“
Falconers,” she continued, sternly. “Pull yourselves together. People are dying. The police don’t have the family history to solve murders forty years apart.
”
”
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
“
I am a mother and mothers don’t have the luxury of falling apart in front of their children, even when they are afraid, even when their children are adults.
”
”
Kristin Hannah (The Nightingale)
“
The very worst events in life have that effect on a family: we always remember, more sharply than anything else, the last happy moments before everything fell apart.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
They had nothing to say to each other. A five-year age gap between siblings is like a garden that needs constant attention. Even three months apart allows the weeds to grow up between you.
”
”
Zadie Smith (On Beauty)
“
Everybody has a story. It's like families. You might not know who they are, might have lost them, but they exist all the same. You might drift apart or you might turn your back on them, but you can't say you haven't got them. Same goes for stories.
”
”
Diane Setterfield (The Thirteenth Tale)
“
The Screaming
flashed me back
to a time
when mom and dad
were still together
if you could call
miles apart together.
”
”
Ellen Hopkins
“
Unless today is well lived, tomorrow is not important.
”
”
Alan Sakowitz (Miles Away... Worlds Apart)
“
You can be a pawn, be someone’s reward, and spend the rest of your immortal life bowing and scraping and pretending you’re less than him, than Ianthe, than any of us. If you want to pick that road, then fine. A shame, but it’s your choice.” The shadow of wings rippled again. “But I know you—more than you realize, I think—and I don’t believe for one damn minute that you’re remotely fine with being a pretty trophy for someone who sat on his ass for nearly fifty years, then sat on his ass while you were shredded apart—”
“Stop it—”
“Or,” he plowed ahead, “you’ve got another choice. You can master whatever powers we gave to you, and make it count. You can play a role in this war. Because war is coming one way or another, and do not try to delude yourself that any of the Fae will give a shit about your family across the wall when our whole territory is likely to become a charnel house.” I stared
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
In general, the more dysfunctional the family the more inappropriate their response to disclosure. Never expect a sane response from an insane system.
”
”
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
“
I had one rule: respect. For me, my family, and for my friends … It might sound hypocritical to the women that have passed through my apartment door, but if they carried themselves with respect, I would have given it to them.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Will is… difficult,” Jem said. “But family is difficult. If I didn’t think the Institute was the best place for you, Tessa, I wouldn’t say it was. And one can build one’s own family. I know you feel inhuman, and as if you were set apart, away from life and love, but…” His voice cracked a little, the first time Tessa had heard him sound unsure. He cleared his throat. “I promise you, the right man won’t care.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
There are no guarantees with finally being honest and coming clean with people. Sometimes you don’t win love back. Sometimes you lose the love you had. Sometimes you crush people that cared. Sometimes you break apart families. Sometimes you lose your career. Sometimes you lose your way of life. Sometimes you end up worse off than you were before. However, you walk away with a heart free from lies, regret and you have closure. Within time, you find yourself in a life that is far from the prison you once lived in. This type of freedom is the scariest road you will ever travel. However, it is the road God will never let you travel alone.
”
”
Shannon L. Alder
“
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad.
The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them.
When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication.
In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country?
The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
”
”
Paulo Coelho (Veronika Decides to Die)
“
The Kielburgers are extremely accomplished and educated people who have demonstrated that they know how to build an organization, sell a vision, and court powerful people. If they had wanted to make loads of money and eat caviar on a private yacht, they could have taken lucrative private-sector jobs and done just that. It is absurd to think that they instead decided to work sixteen-hour days for twenty-five years, spend hundreds of days per year apart from their families, and invest everything they had in building a global charity—all as a means to funnel money back to themselves.
”
”
Tawfiq S. Rangwala (What WE Lost: Inside the Attack on Canada’s Largest Children’s Charity)
“
I found him in a Dumpster one day when he was a kitten and he promptly adopted me. Despite my struggles, Mister had been an understanding soul, and I eventually came to realize that I was a part of his little family, and by his gracious consent was allowed to remain in his apartment. Cats. Go figure.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
My grandmother told me that her father used to ask her a riddle: What must you break apart in order to bring a family close together?
Bread, of course.
”
”
Jodi Picoult (The Storyteller)
“
The world is large,” said Okonkwo. “I have even heard that in some tribes a man’s children belong to his wife and her family.”
“That cannot be,” said Machi. “You might as well say that the woman lies on top of the man when they are making the babies.
”
”
Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
“
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
They would always be a family, but if she'd learned anything in the past few weeks it was that a family wasn't a static thing. There were always changes going on. Like with continents, sometimes the changes were invisible and underground, and sometimes they were explosive and deadly. The trick was to keep your balance. You couldn't control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
”
”
Kristin Hannah (Winter Garden)
“
I want you—"
"Then fucking have me."
"—but I don't want this."
Alex wants to grab Henry and shake him, wants to scream in his face, wants to smash every priceless antique in the room.
"What does that even mean?"
"I don't want it!" Henry practically shouts. His eyes are flashing, wet and angry and afraid. "Don't you bloody see? I'm not like you. I can't afford to be reckless. I don't have a family who will support me. I don't go about shoving who I am in everyone's faces and dreaming about a career in fucking politics, so I can be more scrutinized and picked apart by the entire godforsaken world. I can love you and want you and still not want that life. I'm allowed, all right, and it doesn't make me a liar; it makes me a man with some infinitesimal shred of self-preservation, unlike you, and you don't get to come here and call me a coward for it.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
A great ring of pure & endless light
Dazzles the darkness in my heart
And breaks apart the dusky clouds of night.
The end of all is hinted in the start.
When we are born we bear the seeds of blight;
Around us life & death are torn apart,
Yet a great ring of pure and endless light
Dazzles the darkness in my heart.
It lights the world to my delight.
Infinity is present in each part.
A loving smile contains all art.
The motes of starlight spark & dart.
A grain of sand holds power & might.
Infinity is present in each part,
And a great ring of pure and endless light
Dazzles the darkness in my heart.
”
”
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
“
May I ask you something?" I say. "Why do you read books, when you could be outside, living a million different adventures every day?"
"Because you can always count on a book to stay the same. EVerything else changes when you least expect it," she replies, bitter. "Families split apart, and nothing's forever. In books, you always know what's coming next. There are no surprises.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Terrible things are happening outside. At any time of night and day, poor helpless people are being dragged out of their homes. They’re allowed to take only a knapsack and a little cash with them, and even then, they’re robbed of these possessions on the way. Families are torn apart; men, women and children are separated. Children come home from school to find that their parents have disappeared. Women return from shopping to find their houses sealed, their families gone. The Christians in Holland are also living in fear because their sons are being sent to Germany. Everyone is scared. Every night hundreds of planes pass over Holland on their way to German cities, to sow their bombs on German soil. Every hour hundreds, or maybe even thousands, of people are being killed in Russia and Africa. No one can keep out of the conflict, the entire world is at war, and even though the Allies are doing better, the end is nowhere in sight.
”
”
Anne Frank (The Diary of a Young Girl)
“
Life has a way of doing that; one minute everything makes sense, the next, things change. People get sick. Families break apart, your friends could close the door on you.
”
”
Liz Murray (Breaking Night: A Memoir of Forgiveness, Survival, and My Journey from Homeless to Harvard)
“
Our estrangement is not drama-laden- we have not betrayed one another's trust, we have not stolen lovers or fought over money or property or any of the things that irreparably break families apart. The answer, for us, is much simpler.
See, we love one another. We just don't happen to like one another very much.
”
”
Eleanor Brown (The Weird Sisters)
“
It's stupid, what keeps families apart
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
But why people need privacy? Why privacy is important? In China, every family live together, grandparents, parents, daughter, son and their relatives too. Eat together and share everything, talk about everything. Privacy make people lonely. Privacy make family fallen apart.
”
”
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
“
I'm missing something, you know? That special 'sparkle' that ;life is supposed to bring. I have the job, the child, the family, the apartment and the friends, but I've lost the sparkle./
”
”
Cecelia Ahern (Where Rainbows End)
“
Is this what it is to get older, to have adventures you can no longer tell your family because you are moving apart from them?...Or do you grow up and have adventures you tell no one? Are some adventures only yours alone?
”
”
Polly Horvath (My One Hundred Adventures (My One Hundred Adventures, #1))
“
The house of Life doesn’t trust our family, especially after what Dad and Mom did. Amos said we were raised apart for a reason, so we wouldn’t trigger each other’s magic.”
“Bloody awful reason to keep us apart,” I muttered.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
A small world where people know each other, and still so deep, able to get lost.
”
”
Anthony Liccione
“
...it is love, imperfect and unordered, that keeps them apart, even as it holds them somehow together...
”
”
Judith Guest
“
Our whole family thrives under pressure. It's like our family motto or something.
Apart from my brother Peter, of course. He had a nervous break down. But the rest of us.
”
”
Sophie Kinsella (The Undomestic Goddess)
“
Families are torn apart; men, women and children are separated.Children come back from school to find that their parents have disappeared. Women return from shopping to find their houses sealed, their families gone.
”
”
Anne Frank (The Diary of a Young Girl)
“
Whenever in my dreams I see the dead, they always appear silent, bothered, strangely depressed, quite unlike their dear, bright selves. I am aware of them, without any astonishment, in surroundings they never visited during their earthly existence, in the house of some friend of mine they never knew. They sit apart, frowning at the floor, as if death were a dark taint, a shameful family secret. It is certainly not then - not in dreams - but when one is wide awake, at moments of robust joy and achievement, on the highest terrace of consciousness, that mortality has a chance to peer beyond its own limits, from the mast, from the past and its castle tower. And although nothing much can be seen through the mist, there is somehow the blissful feeling that one is looking in the right direction.
”
”
Vladimir Nabokov (Speak, Memory)
“
His family included all the demigods who fought at his side, Roman and Greek, new friends and old. He wasn't going to let anyone break his family apart.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
The thing is, I never had a friend like Sohrab before. One who understood me without even trying. Who knew what it was like to be stuck on the outside because of one little thing that set you apart.
”
”
Adib Khorram (Darius the Great Is Not Okay (Darius The Great, #1))
“
I had the great idea of using markers to gently color the ants so I could tell them apart, but I learned that this is exactly like somebody trying to gently color on you with a thirty-story building.
Without dwelling on the tragedy, I'd just like to say that I'm deeply sorry to Mr. Purple and the surviving Purple family.
”
”
Jim Benton (Okay, So Maybe I Do Have Superpowers (Dear Dumb Diary #11))
“
Faith in God is an opening up, a letting go, a deept trust, a free act of love- but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up.
At such moments I tried to elevate myself. I would touch the turban I had made with the remnants of my shirt and I would say aloud, "THIS IS GOD'S HAT!"
I would pat my pants and say aloud, "THIS IS GOD'S ATTIRE!"
I would point to Richard Parker and say aloud, "THIS IS GOD'S CAT!"
I would point to the lifeboat and say aloud, "THIS IS GOD'S ARK!"
I would spread my hands wide and say aloud, "THESE ARE GOD'S WIDE ACRES!"
I would point at the sky and say aloud, "THIS IS GOD'S EAR!"
And in this way I would remind myself of creation and of my place in it.
But God's hat was always unravelling. God's pants were falling apart. God's cat was a constant danger. God's ark was a jail. God's wide acres were slowly killing me. God's ear didn't seem to be listening.
Despair was a heavy blackness that let no light in or out. It was a hell beyond expression. I thank God it always passed. A school of fish appeared around the net or a knot cried out to be reknotted. Or I thought of my family, of how they were spared this terrible agony. The blackness would stir and eventually go away, and God would remain, a shining point of light in my heart. I would go on loving.
”
”
Yann Martel (Life of Pi)
“
Our family was nearly torn apart on several occasions by arguments started when the refrigerator door was open for what my father deemed as ‘too long.
”
”
Wes Locher (Musings on Minutiae)
“
I want a big, chaotic family to fill the house. I want to step on toys in the middle of the night. I want to break apart fight and bandage up skinned knees. I want the mess. I want the passion. I want to watch you grow our kids.
”
”
Devney Perry (Juniper Hill (The Edens, #2))
“
Maybe we would grow apart, he would develop a personality that I would know nothing about, we would start our families, have children of our own, and there would come a point when in thinking about 'family' we would think of the ones we made, not the ones we were from.
”
”
Jenny Zhang (Sour Heart)
“
I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—"
"Stop describing me please."
"You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.
”
”
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
“
She smiled, pulling the photo a little closer, and I wondered if I should ask her, too, the question for my project, get her definition. But as she ran a finger slowly across the faces, identifying each one, it occurred to me that maybe this was her answer. All those names, strung together like beads on a chain. Coming together, splitting apart, but still and always, a family.
(page 289) ~Ruby
”
”
Sarah Dessen (Lock and Key)
“
Archers stood together, no matter what. Not even frilly-smelling laundry could tear them apart.
”
”
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
“
Man could no longer be regarded as the Lord of Creation, a being apart from the rest of nature. He was merely the representative of one among many Families of the order Primates in the class Mammalia.
”
”
Charles Darwin (The Origin of Species)
“
Standing there, under the bleak fluorescents of my tiny one-room
apartment, there was no escaping the truth. In real life, I was nothing
but an antisocial hermit. A recluse. A pale-skinned pop culture–obsessed
geek. An agoraphobic shut-in, with no real friends, family, or genuine
human contact. I was just another sad, lost, lonely soul, wasting his life on
a glorified video game.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
When Nico had woken up at Barrachina and found the Hunters’ note about kidnapping Reyna, he’d torn apart the courtyard in rage. He didn’t want the Hunters stealing another important person from him. Fortunately, he’d got Reyna back, but he didn’t like how brooding she had become. Every time he tried to ask her about the incident on the Calle San Jose – those ghosts on the balcony, all staring at her, whispering accusations – Reyna shut him down.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
We can do our family members down as much as we like. But the second an outsider insults them our blood seethes. At the end of the day I don’t like him – but I love him. And I see my own failures in him.
”
”
Lucy Foley (The Paris Apartment)
“
God has set apart His people from before the foundation of the world to be His chosen and peculiar inheritance. We are sanctified in Christ Jesus by the Holy Spirit when he subdues our corruptions, imparts to us grace, and leads us onward in the divine walk and life of faith. Christian men are not to be used for anything but God. They are a set-apart people; they are vessels of mercy, they are not for the devil’s use, not for their own use, not for the world’s use, but for their Master’s use. He has made them on purpose to be used entirely, solely and wholly for Him. O Christian people, be holy, for Christ is holy. Do not pollute that holy Name wherewith you are named. Let your family life, your personal life, your business life, be as holy as Christ your Lord would have it to be. Shall saints be shams when sinners are so real?
”
”
Charles Haddon Spurgeon
“
Apparently, it used to be extremely common for families to have two parents. They stayed together because that’s what all the other parents did. Now there are so many options, so many different ways to be a family. So many ways to rip a family apart.
”
”
Susane Colasanti (So Much Closer)
“
You think we're a family,' Cody said, turning back. 'You think we're some jolly, situation-comedy family when we're in particles, torn apart, torn all over the place, and our mother was a witch.
”
”
Anne Tyler (Dinner at the Homesick Restaurant)
“
We get a lot of calls where the person is murdered at home, but is not found for a period of time. And so the animals have already started to take the body apart because they haven't been fed in that period. So your evidence is being chewed up by the family pet.
I tell you - Dogs are more loyal than cats. Cats will wait only a certain period of time and they'll start chewing on you. Dogs will wait a day or two before they just can't take the starving anymore. So, keep that in mind when choosing a pet.
You know how a cat just stares at you, maybe at the top of the TV, from across the room? That's because they're watching to see if you're gonna stop breathing.
”
”
Connie Fletcher (Every Contact Leaves a Trace)
“
Everything falls apart. The only thing in life that is permanent is family.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
The kitchen door opened and the entire Weasley family, plus Hermione, came inside, all looking very happy, with Mr Weasley walking proudly in their midst dressed in a pair of striped pyjamas covered by a mackintosh.
"Cured!" he announced brightly to the kitchen at large. "Completely cured!"
He and all the other Weasleys froze on the threshold, gazing at the scene in front of them, which was also suspended in mid-action, both Sirius and Snape looking towards the door with their wands pointing into each other's faces and Harry immobile between them, a hand stretched out to each, trying to force them apart.
"Merlin's beard," said Mr Weasley, the smile sliding off his face, "what's going on here?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs.
I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work.
Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait.
- in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987
”
”
Anatole Broyard
“
Love is the reason why my mother and father stick together in a hard life when they might each have an easier one apart; love is the reason why you choose a life with someone, and you don't turn back although your heart cries sometimes and your children see you cry and you wish out loud that things were easier. Love is getting up each day and fighting the same fight only to sleep that night in the same bed beside the same person because long ago, when you were younger and you did not see so clearly, you had chosen them.
”
”
Kao Kalia Yang (The Latehomecomer: A Hmong Family Memoir)
“
It was the lack of a clear reason that got to her most, & it stabbed her that a relationship that had once seemed unbreakable could slip apart so easily due to nothing more than time, family turmoil, & growth spurts.
”
”
Dennis Lehane (Mystic River)
“
The rooms of his apartment were full with the dog home again, convalescing. He was satisfied to know, even when she was out of sight, that somewhere in the apartment she was sleeping or eating or sitting watchfully. It was family, he guessed, more or less. Did most people want a house of living things at night, to know that in the dark around them other warm bodies slept?
Such a house could even be the whole world.
”
”
Lydia Millet (How the Dead Dream)
“
I tell the kids that, even in a childhood marked by despair and deprivation, I knew that no matter what happened, I still had my family, or at least the remnants of a family ripped apart by divorce and then glued back together in various odd arrangements through a series of ill- advised remarriages. It was good to know I had a solid foundation.
”
”
Bill Bryson
“
Remember whenever money is involved, it brings out horrific things in people. It has the power not only to split families apart, but to destroy the foundations of one's life. Never lose site of this. Take time and be certain you place your trust in those whose interests and goals mirror your own.
”
”
Gloria Vanderbilt (The Rainbow Comes and Goes: A Mother and Son on Life, Love, and Loss)
“
The Western States nervous under the beginning change.
Texas and Oklahoma, Kansas and Arkansas, New Mexico,
Arizona, California. A single family moved from the land.
Pa borrowed money from the bank, and now the bank wants
the land. The land company--that's the bank when it has land
--wants tractors, not families on the land. Is a tractor bad? Is
the power that turns the long furrows wrong? If this tractor
were ours it would be good--not mine, but ours. If our tractor
turned the long furrows of our land, it would be good.
Not my land, but ours. We could love that tractor then as
we have loved this land when it was ours. But the tractor
does two things--it turns the land and turns us off the land.
There is little difference between this tractor and a tank.
The people are driven, intimidated, hurt by both. We must think
about this.
One man, one family driven from the land; this rusty car
creaking along the highway to the west. I lost my land, a
single tractor took my land. I am alone and bewildered.
And in the night one family camps in a ditch and another
family pulls in and the tents come out. The two men squat
on their hams and the women and children listen. Here is the
node, you who hate change and fear revolution. Keep these
two squatting men apart; make them hate, fear, suspect each
other. Here is the anlarge of the thing you fear. This is the
zygote. For here "I lost my land" is changed; a cell is split
and from its splitting grows the thing you hate--"We lost our
land." The danger is here, for two men are not as lonely and
perplexed as one. And from this first "we" there grows a still
more dangerous thing: "I have a little food" plus "I have
none." If from this problem the sum is "We have a little
food," the thing is on its way, the movement has direction.
Only a little multiplication now, and this land, this tractor are
ours. The two men squatting in a ditch, the little fire, the side-
meat stewing in a single pot, the silent, stone-eyed women;
behind, the children listening with their souls to words their
minds do not understand. The night draws down. The baby
has a cold. Here, take this blanket. It's wool. It was my mother's
blanket--take it for the baby. This is the thing to bomb.
This is the beginning--from "I" to "we."
If you who own the things people must have could understand
this, you might preserve yourself. If you could separate
causes from results, if you could know Paine, Marx,
Jefferson, Lenin, were results, not causes, you might survive.
But that you cannot know. For the quality of owning freezes
you forever into "I," and cuts you off forever from the "we."
The Western States are nervous under the begining
change. Need is the stimulus to concept, concept to action.
A half-million people moving over the country; a million
more restive, ready to move; ten million more feeling the
first nervousness.
And tractors turning the multiple furrows in the vacant land.
”
”
John Steinbeck (The Grapes of Wrath)
“
What did science ever do for the world, apart from make better ways of killing people?” Sylvie said.
”
”
Kate Atkinson (Life After Life (Todd Family, #1))
“
Dude--she's your wife." He pointed to the locker where the Bible lay concealed. "God first, family second, country third.
”
”
Ronie Kendig (Beowulf: Explosives Detection Dog (A Breed Apart, #3))
“
And now he was mine and I said we should not let our love be threatened.
We should not let the family fall apart.
We should not accept an evil we can change.
We would stand up against it, would we not?
Yes. We should.
We would be heroes, even.
”
”
E. Lockhart (We Were Liars)
“
A good story goes beyond what a forgiving God cares to do: it reconciles families and unburdens them of secrets whose bond is stronger than blood. But in their revealing, as in their keeping, secrets can tear a family apart.
”
”
Abraham Verghese (The Covenant of Water)
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
For me, family means the silent treatment. At any given moment, someone is always not speaking to someone else.'
Really,' I said.
We're passive-aggressive people,' she explained, taking a sip of her coffee. 'Silence is our weapon of choice. Right now, for instance, I'm not speaking to two of my sisters and one brother... At mine [my house], silence is golden. And common.'
To me,' Reggie said, picking up a bottle of Vitamin A and moving it thoughtfully from one hand to the other, 'family is, like, the wellspring of human energy. The place where all life begins.'...
Harriet considered this as she took a sip of coffee. 'Huh,' she said. 'I guess when someone else does something worse. Then you need people on your side, so you make up with one person, jsut as you're getting pissed off at another.'
So it's an endless cycle,' I said.
I guess.' She took another sip. 'Coming together, falling apart. Isn't that what families are all about?
”
”
Sarah Dessen (Lock and Key)
“
As cruel as life might be at times, if you throw in the towel, which is what everyone will expect, then nothing good will happen and your life will fall apart. Be better than that!
”
”
Bill Courtney (Against the Grain: A Coach's Wisdom on Character, Faith, Family, and Love)
“
What must you break apart in order to bring a family close together? Bread, of course.
”
”
Jodi Picoult (The Storyteller)
“
I’m the cook, Seth. I could take a stove apart and put it back together, but dishwashers aren’t my thing.
”
”
Melissa Tagg (Three Little Words (Walker Family, #0.5))
“
In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others.
”
”
Uvi Poznansky (Apart From Love (Still Life with Memories Bundle, #1))
“
He lowered his head toward her, so she could feel his breath warm against
her skin, their mouths only inches apart. “You’re panting for it, aren’t you,
Princess?” he murmured.
”
”
Suzanne Enoch (Sins of a Duke (Griffin Family, #4))
“
In no state today does a full-time job paying minimum wage allow a family to afford a one- or two-bedroom apartment at fair market rent.
”
”
Kathryn J. Edin ($2.00 A Day: Living on Almost Nothing in America)
“
I remember hating having to cross over the Broadway Bridge again, having to leave the peninsula neighborhood and go back to my apartment in downtown Boston.
”
”
Michael Patrick MacDonald (All Souls: A Family Story from Southie)
“
Family tragedies had a way of smashing everything apart and then gluing it all back together. The problem was no one ever knew how long the glue would hold.
”
”
Sarah Ockler (The Book of Broken Hearts)
“
I have an uncle and cousin in Boston.” Percy looked shocked. “You, with the Yankees cap? You’ve got family in Red Sox country?” Annabeth smiled weakly. “I never see them. My dad and my uncle don’t get along. Some old rivalry. I don’t know. It’s stupid what keeps people apart.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.
”
”
Hanya Yanagihara (A Little Life)
“
When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [...]
You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's...really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[...] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper?
”
”
Adam Rex (The True Meaning of Smekday)
“
Everybody has a story. It’s like families. You might not know who they are, might have lost them, but they exist all the same. You might drift apart or you might turn your back on them, but you can’t say you haven’t got them.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Wasn’t it true, then, that everything in his life from that point on had been a succession of things he hadn’t really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn’t been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time—this was the hell of it—who might at any time of day or night just happen to feel like leaving him.
It was as ludicrous and as simple as that.
”
”
Richard Yates (Revolutionary Road)
“
In one sense, the Qur’an regards the Torah and the Gospel as older siblings— and looks on with dismay at the family feud tearing apart Abrahamic cohesion. In another sense, the Qur’an exists as an orphan. It presents the first Abrahamic scripture in Arabic, delivered by an Arabian prophet. Claiming a lineage back to the Torah yet revealed in a thoroughly pagan society, the Qur’an enjoys an insider-outsider status—one that empowers it to look lovingly yet critically at its ancestry. This complex inheritance means the Qur’an is aware of its roots yet free to develop its own identity without being confined by parental oversight.
”
”
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
“
The decision-making part of the brain of an individual who has been using crystal meth is very interesting. When Carly and Andy were in their apartment, they ran out of drugs. They sold every single thing they had except two things: a couch and a blow torch. They had to make a decision because something had to be sold to buy more drugs. A normal person would automatically think, Sell the blow torch. But Andy and Carly sat on the couch, looking at the couch and looking at the blow torch, and the choice brought intense confusion. The couch? The blow torch? I mean, we may not need the blow torch today, but what about tomorrow? If we sell the couch, we can still sit wherever we want. But the blow torch? A blow torch is a very specific item. If you’re doing a project and you need a blow torch, you can’t substitute something else for it. You would have to have a blow torch, right? In the end, they sold the couch.
”
”
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
“
And in that moment, Grace understood something that she would never forget: Home wasn't just a building or an apartment with a roof and beds and chairs inside. Home was with her family, wherever they were.
”
”
Priscilla Cummings (Saving Grace)
“
I was also sick of my neighbors, as most Parisians are. I now knew every second of the morning routine of the family upstairs. At 7:00 am alarm goes off, boom, Madame gets out of bed, puts on her deep-sea divers’ boots, and stomps across my ceiling to megaphone the kids awake. The kids drop bags of cannonballs onto the floor, then, apparently dragging several sledgehammers each, stampede into the kitchen. They grab their chunks of baguette and go and sit in front of the TV, which is always showing a cartoon about people who do nothing but scream at each other and explode. Every minute, one of the kids cartwheels (while bouncing cannonballs) back into the kitchen for seconds, then returns (bringing with it a family of excitable kangaroos) to the TV. Meanwhile the toilet is flushed, on average, fifty times per drop of urine expelled. Finally, there is a ten-minute period of intensive yelling, and at 8:15 on the dot they all howl and crash their way out of the apartment to school.” (p.137)
”
”
Stephen Clarke (A Year in the Merde)
“
I had this whole plan when I graduated high school: I was going to go to college, date a few guys, and then meet THE guy at the end of my freshman year, maybe at the beginning of my sophomore year. We'd be engaged by graduation and married the next year. And then, after some traveling, we'd start our family. Four kids, three years apart. I wanted to be done by the time I was 35.
”
”
Rainbow Rowell (Attachments)
“
Logically, I understand that it wasn't Edward's fault my family fell apart after he left. But when you're eleven years old, you don't give a flip about logic. You just really miss holding your big brother's hand.
”
”
Jodi Picoult (Lone Wolf)
“
kept it from turning into one of those ‘plantation venues’ white people book for weddings.” She wrinkles her nose in derision. “Getting married, right where we were butchered and assaulted, raped, whipped, and starved, families torn apart. Taking family photos on top of centuries of blood and death. Shit is fucking gross.
”
”
Tracy Deonn (Bloodmarked (Legendborn, #2))
“
That was the problem with time travel, of course (apart from the impossibility) - one would always be a Cassandra, spreading doom with one's foreknowledge of events.
”
”
Kate Atkinson (Life After Life (Todd Family, #1))
“
You couldn’t control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
”
”
Kristin Hannah (Winter Garden)
“
Maybe that's what living in America does to you: it spreads you into far distances until you're just little bits rolling apart.
”
”
Marina Budhos (Ask Me No Questions)
“
I can't love him. I don't. This feeling is not the selfish, grasping need that I've seen tear apart my family, writhing through heir hearts like worms through rotten apples.
”
”
Rosamund Hodge (Gilded Ashes)
“
The universe is trying to tell us something we both should already know: We're stronger together than apart.
”
”
Dean Winchester
“
Mom says misfortune either breaks people apart or brings them closer. God knows our family has seen enough of it to know.
”
”
Jenn Bennett (Alex, Approximately)
“
How perverse! just when everything seems to be in order and as families gather round the table to have supper,the phantom of the superclass appears,selling impossible dreams:luxury,beauty,power.And the family falls apart
”
”
Paulo Coelho
“
A man who is holding down a menial job and thereby supporting a wife and children is doing something authentically important with his life. He should take deep satisfaction from that, and be praised by his community for doing so. If that same man lives under a system that says the children of the woman he sleeps with will be taken care of whether or not he contributes, then that status goes away. I am not describing a theoretical outcome, but American neighborhoods where, once working at a menial job to provide for his family made a man proud and gave him status in his community, and where now it doesn't. Taking the trouble out of life strips people in major ways which human beings look back on their lives and say, ‘I made a difference.
”
”
Charles Murray (Coming Apart: The State of White America, 1960-2010)
“
All I see in hindsight is the chaos of history repeated, over and over, re-enacted, reinterpreted, the world, it’s fucked-up heart palpitating underneath us, failing, messing up again and again as it wound its way around a sun, and in the middle of it all, tribes, families, people, all beautiful things falling apart, debris, dust, erasure.
”
”
Valeria Luiselli (Lost Children Archive)
“
Sara knew that behind its locked front door no home was routine. Not the house of her childhood, not the apartment of her husband's. not the world they were building together with Willow and Patrick. All households had their mysteries, their particular forms of dysfunction.
”
”
Chris Bohjalian (Before You Know Kindness (Vintage Contemporaries))
“
There is a desperation to a novel that is unsettling. The world so painstakingly re-created in miniature; this tiny diorama made of words. Why go to all this trouble, to create me, to seduce you, to enumerate so many different breakfast cereals? To make the cunning tiny apartment, the itsy-bitsy Jinx? It's like going to meet your new boyfriend's family for the first time and discovering they are all paid actors. It's almost easier to believe I'm real than to understand what's actually going on. The desperation that could have caused anyone to invent me in the first place. The urgency and need that would require creating an imaginary space of this size and level of detail.
And it really makes you wonder: What kind of truth would require this many lies to tell?
”
”
Rufi Thorpe (Margo's Got Money Troubles)
“
Once upon a time,” Nora said, as she fluttered a series of kisses over his shoulders that sent every nerve in his body reeling, “a very poor girl from a fucked-up family became a famous writer with a wicked pen and an even more wicked tongue who made seven figures a year. And she went everywhere she wanted to and did everything she wanted to. And nobody ever tried to stop her. And she had her own pet Angel who needed to learn how to talk. So guess what she did?”
“What?” Michael asked. He laughed in surprise as Nora slammed him down onto his back and slid on top of him. She brought her mouth onto his and forced his lips apart.
“She gave him her tongue.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Like every experience that marks us for a lifetime, I found myself turned inside out, drawn and quartered. this was the sum of everything I'd been in my life--and more: who I am when I sing and stir-fry vegetables for my family and friends on Sunday afternoons; who I am when I wake up on freezing nights and want nothing more than to throw on a sweater, rush to my desk, and write about the person I know no one knows I am; who I am when I crave to be naked with another naked body, or when I crave to be alone in the world; who I am when every part of me seems miles and centuries apart and each swears it bears my name.
”
”
André Aciman
“
Count yourself lucky. I watched my entire family as they were eaten alive by the very pack of animals you have downstairs in your house with your child. The blood of my parents flowed from their bodies through the floorboards and drenched me while I lay in terror of being torn apart by them. I was only a year older than your child when it happened. My parents gave their lives for mine and I watched as they gave them. So you’ll have to excuse me if I have a hard time thinking good of any animal except those who are dead or caged. (Angelia)
”
”
Sherrilyn Kenyon (Dead After Dark)
“
Well, there was something I once read... It was an astronomy book that said in most of the constellations, the stars don't actually belong together. They only appear to. They look to us as if they're close to each other, but some of them exist in another part of the galaxy altogether. That's how my family was. We seemed to belong to the same group, but we were all very far apart
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Once you've seen a solution to the disease that's tearing you apart, relapsing is never fun. You know there's an alternative to the way you're living and that you're going against something you've been given for free by the universe, this key to the kingdom. Drug addiction is a progressive disease, so every time you go out, it gets a little uglier than it was before; it's not like you go back to the early days of using, when there was less of a price to pay. It isn't fun anymore, but it's still desperately exciting. Once you put that first drug or drink in your body, you don't have to worry about the girlfriend or the career or the family or the bills. All those mundane aspects of life disappear. Now you have one job, and that's to keep chucking the coal in the engine, because you don't want this train to stop. If it stops, then you're going to have to feel all that other shit.
”
”
Anthony Kiedis (Scar Tissue)
“
There are people who cannot say good-bye
They are born this way/this is how they die
They are the keepers of promises/what moves them does not wear out
Their loyalty will tear apart your clocks
These are the people who can hear the music in songs
They are the Vow carriers
The grandmothers who always leave the porchlight on
No one is lost to the one who sees
These are the women widowed by men they never married
These are the girls who wait even when you don't come
These are the mothers of orphans/They can turn a fake into an original
They will hear the prayer in your self-contempt
As distance is measured/people do not end
It is one of those stories that cannot be written down except across a lifetime of open doors
There is a holding on beyond the letting go
There is a reunion in everybody's chest
This is how we come to make a family from strangers
This is how we light candles
These are people who will remember you when you meet them
These are the people you can always call at night
They are humans turned angels by your asking
With each separation they go to seed again.
These are the men who carried you on their shoulders
This is the one your are lonely for
the one who begins and ends your hunger
This is the man who said "Always"
There is something that does not wear out
It is the third part of any two people who join
It opens and closes
There are people who are alone who are not apart
This is why we listen to the madman when he speaks
People change but they do not stop
This is how we learn "Forever"
There are people you can count on/They are the keepers of promises
They are candles lit from each other
They can teach us eternity
We can get what we can give/This is the instruction
There are people who do not say goodbye
As distance is measured
You are one of them
”
”
Merrit Malloy (The People Who Didn't Say Goodbye)
“
Answers seemed to float through the space around him. It was about love. It was about getting handed at conception a gift that sets you apart from everyone and you spend your whole life drifting through the margins of time, not understanding hours like everyone else seems to: glancing at wristwatches, checking timetables - you hardly know what it is people are trying to accomplish when they go through their days: morning, noon, evening, night. Wake up and sleep and wake up. This was about family, how blood superseded death; it was about trying your hardest, it was about snow.
”
”
Anthony Doerr (About Grace)
“
The bonds of family can be wonderful but there is a time to know when to stand apart.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Spoilers follow
I started reading the third act of Hamlet, and I got about two pages in when I realized there's no point.
I am never going back to school.
I am never going to the university.
I am never going to watch wolves stalk through the northern forests or elephants graze on the savanna. I am never going to have sex or get married or raise a family. I'm never going to have a first apartment, a first house, a first car. I'm never
”
”
Megan Crewe (The Way We Fall (Fallen World #1))
“
my family's going to eat as long as anybody eats. What they're trying to do is starve you Conchs out of here so they can burn down the shacks and put up apartments and make this a tourist town. That's what I hear. I hear they're buying up lots, and then after the poor people are starved out and gone somewhere else to starve some more they're going to come in and make it into a beauty spot for tourists.
”
”
Ernest Hemingway (To Have and Have Not)
“
And that's how it was with Garrett. Because he understood me, the me I wanted so desperately to be. Think about your best friend - how you tell them everything, how they're the person who knows you best, all your deepest fears and insecurities. They're the one you call when something amazing happens or when everything falls apart and you need someone to come over and watch movies and tell you that everything's going to be OK. It's not like family, who are obligated to love you and even then sometimes fail to be everything they're supposed to be. Your true friend has chosen you, and you them, and that's a different kind of bond.
That's Garrett to me. I'm used to talking to him all the time, about the most meaningless stuff. To have him gone feels like a loss, an absence haunting me every day. Without him, there's just the empty space that used to be filled with laughter and friendship and comfort.
Can you really blame me for finding it so hard to let go?
”
”
Abby McDonald (Getting Over Garrett Delaney)
“
The song of a Gypsy’s Pride: The tea leaves warned of blood and death. Four gypsy first-borns breathed the last breath. War! War! Beyond the double-dutch doors! Sing, sweet gypsies, who will be mistaken no more. Six gypsy families all stood nigh. Five gypsy families for one sacrifice. Four gypsy families broken apart. Three gypsy families turned cold of heart. Two gypsy families couldn’t back down. One gypsy family went underground. Forever is such a long time to bleed. Worst are the gypsies brought to their knees. Sing, gypsies, sing of your lies. Never trust a gypsy with no gypsy pride. Sing, gypsies, sing of your truths. The apples have all rotted; the oranges just bruised.
”
”
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
“
Control of sexuality is a classic tool of domination, used by men against women, by white people against people of color, by the abled against the disabled—or, to cut a long list short, by the powerful against the less powerful. It can be expressed in many ways, like rape as a form of political conquest or slave owners marrying off their slaves and splitting families apart. It can look like enforcing purity rules only for women, perpetuating racist sexual stereotypes, or assuming that some groups have no sexual desires at all.
”
”
Angela Chen (Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex)
“
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings.
I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
No longer married, suddenly I was widowed. From Latin, the name means "emptied." Far worse; it felt like being torn in half, ripped apart from the single functioning organism that had been our family, our lives. Shattered, the word kept recurring; the whole pattern shattered, just as the mountain rocks had shattered his body.
”
”
Elaine Pagels (Why Religion? A Personal Story)
“
Let me put it formally: If we ask what are the domains through which human beings achieve deep satisfactions in life—achieve happiness—the answer is that there are just four: family, vocation, community, and faith, with these provisos: Community can embrace people who are scattered geographically. Vocation can include avocations or causes. It is not necessary for any individual to make use of all four domains, nor do I array them in a hierarchy. I merely assert that these four are all there are. The stuff of life occurs within those four domains.
”
”
Charles Murray (Coming Apart: The State of White America, 1960-2010)
“
In an era of weaponized sensitivity, participation in public discourse is growing so perilous, so fraught with the danger of being caught out for using the wrong word or failing to uphold the latest orthodoxy in relation to disability, sexual orientation, economic class, race or ethnicity, that many are apt to bow out. Perhaps intimidating their elders into silence is the intention of the identity-politics cabal — and maybe my generation should retreat to our living rooms and let the young people tear one another apart over who seemed to imply that Asians are good at math.
”
”
Lionel Shriver (The Mandibles: A Family, 2029-2047)
“
By the time I walked down the aisle—or rather, into a judge’s chambers—I had lived fourteen independent years, early adult years that my mother had spent married. I had made friends and fallen out with friends, had moved in and out of apartments, had been hired, fired, promoted, and quit. I had had roommates I liked and roommates I didn’t like and I had lived on my own; I’d been on several forms of birth control and navigated a few serious medical questions; I’d paid my own bills and failed to pay my own bills; I’d fallen in love and fallen out of love and spent five consecutive years with nary a fling. I’d learned my way around new neighborhoods, felt scared and felt completely at home; I’d been heartbroken, afraid, jubilant, and bored. I was a grown-up: a reasonably complicated person. I’d become that person not in the company of any one man, but alongside my friends, my family, my city, my work, and, simply, by myself. I was not alone.
”
”
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
“
Something else gets under your skin, keeps you working days and nights at the sacrifice of your sleeping and eating and attention to your family and friends, something beyond the love of puzzle solving. And that other force is the anticipation of understanding something about the world that no one has ever understood before you.
Einstein wrote that when he first realized that gravity was equivalent to acceleration -- an idea that would underlie his new theory of gravity -- it was the "happiest thought of my life." On projects of far smaller weight, I have experienced that pleasure of discovering something new. It is an exquisite sensation, a feeling of power, a rush of the blood, a sense of living forever. To be the first vessel to hold this new thing.
All of the scientists I've known have at least one more quality in common: they do what they do because they love it, and because they cannot imagine doing anything else. In a sense, this is the real reason a scientist does science. Because the scientist must. Such a compulsion is both blessing and burden. A blessing because the creative life, in any endeavor, is a gift filled with beauty and not given to everyone, a burden because the call is unrelenting and can drown out the rest of life.
This mixed blessing and burden must be why the astrophysicist Chandrasekhar continued working until his mid-80's, why a visitor to Einstein's apartment in Bern found the young physicist rocking his infant with one hand while doing mathematical calculations with the other. This mixed blessing and burden must have been the "sweet hell" that Walt Whitman referred to when he realized at a young age that he was destined to be a poet. "Never more," he wrote, "shall I escape.
”
”
Alan Lightman
“
Franz said 'Your picture, Viki, suggests that sense of breaking-up we feel in the modern world. Families, nations, classes, other loyalty groups falling apart. Things changing before you get to know them. Death on the installment plan – or decay by jumps. Instantaneous birth. Something out of nothing. Reality replacing science fiction so fast that you can't tell which is which. Constant sense of deja-vu - 'I was here before, but when, how?' Even the possibility that there's no real continuity between events, just inexplicable gaps. And of course every gap – every crack – means a new perching place for horror.
”
”
Fritz Leiber
“
It had seemed so foreign to me - the idea that you could move forward without a painful airing of grievances on both sides. But maybe - maybe it wasn't necessary to pick apart pain. Maybe some things just weren't worth fighting about. Some friends weren't friends anymore, but family - and there were different rules for family. It didn't make sense to sit down with family and detail all the reasons they'd upset you - for many reasons, not least among them the fact that they could whip out a checklist of your transgressions themselves. And after you'd both picked apart the carcasses, why would you want to be friends again? Maybe the important thing was to recognize that everyone felt wronged and slighted - but the point worth concentrating on was that everyone loved each other. If we worked from that premise, we should be fine. Or anyway, I hoped we would.
”
”
Megan Crane (Frenemies)
“
Payton “Sin” Sinclair was an unapologetic people-watcher. As a sports consultant, working with some of the biggest and most recognizable athletes in sports and business, he had to be able to read the smallest nuances of others. That ability was just one of the unique attributes that set him apart from the competition and made him the go-to person when corporations wanted to align themselves with the top professional athletes in the country.
”
”
Francis Ray (A Dangerous Kiss (Grayson Friends, #7))
“
family is not defined by blood. It’s not always who you’re born to that you’re stuck with. It’s what you want it to be, what you make of it. It’s the people around you who see you at your worst and are not afraid to pick up the pieces when you fall apart. It’s the people who can call you on your bullshit. It’s tough to hear, but if you do hear it, it means that someone gives a damn about you and chances are you should probably listen. It’s the people who look at you each time they see you like they haven’t seen you in years. It’s the people who you fight for. It’s the people you’d lay down your life for. It’s the scariest thing in the world, but, if you let it, it’s also the greatest. If I could have you remember anything from our time together, it would be that it’s not about where you come from. It’s about who you are.
”
”
T.J. Klune (Who We Are (Bear, Otter, and the Kid #2))
“
The calcium in your bones came from a star. We are all made from recycled bits and pieces of the universe. This matters because origins matter.
For example, if you were born to a reigning monarch but kidnapped by the black market baby underground shortly after birth and sent to America where you were raised by common, unremarkable people from Ohio, and when you were in your thirties working as a humble UPS driver, dignitaries landed their helicopter on the roof of your crummy apartment building and informed you of their thirty-plus year search for you, His Royal Highness, the course of your life might change.
You know?
Our familial genetic origins -medical histories- inform us of medical conditions which exist in our families and when we know about these specific conditions, we can sometimes take certain actions to prevent them.
Which is why I think it’s important to consider that billions of years before we were students and mothers and dog trainers and priests, we were particles that would form into star after star after star until forever passed, and instead of a star what formed was life; simplistic, crude, miraculous.
And after another infinity, there we were.
And this is why for you, anything is possible.
Because you are made out of everything.
”
”
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
“
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism.
Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief.
You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
”
”
Chieko N. Okazaki
“
Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.
”
”
Jenny Zhang (Sour Heart)
“
The one general theme I took away from that first week with my new friends, was that everyone had their issues. Life in its simplest form is an attempt to deal with and avoid potential impediments. Some families take dysfunction to lofty heights while other break apart like Oreos mixed in a blender.
”
”
Phil Wohl (Second Honeymoon on Dune Road)
“
Who, on seeing a Parisian apartment house, has never thought of it as indestructible? A bomb, a fire, an earthquake could certainly bring it down, but what else? In the eyes of an individual, of a family, or even a dynasty, a town, street, or house seems unchangeable, untouchable by time, by the ups and downs of human life, to such an extent that we believe we can compare and contrast the fragility of our condition to the invulnerability of stone.
”
”
Georges Perec (Life: A User's Manual)
“
What do we owe the people who grew us up, who first made up our entire world? It's complicated for the kids of immigrants. I'm not talking about the usual "my parents don't understand" thing. My parents believe in the power of choice, and they never asked me to sacrifice my dreams for theirs. Yet I feel like I should anyway. Where does this feeling come from? Is it just loyalty and strong family ties? Is it because, as part of a marginalized community, we all had to stick together to survive, and that sort of experience tends to become habit? Maybe it's about guilt. We are kids who benefited from the sacrifices our parents made when they decided to move to a richer, safer country. If we then grow up to grow apart, have we become ungrateful villains?
”
”
Uzma Jalaluddin (Hana Khan Carries On)
“
We got no jobs, no money, no power, no nothin', nothin' to live for 'cept vice and indulgence. That's how they control us. But it's falling apart. What we got is our land and our machines, our families and our ability to protect it all, to keep them alive. We got our hands. Ones who'll survive will be the ones can live from the land. Can wield a gun. Those folks'll fight for what little they've got. They'll surprise the criminals with their own savagery. Man, woman, and child will be tested. Others'll be too weak and scared. Uneducated in common sense. Won't know what's happened. But believe me, war is coming.
”
”
Frank Bill (Donnybrook)
“
I was occupied so entirely by each day, I felt detached from anything so large as a month or a year. History didn't cross my mind. Now it does. Now I know, whatever your burdens, to hold yourself apart from the lot of more powerful men is an illusion. On that awful day in January 1961, Lumumba paid with a life and so did I. On the wings of an owl the fallen Congo came to haunt even our little family, we messengers of goodwill adrift on a sea of mistaken intentions.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
The apartment’s owner had been an old man, and the photographs told of a very rich life. He’d had a large family, many friends, and had traveled to what seemed every exciting and exotic locale around the world. I’d never even imagined leaving my bedroom, let alone even leading that kind of life. I promised myself that if I ever made it out of this nightmare, I wouldn’t just survive, I would live!
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Dreams hit the fan? Life unexpectedly take a turn for the worst? Here’s what you do:
First thing I think is to realize God didn’t do this to you. It’s just life.
Second, know that it sucks. It does.
Third, it’s a tunnel not a cave.
Fourth, it still sucks.
Fifth, it’s not hopeless. Assign meaning to it. Choose for these horrible things to bring you closer to family and god and not farther apart.
Praying for you
”
”
Richie Norton
“
Cool morning shadows sadly shift across the floor
Each time we say goodbye it’s harder than before
Even after all the pain of parting still we find
That we must mourn the death of the dreams we leave behind
As I turn my back on all that means the most to me
The sounds and smells, the light that dances on the sea
The greatest gamble is to act on the belief
That only the slave who leaves it all is truly free
The sacrifice that we both lay before His feet
A thousand moments that belonged to us
That now will never be
By faith we hold a better dream inside our hearts
A time when our family will never have to be apart
Till then we struggle with just what it really means
And we will mourn the death of our beautiful dreams
Mourn the death of our beautiful dreams
”
”
Michael Card (A Fragile Stone: The Emotional Life of Simon Peter)
“
In normal families, unbroken families, the mother and the father are like two hands cupped together, and held by those hands are the children. In my family, the hands have pulled apart and the children have been dropped. If one parent isn’t looking after you, they just assume the other one is. You find out you don’t really belong anywhere.
”
”
Kirsty Eagar (Night Beach)
“
I realized my grief was richer and more nuanced than what lay on the surface. This was about more than the burden of the apothecary. More than James' infidelity. Intermingled in the mess was another subtler secret that James and I had hid from each other for years.
We were happy, yet unfulfilled. It was possible, I understood now, to be both at the same time. I was happy with the stability of working for my family yet unfulfilled by my job and burdened by the things I hadn't pursued. I was happy with our desire to someday have children yet unfulfilled by my achievements apart from family life. How had I only just learned that happiness and fulfillment were entirely distinct things?
”
”
Sarah Penner (The Lost Apothecary)
“
Wages and housing costs have diverged so dramatically that, for a growing number of Americans, the dream of a middle-class life has gone from difficult to impossible. As I write this, there are only a dozen counties and one metro area in America where a full-time minimum wage worker can afford a one-bedroom apartment at fair market rent. You’d have to make at least $16.35 an hour—more than twice the federal minimum wage—to rent such an apartment without spending more than the recommended 30 percent of income on housing. The consequences are dire, especially for the one in six American households that have been putting more than half of what they make into shelter. For many low-income families, that means little or nothing left over to buy food, medication, and other essentials.
”
”
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
“
Somewhere, at some indefinable point, he'd crossed a bridge and the bridge had crumbled behind him. There was no going back. He cared for Lady Phoebe Batten more than anything else in life. More than his family. More than his honor.
More than his freedom, should it come to that.
Bringing her joy was worth more than any amount of money. He knew--without doubt, without fear--that he would kill for her.
That he would die for her.
It was almost a relief, this realization. He might fight intellectually against it, using all those well-worn arguments: he was too old, she was too young, they were too far apart in class, but it simply didn't matter. His heart performed a
coup d'état over his mind and there was nothing more to be done about it.
He loved Phoebe Batter, now and forevermore.
”
”
Elizabeth Hoyt (Dearest Rogue (Maiden Lane, #8))
“
Earth can be bad for your health too. On land, grizzly bears want to maul you; in the oceans, sharks want to eat you. Snowdrifts can freeze you, deserts dehydrate you, earthquakes bury you, volcanoes incinerate you. Viruses can infect you, parasites suck your vital fluids, cancers take over your body, congenital diseases force an early death. And even if you have the good luck to be healthy, a swarm of locusts could devour your crops, a tsunami could wash away your family, or a hurricane could blow apart your town.
So the universe wants to kill us all.
”
”
Neil deGrasse Tyson
“
In short, Daniel was once again a member of a family. Viewed from without they were a strange enough family: a rattling, hunchbacked old woman, a spoiled senile cocker spaniel, and a eunuch with a punctured career (for though Rey didn’t live with them, his off-stage presence was as abiding and palpable as that of any paterfamilias away every day at the office). And Daniel himself. But better to be strange together than strange apart. He was glad to have found such a haven at last, and he hoped that most familial and doomed of hopes, that nothing would change.
”
”
Thomas M. Disch (On Wings of Song)
“
As long as we share our stories, as long as our stories reveal our strengths and vulnerabilities to each other, we reinvigorte our understanding and tolerance for the little quirks of personality that in other circumstances would drive us apart. When we live in a family, a community, a country where we know each other's true stories, we remember our capacity to lean in and love each other into wholeness.
I have read the story of a tribe in southern Africa called the Babemba in which a person doing something wrong, something that destroys this delicate social net, brings all work in the village to a halt. The people gather around the "offender," and one by one they begin to recite everything he has done right in his life: every good deed, thoughtful behavior, act of social responsibility. These things have to be true about the person, and spoken honestly, but the time-honored consequence of misbehavior is to appreciate that person back into the better part of himself. The person is given the chance to remember who he is and why he is important to the life of the village.
I want to live under such a practice of compassion. When I forget my place, when I lash out with some private wounding in a public way, I want to be remembered back into alignment with my self and my purpose. I want to live with the opportunity for reconciliation. When someone around me is thoughtless or cruel, I want to be given the chance to respond with a ritual that creates the possibility of reconnection. I want to live in a neighborhood where people don't shoot first, don't sue first, where people are Storycatchers willing to discover in strangers the mirror of themselves.
”
”
Christina Baldwin (Storycatcher: The Power of Story to Change Our Lives)
“
He rrraped herrr,” the beast within him shrieked from deep in his gut, shaking everything but my resolve.
Pietr stepped back, putting his hands up. “Tear him apart,” he agreed.
“Shit, Pietr!” I snapped. “It’s murder!”
“Justifiable homicide,” Pietr returned.
“When did my questionable moral code start to qualify as the guiding light in this family?!” I wedged myself more firmly between the two of them.
”
”
Shannon Delany (Bargains and Betrayals (13 to Life, #3))
“
TV families and your own are hard to tell apart, except your isn't interrupted every six minutes by commercials and theirs don't get bogged down into nothingness, a state where nothing happens, no skit, no zany visitors, no outburst on the laugh track, nothing at all but boredom and a lost feeling, especially when you get up in the morning and the moon is still shining and men are making noisy bets on the first tee.
”
”
John Updike (Rabbit at Rest (Rabbit Angstrom, #4))
“
the most precious beings to her, and so is June. She likes to imagine a place, a safe place, where she can live one day with June and the children. June is older, wiser. She knows. She knows that two women cannot live together like a couple and be treated normally. This may occur in New York, perhaps, but not in Paris. Not in 1973. Certainly not in the kind of society the Rey family live in. She tries to explain this to Clarisse. She says they need to wait, to take their time, that things can happen quietly, slowly, with less difficulty. But Clarisse is younger and more impatient. She doesn’t want to wait. She doesn’t want to take her time.” The pain is setting in at last, like a familiar, dangerous friend you let in with apprehension. My chest feels constricted, too small to contain my lungs. I stop and take a couple of deep breaths. Angèle comes to stand behind me. Her warm body presses against mine. It gives me the strength to carry on. “That Christmas is a dreadful one for Clarisse. Never has she felt lonelier. She misses June desperately. June has her busy, active life in New York, her gallery, her society, her friends, her artists. Clarisse has only her children. She has no friends apart from Gaspard, the son of her mother-in-law’s maid. Can she trust him? What
”
”
Tatiana de Rosnay (A Secret Kept)
“
The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers.
”
”
Charles Murray (Coming Apart: The State of White America, 1960-2010)
“
What height is this table?' he said suddenly, just as I was about to go to the bread bin for a slice to wipe my plate with. I turned round and looked at him, wondering why he was bothering with such an easy question.
'Thirty inches,' I told him, and took a crust from the bin.
'Wrong,' he said with an eager grin. 'Two foot six.'
I shook my head at him, scowling, and wiped the brown rim of soup from the inside of my plate. There was a time when I was genuinely afraid of these idiotic questions, but now, apart from the fact that I must know the height, length, breadth, area and volume of just about every part of the house and everything in it, I can see my father's obsession for what it is. It gets embarrassing at times when there are guests in the house, even if they are family and ought to know what to expect. They'll be sitting there, probably in the lounge, wondering whether Father's going to feed them anything or just give an impromptu lecture on cancer of the colon or tapeworms, when he'll sidle up to somebody, look round to make sure everybody's watching, then in a conspiratorial stage-whisper say: 'See that door over there? It's eighty-five inches, corner to corner. ' Then he'll wink and walk off, or slide over on his seat, looking nonchalant.
”
”
Iain Banks (The Wasp Factory)
“
...The very worst events in life have that effect on a family: we always remember, more sharply than anything else, the last happy moment before everything fell apart. The second before the crash, the ice-cream in the gas station just before the accident, the last swim on holiday before we came home and received the diagnosis. Our memories always force us back to those very best moments, night after night, prompting the questions: "Could I have done anything differently? Why did I just go around being happy? If only I'd known what was going to happen, could I have stopped it?"...Everyone has a thousand wishes before a tragedy, but just one afterward. When a child is born, its parents dream of it being as unique as possible, until it gets ill, when suddenly all they want is for everything to be normal.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Here is the thing you should know about children,” said Lilibet. Up close, it was clear to see that the Prince’s looks came from his mother: He had her black hair, her lush mouth at odds with those fine, almost too-sharp bones. “Children make you helpless. You can have all the power one can imagine, and if you cannot keep them safe from themselves and the world, it does not matter.”
Lin inclined her head, not sure what to say. “I ought to remain with the Prince tonight. Make sure his condition is stable.”
The Queen nodded. As Lin turned toward the door of the royal apartment, the Queen said abruptly, “And if you do have children, physician—”
Lin looked back over her shoulder. Lilibet was not looking at her, but into the distance, as if recalling some past event.
“If you do have children, make sure to have more than one.
”
”
Cassandra Clare (Sword Catcher (The Chronicles of Castellane, #1))
“
Woolf worried about the childlessness from time to time, and suffered from the imposed anxiety that she was not, unlike her friend Vita Sackville-West, a real woman. I do not know what kind of woman one would have to be to stand unflinchingly in front of The Canon, but I would guess, a real one. There is something sadistic in the whip laid on women to prove themselves as mothers and wives at the same time as making their way as artists. The abnormal effort that can be diverted or divided. We all know the story of Coleridge and the Man from Porlock. What of the woman writer and a whole family of Porlocks?
For most of us the dilemma is rhetorical but those women who are driven with consummate energy through a single undeniable channel should be applauded and supported as vigorously as the men who have been setting themselves apart for centuries.
”
”
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
“
We use rituals in our Moon Circle in order to set the evening apart as a sacred space. We use it to recentre ourselves, to allow crashing thoughts to melt away. Like music and art, rituals can open our hearts to new possibilities. They allow us to see with a fresh clarity, and bring us to a space of liminality. Liminal space is what we feel when we see a stunning sunset and the world around us drops away. It's when we hear a new song and begin crying at the traffic lights. It's the quiet of Christmas Eve, when everything is done and all the family is asleep, and your mind grows still and full of gladness.
”
”
Lucy AitkenRead (Moon Circle: Rediscover intuition, wildness and sisterhood)
“
Sixth grade, I remembermy best friend Wendy
whose parents were fighting, harshly, loudly,
and we sat on the curb outside so she wouldn't have to hear it,
and she cried, believing her world was falling apart.
I made up a kind-of game:
to everything she would say, I would respond
'Is that a fact or an opinion?'
and she had to figure it out and say it outloud--
we played it for hours,
ending up laughing
but she also began to separate
what was actually happening inside the house
from her feelings about it
and her fears.
I feel like I'm still playing 'Fact or Opinion'
in my writing,
in the world--
with family, friends,
and, of course, myself.
Wish I could play it with our governmental representatives,
our institutions,
our courts.
”
”
Shellen Lubin
“
Sixth grade, I remembermy best friend Wendy
whose parents were fighting, harshly, loudly,
and we sat on the curb outside so she wouldn't have to hear it,
and she cried, believing her world was falling apart.
I made up a kind-of game:
to everything she would say, I would respond
"Is that a fact or an opinion?"
and she had to figure it out and say it outloud--
we played it for hours,
ending up laughing
but she also began to separate
what was actually happening inside the house
from her feelings about it
and her fears.
I feel like I'm still playing "Fact or Opinion"
in my writing,
in the world--
with family, friends,
and, of course, myself.
Wish I could play it with our governmental representatives,
our institutions,
our courts.
”
”
Shellen Lubin
“
How Do I Deal with My Toddler’s Behavior? Do what most parents do and drown your frustrations in doughnuts and beer come bedtime. Personal trainers and fitness nuts will tell you that eating before bed is bad for your health and waistline. What these idiots don’t understand is that you need to snack so that you don’t abandon your family in the night. When it comes down to it, isn’t it preferable to inhale a bag of Doritos and be forty or fifty pounds overweight than to leave your toddler without a parent? You’re doing the right thing by eating your emotions. Living with a toddler isn’t the time for you to be worried about having a thigh gap. Fun fact: You can actually create a thigh gap no matter what you weigh just by standing with your legs apart. See? Gap. (But, remember, thigh gaps are dangerous because toddlers can use them to climb back into your uterus.)
”
”
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
“
But what was so great about marriage? I had been married and married. It had its good points, but it also had its bad. The virtues of marriage were mostly negative virtues. Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah.
Would most women get married if they knew what it meant? I think of young women following their husbands wherever their husbands follow their jobs. I think of them suddenly finding themselves miles away from friends and family, I think of them living in places where they can't work, where they can't speak the language. I think of them making babies out of their loneliness and boredom and not knowing why. I think of their men always harried and exhausted from being on the make. I think of them seeing each other less after marriage than before. I think of them falling into bed too exhausted to screw. I think of them farther apart in the first year of marriage than they ever imagined two people could be when they were courting. And then I think of the fantasies starting. He is eyeing the fourteen-year-old postnymphets in bikinis. She covets the TV repairman. The baby gets sick and she makes it with the pediatrician. He is fucking his masochistic little secretary who reads Cosmopolitan and things herself a swinger. Not: when did it all go wrong? But: when was it ever right?
.......
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway.
”
”
Erica Jong (Fear of Flying)
“
Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean!
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
When one has apparently made up one’s mind to spend the evening at home and has donned one’s house-jacket and sat down at the lamplit table after supper and do the particular job or play the particular game on completion of which one is in the habit of going to bed, when the weather out is so unpleasant as to make staying in the obvious choice, when one has been sitting quietly at the table for so long already that one’s leaving must inevitably provoke general astonishment, when the stairwell is in any case in darkness and the street door locked, and when in spite of all this one stands up, suddenly ill at ease, changes one’s coat, reappears immediately in street clothes, announces that one has to go out and after a brief farewell does so, feeling that one has left behind one a degree of irritation commensurate with the abruptness with which one slammed the apartment door, when one then finds oneself in the street possessed of limbs that respond to the quite unexpected freedom one has procured for them with out-of-the-ordinary agility, when in the wake of this one decision one feels capable, deep down, of taking any decision, when one realizes with a greater sense of significance than usual that one has, after all, more ability than one has need easily to effect and endure the most rapid change, and when in this frame of mind one walks the long city streets—then for that evening one has stepped completely outside one’s family, which veers into inessentiality, while one’s own person, rock solid, dark with definition, thighs thrusting rhythmically, assumes it true form.
The whole experience is enhanced when at that late hour one looks up a friend to see how he is.
”
”
Franz Kafka (The Complete Stories)
“
The dominant way we deal with death in our culture is religious. And our religious culture deals with death by pretending it isn’t real. Religion deals with death by pretending it isn’t permanent; by pretending that the loss of the ones we love is just like a long vacation apart; by pretending that our dead loved ones are still hanging around somehow, like the dead grandparents in a “Family Circus” cartoon; by pretending that our own death is just a one-way trip to a different place. Our religious culture deals with death by putting it on the back burner, by encouraging people to stick their fingers in their ears and yell, “I can’t hear you, I can’t hear you, I can’t hear you!
”
”
Greta Christina (Comforting Thoughts About Death That Have Nothing to Do with God)
“
Christmas is the marriage of chaos and design. The real sound of life, for once, can burst out because a formal place has been set for it. At the moment when things have gotten sufficiently loose, the secret selves that these familiar persons hold inside them shake the room...An undercurrent of clowning and jostling is part of the process by which we succeed finally in making our necessary noise: despite the difficulty of getting the words right, of getting the singers on the same page, of keeping the ritual from falling apart into the anarchy of separate impulses. From such clatter--extended and punctuated by whatever instrument is handy, a triangle a tambourine, a Chinese gone--beauty is born.
”
”
Geoffrey O'Brien (Sonata for Jukebox: An Autobiography of My Ears)
“
We had been assured by our elders that intelligence was a family trait. All my kin and forebears were people of substantial or remarkable intellect, thought somehow none of them had prospered in the world. Too bookish, my grandmother said with tart pride, and Lucille and I read constantly to forestall criticism, anticipating failure. If my family were not as intelligent as we were pleased to pretend, this was an innocent deception, for it was a matter of indifference to everybody whether we were intelligent or not. People always interpreted our slightly formal manner and our quiet tastes as a sign that we wished to stay a little apart. This was a matter of indifference, also, and we had our wish.
”
”
Marilynne Robinson (Housekeeping)
“
Very few people know loyalty anymore." "Do you?" I asked, needing for my own piece of mind to know. "Did I maybe start flirting with Shelly when I was still dating Meg in high school? Yeah, I did. I was sixteen and stupid as fuck. But I grew up. I watched countless families get torn apart by infidelity. I have had to comfort dozens of crying women in my office when I handed them the pictures they paid me to take. And I've gotten to witness the awful thing that happens when they stop crying." "What's that?" "They make up their minds to never let themselves get hurt like that again. See, cheating doesn't just screw up that one relationship, it tends to screw up every single one later because the person gets bitter or scared or distrusting. It's a sad fucking thing to see. And it's not something I am ever willing to do to a woman." He paused and I let those words sink in.
”
”
Jessica Gadziala (367 Days (Investigators, #1))
“
I flipped quickly through the pages as I waited—made my family a jerky, imperfect movie. It struck me that my mother had compiled mostly a book of her father, Thomas, and me. Others make appearances: Ray, Dessa, the Anthonys from across the street, the Tusia sisters from next door. But my grandfather, my brother, and I are the stars of my mother’s book. Ma herself, camera-shy and self-conscious about her cleft lip, appears only twice in the family album. In the first picture, she’s one of a line of dour-faced schoolchildren posed on the front step of St. Mary of Jesus Christ Grammar School. (A couple of years ago, the parish sold that dilapidated old schoolhouse to a developer from Massachusetts who converted it into apartments.
”
”
Wally Lamb (I Know This Much Is True)
“
I could have made analytical comparisons with kisses I’d had from other boys, trying to work out just why Gideon did it so much better. I might also have stopped to remember that there was a wall between us, and a confessional window through which Gideon had squeezed his head and arms, and these were not the ideal conditions for kissing. Quite apart from the fact that I could do without any more chaos in my life, after discovering only two days ago that I’d inherited my family’s time-traveling gene.
The fact was, however, that I hadn’t been thinking anything at all, except maybe oh and hmm and more!
That’s why I hadn’t noticed the flip-flop sensation inside me, and only new, when the little gargoyle folded his arms and flashed his eyes at me from his pew, only when I saw the confessional curtain—brown, although it had been green velvet a moment ago—did I work it out that meanwhile we’d traveled back to the present.
“Hell!” Gideon moved back to his side of the confessional and rubbed the back of his head.
Hell? I came down from cloud nine with a bump and forgot the gargoyle.
“Oh, I didn’t think it was that bad,” I said, trying to sound as casual as possible. Unfortunately, I was rather breathless, which tended to spoil the effect. I couldn’t look Gideon in the eye, so instead I kept staring at the brown polyester curtain in the confessional.
”
”
Kerstin Gier
“
And I didn’t even want a baby, he thought to the rhythm of his digging. Isn’t that the damnedest thing? I didn’t want a baby any more than she did. Wasn’t it true, then, that everything in his life from that point on had been a succession of things he hadn’t really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn’t been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time—this was the hell of it—who might at any time of day or night just happen to feel like leaving him. It was as ludicrous and as simple as that.
”
”
Richard Yates (Revolutionary Road)
“
Sometimes family hurts you more than they could ever love you. That’s a truth a lot of people don’t want to hear, but sometimes people get the opposite. They get the families that love you more than they could ever hurt you. Those people are the luckiest in the world. You know what pisses me off? Is that they probably don’t even know it. They don’t know how lucky they are, but, Sam, you’re one of them.” I sucked in a breath. That ache was a stabbing pain now. She leaned forward. Some of her long hair fell forward, but she ignored it as she grasped my shoulders. Malinda moved so we were eye-level. “Forget the people who’ve hurt you. You don’t have them anymore, but you have two others that’ll do anything for you. Mason and Logan would move mountains for you. I see how you are with them. You love them, but you’re scared to let yourself be happy. Why? Because that’s when they’ll leave? Is that what you think? You’ve got it all wrong. Those two will never leave you.” She tapped my chest. Once. Twice. “You. You’re the one that’s going to hurt them. You have that power, and you don’t know it. You could rip those two apart in a second, and they’re the ones who are scared of you. Not the other way around. You need to recognize the real situation.
”
”
Tijan (The Fallen Crest Series (Fallen Crest High, #0.5-3))
“
(Jen gets completely sloshed and it's not her wedding)
I was supposed to meet Carol and her family at the aquarium the next morning, and somehow had the presence of mind to leave a voicemail apologizing in advance for not being able to make it. I was please at myself for being so responsible and considerate. After I left the message, I blissfully headed off to bed, wearing a face full of makeup, all my grown up jewelry, and a relatively restrictive girdle.
Suffice it to say, yesterday was rough, what with my apartment spinning and all.
But today I felt better. That is, until Carol played me the voice mail I left for her at 1:03 AM. Somehow I thought I had been able to hold it together on the phone. Following is a transcript of the message I left:
30 seconds of heavy breathing, giggling, and intermittent hiccups (At first Carol thought it was a 911 call.)
Oh, heeheehee, I waassshh wayyyting for a beep. But noooooo beeeeeeep. Why don't you hash a beep on your, your, ummmmmm...celery phone? Noooooo beeeeeeep, hic, heeheeeheee.
Um, hiiiiii, itsch JEENNNNNNNN!! It's thirteen o'clock in the peeeeeee eeeemmmmmmm. Heeeeeeeellllllllllloooooooo! I went to my wedding tonight and it wash sooooo niiiiiiiiiice. Hic."
More giggling and the sound of a phone being dropped and retrieved
Nannyway, I am calling to telllll you noooooooooo fishies tomorry...no fishies for meeee! I hic, heeeee, can't smake it to the quariyummm. Maybeeee you can call me so I can say HIIIIIIIIIIIIIII later hich in the day hee hee hee. Call me at, um, 312, ummmmmmm, 312, uummmmm, hee hee hee I can't member my phone, Hic. Do you know my number? Can you call me and tell me what it isssch? I LIKESH TURKEY SAMMICHES!
10 seconds of chewing, giggling, and what may be gobbling sounds
Okay, GGGGGGGGooooooodniiiiiiiiiggggggggggggghhhhhhhhhhhttttt! No fish! Um, how do I turn this tthing off? Shhhhh, callllls' over. Beeee quiiiiiiietttt, hee hee hee."
15 more seconds of giggles, hiccups, shushing, and a great deal of banging
Perhaps this is why most people only have one wedding?
”
”
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
“
On this spot, on the night of 31 October 1981,
Lily and James Potter lost their lives.
Their son, Harry, remains the only wizard
ever to have survived the Killing Curse.
This house, invisible to Muggles, has been left
in its ruined state as a monument to the Potters
and as a reminder of the violence
that tore apart their family.
And all around these neatly lettered words, scribbles had been added by other witches and wizards who had come to see the place where the Boy Who Lived had escaped. Some had merely signed their names in Everlasting Ink; others had carved their initials into the wood, still others had left messages. The most recent of these, shining brightly over sixteen years’ worth of magical graffiti, all said similar things.
Good luck, Harry, wherever you are.
If you read this, Harry, we’re all behind you!
Long live Harry Potter.
“They shouldn’t have written on the sign!” said Hermione, indignant.
But Harry beamed at her.
“It’s brilliant. I’m glad they did.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality.
That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Except that in your desperation the fake circus moon will blink at you: "It's a mistake! They'll set things right!"
And everything which is by now comprised in the traditional, even literary, image of an arrest will pile up and take shape, not in your own disordered memory, but in what your family and your neighbors in your apartment remember: The sharp nighttime ring or the rude knock at the door.
The insolent entrance of the unwiped jackboots of the unsleeping State Security operatives. The frightened and cowed civilian witness at their backs. (And what function does this civilian witness serve? The victim doesn't even dare think about it and the operatives don't remember, but that's what the regulations call for, and so he has to sit there all night long and sign in the morning. 1 For the witness, jerked from his bed, it is torture too—to go out night after night to help arrest his own neighbors and acquaintances.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
In the wild, a mother elephant and her daughter will stay together until one or the other dies. But there is one exception: In a year when there are limited resources— a drought, say, or a herd that has grown too big to sustain feeding all its members in a given area— the matriarch may make the decision to split the group. She will lead some of the elephants off in one direction, and her daughter will lead the rest on another route. They are still family, but they know that being together will bring about high mortality for the herd, that there is a better chance of survival when they aren’t competing for the same resources. But things change. When the land blossoms and the rivers run flush again, the mother and daughter reunite. It’s a celebration, a fanfare. There is trumpeting, roaring, touching, stroking. It’s like they have never been apart.
”
”
Jodi Picoult (Larger Than Life)
“
Through learning at my later date things I hadn't known, or had escaped or possibly feared realizing, about my parents - and myself - I glimpsed our whole family life as if it were freed of that clock time which spaces us apart so inhibitingly, divides young and old, keeps our living through the same experiences at separate distances. It is our inward journey that leads us through time - forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction.
”
”
Eudora Welty (On Writing (Modern Library))
“
The rest of us, on the ·other hand-we members of the protected classes-have grown increasingly· dependent on our welfare programs. In 2020 the federal government spent more
than $193 billion on homeowner subsidies, a figure that far exceeded the amount spent on direct housing assistance for low income families ($53 billion). Most families who enjoy those
subsidies have six-figure incomes and are white. Poor families lucky enough to live in government-owned apartments of often have to deal with mold and even lead paint, while rich families are claiming the mortgage interest deduction on first and second homes. The lifetime limit for cash welfare to poor parents is five years, but families claiming the mortgage interest deduction may do so for the length of the mortgage, typically thirty years. A fifteen-story public housing tower and a mortgaged suburban home are both government subsidized, but only one looks (and feels) that way.
If you count all public benefits offered by the federal government, America's welfare state (as a share of its gross domestic product) is the second biggest in the world, after France's. But that's true only if you include things like government-subsidized retirement benefits provided by employers, student loans and 529 college savings plans, child tax credits, and homeowner subsidies: benefits disproportionately flowing to Americans well above the poverty line. If you put aside these tax breaks and judge the United States solely by the share of its GDP allocated to programs directed at low-income citizens, then our investment in poverty reduction is much
smaller than that of other rich nations. The American welfare state is lopsided.
”
”
Matthew Desmond (Poverty, by America)
“
Danny’s brows furrowed with another scowl. “You’re so goddamn obstinate, Kate, so fuckin’ selfish. You don’t give a shit ‘bout how I feel or ‘bout how much it torments me.”
“Yes, I do,” she objected, her throat thick despite her anger. “That’s why our ways must part for a while. Because we’re both suffering. We need to be apart from each other, Danny, don’t you see?”
“You need to be apart, damn ya,” he growled, clenching his fists. “You needa get rid of me ‘cause ya don’t wanna be reminded of how ya were toyin’ with me. So your conscience won’t haunt ya, tellin’ ya that it was wrong to take advantage of my feelings as long as ya needed me.”
Katherine let out an outraged gasp.
“I never took advantage of you or toyed with you—ever! I’ve seen you as my brother. I didn’t know your feelings for me went deeper.”
Danny huffed a hard, sardonic laugh, and for a moment she felt strongly reminded of Joe.
“Don’t play innocent with me, Kate! You knew exactly what ya were doin’. All that banterin’, your enchanting smiles—. You’re a grown woman, not an inexperienced girl. You already had yasself a husband, ya know the deal.
”
”
Melanie Nova (The Avant-gardiste: Into the West)
“
The sex-based segregation of labour is the key, to maintaining not only the family, but also the economy, because the economy would collapse like a house of cards if this unpaid domestic labour had to be paid for by somebody, either by the husband or the employer. Consider this: the employer pays the employee for his or her labour in the workplace. But the fact that he or she can come back to the workplace, the next day, depends on somebody else (or herself) doing a whole lot of work the employer does not pay for—cooking, cleaning, running the home. When you have an entire structure of unpaid labour buttressing the economy, then the sexual division of labour cannot be considered to be domestic and private; it is what keeps the economy going. If tomorrow, every woman demanded to be paid for this work that she does, either the husband would have to pay her, or the employer would have to pay the husband. The economy would fall apart. This entire system functions on the assumption that women do housework for love. *
”
”
Nivedita Menon (Seeing Like a Feminist)
“
The Church, though, has always held up a mirror in which society can see reflected some of its uglier aspects, and it does not like what it sees. Thus it becomes angry but not, as it should be, with itself, but with the Church. This is particularly noticeable when it comes to issues of personal gratification and sexuality and especially, apart from abortion, when issues of artificial contraception, condoms, and the birth-control pill are discussed. The Church warned in the 1960s that far from creating a more peaceful, content, and sexually fulfilled society, the universal availability of the pill and condoms would lead to the direct opposite. In the decade since, we have seen a seemingly inexorable increase in sexually transmitted diseases, so-called unwanted pregnancies, sexuality-related depression, divorce, family breakdown, pornography addiction, and general unhappiness in the field of sexual relationships. The Church's argument was that far from liberating women, contraception would enable and empower men and reduce the value and dignity of sexuality to the point of transforming what should be a loving and profound act into a mere exchange of bodily fluids. The expunging from the sexual act the possibility of procreation, the Church said, would reduce sexuality to mere self-gratification. Pleasure was vital and God-given but there was also a purpose, a glorious purpose, to sex that went far beyond the merely instant and ultimately selfish.
”
”
Michael Coren (Why Catholics are Right)
“
I couldn't stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
Back in Georgia everybody we knew had an automobile."
A bu, don't tell stories. That is not possible."
Well, not everybody. I don't mean babies and children. But every single family."
Not possible."
Yes, it is! Some families even have two!"
What is the purpose of so many automobiles at the same time?"
Well, because everybody has someplace to go every day. To work or to the store or something."
And why is nobody walking?"
It's not like here, Anatole. Everything's farther apart. People live in big towns and cities. Bigger cities than Leopoldville, even."
Beene, you are lying to me. If everyone lived in a city they could never grow enough food."
Oh, they do that in the country. In big, big fields. Peanuts and soybeans and corn, all that. The farmers grow it, then they put it on big trucks and take it all to the city, where people buy it from the store."
From the market."
No, it isn't a bit like the big market. It's a great big house kind of thing, with bright lights and all these shelves inside. It's open every day, and just one person sells all the different things."
One farmer has so many things?"
No, not a farmer. A storekeeper buys it all from the farmers, and sells it to the city people."
And so you don't even know whose fields this food came from? That sounds terrible. It could be poisoned!"
It's not bad, really. It works out."
How can there be enough food, Beene? If everyone lives in a city?"
There just is. Things are different from here.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Where are you going?”
“Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.”
Lillian stared. “I beg your pardon?”
“This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.”
“I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.”
“Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?”
“I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.
”
”
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
“
Imagine for a just a moment, if you will, that the slaves who were brought to America weren’t dark-skinned. Instead, white people and black people were both the same neutral skin color. The only way that slave holders were able to tell the slaves apart from themselves was by marking them in some manner, like a brand or something. After Abolition, when former slaves had children they were no longer given marks to tell them apart from anyone else. Imagine now that illegal Mexicans who sneak into America in hopes of making a better life for their families are this same neutral skin color, just like “white” people and “black” people. There is no concrete way to tell them apart from anyone else except that they might sound different. But once they have children who sound just like everyone else there is no concrete way to tell them apart from the “natives.” As human beings, we naturally find ways to categorize ourselves. The very first thing that we do when we see a person is compare their appearance to our own. We use an internal ranking system. Maybe it’s time to consciously abandon our internal ranking system. The only way to achieve true equality is through colorblindness. Let’s try a little harder and see what happens.
”
”
Aaron B. Powell (Quixotic)
“
The Bolsheviks argued that only socialism could resolve the contradiction between work and family. Under socialism, household labor would be transferred to the public sphere: The tasks performed by millions of individual unpaid women in their homes would be taken over by paid workers in communal dining rooms, laundries, and childcare centers. Women would be freed to enter the public sphere on an equal basis with men, unhampered by the duties of the home. At last women would be equally educated, waged, and able to pursue their own individual goals and development. Under such circumstances, marriage would become superfluous. Men and women would come together and separate as they wished, apart from the deforming pressures of economic dependency and need. Free union would gradually replace marriage as the state ceased to interfere in the union between the sexes. Parents, regardless of their marital status, would care for their children with the help of the state; the very concept of illegitimacy would become obsolete. The family, stripped of its previous social functions, would gradually wither away, leaving in its place fully autonomous, equal individuals free to choose their partners on the basis of love and mutual respect.
”
”
Wendy Z. Goldman (Women, the State and Revolution: Soviet Family Policy and Social Life, 1917-1936)
“
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
”
”
Hanya Yanagihara (A Little Life)
“
The advantages of a hereditary Monarchy are self-evident. Without some such method of prescriptive, immediate and automatic succession, an interregnum intervenes, rival claimants arise, continuity is interrupted and the magic lost. Even when Parliament had secured control of taxation and therefore of government; even when the menace of dynastic conflicts had receded in to the coloured past; even when kingship had ceased to be transcendental and had become one of many alternative institutional forms; the principle of hereditary Monarchy continued to furnish the State with certain specific and inimitable advantages.
Apart from the imponderable, but deeply important, sentiments and affections which congregate around an ancient and legitimate Royal Family, a hereditary Monarch acquires sovereignty by processes which are wholly different from those by which a dictator seizes, or a President is granted, the headship of the State. The King personifies both the past history and the present identity of the Nation as a whole. Consecrated as he is to the service of his peoples, he possesses a religious sanction and is regarded as someone set apart from ordinary mortals. In an epoch of change, he remains the symbol of continuity; in a phase of disintegration, the element of cohesion; in times of mutability, the emblem of permanence. Governments come and go, politicians rise and fall: the Crown is always there. A legitimate Monarch moreover has no need to justify his existence, since he is there by natural right. He is not impelled as usurpers and dictators are impelled, either to mesmerise his people by a succession of dramatic triumphs, or to secure their acquiescence by internal terrorism or by the invention of external dangers. The appeal of hereditary Monarchy is to stability rather than to change, to continuity rather than to experiment, to custom rather than to novelty, to safety rather than to adventure.
The Monarch, above all, is neutral. Whatever may be his personal prejudices or affections, he is bound to remain detached from all political parties and to preserve in his own person the equilibrium of the realm. An elected President – whether, as under some constitutions, he be no more than a representative functionary, or whether, as under other constitutions, he be the chief executive – can never inspire the same sense of absolute neutrality. However impartial he may strive to become, he must always remain the prisoner of his own partisan past; he is accompanied by friends and supporters whom he may seek to reward, or faced by former antagonists who will regard him with distrust. He cannot, to an equal extent, serve as the fly-wheel of the State.
”
”
Harold Nicholson
“
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?”
Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana?
“I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad.
“The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them.
“When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication.
“In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
“And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country?
“The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.”
Veronika laughed.
“You don’t seem crazy at all,” she said.
“But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?”
“People who have all drunk from the same well.”
“Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
”
”
Paulo Coelho (Veronika Decides to Die)
“
Taking care of those you love should never feel like a burden to you. It should never be a burden to you. If it is, you don't have the right heart about it, and you're taking all those beautiful things around you for granted. Sure, everything won't always be roses, but a family is one of the most precious things you can have.
You might have to work your fingers to the bone. You might struggle. You might have to get up and smile, even when you don't feel like smiling. You may have to tell your family that things will be okay, even if you feel like you are falling apart. However, you're not the only one who sees what you're going through. You are never alone, and happiness is something you can choose even when things are going in the opposite direction of where you thing you need to be headed. Choose to see the blessings around you, instead of the bad things. It's a privilege, and something you may not always have, so treasure it. Cherish every moment like the gift it is, and work with a generous and privileged heart.
(Note: Inspired by the quote in the movie 'Me Again' that says, "It's not a burden, but a privilege.")
”
”
Jennifer Megan Varnadore
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Joe was the only constant thing in my life. And I loved him like a brother. But that phrase has a very precise meaning. A lot of those stock sayings do. Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming? I loved Joe like a brother, which meant a lot of things in our family. The truth was I never knew for sure if I loved him or not. And he never knew for sure if he loved me or not, either. We were only two years apart, but he was born in the fifties and I was born in the sixties. That seemed to make a lot more than two years’ worth of a difference to us. And like any pair of brothers two years apart, we irritated the hell out of each other. We fought and bickered and sullenly waited to grow up and get out from under. Most of those sixteen years, we didn’t know if we loved each other or hated each other. But we had the thing that army families have. Your family was your unit. The men on the bases were taught total loyalty to their units. It was the most fundamental thing in their lives. The boys copied them. They translated that same intense loyalty onto their families. So time to time you might hate your brother, but you didn’t let anybody mess with him. That was what we had, Joe and I. We had that unconditional loyalty. We stood back to back in every new schoolyard and punched our way out of trouble together. I watched out for him, and he watched out for me, like brothers did. For sixteen years. Not much of a normal childhood, but it was the only childhood I was ever going to get. And Joe was just about the beginning and end of it. And now somebody had killed him. I sat there in the back of the police Chevrolet listening to a tiny voice in my head asking me what the hell I was going to do about that.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Silver mining in the United States didn’t start, like hard-core, until the mid-1850s,” Louis said. “And only really got big when the Comstock Lode was discovered in 1859 in California.”
“It was bad work. Dangerous. Like any mining. But silver also lets out fumes when it’s mined. Even Pliny the Elder wrote about how harmful the fumes were, especially to animals. You know Pliny the Elder?”
“The problem with the silver fumes,” Louis continued, “is that, over time, they gave the miners delusions. Bad enough that they had to stop mining. Their health deteriorated. And a bunch of them even died.” Hard to make fun of something like that, so Pepper didn’t. “Do you know what people would say, in these mining towns, when they saw one of these miners falling apart? Walking through town muttering and swinging at phantoms? They said the Devil in Silver got them. It became shorthand. Like someone might say, ‘What happened to Mike?’ And the answer was always the same. ‘The Devil in Silver got him.’ ” Louis sat straight and crossed his arms and surveyed the table. “Do you understand what I’m trying to tell you?” “You’re saying we’re just making this thing up,” Pepper said quietly. Louis seemed disappointed. He dropped his hands into his lap and folded them there. He looked at his sister and Pepper. He turned his head to take in the other patients gathered with their family members there in the hospital. “I’m saying they were dying,” Louis said. “They definitely weren’t making that up. But it wasn’t a monster that was killing them. It was the mine.
”
”
Victor LaValle (The Devil in Silver)
“
From a very early age Edison became used to doing things for himself, by necessity. His family was poor, and by the age of twelve he had to earn money to help his parents. He sold newspapers on trains, and traveling around his native Michigan for his job, he developed an ardent curiosity about everything he saw. He wanted to know how things worked—machines, gadgets, anything with moving parts. With no schools or teachers in his life, he turned to books, particularly anything he could find on science. He began to conduct his own experiments in the basement of his family home, and he taught himself how to take apart and fix any kind of watch. At the age of fifteen he apprenticed as a telegraph operator, then spent years traveling across the country plying his trade. He had no chance for a formal education, and nobody crossed his path who could serve as a teacher or mentor. And so in lieu of that, in every city he spent time in, he frequented the public library. One book that crossed his path played a decisive role in his life: Michael Faraday’s two-volume Experimental Researches in Electricity. This book became for Edison what The Improvement of the Mind had been for Faraday. It gave him a systematic approach to science and a program for how to educate himself in the field that now obsessed him—electricity. He could follow the experiments laid out by the great Master of the field and absorb as well his philosophical approach to science. For the rest of his life, Faraday would remain his role model. Through books, experiments, and practical experience at various jobs, Edison gave himself a rigorous education that lasted about ten years, up until the time he became an inventor. What made this successful was his relentless desire to learn through whatever crossed his path, as well as his self-discipline. He had developed the habit of overcoming his lack of an organized education by sheer determination and persistence. He worked harder than anyone else. Because he was a consummate outsider and his mind had not been indoctrinated in any school of thought, he brought a fresh perspective to every problem he tackled. He turned his lack of formal direction into an advantage. If you are forced onto this path, you must follow Edison’s example by developing extreme self-reliance. Under these circumstances, you become your own teacher and mentor. You push yourself to learn from every possible source. You read more books than those who have a formal education, developing this into a lifelong habit. As much as possible, you try to apply your knowledge in some form of experiment or practice. You find for yourself second-degree mentors in the form of public figures who can serve as role models. Reading and reflecting on their experiences, you can gain some guidance. You try to make their ideas come to life, internalizing their voice. As someone self-taught, you will maintain a pristine vision, completely distilled through your own experiences—giving you a distinctive power and path to mastery.
”
”
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
“
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
”
”
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
“
Humanistic propaganda screams at us everywhere we go. “You deserve better.” “There’s no one like you.” “Stand up for yourself.” And after a while we start believing the mantra. The most influential culture-shaping document in American history is the Declaration of Independence. And built into the ethos of American society are three inalienable rights: life, liberty, and the pursuit of happiness. I think the wording is ironic: the pursuit of happiness. It’s almost like the architects of modern democracy said, “We guarantee you life, and we promise you liberty. But happiness? Good luck.” America is a social experiment founded on the pursuit of happiness. Hundreds of millions of Americans are chasing down happiness. Money, materialism, sex, romance, religion, family, and fame are all pursuits of the same human craving—joy. But apart from Jesus, we never get there. People spend decades searching high and low for happiness and never land at joy. In an odd twist of fate, America, for all her life and liberty, is one of the most depressed nations in the world. And many of us are mad at God. Somehow we think God owes us. We deserve happiness. We deserve a good, comfortable life, free from pain and suffering. We have rights! Right? The scriptures present a totally different worldview that stands against the humanism of Western Europe. It is written, “By grace you have been saved.”[17] The word grace is (charis) in the Greek, which can be translated as “gift.” All of life is grace. All of life is a gift. Humans have no rights. Everything is a gift. Food, shelter, the clothes on our backs, the oxygen in our lungs—it’s all grace. The entire planet, the sky above us and the ground beneath our feet, is all on loan from the Creator God. We live under his roof, eat his food, and drink his water. We are guests. And we are blessed. A reporter once asked Bob Dylan if he was happy. Dylan’s response was, “These are yuppie words, happiness and unhappiness. It’s not happiness or unhappiness. It’s either blessed or unblessed.”[18] I like that. We are blessed. When you reorient yourself to a biblical worldview, the only posture left to take is gratitude. If all of life is a gift, how could we help but thank God?
”
”
John Mark Comer (My Name is Hope: Anxiety, depression, and life after melancholy)
“
More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
“
Romantic literature often presents the individual as somebody caught in a struggle against the state and the market. Nothing could be further from the truth. The state and the market are the mother and father of the individual, and the individual can survive only thanks to them. The market provides us with work, insurance and a pension. If we want to study a profession, the government’s schools are there to teach us. If we want to open a business, the bank loans us money. If we want to build a house, a construction company builds it and the bank gives us a mortgage, in some cases subsidised or insured by the state. If violence flares up, the police protect us. If we are sick for a few days, our health insurance takes care of us. If we are debilitated for months, social security steps in. If we need around-the-clock assistance, we can go to the market and hire a nurse – usually some stranger from the other side of the world who takes care of us with the kind of devotion that we no longer expect from our own children. If we have the means, we can spend our golden years at a senior citizens’ home. The tax authorities treat us as individuals, and do not expect us to pay the neighbours’ taxes. The courts, too, see us as individuals, and never punish us for the crimes of our cousins.
Not only adult men, but also women and children, are recognised as individuals. Throughout most of history, women were often seen as the property of family or community. Modern states, on the other hand, see women as individuals, enjoying economic and legal rights independently of their family and community. They may hold their own bank accounts, decide whom to marry, and even choose to divorce or live on their own.
But the liberation of the individual comes at a cost. Many of us now bewail the loss of strong families and communities and feel alienated and threatened by the power the impersonal state and market wield over our lives. States and markets composed of alienated individuals can intervene in the lives of their members much more easily than states and markets composed of strong families and communities. When neighbours in a high-rise apartment building cannot even agree on how much to pay their janitor, how can we expect them to resist the state?
The deal between states, markets and individuals is an uneasy one. The state and the market disagree about their mutual rights and obligations, and individuals complain that both demand too much and provide too little. In many cases individuals are exploited by markets, and states employ their armies, police forces and bureaucracies to persecute individuals instead of defending them. Yet it is amazing that this deal works at all – however imperfectly. For it breaches countless generations of human social arrangements. Millions of years of evolution have designed us to live and think as community members. Within a mere two centuries we have become alienated individuals. Nothing testifies better to the awesome power of culture.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful.
Ever since I was a little boy I have felt tremendously alone―and "peculiar".
I don't know why.
It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me vecchio―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a rospo―a "toad."
They were right.
I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.
”
”
Giovanni Papini (Un uomo finito)
“
In 1970, Alix Kates Shulman, a wife, mother, and writer who had joined the Women's Liberation Movement in New York, wrote a poignant account of how the initial equality and companionship of her marriage had deteriorated once she had children. "[N]ow I was restricted to the company of two demanding preschoolers and to the four walls of an apartment. It seemed unfair that while my husband's life had changed little when the children were born, domestic life had become the only life I had." His job became even more demanding, requiring late nights and travel out of town. Meanwhile it was virtually impossible for her to work at home. "I had no time for myself; the children were always there." Neither she nor her husband was happy with the situation, so they did something radical, which received considerable media coverage: they wrote up a marriage agreement... In it they asserted that "each member of the family has an equal right to his/her own time, work, values and choices... The ability to earn more money is already a privilege which must not be compounded by enabling the larger earner to buy out of his/her duties and put the burden on the one who earns less, or on someone hired from outside." The agreement insisted that domestic jobs be shared fifty-fifty and, get this girls, "If one party works overtime in any domestic job, she/he must be compensated by equal work by the other." The agreement then listed a complete job breakdown... in other worde, the agreement acknowledged the physical and the emotional/mental work involved in parenting and valued both. At the end of the article, Shulman noted how much happier she and her husband were as a result of the agreement. In the two years after its inception, Shulman wrote three children's books, a biography and a novel. But listen, too, to what it meant to her husband, who was now actually seeing his children every day. After the agreement had been in effect for four months, "our daughter said one day to my husband, 'You know, Daddy, I used to love Mommy more than you, but now I love you both the same.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
Shakespeare's plays do not present easy solutions. The audience has to decide for itself. King Lear is perhaps the most disturbing in this respect. One of the key words of the whole play is 'Nothing'. When King Lear's daughter Cordelia announces that she can say 'Nothing' about her love for her father, the ties of family love fall apart, taking the king from the height of power to the limits of endurance, reduced to 'nothing' but 'a poor bare forked animal'. Here, instead of 'readiness' to accept any challenge, the young Edgar says 'Ripeness is all'. This is a maturity that comes of learning from experience. But, just as the audience begins to see hope in a desperate and violent situation, it learns that things can always get worse:
Who is't can say 'I am at the worst?'
… The worst is not
So long as we can say 'This is the worst.'
Shakespeare is exploring and redefining the geography of the human soul, taking his characters and his audience further than any other writer into the depths of human behaviour. The range of his plays covers all the 'form and pressure' of mankind in the modern world. They move from politics to family, from social to personal, from public to private. He imposed no fixed moral, no unalterable code of behaviour. That would come to English society many years after Shakespeare's death, and after the tragic hypothesis of Hamlet was fulfilled in 1649, when the people killed the King and replaced his rule with the Commonwealth. Some critics argue that Shakespeare supported the monarchy and set himself against any revolutionary tendencies. Certainly he is on the side of order and harmony, and his writing reflects a monarchic context rather than the more republican context which replaced the monarchy after 1649.
It would be fanciful to see Shakespeare as foretelling the decline of the Stuart monarchy. He was not a political commentator. Rather, he was a psychologically acute observer of humanity who had a unique ability to portray his observations, explorations, and insights in dramatic form, in the richest and most exciting language ever used in the English theatre.
”
”
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
“
She realized at once that he expected trouble and that he was used to handling deadly situations. It was the first time she’d actually seen him do it, despite their long history. It gave her a new, adult perspective on his lifestyle. No wonder he couldn’t settle down and become a family man. She’d been crazy to expect it, even in her fantasies. He was used to danger and he enjoyed the challenges it presented. It would be like housing a tiger in an apartment. She sighed as she saw the last tattered dream of a future with him going up in smoke.
Tate looked through the tiny peephole and took his hand away from the pistol. He glanced at Cecily with an expression she couldn’t define before he abruptly opened the door.
Colby Lane walked in, eyebrows raised, new scars on his face and bone weariness making new lines in it.
“Colby!” Cecily exclaimed with exaggerated delight. “Welcome home!”
Tate’s face contracted as if he’d been hit.
Colby noticed that, and smiled at Cecily. “Am I interrupting something?” he asked, looking from one tense face to the other.
“No,” Tate said coolly as he reholstered his pistol. “We were discussing security options, but if you’re going to be around, they won’t be necessary.”
“What?”
“I’m fairly certain that the gambling syndicate tried to kill her,” Tate said somberly, nodding toward Cecily. “A car almost ran her down in her own parking lot. She ended up in the hospital. And decided not to tell anyone about it,” he added with a vicious glare in her direction.
“Way to go, Cecily,” Colby said glumly. “You could have ended up floating in the Potomac. I told you before I left to be careful. Didn’t you listen?”
She shot him a glare. “I’m not an idiot. I can call 911,” she said, insulted.
Colby was still staring at Tate. “You’ve cut your hair.”
“I got tired of braids,” came the short reply. “I have to get back to work. If you need me, I’ll be around.” He paused at the doorway. “Keep an eye on her,” Tate told Colby. “She takes risks.”
“I don’t need a big strong man to look out for me. I can keep myself out of trouble, thank you very much,” she informed Tate.
He gave her a long, pained last look and closed the door behind him.
As he walked down the staircase from her apartment, he couldn’t shake off the way she looked and acted. Something was definitely wrong with her, and he was going to find out what.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Eliot's understanding of poetic epistemology is a version of Bradley's theory, outlined in our second chapter, that knowing involves immediate, relational, and transcendent stages or levels. The poetic mind, like the ordinary mind, has at least two types of experience: The first consists largely of feeling (falling in love, smelling the cooking, hearing the noise of the typewriter), the second largely of thought (reading Spinoza). The first type of experience is sensuous, and it is also to a great extent monistic or immediate, for it does not require mediation through the mind; it exists before intellectual analysis, before the falling apart of experience into experiencer and experienced. The second type of experience, in contrast, is intellectual (to be known at all, it must be mediated through the mind) and sharply dualistic, in that it involves a breaking down of experience into subject and object. In the mind of the ordinary person, these two types of experience are and remain disparate. In the mind of the poet, these disparate experiences are somehow transcended and amalgamated into a new whole, a whole beyond and yet including subject and object, mind and matter. Eliot illustrates his explanation of poetic epistemology by saying that John Donne did not simply feel his feelings and think his thoughts; he felt his thoughts and thought his feelings. He was able to "feel his thought as immediately as the odour of a rose." Immediately" in this famous simile is a technical term in philosophy, used with precision; it means unmediated through mind, unshattered into subject and object.
Falling in love and reading Spinoza typify Eliot's own experiences in the years in which he was writing The Waste Land. These were the exciting and exhausting years in which he met Vivien Haigh-Wood and consummated a disastrous marriage, the years in which he was deeply involved in reading F. H. Bradley, the years in which he was torn between the professions of philosophy and poetry and in which he was in close and frequent contact with such brilliant and stimulating figures as Bertrand Russell and Ezra Pound, the years of the break from his family and homeland, the years in which in every area of his life he seemed to be between broken worlds. The experiences of these years constitute the material of The Waste Land. The relevant biographical details need not be reviewed here, for they are presented in the introduction to The Waste Land Facsimile. For our purposes, it is only necessary to acknowledge what Eliot himself acknowledged: the material of art is always actual life. At the same time, it should also be noted that material in itself is not art. As Eliot argued in his review of Ulysses, "in creation you are responsible for what you can do with material which you must simply accept." For Eliot, the given material included relations with and observations of women, in particular, of his bright but seemingly incurably ill wife Vivien(ne).
”
”
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
“
I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?”
Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker.
Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city.
A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him.
And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him.
I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him.
New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….
”
”
John Steinbeck