Falling Petals Quotes

Happiness is in the quiet, ordinary things. A table, a chair, a book with a paper-knife stuck between the pages. And the petal falling from the rose, and the light flickering as we sit silent.

I see nothing. We may sink and settle on the waves. The sea will drum in my ears. The white petals will be darkened with sea water. They will float for a moment and then sink. Rolling over the waves will shoulder me under. Everything falls in a tremendous shower, dissolving me.

Sometimes I wake up and lie still enough to hear a petal drop from the vase of flowers. Sometimes I lie awake and wish there was someone to hear my falling.

Words. Borne on the ever swelling current of hatred, like flowers opening in the current, petals peeling back, then falling apart.

Mountain-rose petals Falling, falling, falling now... Waterfall music

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Advice for a human. 90. But know this. Men are not from Mars. Women are not from Venus. Do not fall for categories. Everyone is everything. Every ingredient inside a star is inside you, and every personality that ever existed competes in the theatre of your mind for the main role. 91. You are lucky to be alive. Inhale and take in life's wonders. Never take so much as a single petal of a flower for granted.

Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. ¨It was terrifying,¨ he says, ¨watching you fall. I mean, you´re generally terrifying, but I am unused to fearing for you. And then I was furious. I am not sure I have ever been that angry before.¨ ¨Mortals are fragile,¨ I say. ¨Not you,¨ he says in a way that sounds a little like a lament. ¨You never break.¨ Page 159

Rose petals of a thousand shades fall from the trees as Golds fight beneath them. They're all red in the end.

Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.

I’ll love you until the last petal falls, Jules.

There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.

That point in time just as the last leaf is about to drop, as the remaining petal is about to fall; that moment captures everything beautiful and sorrowful about life. Mono no aware, the Japanese call it.

I’m going to give you a handful of wildflowers so, each petal that falls will remind you that the earth breathes, and the moon rises.

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

He and Nina had never exchanged gifts or rings; they’d had no possessions they shared. They had been wanderers and soldiers. Even so, she could not leave him with nothing. From her pocket, she drew a slender sprig of ash and let it drift down into the grave, followed by a smattering of withered red petals from the tulips their compatriots had placed on his chest when they bid him goodbye in Ketterdam. “I know you never cared for sweets.” Her voice wobbled as she let a handful of toffees fall from her hand. They made a hollow patter. “But this way I’m with you, and you can keep them for me when I see you next. I know you won’t eat them yourself.

...when the petals fall Say it is beautiful and good, say it is well

Now, anyone with two thoughts in their mind can see that no future is set in stone. An infinite number of futures bud at the end of every moment, and each one of them can be changed by a falling rose petal.

I’ve often wondered, even to this day, why during painful times some people seem to step away from themselves and make decisions that fall far out of their usual line of character and behaviour. Perhaps a natural reluctance to sit still is central, or perhaps, like the lesser animals, instinct forces us to go on even if grief has left us not up to the task…. In one fleeting moment, I stripped away the petals of my future, let them catch wind, and fly away

The collar had restrained his winds but not killed them. They uncoiled from behind the shadows, ready to surround her, to lift her up, to carry her away with only Ariel’s silk-clad arms wrapped about her to keep her from falling. Spirare, they whispered to her like an incantation. Breathe us in. Bertie didn’t mean to, but she inhaled, and everything inside her was a spring morning, a rose opening its petals to the sun, the light coming through the wavering glass of an old, diamond-paned window. Tendrils of wind reached for Bertie with a coaxing hand. Release him, and he will love you.

I am very difficult to please. I’m inclined to put men up on a pedestal and think of them as perfect. As soon as I find out they have feet of clay, I fall out of love, become indifferent.

The breath of wind that moved them was still chilly on this day in May; the flowers gently resisted, curling up with a kind of trembling grace and turning their pale stamens towards the ground. The sun shone through them, revealing a pattern of interlacing, delicate blue veins, visible through the opaque petals; this added something alive to the flower's fragility, to it's ethereal quality, something almost human ,in the way that human can mean frailty and endurance both at the same time. The wind could ruffle these ravishing creations but it couldn't destroy them, or even crush them; they swayed there, dreamily; they seemed ready to fall but held fast to their slim strong branches-...

Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale.

Song of Upbringing" I infancy the snow that fell on me was like floss silk childhood the snow that fell on me was like sleet seventeen to nineteen the snow that fell on me dropped like hail twenty to twenty-two the snow that fell on me seemed like balls of ice twenty-three the snow that fell on me looked like a blizzard twenty-four the snow that fell on me became so mournful II the snow that falls on me falls like petals when the burning firewood makes a noise and the frozen sky darkens the snow that fell on me so delicate and lovely fell reaching out a hand the snow that fell on me was like tears that sink into a burning forehead to the snow that fell on me I offered heartfelt thanks and prayed to God that I would live a long life the snow that fell on me was so chaste

I was a petal quivering in the slightest breeze, about to fall any moment. Even the slightest insult made me think of dying.

I have walked into the wild to witness how falls a petal from a yellow rose silent and sudden like a moment defining time.

And so, yet again, we crush the blossom in our hand, lift our gaze from the tumbling petals, and ask the world, ‘Where, then, is this beauty you promised?

Loving you is in my nature Like how the leaves fall And petals know just when to open It's something unspoken and unknowable And yet I feel it all the same.

The circle that they drew was laid with fresh petals from the cherry tree on a bed of salt...

a blush of roses on my face. […] I catch the rose petals as they fall from my cheeks, as they float around the frame of my body, as they cover me in something that feels like the absence of courage.

As people we narrowly get by with our lives each day, energy from our soft, delicate actions appearing like cherry blossoms, only once, and once for a short while. Eventually petals fall to the ground.

Greet the sky and live, blossom!... Yet even as the wind stirs your petals, flowers fall. My flowers are eternal, my songs live forever. I lift them in offering; I, a singer. I cast them to the wind, I spill them. The flowers become gold, they come to dwell inside the palace of eternity.

The mountain trees that grew between the pines were a brilliant blaze of fall colors, like fire against the emerald green of the pines, firs and pruces. And it was, as I'd told myself long ago, the year's last passionate love affair before it grew old and died from the frosty bite of winter.

Alex: OK, that sounds like a challenge! Well firstly, I would have brought you to a hotel along the coast so that your suite would have the best sea view in the hotel. You could fall asleep listening to the waves crashing against the rocks, I would sprinkle the bed with red rose petals and have candles lit all around the room, I would have your favorite CD playing quietly in the background. But I wouldn’t propose to you there. I would bring you to where there was a huge crowd of people so they could all gasp when I got down on one knee and proposed. Or something like that. Note I have italicized all important buzz words. Rosie: Oh. Alex: Oh? That’s all you can say? One word for the most important night of our lives?

'We're not... we haven't been writing poetry and sprinkling rose petals and tripping hand in hand under rainbows, Kay.' 'Just because you have Y chromosomes doesn't mean you can't tell each other how you feel, Dylan. Your penises won't fall off if you do.'

When the door to my writing chamber gasps shut and the almost imperceptible sigh of a rose petal falls on my desk, I know that my muse is present.

When the cost of clinging on is higher than the cost of letting go, that’s when we will act, that’s when we often take decisive steps to change our Life.

The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.

Just then he noticed that Amy had that look, as though she wanted the street to buckle and split so she could fall right in. Dan saw the cool crowd from her school hanging at a table in the front. So that was why she didn't want to go in. Evan Tolliver was at the head of the table. Dan sighed. Even, the human supercomputer, was Amy's dream crush. Whenever Evan was near, she got her stutter back. "Oh, excuse me, I didn't notice Luke Skywalker," Dan said. "Or is it Darth Vader?" "Shhh," Amy said. Her cheeks were red. "He's coming." "You mean Evan Tolliver himself is about to set his foot on the sidewalk? Did you bring the rose petals?" "Cut it out, dweeb!" Amy said fiercely. "Hi, Amy," Evan said from behind her. Amy's color went from summer rose to summer tomato. She shot Dan a look that told him he was in serious trouble. "Hey, Evan," he said. "I'm Amy's little brother, Dweeb. Nice to meet you, man.

There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.

I’ve never wanted to marry,” Pandora continued. “Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting ‘he loves me, he loves me not.

Wait for the dust of reading to settle; for the conflict and the questioning to die down; walk, talk, pull the dead petals from a rose, or fall asleep. Then suddenly without our willing it, for it is thus that Nature undertakes these transitions, the book will return, but differently. It will float to the top of the mind as a whole.

There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.

THE DIFFERENCE BETWEEN ME AND YOU When I hold a rose, I see the soft, velvety petals and smile, because tucked between those precious petals is a special gift - the one of a fragrance, pure and sweet. When you hold a rose, you see the thorns along the stem, and you frown because those thorns can bring you pain and cause you to bleed. I see the gift. You see the tragedy. More and more I fear that one of these days someone will hand me a rose and all I will see are thorns. Talk about tragedy.

It came to me on a winter day. Life so full and rich will fade. Though I wish it were not so, One cannot run from an expected fate. And as a steady gust of wind fell upon my face, It was then when I felt a chill and thus did then know; Though I wish it were not true, Life beautiful and sweet shall ripe and pass today. As a petal falls from a rose so shall she blossom and shed; Catching each falling tear, I will not leave a word unsaid.

Life is a dance that concludes on its own schedule. And so there we sit, keeping each other company as we wait for the last petal to fall.

Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two. But sometimes the petals fall away and the roots have not entwined.

A new moon lay on its back, and stars were out. Here, away from lights and sounds of town or village, the night was deep, the black sky stretching, fathomless, away among the spheres to some unimaginable world where gods walked, and suns and moons showered down like petals falling. Some power there is that draws men's eyes and hearts up and outward, beyond the heavy clay that fastens them to earth. Music can take them, and the moon's light, and, I suppose, love, though I had not known it then, except in worship.

Michiko Nogami (1946—1982)” Is she more apparent because she is not anymore forever? Is her whiteness more white because she was the color of pale honey? A smokestack making the sky more visible. A dead woman filling the whole world. Michiko said, “The roses you gave me kept me awake with the sound of their petals falling.

I lifted the latch, and there he stood, dark and tall, the scholar's gown falling from his shoulders like the cloak of the Black Knight in the old tale. His arms were laden with boughs of apple blossom. He lifted a branch, high over my head, and shook it, so that the petals showered me, releasing a heady scent that promised spring.

They say the most powerful prayer is simply saying “Thank You”. And the best way to say “Thank You” is to serve others, to help make our broken world a better place! Inspire everyone at home to pitch in. Remember, the family that serves together is happy – and stays together!!

Bay remembered the Waverley house full of pumpkin pie scents in the fall. There had been mountains of maple cakes with violets hidden inside, lakes of butternut soups with chrysanthemum petals floating on top.

Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all.

I think true love transcends tiem. The thunderbolt does not. Not if it strkes men the way you described." I start a sprint toward a glade where my favorite orange flowers grow. He catches up with me easily. "Most girls prefer flowers over trees." I brush my fingers on the petals."These flowers blossom quickly. They speak of passion, of beauty." I take a witheting flower that had dropped to the ground and fondle it between my fingers. "But flowers don't last. They wither easily and have limited growth. A tree might not speak of passion but sturdiness. Yet, it grows higher and lasts longer. Some of these trees were here before I was born and they'll be here once I'm gone." My heads falls back as I look at the highest tree. "Real love ought to be more like a tree and less like a flower. That's the kind of love my parents had. It wasn't as consuming as it was everlasting. And you see that tree over there? Now it's showing only green leaves, but in spring it's covered in flowers. Because as reliable as trees are, they can also speak of beauty and passion.

Her whispering lips brushed his ear. She was praying. Soft begging words to Ganesha and the Buddha, to Kali-Mary Mercy and the Christian God...she was praying to anything at all, begging the Fates to let her walk from the shadow of death. Pleas spilled from her lips, a desperate trickle. She was broken, soon to die, but still the words slipped out in a steady whisper. Tum Karuna ke saagar Tum palankarta hail Mary full of grace Ajahn Chan Bodhisattva, release me from suffering... He drew away. Her fingers slipped from his cheek like orchid petals falling.

I’m wearing dead cotton on my limbs and a blush of roses on my face. His eyes scan the silhouette of my structure and the slow motion makes my heart race. I catch the rose petals as they fall from my cheeks, as they float around the frame of my body, as they cover me in something that feels like the absence of courage.

When I think of it as happening to somebody else, it seems that the idea of me soaked to the skin, surrounded by countless driving streaks of silver, and moving through when I completely forget my material existence, and view myself from a purely objective standpoint, can I, as a figure in a painting, blend into the beautiful harmony of my natural surroundings. The moment, however, I feel annoyed because of the rain, or miserable because my legs are weary because of the rain, or miserable because my legs are weary with walking, then I have already ceased to be a character in a poem, or a figure in a painting, and I revert to the uncomprehending, insensitive man in the street I was before. I am then even blind to the elegance of the fleeting clouds; unable even to feel any bond of sympathy with a falling petal or the cry of a bird, much less appreciate the great beauty in the image of myself, completely alone, walking through the mountains in spring.

The essence of intelligent living is to do what you can and must do while thriving with the unknown, with uncertainty. So, don’t wish the darkness away, don’t wait for the clouds to clear, embrace your current reality and do whatever you can best do in the circumstances. You will be amazed with how happy you can really be with what is.

The fusty showman fumbles, must Fit in a particle of dust The universe, for fear it gain Its freedom from my cube of brain. Yet dust bears seeds that grow to grace Behind my crude-striped wooden face As I, a puppet tinsel-pink Leap on my springs, learn how to think— Till like the trembling golden stalk Of some long-petalled star, I walk Through the dark heavens, and the dew Falls on my eyes and sense thrills through.

Stars were falling deep in the darkness as prayers rose softly, petals at dawn And as I listened, your voice seemed so clear so calmly you were calling your god Somewhere the sun rose, o'er dunes in the desert such was the stillness, I ne'er felt before Was this the question, pulling, pulling, pulling you in your heart, in your soul, did you find rest there? Elsewhere a snowfall, the first in the winter covered the ground as the bells filled the air You in your robes sang, calling, calling, calling him in your heart, in your soul, did you find peace there?

Like any great and good country, Japan has a culture of gathering- weddings, holidays, seasonal celebrations- with food at the core. In the fall, harvest celebrations mark the changing of the guard with roasted chestnuts, sweet potatoes, and skewers of grilled gingko nuts. As the cherry blossoms bloom, festive picnics called hanami usher in the spring with elaborate spreads of miso salmon, mountain vegetables, colorful bento, and fresh mochi turned pink with sakura petals.

my brain is many colors, vague, like massed flowers: total spectrum of petals beginning with black. I wear my costume inside like blood and bones, keep graphs of my ups and downs, discover people laugh more at my falls than at my flying. The moral of this story is: sad eyes need also tears.

destroying beauty a rose red sunlight; I take it apart in the garage like a puzzle: the petals are as greasy as old bacon and fall like the maidens of the world backs to floor and I look up at the old calendar hung from a nail and touch my wrinkled face and smile because the secret is beyond me.

Oh what a morning it was, that first morning of Mrs. Sweet awaking before the baby Heracles with his angry cries, declaring his hunger, the discomfort of his wet diaper, the very aggravation of being new and in the world; the rays of sun were falling on the just and unjust, the beautiful and the ugly, causing the innocent dew to evaporate; the sun, the dew, the little waterfall right next to the village's firehouse, making a roar, though really it was an imitation of the roar of a real waterfall; the smell of some flower, faint, as it unfurled its petals for the first time: oh what a morning!

I’ve loved you probably from the first moment that I met you and I will love you until my last breath leaves. I fell in love with you the first time you smiled at me and only realized the truth of it the night you danced with me under the street lamp. You are the first person I think of each morning and the last person that I want to see before I close my eyes at night. You smell like donuts and coffee … And you have a smile that takes my breath away. You bowl me over with your sense of humor and your random comments and you inspire me with your bravery in the face of all that you’ve endured.

in winter, it's the snowflakes. in spring, it's the raindrops. in summer, it's the flower petals. in autumn, it's the leaves. all these things will eventually fall, but not one of them will fall as hard as i do for you when i wake up every morning. -all the cliches were written with us in mind.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

Aren't these the finest treasures? Each one springs up, and becomes more red than rubies, more fine than diamonds adn more valuable, so we are told; and before you can run back here again to look, the petals have begin to drop and the leaves to yellow. Look, they sag, they fall. Are they the more wonderful because they live such a short time.

and when a leaf falls from the climbing vines, you know, my love, what name is written on that leaf, a name that is yours and mine, our love name, a single being, the arrow that pierced winter, the invincible love, the fire of the days, a leaf that dropped upon my breast, a leaf from the tree of life that made a nest and sang, that put out roots, that gave flowers and fruits. And so you see, my love, how I move around the island, around the world, safe in the midst of spring, crazy with light in the cold, walking tranquil in the fire, lifting your petal weight in my arms as if I had never walked except with you, my heart, as if I could not walk except with you, as if I could not sing except when you sing.

I see that this body—made of the four elements—is not really me, and I am not limited by this body. I am the whole of the river of life, of blood ancestors and spiritual ancestors, that has been continuously flowing for thousands of years and flows on for thousands of years into the future. I am one with my ancestors and my descendants. I am life manifesting in countless different forms. I am one with all people and all species, whether they are peaceful and joyful or suffering and afraid. At this very moment I am present everywhere in this world. I have been present in the past and will be there in the future. The disintegration of this body does not touch me, just as when the petals of the plum blossom fall it does not mean the end of the plum tree. I see that I am like a wave on the surface of the ocean. I see myself in all the other waves, and I see all the other waves in me. The manifestation or the disappearance of the wave does not lessen the presence of the ocean. My Dharma body and spiritual life are not subject to birth or death. I am able to see my presence before this body manifested and after this body disintegrates. I am able to see my presence outside this body, even in the present moment. Eighty or ninety years is not my life span. My life span, like that of a leaf or of a buddha, is immeasurable. I am able to go beyond the idea that I am a body separate from all other manifestations of life, in time and in space.

The flowers were opulent, full-blown, topple shower petals at a touch. He thought that she might topple that way, falling all at once into his hand, a soft drift of blossom between his fingers. The roses bowed their extravagant heads, nodding, but she was all stiff prim and black, back in her bonnet, so that he could not see her face unless she looked directly at him.

Now the moon of the Aztecs is at the zenith, and all the world lies still. Full and white, the white of bones, the white of a skull; blistering the center of the sky well with its throbbing, not touching it on any side. Now the patio is a piebald place of black and white, burning in the downward-teeming light. Not a leaf moves, not a petal falls, in this fierce amalgam. ("The Moon Of Montezuma")

This story is one for which some people will have to suspend their belief. If it wasn't me and this wasn't happening to me, I would be one of those people. Many won't struggle to believe it, though, for their minds have been opened; unlocked by whatever kind of key causes people to believe. Those people are either born that way or, as babies, when their minds are like little buds, they are nurtured until their petals slowly open and prepare for the very nature of life to feed them. As the rain falls and the sun shines, they grow, grow, grow; minds so open, they go through life aware and accepting, seeing light where there is dark, seeing possibility in dead ends, tasting victory as others spit out failure, questioning when others accept. Just a little less jaded, a little less cynical. A little less likely to throw in the towel. Some peoples' minds open later in life, through tragedy or triumph. Either thing acting as the key to unlatch and lift the lid on that know-it-all box, to accept the unknown, to say goodbye to pragmatism and straight lines. But then there are those whose minds are merely a bouquet of stalks, which bud as they learn new information - a new bud for a new fact - but yet they never open, never flourish. They are the people of capital letters and full stops, but never of question marks and ellipses...

Stop scratching,' Rhys said without looking at him as they strode through a blooming apple orchard. No wings to be seen today. Cassian lowered his hands from his chest. 'I can't help it if this place makes my skin crawl.' Rhys snorted, gesturing to one of the blooming trees above them, petals falling thick as snow. 'The feared general, felled by seasonal allergies. Cassian gave an unnecessarily loud sniffle, earning a full chuckle from Rhys.

Together they flew, in all their bright colors, streaming toward the inevitable cliff: leaping like deer. Their stride broke, almost at the edge. And then in a rush they strained against their clothes, against their own bodies, and broke free into flight. They burst into the air as silently as the beating of wings, like so many scattered leaves: each falling maiden with her skirts blossoming through the rush of air, opening like a fan as she flew toward the ocean below. Together they fell like a downpour of brightly colored rain, each petal suspended in air before drifting down to the crashing of the sea.

If with the water’s rosy hue comparison be made, Carmine tears and dewy flowers seem of the self-same shade. Yet lady’s tears and flowers in this unalike I find, That the flowers are still and smiling, but the tears flow unallayed. As she gazes on the smiling flowers, her tears at last grow dry; But as they dry, the springtime ends and the flowers fade. The flowers fade, and an equal blight the lady’s fair cheek palls. The petals drift; she is weary; and soon the darkness falls. A nightingale is singing a dirge for the death of spring, And moonlight steals through the casement and dapples the silent walls.

At the center of the bouquet is a monstrous peony, probably purchased on sale at the supermarket. By Tuesday its curling petals had begun to collect at the bottom of the vase, infusing the room with the faint but unmistakable sweet odor of corruption and imminent death. ... In Tick's opinion there was something extravagantly excessive about the peony from the start, as if God had intended so suggest with this particular bloom that you could have too much of a good thing. The swiftness with which the fallen petals bean to stink drove the point home in case anybody missed it. As a rule, Tick leans toward believing that there is no God, but she isn't so sure at times like this, when pockets of meaning emerge so clearly that they feel like divine communication.

A Tear And A Smile - I would not exchange the sorrows of my heart For the joys of the multitude. And I would not have the tears that sadness makes To flow from my every part turn into laughter. I would that my life remain a tear and a smile. A tear to purify my heart and give me understanding Of life's secrets and hidden things. A smile to draw me nigh to the sons of my kind and To be a symbol of my glorification of the gods. A tear to unite me with those of broken heart; A smile to be a sign of my joy in existence. I would rather that I died in yearning and longing than that I live Weary and despairing. I want the hunger for love and beauty to be in the Depths of my spirit,for I have seen those who are Satisfied the most wretched of people. I have heard the sigh of those in yearning and Longing, and it is sweeter than the sweetest melody. With evening's coming the flower folds her petals And sleeps, embracingher longing. At morning's approach she opens her lips to meet The sun's kiss. The life of a flower is longing and fulfilment. A tear and a smile. The waters of the sea become vapor and rise and come Together and area cloud. And the cloud floats above the hills and valleys Until it meets the gentle breeze, then falls weeping To the fields and joins with brooks and rivers to Return to the sea, its home. The life of clouds is a parting and a meeting. A tear and a smile. And so does the spirit become separated from The greater spirit to move in the world of matter And pass as a cloud over the mountain of sorrow And the plains of joy to meet the breeze of death And return whence it came. To the ocean of Love and Beauty----to God.

Winter Grace It is autumn again and our anxiety blows With the wind, breaking the heart of the rose, Petals and leaves fall down and everything goes. All but the seed, all but the hard bright berry And the bulbs we kneel on the earth to bury And lay away with our anguish and our worry. It is time we learned again the winter grace To put the nerves to sleep in a dark place And smooth the lines in the self-tortured face. For we are at the end of our endurance nearly And we shall have to die this winter surely, For this is the end of more than a season clearly. Now we shall have to be poor, to yield up all, With the leaves wither, with the petals fall, Now we shall have to die, once and for all. Before the seed of faith so deep and still Pushes up gently through the frozen will And the joyless wake and learn to be joyful. Before this buried love leaps up from sorrow And doubt and violence and pity follow To greet the radiant morning and the swallow.

Gloire de Dijon When she rises in the morning I linger to watch her; She spreads the bath-cloth underneath the window And the sunbeams catch her Glistening white on the shoulders, While down her sides the mellow Golden shadow glows as She stoops to the sponge, and her swung breasts Sway like full-blown yellow Gloire de Dijon roses. She drips herself with water, and her shoulders Glisten as silver, they crumple up Like wet and falling roses, and I listen For the sluicing of their rain-dishevelled petals. In the window full of sunlight Concentrates her golden shadow Fold on fold, until it glows as Mellow as the glory roses.

A rural Venus, Selah rises from the gold foliage of the Sixhiboux River, sweeps petals of water from her skin. At once, clouds begin to sob for such beauty. Clothing drops like leaves. "No one makes poetry,my Mme. Butterfly, my Carmen, in Whylah,” I whisper. She smiles: “We’ll shape it with our souls.” Desire illuminates the dark manuscript of our skin with beetles and butterflies. After the lightning and rain has ceased, after the lightning and rain of lovemaking has ceased, Selah will dive again into the sunflower-open river.

The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall.

The Geranium When I put her out, once, by the garbage pail, She looked so limp and bedraggled, So foolish and trusting, like a sick poodle, Or a wizened aster in late September, I brought her back in again For a new routine - Vitamins, water, and whatever Sustenance seemed sensible At the time: she'd lived So long on gin, bobbie pins, half-smoked cigars, dead beer, Her shriveled petals falling On the faded carpet, the stale Steak grease stuck to her fuzzy leaves. (Dried-out, she creaked like a tulip.) The things she endured!- The dumb dames shrieking half the night Or the two of us, alone, both seedy, Me breathing booze at her, She leaning out of her pot toward the window. Near the end, she seemed almost to hear me- And that was scary- So when that snuffling cretin of a maid Threw her, pot and all, into the trash-can, I said nothing. But I sacked the presumptuous hag the next week, I was that lonely.

I have often seen this about Life…that when a door closes on you, when people reject you, when what you desperately want does not come to you despite your best efforts and prayers…all this happens only because you are meant to be walking through a different door, you are meant to be meeting other people and only because it is ordained that you receive something else, which you have not even imagined…that which is truly meant for you. So, don’t grieve when you don’t get what you want; what you want is immaterial…What Life believes you need is what you eventually, always, get!

I am struck by what a tawdry magician’s trick Time is after all. I am sixty-six years old. Viewed from your coign of vantage—facing toward the future—sixty-six years is a great deal of time. It is all of the experience of your life more than three times over. But, viewed from my coign of vantage—facing toward the past—this sixty-six years was the fluttering down of a cherry petal. I feel that my life was a picture hastily sketched but never filled in . . . for lack of time. Only yesterday—but more than fifty years ago—I walked along this river with my father. I can remember how big and strong his hand felt to my small fingers. Fifty years. But all the insignificant, busy things—the terribly important, now forgotten things that cluttered the intervening time collapse and fall away from my memory. And I remember another yesterday when my daughter was a little girl. We walked along here. At this very moment, the nerves in my hand remember the feeling of her chubby fingers clinging to one of mine.

Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. 'It was terrifying,' he says, 'watching you fall. I mean, you're generally terrifying, but I am unused to fearing for you. And then, I was furious. I am not sure I have ever been that angry before.' 'Mortals are fragile,' I say. 'Not you,' he says in a way that sounds a little like a lament. 'You never break.' Which is ridiculous, as hurt as I am. I feel like a constellation of wounds, held together with string and stubbornness. Still, I like hearing it. I like everything he's saying all too well. That boy is your weakness.

The summer I was ten years old, there was a group of kids in my neighborhood who played together every night after dinner. I often watched them from my window…Every night around nine-thirty or ten, those kids would get called in one by one…I knew the first ones called were full of resentment. But they needn’t have been. Nothing ever happened after they left anyway. Things just sort of ended in a slow motion way, like petals falling off a flower. You couldn’t have people leave like that and have anything good happen afterward. Whoever was left couldn’t pay much attention to anything other than waiting for their turn to get called in. So, it wasn’t so bad to go first, to head back toward those deep yellow lights and beds made up with summer linens. It was much better than being last, when you would be left standing there alone, finally going in without anybody calling you.

Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.

Sometimes I look up and imagine the falling of stars, Lotus flowers and blue five branched bars, Towers that crumble under the weight of the sky, Pillars way up high that come apart, Just a glance and one wish for a restart, Sand swirling around the world, the underside, The deep blue abyss from afar, The bubble that encapsulates the solar heart, A landscape filled with craters, undermined, The slow descent to a tectonic mars, One of soft piano, and a bright just as blue life-giving scar, The wide eyes of every lavender petal, frozen in time, Every name is forgotten, even those once heard before, The sound of the distant past trusting the future, A world where everything was paused, limelight, A time where it was you, yourself, and the dark, When the silence was dead and so is everything in the floor.

If you fall for a dark-eyed beauty, pretty as a picture, with lips as sweet as a luscious rasberry, and a gentle face, unrumpled by kisses, like an apple-blossom petal in May, and she becomes your love—then do not say that love is yours: even though you cannot tire of her rounded breasts, of her slender frame that melts in your embrace like wax before a flame. . . . The day will come, that cruel hour will come, the fatal moment will come, when he face will fade, rumpled by kisses, her breasts will no longer quiver at your touch: all this will come to pass; and you will be alone with your own shadow amidst the sunscorched deserts and the dried up springs, where flowers do not bloom and the sunlight plays on the dry skin of a lizard; and you might even see the hairy black tarantula’s lair, all enmeshed in the threads of its web . . . And then your thirsting voice will be raised from the sands, calling longingly to your homeland. --- But if your love is otherwise, if her browless face has once been touched by the black blemish of the pox, if her hair is red, her breasts sagging, her bare feet dirty, and to any extent at all her stomach protrudes, and still she is your love—then that which you have sought and found in her is the sacred homeland of your soul.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.

Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014

Stronger Than Time Since I have set my lips to your full cup, my sweet, Since I my pallid face between your hands have laid, Since I have known your soul, and all the bloom of it, And all the perfume rare, now buried in the shade; Since it was given to me to hear on happy while, The words wherein your heart spoke all its mysteries, Since I have seen you weep, and since I have seen you smile, Your lips upon my lips, and your eyes upon my eyes; Since I have known above my forehead glance and gleam, A ray, a single ray, of your star, veiled always, Since I have felt the fall, upon my lifetime's stream, Of one rose petal plucked from the roses of your days; I now am bold to say to the swift changing hours, Pass, pass upon your way, for I grow never old, Fleet to the dark abysm with all your fading flowers, One rose that none may pluck, within my heart I hold. Your flying wings may smite, but they can never spill The cup fulfilled of love, from which my lips are wet; My heart has far more fire than you can frost to chill, My soul more love than you can make my soul forget

Is it always this awkward?" Sara asked. Her voice was hushed. Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals. Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent." She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said. She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.

Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.

Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.

And now it is said of me That my love is nothing because I have borne no children, Or because I have fathered none; That I twisted the twig in my hands And cut the blossom free too soon from the seed; That I lay across the fire, And snuffed it dead sooner than draft or rain. But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me, Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again. I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it. I will not banish love to empty rain. For I know that I am asked to hate myself For their sweet sake Who sow the world with child. I am given to burn on the dark fire they make With their sly voices. But I have burned already down to bone. There is a fire that burns beyond the names Of sludge and filth of which this world is made. Agony sears the dark flesh of the body, And lifts me higher than the smoke, to rise Above the earth, above the sacrifice; Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air: Free of the body’s work of twisted iron.

You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.