Famous Afghanistan Quotes

Death wins nothing here, gnawing wings that amputate–– then spread, lift up, fly.

A FAMOUS SWORD SWALLOWER FROM AFGHANISTAN WHO IS NOW TEACHING ME TO EAT MY WORDS (WHAT YOU DO IS YOU TAKE THE S OFF THE BEGINNING OF THE SWORD AND PUT IT ON THE END BEFORE YOU SWALLOW IT).

Janet Malcolm had famously described journalism as the art of seduction and betrayal. Any reporter who didn't see journalism as "morally indefensible" was either "too stupid" or "too full of himself," she wrote. I disagreed. Without shutting the door on the possibility that I was both stupid and full of myself, I'd never bought into the seduction and betrayal conceit. At most, journalism - particularly when writing about media-hungry public figures - was like the seduction of a prostitute. The relationship was transactional. They weren't talking to me because they liked me or because I impressed them; they were talking to me because they wanted the cover of Rolling Stone.

Some of these tools were ingenious, including sets of playing cards for Iraq, Egypt, and Afghanistan—regular fifty-two-card decks, but with images and information about archaeological practices, famous cultural sites, and notable artifacts; the reverse sides could be pieced together to form a map of the most iconic site for each country.

Soon after the raid was over, the White House released the now-famous photo of all of us watching the video in that small conference room. Within hours, I received from a friend a Photoshopped version with each of the principals shown dressed in superhero costumes: Obama was Superman; Biden, Spiderman; Hillary, Wonder Woman; and I, for some reason, was the Green Lantern. The spoof had an important substantive effect on me. We soon faced a great hue and cry demanding that we release photos of the dead Bin Laden, photos we had all seen. I quickly realized that while the Photoshop of us was amusing, others could Photoshop the pictures of Bin Laden in disrespectful ways certain to outrage Muslims everywhere and place Americans throughout the Middle East and our troops in Afghanistan at greater risk. Everyone agreed, and the president decided the photos would not be released. All the photos that had been circulating among the principals were gathered up and placed in CIA’s custody. As of this writing, none has ever leaked.

When the Soviets invaded Afghanistan in 1979, the Saudi regime saw an opportunity to rid itself, however temporarily, of the holy warriors it had nurtured for nearly a century. With economic and military support from the United States and tactical training provided by Pakistan’s Inter-Services Intelligence agency, the Saudis began funneling a steady stream of radical Islamic militants (known as the Mujahadin, or “those who make jihad”) from Saudi Arabia and across the Middle East into Afghanistan, where they could be put to use battling the godless communists. The intention, as President Jimmy Carter’s national security adviser, Zbigniew Brzezinski, famously put it, was to “give the USSR its own Vietnam” by keeping the Soviet army bogged down in an unwinnable war in hostile territory. The United States considered the Mujahadin to be an important ally in the Great Game being played out against the Soviet Union and, in fact, referred to these militants as “freedom fighters.” President Ronald Reagan even compared them to America’s founding fathers.

What I like to see is when actors use their celebrity in an interesting way. Some of them have charitable foundations, they do things like try to bring attention to the plight of women and girls in Afghanistan, or they're trying to save the White African Rhino, or they discover a passion for adult literacy, or what have you. All worthy causes, of course, and I knowtheir fame helps to get the word put. But let's be honest here.None of them went into the entertainment industry because they wanted to do good in the world. Speaking for myself, I didn't even think about until I was already successful. Before they were famous, my actor friends were just going to auditions and struggling to be noticed, taking any work they could find, acting for free in friends movies, working in restaurants or as caterers, just trying to get by. They acted because they loved acting, but also, let's be honest here, to be noticed. All they wantedf was to be seen. I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certainquestions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliche but it happens to be true. Not just the famous ones who everyone knows, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the night-club. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. Afterthat, we want to be remembered.

Amanollah Khan had tried to assert rights for women in the 1920s, together with his queen Soraya, who famously cast off her veil in public. The royal couple also began promoting the education of girls, banned the selling of them for marriage, and put restrictions on polygyny. The backlash was severe. To many Afghans, and particularly to the majority who did not live in Kabul, the reforms seemed outrageous: Tribal men would lose future income if daughters could no longer be sold or traded as wives. In 1929, under threat of a coup, the king was forced to abdicate.

To use Freud's famous phrase, the civilized are, therefore, the discontent. We do not become losers in civilization but become civilized losers. The collective result of this ineradicable sense of failure is that civilizations take on the spirit of resentment. Acutely sensitive to an imagined audience, they are easily offended by other civilizations. Indeed, even the most powerful societies can be embarrassed by the weakest: the Soviet Union by Afghanistan, Great Britain by Argentina, the United States by Grenada.

Daily, the media report human activity in which force is used to settle disputes. Since 1945 not a single day has gone by without war, and the end of the Cold War has not reduced its frequency. For example, in 1994 more than thirty major armed conflicts were fought in twenty-seven locations throughout the world in such places as Afghanistan, Algeria, Bosnia, Chechnya, Liberia, Rwanda, and Somalia. Given its wide spread occurrence, it is little wonder so many people equate world politics with violence. In On War, Prussian strategist Karl von Clausewitz advanced his famous dictum that war is merely an extension of diplomacy by other means - "a form of communication between countries," albeit an extreme form. This insight underscores the realist belief that war is an instrument for states to use to resolve their disputes. War, however, is the deadliest instrument of conflict resolution, its onset indicating that persuasion and negotiations have failed. In international relations, conflict regularly occurs when actors interact and disputes over incompatible interests rise. In and of itself, conflict is not necessarily threatening when the partners turn to arms to settle their perceived irreconcilable differences.

Noor Afzhal looked into Jim’s eyes. “You are not just a fighter anymore,” he told Jim. “You are nangyalee.” In a verse by the seventeenth-century Pashtun poet Khushal Khan Khattak, nangyalee refers to a brave man who also has honor and who never gives up. “A brave man has only two options in the world, to fight to the death or secure victory,” went the famous line. But Noor Afzhal explained the term to Jim as meaning a champion who is both brutal and compassionate. “Nangyalee is a warrior who rides a white horse, and when he sees someone who cannot protect themselves, he rides there with his men and fights for them,” he said. Jim was deeply moved.

…I am a storyteller. From barstools to back porches, from kitchen tables to campfires, from podiums to park benches, I have spun my yarns to audiences both big and small, both rapt and bored. I didn’t start out that way. I was just a dreamer, quietly imagining myself as something special, as someone who would “make a difference” in the world. But the fact is, I was just an ordinary person leading an ordinary life. Then, partly by design, partly by happenstance, I was thrust into a series of adventures and circumstances beyond anything I had ever dreamed. It all started when I ran away from home at eighteen and hitchhiked around the country. Then I joined the Army, became an infantry lieutenant, and went to Vietnam. After Vietnam, I tried to become a hippie, got involved with Vietnam Veterans Against the War (VVAW), and became a National Coordinator for the organization. I was subsequently indicted for conspiracy to incite a riot at the Republican Convention in 1972—the so-called Gainesville Eight case—and one of my best friends turned out to be an FBI informant who testified against me at the trial. In the early eighties, I was involved with the New York Vietnam Veterans Memorial Commission, which built a memorial for Vietnam veterans in New York City and published the book Dear America: Letters Home from Vietnam. In the late eighties, I was part of a delegation of Vietnam veterans who went to the Soviet Union to meet with Soviet veterans of their Afghanistan War. I fell in love with a woman from Russia, married her, and spent nine years living there, during which I fathered two children, then brought my family back to the U.S. and the suburban middle-class life I had left so many years before. The adventures ultimately, inevitably perhaps, ended, and like Samwise Gamgee, I returned to an ordinary life once they were over. The only thing I had left from that special time was the stories… I wrote this book for two reasons. First and foremost, I wrote it for my children. Their experience of me is as a slightly boring “soccer dad,” ordinary and unremarkable. I wanted them to know who I was and what I did before I became their dad. More importantly, I hope the book can be inspiring to the entire younger generation they represent, who will have to deal with the mess of a world that we have left them. The second reason is that when I was young, I had hoped that my actions would “make a difference,” but I’m not so sure if they amounted to “a hill of beans,” as Humphry Bogart famously intoned. If my actions did not change the world, then I dream that maybe my stories can.

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