Fall On Your Knees Quotes

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...you expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
One of the greatest myths in the world - & the phrase 'greatest myths' is just a fancy way of saying 'big fat lies' -- is that troublesome things get less & less troublesome if you do them more & more. People say this myth when they are teaching children to ride bicycles, for instance, as though falling off a bicycle & skinning your knee is less troublesome the fourteenth time you do it than it is the first time. The truth is that troublesome things tend to remain troublesome no matter how many times you do them, & that you should avoid doing them unless they are absolutely urgent.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
Kitten…” “Hmm?” I fisted the covers. “Just making sure you’re still with me.” He kissed the side of my leg, right above my knee. “Don’t want you falling asleep or anything.” Like sleep was possible. Ever.
Jennifer L. Armentrout (Opal (Lux, #3))
Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.” “Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.” “What?” I frown. “What are you talking abou—” “You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.” “Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.” He falls to his knees. “Insane for your sweet, sweet love!
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Memory plays tricks. Memory is another word for story, and nothing is more unreliable.
Ann-Marie MacDonald (Fall On Your Knees)
Enough," Curran said. An unmistakable command saturated his voice. Jim clicked his mouth shut. I crossed my arms. "I'm sorry, is this the part where I fall to my knees and shiver in fear, Your Furriness? Silly me, I didn't get the memo.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Your father is only your father until one of you forgets. Like how the spine won't remember its wings no matter how many times our knees kiss the pavement. Ocean, are you listening? The most beautiful part of your body is wherever your mother's shadow falls.
Ocean Vuong (Night Sky with Exit Wounds)
Hope is a gift. You can't choose to have it. To believe and yet to have no hope is to thirst beside a fountain.
Ann-Marie MacDonald (Fall on Your Knees)
When you stand at the abyss, you fall to your knees and you fucking grab for any comfort, any little thing to keep it from swallowing you whole.
T.A. Webb
They are so young, they forget that the world is not as in love with them as they are.
Ann-Marie MacDonald (Fall on Your Knees)
Do you think there's such a thing as a ghost who masquerades as a person? Do you believe that there are people whose bodies are still alive here on earth but whose souls are already in hell?
Ann-Marie MacDonald (Fall on Your Knees)
I remember I once saw this old movie...; in it the main character was talking about how sad it is that the last time you have sex you don't know it's the last time. Since I've never even had a first time, I'm not exactly an expert, but I'm guessing it's like that for most things in life--the last kiss, the last laugh, the last cup of coffee, the last sunset, the last time you jump through a sprinkler or eat an ice-cream cone, or stick your tongue out to catch a snowflake. You just don't know. But I think that's a good thing, really, because if you did know it would be almost impossible to let go. When you do know, it's like being asked to step off the edge of a cliff: all you want to do is get down on your hands and knees and kiss the solid ground, smell it, hold on to it.
Lauren Oliver (Before I Fall)
Wade instantly falls on one knee. "Oh, dear maiden. Please allow me to insert my member into your cavern of pleasure and take you to heights only the immortals have known.
Erin Watt (Broken Prince (The Royals, #2))
Shane lowered his glasses on his nose and gave me his version of a severe stare. I leaned a little toward Luther. "Is this the part where I faint in fear?" Luther bit his lip. "He might also accept falling to your knees and holding your hands in humble supplication. Makes it easier for him to slap the cuffs on.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Max," she said. He turned and briefly closed his eyes as the girl continued. There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too." One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him. The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?" Max Vandenburg remained standing. He did not drop to his knees. People and Jews and clouds all stopped. They watched. As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this. Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
Markus Zusak (The Book Thief)
Lay down Your tired & weary head my friend. We have wept too long Night is falling And you are only sleeping We have come to this journey's end It's time for us to go To meet our friends Who beckon us To jump again From across a distant sky A C-130 comes to carry us Where we shall all wait For the final green light In the light of The pale moon rising I see far on the horizon Into the world of night and darkness Feet and knees together Time has ceased But cherished memories still linger This is the way of life and all things We shall meet again You are only sleeping.
José N. Harris (Mi Vida)
To believe and yet to have no hope is to thirst beside a fountain.
Ann-Marie MacDonald (Fall on Your Knees)
God didn’t design your life so you would constantly fall down, but he does hope that you will be brought to your knees.
Shannon L. Alder
She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.
Ann-Marie MacDonald (Fall on Your Knees)
Sometimes you want to fall on your knees and thank God in heaven for all the poor news reporting that goes on in the world.
Sue Monk Kidd (The Secret Life of Bees)
I'm falling for you so hard that I can feel the scrapes on my knees as I'm brought to them. I understand you are scared because I'm absolutely terrified, but I'm not going to hurt you or kick you when you're down.
Ella Frank (Entice (Exquisite, #2))
Finally, he pushed back the chair and exhaled. "He's alive," I said. "Your dad's alive." He loooked up at me and, I couldn't help it-- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering. "I-I'm sorry. I'm just--I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped around my shirt hem, my heart hammering so hard I wash sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Because I think you're right. You can make a difference." He told me experiences were kind of like fate, and fate usually came in the form of a test. He told me fate liked to be worshiped. It liked to see us fall on out knees before it offered to help us up..." ♥
Lauren Oliver (Requiem (Delirium, #3))
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
I can’t help blushing and looking down at my feet. “It was nothing.” “It was literally everything to me.” I look up, putting on my best version of Eight’s teasing smile. “In that case, I think I deserve more than a gross hot dog.” Eight clasps his hands across his chest like I’ve wounded him. “You’re right! I’m a fool to think my life could be traded for a hot dog.” He grabs my hand and gets down on one knee, pressing his forehead to the back of my hand. “My savior, what can I ever do to repay you?
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
It's important to attend funerals. It is important to view the body, they say, and to see it committed to earth or fire because unless you do that, the loved one dies for you again and again.
Ann-Marie MacDonald (Fall on Your Knees)
How'd you get the burn?" Ignoring him only got me a barrage of chatter. "Yeah, how?" 'Did something, or someone, do it?" "You're bleeding." "It's her knee again." "She opened it up." "Did you fall?" "You've got grass in your hair." "Were you in a fight?" "How'd you get grass in your hair?" "I think she was in a fight." "Leaves and some dirt, too. And...is that a feather?" "You were in a fight with a bird?" "Hey, how did you manage to knock Blake down?" "She didn't knock me down! I caught her." "Hah! A little girl took you out." "Shut up or I'll take you out." "Her extreme velocity overcame Blake's superior mass." "I am superior." "How'd you get moving so fast?" I stopped abruptly and turned on them, arms gesturing wildly. "Shut up!
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
The thief you must fear the most is not the one who steals mere things.
Ann-Marie MacDonald (Fall on Your Knees)
I always thought it would be a simple matter to lie wi' a woman, he said softly. And yet... I want to fall on my face at your feet and worship you"-he dropped the towel and reached out, taking me by the shoulders-"and still I want to force ye to your knees before me, and hold ye there wi' me hands tangled in your hair, and your mouth at my service...and I want both things at the same time, Sassenach.
Diana Gabaldon
the moon's too bright the chain's too tight the beast won't go to sleep. I've been thinking of those promises I made to you that I could not keep. I know a man never got a woman back by beggin on his knees, or I'd crawl to you baby and I'd fall at your feet I'd howl at your beauty like a dog in heat I'd tear at your heart I'd claw at your sheets And I'd say please. Please. I'm your man.
L. Cohen
Lies like that are not a sin, they are a sacrifice.
Ann-Marie MacDonald (Fall on Your Knees)
What is the good of believing fervently in God if you wind up hating Him?
Ann-Marie MacDonald (Fall on Your Knees)
You think you're safe. Until you see a picture like that. And then you know you'll always be a slave to the present because the present is more powerful than the past, no matter how long ago the present happened.
Ann-Marie MacDonald (Fall on Your Knees)
Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.
Ann-Marie MacDonald (Fall on Your Knees)
... but I could also write about love. How a hand can silence thousands of voices and how someone’s smell can make you feel at home even though you’re a million miles away from home and have you ever hurt someone you love? Because you’re angry. Because you’re disappointed and sad and you just really wanted to love and be loved in return but life got in the way and you both said things that should never be said and you’re angry but don’t know how to. Because you still feel this strange love for him, but you’re also fucking angry and you want to hit him, but then hug him because hurting him is hurting yourself, and then hit him again because you’re angry! and so you fall on your knees because you’re hopeless to yourself and your own emotions and that’s love, my friend.
Charlotte Eriksson
You must learn to call on the Lord. Don’t sit all alone or lie on the couch, shaking your head and letting your thoughts torture you. Don’t worry about how to get out of your situation or brood about your terrible life, how miserable you feel, and what a bad person you are. Instead, say, “Get a grip on yourself, you lazy bum! Fall on your knees, and raise your hands and eyes toward heaven. Read a psalm. Say the Lord’s Prayer, and tearfully tell God what you need.
Martin Luther (Faith Alone: A Daily Devotional)
She learns a valuable lesson: if you think you are good, just try doing good. You’ll soon find out how inadequate your little drop of goodness is.
Ann-Marie MacDonald (Fall on Your Knees)
This phrase did not have the ring of verisimilitude because I am famously bad at math. If I'm in charge of tipping at a restaurant, the waiter will either fall to his knees in gratitude or slash my tires. There ain't no Mr. In Between.
Celia Rivenbark (Stop Dressing Your Six-Year-Old Like a Skank: And Other Words of Delicate Southern Wisdom)
I’m awful about your name. I still jump when I hear it. I still feel it rattling somewhere in my stomach. I think I’m jealous of anyone that gets to say it because it’s not my right anymore. Years from now I’ll be standing in a supermarket and someone will casually brush past me, your name falling from their mouth like confetti. I’ll drop everything that I’m holding. My knees will wobble in the way they only did when I was with you. Years from now I’ll still remember how your name tasted in my mouth and I’ll have to start missing you all over again.
Azra.T
Materia had been just six when they docked in Sydney Harbour and her father said, 'Look. This is the New World. Anything is possible here.' She's been too young to realize that he was talking to her brother.
Ann-Marie MacDonald (Fall on Your Knees)
Are you going to go down on your knees and beg for your life, old one?" Abbot Mortimer stared calmly into Cluny's savage eye. "I will never bend my knee on my own behalf. However, if I thought I could save the life of one of my friends I would gladly fall down on both knees. But I know you, Cluny, better than you know yourself. There is not a scrap of pity or mercy in your heart, only a burning desire for vengeance. Therefore, I will not kneel to one who is consumed by evil.
Brian Jacques (Redwall (Redwall, #1))
It wasn't you're fault," I whisper. And then out of self-protection more than anything else, I bring the glory. I don't warn him or anything. I don't damp it down. I bring it. The room fills with light. "This is what I am," I say, my hair ablaze around my head. He squints at me. his jaw juts out a little in pure stubbornness. He stands his ground "I know," he says. I take a step towards him, close the space between us, put my glowing hand against his cheek. He starts to tremble. "This is what I am," I say again and my wings are out now. His knees wobble, but he fights it. He puts his hand at my waist, turns me, pulls me closer, which surprises me. "I can accept that," he whispers, and holds his breath, and leans in to kiss me His lips brush mine for an instant, and an emotion like victory tears through him, but he pulls away and glances at the front door. Groans. Christian is standing in the doorway. "Wow," Tucker says, trying to grin. "You really know how to cramp a guy's style." His legs give out. He falls to his knees. My light blinks off.
Cynthia Hand (Boundless (Unearthly, #3))
The world should not be organized to require heroines, and when one is required but fails to appear, we should not judge.
Ann-Marie MacDonald (Fall on Your Knees)
My first advantage: I have everything. My second advantage: this is just another island. My third advantage: I am bigger than it all.
Ann-Marie MacDonald (Fall on Your Knees)
I cry out and fall to my knees, unable to go on, weeping for the dead, weeping for the cruelties, and a whisper calls to me from far away, You are strong, Stronger than your pain, Stronger than your grief, Stronger than them. And I force myself to my feet again.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
Kiss me a question, ask me again with your eyes and I’ll answer with my fingers, trailing reasons down your spine. There’s a theory behind your knees and a postulate in that sweet spot on your neck, and I’ll respond to your query with a smooch and a holler, roll you up against the sink and wash your hair, make love til the plates fall off the shelf.
Lou Beach
She is why purgatory was invented.
Ann-Marie MacDonald (Fall on Your Knees)
... You did what none of us could do.” “Only because the poison didn’t affect me the same way—” “Does that matter? We couldn’t do it. You did. We saw what you looked like when you got out. How many times did you fall in order to batter your knees like that? But you kept going.” “That makes me stubborn, not strong,” she mumbled. “Strength comes in many forms...
Annette Marie (Dark Tempest (Red Winter Trilogy, #2))
You expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
TO YOUR KNEES Life will eventually bring you to your knees. Either you’ll be on your knees cursing the universe and begging for a different life, or you’ll be brought to your knees by gratitude and awe, deeply embracing the life that you have, too overwhelmed by the beauty of it all to stand or even speak. Either way, they’re the same knees.
Jeff Foster (Falling in Love with Where You Are)
If at eighty you're not a cripple or an invalid, if you have your health, if you still enjoy a good walk, a good meal (with all the trimmings), if you can sleep without first taking a pill, if birds and flowers, mountains and sea still inspire you, you are a most fortunate individual and you should get down on your knees morning and night and thank the good Lord for his savin' and keepin' power. If you are young in years but already weary in spirit, already on your way to becoming an automaton, it may do you good to say to your boss - under your breath, of course - "Fuck you, Jack! you don't own me." If you can whistle up your ass, if you can be turned on by a fetching bottom or a lovely pair of teats, if you can fall in love again and again, if you can forgive your parents for the crime of bringing you into the world, if you are content to get nowhere, just take each day as it comes, if you can forgive as well as forget, if you can keep from going sour, surly, bitter and cynical, man you've got it half licked.
Henry Miller (Sextet: Six essays)
He would have enough money...for a family that would fill his house with beautiful music and the silence of good books.
Ann-Marie MacDonald (Fall on Your Knees)
But I have discovered something about modest people. They're just waiting for the call. Then they are the first over the wall and into the temple.
Ann-Marie MacDonald (Fall on Your Knees)
Catherine. " She swept by me without a hug. Okay, that was familiar, too. "You really should wear something warmer, it's freezing out. " Hello to you, too, Mom. Or whoever the hell you are, because you sure don't look like the woman who raised me. 123 "You should talk, " I managed. "I can see all the way up to your thigh. My God, if Grandma saw you now, she'd come right out of her grave!" My mother opened her mouth, paused, and then smiled. "I won't tell if you won't. " I was going directly to the kitchen to fall to my knees in awe before Rodney. Lo and behold, he'd managed to give her a sense of humor, and here I'd figured that would take voodoo, several headless chickens, and a lot of gris-gris.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
God, the three of you. When I wake up on Saturday mornings--late you always let me sleep in--I come looking for you, and you're in the backyard with dirt on your knees and two little girls spinning around you in perfect orbit. And you put their hair in pigtails, and you let them wear whatever madness they want, and Alice planted a fruit cocktail tree, and Noomi ate a butterfly, and they look like me because they're round and golden, but the glow for you. And you built us a picnic table. And you learned to bake bread. And you've painted a mural on ever west-facing wall. And it isn't all bad, I promise. I swear to you. You might not be actively, thoughtfully happy 70 to 80 percent of the time, but maybe you wouldn't be anyway. And even when you're sad, Neal--even when you're falling asleep at the other side of the bed--I think you're happy, too. About some things. About a few things.
Rainbow Rowell (Landline)
The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry your burden -- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the enemy, and sometimes the failed intention of a masterful ally.
Addison Moore (Vex (Celestra, #5))
Having experienced her own disappearance, she is conscious of how important it is for people to be seen, so when she looks at them --even the blind one--she also looks for them, just in case they too have got lost and need finding.
Ann-Marie MacDonald (Fall on Your Knees)
I began to understand that my life was measured in moments.There were moments that tested you, challenged you, and moments that could make you fall to your knees, begging for one more moment but you see, those moments defined you as a person. You need to take them as they come because before you know it, you're out of moments.
Shey Stahl (The Champion (Racing on the Edge, #4))
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I plummeted into chaos because your love was everything beautiful and pure, but my love was everything deceitful and destructive. So, I didn’t just fall in love with you, Killian. I crawled, on my knees, bleeding for you. So, it was real. Every moment, every smile, every kiss… it was real and it hurt.
Lylah James (A Vow of Hate (A Vow of Hate, #1))
You fall in love with someone not because he's nice to you or can read your mind but because, when he kisses you, your knees weaken, or because you can't stop looking at his skin or at the way his legs, inside his jeans, shape the fabric.
Charles Baxter (Gryphon: New and Selected Stories)
Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I’d been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we’ve never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I’ve been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I’ve missed you all my life.
Ann-Marie MacDonald (Fall on Your Knees)
I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.
Ann-Marie MacDonald (Fall on Your Knees)
1. WE'VE LEFT SHORE SOMEHOW BECOME THE FRIENDS OF EARLY THEORY CLOSE ENOUGH TO SPEAK DESIRE AND PAIN OF ABSENCE OF MISTAKES WE'D MAKE GIVEN THE CHANCE. EACH SMILE RETURNED MAKES HARDER AVOIDING DREAMS THAT SEE US LYING IN EARLY EVENING CURTAIN SHADOWS, SKIN SAFE AGAINST SKIN. BLOOM OF COMPASSION RESPECT FOR MOMENTS EYES LOCK TURNS FOREVER INTO ONE MORE VEIL THAT FALLS AWAY. 2. THIS AFTER SEEING YOU LAST NIGHT, FIRST TIME SMELLING YOU WITH PERMISSION: SHOULDERS TO WONDER OPENLY AT AS CAREFULLY KISSED AS THOSE ARMS WAITED IMPOSSIBLY ON. THEY'VE HELD ME NOW AND YOUR BREATH DOWN MY BACK SENT AWAY NIGHT AIR THAT HAD ME SHAKING IN THE UNLIT ANGLICAN DOORWAY. 3. ARE WE RUINED FOR FINDING OUR FACES FIT AND WANT TO KNOW MORE ABOUT MORNING? IS FRIENDSHIP CANCELLED IF WE CAN'T CALL EACH OTHER ANYMORE IN AMNESIA, INVITE OURSELVES TO LAST GLANCES UNDER SUSPICIOUS CLOCKS TELLING US WHEN WE'VE HAD ENOUGH? 4. YOUR STEADY HANDS CRADLING MY GRATEFUL SKULL: WERE YOU TAKING IN MY FACE TO SAVE AN IMAGE YOU'VE RARELY ALLOWED YOURSELF AFTER LEAVING THAT COLD ALCOVE? AM I A PHOTOGRAPH YOU GAZE AT IN MOMENTS OF WEAKNESS? YOU ORDERED ME OFF MY KNEES INTO YOUR ARMS. WASN'T TO BEG THAT I KNELT; ONLY TO SEE YOU ONCE FROM BELOW. TRIED TO SAY SOMETHING THAT FILLED MY MOUTH AND LONGED TO REST IN YOUR EAR. DON'T DARE WRITE IT DOWN FOR FEAR IT'LL BECOME WORDS, JUST WORDS.
Viggo Mortensen (Coincidence of Memory)
I do want to remake the world so that I can be with you. So that I can get down on my knees and ask you to be my wife. So that I can put a crown on your head and make you my queen. So I can build a shrine and worship you as my goddess. I want all of these things, yet I face a future with none of them, and I don't know whether I want to fall on my own blade or burn everything to ash because I do not want to let you go.
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
It's his last thrill and his last sting of love, as fresh and painful as youth transplanted over time and an ocean. There is nothing left for him now except to die, but that will take a while because he is a creature of habit, and he has got into the habit of being alive.
Ann-Marie MacDonald (Fall on Your Knees)
She wonders when it was that she began to despair. All these years she mistook it for pious resignation. Now she sees the difference. Such a fine line between a state of grace and a state of mortal sin. What is the good of believing fervently in God if you wind up hating Him?
Ann-Marie MacDonald (Fall on Your Knees)
I began to understand that my life was measured in moments. There were moments that tested you, challenged you, and moments that could make you fall to your knees, begging for one more moment but you see, those moments defined you as a person. You need to take them as they come because before you know it, you're out of moments.
Shey Stahl
Gone I met your mother while she was standing on the beach, her feet buried in the sand. I regret not falling to my knees to scoop up some of the granules into the palms of my hands. I wonder if any of what we touch has ever been stepped on by her feet. Or has every grain of sand she ever came across already washed back out to sea?
Colleen Hoover (Heart Bones)
Alex: OK, that sounds like a challenge! Well firstly, I would have brought you to a hotel along the coast so that your suite would have the best sea view in the hotel. You could fall asleep listening to the waves crashing against the rocks, I would sprinkle the bed with red rose petals and have candles lit all around the room, I would have your favorite CD playing quietly in the background. But I wouldn’t propose to you there. I would bring you to where there was a huge crowd of people so they could all gasp when I got down on one knee and proposed. Or something like that. Note I have italicized all important buzz words. Rosie: Oh. Alex: Oh? That’s all you can say? One word for the most important night of our lives?
Cecelia Ahern (Love, Rosie)
He's a very nice man and all that, easy to get along with, fun, he never makes me cry. But is that love? I mean, is that all there is to it? Even when you learned to ride your two-wheeler, you had to fall off a few times and scrape both knees. Call it a rite of passage. And that was just a little thing.
Stephen King
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
So if you're trying to play games with me, I should let you know up front that it's not going to work. "What?" I frown "what are you talking abou-" "You can't play hard to get, kid." He raises his eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean." "Oh my god," I mouth, eyes closed, shaking my head. "You are insane." He falls to his knees. "Insane for your sweet, sweet love!" "Kenji" I can't lift my eyes because I'm afraid to look around, but I'm desperate for him to stop talking. To put an entire room between us at all times. I know he's joking, but I might be the only one. "What?" he says, his voice booming around the room. "Does my love embarass you?" "Please-please get up-and lower your voice-" "Hell no." "Why not?" I'm pleading now. "Because if I lower my voice, I won't be able to hear myself speak. And that," He says, "Is my faviorite part." I can't even look at him. "Don't deny my Juliette I'm a lonely man." What is wrong with you?" "You're breaking my heart." His voice is even louder now,
Tahereh Mafi
Tyrion turned to his nephew. “Joffrey, it is past time you called on Lord Eddard and his lady, to offer them your comfort.” Joffrey looked as petulant as only a boy prince can look. “What good will my comfort do them?” “None,” Tyrion said. “Yet it is expected of you. Your absence has been noted.” “The Stark boy is nothing to me,” Joffrey said. “I cannot abide the wailing of women.” Tyrion Lannister reached up and slapped his nephew hard across the face. The boy’s cheek began to redden. “One word,” Tyrion said, “and I will hit you again.” “I’m going to tell Mother!” Joffrey exclaimed. Tyrion hit him again. Now both cheeks flamed. “You tell your mother,” Tyrion told him. “But first you get yourself to Lord and Lady Stark, and you fall to your knees in front of them, and you tell them how very sorry you are, and that you are at their service if there is the slightest thing you can do for them or theirs in this desperate hour, and that all your prayers go with them. Do you understand?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Some moments in your life you wish never happened; you would do anything to take them back. They make you realize you are not all-powerful. That there is a force stronger than you at work. In those moments, you fall to your knees and abdicate all sense of power. Offer your hand and ask for help. If you are lucky, you will feel the touch of something or someone to help you rise. If not, you stay kneeling, left all alone.
Sejal Badani (Trail of Broken Wings)
Why?" he asked instead. "Why do such things when my death would have benefited you far more?" Yhalen bent over his knees, resting forehead on his forearm, perhaps not willing to answer, or not able to, strange creature that he was. "Is that the way your people think?" he asked finally, as he turned his head to peer up at Bloodraven through the thick fall of the hair around his face. "That death is more beneficial than life?
P.L. Nunn (Bloodraven (Bloodraven, #1))
Her head was full of thoughts. She managed to walk a little way and then sat down, hugging her knees. Imagine getting stuck like this, she thought. You'd have to wear earplugs and noseplugs and a big black hood over your head, and still you'd see and hear too much... She closed her eyes, and closed her eyes again. She felt it all draining away. It was like falling asleep, sliding from that strange wide-awakeness into just normal, everyday... well, being awake. It felt as if everything was blurred and muffled. This is how we always feel. she thought. We sleepwalk through our lives, because how could we live if we were always this awake?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Think of friends or family members who loved Jesus and are with him now. Picture them with you, walking together in this place. All of you have powerful bodies, stronger than those of an Olympic decathlete. You are laughing, playing, talking, and reminiscing. You reach up to a tree to pick an apple or orange. You take a bite. It’s so sweet that it’s startling. You’ve never tasted anything so good. Now you see someone coming toward you. It’s Jesus, with a big smile on his face. You fall to your knees in worship. He pulls you up and embraces you.
Randy Alcorn (Heaven: A Comprehensive Guide to Everything the Bible Says About Our Eternal Home)
Must we always be warned, and can we only fall on our knees when some one is there to tell us that God is passing by? If you have loved profoundly you have needed no one to tell you that your soul was a thing as great in itself as the world; that the stars, the flowers, the waves of night and sea were not solitary; that it was on the threshold of appearances that everything began, but nothing ended, and that the very lips you kissed belonged to a creature who was loftier, much purer, and much more beautiful than the one whom your arms enfolded.
Maurice Maeterlinck (The Treasure of the Humble)
I nod and tap my fingers against my knees. “What to do with a girlfriend while I work my hours at the TOG. Hmm…Can I really do this? Will I be able to pull it off? Will she be able to read at the snack bar tables without losing her mind,” I mumble. “Do you always talk to yourself?” “Yes. Bad habit. Does it bother you?” I walk back over to her side of the small stage. “No. It's interesting. I hate people knowing my thoughts. But yours just fall out of your head so easily.” She shrugs. “I never thought of it like that…but you're my girlfriend now…so who cares if you know what I think?” Her cheeks turn pink, and I laugh.
Anne Eliot (Almost)
If I could hold your heart I would keep it safe. Even when I trip and fall, and even when I break down, I would hold your heart close to mine, so it doesn't see the same damage. When I bruise my knees and scrape my palms you'll never have to fear, and even if I cry, I promise, you won't need to shed a tear. Love is everlasting. Loyalty is intertwined with faith. As long as you want me I will be here, standing with my palms out, waiting with my heart plain in my eyes, and a smile on my face.
Jennifer Megan Varnadore
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog." But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go. I had been talking to too may people...to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it.
Amy Tan (The Joy Luck Club)
It isn't pretty, he wanted to say, it's lonely, it's desolate, it's a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It's the human condition! It's the entire universe itself! It's the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.
Olivie Blake (Alone With You in the Ether)
When I was young I walked all over this country, east and west, and saw no other people than the Apaches. After many summers I walked again and found another race of people had come to take it. How is it? Why is it that the Apaches wait to die—that they carry their lives on their fingernails. They roam over the hills and plains and want the heavens to fall on them. The Apaches were once a great nation; they are now but few, and because of this they want to die and so carry their lives on their fingernails. Many have been killed in battle. You must speak straight so that your words may go as sunlight to our hearts. Tell me, if the Virgin Mary has walked throughout all the land, why has she never entered the wickiups of the Apaches? Why have we never seen or heard her? “I have no father nor mother; I am alone in the world. No one cares for Cochise; that is why I do not care to live, and wish the rocks to fall on me and cover me up. If I had a father and mother like you, I would be with them and they with me
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the ememy, and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kisdd of Judas, pressing a crown of thorns into your flesh. Seemingly with out reason- vastly disappointing, Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.
Addison Moore (Vex (Celestra, #5))
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll— Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils? Did I break the king? He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter. I feel my limbs grow tight, my face grow hot, anger pooling into every muscle. “What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter. He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs. And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact? I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it. “I’ve an inclination to kill again,” I say, glaring at him. Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head. “My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!” I swallow, thoroughly confused. “You’re not going to hang me?” “Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the enemy and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kiss of Judas, pressing a crown of thorns into your flesh. Seemingly without reason— vastly disappointing. Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.
Addison Moore (Vex (Celestra, #5))
I just want to say one thing. If I ever write a novel again, it's going to be in defense of weak women, inept and codependent women. I'm going to talk about all the great movies and songs and poetry that focus on such women. I'm going to toast Blanche DuBois. I'm going to celebrate women who aren't afraid to show their need and their vulnerabilities. To be honest about how hard it can be to plow your way through a life that offers no guarantees about anything. I'm going to get on my metaphorical knees and thank women who fall apart, who cry and carry on and wail and wring their hands because you know what, Midge? We all need to cry. Thank God for women who can articulate their vulnerabilities and express what probably a lot of other people want to say and feel they can't. Those peoples' stronghold against falling apart themselves is the disdain they feel for women who do it for them. Strong. I'm starting to think that's as much a party line as anything else ever handed to women for their assigned roles. When do we get respect for our differences from men? Our strength is our weakness. Our ability to feel is our humanity. You know what? I'll bet if you talk to a hundred strong women, 99 of them would say 'I'm sick of being strong. I would like to be cared for. I would like someone else to make the goddamn decisions, I'm sick of making decisions.' I know this one woman who's a beacon of strength. A single mother who can do everything - even more than you, Midge. I ran into her not long ago and we went and got a coffee and you know what she told me? She told me that when she goes out to dinner with her guy, she asks him to order everything for her. Every single thing, drink to dessert. Because she just wants to unhitch. All of us dependent, weak women have the courage to do all the time what she can only do in a restaurant.
Elizabeth Berg (Home Safe)
I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier. Doubt does away with it with little trouble. You become anxious. Reason comes to do battle for you. You are reassured. Reason is fully equipped with the latest weapons technology. But, to your amazement, despite superior tactics and a number of undeniable victories, reason is laid low. You feel yourself weakening, wavering. Your anxiety becomes dread. Fear next turns fully to your body, which is already aware that something terribly wrong is going on. Already your lungs have flown away like a bird and your guts have slithered away like a snake. Now your tongue drops dead like an opossum, while your jaw begins to gallop on the spot. Your ears go deaf. Your muscles begin to shiver as if they had malaria and your knees to shake as though they were dancing. Your heart strains too hard, while your sphincter relaxes too much. And so with the rest of your body. Every part of you, in the manner most suited to it, falls apart. Only your eyes work well. They always pay proper attention to fear. Quickly you make rash decisions. You dismiss your last allies: hope and trust. There, you've defeated yourself. Fear, which is but an impression, has triumphed over you. The matter is difficult to put into words. For fear, real fear, such as shakes you to your foundation, such as you feel when you are brought face to face with your mortal end, nestles in your memory like a gangrene: it seeks to rot everything, even the words with which to speak of it. So you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you.
Yann Martel (Life of Pi)
Not much time will be gained, O Athenians, in return for the evil name which you will get from the detractors of the city, who will say that you killed Socrates, a wise man; for they will call me wise even although I am not wise when they want to reproach you. If you had waited a little while, your desire would have been fulfilled in the course of nature. For I am far advanced in years, as you may perceive, and not far from death. I am speaking now only to those of you who have condemned me to death. And I have another thing to say to them: You think that I was convicted through deficiency of words - I mean, that if I had thought fit to leave nothing undone, nothing unsaid, I might have gained an acquittal. Not so; the deficiency which led to my conviction was not of words - certainly not. But I had not the boldness or impudence or inclination to address you as you would have liked me to address you, weeping and wailing and lamenting, and saying and doing many things which you have been accustomed to hear from others, and which, as I say, are unworthy of me. But I thought that I ought not to do anything common or mean in the hour of danger: nor do I now repent of the manner of my defence, and I would rather die having spoken after my manner, than speak in your manner and live. For neither in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death. I am old and move slowly, and the slower runner has overtaken me, and my accusers are keen and quick, and the faster runner, who is unrighteousness, has overtaken them. And now I depart hence condemned by you to suffer the penalty of death, and they, too, go their ways condemned by the truth to suffer the penalty of villainy and wrong; and I must abide by my award - let them abide by theirs. I suppose that these things may be regarded as fated, - and I think that they are well.
Plato (Apology)
Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest
W.B. Yeats
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))