Falling Upward Quotes

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Do not be angry with the rain; it simply does not know how to fall upwards.
Vladimir Nabokov
O human race, born to fly upward, wherefore at a little wind dost thou so fall?
Dante Alighieri (The Divine Comedy: The Inferno, the Purgatorio and the Paradiso)
Before the truth sets you free, it tends to make you miserable.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
every time God forgives us, God is saying that God's own rules do not matter as much as the relationship that God wants to create with us.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The most common one-liner in the Bible is, "Do not be afraid." Someone counted, and it occurs 365 times.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Sin happens whenever we refuse to keep growing.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Until we learn to love others as ourselves, it's difficult to blame broken people who desperately try to affirm themselves when no one else will.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Fish die belly upward, and rise to the surface. It's their way of falling.
André Gide
When you get your,'Who am I?', question right, all of your,'What should I do?' questions tend to take care of themselves
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The ego hates losing – even to God.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I do not think you should get rid of your sin until you have learned what it has to teach you.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Much of the work of midlife is to tell the difference between those who are dealing with their issues through you and those who are really dealing with you.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The night is alive with stars, and when I lie down and look up, I get lost up there. I feel like I’m falling, but upward, into the abyss of sky above me.
Markus Zusak (I Am the Messenger)
People who know how to creatively break the rules also know why the rules were there in the first place.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The cross solved our problem by first revealing our real problem, our universal pattern of scapegoating and sacrificing others. The cross exposes forever the scene of our crime.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Change is not what we expect from religious people. They tend to love the past more than the present or the future.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
In the second half of life, people have less power to infatuate you. But they also have much less power to control you or hurt you.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Have you ever watched a leaf leave a tree? It falls upward first, and then it drifts toward the ground, just as I find myself drifting towards you.
Beth Kephart (Undercover (Hardcover))
I have prayed for years for one good humiliation a day, and then, I must watch my reaction to it. I have no other way of spotting both my denied shadow self and my idealized persona.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
When we fail we are merely joining the great parade of humanity that has walked ahead of us and will follow after us.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The human ego prefers anything, just about anything, to falling, or changing, or dying. The ego is that part of you that loves the status quo – even when it's not working. It attaches to past and present and fears the future.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
...in the intoxication of falling, man was prone to believe himself propelled upward.
Hermann Broch (The Death of Virgil)
Kylie watched as his shirttail upward, exposing a very hard abdomen. The hem of his shirt inched higher, and she took in the cutest inny belly button she'd ever seen. And then his chest. Solid. Hard. A few drops of water glistened against his skin. Hear heart beat to the sound of passion again.
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
Thomas Merton, the American monk, pointed out that we may spend our whole life climbing the ladder of success, only to find when we get to the top that our ladder is leaning against the wrong wall.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
We all become well-disguised mirror image of anything that we fight too long or too directly. That which we oppose determines the energy and frames the questions after a while. Most frontal attacks on evil just produce another kind of evil in yourself, along with a very inflated self-image to boot.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Most people confuse their life situation with their actual life, which is an underlying flow beneath the everyday events.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
If change and growth are not programmed into your spirituality, if there are not serious warnings about the blinding nature of fear and fanaticism, your religion will always end up worshiping the status quo and protecting your present ego position and personal advantage as if it were God.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Church practice has been more influenced by Plato than by Jesus. We invariably prefer the universal synthesis, the answer that settles all the dust and resolves every question even when it is not entirely true over the mercy and grace of God.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Life is all about practicing for heaven." p 101.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Those who are not true leaders will just affirm people at their own immature level.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
We fly, but we have not 'conquered' the air. Nature presides in all her dignity, permitting us the study and the use of such of her forces as we may understand. It is when we presume to intimacy, having been granted only tolerance, that the harsh stick fall across our impudent knuckles and we rub the pain, staring upward, startled by our ignorance.
Beryl Markham (West with the Night)
You love me.” He kept gazing upward, his answer coming softly. “Yeah. I do.
Toni Blake (Whisper Falls (Destiny, #3))
If you accept a punitive notion of God, who punishes or even eternally tortures those who do not love him, then you have an absurd universe where most people on this earth end up being more loving than God!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Whatever good, true, or perfect things we can say about humanity or creation, we can say of God exponentially. God is the beauty of creation and humanity multiplied to the infinite power.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
What some now call 'emerging Christianity' or 'the emerging church' is not something you join, establish, or invent. You just name it and then you see it everywhere- already in place! Such nongroup groups, the 'two or three' gathered in deep truth, create a whole new level of affiliation, dialogue, and friendship...
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
As Desmond Tutu told me on a recent trip to Cape Town, “We are only the light bulbs, Richard, and our job is just to remain screwed in!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
If we seek spiritual heroism ourselves, the old ego is just back in control under a new name. There would not really be any change at all, but only disguise, just bogus self-improvement on our own terms.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
In the second half of life, we do not have strong and final opinions about everything, every event, or most people, as much as we allow things and people to delight us, sadden us, and truly influence us.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
He’s leaving, and he picks up his shoulder bag on the way out and he’s staring at the ceiling, then the sky, and he closes the door silently behind him, and he stares upward because the minute he looks down, the tears will fall. And he won’t cry over Harry Styles. So Louis doesn’t look down.
Velvetoscar (Young & Beautiful)
It has been acceptable for some time in America to remain "wound identified" (that is, using one's victimhood as one's identity, one's ticket to sympathy, and one's excuse for not serving), instead of using the wound to "redeem the world," as we see in Jesus and many people who turn their wounds into sacred wounds that liberate both themselves and others.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
a person must pass the lessons learned on to others—or there has been no real gift at all.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
You ironically have to have a very strong ego structure to let go of your ego. You need to struggle with the rules more than a bit before you throw them out. You only internalize values by butting up against external values for a while.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Integrity largely has to do with purifying our intentions and a growing honesty about our actual motives.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Yes, transformation is often more about unlearning than learning, which is why the religious traditions call it “conversion” or “repentance.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Jesus praised faith and trust – even more than love. It takes a foundational trust to fall, or to fail, and not to fall apart.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Basically, the first half of life is writing the text, and the second half is writing the commentary on that text.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Love Forever If I were the trees ... I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet... so you might know wonder. If I were the mountains ... I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ... so you might know freedom. If I were the ocean ... I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters, so you might know peace. If I were the stars ... I would sparkle like never before and fall from the sky as gentle rain, so that you would always look towards heaven and know that you can reach the stars. If I were the moon ... I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty, so you might know that all the Earth is at your command. If I were the sun ... I would warm and glow like never before and light the sky with orange and pink, so you would gaze upward and always know the glory of heaven. But I am me ... and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart, and this I will do until ... the mountains crumble down ... and the oceans dry up ... and the stars fall from the sky ... and the sun and moon burn out ... And that is forever.
Camron Wright (The Rent Collector)
Denial of our pattern of failure seems to be a kind of practical atheism or chosen ignorance among many believers and clergy.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I guess prophets are those who do not care whether you are ready to hear their message. They say it because it has to be said and because it is true.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
God seems to be about turning our loves around and using them toward the great love that is their true object.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
What we gotta do is, we gotta figure out a way to reverse gravity, so that we all fall upward, through the clouds and sky, all the way to Heaven.
Justin Torres
Her eyes, mostly cast downward, occasionally flicker upwards to meet his before falling again. She is apologetic for everything, as always, constantly saying sorry to the world, as though as her very presence offends.
Cecelia Ahern (Thanks for the Memories)
Invariably when something upsets you, and you have a strong emotional reaction out of proportion to the moment, your shadow self has just been exposed. So watch for any overreactions or overdenials.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
She once heard that love shouldn’t be called ‘falling’, because the best love roots you, and makes you grow upwards, taller and stronger.
Laura Jane Williams (Our Stop)
The shape of evil is much more superficiality and blindness than the usual list of hot sins. God hides, and is found, precisely in the depths of everything.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
We grow spiritually much more by doing it wrong than by doing it right.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I have often wondered why people never want to put a stone monument of the Eight Beatitudes on a courthouse lawn. Then I realize that the Eight Beatitudes of Jesus would probably not be very good for any war, any macho worldview, the wealthy, or our consumer economy.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Your concern is not so much to have what you love anymore, but to love what you have—right now. This is a monumental change from the first half of life, so much so that it is almost the litmus test of whether you are in the second half of life at all.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
In fact, I would say that the demand for the perfect is the greatest enemy of the good.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
We are usually on bended knee before laws or angrily reacting against them, both immature responses.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
At the edge you will always remember me, at the edge you will last be remembered, where sanity and insanity come together, for the time, then separates. Like leaves on October trees, that color the world, but for a moment, then leave. At the edge, where life losses its edginess, and thoughts we will become one, someday. At the edge the sun drops, the ring falls, and senses of raindrops climb upwards to the gray sky.
Anthony Liccione
We'll fight back, we'll fight back, we'll fight back," a man near Doctor Stockstill was chanting. Stockstill looked at him in astonishment, wondering who he would fight back against. Things were falling on them; did the man intend to fall back upward into the sky in some sort of revenge?
Philip K. Dick (Dr. Bloodmoney)
If you try to assert wisdom before people have themselves walked it, be prepared for much resistance, denial, push-back, and verbal debate.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Truth is not always about pragmatic problem solving and making things “work,” but about reconciling contradictions. Just because something might have some dire effects does not mean it is not true or even good. Just because something pleases people does not make it true either.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Just for the record, the way to a man's heart isn't through his stomach, but through the best fucking blow job ever. You want a man to be your bitch? Perfect your craft.
Devon Ashley (Falling Upward (Falling, #2.5))
All we can give back and all God wants from any of us is to humbly and proudly return the product that we have been given—which is ourselves!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The bottom line of the Gospel is that most of us have to hit some kind of bottom before we even start the real spiritual journey.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I’m here,” I told him, picking at the taxi company decal on the interior of the car window.“My face is relaxed and content. My lips are curved upward.” Sam did not laugh, because he was immune to my charms. “Have you been to the place you’re staying yet? Is it okay?” “I’m fine, Mother,” I replied. “I haven’t been yet. I’m going to go see Baby now.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
There must be, and, if we are honest, there always will be at least one situation in our lives that we cannot fix, control, explain, change, or even understand. For Jesus and for his followers, the crucifixion became the dramatic symbol of that necessary and absurd stumbling stone.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Vhalla blushed and averted her eyes from his handsome face. “It’s still a poor choice,” she whispered. “It always will be.” Aldrik stood. Her breath quickened by his proximity alone. He hooked his fingers under her chin and pulled her face upward gently. “If you want to make the widely accepted appropriate decision, then leave now, have mercy and end this before you entice me further. Because I promise, this will never be easy—for either of us—and I refuse to love you halfway.
Elise Kova (Fire Falling (Air Awakens, #2))
One of the great surprises is that humans come to full consciousness precisely by shadowboxing, facing their own contradictions, and making friends with their own mistakes and failings. People who have had no inner struggles are invariably both superficial and uninteresting. We tend to endure them more than communicate with them, because they have little to communicate.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Failure and suffering are the great equalizers and levelers among humans. Success is just the opposite. Communities and commitment can form around suffering much more than around how wonderful or superior we are.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
She tried to smile, but she had been born during the years of Esi's unsmiling, and she had never learned how to do it quite right. The corners of her lips always seemed to twitch upward, unwillingly, then fall within milliseconds, as though attached to that sadness that had once anchored her own mother's heart.
Yaa Gyasi (Homegoing)
...The means of choice: She might choose to ascend The falling dream, By some angelic power without a name Reverse the motion, plunge into upwardness, Know height without an end, Density melt to air, silence yield a voice-- Within her fall she felt the pull of Grace.
May Sarton (Selected Poems)
She sank to her knees and lifted her head. She had become so accustomed to the rippling blue tides closing her in, pressing down on her, but this sky was open . . . this night was infinite. She felt like she might fall upward forever, drifting into space. Floating across the stars. Sable had spoken of embers scattered across the roof of the universe. It was a good description.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
He turns the pages from right to left. He begins at the beginning and ends at the end. This makes a quirky sense to me—but Mikio and I are definitely in the minority here. And how can we two be right? It would make so many others wrong. Water moves upward. It seeks the highest level. What did you expect? Smoke falls. Things are created in the violence of fire. But that’s all right. Gravity still pins us to the planet.
Martin Amis (Time's Arrow)
If we go to the depths of anything, we will begin to knock upon something substantial, “real,” and with a timeless quality to it. We will move from the starter kit of “belief” to an actual inner knowing. This is most especially true if we have ever (1) loved deeply, (2) accompanied someone through the mystery of dying, (3) or stood in genuine life-changing awe before mystery, time, or beauty.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Often it takes outer authority to send us on the path to our own inner authority.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
You never answered," he said. "You got the hots for me, or not?" His dark eyes lit up with a smile. Squaring her shoulders, Holiday started talking. "Della assumed I might have the hots for you. And you know what they say about assuming, right?" “It makes an ass out of you and me," Della answered, and gave Kylie the elbow. "Get it. A.S.S.U.M.E." Holiday cut her eyes to Della in visual reprimand, then started walking away. She got three steps and swung back around. "Are you coming?" she snapped at Burnett. "You didn't ask me to," He answered. "Well, I assumed you would know I needed to discuss what happened." He arched one dark brow upward. "And what did you just about assuming?
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
In much of urban and Western civilization today, with no proper tragic sense of life, we try to believe that it is all upward and onward--and by ourselves. It works for so few, and it cannot serve us well in the long run--because it is not true. It is an inherently win-lose game, and more and more people find themselves on the losing side.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession. Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra. It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march. Salve! ye dumb hearts. Let us be still and wait by the roadside.
Kate Chopin (The Awakening)
I raised my hand to wave in case he looked back; but he did not. He rode straight backed, looking forward. He rode like a Howard. We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands, we find a second. If the steps fall down before us we overleap them and go up. It is always onwards and upwards for the Howards; and my father was on his way back to court and to the company of the King without a backwards glance for me.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
It was still twilight when they reached the flat rock. They sat, and the stone still held the warmth of the day's sun. At first there were only occasional sparkles, but as it got darker Chuck was lost in a daze pf delight as a galaxy of fireflies twinkled on and off, flinging upward in a blaze of light, dropping earthward like falling stars, moving in contiuous effervescent dance.
Madeleine L'Engle (A Swiftly Tilting Planet (Time Quintet, #3))
Anger is an agro-chemical that makes self-destruction to grow faster. Like a stone thrown upward, all angry people eventually fall down into the dirty ditch of sorrowful self-harm and a pathetic loss of real-self.
Israelmore Ayivor
What I remember most is that the laws of physics no longer seemed to apply. Gravity was backwards and the world was, I'm quite certain, moving in slow motion. His pull wasn't a pull; I was just falling upward, and he caught me. There really was no beginning or end to the kiss; it wasn't even really there- and because of that, it was tremendous. Our lips were just four sweet, shy people meeting, saying, "Hello, it's nice to meet you." But what passed between them was massive. Nuclear. And in an instant, every cobweb inside me was obliterated. My inner struggles, my uncertainty, my fear of tiger attack... gone. Just the feeling of being a newborn, a pure soul just waiting to be imprinted upon.
James Patterson (Confessions of a Murder Suspect (Confessions, #1))
I am not preoccupied with collecting more goods and services; quite simply, my desire and effort—every day—is to pay back, to give back to the world a bit of what I have received.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I think of the snow, falling, drifting upward. Of extending the ephemeral. Spaces follow spaces, burgeoning, and the air smells so sweet.
Meia Geddes (Love Letters to the World)
The task of the second half of life is, quite simply, to find the actual contents that this container was meant to hold and deliver.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
It is no surprise that the first and always unwelcome message of male initiation rites is LIFE – IS – HARD.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Before the truth 'sets you free', it tends to make you miserable.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Your concern is not so much to have what you love anymore, but to love what you have—right now.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Human maturity is neither offensive nor defensive; it is finally able to accept that reality is what it is.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
We can save ourselves a lot of distress and accusation by knowing when, where, to whom, and how to talk about spiritually mature things.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.
Nicole Christie (Falling for the Ghost of You)
It is not that suffering or failure might happen, or that it will only happen to you if you are bad (which is what religious people often think), or that it will happen to the unfortunate, or to a few in other places, or that you can somehow by cleverness or righteousness avoid it. No, it will happen, and to you! Losing, failing, falling, sin, and the suffering that comes from those experiences—all of this is a necessary and even good part of the human journey.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
THE FACE IN THE TOYOTA Suppose you see a face in a Toyota One day, and you fall in love with that face, And it is Her, and the world rushes by Like dust blown down a Montana street. And you fall upward into some deep hole, And you can’t tell God from a grain of sand. And your life is changed, except that now you Overlook even more than you did before; And these ignored things come to bury you, And you are crushed, and your parents Can’t help anymore, and the woman in the Toyota Becomes a part of the world that you don’t see. And now the grain of sand becomes sand again, And you stand on some mountain road weeping.
Robert Bly (Morning Poems: A Sensational Daily Poetry Collection on Waking, Mourning, and the Mystery of Creation)
We do know that working-class Americans aren’t just less likely to climb the economic ladder, they’re also more likely to fall off even after they’ve reached the top. I imagine that the discomfort they feel at leaving behind much of their identity plays at least a small role in this problem. One way our upper class can promote upward mobility, then, is not only by pushing wise public policies but by opening their hearts and minds to the newcomers who don’t quite belong. Though
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Maybe it is not the destructiveness of the volcano that pleases most, though everyone loves a conflagration, but its defiance of the law of gravity to which every inorganic mass is subject. What pleases first at the sight of the plant world is its vertical upward direction. That is why we love trees. Perhaps we attend to a volcano for its elevation, like ballet. How high the molten rocks soar, how far above the mushrooming cloud. The thrill is that the mountain blows itself up, even if it must then like the dancer return to earth; even if it does not simply descend—it falls, falls on us. But first it goes up, it flies. Whereas everything pulls, drags down. Down.
Susan Sontag (The Volcano Lover)
Lorenzo il Magnifico, the Plato Four, the humanists had taught him that man was the center of the universe; and this was never more demonstrable that when he stood looking upward and found himself, a lone individual, serving as the central pole holding up the tarpaulin of sun and clouds, moon and stars, knowing that, lone or abandoned as he might feel, without his support the heavens would fall.
Irving Stone (The Agony and the Ecstasy)
Western people are a ritually starved people, and in this are different than most of human history.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
You will have many more Aarons building you golden calves than Moseses leading you on any exodus.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The saint is precisely one who has no “I” to protect or project. His or her “I” is in conscious union with the “I AM” of God, and that is more than enough. Divine
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Once you see that your skin and your gift are two sides of the same coin, you can never forget it. It preserves religion from any arrogance and denial.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Self-help courses will only help you if they teach you to pay attention to life itself.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Humans are creators of meaning, and finding deep meaning in our experiences is not just another name for spirituality but is also the very shape of human happiness.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Unless you build your first house well, you will never leave it. To build your house well is, ironically, to be nudged beyond its doors.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Where people are gone the night falls upward, black and unmanned.
Rachel Kushner (The Mars Room)
You're just saying that because you're my- my-" "Friend?" Is it so hard to admit it?" Laia glances upward, ostentatiously shading her eyes. "A scholar rebel and a Martial Blood Shrike are friends and the sky didn't fall in. Whatever shall we do?
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
The very unfortunate result of this preoccupation with order, control, safety, pleasure, and certitude is that a high percentage of people never get to the contents of their own lives!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Every achievement of man is a value in itself, but it is also a stepping-stone to greater achievements and values. Life is growth; not to move forward, is to fall backward; life remains life, only so long as it advances. Every step upward opens to man a wider range of action and achievement--and creates the need for that action and achievement. There is no final, permanent "plateau". The problem of survival is never "solved", once and for all, with no further thought or motion required. More precisely, the problem of survival is solved, by recognizing that survival demands constant growth and creativeness.
Ayn Rand (The Virtue of Selfishness: A New Concept of Egoism)
If there is such a thing as human perfection, it seems to emerge precisely from how we handle the imperfection that is everywhere, especially our own. What a clever place for God to hide holiness, so that only the humble and earnest will find it! A “perfect” person ends up being one who can consciously forgive and include imperfection rather than one who thinks he or she is totally above and beyond imperfection.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
My body is between his spread legs. Even though he’s silent, his chest rises and falls like he has just stopped running. I know he wants me. I shut my brain down, ignore what a mistake this is, and lean forward and kiss the side of his neck. He jumps slightly and I lick his skin. I hear him groan and move my lips upward. A kiss cannot replace the past. But with every kiss to his skin, my hurt becomes a distant memory.
Calia Read (Breaking the Wrong (Sloan Brothers, #2))
The world doesn't die with its leaders. It merely changes, and our best goals must be to steer it on an upward path, so that we leave it better than we found it, and so that it has ample chance to improve beyond our lifetime instead of falling into chaos without our steadying hand.
Kate Stradling (The Heir and the Spare)
Setting out is always a leap of faith, a risk in the deepest sense of the term, and yet an adventure too. The familiar and the habitual are so falsely reassuring, and most of us make our homes there permanently. The new is always by definition unfamiliar and untested, so God, life, destiny, suffering have to give us a push--usually a big one--or we will not go.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Snow... blots and softens the top of every object like ice on a plum pudding. Hedges, telegraph wires, cars, postboxes, recycling bins. The world is losing its edges. Look upwards and it seems as if the stars themselves are being poured from the sky and turn out not to be vast and fiery globes after all but tiny, frozen things which melt in the palm of your hand.
Mark Haddon (The Pier Falls: And Other Stories)
Jesus had no trouble with the exceptions, whether they were prostitutes, drunkards, Samaritans, lepers, Gentiles, tax collectors, or wayward sheep. He ate with outsiders regularly, to the chagrin of the church stalwarts, who always love their version of order over any compassion toward the exceptions. Just the existence of a single mentally challenged or mentally ill person should make us change any of our theories about the necessity of some kind of correct thinking as the definition of “salvation.” Yet we have a history of excluding and torturing people who do not “think” right.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
straddled the knot, so that it acted as a seat. Then you got up all your nerve, took a deep breath, and jumped. For a second you seemed to be falling to the barn floor far below, but then suddenly the rope would begin to catch you, and you would sail through the barn door going a mile a minute, with the wind whistling in your eyes and ears and hair. Then you would zoom upward into the sky, and look up at the clouds, and the rope would twist and
E.B. White (Charlotte's Web)
Think of the cold Grand Inquisitor in The Brothers Karamazov, or the monk who tries to eliminate all humor in The Name of the Rose, or the frowning Koran burners of Florida. Holier-than-thou people usually end up holier than nobody.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be “ugly,” or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
So get ready for a great adventure, the one you were really born for. If we never get to our little bit of heaven, our life does not make much sense, and we have created our own “hell.” So get ready for some new freedom, some dangerous permission, some hope from nowhere, some unexpected happiness, some stumbling stones, some radical grace, and some new and pressing responsibility for yourself and for our suffering world.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
When my fingers began, involuntarily, to loose their hold on Hella, I realized that I was dangling from a high place and that I had been clinging to her for my very life. With each moment, as my fingers slipped, I felt the roaring air beneath me and felt everything in me bitterly contracting, crawling furiously upward against that long fall.
James Baldwin (Giovanni’s Room)
The Holy Spirit is that aspect of God that works largely from within and “secretly,” at “the deepest levels of our desiring,” as so many of the mystics have said.
Richard Rohr (AARP Falling Upward: A Spirituality for the Two Halves of Life)
If this inner and critical voice has kept you safe for many years as your inner voice of authority, you may end up not being able to hear the real voice of God.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
What is a normal goal to a young person becomes a neurotic hindrance in old age. —CARL JUNG No wise person ever wanted to be younger. —NATIVE AMERICAN APHORISM
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Without law in some form, and, also, without butting up against that law, we cannot move forward easily or naturally. We have to have something hard and half-good to rebel against.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
great love is always a discovery, a revelation, a wonderful surprise, a falling into “something” much bigger and deeper that is literally beyond us and larger than us.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
No problem can be solved by the same consciousness that caused it in the first place.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Salvation is not sin perfectly avoided, as the ego would prefer; but in fact, salvation is sin turned on its head and used in our favor.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Ken Keyes so wisely said, “More suffering comes into the world by people taking offense than by people intending to give offense.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Remember, the opposite of rational is not always irrational, but it can also be transrational or bigger than the rational mind can process; things like love, death, suffering, God, and infinity are transrational experiences. Both myth and mature religion understand this.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
He cast his eyes upwards and stood amazed. The snow had ceased to fall, and now, as if by a miracle, he saw above his head the clear black sky of the northern winter, decorated with the sumptuous fires of the stars. It was a canopy fit for the resplendent purity of the snows.
Joseph Conrad (Under Western Eyes)
In the first half of life, we fight the devil and have the illusion and inflation of “winning” now and then; in the second half of life, we always lose because we are invariably fighting God.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
It seems that in the spiritual world, we do not really find something until we first lose it, ignore it, miss it, long for it, choose it, and personally find it again--but now on a new level.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Robert Graves
To quote Archimedes once again, you must have both “a lever and a place to stand” before you can move the world. The educated and sophisticated Western person today has many levers, but almost no solid place on which to stand, with either very weak identities or terribly overstated identities.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The experience of the Mayas is one more reminder that any interpretation of human evolution based on the idea of unilineal progress forwards (or upwards) is an illusion. Peoples decline as well as rise.
Hugh Thomas (Conquest: Cortés, Montezuma, and the Fall of Old Mexico)
At the end of the day, when the sun falls a willing prisoner of the night...and humans, males and females alike, become submitted to the mistress of the dark, my mind begins to wander and wonder. Looking upwards at a blank slate of concrete, the psyque expresses freely what my subconscious is afraid to give free rein. And there and then, between the play of reality and dreamland, I find my place. I find myself.
Eiry Nieves
SKIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, 5 In tumbling turning clustering loops, straight downward falling, Till o’er the river pois’d, the twain yet one, a moment’s lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing.
Walt Whitman
Without elders, much of our history has been formed by juniors reacting, overreacting, and protecting their own temporary privilege, with no deep-time vision like the Iroquois Nation, which considered, “What would be good for the next seven generations?” Compare that to the present “Tea Party” movement in America.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
There is no 'eugenics' in Nietzsche - despite occasional references to 'breeding'- at least no more than is implicit in the recommendation to choose a partner under decent lightning conditions and with one's self-respect intact. Everything else falls under training, discipline, education and self-design - the Übermensch implies not a biological but an artistic, not to say an acrobatic programme. The only thought-provoking aspect of the marriage recommendation quoted above is the difference between onward and upward propagation. This coincides with a critique of mere repetition - obviously it will no longer suffice in future for children, as one says, to 'return' in their children. There may be a right to imperfection, but not to triviality.
Peter Sloterdijk (Du mußt dein Leben ändern)
The vision of this massive body of water with towering monoliths jutting straight upward to the heavens, stole our ability to think.Colors that made the wildflowers look dull, streaked up and down across the great pillars of hardened rock. The clouds and sky were mirrored in the glassy surface of the deep expanse of lake.
Danielle Rohr (Water Falls Down)
Any attempt to engineer or plan your own enlightenment is doomed to failure because it will be ego driven. You will see only what you have already decided to look for, and you cannot see what you are not ready or told to look for. So failure and humiliation force you to look where you never would otherwise. What an enigma!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Our birth is but a sleep and a forgetting: The Soul that rises with us, our Life's Star Hath had elsewhere its setting, And cometh from afar: Not in entire forgetfulness. And not in utter nakedness, But trailing clouds of glory do we come From God, who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close upon the growing boy, But he beholds the light, and whence it flows, He sees it in his joy.2
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
More than anything else, the Spirit keeps us connected and safely inside an already existing flow, if we but allow it. We never “create” or earn the Spirit; we discover this inner abiding as we learn to draw upon our deepest inner life.
Richard Rohr (AARP Falling Upward: A Spirituality for the Two Halves of Life)
In this book I would like to describe how this message of falling down and moving up is, in fact, the most counter-intuitive message in most of the world's religions, including and most especially Christianity. We grow spiritually much more by doing it wrong than by doing it right. That might just be the central message of how spiritual growth happens; yet nothing in us wants to believe it. I actually think it is the only workable meaning of any remaining notion of “original sin.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
In fact, the best of modern theology is revealing a strong “turn toward participation,” as opposed to religion as mere observation, affirmation, moralism, or group belonging. There is nothing to join, only something to recognize, suffer, and enjoy as a participant.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Her earliest memory was of wings. Luminous red and blue, yellow and green and orange; a black so rich it appeared liquid, edible. They moved above her and the sunlight made them glow as though they were themselves made of light, fragments of another, brighter world falling to earth about her crib. Her tiny hands stretched upwards to grasp them but could not: they were too elusive, too radiant, too much of the air.
Elizabeth Hand (Poe's Children: The New Horror)
We actually respond to one another's energy more than to people's exact words or actions. In any situation, your taking or giving of energy is what you are actually doing. Everybody can feel, suffer, or enjoy the difference, but few can exactly say what it is that is happening. Why do I feel drawn or repelled? What we all desire and need from one another, of course, is that life energy called eros! It always draws, creates, and connects things.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
She let the relaxing song waft over and through her as she lost herself in everything around her: the millions of stars glittering above, the soft quilt beneath her, the man whose hand slipped warmly into hers. And she began to understand something she hadn't only a few short minutes before; she began to feel a certain, undeniable truth seeping into her skin, her muscles, her very bones. And when the song came to its sweet, peaceful conclusion, she continued peering up at the sky even as she leaned her head over to rest it on Lucky's shoulder. And she whispered, "You love me." He kept gazing upward, too, his answer coming softly. "Yeah, I do." And it sounded ... like it wasn't a surprise to him at all. The new knowledge made Tessa's skin tingle even as her body filled with warmth. And she pulled back just slightly to peer over at him, this man who loved her. He hadn't put it into words, but he hadn't needed to---because he'd shown her, in so many sweet ways.
Toni Blake (Whisper Falls (Destiny, #3))
Love is an excellent thing and a very great blessing, indeed. It makes every difficulty easy. It bears a burden without being weighted, and renders sweet all that is bitter. Love knows no limits, feels no burden, thinks nothing of troubles, attempts more than it is able, because it believes that it may and can do all things; for this reason it is able to do all, performing much where he who does not love fails and falls. Love is watchful. Sleeping, it does not slumber. Like a living flame, a burning torch, it tends upward and passes unharmed through every obstacle.” Whatever faults may be committed, big or small, whatever clouds may pile up on the horizon, dark and threatening, love will overcome all.
Maria Augusta von Trapp (The Story of the Trapp Family Singers)
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
In this second half of life, one has less and less need or interest in eliminating the negative or fearful, making again those old rash judgments, holding on to old hurts, or feeling any need to punish other people. Your superiority complexes have gradually departed in all directions. You do not fight these things anymore; they have just shown themselves too many times to be useless, ego based, counterproductive, and often entirely wrong. You learn to positively ignore and withdraw your energy from evil or stupid things rather than fight them directly.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
The ancient observed, and we also observe, that sometimes things fall to earth, or some things leave the earth, or whatever parts we may be near. Whence, he says, and we may also say if we like, that something has moved either upward or downward, but only with regard to a certain region, or in a certain perspective, something passing from us to the moon would look the opposite to those across from us on the moon; where we would say, something has ascended, those moon people, our anticephali, would say that something has descended. Such motions, therefore, make no distinction between up and down, hither and thither with respect to the infinite universe, but only the finite world in which we are, or within the boundaries of the infinite worlds' horizons, or according to the calculations of the innumerable stars; hence, the same thing, with the same motion, can be regarded differently and called at the same time "rising" and "falling". Determinate bodies, therefore, do not have infinite motion, but finite and determinate calculation within their own limits. But that which is indeterminate and infinite has neither finite nor infinite motion, and knows no differentiation of space or time.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
For some of you, my quoting Jesus is the only way you will trust me; for others, it gives you more reasons to mistrust me, but I have to take both risks. If I dared to present all of these ideas simply as my ideas, or because they match modern psychology or old mythology, I would be dishonest. Jesus for me always clinches the deal, and I sometimes wonder why I did not listen to him in the first place.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night The mountaintop is not in sight Because there is no mountaintop Poor Sisyphus grief I did not know I would struggle Through a ragged underbrush Without an upward path Because there is no path There is only a blunt rock With a river to fall into And Time with its medieval chambers Time with its jagged edges And blunt instruments I did not know the work of mourning Is a labor in the dark We carry inside ourselves Though sometimes when I sleep I'm with him again And then I wake Poor Sisyphus grief I'm not ready for your heaviness Cemented to my body Look closely and you will see Almost everyone carrying bags Of cement on their shoulders That's why it takes courage To get out of bed in the morning And climb into the day
Edward Hirsch (Gabriel: A Poem)
Listen to his dangerous and inclusionary thinking: “My Father's sun shines on the good and the bad, his rain falls on the just and the unjust” (Matthew 5:45). Or “Don't pull out the weeds or you might pull out the wheat along with it. Let the weeds and the wheat both grow together until the harvest” (Matthew 13:29–30). If I had presented such fuzzy thinking in my moral theology class, I would have gotten an F!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
When I talk to my friends I pretend I am standing on the wings of a flying plane. I cannot be trusted to tell them how I am. Or if I am falling to earth weighing less than a dozen roses. Sometimes I dream they have broken up with their lovers and are carrying food to my house. When I open the mailbox I hear their voices like the long upward-winding curve of a train whistle passing through the tall grasses and ferns after the train has passed. I never get ahead of their shadows. I embrace them in front of moving cars. I keep them away from my miseries because to say I am miserable is to say I am like them.
Jason Shinder
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept. Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos. First, I screamed. I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents. When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions. Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far off—like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said, “Don’t worry, son, we’re gonna take good care of her.” Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
Katie Ashley (Nets and Lies)
Pride and hope and desire like crushed herbs in his heart sent up vapours of maddening incense before the eyes of his mind. He strode down the hill amid the tumult of suddenrisen vapours of wounded pride and fallen hope and baffled desire. They streamed upwards before his anguished eyes in dense and maddening fumes and passed away above him till at last the air was clear and cold again. A film still veiled his eyes but they burned no longer. A power, akin to that which had often made anger or resentment fall from him, brought his steps to rest. He stood still and gazed up at the sombre porch of the morgue and from that to the dark cobbled laneway at its side.
James Joyce (A Portrait of the Artist as a Young Man)
As he was cast over the edge, he was able to turn and look upward. Falling, he saw a dark figure in the sky that grew even as his eyes passed over it. Of course, he thought, he has finally looked upon the sunrise and been freed … Wings folded, his great, horned countenance impassive, Morningstar dropped like a black meteor. As he drew near, he extended his arms full length and opened his massive hands. Jack wondered whether he would arrive in time.
Roger Zelazny (Jack of Shadows)
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover. Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
Angel Rosa
The tragic sense of life is ironically not tragic at all, at least in the Big Picture. Living in such deep time, connected to past and future, prepares us for necessary suffering, keeps us from despair about our own failure and loss, and ironically offers us a way through it all. We are merely joining the great parade of humanity that has walked ahead of us and will follow after us. The tragic sense of life is not unbelief, pessimism, fatalism, or cynicism.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Why is it we are not constantly awed by the size and majesty of the universe?” “Habit,” he said. “We are accustomed to it. I suppose if we had been blind from birth—in both eyes—and could suddenly see, we would be so overwhelmed by a night like this that we would either gaze upward at it until dawn or else cling to the earth, afraid that we were about to fall off. Or perhaps we would simply assume that we were at the center of it all and the lords of all we beheld.” The
Mary Balogh (Simply Love (Simply Quartet #2))
Look," Steven said, pointing at the sky. The stars were out in droves. One, far in the distance, was particularly bright. It flickered, then seemed to go out altogether before returning even brighter than before. "That's them, isn't it?" she said. "The Fall?" "Yes," Francesca said. "That's it. It looks just like the old texts say it would." "It was just"-Luce furrowed her brow, squinting-"I can only see it when I-" "Concentrate," Cam ordered. "What's happening to it?" Luce asked. "It is coming into being in this world," Daniel said. "It wasn't the physical transit from Heaven to Earth that took nine days. It was the shift from a Heavenly realm to an Earthly one. When we landed here, our bodies were...different. We became different. That took time." "Now time is taking us," Roland said, looking at the golden pocket watch that Dee must have given him before she died. "Then it is time for us to go," Daniel said to Luce. "Up there?" "Yes, we must soar up to meet them. We will fly right up to the limits of the Fall, and then you-" "I have to stop him?" "Yes." She closed her eyes thought back to the way Lucifer had looked at her in the Meadow. He looked like he wanted to crush every speck of tenderness there was. "I think I know how." "I told you she would say that!" Arriane whooped. Daniel pulled her close. "Are you sure?" She kissed him, never surer. "I just got my wings back, Daniel. I'm not going to let Lucifer take them away." So Luce and Daniel said goodbye to their friends, reached for each other's hands, and took off into the night. They flew upward forever, through the thinnest outer skin of the atmosphere, through a film of light at the edge of space.
Lauren Kate (Rapture (Fallen, #4))
The genius of the Gospel was that it included the problem inside the solution. The falling became the standing. The stumbling became the finding. The dying became the rising. The raft became the shore. The small self cannot see this very easily, because it doubts itself too much, is still too fragile, and is caught up in the tragedy of it all. It has not lived long enough to see the big patterns. No wonder so many of our young commit suicide. This is exactly why we need elders and those who can mirror life truthfully and foundationally for the young. Intimate I-Thou relationships are the greatest mirrors of all, so we dare not avoid them, but for the young they have perhaps not yet taken place at any depth, so young people are always very fragile.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
His name was Anderson and he had little gift for communication. Like most technicians, he had a terror and a contempt for speculation. The inductive leap was not for him. He dug a step and pulled himself up one single step, the way a man climbs the last shoulder of a mountain. He had great contempt, born of fear, for the Hamiltons, for they all half believed they had wings—and they got some bad falls that way. Anderson never fell, never slipped back, never flew. His steps moved slowly, slowly upward, and in the end, it is said, he found what he wanted—color film. He married Una, perhaps, because she had little humor, and this reassured him. Una wrote bleak letters without joy but also without self-pity. She was well and she hoped her family was well.
John Steinbeck (East of Eden)
God has to undo our illusions secretly, as it were, when we are not watching and not in perfect control, say the mystics. That is perhaps why the best word for God is actually Mystery. We move forward in ways that we do not even understand and through the quiet workings of time and grace. When we get there, we are never sure just how it happened, and God does not seem to care who gets the credit, as long as our growth continues. As St. Gregory of Nyssa already said in the fourth century, “Sin happens whenever we refuse to keep growing.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
They would give a lecture about how a pilot should never fly without a good solid breakfast—eggs, bacon, toast, and so forth—because if he tried to fly with his blood-sugar level too low, it could impair his alertness. Naturally, the next day every hot dog in the unit would get up and have a breakfast consisting of one cup of black coffee and take off and go up into a vertical climb until the weight of the ship exactly canceled out the upward thrust of the engine and his air speed was zero, and he would hang there for one thick adrenal instant—and then fall like a rock, until one of three things happened: he keeled over nose first and regained his aerodynamics and all was well, he went into a spin and fought his way out of it, or he went into a spin and had to eject or crunch it, which was always supremely possible.
Tom Wolfe (The Right Stuff)
Your True Self is who you objectively are from the beginning, in the mind and heart of God, "the face you had before you were born," as the Zen masters say. It is your substantial self, your absolute identify, which can never be gained nor lost by any technique, group affiliation, morality, or formula whatsoever. The surrendering of our false self, which we have usually taken for our absolute identity, yet is merely a relative identity, is the necessary suffering needed to find "the pearl of great price" that is always hidden inside this lovely but passing shell.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Nothing truly beautiful without its element of strangeness, nothing whole without its own incongruity, these (Jacksonville-area pioneer house) ruins sand up from the earth in sacred conjunction. These ruins conjoin the earth and the manmade, moving from one to the other and back again. The Browards built their house out of shell and limestone, and limestone forms naturally from the shells and skeletons of miniscule sea creatures over great periods of time. The Browards shaped the earth upright toward the sky. THey shaped it with doorframes and windows and chimneys. THey shaped the earth up around them as a shelter. But shaped earth was always the earth. Now the walls fall back down and join once again the ground, taken over by roots of ferns and weeds and small trees. The house was always the ground, only contained in an upward suspension. The house was always the earth, but brought up into architecture, and now the house that was always the earth crumbles back into the earth and nourishes new green things -- dog fennel and morning glories and palmettoes and cabbage palms and cedars. A true symbol of sacredness of the earth is earth's reclaiming of human ingenuity.
Tim Gilmore
Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom. It's why we fall in love, Jenny will tell June. We fall in love to get back to that dimension, that wonder. She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.
Emily Ruskovich (Idaho)
There must be, and, if we are honest, there always will be at least one situation in our lives that we cannot fix, control, explain, change, or even understand. For Jesus and for his followers, the crucifixion became the dramatic symbol of that necessary and absurd stumbling stone. Yet we have no positive theology of such necessary suffering, for the most part. Many Christians even made the cross into a mechanical “substitutionary atonement theory” to fit into their quid pro quo worldview, instead of suffering its inherent tragedy, as Jesus did himself. They still want some kind of order and reason, instead of cosmic significance and soulful seeing.1
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
Erik Larson (The Devil in the White City)
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
We use the effect of centrifugal forces on matter to offer insight into the rotation rate of extreme cosmic objects. Consider pulsars. With some rotating at upward of a thousand revolutions per second, we know that they cannot be made of household ingredients, or they would spin themselves apart. In fact, if a pulsar rotated any faster, say 4,500 revolutions per second, its equator would be moving at the speed of light, which tells you that this material is unlike any other. To picture a pulsar, imagine the mass of the Sun packed into a ball the size of Manhattan. If that’s hard to do, then maybe it’s easier if you imagine stuffing about a hundred million elephants into a Chapstick casing. To reach this density, you must compress all the empty space that atoms enjoy around their nucleus and among their orbiting electrons. Doing so will crush nearly all (negatively charged) electrons into (positively charged) protons, creating a ball of (neutrally charged) neutrons with a crazy-high surface gravity. Under such conditions, a neutron star’s mountain range needn’t be any taller than the thickness of a sheet of paper for you to exert more energy climbing it than a rock climber on Earth would exert ascending a three-thousand-mile-high cliff. In short, where gravity is high, the high places tend to fall, filling in the low places—a phenomenon that sounds almost biblical, in preparing the way for the Lord: “Every valley shall be raised up, every mountain and hill made low; the rough ground shall become level, the rugged places a plain” (Isaiah 40:4). That’s a recipe for a sphere if there ever was one. For all these reasons, we expect pulsars to be the most perfectly shaped spheres in the universe.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
Such shocking cleanliness, edging on the perverse. She wanted to throw herself on those perfect uncreased sheets, but didn’t. The perfect sheets, the chilly rooms: they were stupid things, taken one by one, but all together they were a convincing substitute for a life. One where suffering seemed to have no place, the idea of pain or misfortune starting to fuzz out and seem less likely. And who could argue with that, with wanting to be protected? No problem was unsolvable. Could she imagine the trajectory continuing upward? Good fortune accruing and accruing, the world suddenly opening in any direction, like one of those trick boxes, the sides falling down and revealing there were no more limits.
Emma Cline (The Guest)
provided I may look upon the sun and the moon and gaze at the other planets; provided I may trace their risings and settings, their periods and the causes of their travelling faster or slower; provided I may behold all the stars that shine at night – some fixed, others not travelling far afield but circling within the same area; some suddenly shooting forth, and others dazzling the eye with scattered fire, as if they are falling, or gliding past with a long trail of blazing light; provided I can commune with these and, so far as humans may, associate with the divine, and provided I can keep my mind always directed upwards, striving for a vision of kindred things – what does it matter what ground I stand on?
Seneca (On the Shortness of Life)
Although it is easy to imagine happiness as the upwards turn on this haphazard rising and falling of emotion which is life, but really it is a foundation of strength of character and inner balance that precipitates peace, a foundation that is slowly built or slowly chipped away. There are times when it may seem that the foundation of happiness is broken, but as the dust settles and the debris is cleared away, we find that the storm has only covered it, still leaving everything we have built in place. True happiness is forged in the furnace of perseverance, fortitude, hope and love. It is not burned or broken by the heat, rather it is made unbreakable—it becomes eternal. Life is the fuel for this purifying fire.
Michael Brent Jones (Dinner Party: Part 2)
Early-stage religion is largely preparing you for the immense gift of this burning, this inner experience of God, as though creating a proper stable into which the Christ can be born. Unfortunately, most people get so preoccupied with their stable, and whether their stable is better than your stable, or whether their stable is the only "one, holy, catholic, and apostolic" stable, that they never get to the birth of God in the soul. There is no indication in the text that Jesus demanded ideal stable conditions; in fact, you could say that the specific mentioning of his birth in a "manger" is making the exact opposite point. Animals at least had room for him, while there was "no room for him in the inn" where humans dwelled.
Rohr - Falling Upward
Early-stage religion is largely preparing you for the immense gift of this burning, this inner experience of God, as though creating a proper stable into which the Christ can be born. Unfortunately, most people get so preoccupied with their stable, and whether their stable is better than your stable, or whether their stable is the only “one, holy, catholic, and apostolic” stable, that they never get to the birth of God in the soul. There is no indication in the text that Jesus demanded ideal stable conditions; in fact, you could say that the specific mentioning of his birth in a “manger” is making the exact opposite point. Animals at least had room for him, while there was “no room for him in the inn” (Luke 2:8) where humans dwelled. As
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
Another lesson is that it’s not just our own communities that reinforce the outsider attitude, it’s the places and people that upward mobility connects us with—like my professor who suggested that Yale Law School shouldn’t accept applicants from non-prestigious state schools. There’s no way to quantify how these attitudes affect the working class. We do know that working-class Americans aren’t just less likely to climb the economic ladder, they’re also more likely to fall off even after they’ve reached the top. I imagine that the discomfort they feel at leaving behind much of their identity plays at least a small role in this problem. One way our upper class can promote upward mobility, then, is not only by pushing wise public policies but by opening their hearts and minds to the newcomers who don’t quite belong.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The emphasis usually falls on the past splendour rather than on the subsequent decline. Medieval and nineteenth-century man agreed that their present was no very admirable age; not to be compared (said one) with the glory that was, not to be compared (said the other) with the glory that is still to come. The odd thing is that the first view seems to have bred on the whole a more cheerful temper. Historically as well as cosmically, medieval man stood at the foot of a stairway; looking up, he felt delight. The backward, like the upward, glance exhilarated him with a majestic spectacle, and humility was rewarded with the pleasures of admiration. And, thanks to his deficiency in the sense of period, that packed and gorgeous past was far more immediate to him than the dark and bestial past could ever be to a Lecky or a Wells. It differed from the present only by being better. Hector was like any other knight, only braver. The saints looked down on one’s spiritual life, the kings, sages, and warriors on one’s secular life, the great lovers of old on one’s own amours, to foster, encourage, and instruct. There were friends, ancestors, patrons in every age. One had one’s place, however modest, in a great succession; one need be neither proud nor lonely. I
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
But Proportion has a sister, less smiling, more formidable, a Goddess even now engaged--in the heat and sands of India, the mud and swamp of Africa, the purlieus of London, wherever in short the climate or the devil tempts men to fall from the true belief which is her own--is even now engaged in dashing down shrines, smashing idols, and setting up in their place her own stern countenance. Conversion is her name and she feasts on the wills of the weakly, loving to impress, to impose, adoring her own features stamped on the face of the populace. At Hyde Park Corner on a tub she stands preaching; shrouds herself in white and walks penitentially disguised as brotherly love through factories and parliaments; offers help, but desires power; smites out of her way roughly the dissentient, or dissatisfied; bestows her blessing on those who, looking upward, catch submissively from her eyes the light of their own. [She] had her dwelling in [his] heart, though concealed, as she mostly is, under some plausible disguise; some venerable name; love, duty, self sacrifice. How he would work--how toil to raise funds, propagate reforms, initiate institutions! But conversion, fastidious Goddess, loves blood better than brick, and feasts most subtly on the human will.
Virginia Woolf (Mrs. Dalloway)
I offer the wisdom of Eric Fromm, in his classic book The Art of Loving.1 He says that the healthiest people he has known, and those who very often grow up in the most natural way, are those who, between their two parents and early authority figures, experienced a combination of unconditional love along with very conditional and demanding love! This seems to be true of so many effective and influential people, like St. Francis, John Muir, Eleanor Roosevelt, and Mother Teresa, and you can add your own. I know my siblings and I received conditional love from our mother and unconditional love from our father. We all admit now that she served us very well later in life, although we sure fought Mom when we were young. And we were glad Daddy was there to balance her out. I know this is not the current version of what is psychologically “correct,” because we all seem to think we need nothing but unconditional love. Any law, correction, rule, or limitation is another word for conditional love. It is interesting to me that very clear passages describing both God's conditional love and also God's unconditional love are found in the same Scriptures, like Deuteronomy and John's Gospel. The only real biblical promise is that unconditional love will have the last word!
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
You should show that little trick to Jack Barlowe,' Xaden says, turning his palms upward and offering me my daggers. 'I'm sorry?' This is a trick. It has to be a trick. He moves closer, and I lift my blade. My heart stumbles, the beat irregular as fear floods my system. 'The neck-snapping first-year who's very publicly vowed to slaughter you,' Xaden clarifies as my blade presses against his cloak at the level of his abdomen. He reaches under my cloak and slides one blade into the sheath at my thigh, then pulls back the side of my cloak and pauses. His gazes locks onto the length of my braid where it falls over my shoulder, and I could swear he stops breathing for a heartbeat before he slides the remaining dagger into one of the sheaths at my ribs. 'He'd probably think twice about plotting your murder if you threw a few daggers at his head.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
Vladimir Nabokov
I jump off the counter and give Gail a peck on the cheek. "Don't miss me too much." Then, I turn toward Paedyn, who's leaning casually against the counter, a small smile tugging at her lips. I take a slow step toward her. Her head tips up to look me in the eyes as I close the distance between us, so close I can smell the lingering scent of lavender on her skin. I reach around her back, fingers brushing her tank. Her breath hitches and I feel my lips tug upward. When she opens her mouth to tell me off, I pull my hand back slowly, holding an apple in front of her face. "Always feeding you, remember?" She stares at the fruit before snatching it from my hand, huffing in annoyance. And then, she smiles, the dazzling action lighting up her face as she rubs the apple on my shirt, right above my heart. She takes a bite, her eyes locked with mine. "And you said you weren't a gentleman.
Lauren Roberts, Powerless
Sita closed her eyes and breathed into her cupped hands. Before she left, she had remembered to perfume her wrist with Muguet. The faint odor of that flower, so pure and close to the earth, was comforting. She had planted real lilies of the valley because she liked them so much as a perfume. Just last fall, before the hard freeze, when she was feeling back to normal, the pips had arrived in a little white box. Her order from a nursery company. She'd put on her deerskin gloves and, on her knees, using a hand trowel, dug a shallow trench along the border of her blue Dwarf iris. Then one by one she'd planted the pips. They looked like shelled acorns, only tinier. "To be planted points upward," said a leaflet in the directions. They came up early in the spring. The tiny spears of their leaves would be showing soon. Lying there, sleepless, she imaged their white venous roots, a mass of them fastening together, forming new shoots below the earth, unfurling their stiff leaves. She saw herself touching their tiny bells, waxed white, fluted, and breathing the ravishing fragrance they gave off because Louis had absently walked through her border again, dragging his shovel, crushing them with his big, careless feet. It seemed as though hours of imaginary gardening passed before Mrs. Waldvogel tiptoed in without turning on the light.
Louise Erdrich (The Beet Queen)
Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. “Keep the shields touching!” I shouted at my men.
Bernard Cornwell (Death of Kings (The Saxon Stories, #6))
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.
Christopher Milne (The Enchanted Places)
This isn’t some libertarian mistrust of government policy, which is healthy in any democracy. This is deep skepticism of the very institutions of our society. And it’s becoming more and more mainstream. We can’t trust the evening news. We can’t trust our politicians. Our universities, the gateway to a better life, are rigged against us. We can’t get jobs. You can’t believe these things and participate meaningfully in society. Social psychologists have shown that group belief is a powerful motivator in performance. When groups perceive that it’s in their interest to work hard and achieve things, members of that group outperform other similarly situated individuals. It’s obvious why: If you believe that hard work pays off, then you work hard; if you think it’s hard to get ahead even when you try, then why try at all? Similarly, when people do fail, this mind-set allows them to look outward. I once ran into an old acquaintance at a Middletown bar who told me that he had recently quit his job because he was sick of waking up early. I later saw him complaining on Facebook about the “Obama economy” and how it had affected his life. I don’t doubt that the Obama economy has affected many, but this man is assuredly not among them. His status in life is directly attributable to the choices he’s made, and his life will improve only through better decisions. But for him to make better choices, he needs to live in an environment that forces him to ask tough questions about himself. There is a cultural movement in the white working class to blame problems on society or the government, and that movement gains adherents by the day. Here is where the rhetoric of modern conservatives (and I say this as one of them) fails to meet the real challenges of their biggest constituents. Instead of encouraging engagement, conservatives increasingly foment the kind of detachment that has sapped the ambition of so many of my peers. I have watched some friends blossom into successful adults and others fall victim to the worst of Middletown’s temptations—premature parenthood, drugs, incarceration. What separates the successful from the unsuccessful are the expectations that they had for their own lives. Yet the message of the right is increasingly: It’s not your fault that you’re a loser; it’s the government’s fault. My dad, for example, has never disparaged hard work, but he mistrusts some of the most obvious paths to upward mobility. When
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Gideon was quickly checking through her muscular structure and then weaving very gently into the complexities of her reproductive system. Suddenly Legna cried out again, her hands hitting his chest and grabbing fistfuls of his shirt, her entire body trembling from head to toe. This time Gideon gave the reaction his full attention. He looked into her wide eyes, the pupils dilating as he watched. Her mouth formed a soft, silent circle of surprise. “What are you doing?” she asked, her breath falling short and quick. “Nothing,” he insisted, his expression reflecting his baffled thoughts. “Merely continuing the exam. What are you feeling?” Legna couldn’t put the sensation into words. Her entire body felt as if it were pooling liquid fire, like magma dripping through her, centering under the hand he had just splayed over her lower belly. So, being the empath she was, she described it in the only way she could with any efficiency and effectiveness. She sent the sensations to him, deeply, firmly, without preparation or permission, exactly the way she had received them. In an instant, Gideon went from being in control of a neutral examination to an internal thermonuclear flashpoint of arousal that literally took his breath away. His hand flexed on her belly, crushing the silk of her dress within his fist. “Legna!” he cried hoarsely. “What are you doing?” She didn’t even seem aware of him, her eyes sliding closed and her head falling back as she tried to gulp in oxygen. His eyes slid down over her and he saw the flush and rigidity of erogenous heat building with incredible speed beneath her skin. And as it built in her, it built in him. She had created a loop between them, a locked cycle that started nowhere, ended nowhere. All it did was spill through and through them. “Stop,” he commanded, his voice rough and desperate as he tried to clear his mind and control the impulses surging through him. “Legna, stop this!” Legna dropped her head forward, her eyes flicking open and upward until she was gazing at him from under her lashes with the volatile, predatory gaze of a cat. A cat in heat.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his. Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle. Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now. Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure. His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.” Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression. An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave. As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold. “Why did you do that?” He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
W.S. Merwin
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))