Famous Bravo Quotes

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It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.
Don Winslow (The Cartel (Power of the Dog #2))
With the True and the Beautiful which Keats said were one and the same.' Browning shot me a keen look. 'Bravo. Any friend of John Keats is a friend of mine. But the problem with his famous definition - which, incidentally, I most fervently believe to be as true as it is beautiful - is that like all great truths it balances perilously above an abyss of nonsense, where most of those who quote it quite lose their heads. What did Keats mean? That there is a class of things which we call true because they take after their ideal parent, and which you may recognize by their pretty features? Because in that case he was talking nonsense - and cloying, feeble, wishy- washy nonsense at that.' 'But I believe he was saying something much stronger and stranger. I believe Keats meant that Truth is Beauty: that anything-literally anything- is beautiful, provided only that we are forced to recognize it - at gunpoint, or pen-point! - as true. In that moment of recognition the foulest of passions, the most loathsome cruelties, the dreariest depths of a madman's soul, assume the quality we call Beauty. Not because they cease to be evil, but because they tell us about what it means to be human - about ourselves.
Michael Dibdin (A Rich Full Death)
The chef stepped out of the kitchen for a chat with Aomame and noted that the wine would be on the house. “Sorry, it’s already been uncorked, and one tasting’s worth is gone. A customer complained about the taste yesterday and we gave him a new bottle, but in fact there is absolutely nothing wrong with this wine. The man is a famous politician who likes to think he’s a wine connoisseur, but he doesn’t know a damn thing about wine. He did it to show off. ‘I’m afraid this might have a slight edge,’ he says. We had to humor him. ‘Oh, yes, you may be right about that, sir. I’m sure the importer’s warehouse is at fault. I’ll bring another bottle right away. But bravo, sir! I don’t think another person in the country could have caught this!’ That was the best way to make everybody happy, as you can imagine. Now, I can’t say this too loudly, but we had to inflate the bill a little to cover our loss. He was on an expense account, after all. In any case, there’s no way a restaurant with our reputation could serve a returned bottle.
Haruki Murakami (1Q84 (1Q84, #1-3))