Famous African Americans Quotes

Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.

It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own.

Success by its very nature demands a period of overcoming, a process by which we become strong in broken places.

In 1920, Warren G. Harding ran his famous “front porch campaign” from his family home in Marion, Ohio; a few months before, Marion was the scene of an ethnic cleansing as whites drove out virtually every African American. According to Harding scholar Phillip Payne, “As a consequence, Marion is an overwhelming[ly] white town to this date [2002].

So it is with life. It takes some rough spots in your life to make you go your farthest.

I can become great by developing an attitude of greatness.

Nine Negro boys in Alabama were on trial for their lives when I got back from Cuba and Haiti. The famous Scottsboro "rape" case was in full session. I visited those boys in the death house at Kilby Prison, and I wrote many poems about them. One of those poems was: CHRIST IN ALABAMA Christ is a Nigger, Beaten and black-- O, bare your back. Mary is His Mother-- Mammy of the South, Silence your mouth. God's His Father-- White Master above, Grant us your love. Most holy bastard Of the bleeding mouth: Nigger Christ On the cross of the South.

None of us knows the strength and the power of our lights. These lights shine brightest when they brighten the paths of others. I will be a point of light and light the paths of others.

One such individual was Amos Tutuola, who was a talented writer. His most famous novels, The Palm-Wine Drinkard, published in 1946, and My Life in the Bush of Ghosts, in 1954, explore Yoruba traditions and folklore. He received a great deal of criticism from Nigerian literary critics for his use of “broken or Pidgin English.” Luckily for all of us, Dylan Thomas, the Welsh poet and writer, was enthralled by Tutuola’s “bewitching literary prose” and wrote glowing reviews that helped Tutuola’s work attain international acclaim. I still believe that Tutuola’s critics in Nigeria missed the point. The beauty of his tales was fantastical expression of a form of an indigenous Yoruba, therefore African, magical realism. It is important to note that his books came out several decades before the brilliant Gabriel García Márquez published his own masterpieces of Latin American literature, such as One Hundred Years of Solitude.

The unfortunate reality we must face is that racism manifests itself not only in individual attitudes and stereotypes, but also in the basic structure of society. Academics have developed complicated theories and obscure jargon in an effort to describe what is now referred to as structural racism, yet the concept is fairly straightforward. One theorist, Iris Marion Young, relying on a famous “birdcage” metaphor, explains it this way: If one thinks about racism by examining only one wire of the cage, or one form of disadvantage, it is difficult to understand how and why the bird is trapped. Only a large number of wires arranged in a specific way, and connected to one another, serve to enclose the bird and to ensure that it cannot escape.11 What is particularly important to keep in mind is that any given wire of the cage may or may not be specifically developed for the purpose of trapping the bird, yet it still operates (together with the other wires) to restrict its freedom. By the same token, not every aspect of a racial caste system needs to be developed for the specific purpose of controlling black people in order for it to operate (together with other laws, institutions, and practices) to trap them at the bottom of a racial hierarchy. In the system of mass incarceration, a wide variety of laws, institutions, and practices—ranging from racial profiling to biased sentencing policies, political disenfranchisement, and legalized employment discrimination—trap African Americans in a virtual (and literal) cage. Fortunately,

Mexico abolished slavery in 1829, which affected the Anglo-American settlers' quest for wealth in building plantations worked by enslaved Africans. They lobbied the Mexican government for a reversal of the ban and gained only a one-year extension to settle their affairs and free their bonded workers - the government refused to legalize slavery. The settlers decided to secede from Mexico, initiating the famous and mythologized 1836 Battle of the Alamo, where the mercenaries James Bowie and Davy Crockett and slave owner William Travis were killed.

Jefferson knew that slavery degraded the humanity of those who perpetuated its existence because it necessitated the subjugation of another human being; at the same time, he believed that Black people were an inferior class. This is where Jefferson's logic falls apart, historian Winthrop D. Jordan wrote in 1968. If Jefferson truly believed that Black people were inferior, then he must have "suspected that the Creator might have in fact created men unequal; and he could not say this without giving his assertion exactly the same logical force as his famous statement to the contrary.

The Truly Disadvantaged, the most important book written about poverty in the past three decades. It was Wilson who first observed, famously, that a poor child fared worse when she grew up among only poor neighbors than she would have if she’d been raised in a neighborhood that included members of the middle class, too. Wilson argued that the reason poverty had persisted in America even in the face of the War on Poverty declared by President Lyndon Johnson in 1964 was that in the 1970s and 1980s, poor African Americans had become increasingly isolated, relegated to sections of the city where their neighbors were more and more likely to be poor, and less and less likely to find gainful employment.

the Human Genome Project revealed that the human species cannot be divided into biological races. President Clinton famously announced, “I believe one of the great truths to emerge from this triumphant expedition inside the human genome is that in genetic terms, all human beings, regardless of race, are more than 99.9 percent the same.”75 Collins ended his remarks by saying, “I’m happy that today the only race that we are talking about is the human race.” Venter reported that Celera Genomics had sequenced the genomes of three women and two men who identified as Hispanic, Asian, Caucasian, and African American and found that “there’s no way to tell one ethnicity from another.” He bluntly declared, “Race has no genetic or scientific basis.

Fine art galleries are the excellent setups for exhibiting art, generally aesthetic art such as paints, sculptures, and digital photography. Basically, art galleries showcase a range of art designs featuring contemporary and traditional fine art, glass fine art, art prints, and animation fine art. Fine art galleries are dedicated to the advertising of arising artists. These galleries supply a system for them to present their jobs together with the works of across the country and internationally popular artists. The UNITED STATE has a wealth of famous art galleries. Lots of villages in the U.S. show off an art gallery. The High Museum of Fine art, Alleged Gallery, Henry Art Gallery, National Gallery of Art Gallery, Washington Gallery of Modern Art, Agora Gallery, Rosalux Gallery, National Portrait Gallery, The Alaska House Gallery, and Anchorage Gallery of History and Art are some of the renowned fine art galleries in the United States. Today, there are on the internet fine art galleries showing initial artwork. Several famous fine art galleries show regional pieces of art such as African fine art, American art, Indian fine art, and European art, in addition to individual fine art, modern-day and modern fine art, and digital photography. These galleries collect, show, and keep the masterpieces for the coming generations. Many famous art galleries try to entertain and educate their local, nationwide, and international audiences. Some renowned fine art galleries focus on specific areas such as pictures. A great variety of well-known fine art galleries are had and run by government. The majority of famous fine art galleries supply an opportunity for site visitors to buy outstanding art work. Additionally, they organize many art-related tasks such as songs shows and verse readings for kids and grownups. Art galleries organize seminars and workshops conducted by prominent artists. Committed to quality in both art and solution, most well-known fine art galleries provide you a rich, exceptional experience. If you wish to read additional information, please visit this site

By 1750, Rhode Island was recognized as the nation’s most active trading center for slaves.7 In 1774, Newport was declared the most active city in the slave trade of any town on the continent.8 From 1725 to the end of 1807, it can be proven that Rhode Island was the most important base for American carriers of African slaves.9 While a number of Rhode Island families participated in the trade, including the famous Brown family of Providence, among the most successful was the DeWolf family.10 Their longevity in the trade was predicated on the lasting participation of central figure James DeWolf, who did almost anything to continue amassing economic and political power. The DeWolf story begins in 1744 with Simeon

An email conversation uncovered in the Wikileaks dump of the Sony Hack earlier this week shows that Affleck asked the producers of PBS' Finding Your Roots series to scrub that ugly detail of his family history. The series, hosted by African-American studies professor Henry Louis Gates, Jr., traces the family history of famous Americans who appear on the show

Quoting page 60: In the 1960s, racism was chiefly understood to mean discrimination by whites against African-Americans. But in the immigration debate of the Progressive Era, the nation’s most prominent black leaders—most notably the Republican conservative, Booker T. Washington, and the socialist intellectual, W.E.B. DuBois—supported the restrictionists. Washington, in his famous Atlanta address at the Cotton States Exposition in 1895, pleaded with industrial leaders to employ loyal, hardworking freedmen, rather than import millions of European immigrants to take the industrial jobs that otherwise might have freed native-born African-Americans from segregated misery in the rural South.

The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too—Thomas Hart Benton, for example, painted a mural that was actually titled A Social History of the State of Missouri in the capitol building in Jefferson City.16 There was a mania for documentary books, photos of ordinary people in their homes and workplaces that were collected and narrated by some renowned prose stylist. James Agee wrote the most enduring of these, Let Us Now Praise Famous Men, in cooperation with photographer Walker Evans, but there were many others. The novelist Erskine Caldwell and the photographer Margaret Bourke-White published You Have Seen Their Faces in 1937, while Richard Wright, fresh from the success of his novel Native Son, published Twelve Million Black Voices in 1941, with depictions of African American life chosen from the populist photographic output of the FSA.

The first notable spinout was Kathy Xu, another woman who managed to flourish in China's venture industry. Rather than studying in the United States, Xu had experienced U.S. instruction at Nanjing University, where she had majored in English. One teacher, an impressive African American woman named Donda West, instilled in her pupils an American ethos. 'You are unique, you are a marvel. There has been no person like you in the last 500 years, and there will be no person like you in the next 500 years,' she lectured. The paean to individualism was, as Xu recalled vividly, an eye-opening experience for a Chinese teenager from Sichuan. Donda West also stuck in Xu's memory because of her son, who was often seen performing acrobatic tricks on campus. Years later, Xu was intrigued to discover that the boy, named Kanye, had become famous.

cost and technical difficulty are not the primary reason so many modern cities have been unable to provide water to their inhabitants. Again and again, the biggest obstacle has been what social scientists call governmentality and what everybody else calls corruption, inefficiency, incompetence, and indifference. French cities lose a fifth of their water supply to leaks; Pennsylvania’s cities lose almost a quarter; cities in KwaZulu-Natal, the South African province, lose more than a third. So much of India’s urban water supply is contaminated that the lost productivity from the resultant disease costs fully 5 percent of the nation’s gross domestic product. More than thirty North American cities improperly test for lead in their water, including, famously, Flint, Michigan, where bungling local, state, and federal officials have forced residents to drink bottled water for years.

Penny Lane (of Beatles fame) is named for James Penny, one of Liverpool’s most famous and prolific slave traders.

La Revue Nègre was a bold statement, drawing from the long history of both Black American vernacular dance and the minstrel and vaudeville theater in which Baker had performed in the United States. It contained elements of the shimmy and the shake, and challenged traditional Western European ideas of dance. “All of these moves that in the European mode would have been considered awkward become beautiful, sexy, silly, and savvy at the same time,” explains Dixon Gottschild. Later, as the performance evolved, Baker incorporated her famous banana skirt and, eventually, a pet cheetah who regularly made his way into the orchestra pit—elements that played into the idea of Baker as an exotic creature and added notes of vaudeville humor. Baker’s performances were complex, as are their legacy. Some have characterized her as a twentieth-century Sarah Baartman, another Black woman put on display for the titillation of fascinated, scandalized bourgeois white spectators. But she is often also criticized for exoticizing herself, knowingly participating in her own exploitation, playing into African stereotypes with her nudity, the banana skirt, and the cheetah. Others interpret La Revue Nègre as a means of reclaiming those stereotypes: Baker enthusiastically, and freely, participated in the performances and made lots of money doing it, and she surely understood that she was engaging with, and even subverting, stereotypes of Black femininity. She was also funny, and her performances always contained elements of humor and parody. From her early days as a chorus girl, she would add an element of knowingness by feigning being a bad dancer onstage for a laugh. She may have been sexualized and objectified by her largely white audience in Paris, but she also maintained significant control over what she was doing.

Kensi Gounden writing the biography of famous American lawyer Thurgood Marshall, originally Thorough good Marshall, (born July 2, 1908, Baltimore, Maryland, U.S.—died January 24, 1993, Bethesda), lawyer, civil rights activist, and associate justice of the U.S. Supreme Court, the Court’s first African American member. As an attorney, he successfully argued before the Court the case of Brown v. Board of Education of Topeka, which declared unconstitutional racial segregation in American public schools.

One of the earliest to articulate a more doctrinal understanding of the Scripture was the slave and father of African-American literature, Jupiter Hammon (1711–1806?). In 1760, Hammon became the first African-American to publish a work of literature. He expressed his belief in the Bible and exhorted his audience to read it in his famous Address to the Negroes in the State of New York: [T]he Bible is the word of God and tells you what you must do to please God; it tells you how you may escape misery and be happy forever. If you see most people neglect the Bible, and many that can read never look into it, let it not harden you and make you think lightly of it and that it is a book of no worth. All those who are really good love the Bible and meditate on it day and night. In the Bible, God has told us everything it is necessary we should know in order to be happy here and hereafter. The Bible is the mind and will of God to men.5

To peruse Larry Flynt's flagship is to encounter laughable facets of necrophilia, dildo-strapped nuns, ambulatory turds, walking anuses, the perceived discrepancy in penis size between black and white males, vaginas large enough to envelop an entire man, physical intimacies with anthropomorphic pets, lesbian love rituals, the ills and quirks of male homosexuality, the corrosive effect of vaginal discharge upon automobile upholstery, the danger that freshly licked African-american lips will accidentally adhere to some glasslike surface, bar sluts, gang-bangs, wastebasket fetuses, flatulence anal and vaginal, the handicapped, Ku Klux Klansmen, lynching, anal sex, prison romance, naked females whose faces are covered by paper bags, sex crimes of the rich and famous, sex in full-body traction, retards as playthings, practical jokes committed by Saint Peter, suicide, consanguinity, animal husbandry in the connubial sense, erectile dysfunction, voyeurs, panty-sniffewrs, menstruation, STDs and philosopher houseflies delivering piquant sophistries while nibbling on corn-studded nuggets of shit.

George Mumford, a Newton-based mindfulness teacher, one such moment took place in 1993, at the Omega Institute, a holistic learning center in Rhinebeck, New York. The center was hosting a retreat devoted to mindfulness meditation, the clear-your-head habit in which participants sit quietly and focus on their breathing. Leading the session: meditation megastar Jon Kabat-Zinn. Originally trained as a molecular biologist at MIT, Kabat-Zinn had gone on to revolutionize the meditation world in the 1970s by creating a more secularized version of the practice, one focused less on Buddhism and more on stress reduction and other health benefits. After dinner one night, Kabat-Zinn was giving a talk about his work, clicking through a slide show to give the audience something to look at. At one point he displayed a slide of Mumford. Mumford had been a star high school basketball player who’d subsequently hit hard times as a heroin addict, Kabat-Zinn explained. By the early 1980s, however, he’d embraced meditation and gotten sober. Now Mumford taught meditation to prison inmates and other unlikely students. Kabat-Zinn explained how they were able to relate to Mumford because of his tough upbringing, his openness about his addiction — and because, like many inmates, he’s African-American. Kabat-Zinn’s description of Mumford didn’t seem to affect most Omega visitors, but one participant immediately took notice: June Jackson, whose husband had just coached the Chicago Bulls to their third consecutive NBA championship. Phil Jackson had spent years studying Buddhism and Native American spirituality and was a devoted meditator. Yet his efforts to get Michael Jordan, Scottie Pippen, and their teammates to embrace mindfulness was meeting with only limited success. “June took one look at George and said, ‘He could totally connect with Phil’s players,’ ’’ Kabat-Zinn recalls. So he provided an introduction. Soon Mumford was in Chicago, gathering some of the world’s most famous athletes in a darkened room and telling them to focus on their breathing. Mumford spent the next five years working with the Bulls, frequently sitting behind the bench, as they won three more championships. In 1999 Mumford followed Phil Jackson to the Los Angeles Lakers, where he helped turn Kobe Bryant into an outspoken adherent of meditation. Last year, as Jackson began rebuilding the moribund New York Knicks as president, Mumford signed on for a third tour of duty. He won’t speak about the specific work he’s doing in New York, but it surely involves helping a new team adjust to Jackson’s sensibilities, his controversial triangle offense, and the particular stress that comes with compiling the worst record in the NBA. Late one April afternoon just as the NBA playoffs are beginning, Mumford is sitting at a table in O’Hara’s, a Newton pub. Sober for more than 30 years, he sips Perrier. It’s Marathon Monday, and as police begin allowing traffic back onto Commonwealth Avenue, early finishers surround us, un-showered and drinking beer. No one recognizes Mumford, but that’s hardly unusual. While most NBA fans are aware that Jackson is serious about meditation — his nickname is the Zen Master — few outside his locker rooms can name the consultant he employs. And Mumford hasn’t done much to change that. He has no office and does no marketing, and his recently launched website, mindfulathlete.org, is mired deep in search-engine results. Mumford has worked with teams that have won six championships, but, one friend jokes, he remains the world’s most famous completely unknown meditation teacher. That may soon change. This month, Mumford published his first book, The Mindful Athlete, which is part memoir and part instruction guide, and he has agreed to give a series of talks and book signings

The life of African American journalist Orrin C. Evans is book or movie material. Evans courageously continued on, despite racist incidents such as being removed because of his race from the crowd of journalist by Nazi sympathizer Charles Lindbergh while covering the famous kidnapping,

If people believe the government is giving them AIDS and blowing up levees, and that white-owned companies are trying to sterilize them, they would be lacking in normal human emotions if they did not—to put it bluntly—hate the people they believed responsible. Indeed, vigorous expressions of hatred go back to at least the time of W.E.B. Du Bois, who once wrote, “It takes extraordinary training, gift and opportunity to make the average white man anything but an overbearing hog, but the most ordinary Negro is an instinctive gentleman.” On another occasion he expressed himself in verse: 'I hate them, Oh! I hate them well, I hate them, Christ! As I hate hell! If I were God, I’d sound their knell This day!' Such sentiments are still common. Amiri Baraka, originally known as LeRoi Jones, is one of America’s most famous and well-regarded black poets, but his work is brimming with anti-white vitriol. These lines are from “Black Dada Nihilismus:” 'Come up, black dada nihilismus. Rape the white girls. Rape their fathers. Cut the mothers’ throats.' Here are more of his lines: 'You cant steal nothin from a white man, he’s already stole it he owes you anything you want, even his life. All the stores will open up if you will say the magic words. The magic words are: Up against the wall motherfucker this is a stick up!' In “Leroy” he wrote: “When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.” When he was asked by a white woman what white people could do to help the race problem, he replied, “You can help by dying. You are a cancer. You can help the world’s people with your death.” In July, 2002, Mr. Baraka was appointed poet laureate of New Jersey. The celebrated black author James Baldwin once said: “[T]here is, I should think, no Negro living in America who has not felt, briefly or for long periods, . . . simple, naked and unanswerable hatred; who has not wanted to smash any white face he may encounter in a day, to violate, out of motives of the cruelest vengeance, their women, to break the bodies of all white people and bring them low.” Toni Morrison is a highly-regarded black author who has won the Nobel Prize. “With very few exceptions,” she has written, “I feel that White people will betray me; that in the final analysis they’ll give me up.” Author Randall Robinson concluded after years of activism that “in the autumn of my life, I am left regarding white people, before knowing them individually, with irreducible mistrust and dull dislike.” He wrote that it gave him pleasure when his dying father slapped a white nurse, telling her not “to put her white hands on him.” Leonard Jeffries is the chairman of the African-American studies department of the City College of New York and is famous for his hatred of whites. Once in answer to the question, “What kind of world do you want to leave to your children?” he replied, “A world in which there aren’t any white people.

I guess Sakurai's father loved to talk. For a while, he talked my ear off about a lot of different things. He was a graduate of Tokyo University. He was involved in the student protest movement in the late sixties. He was a salaryman at a famous trading company. H really loved jazz. He called black people 'African Americans.' He called Indians 'Native Americans.' He hated Japan.