Falling Upward Quotes

We've searched our database for all the quotes and captions related to Falling Upward. Here they are! All 100 of them:

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Do not be angry with the rain; it simply does not know how to fall upwards.
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Vladimir Nabokov
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O human race, born to fly upward, wherefore at a little wind dost thou so fall?
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Dante Alighieri (The Divine Comedy: The Inferno, the Purgatorio and the Paradiso)
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Before the truth sets you free, it tends to make you miserable.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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every time God forgives us, God is saying that God's own rules do not matter as much as the relationship that God wants to create with us.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The most common one-liner in the Bible is, "Do not be afraid." Someone counted, and it occurs 365 times.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Fish die belly upward, and rise to the surface. It's their way of falling.
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AndrΓ© Gide
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Sin happens whenever we refuse to keep growing.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Until we learn to love others as ourselves, it's difficult to blame broken people who desperately try to affirm themselves when no one else will.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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When you get your,'Who am I?', question right, all of your,'What should I do?' questions tend to take care of themselves
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The ego hates losing – even to God.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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I do not think you should get rid of your sin until you have learned what it has to teach you.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Much of the work of midlife is to tell the difference between those who are dealing with their issues through you and those who are really dealing with you.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The night is alive with stars, and when I lie down and look up, I get lost up there. I feel like I’m falling, but upward, into the abyss of sky above me.
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Markus Zusak (I Am the Messenger)
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People who know how to creatively break the rules also know why the rules were there in the first place.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The cross solved our problem by first revealing our real problem, our universal pattern of scapegoating and sacrificing others. The cross exposes forever the scene of our crime.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Change is not what we expect from religious people. They tend to love the past more than the present or the future.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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In the second half of life, people have less power to infatuate you. But they also have much less power to control you or hurt you.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Have you ever watched a leaf leave a tree? It falls upward first, and then it drifts toward the ground, just as I find myself drifting towards you.
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Beth Kephart (Undercover (Hardcover))
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I have prayed for years for one good humiliation a day, and then, I must watch my reaction to it. I have no other way of spotting both my denied shadow self and my idealized persona.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The human ego prefers anything, just about anything, to falling, or changing, or dying. The ego is that part of you that loves the status quo – even when it's not working. It attaches to past and present and fears the future.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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When we fail we are merely joining the great parade of humanity that has walked ahead of us and will follow after us.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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...in the intoxication of falling, man was prone to believe himself propelled upward.
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Hermann Broch (The Death of Virgil)
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Kylie watched as his shirttail upward, exposing a very hard abdomen. The hem of his shirt inched higher, and she took in the cutest inny belly button she'd ever seen. And then his chest. Solid. Hard. A few drops of water glistened against his skin. Hear heart beat to the sound of passion again.
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C.C. Hunter (Born at Midnight (Shadow Falls, #1))
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Thomas Merton, the American monk, pointed out that we may spend our whole life climbing the ladder of success, only to find when we get to the top that our ladder is leaning against the wrong wall.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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If change and growth are not programmed into your spirituality, if there are not serious warnings about the blinding nature of fear and fanaticism, your religion will always end up worshiping the status quo and protecting your present ego position and personal advantage as if it were God.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Most people confuse their life situation with their actual life, which is an underlying flow beneath the everyday events.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Church practice has been more influenced by Plato than by Jesus. We invariably prefer the universal synthesis, the answer that settles all the dust and resolves every question even when it is not entirely true over the mercy and grace of God.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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We all become well-disguised mirror image of anything that we fight too long or too directly. That which we oppose determines the energy and frames the questions after a while. Most frontal attacks on evil just produce another kind of evil in yourself, along with a very inflated self-image to boot.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Life is all about practicing for heaven." p 101.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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We fly, but we have not 'conquered' the air. Nature presides in all her dignity, permitting us the study and the use of such of her forces as we may understand. It is when we presume to intimacy, having been granted only tolerance, that the harsh stick fall across our impudent knuckles and we rub the pain, staring upward, startled by our ignorance.
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Beryl Markham (West with the Night)
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Those who are not true leaders will just affirm people at their own immature level.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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If you accept a punitive notion of God, who punishes or even eternally tortures those who do not love him, then you have an absurd universe where most people on this earth end up being more loving than God!
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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You love me.” He kept gazing upward, his answer coming softly. β€œYeah. I do.
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Toni Blake (Whisper Falls (Destiny, #3))
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Whatever good, true, or perfect things we can say about humanity or creation, we can say of God exponentially. God is the beauty of creation and humanity multiplied to the infinite power.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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What some now call 'emerging Christianity' or 'the emerging church' is not something you join, establish, or invent. You just name it and then you see it everywhere- already in place! Such nongroup groups, the 'two or three' gathered in deep truth, create a whole new level of affiliation, dialogue, and friendship...
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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In the second half of life, we do not have strong and final opinions about everything, every event, or most people, as much as we allow things and people to delight us, sadden us, and truly influence us.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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If we seek spiritual heroism ourselves, the old ego is just back in control under a new name. There would not really be any change at all, but only disguise, just bogus self-improvement on our own terms.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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As Desmond Tutu told me on a recent trip to Cape Town, β€œWe are only the light bulbs, Richard, and our job is just to remain screwed in!
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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a person must pass the lessons learned on to othersβ€”or there has been no real gift at all.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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It has been acceptable for some time in America to remain "wound identified" (that is, using one's victimhood as one's identity, one's ticket to sympathy, and one's excuse for not serving), instead of using the wound to "redeem the world," as we see in Jesus and many people who turn their wounds into sacred wounds that liberate both themselves and others.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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He’s leaving, and he picks up his shoulder bag on the way out and he’s staring at the ceiling, then the sky, and he closes the door silently behind him, and he stares upward because the minute he looks down, the tears will fall. And he won’t cry over Harry Styles. So Louis doesn’t look down.
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Velvetoscar (Young & Beautiful)
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Integrity largely has to do with purifying our intentions and a growing honesty about our actual motives.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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You ironically have to have a very strong ego structure to let go of your ego. You need to struggle with the rules more than a bit before you throw them out. You only internalize values by butting up against external values for a while.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Basically, the first half of life is writing the text, and the second half is writing the commentary on that text.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Jesus praised faith and trust – even more than love. It takes a foundational trust to fall, or to fail, and not to fall apart.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Yes, transformation is often more about unlearning than learning, which is why the religious traditions call it β€œconversion” or β€œrepentance.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Denial of our pattern of failure seems to be a kind of practical atheism or chosen ignorance among many believers and clergy.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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God seems to be about turning our loves around and using them toward the great love that is their true object.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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I guess prophets are those who do not care whether you are ready to hear their message. They say it because it has to be said and because it is true.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Love Forever If I were the trees ... I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet... so you might know wonder. If I were the mountains ... I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ... so you might know freedom. If I were the ocean ... I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters, so you might know peace. If I were the stars ... I would sparkle like never before and fall from the sky as gentle rain, so that you would always look towards heaven and know that you can reach the stars. If I were the moon ... I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty, so you might know that all the Earth is at your command. If I were the sun ... I would warm and glow like never before and light the sky with orange and pink, so you would gaze upward and always know the glory of heaven. But I am me ... and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart, and this I will do until ... the mountains crumble down ... and the oceans dry up ... and the stars fall from the sky ... and the sun and moon burn out ... And that is forever.
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Camron Wright (The Rent Collector)
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Her eyes, mostly cast downward, occasionally flicker upwards to meet his before falling again. She is apologetic for everything, as always, constantly saying sorry to the world, as though as her very presence offends.
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Cecelia Ahern (Thanks for the Memories)
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We grow spiritually much more by doing it wrong than by doing it right.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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What we gotta do is, we gotta figure out a way to reverse gravity, so that we all fall upward, through the clouds and sky, all the way to Heaven.
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Justin Torres
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The shape of evil is much more superficiality and blindness than the usual list of hot sins. God hides, and is found, precisely in the depths of everything.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Invariably when something upsets you, and you have a strong emotional reaction out of proportion to the moment, your shadow self has just been exposed. So watch for any overreactions or overdenials.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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We are usually on bended knee before laws or angrily reacting against them, both immature responses.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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In fact, I would say that the demand for the perfect is the greatest enemy of the good.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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She once heard that love shouldn’t be called β€˜falling’, because the best love roots you, and makes you grow upwards, taller and stronger.
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Laura Jane Williams (Our Stop)
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I have often wondered why people never want to put a stone monument of the Eight Beatitudes on a courthouse lawn. Then I realize that the Eight Beatitudes of Jesus would probably not be very good for any war, any macho worldview, the wealthy, or our consumer economy.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Your concern is not so much to have what you love anymore, but to love what you haveβ€”right now. This is a monumental change from the first half of life, so much so that it is almost the litmus test of whether you are in the second half of life at all.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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At the edge you will always remember me, at the edge you will last be remembered, where sanity and insanity come together, for the time, then separates. Like leaves on October trees, that color the world, but for a moment, then leave. At the edge, where life losses its edginess, and thoughts we will become one, someday. At the edge the sun drops, the ring falls, and senses of raindrops climb upwards to the gray sky.
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Anthony Liccione
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If you try to assert wisdom before people have themselves walked it, be prepared for much resistance, denial, push-back, and verbal debate.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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We'll fight back, we'll fight back, we'll fight back," a man near Doctor Stockstill was chanting. Stockstill looked at him in astonishment, wondering who he would fight back against. Things were falling on them; did the man intend to fall back upward into the sky in some sort of revenge?
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Philip K. Dick (Dr. Bloodmoney)
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I’m here,” I told him, picking at the taxi company decal on the interior of the car window.β€œMy face is relaxed and content. My lips are curved upward.” Sam did not laugh, because he was immune to my charms. β€œHave you been to the place you’re staying yet? Is it okay?” β€œI’m fine, Mother,” I replied. β€œI haven’t been yet. I’m going to go see Baby now.
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Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
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Truth is not always about pragmatic problem solving and making things β€œwork,” but about reconciling contradictions. Just because something might have some dire effects does not mean it is not true or even good. Just because something pleases people does not make it true either.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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All we can give back and all God wants from any of us is to humbly and proudly return the product that we have been givenβ€”which is ourselves!
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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The bottom line of the Gospel is that most of us have to hit some kind of bottom before we even start the real spiritual journey.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Just for the record, the way to a man's heart isn't through his stomach, but through the best fucking blow job ever. You want a man to be your bitch? Perfect your craft.
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Devon Ashley (Falling Upward (Falling, #2.5))
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Vhalla blushed and averted her eyes from his handsome face. β€œIt’s still a poor choice,” she whispered. β€œIt always will be.” Aldrik stood. Her breath quickened by his proximity alone. He hooked his fingers under her chin and pulled her face upward gently. β€œIf you want to make the widely accepted appropriate decision, then leave now, have mercy and end this before you entice me further. Because I promise, this will never be easyβ€”for either of usβ€”and I refuse to love you halfway.
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Elise Kova (Fire Falling (Air Awakens, #2))
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One of the great surprises is that humans come to full consciousness precisely by shadowboxing, facing their own contradictions, and making friends with their own mistakes and failings. People who have had no inner struggles are invariably both superficial and uninteresting. We tend to endure them more than communicate with them, because they have little to communicate.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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Failure and suffering are the great equalizers and levelers among humans. Success is just the opposite. Communities and commitment can form around suffering much more than around how wonderful or superior we are.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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She tried to smile, but she had been born during the years of Esi's unsmiling, and she had never learned how to do it quite right. The corners of her lips always seemed to twitch upward, unwillingly, then fall within milliseconds, as though attached to that sadness that had once anchored her own mother's heart.
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Yaa Gyasi (Homegoing)
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There must be, and, if we are honest, there always will be at least one situation in our lives that we cannot fix, control, explain, change, or even understand. For Jesus and for his followers, the crucifixion became the dramatic symbol of that necessary and absurd stumbling stone.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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...The means of choice: She might choose to ascend The falling dream, By some angelic power without a name Reverse the motion, plunge into upwardness, Know height without an end, Density melt to air, silence yield a voice-- Within her fall she felt the pull of Grace.
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May Sarton (Selected Poems)
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She sank to her knees and lifted her head. She had become so accustomed to the rippling blue tides closing her in, pressing down on her, but this sky was open . . . this night was infinite. She felt like she might fall upward forever, drifting into space. Floating across the stars. Sable had spoken of embers scattered across the roof of the universe. It was a good description.
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Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
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He turns the pages from right to left. He begins at the beginning and ends at the end. This makes a quirky sense to meβ€”but Mikio and I are definitely in the minority here. And how can we two be right? It would make so many others wrong. Water moves upward. It seeks the highest level. What did you expect? Smoke falls. Things are created in the violence of fire. But that’s all right. Gravity still pins us to the planet.
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Martin Amis (Time's Arrow)
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If we go to the depths of anything, we will begin to knock upon something substantial, β€œreal,” and with a timeless quality to it. We will move from the starter kit of β€œbelief” to an actual inner knowing. This is most especially true if we have ever (1) loved deeply, (2) accompanied someone through the mystery of dying, (3) or stood in genuine life-changing awe before mystery, time, or beauty.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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In much of urban and Western civilization today, with no proper tragic sense of life, we try to believe that it is all upward and onward--and by ourselves. It works for so few, and it cannot serve us well in the long run--because it is not true. It is an inherently win-lose game, and more and more people find themselves on the losing side.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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You never answered," he said. "You got the hots for me, or not?" His dark eyes lit up with a smile. Squaring her shoulders, Holiday started talking. "Della assumed I might have the hots for you. And you know what they say about assuming, right?" β€œIt makes an ass out of you and me," Della answered, and gave Kylie the elbow. "Get it. A.S.S.U.M.E." Holiday cut her eyes to Della in visual reprimand, then started walking away. She got three steps and swung back around. "Are you coming?" she snapped at Burnett. "You didn't ask me to," He answered. "Well, I assumed you would know I needed to discuss what happened." He arched one dark brow upward. "And what did you just about assuming?
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C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
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Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession. Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra. It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march. Salve! ye dumb hearts. Let us be still and wait by the roadside.
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Kate Chopin (The Awakening)
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What I remember most is that the laws of physics no longer seemed to apply. Gravity was backwards and the world was, I'm quite certain, moving in slow motion. His pull wasn't a pull; I was just falling upward, and he caught me. There really was no beginning or end to the kiss; it wasn't even really there- and because of that, it was tremendous. Our lips were just four sweet, shy people meeting, saying, "Hello, it's nice to meet you." But what passed between them was massive. Nuclear. And in an instant, every cobweb inside me was obliterated. My inner struggles, my uncertainty, my fear of tiger attack... gone. Just the feeling of being a newborn, a pure soul just waiting to be imprinted upon.
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James Patterson (Confessions of a Murder Suspect (Confessions, #1))
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So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young β€” anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.
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Nicole Christie (Falling for the Ghost of You)
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It was still twilight when they reached the flat rock. They sat, and the stone still held the warmth of the day's sun. At first there were only occasional sparkles, but as it got darker Chuck was lost in a daze pf delight as a galaxy of fireflies twinkled on and off, flinging upward in a blaze of light, dropping earthward like falling stars, moving in contiuous effervescent dance.
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Madeleine L'Engle (A Swiftly Tilting Planet (Time Quintet, #3))
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We do know that working-class Americans aren’t just less likely to climb the economic ladder, they’re also more likely to fall off even after they’ve reached the top. I imagine that the discomfort they feel at leaving behind much of their identity plays at least a small role in this problem. One way our upper class can promote upward mobility, then, is not only by pushing wise public policies but by opening their hearts and minds to the newcomers who don’t quite belong. Though
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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I raised my hand to wave in case he looked back; but he did not. He rode straight backed, looking forward. He rode like a Howard. We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands, we find a second. If the steps fall down before us we overleap them and go up. It is always onwards and upwards for the Howards; and my father was on his way back to court and to the company of the King without a backwards glance for me.
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Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
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It is not that suffering or failure might happen, or that it will only happen to you if you are bad (which is what religious people often think), or that it will happen to the unfortunate, or to a few in other places, or that you can somehow by cleverness or righteousness avoid it. No, it will happen, and to you! Losing, failing, falling, sin, and the suffering that comes from those experiencesβ€”all of this is a necessary and even good part of the human journey.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
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THE FACE IN THE TOYOTA Suppose you see a face in a Toyota One day, and you fall in love with that face, And it is Her, and the world rushes by Like dust blown down a Montana street. And you fall upward into some deep hole, And you can’t tell God from a grain of sand. And your life is changed, except that now you Overlook even more than you did before; And these ignored things come to bury you, And you are crushed, and your parents Can’t help anymore, and the woman in the Toyota Becomes a part of the world that you don’t see. And now the grain of sand becomes sand again, And you stand on some mountain road weeping.
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Robert Bly (Morning Poems)
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My body is between his spread legs. Even though he’s silent, his chest rises and falls like he has just stopped running. I know he wants me. I shut my brain down, ignore what a mistake this is, and lean forward and kiss the side of his neck. He jumps slightly and I lick his skin. I hear him groan and move my lips upward. A kiss cannot replace the past. But with every kiss to his skin, my hurt becomes a distant memory.
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Calia Read (Breaking the Wrong (Sloan Brothers, #2))
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Maybe it is not the destructiveness of the volcano that pleases most, though everyone loves a conflagration, but its defiance of the law of gravity to which every inorganic mass is subject. What pleases first at the sight of the plant world is its vertical upward direction. That is why we love trees. Perhaps we attend to a volcano for its elevation, like ballet. How high the molten rocks soar, how far above the mushrooming cloud. The thrill is that the mountain blows itself up, even if it must then like the dancer return to earth; even if it does not simply descendβ€”it falls, falls on us. But first it goes up, it flies. Whereas everything pulls, drags down. Down.
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Susan Sontag (The Volcano Lover)
β€œ
Every achievement of man is a value in itself, but it is also a stepping-stone to greater achievements and values. Life is growth; not to move forward, is to fall backward; life remains life, only so long as it advances. Every step upward opens to man a wider range of action and achievement--and creates the need for that action and achievement. There is no final, permanent "plateau". The problem of survival is never "solved", once and for all, with no further thought or motion required. More precisely, the problem of survival is solved, by recognizing that survival demands constant growth and creativeness.
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Ayn Rand (The Virtue of Selfishness: A New Concept of Egoism)
β€œ
If there is such a thing as human perfection, it seems to emerge precisely from how we handle the imperfection that is everywhere, especially our own. What a clever place for God to hide holiness, so that only the humble and earnest will find it! A β€œperfect” person ends up being one who can consciously forgive and include imperfection rather than one who thinks he or she is totally above and beyond imperfection.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
β€œ
Jesus had no trouble with the exceptions, whether they were prostitutes, drunkards, Samaritans, lepers, Gentiles, tax collectors, or wayward sheep. He ate with outsiders regularly, to the chagrin of the church stalwarts, who always love their version of order over any compassion toward the exceptions. Just the existence of a single mentally challenged or mentally ill person should make us change any of our theories about the necessity of some kind of correct thinking as the definition of β€œsalvation.” Yet we have a history of excluding and torturing people who do not β€œthink” right.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
β€œ
straddled the knot, so that it acted as a seat. Then you got up all your nerve, took a deep breath, and jumped. For a second you seemed to be falling to the barn floor far below, but then suddenly the rope would begin to catch you, and you would sail through the barn door going a mile a minute, with the wind whistling in your eyes and ears and hair. Then you would zoom upward into the sky, and look up at the clouds, and the rope would twist and
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E.B. White (Charlotte's Web)
β€œ
Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be β€œugly,” or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level.
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Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
β€œ
There is no 'eugenics' in Nietzsche - despite occasional references to 'breeding'- at least no more than is implicit in the recommendation to choose a partner under decent lightning conditions and with one's self-respect intact. Everything else falls under training, discipline, education and self-design - the Übermensch implies not a biological but an artistic, not to say an acrobatic programme. The only thought-provoking aspect of the marriage recommendation quoted above is the difference between onward and upward propagation. This coincides with a critique of mere repetition - obviously it will no longer suffice in future for children, as one says, to 'return' in their children. There may be a right to imperfection, but not to triviality.
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Peter Sloterdijk (Du mußt dein Leben Àndern)
β€œ
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
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Robert Graves
β€œ
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
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Barry Pain (Ghostly By Gaslight)
β€œ
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept. Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos. First, I screamed. I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents. When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions. Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far offβ€”like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said, β€œDon’t worry, son, we’re gonna take good care of her.” Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
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Katie Ashley (Nets and Lies)
β€œ
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover. Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
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Angel Rosa
β€œ
Look," Steven said, pointing at the sky. The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before. "That's them, isn't it?" she said. "The Fall?" "Yes," Francesca said. "That's it. It looks just like the old texts say it would." "It was just"-Luce furrowed her brow, squinting-"I can only see it when I-" "Concentrate," Cam ordered. "What's happening to it?" Luce asked. "It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time." "Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died. "Then it is time for us to go," Daniel said to Luce. "Up there?" "Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-" "I have to stop him?" "Yes." She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how." "I told you she would say that!" Arriane whooped. Daniel pulled her close. "Are you sure?" She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away." So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
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Lauren Kate (Rapture (Fallen, #4))