Fairy Dust Quotes

We've searched our database for all the quotes and captions related to Fairy Dust. Here they are! All 100 of them:

I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.
C.S. Lewis (The Lion, the Witch and the Wardrobe)
Kiss my fairy dust, Bitches!
Ethan Day
True love is born of experience, not fairy dust.
Janette Oke
Fairy dust is very useful. I use it to turn oatmeal into cake.
David Shannon (Alice the Fairy)
There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.
Stephen King (On Writing: A Memoir of the Craft)
She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?
Cornelia Funke (Inkheart (Inkworld, #1))
Just roll me in fairy dust and call me a unicorn.
Lita Burke (Ephraim's Curious Device (Clockpunk Wizard, #2))
Poison? Drugs?" "No chemical works that instantly. You saw the guy - it looked like he was still reading his program." "Then what, magical fairy dust? Vulcan death grip?" "Focus, Lex. Wake up that lonely brain cell.
Gina Damico (Croak (Croak, #1))
She's like his spirit animal, a gentle, odd, spritely being who I'm pretty sure has a storage space full of fairy dust.
Jandy Nelson (I'll Give You the Sun)
And anyway, the truth isn't all that great. I mean, what's the truth? Planes falling out of the sky. Buses blowing up and ripping little kids into millions of pieces. Twelve-year-olds raping people and then shooting them in the head so they can't tell. I can't watch the news anymore or look at the papers. It's like whoever sits up there in Heaven has this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and makes everything crazy, like fairy dust that's past its expiration date.
Michael Thomas Ford (Suicide Notes)
It's like whoever sits up ther in Heaven had this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and it makes everything go crazy, like fairy dust that's past its expiration date.
Michael Thomas Ford (Suicide Notes)
More often than not, we want him to have fairy wings and spread fairy dust and shine like a precious little star, dispensing nothing but good times on everyone, like some kind of hybrid of Tinker Bell and Aladdin’s Genie. But the God of the Bible, this God of Abraham and Isaac and Jacob, is a pillar of fire and a column of smoke.
Matt Chandler
I felt like a rich vagabond who had passed through the world paving my way with gold fairy dust, then realizing too late that the path disintegrated as soon as I passed over it.
Amy Tan
It is fairy dust and wanderlust that guide our hands to create what our hearts desire.
Gayle Wray
I carry fairy dust, pack dry herb and drive a broom. If you don't get that you won't get me, so long, it's my journey.
D.C. Allen
I shook my head, folding my arms around my waist. He was wrong; he was the one offering fairy dust, Peter Pan offering to carry me off to the Neverland of soulfinders and happily ever after. But he was too late. Last night i had to grew up and I now knew that such dreams did not exist; real life was more like living with Captain Hook's mercenary pirates than playing happy families in a treehouse
Joss Stirling (Stealing Phoenix (Benedicts, #2))
Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
The anything-goes passiveness of the religious and political Left is matched by the preachy moralism of the religious and political Right. The person who uncritically embraces any party line is guilty of an idolatrous surrender of her core identity as Abba's Child. Neither liberal fairy dust nor conservative hardball addresses our ragged human dignity.
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
I so seldom had to dispose of a human body myself, I was at a loss. Fairies turned into dust, and vampires flaked away. Demons had to be burned. Humans were very troublesome.
Charlaine Harris (Deadlocked (Sookie Stackhouse, #12))
She says she glories in being abandoned
J.M. Barrie
We’ll count it, even if it’s so incredibly gay that it should come with its own packet of fairy dust that you could sprinkle in the air when you say it.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
The goal of my life is to tie adventure to my feet, stock memories in my pocket, hold imagination in my palms like fairy dust and sprinkle it on my tales.
Mitali Meelan (Coffee and Ordinary Life)
Did Italian food have some kind of fairy dust that made it way better than its American counterparts?
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
Believe it. The world isn't all fairy tales and pixie dust. You need to grow up and face reality.
Melody Anne (The Tycoon's Secret (Baby for the Billionaire, #4))
Mama took me in her arms and held me tight. Her embrace was hot and she smelled like sweat, dust, and grease, but I wanted her. I wanted to crawl inside her mind to find that place that let her smile and sing through the worst dust storms. If I had to be crazy, I wanted my mama's kind of crazy, because she was never afraid.
Sarah Zettel (Dust Girl (The American Fairy, #1))
Never stop dreaming of moonbeams and fairy dust, shiny stars and the wonder of the heavens, a happier life and a better world.
James Gormley
She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky.
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
I can't come,' she said apologetically, 'I have forgotten how to fly.' 'I'll soon teach you again.' 'O Peter, don't waste the fairy dust on me.
J.M. Barrie (Peter Pan)
All four of them looked at Diane as if she had said Kendel had just returned from her trip and had brought them a unicorn skeleton.
Beverly Connor (Dust to Dust (Diane Fallon Forensic Investigation #7))
I wasn't used to looking ahead. Not like Jack. Maybe that was why he had that ready grin. I could see through the dust, but he could see through time, and he didn't even need magic to do it.
Sarah Zettel (Dust Girl (The American Fairy, #1))
They were beautiful beyond words, beautiful beyond understanding. So beautiful, I wanted to tear out my heart and hand it over, because after seeing them, I surely wouldn't have any more use for it.
Sarah Zettel (Dust Girl (The American Fairy, #1))
Because this caring for someone is not what I thought it would be. It's not losing who I am. It's finding my soul interwoven with another - and chasing the stars together. And that might just be the greatest adventure of them all.
Kara Swanson (Dust (Heirs of Neverland, #1))
You can't deny we work well together. I could be your sidekick, if you want. Like Superman and Lois Lane. Or Peter Pan and Tinker Bell." "Tinker Bell isn't menacing." "Which proves how much you need me," I insisted. "Fairies are terrifying." He sat up straighter and dusted off his pants. "Fairies don't exist. Neither do Graymasons." "That's what humans say about vampires and werewolves," I argued. "So we're agreed.
Cecily White (Prophecy Girl (Angel Academy, #1))
Dust motes flurried through the air like demented tiny fairies.
Kelly Covic (Insomnia (A Short Stories Collection))
What's it like where they live?" "It's everything you want it to be.
Sarah Zettel (Dust Girl (The American Fairy, #1))
I came to get you. I knew you'd freak out." "But..." My head still feels like a helium balloon. "Why?" Nick looks blank. "Because you always freak out." I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?" There's a long silence. "Well," Wilbur finally bursts, "I can take a shot in the dark, if you want." "Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact." Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.
Holly Smale (Geek Girl (Geek Girl, #1))
There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer station. He lives in the ground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you.
Stephen King (On Writing: A Memoir of the Craft)
His reality was turned into dust the day it collided with her universe. For the first time, he wanted to get lost forever in a place that felt like a fairy tale where only she and he existed. And he never wanted to find his way back to reality anymore.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
I would wash the dust of the world in a soft green flood. Here between sea and sea in a fairy wood, I have found a delicate wave-green solitude.
Arthur Symons
The fairy waved her scarlet wand, and a shower of sparkling red fairy dust floated softly down to the ground. Where the dust landed, all kinds of red flowers appeared with a pop!
Daisy Meadows (Rainbow Magic: #1-7 [Collection])
At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory — if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can’t understand or explain.
Alice Hoffman (The Ice Queen)
We have not immortal souls, we shall never live again; but, like the green sea-weed, when once it has been cut off, we can never flourish more. Human beings, on the contrary, have a soul which lives forever, lives after the body has been turned to dust. It rises up through the clear, pure air beyond the glittering stars. As we rise out of the water, and behold all the land of the earth, so do they rise to unknown and glorious regions which we shall never see.
Hans Christian Andersen (Fairy Tales of Hans Christian Andersen)
I held my breath, and refused to blink; he placed his hand on the bed to brace himself as he leaned towards me. Slowly, carefully, his lips--soft, warm, and perfect--found their way to mine. I want to say that it was magical, that I saw rainbows and fairy dust or something fantastic like that, but I couldn't. It was more. Much more. It was as though the world has fallen down around us, and everything was frozen in ice. But I wasn't cold. I was blazing hot, the fire starting where our lips joined, where angel met mortal, and I could feel the flames flickering out towards the limbs that I was fighting with desperately to keep still, not wanting them to latch onto him, not wanting to seem out of control because at that moment, I would have given anything to be just that.
S.L. Naeole
She looked up and caught Jared’s eye. He had watched the whole exchange, and he looked amused by Mina’s actions. He pointed down at the apple that had come to rest against his shoe, the apple she had smacked out of Savannah’s hand. He laughed as he reached down and picked up the apple. Mina frowned. Dusting it off against his shirt, Jared took a bite out of it and chewed slowly, taunting her.
Chanda Hahn (Fairest (An Unfortunate Fairy Tale, #2))
Don't look so forlorn. You're making the right decision. Cole once ate a pound of rusty nails and claimed it tasted like unicorn tears mixed with fairy dust. True story. I was there." Reeve nodded encouragingly. "I wasn't there, but I can believe it. I once saw him body slam a teacher for daring to ask him the meaning of X minus Y." "He put the guy in the hospital for three months," Poppy said, tapping a fingernail against her chin. "Or was that a student he body slammed for daring to give an answer different than his?" "Probably both. He's body slammed enough people to start a new country. And there could be a neighboring city for the people he's punched in the throat.
Gena Showalter
My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C.S. Lewis.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Sometimes it's not good for people to find out who you really are.
Sarah Zettel (Dust Girl (The American Fairy, #1))
I'd been right about Jack Holland. He had the kind of face that could make you believe.
Sarah Zettel (Dust Girl (The American Fairy, #1))
Now that you know the wishing ways, you'll feel the wishes around you. They'll make you itchy, 'cause you know you can do something about them, but that ain't always the best idea.
Sarah Zettel (Dust Girl (The American Fairy, #1))
We're not in Fairyland! We're in Kansas!
Sarah Zettel (Dust Girl (The American Fairy, #1))
I thought maybe I could just get away from everything. But you can't get away from a thing that's your own fault.
Sarah Zettel (Dust Girl (The American Fairy, #1))
Don't you understand? You mean more to me that anything in this entire world.
J.M. Barrie (Peter Pan)
Bullets sound like hornets when they pass too close to your head. After a while, the world closes down. You can't hear much, you can't see much, just the way ahead, the next slat, the next open gate. All you know is running; the only place that's real is away.
Sarah Zettel (Dust Girl (The American Fairy, #1))
I wish I knew who I am," I whispered to the stars in Baya's eyes. Slowly, Baya shook his head. "Oh, Dust Girl, that's the hardest wish of all. Not even Baya can give you that one. That one you earn.
Sarah Zettel (Dust Girl (The American Fairy, #1))
I'd never have gotten this far without you," I said. Jack tipped his cap to me. My heart squirmed around to find a new position under my ribs. I closed the door fast before I could say something really stupid.
Sarah Zettel (Dust Girl (The American Fairy, #1))
The Citizen's attic was, objectively, breathtaking. The place was littered with trunks and old clothes and wardrobes and pieces of furniture and strange metal toys no one had played with in sixty years and half-painted canvases and on and on. There were several round windows to let in the sunlight, and I loved how it raked its way across the floor as I watched, dust dancing like sugerplum fairies in the bold yellow glow. If attics could make wishes, this one would have nothing to wish for.
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
The makers, the beautiful, the ones cast out because their light was too brilliant for the world beyond. The ones who wish true and deep with their whole hearts for more than they have. They come here, and we love them.
Sarah Zettel (Dust Girl (The American Fairy, #1))
A gun is a terrible thing. It's a dark hole pointed at you, and that hole swallows up everything else in the world, your friends, your nerve, until there's nothing but you and what's waiting in that little round space of dark.
Sarah Zettel (Dust Girl (The American Fairy, #1))
I am Fenris,” said the man. He started to say something more, to add another name or a rank, perhaps, but cut himself short. “Fenris,” he repeated instead. “Marra.” “Fenris,” said the dust-wife. She snorted, looking over at Marra. “So you built yourself a dog and found yourself a wolf. If a fox shows up looking for you, we’ll have a proper fairy tale and I’ll start to worry.
T. Kingfisher (Nettle & Bone)
My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather,
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
This is why not giving a fuck is so key. This is why it’s going to save the world. And it’s going to save it by accepting that the world is totally fucked and that’s all right, because it’s always been that way, and always will be. By not giving a fuck that you feel bad, you short-circuit the Feedback Loop from Hell; you say to yourself, “I feel like shit, but who gives a fuck?” And then, as if sprinkled by magic fuck-giving fairy dust, you stop hating yourself for feeling so bad.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Life is about not knowing and then doing something anyway. All of life is like this. It never changes. Even when you’re happy. Even when you’re farting fairy dust. Even when you win the lottery and buy a small fleet of Jet Skis, you still won’t know what the hell you’re doing. Don’t ever forget that. And don’t ever be afraid of that.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Life is about not knowing and then doing something anyway. All of life is like this. It never changes. Even when you’re happy. Even when you’re farting fairy dust. Even when you win the lottery and buy a small fleet of Jet Skis, you still won’t know what the hell you’re doing. Don’t ever forget that. And don’t ever be afraid of that. The
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
What had his life meant? All his success, all the tournaments he’d won … they were like dust and ashes. Meaningless. Without Gisela, his life was meaningless.
Melanie Dickerson (The Captive Maiden (Fairy Tale Romance Series Book 4))
I reached for Jack's hand. It was cold. But then, so was mine.
Sarah Zettel (Dust Girl (The American Fairy, #1))
There was a lot under those words. I'd go digging for it later.
Sarah Zettel (Dust Girl (The American Fairy, #1))
Intent is fairy gold. It makes you feel like you’ve paid in the moment, but it turns to dust and leaves when the sun comes up and everyone sees what you’ve done. You did harm.
Seanan McGuire (Be the Serpent (October Daye, #16))
I’m the happiness fairy. I just sprinkled happy dust on you. Now smile. This shits expensive.
Elle Christensen (Protecting Shaylee (The Fae Guard, #1))
Life isn’t about gold dust farting unicorns, sugar coated mountains, and fairies. It’s about fun. Romance and romance novels are for pussies and dreamers.
Scott Hildreth (The Alpha-Bet (Christy Cross, #1))
Oooo, what is that?” Red yelled when she saw the palace. “That’s Buckingham Palace,” Alex said. “It’s where the monarchy resides.” Red was mesmerized. “What a stylish and tasteful place! Look at that beautiful statue out front of it in the middle of the street! That looks exactly like the statue I wanted to build in celebration of Charlie’s and my wedding!” Red left the others and flew down to the gate. She peered through the bars at the palace in delight. She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky. One of the palace guards on duty saw Red and stared at her in disbelief. It wasn’t every day he saw a floating woman at the gate. “Yoo-hoo!” Red called to him. “I just love your hat! Please tell the current monarch that Queen Red of the Center Kingdom says hello —” Conner flew to the gate and pulled Red’s hands off the bars. “Red, come on. You’re gonna get left behind!
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
Were our pupil's disposition so bizarre that he would rather hear a tall story than the account of a great voyage or a wise discussion; that at the sound of a drum calling the youthful ardour of his comrades to arms he would turn aside for the drum of a troop of jugglers; that he would actually find it no more delightful and pleasant to return victorious covered in the dust of battle than after winning a prize for tennis or dancing; then I know no remedy except that his tutor should quickly strangle him when nobody is looking or apprentice him to make fairy-cakes in some goodly town - even if he were the heir of a Duke - following Plato's precept that functions should be allocated not according to the endowments of men's fathers but the endowments of their souls.
Michel de Montaigne (The Essays: A Selection)
Built on the insubstantial foundation of our feelings, the life we had created together seemed a figment of our imaginations that dissolved into fairy dust in the face of something real, and deadly, like cancer.
Kim van Alkemade (Orphan Number Eight)
The fairy was flying in loops and swirls around her, shedding fairy dust as she went. Throwing it at Wendy. Delighted, the human girl raised her arms up to fully experience what was happening. Delicate golden sparkles floated down and kissed her skin. Where they touched, Wendy felt lighter. Tiny pains she hadn't even realized she felt entirely disappeared, and any weariness vanished. She felt rested, energetic, and- airy.
Liz Braswell (Straight On Till Morning)
According to the most outspoken and vituperative Skeptics, therapists specializing in recovered memory therapy operate in a neverland of fairy dust and mythic monsters. Woefully out of touch with modern research, engaging in “crude psychiatric analysis,” guilty of oversimplification, overextension, and “incestuous opinion citing,” these misguided, undertrained, and overzealous clinicians are implanting false memories in the minds of suggestible clients, making “therapeutic lifers” out of their patients and ripping families apart. This
Elizabeth F. Loftus (The Myth of Repressed Memory: False Memories and Allegations of Sexual Abuse)
Uncritical acceptance of any party line is an idolatrous abdication of one’s core identity as Abba’s child. Neither liberal fairy dust nor conservative hardball addresses human dignity, which is often dressed in rags. Abba’s children find a third option. They are guided by God’s Word and by it alone. All religious and political systems , Right and Left alike, are the work of human beings. Abba’s children will not sell their birthright for any mess of pottage, conservative and liberal. They hold fast to their freedom in Christ to live the gospel—uncontaminated by cultural dreck, political flotsam, and the filigreed hypocrisy of bullying religion
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
Reluctant to return to the empty rooms of Bluebell Cottage, Olivia ate fish and chips on the harbor wall, dangling her legs over the side just like she used to as a little girl, even though it made her mam anxious. The breeze nipped at the back of her neck and whipped up a fine sea spray that settled on her hands, leaving sparkling salt crystals as it dried. Fairy dust, she used to call it. She breathed in the fresh air and absorbed the view: tangerine sky and dove-gray sea, ripples on the surface of both, like dragon scales. She savored the sharp tang of vinegar on her tongue, letting her thoughts wander as the sun slowly melted into the sea, turning it to liquid gold.
Hazel Gaynor (The Cottingley Secret)
What’s the secret commonwealth?” “The world of fairies, and ghosts, and the jacky lanterns.
Philip Pullman (The Secret Commonwealth (The Book of Dust, #2))
Number one rule of Wall Street. Nobody - and I don't care if you're Warren Buffet or if you're Jimmy Buffet - nobody knows if a stock is going to go up, down, sideways or in circles. You know what a fugazi is?... Fugayzi, fugazi. It's a whazy. It's a woozie. It's fairy dust. It doesn't exist. It's never landed. It is no matter. It's not on the elemental chart. It's not fucking real.
Matthew McConaughey: Mark Hanna
once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love
D. Bodhi Smith
You ever see anything like that before?” I asked Rex as we walked. “Those old fairy dudes? Nuh-uh. And now that I think about it, I’ve never seen a Pig-Pen do that much damage.” I meant the creature. What creature? What do you mean, what creature? The one that came out of the wind. The one that went through me. The reason I was out cold on the dance floor.” I thought you just couldn’t handle the Donna Summer remix.
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
And that was how sin came into the world," he said, "sin and shame and death. It came the moment their daemons became fixed." "But..." Lyra struggled to find the words she wanted: "but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale." "The Cassington Scholarship is traditionally given to a freethinker; it's his function to challenge the faith of the Scholars. Naturally he'd say that. But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it. "Anyway, it's what the Church has taught for thousands of years. And when Rusakov discovered Dust, at last there was a physical proof that something happened when innocence changed into experience. "Incidentally, the Bible gave us the name Dust as well. At first they were called Rusakov Particles, but soon someone pointed out a curious verse toward the end of the Third Chapter of Genesis, where God's cursing Adam for eating the fruit." He opened the Bible again and pointed it out to Lyra. She read: "In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return...." Lord Asriel said, "Church scholars have always puzzled over the translation of that verse. Some say it should read not 'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it really means that God's admitting his own nature to be partly sinful. No one agrees. No one can, because the text is corrupt. But it was too good a word to waste, and that's why the particles became known as Dust.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
I found a room, both quiet and slow, a room where the walls are thick. Where pixie dust is kept in jars, and paper rockets soar to Mars, and battles leave no lasting scars as clocks forget to tick. I guard this room, both small and bare, this room in which stories live. Where Peter Pan and Alice play, and Sinbad sails at dawn of day, and wolves cry 'boy' to get their way when ogres won’t forgive. With you I’ll share my hiding place, this room under cloak and spell. We’ll snuggle up inside a nook, and read a venturous story book, that makes us question in a look what nonsense fairies tell. In fictive plots and fabled ends, Our happy-e’er-afters dwell!
Richelle E. Goodrich (A Heart Made of Tissue Paper)
Deep down, Story Easton knew what would happen if she attempted to off herself—she would fail It was a matter of probability. This was not a new thing, failure. She was, had always been, a failure of fairy-tale proportion. Quitting wasn’t Story’s problem. She had tried, really tried, lots of things during different stages of her life—Girl Scours, the viola, gardening, Tommy Andres from senior year American Lit—but zero cookie sales, four broken strings, two withered azalea bushes, and one uniquely humiliating breakup later, Story still had not tasted success, and with a shriveled-up writing career as her latest disappointment, she realized no magic slippers or fairy dust was going to rescue her from her Anti-Midas Touch. No Happily Ever After was coming. So she had learned to find a certain comfort in failure. In addition to her own screw-ups, others’ mistakes became cozy blankets to cuddle, and she snuggled up to famous failures like most people embrace triumph. The Battle of Little Bighorn—a thing of beauty. The Bay of Pigs—delicious debacle. The Y2K Bug—gorgeously disappointing fuck-up. Geraldo’s anti-climactic Al Capone exhumation—oops! Jaws III—heaven on film. Tattooed eyeliner—eyelids everywhere, revolting. Really revolting. Fat-free potato chips—good Lord, makes anyone feel successful.
Elizabeth Leiknes (The Understory)
You are right, Laura; human hands didn’t make that place,” Pa said. “But your fairies were big, ugly brutes, with horns on their heads and humps on their backs. That place is an old buffalo wallow. You know buffaloes are wild cattle. They paw up the ground and wallow in the dust, just as cattle do. “For ages the buffalo herds had these wallowing places. They pawed up the ground and the wind blew the dust away. Then another herd came along and pawed up more dust in the same place. They went always to the same places, and—” “Why did they, Pa?” Laura asked. “I don’t know,” Pa said. “Maybe because the ground was mellowed there. Now the buffalo are gone, and grass grows over their wallows. Grass and violets.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Have you ever heard the term ‘the secret commonwealth’ ?” “No. What does it refer to?” “To the world of half-seen things and half heard whispers. To things that are regarded by clever people as superstition. To fairies, spirits, hauntings, things of the night.
Philip Pullman (The Secret Commonwealth (The Book of Dust, #2))
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
She vanished like a discontented fairy; or like one of those supernatural beings, whom it was popularly supposed I was entitled to see; and never came back any more. No. I lay in my basket, and my mother lay in her bed; but Betsey Trotwood Copperfield was for ever in the land of dreams and shadows, the tremendous region whence I had so lately travelled; and the light upon the window of our room shone out upon the earthly bourne of all such travellers, and the mound above the ashes and the dust that once was he, without whom I had never been.
Charles Dickens (David Copperfield)
Parent time is like fairy time but real. It is magic without pixie dust and spells. It defies physics without bending the laws of time and space. It is that truism everyone offers but no one believes until after they have children: that time will actual speed, fleet enough to leave you jet-lagged and whiplashed and racing all at once. Your tiny, perfect baby nestles in your arms his first afternoon home, and then ten months later, he's off to his senior year of high school. You give birth to twins so small and alike, they lie mirrored, each with a head in the palm of one hand while their toes reach only to the crooks of your elbow, but it's only a year before they start looking at colleges. It is so impossible yet so universally experienced that magic is the only explanation. Except then there are also the excruciating rainy Sundays when the kids are whiny, bored, and beastly, and it takes a hundred hours to get from breakfast to bedtime, the long weekends when you wonder whose demonic idea it was to trap you in your home with you bevy of abominable children for a decade without school.
Laurie Frankel (This Is How It Always Is)
As I sit there flipping through a Sports Illustrated, listening to the easy-listening station Dr. Patel pumps into his waiting room, suddenly I'm hearing sexy synthesizer chords, faint highhat taps, the kick drum thumping out an erotic heartbeat, the twinkling of fairy dust, and then the evil bright soprano saxophone. You know the title: "Songbird." And I'm out of my seat, screaming, kicking chairs, flipping the coffee table, picking up piles of magazines and throwing them against the wall, yelling, "It's not fair! I won't tolerate any tricks! I'm not an emotional lab rat!
Matthew Quick
When a minor dusting of snow covers the streets, there are entire cities that shut down, as they aren’t prepared for the danger it brings. That will not be me. The winter of my life cannot and will not triumph over me, for I decided a long time ago that defeat is not a choice worth considering.
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
There is a muse, but he's not going to come fluttering down into your writing room, and scatter creative fairy-dust all over your typewriter or computer station. He's a basement guy. You have to descend to his level... it's right that you should do all the work and burn the midnight oil, because the guy with the cigar and the little wings has got a bag of magic.
Stephen King (On Writing: A Memoir of the Craft)
The Lost Girls Nomad girls are Lost Ones too, With leaves at foot and crown; They too seek shelter in the tress, Drink Red and Gold and Brown. Their circlets made of steam and rain, Their lashes powdered ash, They're firelight, they're fox's kill, They're blood and sweat and scratch. Lost Boys fly forever, and crow the rising sun. They play all day in Neverland, their laughter mermaid-spun. But Lost Girls live underground: They steal from hole to hole. They drink the shadows, wear the night, And paint their cheeks with coal. And when the wind turns colder, They split a doe and climb inside. Still-warm sinew wraps their hands, Dead muscle soaks the light. You'll never tell what's girl, what's beast, Once bloody fur's been trussed- So think your happy thoughts, Lost Boy, Wish on your Fairy Dust.
Lauren Bird Horowitz (Shattered Blue (The Light, #1))
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
We live in an age of universal inquiry, ergo of universal scepticism. The prophecies of the poet, the dreams of the philosopher and scientist, are being daily realized — things formerly considered mere fairy-tales have become facts — yet, in spite of the marvels of learning and science that are hourly accomplished among us, the attitude of mankind is one of disbelief. “There is no God!” cries one theorist; “or if there be one, I can obtain no proof of His existence!” “There is no Creator!” exclaims another. “The Universe is simply a rushing together of atoms.” “There can be no immortality,” asserts a third. “We are but dust, and to dust we shall return.” “What is called by idealists the SOUL,” argues another, “is simply the vital principle composed of heat and air, which escapes from the body at death, and mingles again with its native element. A candle when lit emits flame; blow out the light, the flame vanishes — where? Would it not be madness to assert the flame immortal? Yet the soul, or vital principle of human existence, is no more than the flame of a candle.
Marie Corelli (Delphi Collected Works of Marie Corelli (Illustrated) (Delphi Series Eight Book 22))
Parent time is like fairy time but real. It is magic without pixie dust and spells. It defies physics without bending the laws of time and space. It is that truism everyone offers but no one believes until after they have children: that time will actually speed, fleet enough to leave you jet-lagged and whiplashed and racing all at once. Your tiny, perfect baby nestles in your arms his first afternoon home, and then ten months later, he’s off to his senior year of high school. You give birth to twins so small and alike, they lie mirrored, each with a head in the palm of one hand while their toes reach only to the crooks of your elbows, but it’s only a year before they start looking at colleges. It is so impossible yet so universally experienced that magic is the only explanation. Except
Laurie Frankel (This Is How It Always Is)
I’m scared all the time and don’t tell me that courage is going forward when you’re scared because it’s not like that. I was scared of the carriages and the people at the inns. The only thing I did right was find the dust-wife.” “Ah, Lady Fox.” He shook his head. “I think finding her makes up for anything else you did wrong.” “Maybe, but you…you did what you could to make it right.” She didn’t know how to say what was in her head, that Fenris was a good man and maybe the weakness of being good was that evil didn’t occur to you. That never in a thousand years would she have dreamed that Vorling was intentionally hurting her sister. It had never even crossed her mind. “And then you did your best to make sure no one else suffered.” He snorted. “By jumping into a fairy fort. Not the best idea I’ve ever had.” Marra clasped her hands together. They seemed much colder now that Fenris had released them. “Well, if you hadn’t, we never would have met.” “No, we wouldn’t have.” His eyes held hers for just a moment too long, and in the end, Marra’s dropped first.
T. Kingfisher (Nettle & Bone)
I am Fenris,” said the man. He started to say something more, to add another name or rank, but cut himself short. “Fenris,” he repeated. “Marra.” “Fenris,” said the dust-wife. She snorted, looking over at Marra. “So you built yourself a dog and found yourself a wolf. If a fox shows up looking for you, we’ll have a proper fairy tale and I’ll start to worry.” “Why?” asked Marra. “If I’m in a fairy tale, I might actually have a chance.” “Fairy tales,” said the dust-wife heavily, “are very hard on bystanders. Particularly old women. I’d rather not dance myself to death in iron shoes, if it’s all the same to you.” “Perhaps you’re the fox,” said Marra. “Ha!” the dust-wife’s laugh really did have a bit of a fox’s bark to it. “I deserved that.” “Do you have a name, Lady Fox?” asked Fenris. Marra could not tell if he was amused or irked by the conversation. “Yes,” said the dust-wife. The silence stretched out. Marra picked at a thread of the nettle cloak, waiting. If there was a battle of wills, the dust-wife won. Fenris’s laugh was not terribly unlike the dust-wife’s, the short, self-deprecating sound of a man who could still recognize absurdity. “What do you wish me to call you, ma’am?” “Ma’am will work very well indeed. I am a dust-wife.
T. Kingfisher (Nettle & Bone)
In less than a week, Harvard was going to call on his darling Neil and explain how sorry he was for all his imaginary offenses, and Neil would say that he’d only been put off by Harvard’s awful best friend. Then Harvard would realize everything had been Aiden’s fault all along, and also Neil would tell Harvard that he missed him, and they would get back together. Aiden would have to pretend he was happy for them. This was one of a very few, very precious days, like fairy gold turning to dust and leaves as they slipped through his fingers. And Aiden was wasting it by being sick and disgusting. “Sorry for being gross,” Aiden murmured into his pillow. “Hey, no,” said Harvard. “You’re still really cute.” Aiden scoffed into the pillow, which turned into more coughing. Harvard patted him on the back. Harvard was so good at this boyfriend thing it was ridiculous. He was screwing up the boyfriend curve for all other boyfriends. That was why Aiden didn’t want any of the others. He felt horrible and unpleasantly hot, and he could only bear this when Harvard was with him. Most of life was generally unfair and unpleasant, but it was all right if Harvard was there. “Stay with me until I go to sleep,” Aiden murmured, willfully forgetting that lunch was over and Harvard should go to class. For Aiden, Harvard would usually break the rules. “If you want me to,” Harvard murmured back. Aiden was ill and miserable and unguarded enough to whisper, “I never want anything but you.” “Okay.” Harvard laughed quietly, kindly. “I think the cough syrup has made you a little loopy.” Aiden wanted to be angry with Harvard for never understanding, but thank God Harvard didn’t. Besides, Aiden never could entirely manage to be angry with him. The emotion wouldn’t coalesce in Aiden’s chest, always collapsing in on itself and changing into different feelings. As Aiden slid into sleep, like tumbling beneath a blanket of darkness, he felt an awareness even with his eyes closed that someone was stooping over him, like an intuition of a shadow, and then the soft press of Harvard’s lips against Aiden’s forehead. More a blessing than a kiss.
Sarah Rees Brennan (Striking Distance (Fence, #1))