Fairy Dust Quotes

I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.

Kiss my fairy dust, Bitches!

True love is born of experience, not fairy dust.

Fairy dust is very useful. I use it to turn oatmeal into cake.

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.

She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?

Poison? Drugs?" "No chemical works that instantly. You saw the guy - it looked like he was still reading his program." "Then what, magical fairy dust? Vulcan death grip?" "Focus, Lex. Wake up that lonely brain cell.

Just roll me in fairy dust and call me a unicorn.

And anyway, the truth isn't all that great. I mean, what's the truth? Planes falling out of the sky. Buses blowing up and ripping little kids into millions of pieces. Twelve-year-olds raping people and then shooting them in the head so they can't tell. I can't watch the news anymore or look at the papers. It's like whoever sits up there in Heaven has this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and makes everything crazy, like fairy dust that's past its expiration date.

She's like his spirit animal, a gentle, odd, spritely being who I'm pretty sure has a storage space full of fairy dust.

It's like whoever sits up ther in Heaven had this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and it makes everything go crazy, like fairy dust that's past its expiration date.

More often than not, we want him to have fairy wings and spread fairy dust and shine like a precious little star, dispensing nothing but good times on everyone, like some kind of hybrid of Tinker Bell and Aladdin’s Genie. But the God of the Bible, this God of Abraham and Isaac and Jacob, is a pillar of fire and a column of smoke.

I carry fairy dust, pack dry herb and drive a broom. If you don't get that you won't get me, so long, it's my journey.

It is fairy dust and wanderlust that guide our hands to create what our hearts desire.

I felt like a rich vagabond who had passed through the world paving my way with gold fairy dust, then realizing too late that the path disintegrated as soon as I passed over it.

I shook my head, folding my arms around my waist. He was wrong; he was the one offering fairy dust, Peter Pan offering to carry me off to the Neverland of soulfinders and happily ever after. But he was too late. Last night i had to grew up and I now knew that such dreams did not exist; real life was more like living with Captain Hook's mercenary pirates than playing happy families in a treehouse

Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.

The anything-goes passiveness of the religious and political Left is matched by the preachy moralism of the religious and political Right. The person who uncritically embraces any party line is guilty of an idolatrous surrender of her core identity as Abba's Child. Neither liberal fairy dust nor conservative hardball addresses our ragged human dignity.

I so seldom had to dispose of a human body myself, I was at a loss. Fairies turned into dust, and vampires flaked away. Demons had to be burned. Humans were very troublesome.

She says she glories in being abandoned

Did Italian food have some kind of fairy dust that made it way better than its American counterparts?

The goal of my life is to tie adventure to my feet, stock memories in my pocket, hold imagination in my palms like fairy dust and sprinkle it on my tales.

Believe it. The world isn't all fairy tales and pixie dust. You need to grow up and face reality.

Mama took me in her arms and held me tight. Her embrace was hot and she smelled like sweat, dust, and grease, but I wanted her. I wanted to crawl inside her mind to find that place that let her smile and sing through the worst dust storms. If I had to be crazy, I wanted my mama's kind of crazy, because she was never afraid.

Because this caring for someone is not what I thought it would be. It's not losing who I am. It's finding my soul interwoven with another - and chasing the stars together. And that might just be the greatest adventure of them all.

We’ll count it, even if it’s so incredibly gay that it should come with its own packet of fairy dust that you could sprinkle in the air when you say it.

She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky.

Never stop dreaming of moonbeams and fairy dust, shiny stars and the wonder of the heavens, a happier life and a better world.

I can't come,' she said apologetically, 'I have forgotten how to fly.' 'I'll soon teach you again.' 'O Peter, don't waste the fairy dust on me.

All four of them looked at Diane as if she had said Kendel had just returned from her trip and had brought them a unicorn skeleton.

I wasn't used to looking ahead. Not like Jack. Maybe that was why he had that ready grin. I could see through the dust, but he could see through time, and he didn't even need magic to do it.

They were beautiful beyond words, beautiful beyond understanding. So beautiful, I wanted to tear out my heart and hand it over, because after seeing them, I surely wouldn't have any more use for it.

You can't deny we work well together. I could be your sidekick, if you want. Like Superman and Lois Lane. Or Peter Pan and Tinker Bell." "Tinker Bell isn't menacing." "Which proves how much you need me," I insisted. "Fairies are terrifying." He sat up straighter and dusted off his pants. "Fairies don't exist. Neither do Graymasons." "That's what humans say about vampires and werewolves," I argued. "So we're agreed.

Dust motes flurried through the air like demented tiny fairies.

What's it like where they live?" "It's everything you want it to be.

I came to get you. I knew you'd freak out." "But..." My head still feels like a helium balloon. "Why?" Nick looks blank. "Because you always freak out." I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?" There's a long silence. "Well," Wilbur finally bursts, "I can take a shot in the dark, if you want." "Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact." Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.

I am Fenris,” said the man. He started to say something more, to add another name or a rank, perhaps, but cut himself short. “Fenris,” he repeated instead. “Marra.” “Fenris,” said the dust-wife. She snorted, looking over at Marra. “So you built yourself a dog and found yourself a wolf. If a fox shows up looking for you, we’ll have a proper fairy tale and I’ll start to worry.

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer station. He lives in the ground. He’s a basement guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C.S. Lewis.

I would wash the dust of the world in a soft green flood. Here between sea and sea in a fairy wood, I have found a delicate wave-green solitude.

The fairy waved her scarlet wand, and a shower of sparkling red fairy dust floated softly down to the ground. Where the dust landed, all kinds of red flowers appeared with a pop!

At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory — if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can’t understand or explain.

We have not immortal souls, we shall never live again; but, like the green sea-weed, when once it has been cut off, we can never flourish more. Human beings, on the contrary, have a soul which lives forever, lives after the body has been turned to dust. It rises up through the clear, pure air beyond the glittering stars. As we rise out of the water, and behold all the land of the earth, so do they rise to unknown and glorious regions which we shall never see.

His reality was turned into dust the day it collided with her universe. For the first time, he wanted to get lost forever in a place that felt like a fairy tale where only she and he existed. And he never wanted to find his way back to reality anymore.

I held my breath, and refused to blink; he placed his hand on the bed to brace himself as he leaned towards me. Slowly, carefully, his lips--soft, warm, and perfect--found their way to mine. I want to say that it was magical, that I saw rainbows and fairy dust or something fantastic like that, but I couldn't. It was more. Much more. It was as though the world has fallen down around us, and everything was frozen in ice. But I wasn't cold. I was blazing hot, the fire starting where our lips joined, where angel met mortal, and I could feel the flames flickering out towards the limbs that I was fighting with desperately to keep still, not wanting them to latch onto him, not wanting to seem out of control because at that moment, I would have given anything to be just that.

Life is about not knowing and then doing something anyway. All of life is like this. It never changes. Even when you’re happy. Even when you’re farting fairy dust. Even when you win the lottery and buy a small fleet of Jet Skis, you still won’t know what the hell you’re doing. Don’t ever forget that. And don’t ever be afraid of that.

She looked up and caught Jared’s eye. He had watched the whole exchange, and he looked amused by Mina’s actions. He pointed down at the apple that had come to rest against his shoe, the apple she had smacked out of Savannah’s hand. He laughed as he reached down and picked up the apple. Mina frowned. Dusting it off against his shirt, Jared took a bite out of it and chewed slowly, taunting her.

Don't look so forlorn. You're making the right decision. Cole once ate a pound of rusty nails and claimed it tasted like unicorn tears mixed with fairy dust. True story. I was there." Reeve nodded encouragingly. "I wasn't there, but I can believe it. I once saw him body slam a teacher for daring to ask him the meaning of X minus Y." "He put the guy in the hospital for three months," Poppy said, tapping a fingernail against her chin. "Or was that a student he body slammed for daring to give an answer different than his?" "Probably both. He's body slammed enough people to start a new country. And there could be a neighboring city for the people he's punched in the throat.

Life is about not knowing and then doing something anyway. All of life is like this. It never changes. Even when you’re happy. Even when you’re farting fairy dust. Even when you win the lottery and buy a small fleet of Jet Skis, you still won’t know what the hell you’re doing. Don’t ever forget that. And don’t ever be afraid of that. The

Sometimes it's not good for people to find out who you really are.

Now that you know the wishing ways, you'll feel the wishes around you. They'll make you itchy, 'cause you know you can do something about them, but that ain't always the best idea.

We're not in Fairyland! We're in Kansas!

I'd been right about Jack Holland. He had the kind of face that could make you believe.

I thought maybe I could just get away from everything. But you can't get away from a thing that's your own fault.

Don't you understand? You mean more to me that anything in this entire world.

Bullets sound like hornets when they pass too close to your head. After a while, the world closes down. You can't hear much, you can't see much, just the way ahead, the next slat, the next open gate. All you know is running; the only place that's real is away.

I wish I knew who I am," I whispered to the stars in Baya's eyes. Slowly, Baya shook his head. "Oh, Dust Girl, that's the hardest wish of all. Not even Baya can give you that one. That one you earn.

My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather,

I'd never have gotten this far without you," I said. Jack tipped his cap to me. My heart squirmed around to find a new position under my ribs. I closed the door fast before I could say something really stupid.

The Citizen's attic was, objectively, breathtaking. The place was littered with trunks and old clothes and wardrobes and pieces of furniture and strange metal toys no one had played with in sixty years and half-painted canvases and on and on. There were several round windows to let in the sunlight, and I loved how it raked its way across the floor as I watched, dust dancing like sugerplum fairies in the bold yellow glow. If attics could make wishes, this one would have nothing to wish for.

The makers, the beautiful, the ones cast out because their light was too brilliant for the world beyond. The ones who wish true and deep with their whole hearts for more than they have. They come here, and we love them.

A gun is a terrible thing. It's a dark hole pointed at you, and that hole swallows up everything else in the world, your friends, your nerve, until there's nothing but you and what's waiting in that little round space of dark.

This is why not giving a fuck is so key. This is why it’s going to save the world. And it’s going to save it by accepting that the world is totally fucked and that’s all right, because it’s always been that way, and always will be. By not giving a fuck that you feel bad, you short-circuit the Feedback Loop from Hell; you say to yourself, “I feel like shit, but who gives a fuck?” And then, as if sprinkled by magic fuck-giving fairy dust, you stop hating yourself for feeling so bad.

Life isn’t about gold dust farting unicorns, sugar coated mountains, and fairies. It’s about fun. Romance and romance novels are for pussies and dreamers.

I reached for Jack's hand. It was cold. But then, so was mine.

There was a lot under those words. I'd go digging for it later.

I’m the happiness fairy. I just sprinkled happy dust on you. Now smile. This shits expensive.

Intent is fairy gold. It makes you feel like you’ve paid in the moment, but it turns to dust and leaves when the sun comes up and everyone sees what you’ve done. You did harm.

Zeb, it’s like the fairies sprinkled magic dust over you when you were a baby and then promptly dropped you on your head.

In the winter, the snow had become glittery fairy dust that had given all the creatures of the meadow warm clothes and a fire to help them endure the winter.

Oooo, what is that?” Red yelled when she saw the palace. “That’s Buckingham Palace,” Alex said. “It’s where the monarchy resides.” Red was mesmerized. “What a stylish and tasteful place! Look at that beautiful statue out front of it in the middle of the street! That looks exactly like the statue I wanted to build in celebration of Charlie’s and my wedding!” Red left the others and flew down to the gate. She peered through the bars at the palace in delight. She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky. One of the palace guards on duty saw Red and stared at her in disbelief. It wasn’t every day he saw a floating woman at the gate. “Yoo-hoo!” Red called to him. “I just love your hat! Please tell the current monarch that Queen Red of the Center Kingdom says hello —” Conner flew to the gate and pulled Red’s hands off the bars. “Red, come on. You’re gonna get left behind!

Number one rule of Wall Street. Nobody - and I don't care if you're Warren Buffet or if you're Jimmy Buffet - nobody knows if a stock is going to go up, down, sideways or in circles. You know what a fugazi is?... Fugayzi, fugazi. It's a whazy. It's a woozie. It's fairy dust. It doesn't exist. It's never landed. It is no matter. It's not on the elemental chart. It's not fucking real.

Were our pupil's disposition so bizarre that he would rather hear a tall story than the account of a great voyage or a wise discussion; that at the sound of a drum calling the youthful ardour of his comrades to arms he would turn aside for the drum of a troop of jugglers; that he would actually find it no more delightful and pleasant to return victorious covered in the dust of battle than after winning a prize for tennis or dancing; then I know no remedy except that his tutor should quickly strangle him when nobody is looking or apprentice him to make fairy-cakes in some goodly town - even if he were the heir of a Duke - following Plato's precept that functions should be allocated not according to the endowments of men's fathers but the endowments of their souls.

The fairy was flying in loops and swirls around her, shedding fairy dust as she went. Throwing it at Wendy. Delighted, the human girl raised her arms up to fully experience what was happening. Delicate golden sparkles floated down and kissed her skin. Where they touched, Wendy felt lighter. Tiny pains she hadn't even realized she felt entirely disappeared, and any weariness vanished. She felt rested, energetic, and- airy.

According to the most outspoken and vituperative Skeptics, therapists specializing in recovered memory therapy operate in a neverland of fairy dust and mythic monsters. Woefully out of touch with modern research, engaging in “crude psychiatric analysis,” guilty of oversimplification, overextension, and “incestuous opinion citing,” these misguided, undertrained, and overzealous clinicians are implanting false memories in the minds of suggestible clients, making “therapeutic lifers” out of their patients and ripping families apart. This

once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love

Uncritical acceptance of any party line is an idolatrous abdication of one’s core identity as Abba’s child. Neither liberal fairy dust nor conservative hardball addresses human dignity, which is often dressed in rags. Abba’s children find a third option. They are guided by God’s Word and by it alone. All religious and political systems , Right and Left alike, are the work of human beings. Abba’s children will not sell their birthright for any mess of pottage, conservative and liberal. They hold fast to their freedom in Christ to live the gospel—uncontaminated by cultural dreck, political flotsam, and the filigreed hypocrisy of bullying religion

Reluctant to return to the empty rooms of Bluebell Cottage, Olivia ate fish and chips on the harbor wall, dangling her legs over the side just like she used to as a little girl, even though it made her mam anxious. The breeze nipped at the back of her neck and whipped up a fine sea spray that settled on her hands, leaving sparkling salt crystals as it dried. Fairy dust, she used to call it. She breathed in the fresh air and absorbed the view: tangerine sky and dove-gray sea, ripples on the surface of both, like dragon scales. She savored the sharp tang of vinegar on her tongue, letting her thoughts wander as the sun slowly melted into the sea, turning it to liquid gold.

You are right, Laura; human hands didn’t make that place,” Pa said. “But your fairies were big, ugly brutes, with horns on their heads and humps on their backs. That place is an old buffalo wallow. You know buffaloes are wild cattle. They paw up the ground and wallow in the dust, just as cattle do. “For ages the buffalo herds had these wallowing places. They pawed up the ground and the wind blew the dust away. Then another herd came along and pawed up more dust in the same place. They went always to the same places, and—” “Why did they, Pa?” Laura asked. “I don’t know,” Pa said. “Maybe because the ground was mellowed there. Now the buffalo are gone, and grass grows over their wallows. Grass and violets.

What’s the secret commonwealth?” “The world of fairies, and ghosts, and the jacky lanterns.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

And that was how sin came into the world," he said, "sin and shame and death. It came the moment their daemons became fixed." "But..." Lyra struggled to find the words she wanted: "but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale." "The Cassington Scholarship is traditionally given to a freethinker; it's his function to challenge the faith of the Scholars. Naturally he'd say that. But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it. "Anyway, it's what the Church has taught for thousands of years. And when Rusakov discovered Dust, at last there was a physical proof that something happened when innocence changed into experience. "Incidentally, the Bible gave us the name Dust as well. At first they were called Rusakov Particles, but soon someone pointed out a curious verse toward the end of the Third Chapter of Genesis, where God's cursing Adam for eating the fruit." He opened the Bible again and pointed it out to Lyra. She read: "In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return...." Lord Asriel said, "Church scholars have always puzzled over the translation of that verse. Some say it should read not 'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it really means that God's admitting his own nature to be partly sinful. No one agrees. No one can, because the text is corrupt. But it was too good a word to waste, and that's why the particles became known as Dust.

I found a room, both quiet and slow, a room where the walls are thick. Where pixie dust is kept in jars, and paper rockets soar to Mars, and battles leave no lasting scars as clocks forget to tick. I guard this room, both small and bare, this room in which stories live. Where Peter Pan and Alice play, and Sinbad sails at dawn of day, and wolves cry 'boy' to get their way when ogres won’t forgive. With you I’ll share my hiding place, this room under cloak and spell. We’ll snuggle up inside a nook, and read a venturous story book, that makes us question in a look what nonsense fairies tell. In fictive plots and fabled ends, Our happy-e’er-afters dwell!

Deep down, Story Easton knew what would happen if she attempted to off herself—she would fail It was a matter of probability. This was not a new thing, failure. She was, had always been, a failure of fairy-tale proportion. Quitting wasn’t Story’s problem. She had tried, really tried, lots of things during different stages of her life—Girl Scours, the viola, gardening, Tommy Andres from senior year American Lit—but zero cookie sales, four broken strings, two withered azalea bushes, and one uniquely humiliating breakup later, Story still had not tasted success, and with a shriveled-up writing career as her latest disappointment, she realized no magic slippers or fairy dust was going to rescue her from her Anti-Midas Touch. No Happily Ever After was coming. So she had learned to find a certain comfort in failure. In addition to her own screw-ups, others’ mistakes became cozy blankets to cuddle, and she snuggled up to famous failures like most people embrace triumph. The Battle of Little Bighorn—a thing of beauty. The Bay of Pigs—delicious debacle. The Y2K Bug—gorgeously disappointing fuck-up. Geraldo’s anti-climactic Al Capone exhumation—oops! Jaws III—heaven on film. Tattooed eyeliner—eyelids everywhere, revolting. Really revolting. Fat-free potato chips—good Lord, makes anyone feel successful.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

Have you ever heard the term ‘the secret commonwealth’ ?” “No. What does it refer to?” “To the world of half-seen things and half heard whispers. To things that are regarded by clever people as superstition. To fairies, spirits, hauntings, things of the night.

She vanished like a discontented fairy; or like one of those supernatural beings, whom it was popularly supposed I was entitled to see; and never came back any more. No. I lay in my basket, and my mother lay in her bed; but Betsey Trotwood Copperfield was for ever in the land of dreams and shadows, the tremendous region whence I had so lately travelled; and the light upon the window of our room shone out upon the earthly bourne of all such travellers, and the mound above the ashes and the dust that once was he, without whom I had never been.

Parent time is like fairy time but real. It is magic without pixie dust and spells. It defies physics without bending the laws of time and space. It is that truism everyone offers but no one believes until after they have children: that time will actual speed, fleet enough to leave you jet-lagged and whiplashed and racing all at once. Your tiny, perfect baby nestles in your arms his first afternoon home, and then ten months later, he's off to his senior year of high school. You give birth to twins so small and alike, they lie mirrored, each with a head in the palm of one hand while their toes reach only to the crooks of your elbow, but it's only a year before they start looking at colleges. It is so impossible yet so universally experienced that magic is the only explanation. Except then there are also the excruciating rainy Sundays when the kids are whiny, bored, and beastly, and it takes a hundred hours to get from breakfast to bedtime, the long weekends when you wonder whose demonic idea it was to trap you in your home with you bevy of abominable children for a decade without school.

There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

We live in an age of universal inquiry, ergo of universal scepticism. The prophecies of the poet, the dreams of the philosopher and scientist, are being daily realized — things formerly considered mere fairy-tales have become facts — yet, in spite of the marvels of learning and science that are hourly accomplished among us, the attitude of mankind is one of disbelief. “There is no God!” cries one theorist; “or if there be one, I can obtain no proof of His existence!” “There is no Creator!” exclaims another. “The Universe is simply a rushing together of atoms.” “There can be no immortality,” asserts a third. “We are but dust, and to dust we shall return.” “What is called by idealists the SOUL,” argues another, “is simply the vital principle composed of heat and air, which escapes from the body at death, and mingles again with its native element. A candle when lit emits flame; blow out the light, the flame vanishes — where? Would it not be madness to assert the flame immortal? Yet the soul, or vital principle of human existence, is no more than the flame of a candle.

Yet once we are done nodding earnestly at Whitehead and Latour, what do we do? We return to our libraries and our word processors. We refine our diction and insert more endnotes. We apply "rigor," the scholarly version of Tinker Bell's fairy dust, in adequate quantities to stave off interest while cheating death. For too long, being "radical" in philosophy has meant writing and talking incessantly, theorizing ideas so big that they can never be concretized but only marked with threatening definite articles ("the political," "the other," "the neighbor," "the animal"). For too long, philosophers have spun waste like a goldfish's sphincter, rather than spinning yarn like a charka. Whether or not the real radical philosophers march or protest or run for office in addition to writing inscrutable tomes - this is a question we can, perhaps, leave aside. Real radicals, we might conclude, make things.

I don’t believe we have a choice when it comes to whether we endow the world with meaning. We are all little fairies, sprinkling meaning dust everywhere we go. This mountain will mean God, and that precipitation will mean trouble. The vacuum of space will mean emptiness, and the groundhog will mean nature’s scorn for human absurdity. We will build meaning wherever we go, with whatever we come across. But to me, while making meaning isn’t a choice, the kind of meaning can

I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be

TO LUCY BARFIELD My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand, a word you say, but I shall still be your affectionate Godfather, C. S. Lewis

I’m going to be discussing some of the common attitudes held by people writing about free will. These come in four basic flavors: The world is deterministic and there’s no free will. In this view, if the former is the case, the latter has to be as well; determinism and free will are not compatible. I am coming from this perspective of “hard incompatibilism.” The world is deterministic and there is free will. These folks are emphatic that the world is made of stuff like atoms, and life, in the elegant words of psychologist Roy Baumeister (currently at the University of Queensland in Australia), “is based on the immutability and relentlessness of the laws of nature.” No magic or fairy dust involved, no substance dualism, the view where brain and mind are separate entities. Instead, this deterministic world is viewed as compatible with free will. This is roughly 90 percent of philosophers and legal scholars, and the book will most often be taking on these “compatibilists.” The world is not deterministic; there’s no free will. This is an oddball view that everything important in the world runs on randomness, a supposed basis of free will. We’ll get to this in chapters 9 and 10. The world is not deterministic; there is free will. These are folks who believe, like I do, that a deterministic world is not compatible with free will—however, no problem, the world isn’t deterministic in their view, opening a door for free-will belief. These “libertarian incompatibilists” are a rarity, and I’ll only occasionally touch on their views.

She took out her chest of gold, and flung a handful of it or so into the fire, and the gold boiled up and poured out over the whole of the hut, until every part of it both inside and out was gilded. But when the gold began to bubble up the old hag grew so terrified that she fled as if the Evil One himself were pursuing her, and she did not remember to stoop down as she went through the doorway, and so she split her head and died. This whole sequence is just deeply bizarre. Mind you, I’d try to avoid wildly spewing molten gold myself, so I can’t argue with the crone. But seriously, if the house was filthy and she gilded it, wouldn’t that still be pretty nasty? Have you ever seen when people paint over a surface without cleaning it first, and you get weird dust lumps and gunk? I’m seeing an episode of Hoarders with every surface gilded. Rotten fruit? Gild it! Back issues of Hag Quarterly? Gild ’em! Dress you wore to the troll-prom twenty-seven years ago? Gild it! Cockroaches? Gild them and use them as festive napkin rings!

In America a child can no longer visit the place where she was born a shopping mall stands there instead. In America a grownup can no longer see the school where she learned the art of growing sad a freeway goes through there now an overpass her memories of brick turn to glass the suburb goes from white to black and time speeds up so much she has to stay young forever and reset the clock every five minutes just to know where is there and there is everywhere because she lives in time and not in any space! In our country here the future is in ruins before it is built a fact recognized by postmodern architecture that grins at us shyly or demonically as it quoted ruins from other times and places! There are no buildings in America only passageways that connect migratory floods the most permanent architecture being precisely that which moves these floods from one future ruin to another that is to say freeways and skyways and the car is our only shelter the architecture of desire reduced to the womb a womb in transit from one nowhere to another!” Saddened by his own vision and sensing smugness in the audience, Wakefield is revolted by his desire to please the foreigners. He coughs. He is portraying his own country now for the sake of… what? Applause? There isn't any. He veers down another path. “The miracle of America is of motion not regret in New Mexico the has face of Jesus jumped on a tortilla in Plaquermine a Virgin appeared in a tree In Santuari de Chimayo the dirt turned healer a guy in Texas crasahed into a wall when God said Let me take the wheel! And others hear voice all the time telling them to sit under a tree or jump from a cliff or take large baskets of eggs into Blockbuster to throw at the videos the voices of God are everywhere heard loud and clear under the hum of the tickertape and all these miracle and speaking gods are the mysteries left homeless by the Architecture of speed and moving forward onward and ahead!” Wakefield throws his hands into the air as if to sprinkle fairy dust on the room; he is evoking the richness of a place always ready for miracles.

Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.

These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977