Family Tree Branches Quotes

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To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
Yann Martel (Life of Pi)
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
Hermann Hesse (Bäume: Betrachtungen und Gedichte)
I can draw a seedling with two tiny branches. Yours and mine. We’ll be on our own brand-new, tiny family tree—one that starts with us.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
If families resemble trees, as they say, arborescent structures with entangled roots and individual branches jutting out at awkward angles, family traumas are like thick, translucent resin dripping from a cut in the bark. They trickle down generations.
Elif Shafak (The Island of Missing Trees)
Our immortality comes through our children and their children. Through our roots and branches. The family is immortality. And Hitler has destroyed not just branches and roots, but entire family trees, forests. All of them, gone.
Amy Harmon (From Sand and Ash)
Her brother has a disease, an illness with the shape and sound of a snake. It slithers through the branches of our family tree. It must have broken her heart, to know that I was next.
Nathan Filer (The Shock of the Fall)
Tell me about your family," I said. And so she did. I listened intently as my mother went through each branch of the tree. Years later, after the funeral, Maria had asked me questions about the family - who was related to whom - and I struggled. I couldn't remember. A big chunk of our history had been buried with my mother. You should never let your past disappear that way.
Mitch Albom (For One More Day)
My family tree has many branches, both living and dead... but all equally important. I cherish the memories that make its roots run deep.
Lynda I Fisher
The tree of our family was parted - branches here, roots there - parted for their lumber.
Ta-Nehisi Coates (The Water Dancer)
Your whole family fell from the crazy tree and hit every damn branch on the way down.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
But unlike Mama, I would not go to heaven. My secrets padlocked the gates. I'd be a torn kite stuck in the dead branches of a tree, unable to fly.
Ruta Sepetys (Salt to the Sea)
The gingko tree leans lazily against the facing wall or perhaps it supports it; Stephen cannot be sure. The dense ridges of its bark now appear like rippled sand with, here and there, pools left behind by the tide. The bark is pocked with white spots, holed and crinkled with age, seemingly dead but for the life sprouting in its leaves, so smooth, so green, so deep. How remarkable this tree is, how changeable, how mysterious its leaves and branches and trunk … how infinite. Stephen reaches for another pipe. The smoke rubs out his yesterdays and tomorrows. There is only now, this tree, this pipe. Another pipe, ah, another pipe.
Michael Tobert (Karna's Wheel)
All of these things had been stored away for her to pass along someday, relics to be carried up the branches of the family tree. But the family tree stopped growing long ago, its canopy thinned and frayed, not a single sap springing from the old rotting trunk. Some trees aren't meant to sprout tender new branches, but to stand stoically on the forest floor, silently decaying.
Shelby Van Pelt (Remarkably Bright Creatures)
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
You found your family tree, Rowdy, and the branches are stronger and sturdier than most people with blood relatives have.
Jay Crownover (Rowdy (Marked Men, #5))
Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imaged having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den. I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing- my death- connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there.
Alice Sebold
And though our roots belong to the same tree, our branches have grown in different directions.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
What a thing to acknowledge in your heart! To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing-I’m sorry, I would rather not go on.
Yann Martel (Life of Pi)
Her mother was a Rutherford. The family came over in the ark, and were connected by marriage with Henry the VIII. On her father's side they date back further than Adam. On the topmost branches of her family tree there's a superior breed of monkeys with very fine silky hair and extra long tails.
Jean Webster
Where are you going?" I asked, as Frank swung his feet off the bed. "I'd hate the dear old thing to be disappointed in us," he answered. Sitting up on the side of the ancient bed, he bounced gently up and down, creating a piercing rhythmic squeak. The Hoovering in the hall stopped abruptly. After a minute or two of bouncing, he gave a loud, theatrical groan and collapsed backward with a twang of protesting springs. I giggled helplessly into a pillow, so as not to disturb the breathless silence outside. Frank waggled his eyebrows at me. "You're supposed to moan ecstatically, not giggle," he admonished in a whisper. "She'll think I'm not a good lover." "You'll have to keep it up for longer than that, if you expect ecstatic moans," I answered. "Two minutes doesn't deserve any more than a giggle." "Inconsiderate little wench. I came here for a rest, remember?" "Lazybones. You'll never manage the next branch on your family tree unless you show a bit more industry than that.
Diana Gabaldon (Outlander (Outlander, #1))
All I can say is, it's a sort of kinship, as though there is a family tree of grief. On this branch, the lost children, on this the suicided parents, here the beloved mentally ill siblings. When something terrible happens, you discover all of the sudden that you have a new set of relatives, people with whom you can speak in the shorthand of cousins.
Elizabeth McCracken (An Exact Replica of a Figment of My Imagination)
There is an old Eastern fable about a traveler who is taken unawares on the steppes by a ferocious wild animal. In order to escape the beast the traveler hides in an empty well, but at the bottom of the well he sees a dragon with its jaws open, ready to devour him. The poor fellow does not dare to climb out because he is afraid of being eaten by the rapacious beast, neither does he dare drop to the bottom of the well for fear of being eaten by the dragon. So he seizes hold of a branch of a bush that is growing in the crevices of the well and clings on to it. His arms grow weak and he knows that he will soon have to resign himself to the death that awaits him on either side. Yet he still clings on, and while he is holding on to the branch he looks around and sees that two mice, one black and one white, are steadily working their way round the bush he is hanging from, gnawing away at it. Sooner or later they will eat through it and the branch will snap, and he will fall into the jaws of the dragon. The traveler sees this and knows that he will inevitably perish. But while he is still hanging there he sees some drops of honey on the leaves of the bush, stretches out his tongue and licks them. In the same way I am clinging to the tree of life, knowing full well that the dragon of death inevitably awaits me, ready to tear me to pieces, and I cannot understand how I have fallen into this torment. And I try licking the honey that once consoled me, but it no longer gives me pleasure. The white mouse and the black mouse – day and night – are gnawing at the branch from which I am hanging. I can see the dragon clearly and the honey no longer tastes sweet. I can see only one thing; the inescapable dragon and the mice, and I cannot tear my eyes away from them. And this is no fable but the truth, the truth that is irrefutable and intelligible to everyone. The delusion of the joys of life that had formerly stifled my fear of the dragon no longer deceived me. No matter how many times I am told: you cannot understand the meaning of life, do not thinking about it but live, I cannot do so because I have already done it for too long. Now I cannot help seeing day and night chasing me and leading me to my death. This is all I can see because it is the only truth. All the rest is a lie. Those two drops of honey, which more than all else had diverted my eyes from the cruel truth, my love for my family and for my writing, which I called art – I no longer found sweet.
Leo Tolstoy (A Confession and Other Religious Writings)
Does the soul have a passport? Or do you simply pick the branch of the family tree that you prefer, with its preferred location, and hang your history on it?
Susan Mann (Quarter Tones)
Between God and Devil, our family tree grew with rotten roots, broken branches, and fungus on the leaves
Tiffany McDaniel (Betty)
Like branches on a tree, we all grow in different directions yet our roots remain as one.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
...every family tree has at least one crooked branch.
Jeanine Cummins (The Crooked Branch)
FORKED BRANCHES We grew up on the same street, You and me. We went to the same schools, Rode the same bus, Had the same friends, And even shared spaghetti With each other's families. And though our roots belong to The same tree, Our branches have grown In different directions. Our tree, Now resembles a thousand Other trees In a sea of a trillion Other trees With parallel destinies And similar dreams. You cannot envy the branch That grows bigger From the same seed, And you cannot Blame it on the sun's direction. But you still compare us, As if we're still those two Kids at the park Slurping down slushies and Eating ice cream. Suzy Kassem, Rise Up and Salute the Sun (2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
In the Age of Perfect Virtue, men lived among the animals and birds as members of one large family. There were no distinctions between "superior" and "inferior" to separate one man or species from another. All retained their natural Virtue and lived in the state of pure simplicity...In the Age of Perfect Virtue, wisdom and ability were not singled out as extraordinary. The wise were seen merely as higher branches on humanity's tree, growing a little closer to the sun. People behaved correctly, without knowing that to be Righteousness and Propriety. They loved and respected each other, without calling that Benevolence. They were faithful and honest, without considering that to be Loyalty. They kept their word, without thinking of Good Faith. In their everyday conduct, they helped and employed each other, without considering Duty. They did not concern themselves with Justice, as there was no injustice. Living in harmony with themselves, each other, and the world, their actions left no trace, and so we have no physical record of their existence.
Benjamin Hoff (The Te of Piglet)
You can come to your friends with a problem and they will most usually blurt out a set of orders based entirely upon their own lives, which they believe you should follow. There is no thought process that goes into it, no internalization, no ingestion of your own pain into their own stomachs. I believe this is why, about a million people come to me with their problems rather than turning to their closest friends and family members; because I'm like that ancient tree with protruding roots, you can sit under my branches and as you cry I will soak your tears into me. We don't actually need humans with their many thoughtless advices. We need to be sitting under trees, asking roots to share in our pains.
C. JoyBell C.
The tree of our family was parted—branches here, roots there—parted for their lumber.
Ta-Nehisi Coates (The Water Dancer)
Through the various branches of your tree, you are connected to the entirety of human history. When we talk about the ancient Egyptians building the pyramids, we're not talking about a bunch of exotic strangers, we're talking about our great-great-many-times-great grandparents!
Laurence Overmire (Digging for Ancestral Gold: The Fun and Easy Way to Get Started on Your Genealogy Quest)
There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
You’re the one with the family tree that doesn’t branch.” She illustrated said tree with her fingers. “How many Egyptian gods slept with their brothers’ and sisters’ wife’s mother’s uncle’s dogs? Hmm? I ask you?” He wasn’t quite sure if he should be offended or amused by her attack on his family. Honestly, he had no real feelings for any of them other than hatred and disdain but … “Have you visited your pantheon lately?” “We’re not talking about my pantheon, here. Are we? No. We’re insulting yours.” -Lydia and Seth-
Sherrilyn Kenyon
Myth is promiscuous, not dogmatic. It moves like a lively river through swarthy packs of reindeer, great aristocratic families, and the wild gestures of an Iranian carpet seller. Myth is not much to do with the past, but a kind of magical present that can flood our lives when the conditions are just so. It is not just the neurosis of us humans trying to fathom our place on earth, but sometimes the earth actually speaking back to us. That's why some stories can be hard to approach, they are not necessarily formed from a human point of view.
Martin Shaw (A Branch from the Lightning Tree: Ecstatic Myth and the Grace of Wildness)
She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.
D.E. Stevenson (Vittoria Cottage (Dering Family #1))
And somehow Hallie thrived anyway--the blossom of our family, like one of those miraculous fruit trees that taps into an invisible vein of nurture and bears radiant bushels of plums while the trees around it merely go on living. In Grace, in the old days, when people found one of those in their orchard they called it the semilla besada--the seed that got kissed. Sometimes you'd run across one that people had come to, and returned to, in hopes of a blessing. The branches would be festooned like a Christmas tree of family tokens: a baby sock, a pair of broken reading glasses, the window envelope of a pension check.
Barbara Kingsolver (Animal Dreams)
All of these things had been stored away for her to pass along someday, relics to be carried up the branches of the family tree. But the family tree stopped growing long ago, its canopy thinned and frayed, not a single sap springing from the old rotting trunk. Some trees aren’t meant to sprout tender new branches, but to stand stoically on the forest floor, silently decaying.
Shelby Van Pelt (Remarkably Bright Creatures)
We grew up on the same street, You and me. We went to the same schools, Rode the same bus, Had the same friends, And even shared spaghetti With each other's families. And though our roots belong to The same tree, Our branches have grown In different directions. Our tree, Now resembles a thousand Other trees In a sea of a trillion Other trees With parallel destinies And similar dreams. You cannot envy the branch That grows bigger From the same seed, And you cannot Blame it on the sun's direction. But you still compare us, As if we're still those two Kids at the park Slurping down slushies and Eating ice cream. Suzy Kassem, Rise Up and Salute the Sun (2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The affinities of all the beings of the same class have sometimes been represented by a great tree.I believe this simile largely speaks the truth. The green and budding twigs may represent existing species; and those produced during former years may represent the long succession of extinct species. At each period of growth all the growing twigs have tried to branch out on all sides, and to overtop and kill the surrounding twigs and branches, in the same manner as species and groups of species have at all times overmastered other species in the great battle for life. The limbs divided into great branches, and these into lesser and lesser branches, were themselves once, when the tree was young, budding twigs; and this connection of the former and present buds by ramifying branches may well represent the classification of all extinct and living species in groups subordinate to groups. Of the many twigs which flourished when the tree was a mere bush, only two or three, now grown into great branches, yet survive and bear the other branches; so with the species which lived during long-past geological periods, very few have left living and modified descendants. From the first growth of the tree, many a limb and branch has decayed and dropped off; and these fallen branches of various sizes may represent those whole orders, families, and genera which have now no living representatives, and which are known to us only in a fossil state. As we here and there see a thin straggling branch springing from a fork low down in a tree, and which by some chance has been favoured and is still alive on its summit, so we occasionally see an animal like the Ornithorhynchus or Lepidosiren, which in some small degree connects by its affinities two large branches of life, and which has apparently been saved from fatal competition by having inhabited a protected station. As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever-branching and beautiful ramifications.
Charles Darwin
Love is giving, love is learning, love is willing to receive love and love in return, love is not only your bloodline, but love is also everywhere. Love is what you make of it, whether it’s the birds singing you a personal melody or the waves in the ocean washing away the hate and turning it into unconditional, endless love. Love is the people who would never think of giving up on you. Love is the people who put your broken pieces back together. Love is when the storm comes— and the wind isn’t too friendly, but it’s here for a purpose as it blows the branches on the trees. The rain is pounding on the daisy in someone’s front yard, yet the daisy weathers the storm and needs that extra shower—after the storm, the ground is still moist, there are still puddles of water and the rain still lingers on, but when you look up there is a rainbow of love.
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
You’re so fat… you broke a branch in your family tree!
Various (100+ Insults: Funny Insults, Comedy, and Humor!)
They stopped right in front of a grandfather tree with a deep knothole between two arm-like branches. The kids glanced at each other, but did not speak a word.
James Barbato (The Magic Christmas Ornament)
like the branches of a tree / I am an extension of you / my heart and soul / firmly and effortlessly / embedded in your roots.
Jill Biden (Where the Light Enters: Building a Family, Discovering Myself)
The branches of our family tree all grew in different directions, and it’s best to avoid the stormy subjects that might make them bend or break.
Alice Feeney (Daisy Darker)
A tree has one stem but many branches, so does the human family.
Matshona Dhliwayo
Bapuji asked me to take paper and pencil and draw a family tree of violence. He wanted me to see how many of our actions are interrelated. This tree was to have two main branches - one for physical violence and one for passive violence. Every day he wanted me to analyze my actions and the actions of people around me and add them as branches on the tree. If I hit someone or threw a rock, I was to add a branch of physical violence. But he wanted me to be equally aware of habits and ways of life that hurt people, so every time I saw or heard about discrimination or oppression, waste or greed, I would draw a branch of passive violence.
Arun Gandhi (The Gift of Anger: And Other Lessons from My Grandfather Mahatma Gandhi)
Maya's eyes grew wide, and Grace finally saw the little-sister potential in her. She could imagine Maya toddling after her, annoying her, pulling her hair and borrowing her clothes without asking first. She didn't tell Maya about all the people she'd talked to on the phone, trying to follow a seventeen-year-old trail of bread crumbs that had mostly blown to the wind and taken Joaquin with them. She didn't mention that some people had been rude, others had been so helpful that it made Grace's heart hurt, that Joaquin's family tree seemed to have way too many scraggly branches and not enough roots, not the kind of roots you would need when the storm was strong.
Robin Benway (Far from the Tree)
Trees are like people and give the answers to the way of Man. They grow from the top down. Children, like treetops, have flexibility of youth, and sway more than larger adults at the bottom. They are more vulnerable to the elements, and are put to the test of survival by life's strong winds, rain, freezing cold, and hot sun. Constantly challenged. As they mature, they journey down the tree, strengthening the family unit until one day they have become big hefty branches. In the stillness below, having weathered the seasons, they now relax in their old age, no longer subject to the stress from above. It's always warmer and more enclosed at the base of the tree. The members remain protected and strong as they bear the weight and give support to the entire tree. They have the endurance.
Ralph Helfer (Modoc: The True Story of the Greatest Elephant That Ever Lived)
The little girl spent most of her hours of leisure in the branches. When her family did not know where to find her, they would go to the trees, the tall beech to start with, the one that stood to the north above the lean-to, for that was where she liked to daydream
Muriel Barbery (The Life of Elves)
Hamish’s family were unusual in that they had always celebrated Christmas—tree, turkey, presents and all. In parts of the Highlands, like Lochdubh, the old spirit of John Knox still wandered, blasting anyone with hellfire should they dare to celebrate this heathen festival. Hamish had often pointed out that none other than Luther was credited with the idea of the Christmas tree, having been struck by the sight of stars shining through the branches of an evergreen. But to no avail. Lochdubh lay silent and dark beside the black waters of the loch.
M.C. Beaton (A Highland Christmas (Hamish Macbeth, #15.5))
Your entire being is like a tree. Your family and friends only touch specific parts of it - mostly the fruits, maybe some branches. A large part of you remains untouched. You feel like a machine, you feel dead inside. You shout, snap, and sulk at random things, or silently suffer. How to tell them that you want your entire being acknowledged? Or maybe you yourself have forgotten your entire being. That’s why you need a person or a deity, a mortal or immortal, who is like air, who doesn’t want anything specific from you, who touches every inch of your being, who makes you feel alive.
Shunya
It was on the fifteenth of June, 1767, that Cosimo Piovasco di Rondò, my brother, sat among us for the last time. And it might have been today, I remember it so clearly. We were in the dining room of our house at Ombrosa, the windows framing the thick branches of the great holm oak in the park. It was midday, the old traditional dinner hour followed by our family, though by then most nobles had taken to the fashion set by the sluggard Court of France, of dining halfway through the afternoon. A breeze was blowing from the sea, I remember, rustling the leaves. Cosimo said: "I told you I don't want any, and I don't!" and pushed away his plateful of snails. Never had we seen such disobedience.
Italo Calvino (The Baron in the Trees)
Suppose a branch of our old family tree—a branch that seemed doomed to wither—had in fact not died out but survived, survived by learning arts just as new to the world but utterly different from the tool-making and fire-building of its grosser cousins, us. Suppose that instead they had learned concealment, smallification, disappearance, and some way to blind the eyes of beholders.
John Crowley (Little, Big)
There are all different kinds of crazy, but mostly I think it’s ancestral. Sometimes you can even trace it back along the dead branches of your family tree; you can find evidence in family anecdotes or documents. A sepia-stained photograph. A diary. You might think you’ve escaped its reach—you might think you’re okay. Because it can lie dormant like a tumor, until some gentle, private trauma pushes it loose inside you.
Jeanine Cummins (The Crooked Branch)
By visiting their pasts, they were able to pave different futures together. She used to fantasize about what it would be like to have simple ties to her family tree instead of the twisted branches that are in theirs. But she knows now tat she wouldn't want to be any other way. They still aren't always in perfect harmony with one another, but maybe that isn't the point. Maybe being whole and authentic with the people you love is the real victory.
Saumya Dave (What a Happy Family)
Often, half in a bay of the mountains and half on a headland, a small and nearly amphibian Schloss mouldered in the failing light among the geese and the elder-bushes and the apple trees. Dank walls rose between towers that were topped with cones of moulting shingle. Weeds throve in every cranny. Moss mottled the walls. Fissures branched like forked lightning across damp masonry which the rusting iron clamps tried to hold together, and buttresses of brick shored up the perilously leaning walls. The mountains, delaying sunrise and hastening dusk, must have halved again the short winter days. Those buildings looked too forlorn for habitation. But, in tiny, creeper-smothered windows, a faint light would show at dusk. Who lived in those stone-flagged rooms where the sun never came? Immured in those six-foot-thick walls, overgrown outside with the conquering ivy and within by genealogical trees all moulting with mildew? My thoughts flew at once to solitary figures…a windowed descendant of a lady-in-waiting at the court of Charlemagne, alone with the Sacred Heart and her beads, or a family of wax-pale barons, recklessly inbred; bachelors with walrus moustaches, bent double with rheumatism, shuddering from room to room and coughing among their lurchers, while their cleft palates called to each other down corridors that were all but pitch dark.
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
He had not colored the leaves in yet, and the trunk and its branches looked for the moment less like a tree and more like a great brown river, the Nile, the Amazon, the Benedetto and Flynn river of blood, and there at its isthmus was this one child, so that it seemed that all of these people, from Poland, from Italy, from Ireland and the Bronx and Brooklyn, had come together for no other reason than to someday produce Robert Benedetto, in an event as meant, as important as that one in Bethlehem that he had learned about in catechism class at St. Stannie's.
Anna Quindlen (Black and Blue)
Perhaps her other stories were too difficult to tell. Or perhaps she chose her story for herself, wanting to be identified by her providing rather than her surviving. Or perhaps her surviving is contained within her providing: the story of her relationship to food holds all of the other stories that could be told about her. Food, for her, is not food. It is terror, dignity, gratitude, vengeance, joyfulness, humiliation, religion, history, and, of course, love. As if the fruits she always offered us were picked from the destroyed branches of our family tree.
Jonathan Safran Foer (Eating Animals)
The resolute purpose of a person in Kṛṣṇa consciousness is based on knowledge. Vāsudevaḥ sarvam iti sa mahātmā su-durlabhaḥ: a person in Kṛṣṇa consciousness is the rare good soul who knows perfectly that Vāsudeva, or Kṛṣṇa, is the root of all manifested causes. As by watering the root of a tree one automatically distributes water to the leaves and branches, so by acting in Kṛṣṇa consciousness one can render the highest service to everyone – namely self, family, society, country, humanity, etc. If Kṛṣṇa is satisfied by one’s actions, then everyone will be satisfied.
Anonymous (Bhagavad-gita As It Is)
The warbling of birds emerged from the wind-swept trees flanking the road; the swishing branches tangled together overhead like kissing tongues. Children shrieked as they hopped off school buses and raced each other home. Lawn mowers purred like great mechanical cats, delighted with their dinners of shredded grass. The road unraveled through such forested neighborhoods, the kind where families host barbecues and children still ride bikes after sunset and porches creak under the weight of seasonal decor. The kind where kidnappings are flukes and horned men are freaks of nature.
Angela Panayotopulos (The Wake Up)
I think a lot about that obliteration. Or rather that obliteration keeps showing up. I have a friend whose family tree has been traced back a thousand years, but no women exist on it. She just discovered that she herself did not exist, but her brothers did. Her mother did not exist, and nor did her father’s mother. Or her mother’s father. There were no grandmothers. Fathers have sons and grandsons and so the lineage goes, with the name passed on; the tree branches, and the longer it goes on the more people are missing: sisters, aunts, mothers, grandmothers, great-grandmothers, a vast population made to disappear on paper and in history.
Rebecca Solnit (Men Explain Things to Me)
Schweik inspected the provost-marshal's office. The impression which it produced could scarcely be called a favorable one, especially with regard to the photographs on the walls. They were photographs of the various executions carried out by the army in Galicia and Serbia. Artistic photographs of cottages which had been burned down and of trees, the branches of which were burdened with hanging bodies. There was one particularly fine photograph from Serbia showing a whole family which had been hanged. A small boy with his father and mother. Two soldiers with bayonets were guarding the tree on which the execution had been carried out, and an officer was standing victoriously in the foreground smoking a cigarette.
Jaroslav Hašek (The Good Soldier Švejk)
From the pleasure podium of Ali Qapu, beyond the enhanced enclosure, the city spread itself towards the horizon. Ugly buildings are prohibited in Esfahan. They go to Tehran or stay in Mashhad. Planters vie with planners to outnumber buildings with trees. Attracting nightingales, blackbirds and orioles is considered as important as attracting people. Maples line the canals, reaching towards each other with branches linked. Beneath them, people meander, stroll and promenade. The Safavids' high standards generated a kind of architectural pole-vaulting competition in which beauty is the bar, and ever since the Persians have been imbuing the most mundane objects with design. Turquoise tiles ennoble even power stations. In the meadow in the middle of Naghshe Jahan, as lovers strolled or rode in horse-drawn traps, I lay on my back picking four-leafed clovers and looking at the sky. There was an intimacy about its grandeur, like having someone famous in your family. The life of centuries past was more alive here than anywhere else, its physical dimensions unchanged. Even the brutal mountains, folded in light and shadows beyond the square, stood back in awe of it. At three o'clock, the tiled domes soaked up the sunshine, transforming its invisible colours to their own hue, and the gushing fountains ventilated the breeze and passed it on to grateful Esfahanis. But above all was the soaring sky, captured by this snare of arches.(p378)
Christopher Kremmer (The Carpet Wars: From Kabul to Baghdad: A Ten-Year Journey Along Ancient Trade Routes)
Once he has recognized his invisible guide, a mystic sometimes decides to trace his own isnlld, to reveal his spiritual genealogy, that is, to disclose the "chain of transmission" culminating in his person and bear witness to the spiritual ascendancy which he invokes across the generations of mankind. He does neither more nor less than to designate by name the minds to whose family he is conscious of belonging. Read in the opposite order from their phenomenological emergence, these genealogies take on the appearance of true genealogies. Judged by the rules of _our historical criticism, the claim of these genealogies to truth seems highly precarious. Their relevance is to another "transhistoric truth," which cannot be regarded as inferior (because it is of a different order) to the material historic truth whose claim to truth, with the documentation at our disposal, is no less precarious. Suhrawardi traces the family tree of the IshrlqiyOn back to Hermes, ancestor of the Sages, (that Idris-Enoch of Islamic prophetology, whom Ibn rArabi calls the prophet of the Philosophers) ; from him are descended the Sages of Greece and Persia, who are followed by certain �ofis (Abo Yazid Bastlmi, Kharraqlni, I;Ialllj, and the choice seems particularly significant in view of what has been said above about the Uwaysis}, and all these branches converge in his own doctrine and school. This is not a history of philosophy in our sense of the term; but still less is it a mere fantasy.
Henry Corbin (Alone with the Alone: Creative Imagination in the Sufism of Ibn 'Arabi)
Inside the castle hovered a shadow version of him, alone, watching this full, well-lit house from the other’s emptiness. Looking through the glass, he was divided in two. He saw himself with the family around him. Glad of it. Almost proud. As a parent might be. He was his own parent. He’d learned to be alone, walking. And it was still good now and then. For thought. For recognition. But being alone was also a closed loop. A loop with a slipknot, say. The loop could be small or large, but it always returned to itself. You had to untie the knot, finally. Open the loop and then everything sank in. And everyone. Then you could see what was true—that separateness had always been the illusion. A simple trick of flesh. The world was inside you after that. Because, after all, you were made of two people only at the very last instant. Before that, of a multiplication so large it couldn’t be fathomed. Back and back in time. A tree in a forest of trees, where men grew from apes and birds grew from dinosaurs. The topmost branches were single cells. And even those cells were “ And even those cells were not the start, for they drew life from the atmosphere. The air. And the vapor. Suspended. It was the fear and loneliness that came in waves that often stopped him from remembering the one thing. The one thing and the greatest thing. Frustrating: he could only ever see it for a second before he lost sight of it again. Released his grip. Let it slip away into the vague background. But it had to be held close, the tree. In the dark, when nothing else was sure, the soaring tree sheltered you. Almost the only thing you had to see before you slept. How you came not from a couple or a few but from infinity. So you had no beginning. And you would never end.
Lydia Millet (Dinosaurs)
The world of the almanac was a queer one. In the real world, families branched like trees, blood mixed by marriage passed from one generation to the next, making an ever-wider net of connections. Titles, on the other hand, passed from one man to one man, and it was this narrow, linear progression that the almanac liked to highlight. On each side of the title line were a few younger brothers, nephews, cousins, who came close enough to fall within the span of the almanac’s illumination. The men who might have been lord or baronet. And, though it was not said, the men who still might, if the right string of tragedies were to occur. But after a certain number of branchings in the family tree, the names fell out of the margins and into the ether. No combination of shipwreck, plague and earthquake would be powerful enough to restore these third cousins to prominence. The almanac had its limits.
Diane Setterfield (The Thirteenth Tale)
But in good times his family saw little of him, for then he roamed, fished, hunted, searched for roots, lay in the grass or crouched in trees, sniffed, listened, imitated the voices of animals, kindled little fires and compared the shapes of the smoke clouds with the clouds in the sky, drenched his skin and hair with fog, rain, air, sun, or moonlight, and incidentally gathered, as his Master and predecessor Turu had done in his lifetime, objects whose inner character and outward form seemed to belong to different realms, in which the wisdom or whimsicality of nature seemed to reveal some fragment of her rules and secrets of creation, objects which seemed to unite symbolically widely disparate ideas: gnarled branches with the faces of men or animals, water-polished pebbles grained like wood, petrified animals of the primordial world, misshapen or twinned fruit pits, stones shaped like kidneys or hearts.
Hermann Hesse (The Glass Bead Game)
Father Joseph had come to love the tamarisk above all trees. It had been the companion of his wanderings. All along his way through the deserts of New Mexico and Arizona, wherever he had come upon a Mexican homestead, out of the sun-baked earth, against the sun-baked adobe walls, the tamarisk waved its feathery plumes of bluish green. The family burro was tied to its trunk, the chickens scratched under it, the dogs slept in its shade, the washing was hung on its branches. Father Latour had often remarked that this tree seemed especially designed in shape and colour for the adobe village. The sprays of bloom which adorn it are merely another shade of the red earth walls, and its fibrous trunk is full of gold and lavender tints. Father Joseph respected the Bishop’s eye for such things, but himself he loved it merely because it was the tree of the people, and was like one of the family in every Mexican household.
Willa Cather (Death Comes for the Archbishop)
I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family. I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way. I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot. Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face. Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top. We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food. Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days. Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death. I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down. It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.
Osamu Tezuka (Buddha, Vol. 2: The Four Encounters (Buddha #2))
From the first growth of the tree, many a limb and branch has decayed and dropped off; and these fallen branches of various sizes may represent those whole orders, families, and genera which have now no living representatives, and which are known to us only in a fossil state. As we here and there see a thin straggling branch springing from a fork low down in a tree, and which by some chance has been favoured and is still alive on its summit, so we occasionally see an animal like the Ornithorhynchus or Lepidosiren, which in some small degree connects by its affinities two large branches of life, and which has apparently been saved from fatal competition by having inhabited a protected station. As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever-branching and beautiful ramifications.
Charles Darwin (The Origin of Species)
Darwin’s transcendantly democratic insight that all humans are descended from the same non-human ancestors, that we are all members of one family, is inevitably distorted when viewed with the impaired vision of a civilization permeated by racism. White supremacists seized on the notion that people with high abundances of melanin in their skin must be closer to our primate relatives than bleached people. Opponents of bigotry, perhaps fearing that there might be a grain of truth in this nonsense, were just as happy not to dwell on our relatedness to the apes. But both points of view are located on the same continuum: the selective application of the primate connection to the veldt and the ghetto, but never, ever, perish the thought, to the boardroom or the military academy or, God forbid, to the Senate chamber or the House of Lords, to Buckingham Palace or Pennsylvania Avenue. This is where the racism comes in, not in the inescapable recognition that, for better or worse, we humans are just a small twig on the vast and many-branched tree of life.
Carl Sagan (Shadows of Forgotten Ancestors)
It would be overdramatic to say that modern humans are zoo animals. But our stress response to red lights, office cubicles, screeching subway cars and social isolation is similar to that of a captive animal. There is such a massive mismatch between our natural environment and the modern world that our bodies have been put in a state of perpetual stress. We don’t recognize this as abnormal since everyone we know suffers from it. A monkey raised in captivity has no idea that life need not be limited to tossing turds at well-dressed primates on the other side of the thick glass. Imagine its surprise when one day it is released into the wild and discovers that his new wild troupe has miles upon miles of tree branches to swing and eat figs from. Modern humans who have gone to live with hunter-gatherer societies have noticed a similar freedom. After spending time living with the Hadza tribe in Tanzania, Michael Finkel wrote: There are things I envy about the Hadza -- mostly, how free they appear to be. Free from possessions. Free of most social duties. Free from religious strictures. Free of many family responsibilities. Free from schedules, jobs, bosses, bills, traffic, taxes, laws, news, and money. Free from worry.
Jevan Pradas (The Awakened Ape: A Biohacker's Guide to Evolutionary Fitness, Natural Ecstasy, and Stress-Free Living)
A SOLAR OASIS Like everywhere else in Puerto Rico, the small mountain city of Adjuntas was plunged into total darkness by Hurricane Maria. When residents left their homes to take stock of the damage, they found themselves not only without power and water, but also totally cut off from the rest of the island. Every single road was blocked, either by mounds of mud washed down from the surrounding peaks, or by fallen trees and branches. Yet amid this devastation, there was one bright spot. Just off the main square, a large, pink colonial-style house had light shining through every window. It glowed like a beacon in the terrifying darkness. The pink house was Casa Pueblo, a community and ecology center with deep roots in this part of the island. Twenty years ago, its founders, a family of scientists and engineers, installed solar panels on the center’s roof, a move that seemed rather hippy-dippy at the time. Somehow, those panels (upgraded over the years) managed to survive Maria’s hurricane-force winds and falling debris. Which meant that in a sea of post-storm darkness, Casa Pueblo had the only sustained power for miles around. And like moths to a flame, people from all over the hills of Adjuntas made their way to the warm and welcoming light.
Naomi Klein (The Battle for Paradise: Puerto Rico Takes on the Disaster Capitalists)
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I —  The duke didn't ban—"  She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now."  He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Here you go,” Ryder says, startling me. He holds out a sweating bottle of water, and I take it gratefully, pressing it against my neck. “Thanks.” I glance away, hoping he’ll take the hint and leave me in peace. His presence makes me self-conscious now, but it wasn’t always like this. As I look out at Magnolia Landing’s grounds, I can’t help but remember hot summer days when Ryder and I ran through sprinklers and ate Popsicles out on the lawn, when we rode our bikes up and down the long drive, when we built a tree fort in the largest of the oaks behind the house. I wouldn’t say we’d been friends when we were kids--not exactly. We had been more like siblings. We played; we fought. Mostly, we didn’t think too much about our relationship--we didn’t try to define it. And then adolescence hit. Just like that, everything was awkward and uncomfortable between us. By the time middle school began, I was all too aware that he wasn’t my brother, or even my cousin. “Mind if I sit?” Ryder asks. I shrug. “It’s your house.” I keep my gaze trained straight ahead, refusing to look in his direction as he lowers himself into the chair beside me. After a minute or two of silence but for the creaking rockers, he sighs loudly. “Can we call a truce now?” “You’re the one who started it,” I snap. “Last night, I mean.” “Look, I’ve been thinking about what you said. You know, about eighth grade--” “Do we have to talk about this?” “Because we didn’t really hang out in middle school, except for family stuff,” he continues, ignoring my protest. “Until the end of eighth grade, maybe. Right around graduation.” My entire body goes rigid, my face flushing hotly with the memory. It had all started during Christmas break that year. We’d gone to the beach with the Marsdens. I can’t really explain it, but there’d been a new awareness between us that week--exchanged glances and lingering looks, an electrical current connecting us in some way. The two of us sort of tiptoed around each other, afraid to get too close, but also afraid to lose that hint of…something. And then Ryder asked me to go with him to the graduation dance. There was no way we were telling our parents.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Chapter 1 Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.
Jennifer Cano (Hinges of Broams Eld (Broams Eld, #1))
The Tale of Human Evolution The subject most often brought up by advocates of the theory of evolution is the subject of the origin of man. The Darwinist claim holds that modern man evolved from ape-like creatures. During this alleged evolutionary process, which is supposed to have started 4-5 million years ago, some "transitional forms" between modern man and his ancestors are supposed to have existed. According to this completely imaginary scenario, four basic "categories" are listed: 1. Australopithecus 2. Homo habilis 3. Homo erectus 4. Homo sapiens Evolutionists call man's so-called first ape-like ancestors Australopithecus, which means "South African ape." These living beings are actually nothing but an old ape species that has become extinct. Extensive research done on various Australopithecus specimens by two world famous anatomists from England and the USA, namely, Lord Solly Zuckerman and Prof. Charles Oxnard, shows that these apes belonged to an ordinary ape species that became extinct and bore no resemblance to humans. Evolutionists classify the next stage of human evolution as "homo," that is "man." According to their claim, the living beings in the Homo series are more developed than Australopithecus. Evolutionists devise a fanciful evolution scheme by arranging different fossils of these creatures in a particular order. This scheme is imaginary because it has never been proved that there is an evolutionary relation between these different classes. Ernst Mayr, one of the twentieth century's most important evolutionists, contends in his book One Long Argument that "particularly historical [puzzles] such as the origin of life or of Homo sapiens, are extremely difficult and may even resist a final, satisfying explanation." By outlining the link chain as Australopithecus > Homo habilis > Homo erectus > Homo sapiens, evolutionists imply that each of these species is one another's ancestor. However, recent findings of paleoanthropologists have revealed that Australopithecus, Homo habilis, and Homo erectus lived at different parts of the world at the same time. Moreover, a certain segment of humans classified as Homo erectus have lived up until very modern times. Homo sapiens neandarthalensis and Homo sapiens sapiens (modern man) co-existed in the same region. This situation apparently indicates the invalidity of the claim that they are ancestors of one another. Stephen Jay Gould explained this deadlock of the theory of evolution although he was himself one of the leading advocates of evolution in the twentieth century: What has become of our ladder if there are three coexisting lineages of hominids (A. africanus, the robust australopithecines, and H. habilis), none clearly derived from another? Moreover, none of the three display any evolutionary trends during their tenure on earth. Put briefly, the scenario of human evolution, which is "upheld" with the help of various drawings of some "half ape, half human" creatures appearing in the media and course books, that is, frankly, by means of propaganda, is nothing but a tale with no scientific foundation. Lord Solly Zuckerman, one of the most famous and respected scientists in the U.K., who carried out research on this subject for years and studied Australopithecus fossils for 15 years, finally concluded, despite being an evolutionist himself, that there is, in fact, no such family tree branching out from ape-like creatures to man.
Harun Yahya (Those Who Exhaust All Their Pleasures In This Life)
My grandparents on both sides were probably horse-thieves. No one ever told us anything about them. Therefore I suspect the worst. I imagine they were born and raised in Ireland. But wherever the family tree is planted, whether its branches are rotten or sound, I’ll never know." —Barbara Stanwyck, 1937
Victoria Wilson (A Life of Barbara Stanwyck: Steel-True 1907-1940)
As a result, China has twenty-four million men who will be of marrying age by 2020 but unable to find a spouse—“bare branches” on the family tree, as they’re known in Chinese. Women were barraged with warnings in the Chinese press that if they were still single at thirty, they would be considered “leftover women.
Anonymous
[Prince Stefan’s] family was of Eastern European descent, with some real royalty thrown in via a connection to Vlad the Impaler—who hung from a branch that Ian wouldn’t kept secret had the family tree been growing in his yard.
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
Mostly relieved not to get pregnant, I was also tinged with guilt, symbolizing a dead branch on the family tree, a disappointment to my ancestors.
Aralyn Hughes (Kid Me Not: An anthology by child-free women of the '60s now in their 60s)
It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6
Guideposts (Daily Guideposts 2014)
The account you give me of your family is pleasing, except that your eldest son continues so long unmarried. I hope he does not intend to live and die in celibacy. The wheel of life that has rolled down to him from Adam without interruption should not stop with him. I would not have one dead unbearing branch in the genealogical tree of the Sargents. The married state is, after all our jokes, the happiest.
Sydney George Fisher (The True Benjamin Franklin)
Quiz # 6 1.   Who is the father of all mankind? 2.   In Genesis, what was the name of Isaac’s brother-in-law? 3.   What was Obed’s famous grandson’s first occupation? 4.   Who was the favorite child of Isaac’s wife, Rebekah? 5.   In the Old Testament which royal prince got his head caught in the branches of a tree? 6.   What was the name of Jacob’s only daughter? 7.   What prize did Caleb the spy offer to the person who captured Kiriath Sepher? 8.   How many son’s did Zilpah, the wife of Jacob have? 9.   What was the name of Abraham’s first-born son? 10. What was the name of the first child ever born? 11. How old was Jesus when his parents left him behind in Jerusalem? 12. Which Old Testament prophet was the son of Amittai? 13. What was the name of Queen Esther’s cousin who raised her from childhood? 14. What family arrangements of King Solomon angered God? 15. Who was Jacob the patriarch’s second son?
Martin H. Manser (The Ultimate Bible Fact and Quiz Book)
He made his way down to the creek, down a five-foot muddy bank to a band of sand too narrow to lie down on. He had to force his way through honeysuckle vines and the branches of low wild cherry trees, so his approach was clumsy, noisy. As he slid to his feet, a great blue heron croaked loudly just off to his left and at the same time rose out and flew away — complaining — to land on the far side of the creek. From there, the bird stared at Jeff. Jeff stared back, not moving, except for the smile on his mouth. The bird decided Jeff was harmless and paced slowly upstream, its attention on the shallow water where prey might be found. The long stilty legs, the long curved neck, the awkward perfect body moved inland, away from Jeff. He watched it. He watched it not find anything to eat, watched it come to a rest and blend into the stillness of a dead tree that had fallen out into the creek. The two men were still inside when Jeff rejoined them. The Professor looked at his face and said, “You like it.” Jeff nodded. “I saw a blue heron.” “They’re common around here,” the agent said. “You-all birdwatchers?” But the Professor remembered and understood what Jeff meant. “You take that as a sign from the gods?” Jeff nodded.
Cynthia Voigt (A Solitary Blue (Tillerman Family, #3))
We're used to picturing the genealogy of a text like a family tree: one original at the base ascending like a single trunk, with copies branching off it, and copies of copies branching off them. And so on throughout the generations. We imagine an original from which all the generations of diversity spring as scribes make revisions and introduce copying errors. But the reverse seems to be the case when it comes to the origins of the Bible: the further you go back in its literary history, the less uniformity there is. Scriptural traditions are rooted, quite literally, in diversity.
Timothy Beal (The Rise and Fall of the Bible: The Unexpected History of an Accidental Book)
Nee and I walked on in silence for a time, then she said in a guarded voice, “What think you of my cousin?” “So that is the famous Lady Tamara Chamadis! Well, she really is as pretty as I’d heard,” I said. “But…I don’t know. Somehow she embodies everything I’d thought a courtier would be.” “Fair enough.” Nee nodded. “Then I guess it’s safe for me to say--at risk of appearing a detestable gossip--watch out.” I touched the top of my hand where I could still feel the Duke of Savona’s kiss. “All right. But I don’t understand why.” “She is ambitious,” Nee said slowly. “Even when we were young she never had the time for any of lower status. I believe that if Galdran Merindar had shown any interest in sharing his power, she would have married him.” “She wants to rule the kingdom?” I asked, glancing behind us. The secluded little pool was bounded by trees and hidden from view. “She wants to reign over Court,” Nee stated. “Her interest in the multitudes of ordinary citizens extends only to the image of them bowing down to her.” I whistled. “That’s a pretty comprehensive judgment.” “Perhaps I have spoken ill,” she said contritely. “You must understand that I don’t like my cousin, having endured indifference or snubs since we were small, an heir’s condescension for a third child of a secondary branch of the family who would never inherit or amount to much.” “She seemed friendly enough just now.” “The first time she ever addressed me as cousin in public,” Nee said. “My status appears to have changed since I went away to Tlanth, affianced to a count, with the possible new king riding escort.” Her voice took on an acidic sort of humor. “And what about the Duke of Savona?” I asked, his image vivid in my mind’s eye. “In what sense?” She paused, turning to study my face. “He is another whose state of mind is impossible to guess.” I was still trying to disentangle all my observations from that brief meeting. “Is he, well, twoing with Lady Tamara?” She smiled at the term. “They both are experts at dalliance, but until last year I had thought they had more interest in each other than in anyone else,” she said carefully. “Though even that is difficult to say for certain. Interest and ambition sometimes overlap and sometimes not.” As we wound our way along the path back toward Athanarel in the deepening gloom, I saw warm golden light inside the palace windows. With a glorious flicker, glowglobes appeared along the pathway, suspended in the air like great rainbow-sheened bubbles, their light soft and benevolent. “I’m not certain what you mean by that last bit,” I said at last. “As for the first, you said ‘until last year.’ Does that mean that Lady Tamara has someone else in view?” “But of course,” Nee said blandly. “The Marquis of Shevraeth.” I laughed all the way up the steps into the Residence.
Sherwood Smith (Court Duel (Crown & Court, #2))
The source of the Church’s life is Jesus of Nazareth, Son of God and Son of Mary. Our family tree as believers begins with the Savior who died so that our veins could course with God’s own life. We are branches of a living tree called Jesus Christ. As God, Jesus’ life is from all eternity; as man, Jesus’ life is tied to human ancestors.
Francis George
Yo mama is so fat… she broke a branch in her family tree!
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
Either Istanbul had not been good to them or they not good enough for Istanbul. To them the city's gates of good fortune were shut, or perhaps had never been open. The same end awaited those whose family trees did not take root to branch out in this city, but whose paths led here at one stage of their lives: Istanbul, initially a port of escape enabling people to run away from everything, would herself become a reason for escape.
Elif Shafak (The Flea Palace)
I wasn't an ever-knowing adult; I was just expected to act like one. And, yeah. a real nice family tree I had. Murder and mayhem on every gnarled branch. Hardly seemed fair.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Eventually, Sanna and Isaac joined everyone at the table, not even noticing that the stick she'd laid on the counter, still poking out of its plastic bag, had burst into full bloom sometime in the last ten minutes. Only Einars noticed the white petals with the soft pink blush and delicate yellow center that popped open when it had no right to. He turned to look at the large, happy family circling the turkey, laughing and smiling, bigger than they'd been in twenty years. Happiness had returned to Idun's.
Amy E. Reichert (The Simplicity of Cider)
The phosphorescence was particularly good that night. By plunging your hand into the water and dragging it along you could draw a wide golden-green ribbon of cold fire across the sea, and when you dived as you hit the surface it seemed as though you had plunged into a frosty furnace of glinting light. When we were tired we waded out of the sea, the water running off our bodies so that we seemed to be on fire, and lay on the sand to eat. Then, as the wine was opened at the end of the meal, as if by arrangement, a few fireflies appeared in the olives behind us – a sort of overture to the show. First of all there were just two or three green specks, sliding smoothly through the trees, winking regularly. But gradually more and more appeared, until parts of the olive-grove were lit with a weird green glow. Never had we seen so many fireflies congregated in one spot; they flicked through the trees in swarms, they crawled on the grass, the bushes and olive-trunks, they drifted in swarms over our heads and landed on the rocks, like green embers. Glittering streams of them flew out over the bay, swirling over the water, and then, right on cue, the porpoises appeared, swimming in line into the bay, rocking rhythmically through the water, their backs as if painted with phosphorus. In the centre of the bay they swam around, diving and rolling, occasionally leaping high in the air and falling back into a conflagration of light. With the fireflies above and illuminated porpoises below it was a fantastic sight. We could even see the luminous trails beneath the surface where the porpoises swam in fiery patterns across the sandy bottom, and when they leapt high in the air drops of emerald glowing water flicked from them, and you could not tell if it was phosphorescence or fireflies you were looking at. For an hour or so we watched this pageant, and then slowly the fireflies drifted back inland farther down the coast. Then the porpoises lined up and sped out to sea, leaving a flaming path behind them flickered and glowed, and then died slowly, like a glowing branch laid across the bay.
Gerald Durrell (My Family and Other Animals: Abridged Version)
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
The house was filled with Christmas joy and intoxicating expectations~ pies cooling on the window sill, mistletoe hugs and kisses, tree lights sparkling, music playing, screen door slamming with the coming and going of starry-eyed kids. Grandma had her boys, Mom had her brothers. And we had our two uncles to tease and play with. Everyone was happy.
Susan Branch (Home for Christmas)
They would linger in everyone’s memory, tied to the family tree like two flimsy kites caught in some branches.
Elif Shafak (Honor)
Pedigree is a word derived from the middle French phrase pied de grue—the crane’s foot—as the digits and hallux spread from a single joint at the bottom of the tibia, roughly equivalent to our ankle. This branching describes one or a few generations of a family tree,
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
Algiz literally means 'the roots, branch', and it also means 'to cut'. Its link to ancient Egyptian 'Ka' is unmistakable. The origins of Santa Claus are found there long before the 'family tree' tradition got transmitted into Babylon. Even on the circular zodiac of Dendera, there is a cut leg piece of a bull alongside a crab running parallel to the Christmas Axis.
Ibrahim Ibrahim (The Calendar of Ancient Egypt: The Temporal Mechanics of the Giza Plateau)