat. He took a pen from his pocket and wrote something on a piece of paper. He looked at Erica one more time, folded the paper, and slid it across the table to the founders. They opened it up and read the note. It said, "Rig the fucking lottery." The founders were silent for a moment and looked at each other. Finally, one of them looked up and said in a low voice. "What did you say your name was?" "Erica." "Listen, Erica, at the Academy we have rules. We have one set of rules for everybody. Those rules we follow to the letter. We demand discipline. Total discipline. So I'm only going to say this to you once. If you ever tell anybody about bursting in here and talking to us like that, I will personally kick you out of our school. Are we clear about that?" "Yes, sir." "The write your name and address on a piece of paper. Put it on the table and I will see you in September".
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
twenty-nine-year-old patient she had recently cared for who had an inoperable brain tumor that continued to grow through second-line chemotherapy. The patient elected not to attempt any further chemotherapy, but getting to that decision required hours of discussion, for this was not the decision he had expected to make. First, the oncologist said, she had a discussion with him alone. They reviewed the story of how far he’d come, the options that remained. She was frank. She told him that in her entire career she had never seen third-line chemotherapy produce a significant response in his type of brain tumor. She had looked for experimental therapies, and none were truly promising. And, although she was willing to proceed with chemotherapy, she told him how much strength and time the treatment would take away from him and his family. He did not shut down or rebel. His questions went on for an hour. He asked about this therapy and that therapy. Gradually, he began to ask about what would happen as the tumor got bigger, what symptoms he’d have, what ways they could try to control them, how the end might come. The oncologist next met with the young man together with his family. That discussion didn’t go so well. He had a wife and small children, and at first his wife wasn’t ready to contemplate stopping chemo. But when the oncologist asked the patient to explain in his own words what they’d discussed, she understood. It was the same with his mother, who was a nurse. Meanwhile, his father sat quietly and said nothing the entire time. A few days later, the patient returned to talk to the oncologist. “There should be something. There must be something,” he said. His father had shown him reports of cures on the Internet. He confided how badly his father was taking the news. No patient wants to cause his family pain. According to Block, about two-thirds of patients are willing to undergo therapies they don’t want if that is what their loved ones want.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
What’s your name?” he asked again. She pursed her lips tight, shaking her head. Her eyes welled up again. “It’s okay,” he said softly. “Really.” “Paige,” she whispered, a tear running down her cheek. “Paige,” she repeated in a small voice. “Yeah, that’s good. That’s a pretty name. You can say your name around here without being afraid.” “Your name?” “John,” he said, then wondered why he had done that. Something about her, he guessed. “John Middleton. No one calls me John, though. I’m known as Preacher.” “You’re a preacher?” “No,” he said with a short laugh. “Way far from it. The only one ever to call me John was my mother.” “What did your father call you?” she asked him. “Kid,” he said, and smiled. “Hey, kid,” he emphasized. “Why do they call you Preacher?” “Aw,” he said, ducking shyly. “I don’t know. I got the nickname way back, when I was just a kid in the Marine Corps. The boys said I was kinda straitlaced and uptight.” “Really? Are you?” “Nah, not really,” he said. “I never used to curse at all. I used to go to mass, when there was a mass. I grew up around priests and nuns—my mother was real devout. None of the boys ever went to mass, that I remember. And I kind of hung back when they went out to get drunk and look for women. I don’t know...I never felt like doing that. I’m not good with women.” He smiled suddenly. “That should be obvious right away, huh? And getting drunk never really appealed to me.” “But you have a bar?” she asked. “It’s Jack’s bar. He watches over people real good. We don’t let anybody out of here if they’re not safe, you know? I like a shot at the end of the day, but no reason to get a headache over it, right?” He grinned at her. “Should I call you John?” she asked him. “Or Preacher?” “Whatever you want.” “John,” she said. “Okay?” “If you want. Yeah,” he said. “Yeah, I like that. Been a while since anyone called me that.” She
Robyn Carr (Shelter Mountain (Virgin River, #2))
Do you regret what we did last night?” When he thought of her eagerness, her ardor in the night, and then compared it with her behavior with him today… She blew out a breath, and beneath his arm, he felt her shoulders drop. “I do not regret it the way you might think. I will always treasure the memory and…” “And what?” His fingers began to circle on her nape, and he felt all manner of tension and anxiety flowing out of her. “And that’s all.” She sighed, bowing her head. “I made a mistake with you. It isn’t my first mistake, but I hope it will be my last. I can’t survive another such mistake.” He was silent, not asking her why it was a mistake. He could guess that. “I think I’m getting better,” he said quietly. “I go for as much as a week between nightmares, and the last time it rained, I was able to stay away from the brandy. I haven’t had to build a wall now for a few weeks, Emmie.” “Oh, St. Just.” She rested her forehead on his shoulder. “It isn’t you. You must not think it’s you. You’re lovely, perfect, dear… And you are getting better, I know you are, and I know some lady will be deliriously happy to be your countess one day.” He listened, trying to separate the part of him that craved her words—lovely, perfect, dear—from the part of him that heard only her rejection. “Is there someone else?” he asked as neutrally as he could. Emmie shook her head. “Again, not in the sense you mean. I am not in love with anybody else, and I don’t plan to be. But I am leaving, St. Just. I have thought this through until my mind is made up. My leaving will be for the best as far as Winnie is concerned, and she comes first.” “I don’t understand,” he said on an exasperated sigh. “You love that child, and she loves you. She needs you, and if you marry me, she can have you not just as a cousin or governess or neighbor, but as a mother, for God’s sake. You simply aren’t making sense, Em, and if it puzzles me, it’s likely going to drive Winnie to Bedlam.” He glanced over at her, and wasn’t that just lovely, she was in tears now. “Ah, Emmie.” He pulled her against him in a one-armed hug. “I am sorry, sweetheart.” She stayed in his embrace for three shuddery breaths then pulled back. “You cannot call me that.” “When do you think you’re leaving?” he said, dodging that one for now. “Sooner is better than later.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
You made a good choice for your Naga,” she assured me. “Danica is more graceful on a dais than half the serpents I know.” “Provided she isn’t blushing too brightly to see,” another quipped. “The first time I saw our queen perform, I thought she was a lost cause--far too uptight, like most avians--but I’m glad to be proved wrong.” I knew I was grinning. I had never doubted that Danica could learn the serpent art. Much of her loved my world; a part of her craved dance as surely as anyone else in this nest did. Perhaps that thirst came from her time dancing with the currents of air far above where we earthbound creatures roamed, or perhaps it came from the expressive nature her own world forced her to hide. Similar conversation flowed among us until A’isha’s musical voice commanded me, “Zane, admire your queen.” The words brought our attention to the back of the room, where Danica had emerged, looking so beautiful that she took my breath away. In response to her teacher’s words, Danica smiled and shook her head, causing her golden hair to ripple about her face. It made my heart speed and my breath still, as if I was afraid the next movement would shatter the world. She was a spark of fire in sha’Mehay. The serpiente dress rippled around the hawk’s long legs, the fabric so light it moved with the slightest shift of air. The bodice was burgundy silk; it laced up the front with a black ribbon, and though it was more modest than many dancers’ costumes, it still revealed enough cream-and-roses skin to tantalize the imagination. On Danica’s right temple, A’isha had painted a symbol for courage; beneath her left collarbone lay the symbols for san’Anhamirak, abandon and freedom. “You dance every day with the wind. This is not so different,” A’isha said encouragingly to Danica. “Now, look at the man you love and dance for him.” The nest hushed, faces turning to their Naga. Her cheeks held more color than usual, which A’isha addressed with a common dancers’ proverb. “There is no place for shame, Danica. If Anhamirak had not wanted beauty admired, she would not have made our eyes desire it. You are art.” Danica stepped out of A’isha’s grip. “If my mother could see me now,” she murmured, but she smiled as she said it.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
Kahnawake August 1704 Temperature 75 degrees It was worth going into the water just to get away from Ruth’s nagging. Mercy waded in, appalled by how cold it was. Snow Walker towed her around for a minute and then let go. At first Mercy couldn’t take two strokes without having to stand up and reassure herself that there was a bottom, but soon she could swim ten, and then twenty, strokes. Joseph, who had been swimming with the boys, paddled over to admire her new skill. Snow Walker coaxed them to put their heads under the water and swim like fish. Mercy loved it. Wiping river water from her eyes and laughing, she shouted, “Come on in, Joanna!” In front of Snow Walker, she spoke Mohawk. “It feels so cool and slippery inside the water.” Joanna shook her head. “I can’t see where I’m going on land. I don’t want to be blind in water over my head.” “Ruth!” yelled Joseph, in English so she’d answer. “Try it. I won’t pull you under by the toes. I promise.” “Savages swim,” said Ruth. “English people walk or ride horses.” By now, Mercy had flung her tunic onto the grass and was as bare as everybody else. When Ruth scolded, Mercy ducked under the water and stayed there until the yelling was over. “Just wait till you get out, Mercy,” said Ruth. “The mosquitos are going to feast on your wet bare skin.” Mercy translated for Snow Walker, who said, “No, no. We grease to keep the mosquitos away.” Joseph, of course, had been greasing for weeks, but so far Mercy had not submitted. Ruth, unwilling to see Mercy slather bear fat over her nakedness, stalked away. “Good,” said Snow Walker, giggling. “The fire is out. We are safe now.” Mercy was startled. “I never heard you use her old name.” “I don’t call her Let the Sky In,” explained Snow Walker. “She would let nothing in but storms.” Snow Walker’s not such a fence post after all, thought Mercy. “Snow Walker, why have they given Ruth such a fine new name?” “I don’t know. One day at a feast, the story will be told.” “They’ll have to gag Ruth before they tell it,” said Joseph. “She hates her new name even more than she hated her old one.” They got out of the water, racing in circles to dry off, and then Snow Walker rubbed bear grease all over Mercy. “I can’t see you from here, Munnonock,” said Joanna, “but I can smell you.” “Want some?” said Mercy, planning to attack with a scoop of bear grease, but Joanna left for the safety of the cornfields and her mother. Snow Walker went back in to join a water ball team.
Caroline B. Cooney (The Ransom of Mercy Carter)
The hate has gone from you to a faraway place you cannot find, as it was spoken in the prophecy. That’s why it is time for you to walk your own way. You must fight the last great fight for the People, yes? And you must fight it alone. I have to stay here. For our mother, my children. You’re our hope, our only hope.” “You call it hope? I call it running away.” “No! When we run, we find someplace familiar and safe. Winter will be upon us soon. You will face uncertainty and great danger when you go west.” Giving Hunter a small shake, Warrior cried, “You are our hope, Hunter! Why can’t you see that? When the last Comanche puts down his weapon, when the last chief says it is finished, we will know it is not finished. We will know that the People live on--far away from this place--that our songs are being sung, that our ways are being honored. I know you feel great fear, but fear has never stopped you. You mustn’t let it stop you now.” “I will go wherever the Great Ones lead me,” Hunter whispered. “You know I will. It’s just that I can’t see the path they want me to follow. There is no one to lead me.” “The path will be there. When you turn your face westward you will know, deep within, where to place your feet.” Warrior’s voice rang with certainty. “I would ask one thing of you, tah-mah. Ride beside me one last time into battle. It will be our final memory of each other, yes?” Once again Hunter remembered looking into that white man’s blue eyes. The battles shall stretch before him with no horizon. When would it ever end? But his brother had made this request of him. “I will ride with you,” Hunter whispered. “One last time.” Straightening his pallet, Warrior stretched out on his back, so close his arm brushed Hunter’s. After a long while he said, “You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow and a blanket,” he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad.
Anonymous
Celeste was practically talking to herself now because Stamford and the baby were in a world of their own. The baby's hands had reached the man's face and he was tapping every feature of it, doing everything that was necessary for the man to say the words the baby had come to expect in their brief history together. Stamford's mouth opened more and more. 'You here early this mornin,' Stamford Crow Blueberry would say to Ellwood Freemen that day some twenty years later in Richmond. Ellwood would be walking up the street with the reins of his horse in his hand, and Stamford would be walking with a baby resting on his shoulder, the newest member of the Richmond Home for Colored Orphans. Mother and father killed in a fire. Walking and singing to the baby in the morning seemed to calm the infant for the rest of the day. Ellwood Freemen would say, 'I have come to fulfill my duty, just as I promised, Mr. Blueberry. Is that to be one of my pupils?' Stamford would shake his hand, nodding. Ellwood said, 'You look as if you didn't believe I would keep my word.' 'Oh,' Stamford said, 'I whatn't worried. I know where your mama and papa live. I know where I could find them to tell em that their boy didn't keep his word.' Ellwood told him he had to tend to some business elsewhere in Richmond and would return shortly to settle in at the home for orphans. He got on his horse and rode slowly out to the main street, the street that would be named for Stamford Blueberry and his wife Delphie. Blueberry, with the new orphan on his shoulder, followed. He watched Ellwood take his time going off and Stamford that day would realize for the first time just how far they had come. He would have cried as he had that day after the ground opened up and took the dead crows, but he had in his arms a baby new to being an orphan. Stamford, it don't matter now, he told himself, watching Ellwood and the horse saunter away. It don't matter now. The day and the sun all about him told that was true. It mattered not how long he had wandered in the wilderness, how long they had kept him in chains, how long he had helped them and kept himself in his own chains; none of that mattered now. He patted the baby's back, turned around and went back to the Richmond Home for Colored Orphans. No, it did not matter. It mattered only that those kind of chains were gone and that he had crawled out into the clearing and was able to stand up on his hind legs and look around and appreciate the differences between then and now, even on the awful Richmond days when the now came dressed as the then. Behind him, as he walked back, was the very corner where more than a hundred years later they would put that first street sign - Stamford and Delphie Crow Blueberry Street.
Edward P. Jones (The Known World)
Third Week of June 2012 The questionnaire arrived via email from Dr. Arius. It read: Good Day, Young! Thank you for agreeing to be a candidate in my survey. As I mentioned previously, let’s conduct this research like our regular correspondence. There is no pressure on your part to answer or not to answer my questions; it’s entirely up to your discretion on the way you like to channel this analysis. There are no fixed rules or regulations on how you answer my queries. Be yourself and treat this study like you are talking with a confidant. Let’s get started and begin from the beginning; * In “Initiation” you said that as far as you can remember; as a baby you disliked your father. What was it that you didn’t like about the man? Did he have a certain smell that repelled you or something conscious or subconscious that repulsed your connection towards him? * Do you think your overly protective mother had an influence on you disliking your father? * When you were wearing pretty frocks and playing with dolls, did you feel less than a boy? How did you feel or react when you saw other boys playing with ‘boyish’ toys; like miniature toy soldiers or train sets, etc.? * Did your mom try distancing you away from your dad? * What did your brothers think of your parent’s relationship? * Did you have any boy pals or friends when you were growing up? If not, why is that? Would you have grown up differently if you had had guy friends? Let’s start with these questions and we’ll proceed further with others, as we continue along in our future correspondence. Now that you, Andy and Oscar have reconnected, I hope your newfound friendships are progressing well with both your ex ‘big brothers and lovers. Keep me posted, as I’m interested to know the outcome. Kind regards, A.S.
Young (Unbridled (A Harem Boy's Saga, #2))
Question five: * What did your brothers think of your parents’ relationship? Answers: a) Both my brothers were studying in England. They were out of sight and out of mind. They were having a ball of a time away from my parent’s domestic squabbles. As far as I remember, they didn’t care one way or other. That was another reason I could not wait to leave my family in Malaya and be as far away from my dad as possible. I wanted to create my own life where nobody could or would tell me what I could or couldn’t do. As I mentioned in Initiation, I wished my parents had gotten a divorce and Mother had married Uncle James. That to me would have been the ideal solution to my parent’s problems. Unfortunately, women from my mother’s generation and social standing would think divorce to be an insurmountable decrepitude to a marriage, let alone to the welfare of their children. After all, in their marriage vows my parents promised each other, “till death do us part.” My parents’ generation takes pledges and oaths seriously. Their staunch “gentleman’s word of honor” probably influenced me in upholding my personal pledge of allegiance and oath of confidentially to the Enlightened Royal Oracle Society to this day.
Young (Unbridled (A Harem Boy's Saga, #2))
Some years later, during a heart-to-heart chat, a friend of mine remarked that I have the propensity to disappear, when faced with hindrances. He advised me to face problems head-on, instead of avoiding confrontations and running away like a coward, much as I had with my dad, with you, and with Tony. This is a liability I’m learning to confront. And, it isn’t easy.               Thanks to my sister, Aria, I was able to make peace with my father, before he passed. For years, I had resented the way he treated us, during our Christmas vacation at Vaduz. I couldn’t bring myself to forgive the insults he flung at us. Although my mother did her best to assuage the damage, I fled as quickly and as far as I could. I had refused to meet with my dad unless he apologized; he refused to budge. During his final days, Aria and Ari begged me to return home, to pay my respects. It was then and there that we made peace. Before he took his final breath, he apologized and asked my forgiveness. When he finally accepted me for who I am, an immense relief flooded me. I came to the realization that our time on earth is short, and if either one of us had been less difficult, our years of estrangement could have been resolved long before.               Relief followed apprehension, for I knew he had died in peace; for this, I am eternally grateful.               What about you? How did you get on with your father? When we parted ways, you had unresolved issues with him, as I did with mine. Now that the ball is in your court, send me your chronicles.☺
Young (Turpitude (A Harem Boy's Saga Book 4))
I should be surprised you’re calling me. But I’m not,” she says. “How was practice?” “Not great. Darlene isn’t a great captain, and Ms. Small knows it. You shouldn’t quit.” “I’m not. I’m just taking a break for a little while. But I didn’t call to talk about poms. Listen, I wanted you to know I broke up with Colin today.” “And you’re telling me because…” That’s a good question, one I normally wouldn’t have answered. “I wanted to talk with someone about it, and I know I have friends who I can call, but I kinda wanted to go to someone who wouldn’t gossip about it. My friends have big mouths.” Sierra is the one person I’m closest to, but I lied to her about Alex. And her boyfriend, Doug, is best friends with Colin. “How do you know I won’t blab?” Isabel asks. “I don’t. But you didn’t tell me stuff about Alex when I asked, so I figure you’re good at keeping secrets.” “I am. So shoot.” “I don’t know how to say this.” “I haven’t got all day, you know.” “I kissed Alex,” I blurt out. “Alex? ¡Benditaǃ Was that before or after the Colin breakup?” I wince. “I didn’t plan it.” Isabel laughs so hard and loud, I have to take the phone away from my ear. “You sure he didn’t plan it?” she asks once she can get words out. “It just happened. We were at his house and then we were interrupted when his mom came home and saw us--” “What? His ma saw you guys? In his house? ¡Benditaǃ” She goes off in Spanish, and I have no clue what the hell she’s saying. “I don’t speak Spanish, Isabel. Help me out here.” “Oh, sorry. Carmen is gonna shit a brick when she finds out.” I clear my throat. “I won’t tell her,” Isabel is quick to say. “But Alex’s mom is one tough woman. When Alex dated Carmen, he kept her far away from his mama. Don’t get me wrong, she loves her sons. But she’s overprotective, just like most Mexican mothers. Did she kick you out?” “No, but she pretty much called me a whore.” More laughing from the other end of the line. “It wasn’t funny.” “I’m sorry.” More laughing. “I would have loved to be a fly on the wall when she walked in on you two.” “Thanks for your compassion,” I say dryly. “I’m hanging up now.” “No! I’m sorry for laughing. It’s just that the more we talk, the more I see you as a totally different person than I thought you were. I guess I can understand why Alex likes you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
He leaned his forehead against hers. “You’re never going to forgive me, are you?” “I forgive you,” she said, fighting the urge to press her lips to his. She meant it. She couldn’t stay mad at him. And even though she didn’t understand, she would do her best not to judge. She was far from perfect herself. Falco exhaled deeply. “That is the best news I have gotten all day,” he said. He leaned back, and his face broke out into a wide smile. “And the second-best news is that my paintings did well at the exhibition. A wealthy artisan from the mainland has offered me work. A lot of work.” “Falco, that’s amazing!” Cass couldn’t resist reaching out to squeeze his hand. “Life-changing,” he said, in a low voice. “Like you. Like us.” Cass opened her mouth to protest, but no words came out. Falco was right. She wouldn’t deny that he had reached deep inside of her and unlocked secret places she had never even known existed. “But the position will mean a lot of travel. Perhaps relocation,” he said. She looked away from him, biting her lip. “You’ll be far away.” Falco nodded. “But I might get to see my family again.” “Your family?” Cass had never even thought to ask Falco about his family, whether he had brothers and sister. “My mother is a washerwoman and my father a cobbler. My brothers all work at the shop. I have a pair of little sisters in a convent in Verona,” he said. “It’s been years since I’ve seen them.” Cass couldn’t imagine what it would be like to grow up in such a large family, with so many built-in companions. “Come away with me, Cassandra,” Falco said, his hands coming to rest lightly on her waist. “I can give you a life now. It may not be quite what you’re used to, but it will be filled with love.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
And when I say I said, etc., all I mean is that I knew confusedly things were so, without knowing exactly what it was all about. And every time I say, I said this, or I said that, or speak of a voice saying, far away inside me, Molloy, and then a line phrase more or less clear and simple, or find myself compelled to attribute to others intelligible words, or hear my own voice uttering to others more or less articulate sounds, I am merely complying with the convention that demands you either lie or hold your peace. For what really happened was quite different. And I did not say. Yet a little while, at the rate things are going, etc., but that resembled perhaps what I would have said, if I had been able. In reality I said nothing at all, but I heard a murmur, something gone wrong with the silence, and I pricked up my ears, like an animal I imagine, which gives a start and pretends to be dead. And then sometimes there arose within me, confusedly, a kind of consciousness, which I express by saying, I said, etc., or don’t do it Molloy, or is that your mother’s name? said the sergeant, I quote from memory. Or which I express without sinking to the level of oratio recta, but by means of other figures quite as deceitful, as for example. It seemed to me that, etc., or, I had the impression that, etc., for it seemed to me nothing at all, and I had no impression of any kind, but simply somewhere something had changed, so that I too had to change, or the world too had to change, in order for nothing to be changed. And it was these little adjustments, as between Galileo’s vessels, that I can only express by saying, I feared that, or, I hoped that, or, is that your mother’s name? said the sergeant, for example, and that I might doubtless have expressed otherwise and better, if I had gone to the trouble. And so I shall perhaps some day when I have less horror of trouble than today.
Samuel Beckett (Molloy)
XIV. Every Day You Play" Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars if the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. the wind. I can only contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honey suckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Two weeks had passed when Willie got home from school one day to find a letter postmarked Tyler, Texas. “Dear Willie,” Marla wrote, Dad was right. I love it here. I’ve got three girl cousins I go to school with. One’s in my grade, and one’s ahead of me and one behind. And my aunts are neat. They’re so kind to Mama. Oh, and Dad got a job right away that he likes so far. Anyway, what I want to tell you is how sorry I am. I mean, I wasn’t nice when I first met you because I thought you were a goofball and you’d mess up my life. How was I to know you were really my frog prince? Write me, Willie. I miss you a lot. Your friend, Marla. “Nice letter?” Mom asked. “Yeah,” Willie said. “She says I’m her frog prince.” “Of course you’re a prince. Didn’t I always tell you?” Mom asked. Willie laughed. It didn’t matter if she had; she was his mother, so he knew better than to believe her. “I’m going to write and tell Marla how Booboo’s doing,” Willie said. He’d tell her that since Booboo was back in Willie’s bed at night he was quiet--most of the time. And Booboo hadn’t wet on any more crossword puzzles, either. Of course, Dad hadn’t left any on the floor now that he was back at work and happy being busy again, but still Booboo deserved some credit. Instead of a signature at the end of the letter, he’d draw a picture of a frog with his own face and a crown. Yeah, that’d be good. He bet it would make Marla laugh, and even if he couldn’t hear her, he’d like that.
C.S. Adler (Willie, the Frog Prince)
I detected no danger to us, yet Shea was uneasy and certain we were not alone almost from the beginning. I dismissed her fears, thinking her separation from Jacques the cause.” “It was only Shea who could detect the vampire in the woods,” Jacques said. Shea found herself the center of attention. Instinctively she moved toward Jacques. He wrapped an arm around her waist, his body protective toward hers. “I know you’re all thinking it was Rand. I don’t want it to be him. I want to have a family.” “You have a family,” Mikhail said gently. “I am your family. Raven is your family. Our child will be, and of course you have Jacques. Someday you will have children.” He sent a slight grin in Gregori’s direction. “You can even claim the healer as family. We do, although he dislikes it intensely. We are together, and we are close. These past several days are not a real example of what our existence is like. We are under attack, and must defend ourselves. Most of the time our life is much like that of the human world. Do not judge us by recent days. These are exceptional times.” “Maybe Byron can tell us who betrayed him,” Shea suggested desperately. “Can’t we wait for what he has to say before we condemn Rand?” What was it that bothered her so much? And what was it Rand said had? Jacques held her close. “No one wants it to be Rand, little red hair, and you can be assured no one will act without certain proof.” Shea knew he was seeking to reassure her, even as he believed implicitly that her father was the betrayer. Some part of her knew it to be true. Away from Rand, she was able to see things more clearly. He wasn’t just a man confused and tormented by her mother’s death. He could be a calculating, cold killer. Shea closed her eyes, unable to face where her thoughts were going. Jacques could not be the one to take Rand’s life. He just couldn’t. Warmth flooded her mind, and his arm tightened protectively around her. There is no need for me to hunt Rand should he prove to be the vampire preying on our people. The others can take care of it. We can go far from this place if that is your desire, my love.
Christine Feehan (Dark Desire (Dark, #2))
Why do you like him so much?” Lada asked, the wonder of the night above her stealing the sting from her question. Mehmed was quiet for a long time before answering. “That day you found me in the garden? Molla Gurani is the tutor who struck me.” “You should have had him killed,” Lada said. Mehmed laughed softly. “It sounds odd, but I am glad he hit me. Before him, no one, no tutor, no nurse ever stood up to me. They let me rage and rant, allowed me to be a terror. The more I pushed, the more they looked the other way. My father never saw me, my mother could not be bothered to take so much as a meal with me. No one cared who I was or what I became.” Lada tried to shift away from the thing poking into her heart and making her so uncomfortable, but there were no rocks beneath her. “And then Molla Gurani came. That first day, when he hit me, I could not believe it. I wanted to kill him. But what he said the next day changed me forever. He told me I was born for greatness, placed in this world by the hand of God, and he would never let me forget or abandon that trust.” Mehmed shrugged, his shoulder pressing against Lada’s. “Molla Gurani cared who I was and who I would become. I have tried ever since to live up to that.” Lada swallowed hard against the painful lump that had built in her throat. She could not blame Mehmed for latching on to a man who saw him, who demanded more of him and helped him attain it. It was a lonely, cold thing to live without expectations. She unwrapped her hand from where it clutched the pouch at her heart and cleared her throat. “He is still the most boring man alive.” Mehmed laughed, while Radu remained far away and silent.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
They’re a lot bigger than the last ones,” I say. “Yeah, they must be four weeks old. She must have dropped this litter early. Can you sit with your legs out to hold them?” Without a subterranean den, we had to coral them somehow. Inside the copse, there is barely room to move. I drop down to a sitting position with my legs splayed out, and the pups wiggle en masse against my thigh. Their noses press against my pant leg. They calm down and begin to nuzzle into each other. Dirt streaks their coats, which range from coal to warm gray. Their heads are covered in dense auburn fur, and all of them have now closed their milky-gray eyes. I stare at them in disbelief at the thought that, not so long ago, settlers threw dynamite into wolf puppy dens. Their muzzles appear foreshortened and out of proportion to the long and wide jaws they will grow into one day. Something compels one pup to move closer and closer to me until the little wolf wedges its nose firmly into my groin. The other pups trail behind it, tunneling between each other and pawing their way over one another until all four are piled together between my legs. I try not to think about the fact that suddenly I am a temporary nursemaid to some of the world’s rarest wolves while their mother likely paces a few dozen yards away. Adjusting the puppies is futile, as they seem hardwired to nuzzle their way into the warmest, tightest spot they can find. The brambles, while thick on the outside, form a natural opening in the middle that is just large enough for a wolf to circle around in. The mother had dug a very shallow earthen dish - only a few inches deep - to keep her babies in. “Doesn’t seem like much of a den,” I remark. “I thought we’d find another big hole in the ground.” “It varies,” Ryan says. “Sometimes we find them in these bowl depressions, usually where the woods are thicker and the ground is flatter, like here. But sometimes they’re in holes. When the ground is sloped, they’ll dig back into the slope. That’s the most typical kind of den. But we’ve found them in storm culverts, too. It’s all over the map.” Ryan sets to work pulling out rubber gloves, blood-sample supplies and ID chips. Chris snaps and cracks his way to us. He crawls through the copse and curses at the dense vegetation. Finally, he reaches the inner sanctum, where there is barely enough room to sit Indian style jammed up against Ryan’s legs and mine. Roomy for a wolf, maybe, but cramped for three human adults. “What a sorry little den,” Chris remarks. He glances at the scratched-out dirt bed and porous brush overhead. Rain drips through, wetting our heads. “Is she nearby?” “Somewhere over there.” Ryan gestures behind us. “She’s not going far, though, you can be sure of that. These guys squealed their guts out.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Every Day You Play" Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (The Essential Neruda: Selected Poems)
What you do, boy, is get the money and get as far away from here as you can. Don't even stay for your brother's funeral. It might end up being yours also. So start running and maybe one day you and me both will be thankful for what's happening. I don't know. I know your mother deserves more than a double funeral. When your mother talks to you, I hope you will keep this between us. It won't matters if she knows I'm the one who made Jimmy pay for his ugliness.
Donald Goines (Daddy Cool: A Father Out to Revenge His Daughter's Shame)
The world of Mark Twain seems so very far away from us. Today that half-wild innocent America of his childhood memories is a lost continent, sunk forever under those arid deserts of asphalt, those oceans of poison sludge, those mountains of technological garbage which are the monuments of the human dilemma we like to call progress. It’s nice though to catch a glimpse of things as they used to be... a landscape painted in words to bring us back for a moment, to that early morning of the American day so blithe and free when we were still on speaking terms with Mother Earth.
Orson Welles
Oh, Jet, you’ve cut your hair,” Franny said when she witnessed what her sister had done. Jet was still in her nightgown, barefoot. She resembled a cat, with a cat’s suspicion and mistrust, a gorgeous creature despite her attempt to ruin herself. Jet had already decided she would not be finishing high school. She felt far too old for that, and from that day forward, she wore only black. She rid herself of the girlish clothing she’d favored in the past—frilly, floaty dresses in shades of pink and violet—giving it all to Goodwill. Her clothes no longer suited her, for she wasn’t the same person she’d been before her birthday. That girl was gone forever. Sometimes she went back to the scene of the accident. She could no longer hear other people’s thoughts and was so alone she felt like a moth in a jar. She sat on the curb, like a beggar woman, but no one passing by could grant her forgiveness and that was something she certainly couldn’t allow herself. Her one salvation was the novels she read. On nights when she thought it might be better not to be alive without Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell. She favored Jane Austen and the Brontës and Virginia Woolf, reading one book after another. On most days, she was happy not to leave home. She, who was once the most beautiful girl in two states, who had inherited their mother’s gorgeous features, now seemed mousy and unremarkable, a bookworm who could hardly be convinced to look away from the page. Boys no longer noticed her, and if they did, she made it clear she wasn’t interested. She walked late at night, when the avenues were deserted, as if tempting fate. She felt a kinship with the lonely, forsaken people drifting through the streets at that blue hour.
Alice Hoffman (The Rules of Magic)