Fantastic Fox Quotes

We've searched our database for all the quotes and captions related to Fantastic Fox. Here they are! All 74 of them:

I understand what you're saying, and your comments are valuable, but I'm gonna ignore your advice.
Roald Dahl (Fantastic Mr. Fox)
I think I have this thing where everybody has to think I'm the greatest.And if they aren't completely knocked out and dazzled and slightly intimidated by me, I don't feel good about myself.
Roald Dahl (Fantastic Mr. Fox)
It looked like the sort of book described in library catalogues as 'slightly foxed', although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
Badger: The cuss you are. Mr. Fox: The cuss am I? Are you cussing with me?
Roald Dahl (Fantastic Mr. Fox)
Honestly kiddo? You’re beautiful. You use your weight as an excuse but you’re just all woman. Not every woman has to look like a stripper. Or a model. Or Megan Fox. You’re petite, have a tiny waist, a fantastic rack, a devastating ass…what the hell more do you want? You should know it. Everyone else knows it…that’s why you’re getting all these asinine comments. Can’t you just see that it’s just jealously that’s ripping these people apart?
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
I stole every nickel and blew it on fine threads, luxurious lodgings, fantastic foxes, and other sensual goodies. I partied in every capital in Europe and basked on all the world's most famous beaches.
Frank W. Abagnale (Catch Me If You Can: The True Story of a Real Fake)
They say all foxes are slightly allergic to linoleum, but it's cool to the paw, try it. They say my tail needs to be dry cleaned twice a month, but now it's fully detachable, see? They say our tree may never grow back, but one day, something will. Yes, these crackles are made of synthetic goose and these giblets come from artificial squab and even these apples look fake—but at least they've got stars on them. I guess my point is, we'll eat tonight, and we'll eat together. And even in this not particularly flattering light, you are without a doubt the five and a half most wonderful wild animals I've ever met in my life.
Wes Anderson
I therefore invite you all," Mr Fox went on, 'to stay here with me for ever.' For ever!' they cried. 'My goodness! How marvellous!' And Rabbit said to Mrs Rabbit, 'My dear, just think! We're never going to be shot again in our lives!' We will make,' said Mr Fox, 'a little underground village, with streets and houses on each side - seperate houses for Badgers and Moles and Rabbits and Weasels and Foxes. And every day I will go shopping for you all. And every day we will eat like kings.' The cheering that followed this speech went on for many minutes.
Roald Dahl (Fantastic Mr. Fox)
When you're writing a book with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interested your readers at all.
Roald Dahl (Fantastic Mr. Fox)
You got a plan?” Raziel said, his heart hammering his chest like it wanted to push its way out and take its chances on its own. “Don’t get eaten.” Raziel bared his teeth and laughed.
Rick Fox (Fate's Pawn)
It's a dangerous thing, going out your front door.” “Because the road might sweep you off on some adventure without time for breakfast?” “Well… I was thinking more of the monsters, but yes, that too.
Rick Fox (Fate's Pawn)
The panic disappeared under those soothing old fingers and the breathing slowed down and stopped hurting the chest as if a fox was caught in it, and then at last Mr. Kroger began to lecture the boy as he used to, Pablo, he murmured, don't ever be so afraid of being lonely that you forget to be careful. Don't forget that you will find it sometimes but other times you won't be lucky, and those are the times when you have got to be patient, since patience is what you must have when you don't have luck. ("The Mysteries of the Joy Rio")
Tennessee Williams (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
finest and fattest ducks and geese, plucked and ready for roasting! And up above, dangling from the rafters, there must have been at least a hundred smoked hams and fifty sides of bacon!
Roald Dahl (Fantastic Mr. Fox)
Weird grey forms came pouring out of the woods. They were only about three or four feet tall, but they were covered in taut muscle. Their heads were wider than their shoulders and their mouths, bristling with teeth, stretched from ear to ear. They chattered as they came, shrieking in voices that were at once guttural and chirruping.
Rick Fox (Fate's Pawn)
Books by Roald Dahl The BFG Boy: Tales of Childhood Charlie and the Chocolate Factory Charlie and the Great Glass Elevator Danny the Champion of the World Dirty Beasts The Enormous Crocodile Esio Trot Fantastic Mr. Fox George’s Marvelous Medicine The Giraffe and the Pelly and Me Going Solo James and the Giant Peach The Magic Finger Matilda The Minpins The Missing Golden Ticket and Other Splendiferous Secrets Roald Dahl’s Revolting Rhymes Skin and Other Stories The Twits The Umbrella Man and Other Stories The Vicar of Nibbleswicke The Witches The Wonderful Story of Henry Sugar and Six More
Roald Dahl (The Wonderful Story of Henry Sugar and Six More)
I dare not do that, said Mr. Fox, because this place I am hoping to get is so marvelous that if I described it to you now you would go crazy with excitement
Roald Dahl (Fantastic Mr. Fox)
Slowly, wearily, the foxes began to slope the tunnel up
Roald Dahl (Fantastic Mr. Fox)
And Mrs. Fox said to her children, 'I should like you to know that if it wasn't for your father we should all be dead by now. Your father is a fantastic fox.' Mr. Fox looked at his wife and she smiled. He loved her more than ever when she said things like that.
Roald Dahl
Keira was surrounded by dozens of tiny orbs, each a unique shade of brilliant color. She was clasping her stomach with both arms, hunched over like she was freezing, trying to hold on to every bit of warmth she could. She looked up at Hoeru and her eyes were glowing with the light of all the magic she was struggling to contain. “Hoeru, close your eyes,” she said through gritted teeth. The wolf spirit realized the threat she posed and snapped its jaws at her. It probably saved Hoeru’s life. Keira exploded.
Rick Fox (Fate's Pawn)
There was something fantastically bewitching about the idea that a person's destiny could change in one single, wondrous night.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
any moment. Keep your guns handy.
Roald Dahl (Fantastic Mr Fox)
I think I have this thing where everybody has to think I'm the greatest.And if they aren't completely knocked out and dazzled and slightly intimidated by me, I don't feel good about myself
Roald Dahl (Fantastic Mr. Fox)
It looked the sort of book described in library catalogues as “slightly foxed,” although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.
Terry Pratchett (The Light Fantastic (Discworld, #2))
You shouldn't keep the phone numbers of rapscallions who robbed you and left you for dead at bus stops, or stood you up on Valentine's Day at age eight, even if they looked like Finn from Star Wars and dressed like the Fantastic Mr. Fox and smelled like heady cologne.
Krystal Sutherland (A Semi-Definitive List of Worst Nightmares)
Mortals may not believe in magic in the way they did centuries ago, but they merely call it a different name,” Merrick said from my other side. “Artists and poets—and many others—still draw on inspiration and imagination. They make the fantastic real. And what is that if not magic?
Jocelyn A. Fox (The Crown of Bones)
Home again I swiftly glide Back to my beautiful bride She'll not feel so rotten As soon as she's gotten Some cider inside her inside ‘Oh poor Mrs Badger, he cried, So hungry she very near died. But she’ll not feel so hollow If only she’ll swallow Some cider inside her inside.’" ---Fantastic Mr. Fox, Ronald Dhal
Roald Dahl
Oh, you’re reading your secret book. Sorry,” he said. Though his face didn’t show any contrition Raziel knew he meant it. Hoeru was close to Raziel’s age and they’d been roommates for years, ever since Dominic brought the changeling in. He was probably Raziel’s closest friend. Reading the changeling could be difficult but Hoeru was always candid with his words. “Secret book?” “Is it not a secret?” “No! I just don’t like people knowing about it.” Hoeru narrowed his eyes and cocked his head. “Isn’t that what a secret is?” “No. Well… yes. Kind of. It’s complicated.” “Everything human is complicated. So what’s in your not-secret secret book?
Rick Fox (Fate's Pawn)
The creature was very young. He was alone in a dread universe. I crept on my knees and crouched beside him. It was a small fox pup from a den under the timbers who looked up at me. God knows what had become of his brothers and sisters. His parents must not have been home from hunting. He innocently selected what I think was a chicken bone from an untidy pile of splintered rubbish and shook it at me invitingly... the universe was swinging in some fantastic fashion around to present its face and the face was so small that the universe itself was laughing. It was not a time for human dignity. It was a time only for the careful observance of amenities written behind the stars. Gravely I arranged my forepaws while the puppy whimpered with ill-concealed excitement. I drew the breath of a fox's den into my nostrils. On impulse, I picked up clumsily a whiter bone and shook it in teeth that had not entirely forgotten their original purpose. Round and round we tumbled and for just one ecstatic moment I held the universe at bay by the simple expedient of sitting on my haunches before a fox den and tumbling about with a chicken bone. It is the gravest, most meaningful act I shall ever accomplish, but, as Thoreau once remarked of some peculiar errand of his own, there is no use reporting it to the Royal Society.
Loren Eiseley
It wasn’t that big a deal.” Raziel sat up. He stared hard at Keira until she had no choice but to meet his eyes. He could still see doubt and uncertainty there. “Stop that. If you did what you say you did, you pulled off a hell of a thing. Several hells of things. Or something like that. I’m not sure how to make that plural. The point is...” Raziel had to stop for a moment to figure out what his point was. She was looking at him with curiosity now, the self consciousness somewhat faded. “The point is thank you.” “Thank… you?” “Yeah. You got me away from Alban. You came to help Kusa. You risked your life to keep me and my friends alive. Thank you.” “You… you…” She struggled for words. “You are so weird.
Rick Fox (Fate's Pawn)
chops.
Roald Dahl (Fantastic Mr. Fox)
Whereupon the three men all shook hands with one another and swore a solemn oath that they would not go back to their farms until the fox was caught.
Roald Dahl (Fantastic Mr. Fox)
rose
Roald Dahl (Fantastic Mr Fox)
clogged with all kinds of muck and wax and bits of chewing gum and dead flies and stuff like that. This made him deaf. ‘SPEAK LOUDER,’ he said to Bunce,
Roald Dahl (Fantastic Mr Fox)
18 Still Waiting
Roald Dahl (Fantastic Mr. Fox)
Boggis’s
Roald Dahl (Fantastic Mr. Fox)
marvellous
Roald Dahl (Fantastic Mr. Fox)
CHAPTER ONE
Roald Dahl (Fantastic Mr Fox)
COME
Roald Dahl (Fantastic Mr Fox)
loved her more than ever when she said things like that.
Roald Dahl (Fantastic Mr. Fox)
blighter?
Roald Dahl (Fantastic Mr Fox)
obstinate
Roald Dahl (Fantastic Mr. Fox)
11 A Surprise for Mrs. Fox
Roald Dahl (Fantastic Mr. Fox)
Pelly
Roald Dahl (Fantastic Mr. Fox)
plumpest
Roald Dahl (Fantastic Mr. Fox)
The Shooting
Roald Dahl (Fantastic Mr. Fox)
11
Roald Dahl (Fantastic Mr. Fox)
sudden
Roald Dahl (Fantastic Mr. Fox)
Pelican.
Roald Dahl (Fantastic Mr. Fox)
dinner – the Badgers, the Moles, the Rabbits and the Weasels. Tell her it will be a truly great feast. And tell her the
Roald Dahl (Fantastic Mr Fox)
Eggbeast!” Raziel shouted, his voice finally coming back to him. Hoeru turned, looked at the eggbeast just a few feet away and then back to Raziel. “Yes. That is the eggbeast.” There was a moment of almost silence, the only noise being the wet sloppy sound of the eggbeast’s mouth falling open and its absurdly large tongue falling out of its mouth as it panted happily. “Oh right. I guess no one told you. Kusa convinced it to help us.” “Oh. Thanks. That’s good to know,” Raziel’s words came out stilted as he tried to get his panic and irritation with Hoeru under control. “Sure.” The eggbeast let out a chuffing sound. Hoeru turned his head towards the beast, and it mewled to him, a sound like a squeaky door made for giants. Hoeru nodded. “It also says sorry for trying to eat you.” “You… speak eggbeast?” “Well no. But we both speak squirrel.” “You know, it’s really hard to tell when you’re joking.
Rick Fox (Fate's Pawn)
MY DEAR FOXY!” cried Badger. “What in the world has happened to your tail?” “Don’t talk about it, please,” said Mr. Fox. “It’s a painful subject.” They were digging the new tunnel. They dug on in silence. Badger was a great digger and the tunnel went forward at a terrific pace now that he was lending a paw. Soon they were crouching underneath yet another wooden floor. Mr. Fox grinned slyly, showing sharp white teeth. “If I am not mistaken, my dear Badger,” he said, “we are now underneath the farm which belongs to that nasty little pot-bellied dwarf, Bunce. We are, in fact, directly underneath the most interesting part of that farm.
Roald Dahl (Fantastic Mr. Fox)
THE SMALL FOX ran back along the tunnel as fast as he could, carrying the three plump hens. He was exploding with joy. “Just wait!” he kept thinking, “just wait till Mummy sees these!” He had a long way to run but he never stopped once on the way and he came bursting in upon Mrs. Fox. “Mummy!” he cried, out of breath. “Look, Mummy, look! Wake up and see what I’ve brought you!” Mrs. Fox, who was weaker than ever now from lack of food, opened one eye and looked at the hens. “I’m dreaming,” she murmured and closed the eye again.
Roald Dahl (Fantastic Mr. Fox)
Watching Fox News doesn’t make you politically informed. It might be better than the other mainstream-media outlets, but it’s a corporate-controlled channel that pours out propaganda, just like the others. Anytime someone gets on there and starts heading for the deep side of the pool, they get cut. To name a few who were cut from Fox, you have John Stossel and Judge Napolitano. I’m no fan of Glenn Beck, but he covered more truth than all the other shows on Fox put together. Huckabee had fantastic ratings, and they cut him,” Cassie said.
Mark Goodwin (Conspiracy (The Days of Noah, #1))
No, let’s be fair,” I said. “Being a villain’s an option.” “You did not say that,” Fox-mask said, incredulous, “It’s not an option at all.” The girl in blue looked at Mrs. Yamada, “Ex-villain’s corrupting the kids, and you’re not stopping her?” Mrs. Yamada was frowning at me. “I’m going somewhere with this, honest,” I said. “If you’re sure,” she said. “I can stop you at any time.” “You can.” I looked at the gathered kids. A few of the less successful butterfly catchers had drifted away and approached. “I always hated the speeches when I was in school, the preaching in auditoriums, the one-note message. Stuff like saying drugs are bad. It’s wrong. Drugs are fantastic.” “Um,” Fox-mask said. Mrs. Yamada was glaring at me, but she hadn’t interrupted. “People wouldn’t do them if they weren’t. They make you feel good, make your day brighter, give you energy-” “Weaver,” Mrs. Yamada cut in. “-until they don’t,” I said. “People hear the message that drugs are bad, that they’ll ruin your life if you do them once. And then you find out that isn’t exactly true because your friends did it and turned out okay, or you wind up trying something and you’re fine. So you try them, try them again. It isn’t a mind-shattering moment of horrible when you try that first drug. Or so I hear. It’s subtle, it creeps up on you, and you never really get a good, convincing reason to stop before it ruins your life beyond comprehension. I never went down that road, but I knew a fair number of people who did. People who worked for me, when I was a supervillain.
Wildbow (Worm (Parahumans, #1))
It's her. The woman from the photo." The plate was foxed around the edges, but the painting at its center was still intact. The annotation beneath gave the title as Sleeping Beauty and the artist's name, Edward Radcliffe. The woman in the painting was lying in a fantastical treetop bower of leaves and flower buds, all of which were waiting in stasis for the chance to bloom. Birds and insects were interspersed amongst the woven branches; long red hair flowed in waves around her sleeping face, which was glorious in repose. Her eyes were closed, but the features of her face- the elegant cheekbones and bow lips- were unmistakable. "She was his model," Elodie whispered.
Kate Morton (The Clockmaker's Daughter)
Mrs. Badger, he cried, So hungry she very near died. But she’ll not feel so hollow If only she’ll swallow Some cider inside her inside.” They were still singing as they rounded the final corner and burst in upon the most wonderful and amazing sight any of them had ever seen. The feast was just beginning. A large dining-room had been hollowed out of the earth, and in the middle of it, seated around a huge table, were no less than twenty-nine animals. They were:
Roald Dahl (Fantastic Mr. Fox)
Joan Blondell had it all: looks, talent, energy, humor. If she never became a top-flight superstar, the fault lies mostly with Warner Brothers. At MGM, Joan could have easily had Jean Harlow’s career; at Paramount, Claudette Colbert’s or Carole Lombard’s; at Fox, Loretta Young’s; at RKO, Ginger Rogers’. Some of the fault lies, too, with Blondell herself, who later admitted, “The instant they said ‘cut!’ I was whammo out of that studio and into the car . . . In order to be a top star and remain a top star and to get all the fantastic roles that you yearned for, you’ve got to fight for it and you’ve got to devote your twenty-four hours to just that; you’ve got to think of yourself as a star, operate as a star; do all the press that is necessary . . . What meant most to me was getting home, and that’s the truth.” But if Joan Blondell got slightly lost in the shuffle at Warners, she still managed to turn in some delightfully snappy performances and typify the warm-hearted, wisecracking Depression dame. And when she aged, she did so with grace and humor.
Eve Golden (Bride of Golden Images)
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
They were all sweating from the exertion, and that concerned Hoeru. It was certainly possible that they’d be found by something that could track them by their scent. But then they were humans, and humans smelled so much more than they ever realized. “So Hoeru. What’s next?” Keira asked between breaths. “Thinking maybe a bath.” She gave him a sidelong look. “I know you were stuck in that room for a while, but I don’t think we have time for that.” The wind shifted and Hoeru was treated to a noseful of human. Still. She wasn’t wrong. “Yeah, you’re probably right.
Rick Fox (Fate's Pawn)
This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.
Arved Mark Ashby (Popular Music and the New Auteur: Visionary Filmmakers after MTV)
we have an entirely new set-up. We have a safe tunnel leading to three of the finest stores in the world!” “We do indeed!” said Badger. “I’ve seen ’em!” “And you know what this means?” said Mr. Fox. “It means that none of us need ever go out into the open again!” There was a buzz of excitement around the table. “I therefore invite you all,” Mr. Fox went on, “to stay here with me for ever.” “For ever!” they cried. “My goodness! How marvellous!” And Rabbit said to Mrs. Rabbit, “My dear, just think! We’re never going to be shot at again in our lives!” “We will make,” said Mr. Fox, “a little underground village, with streets and houses on each side—separate houses for Badgers and Moles and Rabbits and Weasels and Foxes. And every day I will go shopping for you all. And every day we will eat like kings.
Roald Dahl (Fantastic Mr. Fox)
Even so, it was difficult to quantify what he was feeling. Or maybe hearing. Touching? Raziel finally settled on sensing, but none of the words he could put to the sensation felt right. It was a presence, that much he was sure of. He’d felt that type of thing from his grandfather when they practiced magic together and faintly from people further away. But this was different. Slower. His grandfather had, at the time, seemed to be something solid and unmovable as a cliff face, but compared with this, he was just a leaf in late fall, holding its shape but crumbling at the lightest touch. It was, of course, the tree at his back that Raziel was sensing. Being struck by its awesome and awful enormity, the realization came to Raziel slowly. And, as he put a name to the presence in his mind, something changed. The smallest of ants, marching across unfamiliar terrain, looking up and seeing the great eye of the human whose arm was the continent on which it walked, might have felt something similar to what Raziel felt as the tree took notice of him.
Rick Fox (Fate's Pawn)
one for Bunce and one for Bean. The tents surrounded Mr. Fox’s hole. And the three farmers sat outside their tents eating their supper. Boggis had three boiled chickens smothered in dumplings, Bunce had six doughnuts filled with disgusting goose-liver paste, and Bean had two gallons of cider. All three of them kept their guns beside them. Boggis picked up a steaming chicken and held it close to the fox’s hole. “Can you smell this, Mr. Fox?” he shouted. “Lovely tender chicken! Why don’t you come up and get it?” The rich scent of chicken wafted down the tunnel to where the foxes were crouching. “Oh, Dad,” said one of the Small Foxes, “couldn’t we just sneak up and snatch it out of his hand?” “Don’t you dare!” said Mrs. Fox. “That’s just what they want you to do.” “But we’re so hungry!” they cried. “How long will it be till we get something to eat?” Their mother didn’t answer them. Nor did their father. There was no answer to give. As darkness fell, Bunce and Bean switched on the powerful headlamps of the two tractors and shone them on to the hole.
Roald Dahl (Fantastic Mr. Fox)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.
Robin Craig Clark (Heart of the Earth: A Fantastic Mythical Adventure of Courage and Hope, Bound by a Shared Destiny)
All of the combat was stirring up the magic. It filled the air like steam. But that wasn’t all. There was magic in the trampled grass of the courtyard, in trees surrounding the fort like sentinels, and in the moon and starlight streaming down from the sky. It was all swirling down into the courtyard and down into the earth. There was more magic available than Raziel could have possibly taken in. But that didn’t mean he couldn’t try. Raziel drew in everything he could, pulling magic from every direction. It was like trying to continuously inhale without exhaling. He burst into sweat as his whole body began to burn with the effort of containing the magic. The air around him was swirling, turbulent and constantly shifting directions. Soon it felt like his veins were filled with liquid fire and thunder pounded in his head. When he couldn’t take anymore, he began to force the energy up his shoulder and down his arm into his right hand. Everywhere the magic left felt like it was freezing, but his arm felt like it was being dipped in molten metal. Raziel opened his eyes to find his hand engulfed in a blazing ball of blue light. Hoeru was transfixed by it. There were a few gremlin bodies on the ground nearby, but they weren’t attacking anymore. They were running from the light Raziel held.
Rick Fox (Fate's Pawn)
A large, but not particularly impressive, book. Other books in the University’s libraries had covers inlaid with rare jewels and fascinating wood, or bound with dragon skin. This one was just a rather tatty leather. It looked the sort of book described in library catalogues as “slightly foxed,” although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
All this anger was once love
Fantastic Mr. Fox
But it was really the then-popular right-wing demagogue Glenn Beck who gave Republicans a taste of what was to come as the recession deepened. Beck was an apocalyptic yet strangely ebullient conspiracy theorist who on his daily Fox News broadcasts filled blackboard after blackboard with crazy Venn diagrams exposing the hidden links between 1960s radicals and Barack Obama. But he also broke with many Republican dogmas, particularly on economics and foreign policy, writing in one of his books, “Under President Bush, politics and global corporations dictated much of our economic and border policy. Nation building and internationalism also played a huge role in our move away from the founding principles.” Beck’s economic nationalism and isolationism struck a chord with the public, and many flocked to his sold-out rallies to hear him denounce phantom leftists but also Wall Street and the big banks. He even wrote a bestselling thriller in which all these evil forces join hands to squelch American liberty. For all his bombast, Beck was among the first on the right to report the truth that the American middle class was being hollowed out and that its children faced drastically reduced prospects. That a small class of highly educated people was benefiting from the new global economy and becoming fantastically wealthy. And that vast sections of the country had become deserted, heartbroken . . . and angry. Mainstream Republicans never got the message. Donald Trump did.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
The beaches are fantastic.
Richard Fox (The Dotari Salvation (Terran Strike Marines, #1))
Mrs. Fox: I know what it's like to feel different. Ash: I'm not different, am I? Mrs. Fox: We all are - him especially - but there's something kind of fantastic about that, isn't there?
Rohald Dahl
valley there was a wood.
Roald Dahl (Fantastic Mr. Fox)
bush
Roald Dahl (Fantastic Mr Fox)
Slowly, wearily, the foxes began to slope the tunnel up towards the surface. Up and up it went...
Roald Dahl (Fantastic Mr. Fox)