Fan Girl Moment Quotes

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We’ll never be a normal boy and girl, will we?” she managed to say. “No,” he breathed, eyes blazing. “We won’t.” And then the music exploded around them, and Chaol took her with it, spinning her so that her cloak fanned out around her. Each step was flawless, lethal, like that first time they’d sparred together so many months ago. She knew his every move and he knew hers, as though they’d been dancing this waltz together all their lives. Faster, never faltering, never breaking her stare. The rest of the world quieted into nothing. In that moment, after ten long years, Celaena looked at Chaol and realized she was home.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
I have spoken in tongues of fire. I have torn whole towns in two for love. I have courted insanity, crouching in the gap between what this moment feels like (smoldering fire fanned into the most logical flames) and how it looks to other people (the psychotic break of spontaneous combustion). I can feel the sensation of being called CRAZY when you feel WOUNDED and DESPERATE.
Merri Lisa Johnson (Girl in Need of a Tourniquet: Memoir of a Borderline Personality)
At first she did nothing, waiting for her husband to wake, which he did not, because that wasn’t a thing he ever did. She waited longer than she usually did, waited and waited, the boy wailing while she lay as still as a corpse, patiently waiting for the day when her corpse self would miraculously be reanimated and taken into the Kingdom of the Chosen, where it would create an astonishing art installation composed of many aesthetically interesting beds. The corpse would have unlimited child-care and be able to hang out and go to show openings and drink corpse wine with the other corpses whenever it wanted, because that was heaven. That was it. She lay there as long as she could without making a sound, a movement. Her child’s screams fanned a flame of rage that flickered in her chest. That single, white-hot light at the center of the darkness of herself—that was the point of origin from which she birthed something new, from which all women do. You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration. You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own. And upon hearing the boy’s scream, the particular pitch and slice, she saw the flame behind her closed eyes. For a moment, it quivered on unseen air, then, at once, lengthened and thinned, paused, and dropped with a whump into her chest, then deeper into her belly, setting her aflame
Rachel Yoder (Nightbitch)
Fan would have expected that one or two of the Girls would have long rebelled at spending a life in a room, would have begged, say, the dentist, to help them steal away, but the funny thing about this existence is that once firmly settled we occupy it with less guard than we know. We watch ourselves routinely brushing our teeth, or coloring the wall, or blowing off the burn from a steaming yarn of soup noodles, and for every moment there is a companion moment that elides onto it, a secret span that deepens the original’s stamp. We feel ever obliged by everyday charges and tasks. They conscript us more and more. We find world enough in a frame. Until at last we take our places at the wheel, or wall, or line, having somewhere forgotten that we can look up.
Chang-rae Lee (On Such a Full Sea)
I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.
Lady Gaga
Don’t you want someone to adore you, too?” “I don’t know. Fans love you. That’s not what you mean, though, is it?” She shook her head. “I’m not really sure I believe in all that, but if I can find the right girl someday, one who understands my needs and what’s important to me and what I do, one who can stand behind me no matter what . . .” He shrugged. “Maybe.” “How about a girl who stands beside you?” The corner of his mouth quirked up. “Oh, I get it—women’s studies minor, right?” She laughed. “Not exactly.” “Okay. Guess you’re right. That might be better.
Karen Cimms (At This Moment (Of Love and Madness, #1))
When Lizzie pushed past me, she offered me a sly wink and nothing else. Not a hello. Not a smile. Not an anything, and I couldn’t have been more grateful to her in this moment. Keeping my eyes trained on her, I watched as she lowered herself down between Feely and another lad with a shaved head, directly opposite Hughie. This girl. Messy as fuck or not, this girl had my unconditional support. I had a girlfriend and a son to go home to that I wouldn’t have if she hadn’t taken a second to talk me down from the edge that night. The thought of what could have happened—what would have happened—if she hadn’t intervened meant that I would be forever indebted to her. My son had a father because of her, and whenever the shit hit the fan for her, because it would hit the fan, then she would have my backing. Yeah, for the rest of the school year, she would come under the same umbrella that Tadhg and Shannon did.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Ma raised her eyes to the girl's face. Ma's eyes were patient, but the lines of strain were on her forehead. Ma fanned and fanned the air, and her piece of cardboard warned off the flies. "When you're young, Rosasharn, ever'thing that happens is a thing all by itself. It's a lonely thing. I know, i 'member, Rosasharn." Her mouth loved the name of her daughter. "You're gonna have a baby, Rosasharn, and that's somepin to you lonely and away. That's gonna hurt you, an' the hurt'll be lonely hurt, an' this here tent is alone in the worl', Rosasharn." She whipped the air for a moment to drive a buzzing blow fly on, and the big shining fly circled the tent twice and zoomed out into the blinding sunlight. And Ma went on, "They's a time of change, an' when that comes, dyin' is a piece of dyin', and bearin' is a piece of bearin', an' bearin' an' dyin' is two pieces of the same thing. An' then things ain't so lonely any more. An' then a hurt don't hurt so bad, 'cause it ain't a lonely hurt no more, Rosasharn. I wisht I could tell you so you'd know, but I can't." And her voice was so soft, so full of love, that tears crowded into Rose of Sharon's eyes, and flowed over her eyes and blinded her.
John Steinbeck
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry. Around
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
If you insist on ‘exposing us’,” Donovan said, his voice hard as ice, using air quotes, “we’ll have to do some exposing of our own. Certain people, like network executives, probably aren’t too keen on their employees engaging in blackmail. Besides, Jada is beloved. You know it, and I know it. I’m sure her fans would love to fill your Twitter mentions with all kinds of creative replies if they knew what you were attempting to do.” “You have no proof of blackmail.” Lila’s eyes spat fire. Jada held up a manicured index finger. “Oh, but I do. You know how you kept calling and leaving messages? Silly me, I thought you were asking me to do interviews. Which you were, I guess, technically. I finally got around to listening to the voice mails.” She wrinkled her nose, “Wow. Really creative vocabulary you have there, Lila. That last voice mail was quite a doozy. I wasn’t expecting the threats about how you were going to destroy me, how you were going to leak damaging rumors about me, how you’d been behind a lot of the hate I received online with bot accounts.” Jada grimaced. “Ugly stuff. You sounded drunk or high when you admitted that, so you might not remember saying all that, but you did.” Jada kept her gaze trained squarely on Lila. She ignored John’s gasp. Lila’s already pale skin turned ghastly white. “I don't know what you’re talking about.” Jada sniffed. “Oh, I think you do. Really, I’d hate for those messages to fall into the wrong hands.” Lila sneered, her veneer finally cracking. “You wouldn’t dare. You’re a spoiled, rich girl. You don’t have the balls.” The courage of her convictions swept through Jada. “Keep telling yourself that.” Jada turned to the other member of the blackmailing crew. “As for you, John, I’m sure people would love to know their perfect Mr. America has slid into the DMs of no less than three contestants from My One and Only with a woe-is-me story, trying to get back together with them, all at the same time.” Jada snapped her fingers. “Did I forget to mention I ended my social media hiatus to check my DMs? I do so love it when women have each other’s backs.” Jada gave the cowards a moment to respond. When none came, she offered up the kill shot. “If none of that reasoning convinces you, and I can't imagine why it wouldn’t, please remember this spoiled, rich girl has a billionaire grandmother who loves her very, very much. If I tell her what you both attempted to do to me, she will ruin both your lives, barely lifting a finger. Contrary to what you believe, Lila, I don't make idle threats. I suggest you both slink away and forget you ever knew my name.
Jamie Wesley (Fake It Till You Bake It (Sugar Blitz, #1))
I faked a yawn not so subtly and Darius pulled his attention from his fan club back to me again. “Sorry,” he said. “Shall we go?” I almost choked on my own tongue at the sound of him apologising and could only raise my eyebrows in response as he guided me towards the door by placing a hand on the bare skin at the base of my spine. At that exact moment, Marguerite came into the room flanked by three of her friends and her face fell into a mask of absolute horror as she spotted her former boyfriend and me on our way out together. “What the hell is this?” she demanded, tossing her red hair over her shoulder so violently that it whipped her friend in the eye. Darius cast a lazy glance in her direction without replying before increasing the pressure of his hand on my back to get me moving. I stepped forward so that he was no longer touching me and began to head for the door despite the livid mean girl blocking our way out. Marguerite looked like she wanted to set me alight, her hand half raised like she was genuinely considering it. Darius noticed the action and threw an arm around my shoulders which I instantly shrugged back off. “I’m not your date, dude,” I reminded him, not bothering to lower my voice. “If people see us together acting like a couple they’ll give you an easier time,” he said, staying close enough to me that I could feel the heat of his body a heartbeat away from mine. “I’m not a damsel in distress either,” I added. Not that he was the Prince Charming type any other day of the week so I really wasn’t sure why he was taking this act so far. Marguerite seemed to think better of attacking while the Heir clearly had me marked as his but the look in her eyes told me the next time she saw me alone I’d be in for some serious shit from her. I threw her a taunting smirk as we passed because, what the hell? She was clearly gunning for me anyway so why not let her bring it on? “Besides, you’ll be back to your usual self tomorrow, encouraging them all to hate me so what’s the point of pretending?” I asked. That remark didn’t get an answer and we headed downstairs to the exit in silence. To my surprise, Darius stepped forward and opened the door for me. Apparently the asshole could turn on the charm when he wanted to. That just left me wondering which version of him was the act though. Did he do all of the horrible things he did to maintain his position and keep up appearances for the sake of proving his power? Or could he just pour on the sweetness when it suited him to get his own way? He was so hard to read that I had no idea which version was the real him. But I guessed for one night I could indulge in the fantasy that he actually had a few scraps of decency about him. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
A girl a few feet away suddenly gasped, jumping up and down. “Ohmagod it’s Caleb Altair.” I glanced over my shoulder in the direction she was pointing, pulling away from my friends. Caleb headed a line of Juniors as he strode down the corridor like he owned every ounce of oxygen in it. His friends pointed us out and my gut tightened as his stony gaze slid over us. His fan club were eyeing him hopefully and I knew in the depths of my heart he wasn’t going to pass us by without comment. He slowed his pace, breathing in deeply. “Do you smell that guys?” He sniffed the air and my scowl grew. “Smells like a bunch of Orderless Fae pretending they deserve a place in our prestigious Academy.” “Is it raining assholes today?” Tory commented, turning away from him and for a moment it almost looked like he was going to crack a smile. “I have an Order,” Sofia muttered under her breath but Caleb’s Vampire hearing didn’t let her get away with it. “I wouldn’t go around reminding people of that, blondie. Being a Pegasus is worse than not having an Order.” His friend fist bumped him, nodding his agreement as he laughed. He was a tall guy with red hair and cold eyes. “Yeah I dunno how there are so many of them on campus,” the redhead jibed. “Only a freak would want to screw a horse.” Caleb chuckled at that, nodding firmly. “I think I’d rather give up my claim first.” His shitbag friends laughed their heads off as Caleb swept off down the hall to a stream of excited hoots. “God he’s awful,” I growled. “Ignore him Sofia.” “If I ever bump into him as a Pegasus, I’ll introduce him to my left hoof,” Sofia hissed and I raised my brows at the fire in her eyes. “I would so love to see that,” Tory laughed, then lowered her voice as she looked to me. “I wonder if we can use his Pegasus hate against him?” “Yeah, you should spread a rumour that he likes Pegasus ass,” Sofia whispered, a manic gleam in her eyes. I kinda liked this crazy side to her and couldn’t stop the laugh that bubbled from my throat. Diego stared at her in shock, then nodded keenly. “That would be fantastico, Sofia. I doubt anyone would believe us freaks though.” He winked at her and she blushed at his insinuation. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Going to Moscow was a dream for us,' Ilich said years later. He and his younger brother started the course within weeks of Soviet tanks rolling into Czechoslovakia to crush the heady 'Prague Spring'. But they soon found that discipline at the cosmopolitan university, whose 6000 students were all selected through the Communist Party of their country of origin, was as stifling as its modernist architecture. Drab grey concrete blocks squatted around a charmless artificial pond. The only dash of colour was a map of the world painted on to the façade of one block in a valiant attempt to symbolise the ideals of the university: from an open book, symbol of learning, a torch emerges, issuing multicoloured flames that spread like waves across the planisphere. Perhaps Ilich drew some comfort from glancing up at the mural as, huddled against the rigours of the Russian winter and wearing a black beret in tribute to Che Guevara who had died riddled by bullets in October of the previous year, he trudged across the bleak square on his way to lectures. Coincidentally, the base of the flame is very close to Venezuela. Rules and regulations governed virtually every aspect of Ilich's life from the moment he started the first year's induction course, which was designed to flesh out his knowledge of the Russian language and introduce him to the delights of Marxist society before he launched into his chosen subjects, languages and chemistry. Like father, like son. Ilich rebelled against the rules, preferring to spend his time chasing girls. He would often crawl back to his room drunk. His professors at the university, some of them children of Spanish Civil War veterans who had sought refuge in Moscow, were unimpressed by his academic performance. 'His name alone, Ilich Ramírez Sánchez, was so strange that people were curious about him,' relates Kirill Privalov, a journalist on the newspaper Druzhba (Friendship) which was printed at the small university press, and an acquaintance of Ilich. The Venezuelan's escapades, wildly excessive by the standards of the university, only fanned people's interest. 'llich was not at all the typical student sent by his country's Communist Party, nothing to do with the good little soldier of Mao who laboured in the fields every summer. He was a handsome young man although his cheeks looked swollen, and he was a great bon viveur. Flush with cash sent by his parents, Ilich could afford to spend lavishly on whisky and champagne in the special stores that only accepted payment in hard currencies and which were off-limits to most people. More Russian than the Russians, the privileged student and his friends would throw over their shoulders not only empty glasses but bottles as well. The university authorities, frustrated in their attempts to impose discipline on Ilich, reasoned that his freedom of action would be drastically limited if the allowance that his father sent him were reduced. But when they asked Ramírez Navas to be less generous, the father, piqued, retorted that his son had never wanted for anything. 'The university had a sort of vice squad, and at night students were supposed either to study or sleep,' recounts Privalov. "One night the patrol entered Ilich's room and saw empty bottles of alcohol and glasses on the table, but he was apparently alone. The squad opened the cupboard door and a girl who was completely drunk fell out. She was naked and was clutching her clothes in her hands. They asked her what she was doing there and she answered: 'I feel pity for the oppressed.' She was obviously a prostitute. Another time, and with another girl, Ilich didn't bother to hide her in the cupboard. He threw her out of the window. This one was fully dressed and landed in two metres of snow a foor or two below. She got up unhurt and shouted abuse at him.
John Follain (Jackal: The Complete Story of the Legendary Terrorist, Carlos the Jackal)
These people, they were different to anyone I’d met. They’d offered their friendship, their trust, without a second thought. I’d always been wary about new people in my life. That same old barrier I put up to protect myself. I didn’t let anyone close enough to be able to hurt me. My father had left, as though I was as insubstantial as air. As a child, I’d struggled to come to terms with it. He’d been there every single day, and then he wasn’t. So what were we to him? A stopgap until something he determined as better came along? With the Aunt Margot feud, and subsequent alienation of the family, it felt as though people abandoned us like we were yesterday’s newspaper. Could I fall into friendships with these girls, and then leave? Maybe it was time for me to stop worrying about anything other than living in the moment. I was missing out on so much, standing on the edge of life, waiting for something that might never happen.
Rebecca Raisin (Secrets At Maple Syrup Farm)
A First Kiss from Vexing the Highlander by Terry Spear in Enchanting the Highlander: Feeling panicked, she was afraid she wouldn’t make it down the corridor to her room in time before she was caught. Alban must have assumed the same thing and suddenly moved her against the wall with his hot body pressing indecently close and held her hostage. “Forgive me,” he breathed against her cheek. And then he moved his warm lips against her mouth and kissed her. A lady with the right upbringing would never, ever kiss a gentleman—or an untitled Highlander—let alone do so in the king’s own castle when he planned to marry her off to one of his loyal lords. She would never have kissed Alban back—or so she told herself—except to pretend she was not who she was, rather just a servant girl having a good time with one of the king’s honored guests. Yet, she gave into the kiss as if she’d been trained in the art of kissing, which, with the way Alban was kissing her back, she found it easy to follow his lead. She soaked up the feel of his warm mouth against hers, and the smoldering flame that ignited low in her belly and fanned the heat all the way through her, despite the chill in the corridor. His chest pressed against her breasts, making them tingle with the most delicious need. His manhood stirred against her waist, and she realized why her mother had warned her and her sister never to kiss a gentleman in such a manner. Indeed, not until she was wed to him, for she felt urges she’d never known she could experience. Womanly urges that compelled her to take this further. She wrapped her arms around his neck, Alban’s mouth smiling slightly against her lips, as she pressed him tighter. She thought if he was as close as he could be, whoever was about to pass them by—hopefully without stopping to speak—would not see her, as tall as Alban was. Though she was hoping the Highlander would not presume she was always this forward with a man whether she knew him or not. Yet she was thrilled beyond measure to enjoy his attentions, even if it was just to keep her reputation intact. But if the man stopped to speak with Alban, and the Highlander quit kissing her to speak with the person in kind, her character would be in tatters. “Ahem,” the male said, but continued to walk on by. She didn’t dare glance in his direction to see if she knew the man. Alban didn’t either, but she wasn’t sure if it was because he was so wrapped up in kissing her, or because he was afraid to reveal who she was. If Alban hadn’t been holding her so close, she would have melted right into the stone floor, her body boneless. His breathing was as labored as hers, his heartbeat pounding just as fast. He didn’t make a move to release her, waiting while the footfalls faded away. He smelled of summer and the woods, of freshly-washed, earthy male. And then the footsteps were gone. Yet even then, Alban didn’t let her go. “Wait, just a moment more.
Terry Spear (Enchanting the Highlander)
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Charles stood frozen, afraid to come any closer.  Amy turned her head on the pillow and smiled at him, her eyes suddenly misty beneath their fan of thick black lashes.  For a long moment the two gazed at each other; then Charles moved forward, toward the bed, toward the crying child.  He never noticed that Juliet and the midwife stole from the room. "Amy," he breathed, staring down at the tiny, wailing bundle that their love had made.  "Oh, Amy . . ." "Want to hold her?" Charles paled, unable to forget when Gareth had asked him much the same thing before placing Charlotte in his arms.  He remembered the terrible awkwardness of that moment, the crushing love he'd thought to feel for the toddler but hadn't, the mixed hurt and relief when Charlotte had suddenly started crying and reached for Gareth.  Now, he stood frozen and uncertain, desperately wanting to hold the baby, desperately afraid to for fear that it would be a repeat of the last time he'd held his own flesh-and-blood.  Especially as this one was a red-faced, black-haired, puckered bundle of screaming misery. "Go ahead," Amy prompted.  "She won't bite." Swallowing hard, Charles reached down. Put his hands around his tiny daughter. And gingerly picking her up, cradled her tiny body to his chest. Instantly, the baby stopped crying — and Charles felt as though the mallet of the gods had just smote him across the heart.  A wall of emotion nearly cracked his chest and closed his throat, and for a moment he could do nothing but gulp back the huge lump there as he cupped the baby's head in his palm and stared reverently down at her.  With a shaking hand, he touched one curled, tiny fist.  Smoothed the downy-soft hair.  Kissed the red and wrinkled brow and then, moisture sparkling on his own gold lashes, he looked over at Amy, whose eyes were dark with love as she watched the two of them together. "I think she's going to be Papa's little girl," she said softly. "Oh, Amy," he blurted, in a raw, hoarse voice.  "Oh, dearest, the world itself is not big enough to hold all the love I have for you . . . for this little girl.  Thank you for making me the happiest man in England — not just once this year, but twice."  Still cradling his daughter, he got down on his knees before the bed, took Amy's arm, and, kissing her palm, pressed it to his cheek to stop the sudden flood of emotion. A
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Kate, too, is beginning to paint a picture of herself, not with too many words at the moment, but in her actions. With her charity affiliations she has sought out vulnerable children and wretched addicts, and is encouraging others to take inspiration from the natural world, sports and the arts. She loves theatre, opera and fine art, but she is also a fan of the Harry Potter franchise, went to see Bridesmaids at the cinema, and by all accounts is a demon on the dance floor. She is a lady but she doesn't mind a bit of rough and tumble - always looking immaculate, painting watercolours and making jam, but she is also an outdoorsy country girl who doesn't mind getting her hair wet or her feet dirty while camping or hiking. For her wedding day, she told her hairdresser that she wanted to look like "herself" and when sitting for her portrait she requested that she look like her "natural self, not her formal self". She is proud of and dedicated to her royal position, but she doesn't allow it to totally define her - she wants to remain true to herself, and remain her own person as well, and that is what will emerge more and more over time.
Marcia Moody (Kate: A Biography)
Cut the flesh and it heals, but injure the heart and the wound lasts a lifetime ‘That’s it! That’s it!’ she growled in his ear. The line put him off; he was used to his ex-girlfriend yelling Italian in the heat of the moment. He lost fire and decided to change position. The girl reminded him of his ex from behind, with her hair spread like a concertinaed fan and face buried deep in the pillow, like it was his beloved Sofia that he was making love to and not this lookalike he’d picked up earlier in the night. He arranged her flowing hair and turned to the glow of lamplight illuminating a patch of the bed. Perfect, the right light and the right shadow. He looked down and smiled, ‘Sofia!’ Soon he’d be holding the girl tenderly in his arms, the moment he got his fix.
Lee Daniel Bullen (Double Ex: A Romantic Comedy about Lost Love & Lookalikes)
Kneeling down next to an article of clothing, Kevin looked up to see Christine a few feet away, gathering up one of her extravagant lolita dresses. Looking at her like this, the girl really did look cute, like a fragile porcelain doll. As he continued to watch her, his eyes landed on the black choker around her neck. “Isn’t that the choker that I bought you for your birthday a while back?” Kevin asked. Christine paused in her work. Her hand went to her choker. “A-ah, um, yes, it is. I… well, this is my… my favorite choker, so I like to wear it a lot…” Christine’s cheeks flushed once more, but she at least didn’t seem to be blowing her top. “After you, Iris, and Lilian left, I was really lonely. I hadn’t realized how important all of you were to me until you were gone. Ever since that day, ever since you three went off to Greece, I’ve taken to wearing this, because it reminded me of all the good times we’ve shared together.” That was probably the most honest thing he’d ever heard Christine say since she’d confessed her feelings for him. He’d noticed it before, but Christine really was a tsundere. She rarely ever told anyone what she was really thinking, and she covered up her embarrassment with bluster and violence. Moments like this were rare for her. He could count the number of times where she’d been honest with her feelings on one hand and still have fingers left over. “I’m sorry we left you like that,” Kevin apologized. Christine shook her head. “You don’t need to apologize. I know that you didn’t have much of a choice. Had you not left, then…” Then he, Lilian, and Iris would have put everyone in danger. Back then, Lilian had been targeted by the Shénshèng Clan. One of its members, a three-tailed kitsune named Fan had attacked them during Lindsay’s soccer game. Iris had nearly been killed and Kevin had destroyed an entire school building just to defeat Fan. Christine had been there when it happened, so she understood why they had to leave. “Thank you for being so understanding,” he said. Christine quickly turned her back to him. “T-there’s no need to thank me. We’re friends. I-I was only doing what any good friend would do.” Tsundere until the end, Kevin thought with an amused chuckle. “Then, Christine, I’m very glad that you’re my friend.” Christine squeaked. As she sputtered incoherently, Kevin finally grabbed the article that he’d been kneeling over. Blinking when he realized that it felt different than everything else that he’d picked up thus far, he held the article up to study it. “What is this…?” He trailed off. The object in his hands… was Christine’s panties. “Uh…” Kevin could hear his brain sizzling. “W-what are you doing, idiot!? Don’t stare at those!” Christine leapt at him, and Kevin, too shocked by the object in his hands to do anything, let her tackle him to the ground. The panties were thrown from his hands as his back slammed into the floor. Spots appeared in his vision, but they were soon replaced by Christine’s face, which hovered not two inches from his own. Their noses were almost touching. “C-Christine?” He felt his eyes widen as Christine’s face inched a little closer to his. This was bad. This was a very bad situation. Christine was straddling him, and he could feel her thighs touching him, and her body was pressed against him, and… and… Oh, no… Perhaps it was the result of him still being horny because Christine had interrupted him and Lilian while they were having sex, but Kevin felt his arousal skyrocket. Christine felt it, too, because her eyes went even wider and she looked down. He also looked down. Then he looked back up. Their eyes met. Christine’s face was the brightest blue that he’d ever seen. “I can explain this,” Kevin said calmly. “KYA!” The sound of Christine’s scream was followed by a loud slap.
Brandon Varnell (A Fox's War (American Kitsune, #12))
Mary Catherine took a moment and managed to gather everyone’s attention without saying a word. Then she said, “Listen, everyone. I know we’re worried about Brian. You can believe your father is doing everything he can to help him. But sometimes things don’t work out the way we expect them to. Not better, not worse—just not like we expect.” Now she was playing to the crowd’s full attention. “My brother Ken wanted to come to America. He’s a big, burly lad and a great fan of the Kennedys. All he talked about was coming to Boston. But he got in trouble.” Shawna said, “What kind of trouble?” We were all hooked. “It was a bar fight, and Ken punched a man who hit his head when he fell on the floor. My brother was charged with assault and later convicted. He didn’t have to go to jail, but he had a conviction on his record, and that kept him from doing what he expected to do. That conviction kept him from coming to America. But you know what?” Chrissy and Bridget both said, “What?” “Things turned out differently for him. He met a lovely girl. And now he lives right there in Dublin with two beautiful kids. He has a good job and is happier than he could ever think of being. It’s different from what he expected, but certainly not worse. Sometimes things happen in life, and we just have to accept them.” I could almost see the kids understanding what she was saying and feeling better. It felt like the pace of eating even picked up. But Seamus was still quiet. None of his usual silly quips or semi-risqué jokes. When I looked at him, I could see why. He was silently crying, trying to hide it from the kids.
James Patterson (Haunted (Michael Bennett #10))
Annie, for the fleeting second before she remembered Sally’s warning, almost told him to go fuck himself, showing up late, watching her in an unguarded moment. Then she composed herself, let her breathing regulate, and became not herself. “Impressive, right?” she asked, smiling, wagging the mallet like some obscene instrument. “Very much so. I’ve already got the opening paragraph of the article,” he replied. “Want to hear it?” Annie could not think of a thing she would want less. “I’ll wait for the issue like everyone else,” she said. “Fair enough,” he said, “but it’s really good.” “Let’s get some more quarters,” Annie said, and began to walk away. Eric knelt down and tore the strip of tickets that had emanated from the game, an afterthought. “Don’t forget these,” he said. “Maybe I’ll win you a teddy bear,” Annie said, sliding the tickets into her purse. “That would be the best article ever.” On one of her first interviews for The Powers That Be, the blockbuster comic book adaptation where she played Lady Lightning, a reporter asked her if she had been a fan of comic books growing up. “I’ve never read a comic book in my life,” she responded. The reporter screwed up his face and then shook his head. “I’m going to write down that you loved comics as a girl. You were kind of a geek growing up. Is that okay?
Kevin Wilson (The Family Fang)