Fake Folks Quotes

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That's what mortal means," I say with a sigh that I don't have to fake. "We die. Think of us like shooting stars, brief but bright.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Now I shall speak of evil as none has Spoken before. I loathe such things as jazz; The white-hosed moron torturing a black Bull, rayed with red; abstractist bric-a-brac; Primitivist folk-masks; progressive schools; Music in supermarkets; swimming pools; Brutes, bores, class-conscious Philistines, Freud, Marx, Fake thinkers, puffed-up poets, frauds, and sharks.
Vladimir Nabokov (Pale Fire)
The secret lies of manipulative folks, however hidden and cunningly twisted shall eventually come out. Never trust manipulative politically motivated, sly liars while they pretend to be "true friends" with noble and just cause. ~ Angelica Hopes, K.H. Trilogy
Angelica Hopes
One of the reasons circus clowns terrify sensitive individuals is because their image triggers an instinctual response within us concerning a collective archetypal folk memory of the potential evil which might lay behind the painted-on smile. We know the smile of the circus clown is fake and that underneath the expression can be a malicious sneer.
Thomas Sheridan (Puzzling People: The Labyrinth of the Psychopath)
See, most people you meet, they’ll talk to you through fifty layers of gauze and tinting. Sometimes you know they’re lying even before they’ve started speaking. And it seems the older they get, the more brazen and desperate folks become, and they lie about things that don’t even matter.
Craig Silvey (Jasper Jones)
Security means the state of being free from danger or threat. Danger means the possibility of suffering harm or injury. The possibility of something unwelcome or unpleasant happening. There are times I have to stress as I express the correct, precise, real and honest definitions; so that the deceptive, politically motivated folks who destructively branded me as “threat to danger” would realise their double denial duplicity, dishonesty and hypocrisy. Have you at least questioned the personal motives and faulty malicious and intentional misjudgment or at least be honestly curious to discern the motive of a cunning person who warns you against another as a danger, a threat or a risk to life or security? Did the political harridan mean political threat to her political coalition or a danger to reveal the harridan's creative deception matched with her political ambitious power links? ~ Angelica Hopes, K.H. Trilogy
Angelica Hopes
YOU DON’T HAVE TO ALWAYS TAKE SIDES! Did you know, that it is entirely possible to disagree with BOTH self-proclaimed nationalists & those deemed anti-nationals, BOTH right-wing & left-wing hardcores, BOTH ultra-religious people & atheists, BOTH vegans & meat-eaters, BOTH CrossFitters & non-CrossFitters, BOTH ‘cardio’ & ‘non-cardio’ folks, AND BOTH ‘low-carbers’ & ‘high-carbers’?! It’s called THINKING FOR YOURSELF! It gives you an identity. It‘s a highly pleasurable job too; it involves telling people off. I highly recommend it!
Deepak S. Hiwale
You are mortal. You will not last long.' ... 'That's what mortal means,' I say with a sigh that I don't have to fake. 'We die. Think of us like shooting stars, brief but bright.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She could weave between peace and poison fluid as a silver fish, and both of them were true. There wasn't a fake bone in her body, but that almost made it worse.
Hannah F. Whitten (The Gathering Dark: An Anthology of Folk Horror)
Now I shall speak of evil as none has Spoken before. I loathe such things as jazz; The white-hosed moron torturing a black Bull, rayed with red; abstractist bric-a-brac; Primitivist folk-masks; progressive schools; Music in supermarkets; swimming pools; Brutes, bores, class-conscious Philistines, Freud, Marx, 930  Fake thinkers, puffed-up poets, frauds and sharks.
Vladimir Nabokov (Pale Fire)
I blink in confusion. “It’s got a name?” She laughs and sits down on my sofa. “You wouldn’t understand,” she tells me, “because you’ve never had to swallow down your dignity, but most of us common folk have a fake smile we’ve perfected.
Catharina Maura (The Temporary Wife (The Windsors, #2))
In Mallard, you grew up hearing stories about folks who’d pretended to be white. Warren Fontenot, riding a train in the white section, and when a suspicious porter questioned him, speaking enough French to convince him that he was a swarthy European; Marlena Goudeau becoming white to earn her teaching certificate; Luther Thibodeaux, whose foreman marked him white and gave him more pay. Passing like this, from moment to moment, was funny. Heroic, even. Who didn’t want to get over on white folks for a change? But the passe blanc were a mystery. You could never meet one who’d passed over undetected, the same way you’d never know someone who successfully faked her own death; the act could only be successful if no one ever discovered it was a ruse. Desiree only knew the failures: the ones who’d gotten homesick, or caught, or tired of pretending. But for all Desiree knew, Stella had lived white for half her life now, and maybe acting for that long ceased to be acting altogether. Maybe pretending to be white eventually made it so.
Brit Bennett (The Vanishing Half)
The world is broken. Our bodies break eventually. Our minds and hearts can break as well. We lose things in this life. We lose relationships. We lose people. And so a lot of folks live with a lot of pain. Much is mystery but God asks us to love, not just when it’s easy and not just when a certain Scripture fits. What does it look like to love someone who lives in a place you’ve never been? When there are no words? Or what about allowing someone to love you when you feel completely alone, like no one can relate? Beyond that, maybe it’s better not to fake it, not to offer something cheap. For the rest of us still here, with air in our lungs and tears in our eyes, perhaps we are meant to simply meet one another in the questions. Though the price will be the heartache of loss – for we can’t control when or how an ending comes – what a privilege that God allows us to connect with other people in this life, to be known and to be loved so we do not walk alone. Perhaps friendship – the deep kind, the best kind – perhaps it is a miracle.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
I'm pretty sure my parents are pretending they are sick. I know because I taught them both to do that little trick. You blow your nose and hold your head and claim your brain is breaking. And so, a pro like me would know my folks are clearly faking. A little thing I learned in school convinced me I am right. My parents are supposed to meet my principal tonight.
Ted Scheu
Real loved one's aren't afraid, and will suggest to you, what's in your best interest because they wouldn't want too see you suffer the consequences of, sideways, emotional impulse(s). To see you crash and burn, time after time, is the gratification of 'yes folk' lurking in your corner. You may not agree, but always consider the voice(s) that have consistently kept it real.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.
Tom Robbins (Wild Ducks Flying Backward)
Do I look stupid to you? That thing is just plain crazy.” “And when was the last time you did something crazy?” Joss cocked an eyebrow. Was he kidding? “You have to ask?” A slow lazy grin warmed his face. “That wasn’t crazy. That was hot.” She rolled her eyes. He would say that, wouldn’t he? “My skirt.” “Is long.” He dismissed it with a wave of his hand. “Too long to flash anything when you fall off.” “When huh?” He nodded. “When.” “I’m more worried it might end up above my head.” He laughed but stopped abruptly when she glared at him. “I promise I won’t look when you get tossed.” Joss glanced around her at the full restaurant. “And what about the other hundred people in here?” “Oh come on.” He affected an air of fake severity. “Good decent southern folk would surely avert their eyes from a lady in a state of undress.” She snorted. Half the men in here would trample over their wives for a glimpse of panties.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
There's mainstream pornography--soft-core airbrushed fluff such as Penthouse and Playboy. The folks makin' this stuff do men and their range of desires a disservice; their implication is that anything outside the "big hair, fake tits, tiny waste, no pores, limited body hair" aesthetic is deviant, weird, not normal--and not something that a red-blooded American man would be interested in. The common boys-will-be-boys explanation for porn--that men get turned on visually (in contrast to "feminine" mode of arousal, which is mental and emotional)--is nothing more than an insult, making men out to be Pavlovian dogs who salivate uncontrollably and strain at their trousers upon contact with nudie pictures. Antiporn arguments, however well-meaning, are no better. Folks like Catherine MacKinnon also believe that men are inherently drawn to porn. And to them, porn is by definition violent, suggesting that it's somehow in men's nature to be aroused by hurting others. Furthermore, antipornography activists think that porn leads men to commit violence--as if men have no self-control or capacity to separate fantasy from reality, as if an erection is a driving force that can't be stopped once it's started... The only difference is one of perspective: Antiporn folk believe that male sexuality is always threatening, while men's-magazine editors think it's always fabulous.
Lisa Jervis (BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine)
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
Elin Hilderbrand (The Blue Bistro)
I had this book when I was a little kid," Eddie said at last. He spoke in the flat tones of utter surety. "Then we moved from Queens to Brooklyn--I wasn't even four years old--and I lost it. But I remember the picture on the cover. And I felt the same way you do, Jake. I didn't like it. I didn't trust it." Susannah raised her eyes to look at Eddie. "I had it, too--how could I ever forget the little girl with my name...although of course it was my middle name back in those days. And I felt the same way about the train. I didn't like it and I didn't trust it." She tapped the front of the book with her finger before passing it on to Roland. "I thought that smile was a great big fake." Roland gave it only a cursory glance before returning his eyes to Susannah. "Did you lose yours, too?" "Yes." "And I'll bet I know when," Eddie said. Susannah nodded. "I'll bet you do. It was after that man dropped the brick on my head. I had it when we went north to my Aunt Blue's wedding. I had it on the train. I remember, because I kept asking my dad if Charlie the Choo-Choo was pulling us. I didn't WANT it to be Charlie, because we were supposed to go to Elizabeth, New Jersey, and I thought Charlie might take us anywhere. Didn't he end up pulling folks around a toy village or something like that, Jake?" "An amusement park." "Yes, of course it was. There's a picture of him hauling kids around that place at the end, isn't there? They're all smiling and laughing, except I always thought they looked like they were screaming to be let off." "Yes!" Jake cried. "Yes, that's right! That's JUST right!" "I thought Charlie might take us to HIS place--wherever he lived--instead of to my aunt's wedding, and never let us go home again." "You can't go home again," Eddie muttered, and ran his hands nervously through his hair. "All the time we were on that train I wouldn't let go of the book. I even remember thinking, 'If he tries to steal us, I'll rip out his pages until he quits.' But of course we arrived right where we were supposed to, and on time, too. Daddy even took me up front, so I could see the engine. It was a diesel, not a steam engine, and I remember that made me happy. Then, after the wedding, that man Mort dropped the brick on me and I was in a coma for a long time. I never saw Charlie the Choo-Choo after that. Not until now." She hesitated, then added: "This could be my copy, for all I know--or Eddie's." "Yeah, and probably is," Eddie said.
Stephen King (The Waste Lands (The Dark Tower, #3))
those who judge harshly are uptight and insecure. Uptight and insecure people lack confidence. And by putting yourself out there, those same uptight and insecure folks who judge you so negatively will secretly envy you and admire your courage. The uptight and insecure among us are the ones who most desire to be leaders and make strong choices in life. So by acting that way in social situations you are doing what they only wish they could do themselves. Make
John Freund (Fake it with Confidence: How to use Improv Comedy to be More Confident in Social Situations)
A common tactic of a good pro is to not acknowledge that they’re the pro. This means that they don’t actually have to take the heat for whatever the conflict is. The real pros, in this example, the sales folks who cut our brilliant impossible deal, aren’t in the room, they’re out in the field, cutting more unachievable deals. The product manager is attempting to fake out the engineers in the room by saying, “Hey, this is a tough problem that they have put us in. What are we going to do?” Brilliant bait-and-switch, no? Don’t sweat it. They make less than you.
Michael Lopp (Managing Humans: Biting and Humorous Tales of a Software Engineering Manager)
The tools change, but our behaviour doesn't. People are people. While griping that young folks don't read enough and are therefore ignorant, older generations can be clueless in turn about smartphones and the internet.
NisiOisiN (NISEMONOGATARI, Part 2: Fake Tale)
Three lawyers walk into a bar and lose their licenses. Because they’re supposed to take the bar, not run into it! Ba-dum ching! I’ll be here all night, folks.
Emma St. Clair (Falling for Your Fake Fiancé (Love Clichés, #3))
Beyond the Judging Eyes” Down a dusty road where the judgments fly, Where the gossips whisper and the rumors pry, If you're lean as a rail, they'll say you're chasing a high, If you're round as a barrel, they'll tell you to diet, oh my. But I'm sick of the box, sick of the fake, We're all just folks, make no mistake. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. Dress up like a star, they'll say you're too proud, Wear your workin' boots, they claim you've fallen out, Speak your heart, they'll call you a loudmouth, Keep it to yourself, you're aloof, no doubt. But I'm done with the noise, done with the scorn, We're all diamonds, rough or adorned. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. Whether you're the toast of the town hall dance, Or love the quiet of a wide-open expanse, We're each a verse in life's grand old song, In the chorus together, where we all belong. Let's sing it loud, under the wide-open sky, We're all kin in this rodeo of life, Mending fences, not just tearing 'em down, In this country song, we all wear the crown. We're side by side, through the highs and the lows, Lifting each other, that's how it goes, Forget the critics, their talk's just strife, We're the best we can be, in this country life.
James Hilton-Cowboy
Spammers and Scammers [Verse] Woke up this mornin' with an email surprise, "Congrats, you’ve won!” Oh, ain't that a prize, Click the link, give your info, they say, But I smelled a rat from a mile away. [Verse 2] Scammers in shadows, lurkin' online, Promisin' riches and love so divine, But I'm not foolin', I know their game, One click away from financial shame. [Chorus] Spammers and scammers, they're all over the net, They’ll steal your money and break your heart, you bet, So if you get a message, remember this song, We're callin' out the tricksters, they ain't winning, they’re wrong. [Verse 3] Got a DM from a prince in despair, Send him cash and he’ll show you he cares, But I ain't buyin' his sob story plot, Keep your jewels, buddy, and your royal yacht. [Chorus] Spammers and scammers, they're all over the net, They’ll steal your money and break your heart, you bet, So if you get a message, remember this song, We're callin' out the tricksters, they ain't winning, they’re wrong. [Bridge] Ain't no free lunch or sudden windfalls, If it sounds too good, you know what’s the call, We’re savvy folks in this digital age, Not a fool to fall for another fake page.
James Hilton-Cowboy
That’s what mortal means,” I say with a sigh that I don’t have to fake. “We die. Think of us like shooting stars, brief but bright.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
So. I’m to be your servant?” I asked in wry amusement.” “Of course. It’s the perfect guise. You’ll be virtually invisible to all the nobility of Buckkeep. Only other servants will speak to you, and as I intend that you will be a downtrodden, overworked, poorly dressed lackey of a supercilious, overbearing, and insufferable young lord, you will have little time to socialize at all.” He suddenly halted and looked back. One slender, long-fingered hand clasped his chin as h looked down his nose at me. His fake brows and knit amber eyes narrowed as he snapped. “And do not dare to meet my eyes, sirrrah! I will tolerate no impertinence. Stand up straight, keep your place, and speak no word without my leave. Are you clear on these instructions?” “Perfectly.” I grinned at him. He continued to glare at me. Then suddenly the glare was replaced by a look of exasperation. “FitzChivalry, the game is up if you cannot play this role and play it to the hilt. Not just when we stand in the Great Hall of Buckkeep, but every moment of every day when there is the remotest chance that we might be seen. I have been Lord Golden since I arrived, but I am still a newcomer to the Queen’s court, and folk will stare. Chade and Queen Kettricken have done all they could to help me in this ruse, Chade because he perceived how useful I might be, and the Queen because she feels I truly deserve to be treated as a lord.” “And no one recognized you?” I broke in incredulously. He cocked his head. “What would they recognize, Fitz? My dead white skin and colorless eyes? My jester’s motley and my painted face? My capers and cavorting and daring witticisms?” “I knew you the moment I saw you,” I reminded him. He smiled warmly. “Just as I knew you, and would know you when first I met you a dozen lives hence. But few others do. Chade with his assassin’s eyes picked me out, and arranged a private audience at which I made myself known to the Queen. A few others have given me curious glances from time to time, but no one would dare to accost Lord Golden and ask him if fifteen years ago he had been King Shrewd’s jester at this selfsame court. My age appears wrong to them, as does my coloring, as does my demeanor, as does my wealth.” “How can they be so blind?” He shook his head and smiled at my ignorance. “Fitz, Fitz. They never even saw me in the first place. They saw only a jester and a freak. I deliberately took no name when first I arrived here. To most of the lords and ladies of Buckkeep, I was just the fool. They heard my jokes and saw my capers, but they never really saw me.” He gave a small sigh. Then he gave me a considering look. “You made it a name. The Fool. And you saw me. You met my eyes when others looked aside, disconcerted.” I saw the tip of his tongue for a second. “Did you never guess how you frightened me? That all my ruses were useless against the eyes of a small boy?
Robin Hobb (Fool's Errand (Tawny Man, #1))
Mass culture or the New culture is Fake culture. It is devoid of meaning. It provides one with an illusory sense of liberty, making us believe that one is throwing off old shackles but it is in no way liberation. Mass culture tells people to just give up, go along, smile and 'be happy'. Perhaps on some level for some, this can be happiness, for those who do not have an inclination to strive for something more. But there are many people whose hearts cannot be bought by cheap thrills, or religion, or New Age, the crypto-media, mass education, the Left-Right paradigm, or limited hangout conspiracy theories. This is a corrupt system of lies which is oiled by the blood, sweat, and tears of their deceived and their deceased. The system is a web, and as time moves on, it becomes perfected, until it eventually becomes a net that catches us within its grasp so that we won't get out. One must have a strong inner fire, a strong inner space, not a weak inner space, to save yourself. Play the long game. Do the right thing. True success is survival. Culture is steel. It explores the greater depths of the Mystery, in the Universe, and in the Soul – Matter and Spirit. It is a shared inner space of a Folk creating the outer world through its radiance. A strong inner space that brings value and perspective. It is opposed to the weak inner space of today which is of trivia and degeneracy. We must be in a state of resurgence to find our real culture. We must find it in the universe and in ourselves.
VD.
Did you know... ...that it is entirely possible to disagree with BOTH self-proclaimed nationalists and anti-nationals, BOTH right-wing and left-wing hardcores, BOTH ultra-religious people and atheists, BOTH vegans and meat-eaters, BOTH CrossFitters and non-CrossFitters, BOTH ‘cardio’ and ‘non-cardio’ folks, AND BOTH ‘low-carbers’ and ‘high-carbers’?! It’s called THINKING FOR YOURSELF; it’s a highly pleasurable job since it involves telling people off; I highly recommend it!
Deepak S. Hiwale
Passing like this, was funny, heroic even. Who didn’t want to get over on white folks for a change? But the passe blanc where a mystery. You could never meet one who’d passed over undetected; the same way you’d never know someone who successfully faked her own death. The act could only be successful if no one ever discovered it was a ruse.
Brit Bennett
If you feel like you’re pretending all the time, maybe it’s more about who you’ve surrounded yourself with rather than the race itself. The game is the game, the race is the race, but who you’re with—your team, your family, the people you love, the people you trust—that’s how you stop faking all the time. Surround yourself with people who want to be with you, the real you.
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
If my mother wanted a relationship with me—a real one, not a shallow one, not a fake one—she had to want it. I would keep the door open for her, but it was up to her whether or not she ever walked through.
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
a furnished studio with two beds, one real, one fake—a sort of ironing board that folded out from the wall. Carter, being longer and heavier, got the real bed, and I got the ironing board. I didn’t care. After a day of surfing and selling encyclopedias, followed by a late night at the local bars, I could have slept in a luau fire pit. The rent was one hundred bucks a month, which we split down the middle. Life was sweet. Life was heaven. Except for one small thing. I couldn’t sell encyclopedias. I couldn’t sell encyclopedias to save my life. The older I got, it seemed, the shier I got, and the sight of my extreme discomfort often made strangers uncomfortable. Thus, selling anything would have been challenging, but selling encyclopedias, which were about as popular in Hawaii as mosquitoes and mainlanders, was an ordeal. No matter how deftly or forcefully I managed to deliver the key phrases drilled into us during our brief training session (“Boys, tell the folks you ain’t selling encyclopedias—you’re selling a Vast Compendium of Human Knowledge . . . the Answers to Life’s Questions!”), I always got the same response.
Phil Knight (Shoe Dog)
Stewart Brand: It had great continuity and those people stayed in touch online for decades and all that. But it ossified… Fabrice Florin: And a lot of the intellectuals that were sharing ideas on The Well went on to branch out into different areas. But you can really trace back a lot of the origins of this new movement to The Well. A lot of the folks were there. Howard Rheingold: I remember I got a friend request on Facebook early from Steve Case and I said, “I know who you are. But why do you want to friend me?” And he said, “Oh, I lurked on The Well from the beginning.” So I think, yes, it did influence things. Larry Brilliant: Steve Jobs was on it—Steve had a fake name and he lurked. Howard Rheingold: Steve Jobs, Steve Case, Craig Newmark: They would all say that they were informed by their experiences on The Well. Fabrice Florin: The Well was the birthplace of the online community. Larry Brilliant: All that goes back to Steve giving me the computer, letting me use it in Nepal, the experience I had with his software to access the satellite, and then coming back and Steve seeing what Seva-Talk could be. We showed it to hundreds of people and nobody saw anything in it. Steve got it immediately. Fabrice Florin: And Stewart basically gave the technology a set of values and ethics that all the developers could share. They already had their own hacker ethic, but he helped to amplify it and bring people together. And then it became big business, and it was hard for intellectuals to be the primary driving force anymore. It became the businesspeople who started driving it. Which is understandable given the scale and scope of what happened. It just became too large for intellectuals to hold.
Adam Fisher (Valley of Genius: The Uncensored History of Silicon Valley (As Told by the Hackers, Founders, and Freaks Who Made It Boom))
I really believed that computers were deterministic, that you could understand what they were supposed to do, and that there was no excuse for computers not working, for things not functioning properly. In retrospect, I was surprisingly good at keeping the system running, putting in new code and having it not break the system. That was the first instance of something I got an undeserved reputation for. I know that my boss, and probably some other of my colleagues, have said I was a great debugger. And that's partly true. But there's a fake in there. Really what I was was a very careful programmer with the arrogance to believe that very few computer programs are inherently difficult. I would take some piece of code that didn't look like it was working and I would try to read it. And if I could understand, then I could usually see what was wrong or poke around with it and fix it. But sometimes I would get a piece of code—often one that other people couldn't make work—and I would say, “This is way too complicated.” So I would think through what it was supposed to do, throw it away, and write it again from scratch. Some of the folks I worked with—like Will Crowther—who are terrific programmers, couldn't tolerate that. They would believe that by doing that, I would probably have fixed the 2 bugs that were there and introduced 27 new bugs. But the fact is, I was good at that. So I would rewrite stuff completely and it would be organized differently than the original programmer had organized it because I had thought about the problem differently. Typically, it was simpler than it used to be, or at least simpler to my eyes. And it would work. So I got this reputation—I fixed these mysterious bugs that nobody else could fix. Fortunately, they never asked me what the bug was. Because the truth of the matter is if they'd have asked, “How did you fix the bug?” my answer would have been, “I couldn't understand the code well enough to figure out what it was doing, so I rewrote it.
Peter Seibel (Coders at Work: Reflections on the Craft of Programming)
I really believed that computers were deterministic, that you could understand what they were supposed to do, and that there was no excuse for computers not working, for things not functioning properly. In retrospect, I was surprisingly good at keeping the system running, putting in new code and having it not break the system. That was the first instance of something I got an undeserved reputation for. I know that my boss, and probably some other of my colleagues, have said I was a great debugger. And that's partly true. But there's a fake in there. Really what I was was a very careful programmer with the arrogance to believe that very few computer programs are inherently difficult. I would take some piece of code that didn't look like it was working and I would try to read it. And if I could understand, then I could usually see what was wrong or poke around with it and fix it. But sometimes I would get a piece of code—often one that other people couldn't make work—and I would say, “This is way too complicated.” So I would think through what it was supposed to do, throw it away, and write it again from scratch. Some of the folks I worked with—like Will Crowther—who are terrific programmers, couldn't tolerate that. They would believe that by doing that, I would probably have fixed the 2 bugs that were there and introduced 27 new bugs. But the fact is, I was good at that. So I would rewrite stuff completely and it would be organized differently than the original programmer had organized it because I had thought about the problem differently. Typically, it was simpler than it used to be, or at least simpler to my eyes. And it would work. So I got this reputation—I fixed these mysterious bugs that nobody else could fix. Fortunately, they never asked me what the bug was. Because the truth of the matter is if they'd have asked, “How did you fix the bug?” my answer would have been, “I couldn't understand the code well enough to figure out what it was doing, so I rewrote it.” I did that a lot on the PDP-1 time-sharing system. There were chunks of the code that I would read and would say, “This doesn't do what I think this part of the program is supposed to be doing,” or “It's weird.” So I'd rewrite it. The only thing that kept me working there, with that attitude, was that I had a good track record. That's one of the things, that if you're not good at it, you make chaos. But if you are good at it, the world thinks that you can do things that you can't, really.
Peter Seibel (Coders at Work: Reflections on the Craft of Programming)
You can't fake laughter & that's how come so many folk die of it.
Aziza Barnes (i be, but i ain't)