Famous Heroic Quotes

I want to do something splendid before I go into my castle--something heroic, or wonderful--that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it, and mean to astonish you all, some day. I think I shall write books, and get rich and famous; that would suit me, so that is my favorite dream.

He's probably their battle poet, too." "You mean he makes up heroic songs about famous battles?" "No, no. He recites poems that frighten the enemy....When a well-trained gonnagle starts to recite, the enemy's ears explode.

Wanderess, Wanderess, weave us a story of seduction and ruse. Heroic be the Wanderess, the world be her muse.' ...I jot this phrase of invocation in my old leather-bound notebook on a bright, cold morning at the Café **** in Paris, and with it I’m inspired to take the reader back to the time I first met and became acquainted with the girl I call The Wanderess—as well as a famous adventurer named Saul, the Son of Solarus.

Catwoman had transgressed the patriarchal social order, and because of it had to be a crook, but Wonder Woman was establishing a new matriarchal social order and she was its heroic model.

Active or ambitious women were not only rare but often evil. Wonder Woman flipped this paradigm by embodying the strength, assertiveness, and independence usually associated with bad girls and villains in a positive heroic light. The Golden Age Wonder Woman was a blatant rejection of the good girl/bad girl binary and even offered a critique of the good girl role.

Some have speculated that the way [Albert] Camus died made his theories on absurdity a self-fulfilling prophecy. Others would say it was the triumphant meaningful way he lived that allowed him to rise heroically above absurdity.

Sammy dreamed the usual Brooklyn dreams of flight and transformation and escape. He dreamed with fierce contrivance, transmuting himself into a major American novelist, or a famous smart person, like Clifton Fadiman, or perhaps into a heroic doctor; or developing, through practice and sheer force of will, the mental powers that would give him a preternatural control over the hearts and minds of men.

He who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true Poem; that is, a composition and pattern of the best and honourablest things; not presuming to sing high praises of heroic men, or famous cities, unless he have in himself the experience and practice of all that which is praise-worthy.

His maternal deprivation had caused what John Bowlby, a famous British psychiatrist, called an “attachment disorder.” Maternal attachment is more important than anything else to a baby—even more important than food. A baby will give up anything to have it. Without it, the child is anxious and unable to explore or deal with the world in any normal way. And attachment disorder doesn’t just affect the relationship with the mother; it affects all social, emotional, and cognitive development. If the child doesn’t experience attachment, that child can’t move forward to step two—trusting and emotionally attaching to others and, eventually, sexually attaching to others. In other words, you can’t grow emotionally if you didn’t have infant attachment.

Can I get you anything?" I couldn't remember if the Amrita family drank human blood or animal blood. "I'm just hiding out from my little sisters. They giggle." She tilted her head. "Where are all your famous brothers?" "Around." She rolled her eyes. "Are they as insufferable as mine?" I rolled my eyes back. "Worse." She looked unconvinced. "I only have the one," she pointed out. "My family has daughters the way yours has sons. His rarity has made Haridas's head roughly the size of a hot-air balloon." I had to grin. "I have seven of those." "Seven what?" Quinn interrupted, leaning in the doorway. "Seven heroically patient big brothers of which I am the obvious favorite?" "Something like that," I allowed. "You know, if you replace 'brother' with 'baboon'?

They were polytheistic, and the name for their most securely reconstructible deity relates to the word for “sky.” Their word for human, on the other hand, was derived from their word for “earth” or “land.” Their poetry revolved around themes of fertility, reciprocity, immortality, and heroic deeds; a single famous phrase, best known to us from the Homeric epics, is glossed as “imperishable fame.

Rosabella Beauty was the daughter of the famous Beauty, a girl whose love had turned the Beast back into a prince. Darling Charming was the daughter of the renowned King Charming, whose royal storyline stretched back to the very beginning of stories. The Charming men had always been known for their heroic deeds, luxurious hair, and enchanting eyes. Darling's two brothers were expected to follow in King Charming's heroic footsteps by saving damsels, slaying dragons, and basically conquering whatever evil stepped into their paths. Darling, however, was not a son. She was a daughter. And being a daughter was a different matter altogether. No heroic deeds were expected of her. No quests or adventures. While the activities of the Charming princes had always been celebrated by poets and storytellers, the Charming princesses had a singular destiny- to be damsels in distress waiting for rescue.

Someone will ask later, sometimes searching for a name, his own or someone else's why I neglected his sadness or his love or his reason or his delirium or his hardships: and he'll be right: it was my duty to name you, you, someone far away and someone close by, to name someone for his heroic scar, to name a woman for her petal, the arrogant one for his fierce innocence, the forgotten one for his famous obscurity. But I didn't have enough time or ink for everyone

Later on in Culture and Society, Williams scores a few points by reprinting some absolutist sentences that, taken on their own, represent exaggerations or generalisations. It was a strength and weakness of Orwell’s polemical journalism that he would begin an essay with a bold and bald statement designed to arrest attention—a tactic that, as Williams rightly notices, he borrowed in part from GK Chesterton and George Bernard Shaw. No regular writer can re-read his own output of ephemera without encountering a few wince-making moments of this kind; Williams admits to ‘isolating’ them but has some fun all the same. The flat sentence ‘a humanitarian is always a hypocrite’ may contain a particle of truth—does in fact contain such a particle—but will not quite do on its own. Other passages of Orwell’s, on the failure of the Western socialist movement, read more convincingly now than they did when Williams was mocking them, but are somewhat sweeping for all that. And there are the famous outbursts of ill-temper against cranks and vegetarians and homosexuals, which do indeed disfigure the prose and (even though we still admire Pope and Swift for the heroic unfairness of their invective) probably deserve rebuke. However, Williams betrays his hidden bias even when addressing these relatively easy targets. He upbraids Orwell for the repeated use of the diminutive word ‘little’ as an insult (‘The typical Socialist ... a prim little man,’ ‘the typical little bowlerhatted sneak,’ etc.). Now, it is probable that we all overuse the term ‘little’ and its analogues. Williams does at one point—rather ‘loftily’ perhaps—reproach his New Left colleagues for being too ready to dismiss Orwell as ‘petit-bourgeois.’ But what about (I draw the example at random) Orwell’s disgust at the behaviour of the English crowd in the First World War, when ‘wretched little German bakers and hairdressers had their shops sacked by the mob’?

Life cannot offer many places finer to stand at eight-thirty on a summery weekday morning than Circular Quay in Sydney. To begin with, it presents one of the world’s great views. To the right, almost painfully brilliant in the sunshine, stands the famous Opera House with its jaunty, severely angular roof. To the left, the stupendous and noble Harbour Bridge. Across the water, shiny and beckoning, is Luna Park, a Coney Island–style amusement park with a maniacally grinning head for an entrance. (It’s been closed for many years, but some heroic soul keeps it spruce and gleaming.) Before you the spangly water is crowded with the harbor’s stout and old-fashioned ferries, looking for all the world as if they have been plucked from the pages of a 1940s children’s book with a title like Thomas the Tugboat, disgorging streams of tanned and lightly dressed office workers to fill the glass and concrete towers that loom behind.

Spiritual books are outward things, and they also can make us unreal. No soul spins a grosser web of self-deceit around itself than the one that habitually reads spiritual books above its spiritual condition, or in any other way unfitted for its existing circumstances. Common states of prayer look uncommon to the man who is always reading books of mystical theology. Converts particularly are always mistaking common graces for uncommon ones. Indeed, mystical theology can be made into a sham more easily than most things that are real. If we are forever reading of pure and disinterested love of God, we soon come to think that our love for Him is such as we read of. Heroic thoughts are infectious, and we soon swell with them. But they will not do duty for heroic deeds. They only give an air of sentimentality to our religion, when we are not making any real effort to act upon them. When a spiritual book does not mortify us and keep us down, it is sure to puff us up and make us untruthful. Its doctrine gets into our head, and we commit follies. A man who finds the popular commonplace spiritual books dull and unimpressive has great reason to suspect his religious state altogether. Of one thing he may be quite confident, and that is his feeling of dullness in the common books shows he is not up to the level of high books.

The Sublician is the oldest of our bridges, although it has been destroyed and rebuilt several times. The very name refers to the heavy timbers of which it was once built, but the present bridge is of stone. For many generations it was the only bridge over the Tiber at Rome, because the Etruscans lived on the other bank, and Rome was strong enough to defend only one bridge at a time. The most famous story concerning the bridge is the one about Horatius Cocles, who is said to have held off the army of Lars Porsena single-handed while the Romans dismantled the bridge behind him. There are several versions of this celebrated tale. In one of them, Horatius is simply the point man of a wedge of Romans. In another, he held the bridge with two companions, who fell at his side before the bridge was destroyed. In a third, Horatius held the bridge alone right from the first. Personally, I think only the first version has any truth to it. I have been in many battles and skirmishes and played a heroic part in none of them. But I have seen last-ditch stands and delaying actions in plenty, and I have never seen a place, however narrow, that could be defended against an army by a single man for more than a minute or so. No matter how strong and skillful you are, while one man engages you, somebody else can always thrust a spear over the rim of your shield. And then there are the arrows and sling-stones that always fly about in such profusion when men thirst for one another’s blood. Supposedly, when the bridge was destroyed, Horatius somehow found leisure to address a prayer to Tiberinus, god of the river, and leaped in fully armed and swam across to great applause, to be rewarded richly by the citizenry. Another version has him drowning, which is what usually happens when a man in armor finds himself in deep water.

When I met Dr. Phil Zimbardo, the former president of the American Psychological Association, for lunch, I knew him primarily as the mastermind behind the famous Stanford prison experiment.7 In the summer of 1971, Zimbardo took healthy Stanford students, assigned them roles as either “guards” or “inmates,” and locked them in a makeshift “prison” in the basement of Stanford University. In just days, the “prisoners” began to demonstrate symptoms of depression and extreme stress, while the “guards” began to act cruel and sadistic (the experiment was ended early, for obvious reasons). The point is that simply being treated like prisoners and guards had, over the course of just a few days, created a momentum that caused the subjects to act like prisoners and guards. The Stanford prison experiment is legendary, and much has been written about its many implications. But what I wondered was this: If simply being treated in a certain way conditioned these Stanford students to gradually adopt these negative behaviors, could the same kind of conditioning work for more positive behavior too? Indeed, today Zimbardo is attempting a grand social experiment along those lines called the “Heroic Imagination Project.”8 The logic is to increase the odds of people operating with courage by teaching them the principles of heroism. By encouraging and rewarding heroic acts, Zimbardo believes, we can consciously and deliberately create a system where heroic acts eventually become natural and effortless. We have a choice. We can use our energies to set up a system that makes execution of goodness easy, or we can resign ourselves to a system that actually makes it harder to do what is good. Ward’s Positive Tickets system did the former, and it worked. We can apply the same principle to the choices we face when designing systems in our own lives.

Neurosis is today a widespread problem because of the disappearance of convincing dramas of heroic apotheosis of man. The subject is summed up succinctly in Pinel's famous observation on how the Salpetriere mental hospital got cleared out at the time of the French Revolution. All the neurotics found a ready-made drama of self-transcending action and heroic identity. It was as simple as that.

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I am a champion, and my damsel is in distress. Failure is not an option.” “But death is,” she mumbled under her breath. “Fear not, mate. I will prevail.” Famous last words.

Derek Walcott, the Nobel laureate poet, wrote in his famous epic work Omeros of his fisherman-hero Achilles walking finally and wearily up the shingled slope of an Atlantic beach. He has turned his back on the sea at last, but he knows that even without his seeing it, it is behind him all the while and simply, ponderously, magnificently, ominously, continuing to be the sea. The Ocean is, quite simply, “still going on.

But though it was to be an economical crossing, one step up from steerage, in the Canadian Pacific offices off Trafalgar Square—more cathedral than bureau, all teak, marble, and hush, and with scale models of famous ocean liners from the old days illuminated in the windows—even this most modest of transactions was handled with dignity and circumstance.

Lastly, the story that the Tapestry tells is inevitably selective and in places demonstrably inaccurate; some events are left out and others are deliberately distorted. No other source, for example, suggests that Harold swore his famous oath to William at Bayeux, or that it was Odo who heroically turned the tide for the Normans during the Battle of Hastings. The Tapestry, it bears repeating, is really an embroidery.

It was left to Senator Isidor Rayner to conclude the hearings by saying: “As the ship was sinking, the strains of music were wafting over the deck. … It was a rallying cry for the living and the dying - to rally them not for life, but to rally them for their awaiting death. Almost face to face with their Creator, amid the chaos of this supreme and solemn moment, in inspiring notes the unison resounded through the ship. It told the victims of the wreck that there was another world beyond the seas, free from the agony of pain, and, though with somber tones, it cheered them on to their untimely fate. As the sea closed upon the heroic dead, let us feel that the heavens opened to the lives that were prepared to enter. “…If the melody that was rehearsed could only reverberate through this land ‘Nearer, My God, to Thee,’ and its echoes could be heard in these halls of legislation, and at every place where our rulers and representatives pass judgment and enact and administer laws, and at every home and fireside…and if we could be made to feel that there is a divine law of obedience and of adjustment…far above the laws that we formulate in this presence, then, from the gloom of these fearful hours we shall pass into the dawn of a higher service and of a better day, and then…the lives that went down upon this fated night did not go down in vain.

Those days when Conor MacNessa sat on the throne of Ulster were brilliant days in Ireland’s history. Then was the sun of glory in the zenith of Eire’s Heroic period — the period of chivalry, chiefly created by the famous Royal or Red Branch Knights of Emania. Though, two other famous bands of Irish warriors gave added lustre to the period — the Gamanraide of the West (who were Firbolgs), and the Clanna Deaghaid of Munster led by Curoi MacDaire.

I don't know how it got to this, but I'm in a war. There's no chance for diplomacy. They want me dead and I don't think I can run from this. Not after what they've done to me. So if this is a war, then I'm going to take the fight to them. I'll raid their lair and I'll kill as many as I can. There seem to be endless numbers of them, but they've got to have a limit. Tonight we'll find out if there are more of them than there is fight in me.

It is hoped and believed,” he famously wrote, “that the Lord has raised you up for the good of His church and for the good of the nation.

I was forced to realize how culturally laden, to the point of inadequacy, psychotherapy was for Danny. I now know how the famous Swiss psychiatrist Carl Jung felt in 1925 after spending time with an Indigenous man: Jung was made aware, he said, of his “imprisonment in the cultural consciousness of the white man.” Freud, along with all the other European founding fathers of psychotherapy, knew nearly nothing of Indigenous culture, and neither did I. But as my father used to say,

The Celts have left us two cups - perhaps the two most famous cups in all of history - which beautifully reveal the story of transformation of Irish immigration from its fearful and unstable pagan origins to its baptized peace. The first cup is the Gundestrup Cauldron, found in a Danish swamp where it was thrown as a votary offering by a Celtic devotee a century or two before Christ. ... The other cup is the Ardagh Chalice. found in a Limerick field and dating to the end of the seventh or the beginning of the eighth century - the same period in which the "Breastplate" reached its final form. ... Like the Cauldron, it was forged for ritual, but it makes a happier statement about sacrificing, for the God to whom it is dedicated no longer demands that we nourish him and thus become one with his godhead. The transaction has been reversed: he offers himself to us as heavenly nourishment.

therapy wasn’t about truth; as Jack Nicholson famously shouted in A Few Good Men, sometimes people “can’t handle the truth.” Rather, it’s a matter of getting your unconscious to stop controlling your conscious mind. Effective therapy is about lowering your defences so that you can deal with the issues that arise in your life.

Fran had from an unsuitably early age been attracted by the heroic death, the famous last words, the tragic farewell. Her parents had on their shelves a copy of Brewer's 'Dictionary of Phase and fable', a book which, as a teenager, she would morbidly browse for hours. One of her favourite sections was 'Dying Sayings', with its fine mix of the pious, the complacent, the apocryphal, the bathetic and the defiant. Artists had fared well: Beethoven was alleged to have said 'I shall hear in heaven'; the erotic painter Etty had declared 'Wonderful! Wonderful this death!'; and Keats had died bravely, generously comforting his poor friend Severn. Those about to be executed had clearly had time to prepare a fine last thought, and of these she favoured the romantic Walter Raleigh's, 'It matters little how the head lies, so the heart be right'. Harriet Martineau, who had suffered so much as a child from religion, as Fran had later discovered, had stoically remarked, 'I see no reason why the existence of Harriet Martineau should be perpetuated', an admirably composed sentiment which had caught the child Fran's attention long before she knew who Harriet Martineau was. But most of all she had liked the parting of Siward the Dane who had commended his men: 'Lift me up that I may die standing, not lying down like a cow'.