Family Sentiments Quotes

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I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his 'natural superiors,' and has left remaining no other nexus between man and man than naked self-interest, callous 'cash payment.' It has drowned the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom—Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation. The bourgeoisie has stripped of its halo every occupation hitherto honored and looked up to with reverent awe. It has converted the physician, the lawyer, the priest, the poet, the man of science, into its paid wage laborers. The bourgeoisie has torn away from the family its sentimental veil, and has reduced the family relation to a mere money relation.
Karl Marx (The Communist Manifesto)
At the end of the day, I just want to sit with someone I love and chat about what matters and even what doesn’t.
Crystal Woods (Write like no one is reading 2)
Nostalgia has a way of blocking the reality of the past.
Shannon L. Alder
In the end we all come to be cured of our sentiments. Those whom life does not cure death will. The world is quite ruthless in selecting between the dream and reality, even where we will not. Between the wish and the thing the world lies waiting. I've thought a great deal about my life and my country. I think there is little that can be truly known. My family has been fortunate. Others were less so. As they are often quick to point out.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
The West's post-Holocaust pledge that genocide would never again be tolerated proved to be hollow, and for all the fine sentiments inspired by the memory of Auschwitz, the problem remains that denouncing evil is a far cry from doing good.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
Is there anyone out there, from our Blue Night family, that is crying alone tonight? Not crying out of pity for something or someone, but instead because they cannot help asking why they are living in the way that they are? Is there anyone that is feeling sentimental or guilty, needlessly? Don’t be like that. I hope that you believe that these bitter days of crying alone will prove to be the most beautiful days of your life. You’ll realize, with time, that your life is actually pretty alright. I promise you. In fact, I’ll write you a guarantee! The most beautiful thing in all the world is right now. This moment. You. Don’t ever forget that.
Kim Jonghyun
I know we're all psychotic, single and completely dysfunctional and it's all done over the phone,' Tom slurred sentimentally, 'but it's a bit like a family, isn't it?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
As we get older, it matters less where you are and more who you're with.
Crystal Woods (Write like no one is reading)
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things. She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk. She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Betty Smith (A Tree Grows in Brooklyn)
If you will thank me," he replied, "let it be for yourself alone. That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny. But your family owe me nothing. Much as I respect them, I believe I thought only of you." Elizabeth was too much embarrassed to say a word. After a short pause, her companion added, "You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever." Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do.
Jane Austen (Pride and Prejudice)
Blood is thicker than water” is not only wrong as a sentiment, it’s also wrongly quoted. The full proverb is “The blood of the covenant is thicker than the water of the womb.” Which means the bonds you make through choice are infinitely more important and powerful than the ones you share by blood.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
Conservatism starts from a sentiment that all mature people can readily share: the sentiment that good things are easily destroyed, but not easily created. This is especially true of the good things that come to us as collective assets: peace, freedom, law, civility, public spirit, the security of property and family life, in all of which we depend on the cooperation of others while having no means singlehandedly to obtain it. In respect of such things, the work of destruction is quick, easy and exhilarating; the work of creation slow, laborious and dull. That is one of the lessons of the twentieth century. It is also one reason why conservatives suffer such a disadvantage when it comes to public opinion. Their position is true but boring, that of their opponents exciting but false.
Roger Scruton (How to be a Conservative)
It is as futile and dangerous to aim at making of society one large family, as sentimental socialism seeks to do, as to aim at making of it one large team, as positivist socialism seeks to do.
Bertrand de Jouvenel (Sovereignty: An Inquiry into the Political Good)
One grim Weltanschauung for this new era was well expressed by the Venetian nationalist demagogue in Michael Dibdin’s novel, Dead Lagoon: “There can be no true friends without true enemies. Unless we hate what we are not, we cannot love what we are. These are the old truths we are painfully rediscovering after a century and more of sentimental cant. Those who deny them deny their family, their heritage, their culture, their birthright, their very selves! They will not lightly be forgiven.
Samuel P. Huntington (The Clash of Civilizations and the Remaking of World Order)
She wept easily. This did not mean that she felt things more deeply than others did. It certainly did not mean that she was fragile or sentimental or ready to bring that sodden leverage to bear on the slights that came with being the baby of the family.
Marilynne Robinson (Home (Gilead, #2))
That’s how we both got committed to this enormous delusion—because that’s what it is, an enormous, obscene delusion—this idea that people have to resign from real life and ‘settle down’ when they have families. It’s the great sentimental lie of the suburbs,
Richard Yates (Revolutionary Road)
You mustn’t throw them away. Let me have them.
Diane Samuels (Kindertransport: A Drama (Drama, Plume))
Maeve went as still as death while Celaena lifted the ring between two fingers. 'I think you've been looking for this for a long time,' Celaena said. 'That does not belong to you.' 'Doesn't it? I found it, after all. in Goldryn's scabbard, where Brannon left it after grabbing it of Athril's corpse-the family ring Athril would have given you someday. And in the thousands of years since than, you never found it so. . . I suppose it's mine by chance.' Celaena closed her fist around the ring. 'but who would have thought you were so sentimental?' So Celaena said, ' I'll make a trade with you though.' Maeve's browns narrowed. Celaena jerked her chin. 'Your beloved's ring-for Rowan's freedom from his blood oath.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
A marriage which does not constantly crucify its own selfishness and self-sufficiency, which does not ‘die to itself’ that it may point beyond itself, is not a Christian marriage. The real sin of marriage today is not adultery or lack of ‘adjustment’ or ‘mental cruelty.’ It is the idolization of the family itself, the refusal to understand marriage as directed toward the Kingdom of God. This is expressed in the sentiment that one would ‘do anything’ for his family, even steal. The family has here ceased to be for the glory of God; it has ceased to be a sacramental entrance into his presence. It is not the lack of respect for the family, it is the idolization of the family that breaks the modern family so easily, making divorce its almost natural shadow. It is the identification of marriage with happiness and the refusal to accept the cross in it. In a Christian marriage, in fact, three are married; and the united loyalty of the two toward the third, who is God, keeps the two in an active unity with each other as well as with God. Yet it is the presence of God which is the death of the marriage as something only ‘natural.’ It is the cross of Christ that brings the self-sufficiency of nature to its end. But ‘by the cross, joy entered the whole world.’ Its presence is thus the real joy of marriage. It is the joyful certitude that the marriage vow, in the perspective of the eternal Kingdom, is not taken ‘until death parts,’ but until death unites us completely.
Alexander Schmemann (For the Life of the World: Sacraments and Orthodoxy)
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.
Susan Sontag (On Photography)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
Among those who still have enough wisdom not to think fairy-stories are pernicious, the common opinion seems to be that there is a natural connection between the minds of children and fairy-stories, of the same order as the connection between children's bodies and milk. I think this is an error; at best an error of false sentiment, and one that is therefore most often made by those who, for whatever private reason (such as childlessness), tend to think of children as a special kind of creature, almost a different race, rather than normal, if immature, members of a particular family, and of the human family at large.
J.R.R. Tolkien (The Tolkien Reader)
The family, with all its undoubted miseries (as well, of course, as joys) has long been the object of hate of ambitious intellectuals, for the family stands between the state, to be directed by intellectuals, and total power.
Theodore Dalrymple (Spoilt Rotten: The Toxic Cult of Sentimentality)
The gentleness, the sentimentality, of many Soviet troops toward small children in Prussia was noted at the time. A woman with a baby, local people learned, was practically immune to rape. But even sentimental troops, the men who kept their pockets full of sweets for hungry German kids, worried about their families back home. It was a long time since any had seen their children.
Catherine Merridale (Ivan's War: Life and Death in the Red Army, 1939–1945)
I would like to believe in the myth that we grow wiser with age. In a sense my disbelief is wisdom. Those of a middle generation, if charitable or sentimental, subscribe to the wisdom myth, while the callous see us as dispensable objects, like broken furniture or dead flowers. For the young we scarcely exist unless we are unavoidable members of the same family, farting, slobbering, perpetually mislaying teeth and bifocals.
Patrick White (Three Uneasy Pieces)
J'étais bien. Je regardais les miens. Je pouvais sentir battre leur cœur et respirer leur souffle. Auprès d'eux je me sentais en paix. J'avais le sentiment qu'ils protégeaient ma vie, tous les trois à leur façon. Je voulais qu'ils sachent à quel point je les aimais.
Jean-Paul Dubois (Tous les hommes n'habitent pas le monde de la meme facon)
Love is never a sin.’ What a beautiful sentiment.
Elizabeth Bell (Necessary Sins (Lazare Family Saga #1))
Lord Peter was hampered in his career as a private detective by a public school education. Despite Parker's admonitions, he was not always able to discount it. His mind had been warped in its young growth by "Raffles" and "Sherlock Holmes," or the sentiments for which they stand. He belonged to a family which had never shot a fox. 'I am an amateur,' said Lord Peter
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
Jonah, I hear that you, Milly, and Aubrey are doing well, and I am glad. Truly. I bear you no ill will, and while I suppose it is fanciful to imagine that you and your “cousins” might reciprocate that sentiment, I hope it is the case. From one imposter to another, I’d like to give you some words of advice: keep your parents far away from Anders Story’s new venture. I have a strong suspicion that it will one day, as they say, go up in flames. Family first, always. P.
Karen M. McManus (The Cousins)
Love others as you love yourself.’”1 Learning to love unselfishly is not an easy task. It runs counter to our self-centered nature. That’s why we’re given a lifetime to learn it. Of course, God wants us to love everyone, but he is particularly concerned that we learn to love others in his family. As we have already seen, this is the second purpose for your life. Peter tells us, “Show special love for God’s people.”2 Paul echoes this sentiment: “When we have the opportunity to help anyone, we should do it. But we should give special attention to those who are in the family of believers.”3
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.
Milan Kundera (The Unbearable Lightness of Being)
The word Familia did not originally signify the ideal of our modern philistine, which is a compound of sentimentality and domestic discord. Among the Romans, in the beginning, it did not even refer to the married couple and their children, but to the slaves alone. Famulus means a household slave and familia signifies the totality of slaves belonging to one individual. The expression was invented by the romans to describe a new social organism, the head of which had under him wife and children and a number of slaves, under Roman paternal power, with power of life and death over them all.
Friedrich Engels (The Origin of the Family, Private Property and the State)
...their heads turn. So does mine. To look back ahead. Just as the sun rises. With the six of us on this hill and the packed kale house behind us - I feel sentiments far beyond this sunrise, this morning, this moment. We filled an empty house. I'm thirty-seven. Just yesterday I was twenty and meeting some of these people -people that I'd spend my life with, that'd become my home.
Becca Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
Writing a will is a kindness to survivors so they know who gets what. Too many families are torn apart fighting over objects with sentimental value—like Arthur and Mildred’s rocking chair, discussed in the Introduction—even when the cash value is negligible.
Michael A. Heller (Mine!: How the Hidden Rules of Ownership Control Our Lives)
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . . Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree. Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
Wallace Stegner
Neil didn't understand the appeal. When Nicky saw his unimpressed face, he said, "It's not really about the food. It's about family. Not necessarily the one we were born with, but the one we chose. This one," Nicky emphasized, gesturing between them. "The people we trust to be part of our lives. The people we care about." "I'm trying to eat here," Wymack said. "Coach doesn't have a sentimental bone in his body," Nicky told Neil. "I don't know what Abby sees in him. He must be really good in—" "Another word and you're on dish duty," Abby said, and Nicky wisely shut up.
Nora Sakavic (The Raven King (All for the Game, #2))
Daniel walked as tall and strong as Ian or Mac, even Hart. "They grow up so fast," Angelo said when he reacheed Cam. Cameron glanced at him, thinking the man joking, but Angelo's dark eyes were serious. "Chilhood is gone in the wink of an eye, and then they have to be men. You Anglos are strange, sending your sons out into the world as soon as they get tall enough. My family has been together forever." "I notice you don't live with them, Angelo, so don't become sentimental. Besides my family is together. Just a bit spread out." "Rich Anglos need too much space." "That is true, but it keeps us from killing each other.
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
THE SENTIMENTALIZATION OF CHILDHOOD has produced a great many paradoxes. The most curious, however, may be that children have acquired more and more stuff the more useless they have become. Until the late nineteenth century, when kids were still making vital contributions to the family economy, they didn’t have toys as we know them. They played with found and household objects (sticks, pots, brooms). In his book Children at Play, the scholar Howard Chudacoff writes, “Some historians even maintain that before the modern era, the most common form of children’s play occurred not with toys but with other children—siblings, cousins, and peers.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
There is no morality in world history. There are only tides of change borne on violence and death. The victors write the history, pass the judgments, and hang or shoot the losers. In truth history is an endless chain of hegemony shifts, based on the decay of old political structures and the rise of new ones. Wars are the fever crises of those shifts. Wars are inevitable; there will always be wars; and the one war crime is to lose. That is the reality, and the rest is sentimental nonsense.
Herman Wouk (The Winds of War (The Henry Family, #1))
I took one last look at the man who owned my body and soul for so many years. His face twisted into a mask of sheer devastation. I wanted to reach out and console him, to say everything would work out. It wouldn’t though, not until he put his family before his career. “I never thought our love story had an end,” Luke said faintly. Clicking the door shut, I slid down the wooden frame into a heap on the floor. Sobs racked my body as I echoed the same sentiments in my head. Our love story shouldn’t have had an end. Only a beginning.
Nicole Simone (Love of a Rockstar (Love of a Rockstar, #1))
A home has more sentiments than cement.
Amit Kalantri (Wealth of Words)
I could not have parted with you, my Lizzy, to anyone less worthy.
Jane Austen (Pride and Prejudice)
Foreign kings and pawn shops place no value on sentiment. According to God’s standards, children should be among mother-Judah’s highest priorities. Public schools seldom notice, or care, when her children are bullied. Babylon sees Israelite youth as a commodity. But, who set that pattern? Revisit verse three, where “instrumental usage” was introduced by mother-Judah. pg 16
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
Often our perceptions are incorrect. We get in touch with an object and think that it embodies love, happiness, a self, or purity. We tend to think that love is something sentimental that will fill the emptiness inside us. We blame our suffering on another person or group, or on bad luck, but outside conditions are not the reason it appears. Our suffering was already there.
Thich Nhat Hanh (Fidelity: How to Create a Loving Relationship That Lasts)
There was nothing to cool or banish love in these circumstances, though much to create despair. Much, too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous...Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used repeat sounding phrases from books: she never offered, nor had, any opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this...Other eyes besides mine watched these manifestations of character--watched them closely, keenly shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear conciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that ever-toturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connecions suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and have died to them.
Charlotte Brontë (Jane Eyre)
had beloved friends whom I sometimes referred to as family, but our commitments to each other were informal and intermittent, more familial in word than in deed. Blood is thicker than water, my mother had always said when I was growing up, a sentiment I’d often disputed. But it turned out that it didn’t matter whether she was right or wrong. They both flowed out of my cupped palms.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
...I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response: 'Oho, fine, Whiggish sentiments, Adam. But don't tell *me* about justice! Ride to Tennessee on an ass & convince the rednecks that they are merely white-washed negroes & their negroes that they are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & gray in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
To explain the matter I will employ a simile, which yet, I confess is very dissimilar; but its dissimilitude is greatly in favour of my sentiments. A rich man bestows, on a poor and famishing beggar, alms by which he may be able to maintain himself and his family. Does it cease to be a pure gift, because the beggar extends his hand to receive it? Can it be said with propriety, that 'the alms depended partly on THE LIBERALITY of the Donor, and partly on THE LIBERTY of the Receiver,' though the latter would not have possessed the alms unless he had received it by stretching out his hand? Can it be correctly said, BECAUSE THE BEGGAR IS ALWAYS PREPARED TO RECEIVE, that 'he can have the alms, or not have it, just as he pleases?' If these assertions cannot be truly made about a beggar who receives alms, how much less can they be made about the gift of faith, for the receiving of which far more acts of Divine Grace are required!
Jacobus Arminius (The Works of James Arminius, Volume 2)
The desires of an individual can be collected into groups, each group constituting what some psychologists call a ‘sentiment’. There will be—to take politically important sentiments—love of home, of family, of country, love of power, love of enjoyment, and so on; there will also be sentiments of aversion, such as fear of pain, laziness, dislike of foreigners, hatred of alien creeds, and so on. A man's sentiments at any given moment are a complicated product of his nature, his past history, and his present circumstances. Each sentiment, in so far as it is one which many men can gratify cooperatively better than singly, will, given opportunity, generate one or more organisations designed for its gratification. Take, for example, family sentiment. This has given rise, or has helped to give rise, to organisations for housing, education, and life insurance, which are matters in which the interests of different families are in harmony.
Bertrand Russell (Power: A New Social Analysis (Routledge Classics))
Unhelpfully, a friend of the family reminded me, 'You know, Andrea, losing weight is the easy part. It's maintaining it that's really hard.' This sentiment made me seethe. How dare anyone minimize that struggle, that agonizing journey of losing weight?
Andie Mitchell (It Was Me All Along)
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
In our confusion, we're accustomed to according the titles of good news and "a positive message" to the most soul-sucking, sentimental fare imaginable. Any song or story that deals with conflict by way of a strained euphemistic spin, a cliche, or a triumphal cupcake ending strikes us as the best in family entertainment. This is the opposite of apocalyptic. Apocalyptic maximizes the reality of human suffering and folly before daring a word of hope. The hope has nowhere else to happen but the valley of the shadow of death.
David Dark (Everyday Apocalypse)
He couldn't afford to be sentimental, or to think of her as possibly his, even in an imaginary someday. To consider possibilities was to open yourself up to pain. Reality had to be his focus−reality and his responsibilities to his family. Otherwise he would go insane.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
The advantages of a hereditary Monarchy are self-evident. Without some such method of prescriptive, immediate and automatic succession, an interregnum intervenes, rival claimants arise, continuity is interrupted and the magic lost. Even when Parliament had secured control of taxation and therefore of government; even when the menace of dynastic conflicts had receded in to the coloured past; even when kingship had ceased to be transcendental and had become one of many alternative institutional forms; the principle of hereditary Monarchy continued to furnish the State with certain specific and inimitable advantages. Apart from the imponderable, but deeply important, sentiments and affections which congregate around an ancient and legitimate Royal Family, a hereditary Monarch acquires sovereignty by processes which are wholly different from those by which a dictator seizes, or a President is granted, the headship of the State. The King personifies both the past history and the present identity of the Nation as a whole. Consecrated as he is to the service of his peoples, he possesses a religious sanction and is regarded as someone set apart from ordinary mortals. In an epoch of change, he remains the symbol of continuity; in a phase of disintegration, the element of cohesion; in times of mutability, the emblem of permanence. Governments come and go, politicians rise and fall: the Crown is always there. A legitimate Monarch moreover has no need to justify his existence, since he is there by natural right. He is not impelled as usurpers and dictators are impelled, either to mesmerise his people by a succession of dramatic triumphs, or to secure their acquiescence by internal terrorism or by the invention of external dangers. The appeal of hereditary Monarchy is to stability rather than to change, to continuity rather than to experiment, to custom rather than to novelty, to safety rather than to adventure. The Monarch, above all, is neutral. Whatever may be his personal prejudices or affections, he is bound to remain detached from all political parties and to preserve in his own person the equilibrium of the realm. An elected President – whether, as under some constitutions, he be no more than a representative functionary, or whether, as under other constitutions, he be the chief executive – can never inspire the same sense of absolute neutrality. However impartial he may strive to become, he must always remain the prisoner of his own partisan past; he is accompanied by friends and supporters whom he may seek to reward, or faced by former antagonists who will regard him with distrust. He cannot, to an equal extent, serve as the fly-wheel of the State.
Harold Nicholson
Over the last decade my life has been almost exclusively pre-occupied by the desire for adventure, my mind relentlessly buzzing with plans for future journeys. And yet, as soon as my wish to disappear over the horizon into some remote corner of the planet is granted, my mind clings onto all the sentimental details of home and I find that my daydreams of escaping across wide open spaces are replaced not just by precious recollections of moments of affection with a loved one but by fond memories of family gatherings, jokes shared with siblings and time with friends. Expeditions temporarily empty my life of all but the basic concerns of eating, sleeping, travel and staying safe. Like clearing undergrowth from a garden to discover the outline of borders and flowerbeds underneath, reducing life to just the essentials reveals the fundamental structure that underpins the whole. I found that, with life at its most basic and my spirit stretched, what was most dear to me was memories of time spent with those I love. I take this as a clear indication that, above all else, this is what is important in my life. It was a lesson I had been taught before, but a lesson I needed to learn again. It was a lesson I needed to remember.
Felicity Aston (Alone in Antarctica: The First Woman To Ski Solo Across The Southern Ice)
Yes: the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance: and it was from this sagacity—this guardedness of his—this perfect clear consciousness of his fair one's defects—this obvious absence of passion in his sentiments toward her, that my ever-torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons; because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point—this was where the nerve was touched and teased—this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervor, kindness, sense, I should have had one vital struggle with two tigers—jealousy and despair: then, my heart torn out and devoured, I should have admired her—acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration—the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester; to witness their repeated failure—herself unconscious that they did fail; vainly fancying that each shaft launched, hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure—to witness this, was to be at once under ceaseless excitation and ruthless restraint. Because when she failed I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet might, I knew, if shot by a surer hand, have quivered keen in his proud heart—have called love into his stern eye and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won.
Charlotte Brontë (Jane Eyre)
Scholars discern motions in history & formulate these motions into rules that govern the rises & falls of civilizations. My belief runs contrary, however. To wit: history admits no rules, only outcomes. What precipitates outcomes? Vicious acts & virtuous acts. What precipitates acts? Belief. Belief is both prize & battlefield, within the mind & in the mind's mirror, the world. If we believe humanity is a ladder of tribes, a colosseum of confrontation, exploitation & bestiality, such a humanity is surely brought into being, & history's Horroxes, Boerhaaves & Gooses shall prevail. You & I, the moneyed, the privileged, the fortunate, shall not fare so badly in this world, provided our luck holds. What of it if our consciences itch? Why undermine the dominance of our race, our gunships, our heritage & our legacy? Why fight the 'natural' (oh, weaselly word!) order of things? Why? Because of this: -- one fine day, a purely predatory world shall consume itself. Yes, the devil shall take the hindmost until the foremost is the hindmost. In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction. Is this the entropy written in our nature? If we believe that humanity may transcend tooth & claw, if we believe divers [sic] races & creeds can share this world as peaceably as the orphans share their candlenut tree, if we believe leaders must be just, violence muzzled, power accountable & the riches of the Earth & its Oceans shared equitably, such a world will come to pass. I am not deceived. It is the hardest of worlds to make real. Tortuous advances won over generations can be lost by a single stroke of a myopic president's pen or a vainglorious general's sword. A life spent shaping a world I want Jackson to inherit, not one I fear Jackson shall inherit, this strikes me as a life worth the living. Upon my return to San Francisco, I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere. I hear my father-in-law's response. 'Oho, fine, Whiggish sentiments, Adam. But don't tell me about justice! Ride to Tennessee on an ass & convince the red-necks that they are merely white-washed negroes & their negroes are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & grey in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!' Yet what is any ocean but a multitude of drops?
David Mitchell (Cloud Atlas)
There was a picture of the family over the mantelpiece, removed thither from the front room after Mrs. Osborne’s death — George was on a pony, the elder sister holding him up a bunch of flowers; the younger led by her mother’s hand; all with red cheeks and large red mouths, simpering on each other in the approved family-portrait manner. The mother lay underground now, long since forgotten — the sisters and brother had a hundred different interests of their own, and, familiar still, were utterly estranged from each other. Some few score of years afterwards, when all the parties represented are grown old, what bitter satire there is in those flaunting childish family-portraits, with their farce of sentiment and smiling lies, and innocence so self-conscious and self-satisfied. Osborne’s
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
Agape doesn’t necessarily involve high heroics, and it certainly doesn’t involve syrupy sentiment. It’s practical. It makes a difference. And it matters. It’s evident when someone cooks a nutritious meal for his children after an exhausting day at work. It’s seen when a mother takes on three or more jobs to do what it takes to keep her family clothed, housed, and fed. It’s donating blood on a regular basis to the local blood bank. It’s risking looking un-cool, and perhaps far more than that, by interrupting people as they’re telling a racist or anti-gay joke. It’s when someone decides to use the year end bonus that he received from his employer to repair the car of the struggling single mother down the street, or purchase a burial plot for someone without means, instead of buying that boat or motorcycle he’s been wanting.
Roger Wolsey (Kissing Fish: christianity for people who don’t like christianity)
When the conversation turned to Germany’s persecution of Jews, Colonel House urged Dodd to do all he could “to ameliorate Jewish sufferings” but added a caveat: “the Jews should not be allowed to dominate economic or intellectual life in Berlin as they have done for a long time.” In this, Colonel House expressed a sentiment pervasive in America, that Germany’s Jews were at least partly responsible for their own troubles. Dodd
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
August 26, 1992. What we as Western journalists should do in Iraq, as anywhere else, is try to make it understandable. It is now a place of mystery and violence to most Americans. Always my family is worried when I say I’m here and doesn’t believe me when I say Baghdad is one of my favorite cities in the world. But you are a difficult people to explain, people of extremes, capable of extreme toughness and extreme sentimentality.
Lindsey Hilsum (In Extremis: The Life and Death of the War Correspondent Marie Colvin)
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
my heart. So I fancied that your boy might fill the empty place if he tried now." "No, Mother, it is better as it is, and I'm glad Amy has learned to love him. But you are right in one thing. I am lonely, and perhaps if Teddy had tried again, I might have said 'Yes', not because I love him any more, but because I care more to be loved than when he went away." "I'm glad of that, Jo, for it shows that you are getting on. There are plenty to love you, so try to be satisfied with Father and Mother, sisters and brothers, friends and babies, till the best lover of all comes to give you your reward." "Mothers are the best lovers in the world, but I don't mind whispering to Marmee that I'd like to try all kinds. It's very curious, but the more I try to satisfy myself with all sorts of natural affections, the more I seem to want. I'd no idea hearts could take in so many. Mine is so elastic, it never seems full now, and I used to be quite contented with my family. I don't understand it." "I do," and Mrs. March smiled her wise smile, as Jo turned back the leaves to read what Amy said of Laurie. "It is so beautiful to be loved as Laurie loves me. He isn't sentimental, doesn't say much about it, but I see and feel it in all he says and does, and it makes me so happy and so humble that I don't seem to be the same girl I
Louisa May Alcott (Little Women (Illustrated))
Writing to his son in 1799, John Adams blamed America’s political turmoil on “a systematical dissolution of the true Family Authority. There can never be any regular Government of a Nation without a marked Subordination of Mothers and Children to the Father.” Tellingly, Adams suddenly remembered his forceful wife and urged his son to keep his patriarchal sentiments “a Secret,” for their revelation would “infallibly raise a Rebellion against me.”67 Rather
Alan Taylor (American Revolutions: A Continental History, 1750-1804)
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
Rachel Heffington
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
There are people in this world whose central focus is to permeate cruelty with little regard for their own karmic penalties. Love is such a powerful emotion and overriding sentiment that it is unfathomable that life's most potent muse has escaped the psyche of so many of our men. I can't understand why somebody would think it is okay to rip two hundred and thirty girls from their families. I wonder who condones this type of behavior. I often look at children and wonder what they will become, I stare at school boys, babies and even the bareback boys on the street and wonder if in a few years one of these children might take my life. With that thought I am forced to wonder what might have gone wrong in their lives, what values did their parents impress upon them that made them morph into the brutish adults they have become. I wonder if their parents know about their atrocious acts and if they understand that they might be responsible for creating these monsters who in my opinion should have never seen the light of life.
Crystal Evans (Jamaican Acute Ghetto Itis)
American fundamentalism’s original sentiments were as radically democratic in theory as they have become repressive in practice, its dream not that of Christian theocracy but of a return to the first century of Christ worship, before there was a thing called Christianity. The “age of miracles,” when church was no more than a word for the great fellowship—the profound friendship—of believers, when Christ’s testament really was new, revelation was unburdened by history, and believers were martyrs or martyrs-to-be, pure and beautiful.
Jeff Sharlet (The Family: The Secret Fundamentalism at the Heart of American Power)
These flowers are starwort," she said. "Starwort means 'welcome.' By giving you a bouquet of starwort, I'm welcoming you to my home, to my life." She twirled buttery pasta on her fork and looked into my eyes without a glimmer of humor. "They look like daisies to me," I said. "And I still think they're poisonous." "They aren't poisonous, and they aren't daisies. See how they only have five petals but it looks like they have ten? Each pair of petals is connected in the center." Picking up the small bouquet of flowers, I examined the little white bundle. The petals grew together before attaching to the stem, so that each petal was the shape of a heart. "That's a characteristic of the genus 'Stellaria,'" Elizabeth went on, when she could see that I understood. "Daisy is a common name, and spans many different families, but the flowers we call daisies typically have more petals, and each petal grows separate from the others. It's important to know the difference or you may confuse the meaning. Daisy means 'innocence', which is a very different sentiment than 'welcome.
Vanessa Diffenbaugh (The Language of Flowers)
At length, when the conversation-in my view, at least -was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at on cc, and in the special way he always answered questions from Les - as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle. And aside from its enormous sentimental value to my father personally, this answer, in a great many ways, was true, true, true.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
I sometimes made huge mistakes. But what actually is a mistake in politics? And when I look back, I have only one sentiment: an enormous regret. Regret that we did not succeed, that we were not able to create this European world which would be the master of the universe for all time, which made the white race the first race, with the great mastery of the spirit. And when we see what there is on the other side, what 30 years of the others’ victory has given, this anarchy in the world, this rout of the white world, this desertion throughout the universe; when we see in our own countries the decay of morals, the fall of the fatherland, the fall of the family, the fall of social order; when we see this appetite for material goods which has replaced the great flame of the ideal which animated us, well then, truly, between the two we chose the right side. The small, miserable Europe of today, of this impoverished Common Market, cannot give happiness to men. Consumer society poisons humanity rather than elevating it. So, for our part, we dreamed of something great, and we have only one desire, that this spirit be reborn. And with all my might, up to the last moment of my existence, I will fight for this. So that what was our struggle and our martyrdom, will one day be the resurrection.
Leon Degrelle
Kevin D. Williamson in a sneering screed published in March 2016 in National Review, a leading conservative journal: The problem isn’t that Americans cannot sustain families, but that they do not wish to. If you spend time in hardscrabble, white upstate New York, or eastern Kentucky, or my own native West Texas, and you take an honest look at the welfare dependency, the drug and alcohol addiction, the family anarchy—which is to say, the whelping of human children with all the respect and wisdom of a stray dog—you will come to an awful realization. It wasn’t Beijing. It wasn’t even Washington, as bad as Washington can be. It wasn’t immigrants from Mexico, excessive and problematic as our current immigration levels are. It wasn’t any of that. Nothing happened to them. There wasn’t some awful disaster. There wasn’t a war or a famine or a plague or a foreign occupation. Even the economic changes of the past few decades do very little to explain the dysfunction and negligence—and the incomprehensible malice—of poor white America. So the gypsum business in Garbutt ain’t what it used to be. There is more to life in the 21st century than wallboard and cheap sentimentality about how the Man closed the factories down. The truth about these dysfunctional, downscale communities is that they deserve to die. Economically, they are negative assets. Morally, they are indefensible. Forget all your cheap theatrical Bruce Springsteen crap. Forget your sanctimony about struggling Rust Belt factory towns and your conspiracy theories about the wily Orientals stealing our jobs. Forget your goddamned gypsum, and, if he has a problem with that, forget Ed Burke, too. The white American underclass is in thrall to a vicious, selfish culture whose main products are misery and used heroin needles. Donald Trump’s speeches make them feel good. So does OxyContin. What they need isn’t analgesics, literal or political. They need real opportunity, which means that they need real change, which means that they need U-Haul. For
Brian Alexander (Glass House: The 1% Economy and the Shattering of the All-American Town)
Why do we like being Irish? Partly because It gives us a hold on the sentimental English As members of a world that never was, Baptised with fairy water; And partly because Ireland is small enough To be still thought of with a family feeling, And because the waves are rough That split her from a more commercial culture; And because one feels that here at least one can Do local work which is not at the world's mercy And that on this tiny stage with luck a man Might see the end of one particular action. It is self-deception of course; There is no immunity in this island either; A cart that is drawn by somebody else's horse And carrying goods to somebody else's market. The bombs in the turnip sack, the sniper from the roof, Griffith, Connolly, Collins, where have they brought us? Ourselves alone! Let the round tower stand aloof In a world of bursting mortar! Let the school-children fumble their sums In a half-dead language; Let the censor be busy on the books; pull down the Georgian slums; Let the games be played in Gaelic. Let them grow beet-sugar; let them build A factory in every hamlet; Let them pigeon-hole the souls of the killed Into sheep and goats, patriots and traitors. And the North, where I was a boy, Is still the North, veneered with the grime of Glasgow, Thousands of men whom nobody will employ Standing at the corners, coughing.
Louis MacNeice
So far so good. Except I then added, “So it’s not surprising then that they get bitter, they cling to guns or religion or antipathy toward people who aren’t like them, or anti-immigrant sentiment, or anti-trade sentiment as a way to explain their frustrations.” I can provide the exact quote here, because in the audience that night was a freelance writer who was recording me. To her mind, my answer risked reinforcing negative stereotypes some Californians already had about working-class white voters and was therefore worth blogging about on Huffington Post. (It’s a decision I respect, by the way, though I wish she had talked to me about it before writing the story. This is what separates even the most liberal writers from their conservative counterparts—the willingness to flay politicians on their own side.) Even today, I want to take that sentence back and make a few simple edits. “So it’s not surprising then that they get frustrated,” I would say in my revised version, “and they look to the traditions and way of life that have been constants in their lives, whether it’s their faith, or hunting, or blue-collar work, or more traditional notions of family and community. And when Republicans tell them we Democrats despise these things—or when we give these folks reason to believe that we do—then the best policies in the world don’t matter to them.
Barack Obama (A Promised Land)
On a dit qu’une cité dont les membres auront une égale répartition de bien et d'éducation présentera aux regards de la Divinité un spectacle au-dessus du spectacle de la cité de nos pères. La folie du moment est d'arriver à l'unité des peuples et de ne faire qu’un seul homme de l'espèce entière, soit ; mais en acquérant des facultés générales, toute une série de sentiments privés ne périra-t-elle pas ? Adieu les douceurs du foyer ; adieu les charmes de la famille ; parmi tous ces êtres blancs, jaunes, noirs, réputés vos compatriotes, vous ne pourriez vous jeter au cou d’un frère. N’y avait-il rien dans la vie d’autrefois, rien dans cet espace borné que vous aperceviez de votre fenêtre encadrée de lierre ? Au-delà de votre horizon vous soupçonniez des pays inconnus dont vous parlait à peine l’oiseau du passage, seul voyageur que vous aviez vu à l’automne. C’était bonheur de songer que les collines qui vous environnaient ne disparaîtraient pas à vos yeux ; qu’elles renfermeraient vos amitiés et vos amours ; que le gémissement de la nuit autour de votre asile serait le seul bruit auquel vous vous endormiriez ; que jamais la solitude de votre âme ne serait troublée, que vous y rencontreriez toujours les pensées qui vous y attendent pour reprendre avec vous leur entretien familier. Vous saviez où vous étiez né, vous saviez où était votre tombe ; en pénétrant dans la forêt vous pouviez dire : Beaux arbres qui m’avez vu naître, Bientôt vous me verrez mourir
François-René de Chateaubriand (Mémoires d'Outre-Tombe)
When, then, the Social Democrat worker found himself in the economic crisis which degraded him to the status of a coolie, the development of his revolutionary sentiments was severely retarded by the conservative structuralization that had been taking shape in him for decades. Either he remained in the camp of the Social Democrats, notwithstanding his criticism and rejection of their policies, or he went over to the NSDAP [Nazi party] in search of a better replacement. Irresolute and indecisive, owing to the deep contradiction between revolutionary and conservative sentiments, disappointed by his own leadership, he followed the line of least resistance. Whether he would give up his conservative tendencies and arrive at a complete consciousness of his actual responsibility in the production process, i.e., at a revolutionary consciousness, depended solely on the correct or incorrect leadership of the revolutionary party. Thus the communist assertion that it was the Social Democrat policies that put fascism in the saddle was correct from a psychological viewpoint. Disappointment in Social Democracy, accompanied by the contradiction between wretchedness and conservative thinking, must lead to fascism if there are no revolutionary organizations. For example, following the fiasco of the Labor party's policies in England, in 1930–31, fascism began to infiltrate the workers who, then, in the election of 1931, cut away to the Right, instead of going over to communism.
Wilhelm Reich (The Mass Psychology of Fascism)
Ben stood at the parlor window, glancing neither to the right nor to the left of him lest he see three grown men looking as worried as he felt. Westhaven found the courage to speak first. “Either we’ve all developed a fascination with red tulips, or somebody had better go out there and fetch the ladies in. They’ve neither of them likely thought to bring a handkerchief.” Deene screwed up his mouth. “Declarations of love—that’s what red tulips stand for.” His Grace cracked a small smile. “You young fellows. Quaking in your boots over a few female sentimentalities. Believe I’ll go make some declarations of my own.” He set down his empty glass and left the room. “Marriage,” said Westhaven, “calls for a particular variety of courage. I’m thinking His Grace’s experience in the cavalry is likely serving him well right now.” “Come away.” Ben took each man by the arm, but neither of them moved. “Let him make his charge in private. I have some ideas for you both to consider, and if you’re with me, His Grace will fall in line that much more easily.” Westhaven smiled, looking very like his father. “Don’t bet on it. Windhams can be contrary for the sheer hell of it.” This was a joke or a warning. Ben wasn’t sure which. “The Portmaine family motto is ‘We thrive on impossible challenges.’” Deene arched a blond eyebrow. “You just manufactured that for present purposes. You’re from the North, and your family motto is probably something like ‘Thank God for friendly sheep.’” Which
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
During my research, I discovered much more than facts. I learned the historical significance of empathy, and that we all leave something of value behind. I learned to cherish family and to believe true love perseveres. And mostly, I learned how during a time of unfathomable evil, the strength of the human spirit prevailed. In today’s challenging world, I hope my mother’s story will help readers to believe in themselves, in love, and in the goodness of life and humanity. When people talk about the Holocaust, the phrase that recurs is to “never forget.” That sentiment is more important than ever. In writing my mother’s story, I hope to honor a whole generation of courageous people. They didn’t have the luxury of simply turning away. I hope that present and future generations show the same kind of courage by never letting it happen again.
Anita Abriel (The Light After the War)
[Funeral sermon, 02/08/1880] How is it with this young man here? Well, I wish it were otherwise; I wish he had lived a very good Saint, which, however, he did not do. We have not come here to indulge in any kind of false sentimentality. He was a drunkard; that is a truth and many of you know it. . . . His father lived up to the Gospel, and died strong in the faith; and his mother has been a very good woman, so far as I know; I have never known anything against her. This boy has caused her a great deal of trouble; and I have been sorry for him. Well, should we tell things? Yes, always; that day is not far distant when the coverings will be taken from the face of all people, and we shall all stand naked, as it were, before God--both you and I and this young man. Well this boy,--I call him a boy, he is a young man, and is a nephew of mine by marriage; and I would not want to say anything about him on that account, neither would I falsify the young man on that account; but let us tell things and understand them as they are. . . . I would say, I do not utter these things to cause any unpleasant feeling in the bosom of the family; they cannot help it. If I could have helped it, I would; if the mother could have helped it, she would; if the sister could have helped it, she would; if the friends could have helped it, they would. . . . We are now talking not to the dead, but to the living. I would say, Let us avoid these evils, they lead down to death; let us seek to live our religion, to obey the laws of God and keep his commandments. And in regard to the future, we leave that in the hands of the Almighty who doeth all things well; and we will do all we can to promote the comfort of the living and the dead.
John Taylor
Sir Thomas, poor Sir Thomas, a parent, and conscious of errors in his own conduct as a parent, was the longest to suffer. He felt that he ought not to have allowed the marriage; that his daughter’s sentiments had been sufficiently known to him to render him culpable in authorising it; that in so doing he had sacrificed the right to the expedient, and been governed by motives of selfishness and worldly wisdom. These were reflections that required some time to soften; but time will do almost everything; and though little comfort arose on Mrs. Rushworth’s side for the misery she had occasioned, comfort was to be found greater than he had supposed in his other children. Julia’s match became a less desperate business than he had considered it at first. She was humble, and wishing to be forgiven; and Mr. Yates, desirous of being really received into the family, was disposed to look up to him and be guided. He was not very solid; but there was a hope of his becoming less trifling, of his being at least tolerably domestic and quiet; and at any rate, there was comfort in finding his estate rather more, and his debts much less, than he had feared, and in being consulted and treated as the friend best worth attending to. There was comfort also in Tom, who gradually regained his health, without regaining the thoughtlessness and selfishness of his previous habits. He was the better for ever for his illness. He had suffered, and he had learned to think: two advantages that he had never known before; and the self-reproach arising from the deplorable event in Wimpole Street, to which he felt himself accessory by all the dangerous intimacy of his unjustifiable theatre, made an impression on his mind which, at the age of six-and-twenty, with no want of sense or good companions, was durable in its happy effects. He became what he ought to be: useful to his father, steady and quiet, and not living merely for himself.
Jane Austen (Mansfield Park)
Could I but acquaint the world with Robert G. Ingersoll's humanity, with his ideas and his sentiments of love, patience and understanding, a renascence would automatically take place that would give life and living on this little earth of ours some semblance of what we call paradise. And this great and wonderful man had to die! I do not know the purpose of life, nor do I understand why death should come to all that is; but this I do know -- that when Robert G. Ingersoll died, on July 21, 1899, then you and I, and the whole world, suffered a mortal blow. When the mighty heart, of his mighty body, that supplied the blood to his mighty brain, burst, never again was there to fall from his eloquent lips the pearls of thought that had been so wondrously formed in his brain. The mightiest voice in all the world was silenced, forever. No wonder the people wept when they heard that Ingersoll was dead. He was the greatest of the Great -- the Mightiest of the Mighty. He was 'as constant as the Northern Star whose true fixed and resting quality there is no fellow in the firmament.' He was the indistinguishable star whose brilliance never dimmed. When Robert G. Ingersoll died, his death was 'the ruins of the noblest man that ever lived in the tide of time ... When shall we ever see another?' When Robert G. Ingersoll died, the sky should have been rent asunder, and Nature should have gone into mourning. When this man died, Nature's masterpiece was destroyed, and hot tears of grief should have fallen from the heavens. Robert G. Ingersoll no longer belongs to his family; He no longer belongs to his friends; He no longer belongs to his country; Robert G. Ingersoll now belongs to all the world -- the whole universe -- He is immortal and eternal. Among the galaxies of Nature's masterpieces, none shine with a greater brilliance than the babe who was born in this house 121 years ago today, and named Robert Green Ingersoll.
Joseph Lewis (Ingersoll the Magnificent)
But I love [America] the way you love a wife of many years: not because you have a sentimental notion of her perfection, but because you know her thoroughly, from the courage of the maternity room to the pettiness of her morning moods; from seeing her sit for weeks by her dying mother's bedside, to watching her worry about which shoes to wear to a cocktail party given by a person she does not like. You know she has the capacity to get up at five in the morning and make you pancakes before you set off on a particularly arduous business trip, and you know she also has the capacity to say things, in the heat of an argument, that she should not say, to sneak the last piece of chocolate cake, to lose track of time and keep the rest of the family waiting for an hour, at the beach, on a burning hot afternoon. You know everything from what flavor lip gloss she likes to what books she would bring with her to the proverbial desert island and what she believes the meaning of life to be. And then, always, there is a part of her you do not know.
Roland Merullo
I’m talking to God here, be with ye as soon as we’re done,— Is Mason going to get angry and into a fight? Will he stand and announce, “This is none of God’s judgment,— to be offended as gravely by Calendar Reform as by Mortal Sin, requires a meanness of spirit quite out of the reach of any known Deity,— tho’ well within the resources of Stroud, it seems.” And walk out thro’ their stunn’d ranks to the Embrace of the Night, and never enter the place again? No.— He buys ev’ryone another Pint, instead, and resigns himself to seeking out his Family tomorrow,— tho’ sure Agents of Melancholy, they sooner or later feel regretful for it, whilst Regret is just the sort of Sentiment that regular life at The George depends on having no part of. The Landlord is kind and forthright, the Ale as good as any in Britain, the Defenestration of the Clothiers in ’56 has inscrib’d the place forever in Legend, and Good Eggs far outnumber Bad Hats,— yet so dismal have these late Hours in it been for Mason, as to make him actually look forward to meeting his Relations again.
Thomas Pynchon (Mason & Dixon)
CAST: Barry Fitzgerald as Judge Bernard Fitz of the Vincent County District Court. Bill Green as Sheriff McGrath, “Vincent County’s own little Hitler,” a frequent antagonist of the kind-hearted judge. Barbara Fuller as Susan, the judge’s lovely young niece. Leo Cleary as the bailiff. Dawn Bender as little Mary Margaret McAllister. WRITER-PRODUCER-DIRECTOR: Carlton E. Morse. ANNOUNCER: Frank Martin. ORCHESTRA: Opie Cates. This show bore many of the trademarks that writer Carlton E. Morse had established on One Man’s Family: stories containing-the breath of life, realistic conflicts, and a character who, as Time put it, was “surefire for cornfed philosophizing.” Before his election to the bench, Judge Fitz had been the barber of a small (pop. 3,543) community in the county. At times, when his legal career tried his patience, he longed again for that simpler life. He was staunchly Irish (what else, with Barry Fitzgerald in the lead?) and could be painfully sentimental. One reviewer noted that “he criticizes the law as much as he enforces it, and slyly finds a loophole when he thinks a culprit needs a helping of simple kindness.” The sheriff, on the other hand, had a “lock ’em up and throw away the key” mentality.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I read Dickens and Shakespear without shame or stint; but their pregnant observations and demonstrations of life are not co-ordinated into any philosophy or religion: on the contrary, Dickens's sentimental assumptions are violently contradicted by his observations; and Shakespear's pessimism is only his wounded humanity. Both have the specific genius of the fictionist and the common sympathies of human feeling and thought in pre-eminent degree. They are often saner and shrewder than the philosophers just as Sancho-Panza was often saner and shrewder than Don Quixote. They clear away vast masses of oppressive gravity by their sense of the ridiculous, which is at bottom a combination of sound moral judgment with lighthearted good humor. But they are concerned with the diversities of the world instead of with its unities: they are so irreligious that they exploit popular religion for professional purposes without delicacy or scruple (for example, Sydney Carton and the ghost in Hamlet!): they are anarchical, and cannot balance their exposures of Angelo and Dogberry, Sir Leicester Dedlock and Mr Tite Barnacle, with any portrait of a prophet or a worthy leader: they have no constructive ideas: they regard those who have them as dangerous fanatics: in all their fictions there is no leading thought or inspiration for which any man could conceivably risk the spoiling of his hat in a shower, much less his life. Both are alike forced to borrow motives for the more strenuous actions of their personages from the common stockpot of melodramatic plots; so that Hamlet has to be stimulated by the prejudices of a policeman and Macbeth by the cupidities of a bushranger. Dickens, without the excuse of having to manufacture motives for Hamlets and Macbeths, superfluously punt his crew down the stream of his monthly parts by mechanical devices which I leave you to describe, my own memory being quite baffled by the simplest question as to Monks in Oliver Twist, or the long lost parentage of Smike, or the relations between the Dorrit and Clennam families so inopportunely discovered by Monsieur Rigaud Blandois. The truth is, the world was to Shakespear a great "stage of fools" on which he was utterly bewildered. He could see no sort of sense in living at all; and Dickens saved himself from the despair of the dream in The Chimes by taking the world for granted and busying himself with its details. Neither of them could do anything with a serious positive character: they could place a human figure before you with perfect verisimilitude; but when the moment came for making it live and move, they found, unless it made them laugh, that they had a puppet on their hands, and had to invent some artificial external stimulus to make it work.
George Bernard Shaw (Man and Superman)
In a sense, the farmer was the looniest speculator in a nation overrun with them. He was wagering he would master this fathomlessly intricate global game, pay off his many debts, and come out with enough extra to play another round. On top of that, he was betting on the kindness of Mother Nature, always supremely risky. But the farmer had no choice if he hoped to sustain himself and a way of life, the family farm. Instead, he was drawn into a kind of social suicide. The family farm and the whole network of small-town life that it patronized were being washed away into the rivers of capital and credit that flowed toward the railroads, banks, and commodity exchanges, toward the granaries, wholesalers, and numerous other intermediaries that stood between the farmer and the world market. Disappearing into all the reservoirs of capital accumulation, the family farm increasingly remained a privileged way of life only in sentimental memory. Perversely the dynamic Lincoln had described as the pathway out of dependency—spending a few years earning wages, saving up, buying a competency, and finally hiring others—now operated in reverse. Starting out as independent farmers, families then slipped inexorably downward, first mortgaging the homestead, then failing under intense pressure to support that mortgage (they called themselves “mortgage slaves”) and falling into tenancy—or into sharecropping if in the South—and finally ending where Lincoln’s story began, as dispossessed farm and migrant laborers.
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)
In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
My Little Pony Game Helps You Get A Creator With My Little Pony games, you can enjoy many categories such as Dress Up games, Makeover games, riding games, racing games,...Each game brings you the different sentiments and it depends on your hobby that you can choose the suitable game for your free time. At our website, there are many My Little Pony games with full My Little Pony characters and you can meet them such as Twilight Sparkle, Rarity, Fluttershy, Rainbow Dash, Pinkie Pie and Applejack,,They have the good friendship and relations as well. Now, you will go to our new game called My little pony hairstyle. This is a creator game for you that you can get an opportunity to make new hair for Rainbow Dash. As you know, she has a hairstyle attached to her name. Now, you will help her to change Little about her hairstyle. Not difficult to play this game , you just use your mouse and follow step by step instruction that you can find in this game at our website. I can tell more here to help you play this game easier. In the first game, you will choose a hairstyle in six styles. Then you will choose the color for her hair. You can take one in ten colors in this game such as blue, green, red, purple, yellow, light purple,.. And you mix color as your favorite color. With each my little pony character, you can see the different personality and fashion style. My little pony Rainbow Dash has always the unique hairstyle with the mixing color. This is the creator game because you can show your fashion style about the hair. Besides the dress up game and make up games, we have others games categories such as riding, racing, caring, cooking, fighting,,,All are free here, you can enjoy them at anytime and anywhere. Please recommend our website to your friends as well, you will have the more human counterpart. You will have the good experience, adventure when you come to our website. We provide also descendants games, Elsa games, Daby games, Io games,...It depends on the age, the hobby that you can choose the game in your free time. You can enjoy the life as a child with our games and forget all the worries and stress in your life. I hope that you will like our games as well. My Little Pony Angry is a puzzle game and your task in this game is to use your mouse to drag and drop the pieces and make a complete My Little Pony pictures. In this game, you will get an opportunity to meet again six main My Little Pony such as Applejack, Rainbow Dash, Pinkie Pie, Fluttershy, Rarity, and Twilight Sparkle of the cartoon My Little Pony, they are all very aggressive and angry. We think that this way they want to scare off enemies from Ponyville. You know that My Little Pony or Friendship Is Magic has the content that tells about six main My Little Pony and other supporting characters but with My Little Pony, the content focuses primarily on Twilight Sparkle and her friends, they find out the way to rescue Equestria Land. Each My Little Pony game can give you a good lessons about family, friends, relationship...This is a cheap entertainment and designed for everyone. I hope that you can get the perfectime here and we can make the relationship thank to My Little Pony games on our website. Have fun on our site Gamesmylittlepony.com
Alice Walker
In July 2010, reports surfaced in the British press that the Obama administration favored the release of Abdel Baset al-Megrahi, the Lockerbie bomber. This was an eye-opener, because when Scotland released Megrahi from prison and sent him home to Libya in August 2009, the Obama administration publicly protested the decision. Obama reaffirmed his position on Megrahi’s release when British prime minister David Cameron came to visit in July 2010. The president’s public sentiments seemed entirely appropriate: Megrahi, after all, had been convicted in connection with the 1988 bombing of a Pan Am Jet over Lockerbie, Scotland, killing 270 people, most of them American. But a few days after Cameron departed, the British press obtained a letter that the Obama administration had sent a year earlier to the Scottish government. The letter seems to show that Obama’s public outrage was contrived. In fact, the Obama administration took the position that releasing Megrahi on “compassionate grounds” was acceptable as long as he was kept in Scotland. This option, Obama said, would be “far preferable” to sending him back to Libya. Scottish government officials interpreted the letter to mean that U.S. objections to Megrahi’s release were “half-hearted.” So they let Megrahi go back to his own country, where he lives today as a free man. While the American press has downplayed the story, the families of the Lockerbie victims now know about the Obama letter and want to see it. Yet the Obama administration refuses to make the letter public, probably because of its incriminating content. Now why would a U.S. president take such a benign view of a terrorist striking out against America?
Dinesh D'Souza (The Roots of Obama's Rage)
The lives of thousands of young Frenchmen were ready for this literary bath of blood and sentiment in the 1830's. Their fathers and grandfathers had had their romanticism in the raw: the drama of the French Revolution, the glamour of the Napoleonic campaigns in Europe and in Africa had filled their lives with colour; now the young people, listening with envy to reminiscence and tradition, knew they were living in a world that had become flat and dull. For the unshackling of the Revolution and the pageantry and devotion of the Empire had been succeeded by two colourless Bourbon kings, who had learned nothing from the times and were so stupid as to insist on absolutism without providing any splendour to justify it; and when their line was expelled in a minor revolution in 1830 they were replaced by their even more colourless cousin, Louis Philippe of Orleans, a constitutional monarch whose virtue was that he was more bourgeois than the bourgeois and whom the newspapers caricatured unendingly, strolling with his family past the shops he owned, carrying an umbrella under his arm. In placing him on the throne the French bourgeoisie consolidated the gains it had begun to make forty years before, and his prime minister gave the watchword of the day when he urged his fellow-citizens to make as much money as they possibly could. The French bourgeois — the revolutionaries of 1789, the conquerors of Europe under Napoleon — became rich, smug, tenacious, and fearful of change; and their children and grandchildren, the young men of Flaubert's generation, were raised in an atmosphere of careful, commercial materialism, of complete lack of interest in literature and the arts, and of complete distrust of impulse and imagination.
Francis Steegmuller (Flaubert and Madame Bovary)
...it is interesting to consider a book published in 1965, called The Significant Americans, written by John F. Cuber and Peggy B. Harroff. Their book is described as 'a study of sexual behavior among the affluent.' In this study, the authors contrast two types of marriage which they encountered: 'utilitarian marriage,' characterized by an absence of mutual involvement or passion, held together by social, financial, and family considerations, made tolerable by long separations, immersion in “community activities,' and sexual infidelity; and 'intrinsic marriage,' characterized by passionate emotional and sexual involvement, a policy of sharing life experiences to the fullest extent possible, and an attitude of regarding the relationship as more interesting, more exciting, more fulfilling than any other aspect of social existence (in other words, romantic love). Partners in an 'intrinsic marriage' tend, according to the authors, to be very selfish with their time, in that they are reluctant to engage in social, political, community, or other activities that would cause them to be separated unless they are convinced there are very good reasons for doing so; they are clearly not looking for excuses to escape from each other. While this type of relationship tends to provoke some degree of envy from those who exist in a 'utilitarian marriage,' according to the authors, it also provokes a good deal of resentment and hostility. The authors quote such hostile sentiments as 'these immature people' must somehow 'be brought into line.' They quote a man trained in psychology as declaring, 'Sooner or later you’ve just got to act your age. People who stay to themselves so much must have some psychological problems—if they don’t, they’ll soon develop them.
Nathaniel Branden (The Psychology of Romantic Love)
Rather, the issue is whether it is right to have a mosque and Islamic center in virtually the exact spot where so many Americans were killed in the name of Islamic holy war. I don’t think it is right, any more than I would support the idea of a neo-Nazi recruiting center at Auschwitz. My sympathies in this case are not with religiously deprived Muslims, but rather with Debra Burlingame, a spokesperson for a 9/11 victims group. “Barack Obama has abandoned America at the place where America’s heart was broken nine years ago,” she said.5 Some supporters of the mosque, such as New York mayor Michael Bloomberg, clearly missed the distinction being made here between the right to worship and how and where that right is exercised. Fareed Zakaria, writer and CNN host, recognizes the distinction; even so, he argues in favor of the mosque on the grounds that the folks building it are traditional Muslims who have condemned terrorism.6 Still, it’s not clear why these moderate Muslims disregarded the sentiments of the 9/11 victims’ families and decided on a site so close to Ground Zero. Undoubtedly radical Muslims around the world will view the mosque as a kind of triumphal monument. There is historical precedent for this. Muslims have a long tradition of building monuments to commemorate triumphs over adversaries, as when they built the Dome of the Rock on the site of Solomon’s Temple, or when Mehmet the Conqueror rode his horse into the Byzantine church Hagia Sophia and declared that it would be turned into a mosque. Many Americans may not know this history, but the radical Muslims do, and Obama does as well. The radical Muslims would like the Ground Zero mosque built so it can stand as an enduring symbol of resistance to American power, and President Obama evidently agrees with them.
Dinesh D'Souza (The Roots of Obama's Rage)
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
Anne Frank (The Diary Of a Young Girl)
...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts. ...He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
We do eventually get dressed and look for food, although we only make it to the dining room in time for lunch. Egeria accepts her ousting as Alpha Sinta without a hint of anger or regret. Clearly, it’s what she was expecting all along. Piers is away on a recruitment trip, but the rest of the family is here and overjoyed by our wedding announcement. Jocasta decrees that we have to go shopping, now, and Kaia bounces in her seat, beyond excited about any outing that will actually get her on the other side of the castle gate. Shopping requires money, so I dig around in Griffin’s pocket under the table, letting my fingers wander enough for him to nearly choke on his stew. I find four gold coins and hold on to them. “You never pay me.” He looks aghast. “I can’t pay you anymore.” “We’re about to get married. No one’s going to confuse me with a prostitute.” Kaia spits out a grape. It bounces across the table and then lands in her mother’s lap. Kaia slaps her hand over her mouth, her blue-gray eyes huge, and Nerissa gives her a quelling look. The look finishes on me, and I might have felt a little quelled myself if Carver hadn’t suddenly made a noise like a donkey, finally belting out the laugh he’d been holding back. Anatole bangs his hand down on the table and bursts out laughing. He sounds like a donkey, too. It’s contagious, and the whole table erupts, snorting and braying until most of us are wiping tears from our eyes. I shake my head, grinning. I haven’t laughed like this in…well, ever. Nerissa eventually gets up, comes over to me, and then kisses my cheek, something that would usually make me squirm. Today, it somehow feels normal. “I always wanted to have four daughters.” She squeezes my shoulder. “Now I do.” I keep smiling like a loon even though my throat suddenly feels thick, and heat stings the backs of my eyes. I have a family that loves me. I would protect them with my life. Well, maybe not Piers, but I have a feeling he would return the sentiment
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
Vim?” “Sweetheart?” The whispered endearment spoken with sleepy sensuality had Sophie’s insides fluttering. Was this what married people did? Cuddled and talked in shadowed rooms, gave each other bodily warmth as they exchanged confidences? “What troubles you about going home?” He was quiet for a long moment, his breath fanning across her neck. Sophie felt him considering his words, weighing what to tell her, if anything. “I’m not sure exactly what’s amiss, and that’s part of the problem, but my associations with the place are not at all pleasant, either.” Was that…? His lips? The glancing caress to her nape made Sophie shiver despite the cocoon of blankets. “What do you think is wrong there?” Another kiss, more definite this time. “My aunt and uncle are quite elderly, though Uncle Bert and Aunt Essie seem the type to live forever. I’ve counted on them living forever. You even taste like flowers.” Ah, God, his tongue… a slow, warm, wet swipe of his tongue below her ear, like a cat, but smoother than a cat, more deliberate. “Nobody lives forever.” The nuzzling stopped. “This is lamentably so. My aunt writes to me that a number of family heirlooms have gone missing, some valuable in terms of coin, some in terms of sentiment.” His teeth closed gently on the curve of her ear. What was this? He wasn’t kissing her, exactly, nor fondling the parts other men had tried to grope in dark corners—though Sophie wished he might try some fondling. “Do you think you might have a thief among the servants?” He slipped her earlobe into his mouth and drew on it briefly. “Perhaps, though the staff generally dates back to before the Flood. We pay excellent wages; we pension those who seek retirement, those few who seek retirement.” “Is some sneak thief in the neighborhood preying on your relations, then?” It was becoming nearly impossible to remain passively lying on her side. She wanted to be on her back, kissing him, touching his hair, his face, his chest… “Or has some doughty old retainer merely misplaced some of the silver?” Vim muttered right next to her ear. “You’ll sort it out.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
As I noted in Chapter 14, “The Earthquake,” there was a supermarket in Jerusalem where I shopped for fruits and vegetables almost every day. It was owned by an Iraqi Jewish family who had immigrated to Israel from Baghdad in the early 1940s. The patriarch of the family, Sasson, was an elderly curmudgeon in his sixties. Sasson’s whole life had left him with the conviction that the Arabs would never willingly accept a Jewish state in their midst and that any concessions to the Palestinians would eventually be used to liquidate the Jewish state. Whenever Sasson heard Israeli doves saying that the Palestinians really wanted to live in peace with the Jews, but that they just couldn’t always come out and declare it, it sounded ludicrous to him. It simply ran counter to everything life in Iraq and Jerusalem had taught him, and neither the Camp David treaty with Egypt nor declarations by Yasir Arafat—nor the Palestinian uprising itself—had convinced him otherwise. As I said, as far as Sasson was concerned, the problem between himself and the Palestinians was not that they didn’t understand each other, but that they did—all too well. Sasson, I should add, did not appear to be ideologically committed to Israel’s holding the West Bank and Gaza Strip. He was a grocer, and ideology did not trip easily off his tongue. I am sure he rarely, if ever, went to the occupied territories. Like a majority of Israelis, he viewed the Israeli presence in the West Bank and Gaza Strip primarily in terms of security. I believe that Sasson is the key to a Palestinian–Israeli peace settlement—not him personally, but his world view. He is the Israeli silent majority. He is the Israeli two-thirds. You don’t hear much from the Sassons of Israel. They don’t talk much. They are not as interesting to interview as wild-eyed messianic West Bank settlers, or as articulate as Peace Now professors who speak with an American accent. But they are the foundation of Israel, the gravity that holds the country in place. And, more important, years of reporting from Israel have taught me that there is a little bit of Sasson’s almost primitive earthiness in every Israeli—not only all those in the Likud Party on the right side of the political spectrum, but a majority of those in the Labor Party as well; not only those Israelis born in Arab countries, but those born in Israel as well. Indeed, the Israeli public is not divided fifty-fifty on the question of peace with the Palestinians. The truth is, the Israeli public is divided in three. One segment, on the far left—maybe 5 percent of the population—is ready to allow a Palestinian state in the West Bank and Gaza tomorrow, and sincerely believes the Palestinians are ready to live in peace with the Jews. Another segment, on the far right—maybe 20 percent of the population—will never be prepared, for ideological reasons, to allow a Palestinian state in the West Bank and Gaza. They are committed to holding forever all the Land of Israel, out of either nationalist or messianic sentiments. In between these two extremes you have the Sassons, who make up probably 75 percent of the population. The more liberal Sassons side with the Labor Party, the more hard-line Sassons side with the Likud, but they all share a gut feeling that they are locked in an all-or-nothing communal struggle with the Palestinians. Today the
Thomas L. Friedman (From Beirut to Jerusalem)