Famous Cello Quotes

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I don’t want to know how a thirty-year-old became rich and famous; I want to hear how an eighty-year-old spent her life in obscurity, kept making art, and lived a happy life. I want to know how Bill Cunningham jumped on his bicycle every day and rode around New York taking photos in his eighties. I want to know how Joan Rivers was able to tell jokes up until the very end. I want to know how in his nineties, Pablo Casals still got up every morning and practiced his cello.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad (Austin Kleon))
Jack had inquired if much music had been written for organ and cello—he certainly hadn’t heard any—but the woman from Sibelius Academy said that Ritva and Hannele were famous for being “improvisational.
John Irving (Until I Find You)
Who's more interesting: A famous scientist, or the famous who plays the cello and whittles marionettes in a lighthouse at the edge of the world where he sometimes writes poetry by the light of passing ships? Exactly. Follow your weird impulses and do all sorts of things. Getting sidetracked can lead you to exactly where you belong.
Jessica Hagy (How to Be Interesting: In 10 Simple Steps)
At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Who's that other girl with Vanessa?" Tianna asked. "The one with the teardrops tattooed under her eye?" "That's Jimena." Corrine spoke in a lower voice. "Don't mess with her. Everyone says she's been in a camp twice." "Camp?" Tianna asked. "Youth authority," Corrine muttered, as if Tianna ought to know. "I can't believe you didn't hear. It's all over school. She used to be in a gang." "And the one staring daggers at me?" "The one with the cello case is Serena," Corrine answered wistfully. "You should hear her play. I'm so jealous of her talent. She'll be famous someday." Serena wore a fedora and a tie-dyed shirt with studded jeans. She had a beautiful face and compelling eyes. "She can also tell your fortune with her tarot cards," Corrine whispered. "She read mine once, and it was spooky, everything she knew. I never went back for a second reading.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))