Famous American Revolutionary Quotes

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On January 30, 1750, Mayhew stood in the pulpit of Boston’s Old West Church and preached on the occasion of the 101st anniversary of the execution of King Charles I. His message from Romans 13, titled “A Discourse Concerning Unlimited Submission and Non-Resistance to the High Powers,” became “the most famous sermon preached in pre-Revolutionary America.”2 When published, Mayhew’s sermon spread like electricity through the Colonies. John Adams, fourteen at the time, read it over and over “till the Substance of it, was incorporated into my Nature and indelibly engraved on my Memory.”3 Adams later called Mayhew’s sermon “the catechism” for the American Revolution.4 Others have called it “the first volley of the American Revolution, setting forth the intellectual and scriptural justification for rebellion against the crown.”5 In
Robert J. Morgan (100 Bible Verses That Made America: Defining Moments That Shaped Our Enduring Foundation of Faith)
The Washington Monument is just one part of the original design - there were due to be another thirty or so columns and statues of famous Revolutionary Americans. Unfortunately, the entire budget was used on the tower, and there was nothing left for the rest.
Jack Goldstein (101 Amazing Facts)
On March 23, 1919, one of the most famous socialists in Italy founded a new party, the Fasci di Combattimento, a term that means “fascist combat squad.” This was the first official fascist party and thus its founding represents the true birth of fascism. By the same token, this man was the first fascist. The term “fascism” can be traced back to 1914, when he founded the Fasci Rivoluzionari d’Azione Internazionalista, a political movement whose members called themselves fascisti or fascists. In 1914, this founding father of fascism was, together with Vladimir Lenin of Russia, Rosa Luxemburg of Germany, and Antonio Gramsci of Italy, one of the best known Marxists in the world. His fellow Marxists and socialists recognized him as a great leader of socialism. His decision to become a fascist was controversial, yet he received congratulations from Lenin who continued to regard him as a faithful revolutionary socialist. And this is how he saw himself. That same year, because of his support for Italian involvement in World War I, he would be expelled from the Italian Socialist Party for “heresy,” but this does not mean he ceased to be a socialist. It was common practice for socialist parties to expel dissenting fellow socialists for breaking on some fine point with the party line. This party reject insisted that he had been kicked out for making “a revision of socialism from the revolutionary point of view.”2 For the rest of his life—right until his lifeless body was displayed in a town square in Milan—he upheld the central tenets of socialism which he saw as best reflected in fascism. Who, then, was this man? He was the future leader of fascist Italy, the one whom Italians called Il Duce, Benito Mussolini.
Dinesh D'Souza (The Big Lie: Exposing the Nazi Roots of the American Left)
the second paragraph of the Declaration that is very much an expression of Jefferson’s imagination. It envisions a perfect world, at last bereft of kings, priests, and even government itself. In this never-never land, free individuals interact harmoniously, all forms of political coercion are unnecessary because they have been voluntarily internalized, people pursue their own different versions of happiness without colliding, and some semblance of social equality reigns supreme. As Lincoln recognized, it is an ideal world that can never be reached on this earth, only approached. And each generation had an obligation to move America an increment closer to the full promise, as Lincoln most famously did. The American Dream, then, is the Jeffersonian Dream writ large, embedded in language composed during one of the most crowded and congested moments in American history by an idealistic young man who desperately wished to be somewhere else.
Joseph J. Ellis (Revolutionary Summer: The Birth of American Independence)
1809, General John Stark, the most famous New Hampshire soldier in the Revolutionary War, wrote a toast for an anniversary celebration of the Battle of Bennington. That battle mattered because the Americans defeated the British and helped force General John Burgoyne into surrendering—an event that led to a surge of support for American independence. General Stark’s toast echoed the sentiments of Wallace when he said: “Live free or die: Death is not the worst of evils.” Today, “live free or die” is the New Hampshire state motto.
Newt Gingrich (Beyond Biden: Rebuilding the America We Love)
in 1809, General John Stark, the most famous New Hampshire soldier in the Revolutionary War, wrote a toast for an anniversary celebration of the Battle of Bennington. That battle mattered because the Americans defeated the British and helped force General John Burgoyne into surrendering—an event that led to a surge of support for American independence. General Stark’s toast echoed the sentiments of Wallace when he said: “Live free or die: Death is not the worst of evils.” Today, “live free or die” is the New Hampshire state motto.
Newt Gingrich (Beyond Biden: Rebuilding the America We Love)
Before he could start writing Kilby’s application, though, Mosher had to resolve a fundamental tactical question. Anyone who applies for a patent has to decide whether he needs it for offensive or for defensive purposes—whether, to use lawyers’ favorite metaphor, he wants his patent to be a sword or a shield. The decision usually turns on the novelty of the invention. If somebody has a genuinely revolutionary idea, a breakthrough that his competitors are almost sure to copy, his lawyers will write a patent application they can use as a sword; they will describe the invention in such broad and encompassing terms that they can take it into court for an injunction against any competitor who tries to sell a product that is even remotely related. In contrast, an inventor whose idea is basically an extension of or an improvement on an earlier idea needs a patent application that will work as a shield—a defense against legal action by the sword wielders. Such a defensive patent is usually written in much narrower terms, emphasizing a specific improvement or a particular application of the idea that is not covered clearly in earlier patents. Probably the most famous sword in the history of the patent system was the sweeping application filed on February 14, 1876, by a teacher and part-time inventor named Alexander Graham Bell. That first telephone patent (No. 174,465) was so broad and inclusive that it became the cornerstone—after Bell and his partners had fought some 600 lawsuits against scores of competitors—of the largest corporate family in the world. In the nature of things, though, few inventions are so completely new that they don’t build on something from the past. The majority of patent applications, therefore, are written as shields—as improvements on some earlier invention. Some of the most important patents in American history fall into this category, including No. 586,193, “New and Useful Improvements in Transmitting Electrical Impulses,” granted to Guglielmo Marconi in 1898; No. 621,195, “Improvements in and Relating to Navigable Balloons,” granted to Ferdinand Zeppelin in 1899; No. 686,046, “New and Useful Improvements in Motor Carriages,” granted to Henry Ford in 1901; and No. 821,393, “New and Useful Improvements in Flying Machines,” granted to Orville and Wilbur Wright in 1906.
T.R. Reid (The Chip: How Two Americans Invented the Microchip and Launched a Revolution)
The spread of ISIL’s bloody rule changed the political calculus for all three factions in Baghdad, forcing them to think like the old American revolutionary Ben Franklin. “We must all hang together,” Franklin had famously said, at the signing of the Declaration of Independence, “or assuredly, we shall all hang separately.
Joe Biden (Promise Me, Dad: A Year of Hope, Hardship, and Purpose)
Where does the word cocktail come from? There are many answers to that question, and none is really satisfactory. One particular favorite story of mine, though, comes from The Booze Reader: A Soggy Saga of a Man in His Cups, by George Bishop: “The word itself stems from the English cock-tail which, in the middle 1800s, referred to a woman of easy virtue who was considered desirable but impure. The word was imported by expatriate Englishmen and applied derogatorily to the newly acquired American habit of bastardizing good British Gin with foreign matter, including ice. The disappearance of the hyphen coincided with the general acceptance of the word and its re-exportation back to England in its present meaning.” Of course, this can’t be true since the word was applied to a drink before the middle 1800s, but it’s entertaining nonetheless, and the definition of “desirable but impure” fits cocktails to a tee. A delightful story, published in 1936 in the Bartender, a British publication, details how English sailors of “many years ago” were served mixed drinks in a Mexican tavern. The drinks were stirred with “the fine, slender and smooth root of a plant which owing to its shape was called Cola de Gallo, which in English means ‘Cock’s tail.’ ” The story goes on to say that the sailors made the name popular in England, and from there the word made its way to America. Another Mexican tale about the etymology of cocktail—again, dated “many years ago”—concerns Xoc-tl (transliterated as Xochitl and Coctel in different accounts), the daughter of a Mexican king, who served drinks to visiting American officers. The Americans honored her by calling the drinks cocktails—the closest they could come to pronouncing her name. And one more south-of-the-border explanation for the word can be found in Made in America, by Bill Bryson, who explains that in the Krio language, spoken in Sierra Leone, a scorpion is called a kaktel. Could it be that the sting in the cocktail is related to the sting in the scorpion’s tail? It’s doubtful at best. One of the most popular tales told about the first drinks known as cocktails concerns a tavernkeeper by the name of Betsy Flanagan, who in 1779 served French soldiers drinks garnished with feathers she had plucked from a neighbor’s roosters. The soldiers toasted her by shouting, “Vive le cocktail!” William Grimes, however, points out in his book Straight Up or On the Rocks: A Cultural History of American Drink that Flanagan was a fictional character who appeared in The Spy, by James Fenimore Cooper. He also notes that the book “relied on oral testimony of Revolutionary War veterans,” so although it’s possible that the tale has some merit, it’s a very unsatisfactory explanation. A fairly plausible narrative on this subject can be found in Famous New Orleans Drinks & How to Mix ’em, by Stanley Clisby Arthur, first published in 1937. Arthur tells the story of Antoine Amedie Peychaud, a French refugee from San Domingo who settled in New Orleans in 1793. Peychaud was an apothecary who opened his own business, where, among other things, he made his own bitters, Peychaud’s, a concoction still available today. He created a stomach remedy by mixing his bitters with brandy in an eggcup—a vessel known to him in his native tongue as a coquetier. Presumably not all Peychaud’s customers spoke French, and it’s quite possible that the word, pronounced coh-KET-yay, could have been corrupted into cocktail. However, according to the Sazerac Company, the present-day producers of Peychaud’s bitters, the apothecary didn’t open until 1838, so there’s yet another explanation that doesn’t work.
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
Pinochet epitomized the “moderate autocrat friendly to American interests,” as the new U.N. Ambassador Jeane Kirkpatrick characterized “authoritarian” military rulers in her famous Commentary article, “Dictatorships and Double Standards,” which attacked Jimmy Carter’s policy on human rights.34 The Chileans could be counted on as an ideological ally in the battle against Soviet influence in the hemisphere and a supporter of a hard-line, militarist U.S. approach to revolutionary upheaval in Central America in the 1980s.
Peter Kornbluh (The Pinochet File: A Declassified Dossier on Atrocity and Accountability)
If mutual decimation of the McLaughlins and the McLeans marked the end of Charlestown’s “gangster era,” a host of gangs endured in the Town. These were less criminal bands than expressions of territorial allegiance. Every street and alley, every park and pier had its own ragged troop which hung on the corner, played football, baseball, and street hockey, and defended its turf against all comers. The Wildcats hung at the corner of Frothingham and Lincoln streets, the Bearcats at Walker and Russell streets, the Falcons outside the Edwards School, the Cobras on Elm Street, the Jokers in Hayes Square, the Highlanders on High Street, the Crusaders at the Training Field. Each had its distinctive football jersey (on which members wore their street addresses), its own legends and traditions. The Highlanders, for example, took their identity from the Bunker Hill Monument, which towered over their hangout at the top of Monument Avenue. On weekends and summer afternoons, they gathered there to wait for out-of-town tourists visiting the revolutionary battleground. When one approached, an eager boy would step forward and launch his spiel, learned by rote from other Highlanders: “The Monument is 221 feet high, has 294 winding stairs and no elevators. They say the quickest way up is to walk, the quickest way down is to fall. The Monument is fifteen feet square. Its cornerstone was laid in 1825 by Daniel Webster. The statue you see in the foreground is that of Colonel William Prescott standing in the same position as when he gave that brave and famous command, ‘Don’t fire till you see the whites of their eyes.’ The British made three attempts to gain the hill …” And so forth. An engaging raconteur could parlay this patter into a fifty-cent tip.
J. Anthony Lukas (Common Ground: A Turbulent Decade in the Lives of Three American Families (Pulitzer Prize Winner))