Pillow Thoughts Book Quotes

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Professor Dumbledore. Can I ask you something?" "Obviously, you've just done so," Dumbledore smiled. "You may ask me one more thing, however." "What do you see when you look in the mirror?" "I? I see myself holding a pair of thick, woolen socks." Harry stared. "One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books." It was only when he was back in bed that it struck Harry that Dumbledore might not have been quite truthful. But then, he thought, as he shoved Scabbers off his pillow, it had been quite a personal question.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Sometimes I close my eyes and paint these walls a different color. I imagine I’m wearing warm socks and sitting by a fire. I imagine someone’s given me a book to read, a story to take me away form the torture of my own mind. I want to be someone else somewhere else with something else to fill my mind. I want to run, to feel the wind tug at my hair. I want to pretend that this is just a story within a story. That this cell is just a scene, that these hands don’t belong to me, that this window leads to somewhere beautiful if only I could break it. I pretend this pillow is clean, I pretend this bed is soft. I pretend and pretend and pretend until the world becomes so breathtaking behind my eyelids that I can no longer contain it. But then my eyes fly open and I’m caught around the throat by a pair of hands that won’t stop suffocating suffocating suffocating. My thoughts, I think, will soon be sound. My mind, I hope, will soon be found.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers. Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering wit hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso. Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own?
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
It's the last day of the year and I still lose myself in good books and warm tea, those quiet nights and writing your name on my windshield.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
Our house was littered with books- in the kitchen, under the beds, stuck between the couch pillows--far too many for her the ever finish. I suppose I thought if my grandmother kept up her interests, she wouldn't die; she'd have to stay around to finish the books she was so fond of. "I've got to get to the bottom of this one," she'd say, as if a book were no different from a pond or a lake. I thought she'd go on reading forever but it didn't work out that way.
Alice Hoffman (The Ice Queen)
You could have mentioned that this kid never sleeps,” Tim calls from the living room. We go in to find him slumped in the easy chair next to the pulled-out sofa bed. Andy’s sprawled out on the bed, long tan legs in a V, George gathered in her arms. Duff, still in his clothes, lies across the bottom, Harry curled in a ball on the pillow under Andy’s outstretched leg. Safety, as much as could be found, must have lain in numbers.Patsy’s fingering Tim’s nose and pulling on his bottom lip, her eyes wide-blue open. “Sorry, man,” Jase says. “She’s usually good to go at bedtime.” “Do you have any idea how many times I’ve read If You Give a Mouse a Cookie to this kid? That is one fucked-up story. How is that a book for babies?” Jase laughs. “I thought it was about babysitting.” “Hell no, it’s addiction. That friggin’ mouse is never satisfied. You give him one thing, he wants something else, and then he asks for more and on and on and on. Fucked up. Patsy liked it, though. Fifty thousand times.” Tim yawns, and Patsy snuggles more comfortably onto his chest, grabbing a handful of shirt. “So what’s doin’?” We tell him what we know—nothing—then put the baby in her crib. She glowers, angry and bewildered for a moment, then grabs her five pacifiers, closes her eyes with a look of fierce concentration, and falls very deeply asleep.
Huntley Fitzpatrick (My Life Next Door)
i love good cries, loud sobs that soak your pillow that kind that come at the end of a perfect book you're gasping for air as droplets of salt water trickle down your cheeks into the corners of your mouth as your chest rises and falls and your vision is blurred by the tears but your mind is so clear and your every thought in that moment feels so meaningful and important and right it feels okay to just let it all out it makes you feel like you are free
Madisen Kuhn (Eighteen Years)
Books are essential to me. I cannot live without them, because I cannot live without reading. But, Arry has just said to me, you can always borrow them so why buy them? I don't buy books just to collect them. I'm not a collector. I'm not interested in them as objects that might be valuable one day, regardless of what they are about, nor do I want to own every book ever written by one particular author or on one particular subject. I buy them because I want to read them, and I keep them because I've read them. I can't afford to buy all the ones I'd like to, so I have to borrow quite a few, and this has taught me something about myself, which I haven't heard anyone else admit. When I've read a book which I really like, a book which MATTERS, I feel it belongs to me. I mean, the book itself, the copy I've read. It's as if I pour myself onto the pages as I read them, all my thoughts and emotions, so that by the time I've finished that copy holds inside it the essence of my reading. A borrowed book has to be returned, so I lose this essence of myself when I give it back. Besides which, a borrowed book has inside it something of everyone else who's read it. They've fingered it and pawed over it, breathed on it, done heaven knows what else as well as read it. And knowing this spoils my reading. The other readers get in my way. I can feel their presence on the cover and on the pages. They even make it smell differently from my own books. In fact, to my mind they've polluted the book and everything in it. That is also why I never buy second-hand books.
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
64. Surprising and Distressing Things While one is cleaning a decorative comb, something catches in the teeth and the comb breaks. A carriage overturns. One would have imagined that such a solid, bulky object would remain forever on its wheels. It all seems like a dream -- astonishing and senseless. A child or grown-up blurts out something that is bound to make people uncomfortable. All night long one has been waiting for a man who one thought was sure to arrive. At dawn, just when one has forgotten about him for a moment and dozed off, a crow caws loudly. One wakes up with a start and sees that it is daytime -- most astonishing. One of the bowmen in an archery contest stands trembling for a long time before shooting; when finally he does release his arrow, it goes in the wrong direction.
Sei Shōnagon (The Pillow Book)
I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it. Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime. I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.
Osamu Dazai (No Longer Human)
As song writers, poetry has always played a special role in our lives. We discovered Pillow Thoughts, and it has been one of the most enjoyable books we have read in a long time!” —The Chainsmokers
Courtney Peppernell (Pillow Thoughts)
all the matches from you . . . So, what were you doin’ out there anyway?” Jasper frowned. His uncle thought he might’ve tried to kill himself. A gruff voice laughed knowingly in his ear. He jerked away from it, but nothing was there but the pillow. “You okay?” Wayne looked at him sideways like he really was crazy.
D.M. Pulley (The Buried Book)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
Ray Bradbury (Fahrenheit 451)
Unfortunately, most followers do not know that they can also become leaders because to them, leadership is confined to an "assumed" category of people who have authority or social prestige as their background pillows.
Israelmore Ayivor (The Great Hand Book of Quotes)
all the while trying not to think of the golden eyed idiot from the bar, not how his voice sounded, low and velvety or how the moon light gave little reflections on his hair or the shining in his eyes. I’m like a sappy girl from a book, she thought hiding her face under her purple pillows.
Amanda Littrell (Living Among Others)
We did not go about this bride thing right. I do not think women are still used to being stolen as they once were.” “Some adjustment is to be expected.” “It is more than that. She keeps asking for things that I do not have—her Earth clothes and something called a cheeseburger, which I recall from the mini shows as being a giant food that women enjoy eating half naked very slowly.” Kyran thought of Eve’s beautiful legs. He would very much enjoy getting her a cheeseburger
Michelle M. Pillow (Determined Prince (Captured by a Dragon-Shifter, #1))
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
An introversion party is three people sprawled on couches and pillows, reading and occasionally talking. Or a couple cuddling by a fire at camp, savoring the music of crackling wood and crickets. Your introversion party might be a solitary walk where thoughts are exposed to air and become clear. You might find your party in meditation, when time expands and everything seems possible. Your party might come with popcorn as you passionately observe the big screen of the theater or with a steaming cup of Ethiopian blend as you watch people from your table at the coffeehouse, or with a cold beer as you watch the world go by from your porch.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength (Reduce Anxiety and Boost Your Confidence and Self-Esteem with this Self-Help Book for Introverted Women and Men))
He saw my confusion and led me a slow, stately march to the library. There were shelves all the way around the room, and every shelf was crowed with books. I had not thought so many books existed.[...] There was a desk, several big leather chairs, a wooden floor covered with faded rugs, and in front of the fireplace a sofa with soft pillows. The shelves stopped several feet short of the ceiling, leaving room for a row of busts of what I imagined must be famous gentlemen. Lamps cast little pools light in the room, and the sound and smell of the fire reminded me of the fires the Kikuyu would make outside theirs huts when they roasted goats.
Gloria Whelan (Listening for Lions)
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
Elsa walked to her desk and looked down at the small porcelain jar and candlestick. She had been using them as stand-ins for the orb and scepter she would have to hold, like her father did during his coronation. As she had many times before, Elsa closed her eyes and tried to imagine herself inside the chapel where the ceremony would take place. She thought of the choir that would be singing in the balcony, and she could see the pulpit she would be standing at in front of the priest and all her people, as well as nobles and visiting dignitaries. With no family, she'd be up there alone. Elsa tried not to think about that as she imagined the priest placing the jeweled tiara on her head. Then he'd hold out the pillow with the orb and scepter for her to take. She couldn't wear her teal gloves during that portion of the ceremony, so she removed them for practice. She wore gloves all the time these days. Perhaps it was silly, but she thought the gloves helped her conceal her magic. This was her battle cry: Conceal it. Don't feel it. Don't let it show.
Jen Calonita (Conceal, Don't Feel)
She had several books she'd been wanting to read, but instead she sprawled out on the couch surrounded by pillows and blankets, and spent the hours flipping channels between Judge Judy, The People's Court, Maury, and Jerry Springer, and rounded out her afternoon with Dr. Phil and Oprah. All in all, it was a complete waste of a day. At least until school got out. Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn't have card less about either...he was all she wanted. She couldn't help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn't seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him. He stubbornly refused to hide his affection for her, and if Violet hadn't known better she would have sworn that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time. "Did you miss me?" he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer. She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom. He pulled away from her, suddenly serious. "You know, we didn't get much time alone yesterday. And I didn't get a chance to tell you..." Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone. "I feel like I've waited too long to finally have you, and then yesterday...when..." He stopped, seemingly at a loss, and then he tried another approach. His hand stroked her cheek, igniting a response from deep within her. "I can't imagine living without you," he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. "I love you, Violet. More than I ever could have imagined. And I don't want to lose you...I can't lose you." It was her turn to look arrogant as she glanced up at him. "I know," she stated smugly, shrugging her shoulder. He shoved her playfully but held on to her tightly so that she never really went anywhere. "What do you mean, 'I know'? What kind of response is that?" His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. "Say it!" he commanded. She shook her head, pretending not to understand him. "What? What do you want me to say?" But then she giggled and ruined her baffled façade. He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses. "Say it," he whispered, his breath warm against her neck. She groaned, wanting him to put her out of her misery. "I love you too," she rasped as she clung to him. "I love you so much..." His mouth moved to cover hers in an exhausting kiss that left them broth breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walked in on them anytime soon.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Maybe they’d give her everything she wanted. All it would cost was her secrets. Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.” “Confess?” Vicereine echoed, puzzled. “Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something. “You cut out pages from Eshe’s book?” Vicereine sounded pissed. “I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.” “You are making some very dangerous enemies,” Vicereine told her. “What’s this all about?” Malik was tight-jawed. “What are you doing?” “Punish me,” Charlie said. “I’m loads worse than Adeline.” “You want it tied to you?” Bellamy asked. The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
Holly Black (Book of Night (Book of Night, #1))
But was young Boasthard's fear vanquished by Calmer's words ? No, for he had in his bosom a spike named Bitterness which could not by words be done away. And was he then neither calm like the one nor godly like the other ? He was neither as much as he would have liked to be either. But could he not have endeavoured to have found again as in his youth the bottle Holiness that then he lived withal ? Indeed not for Grace was not there to find that bottle. Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon ? Heard ? Why, he could not but hear unless he had plugged up the tube Understanding (which he had not done). For through that tube he saw that he was like the rest too a passing show. And would he not accept to die like the rest and pass away ? By no means would he and make more shows according as men do with wives which Phenomenon has commanded them to do by the book Law. Then wotted he nought of that other land which is called Believe-on-Me, that is the land of promise which behoves to the king Delightful and shall be for ever where there is no death and no birth neither wiving nor mothering at which all shall come as many as believe on it ? Yes, Pious had told him of that land and Chaste had pointed him to the way but the reason was that in the way he fell in with a certain whore of an eyepleasing exterior whose name, she said, is Bird-in-the-Hand and she beguiled him wrongways from the true path by her flatteries that she said to him as, Ho, you pretty man, turn aside hither and I will show you a brave place, and she lay at him so flatteringly that she had him in her grot which is named Tow-in-the-Bush or, by some learned, Carnal Concupiscence. This was it what all that company that sat there at commons in Manse of Mothers the most lusted for after and if they met with this whore Bird-in-the-Hand (which was within all foul plagues, monsters and a wicked devil) they would strain the last but they would make at her and know her. For regarding Believe-on-Me they said it was nought else but notion and they could conceive no thought of it for, first, Two-in-the-Bush whither she ticed them was the very goodliest grot and in it were four pillows on which were four tickets with these words printed on them, Pickaback and Topsyturvy and Shameface and Cheek by Jowl and, second, for that foul plague Allpox and the monsters they cared not for them for Preservative had give them a stout shield of oxengut and, third, that they might take no hurt neither from Offspring that was that wicked by devil by virtue of this same shield which was named Killchild. So were they all in ther blind fancy, Mr Cavil and Mr Sometimes Godly, Mr Ape Swillale, Mr False Franklin, Mr Dainty Dixon, Young Boasthard and Mr Cautious Calmer. Wherein, O wretched company were ye all deceived for that was the voice of the god that was in a very grievous rage that he would presently lift his arm and spill their souls for their abuse and their spillings done by them contrariwise to his word which forth to bring brenningly biddeth.
James Joyce (Ulysses)
Six days you shall labor and do all your work, but the seventh day is a sabbath to the Lord your God. On it you shall not do any work….” —Deuteronomy 5:13 (NIV) Henry spread a soft blanket across the living room floor. I thought he was going to lie down and read a book, but then when I looked up from my newspaper, he was on all fours spreading out another blanket beside the first one. “What are you doing, Hen?” I asked. “I’m making a soft world,” he said. I went back to reading my article and pushed away thoughts that I should go upstairs to my home office and get a jump start on the week ahead by checking e-mail and diving into my projects. I heard Henry go upstairs and then I heard thump, thump, thump as he came down, his arms overflowing with blankets from his bed. His brother Solomon rested in his favorite reading spot with his nose in a book. His father worked on the Sunday crossword, and I went back to the paper. I kept one eye watching Henry cover the living room floor with blankets, pillows, and a bunch of his stuffed animals. When everything was just so, every pillow exactly where he wanted, he rolled around on his favorite blue blanket, grinning from ear to ear. “Like it? This is my soft world.” He hugged his favorite stuffed dinosaur. I’m so glad I stayed downstairs with my family. Had I gone off to do work, I would have missed the soft world. Dear God, thank You for the day of rest— just what I need to relax and feel blessed. —Sabra Ciancanelli Digging Deeper: Gn 2:3; Lk 6:1–11
Guideposts (Daily Guideposts 2014)
Three days had passed since he’d last spoken to Emaline. Irritation clawed a hole through his patience. “Where the hell is she?” he growled. “She’s busy,” the woman retorted. “She’s not that busy.” He ground out the words, harsh and low, and threw them toward Euley. “Tell me where she is right now.” “I was told to bring up da food an’ if’n you eat everythin’, den I’s to get you up to walk dis evenin’.” “I don’t want to eat or walk. I want to see her.” “Yes, Colonel, I know what you’s wantin’, only I don’t know what else to say.” She shifted the tray closer and reached behind his head to plump his pillows. “I was told to bring up da supper an’ dat’s all I’m doin’. Now if’n you don’t want to eat, then I’ll just be taking it back down stairs wif me.” Euley leveled her head and stared into his eyes. Hers narrowed into determined slits. “You get to make da choice, Colonel. Now pick.” “I haven’t seen her for three days. Is she ill?” The disturbing thought banished his selfish disappointment. “No, she’s just busy.
Cindy Nord (No Greater Glory (The Cutteridge Family, #1))
ALL kinds of criminals, except infidels, meet death with reasonable serenity. As a rule, there is nothing in the death of a pirate to cast any discredit on his profession. The murderer upon the scaffold, with a priest on either side, smilingly exhorts the multitude to meet him in heaven. The man who has succeeded in making his home a hell, meets death without a quiver, provided he has never expressed any doubt as to the divinity of Christ, or the eternal "procession" of the Holy Ghost. The king who has waged cruel and useless war, who has filled countries with widows and fatherless children, with the maimed and diseased, and who has succeeded in offering to the Moloch of ambition the best and bravest of his subjects, dies like a saint. All the believing kings are in heaven—all the doubting philosophers in perdition. All the persecutors sleep in peace, and the ashes of those who burned their brothers, sleep in consecrated ground. Libraries could hardly contain the names of the Christian wretches who have filled the world with violence and death in defence of book and creed, and yet they all died the death of the righteous, and no priest, no minister, describes the agony and fear, the remorse and horror with which their guilty souls were filled in the last moments of their lives. These men had never doubted—they had never thought—they accepted the creed as they did the fashion of their clothes. They were not infidels, they could not be—they had been baptized, they had not denied the divinity of Christ, they had partaken of the "last supper." They respected priests, they admitted that Christ had two natures and the same number of wills; they admitted that the Holy Ghost had "proceeded," and that, according to the multiplication table of heaven, once one is three, and three times one is one, and these things put pillows beneath their heads and covered them with the drapery of peace. They admitted that while kings and priests did nothing worse than to make their fellows wretched, that so long as they only butchered and burnt the innocent and helpless, God would maintain the strictest neutrality; but when some honest man, some great and tender soul, expressed a doubt as to the truth of the Scriptures, or prayed to the wrong God, or to the right one by the wrong name, then the real God leaped like a wounded tiger upon his victim, and from his quivering flesh tore his wretched soul.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. 3 (of 12) Dresden Edition—Lectures)
My eyes hurt from staring at a screen trying to forget the memories. My legs hurt from running through empty streets trying to forget all the nights you slept in my sheets. My hands hurt from trying to distract myself in the pages of a book. I’ve been hoping to forget your smile and the way you look.
Courtney Peppernell (Pillow Thoughts II: Healing the Heart)
I felt like a book that you had marked with all your favorite pages. Our love was a story that knew no boundaries. But you lost the book and unmarked all the pages, and now I’m missing our story.
Courtney Peppernell (Pillow Thoughts II: Healing the Heart)
All summer, her parents treated her like she was made of glass, and she didn’t understand why until it was over and they were packing the car full of pillows and boxes and books. Unlike Ruby, Jane had siblings—two brothers and a sister, all younger than she was. Like Ruby, Jane had had no idea what it meant for her parents to have their oldest child get ready to leave home. Leave home! It sounded so final. At the time, Jane had thought her mother was experiencing some very prolonged kind of stroke, where she was always blinking back tears and staring at Jane like she was the new episode of Dallas. But she understood it now. Children wanted to go. Children knew that they were old enough—it was prehistoric, baked-in knowledge. Only the parents still thought they were kids. Everyone else—tobacco, the voting booth, porn shops—said otherwise. Jane moved
Emma Straub (Modern Lovers)
Proust wrote exclusively in bed, lying with his body almost completely horizontal and his head propped up by two pillows. To reach the exercise book resting on his lap, he had to lean awkwardly on one elbow, and his only working light was a weak, green-shaded bedside lamp. Thus any substantial period of work left his wrist cramped and his eyes exhausted. “After ten pages I am shattered,” he wrote. If he felt too tired to concentrate, Proust would take a caffeine tablet, and when he was finally ready to sleep, he would counteract the caffeine with Veronal, a barbital sedative. “You’re putting your foot on the brakes and the accelerator at the same time,” a friend warned him. Proust didn’t care-if anything, he seemed to need the work to be painful. He thought suffering had value, and that it was the root of great art. As he wrote in the final volume of Remembrance of Things Past, “it almost seems as though a writer’s works, like the water in an artesian well, mount to a height which is in proportion to the depth to which suffering has penetrated his heart.
Mason Currey (Daily Rituals by Mason Currey (2014-09-11))
Charles closed the book, slipping it beneath his pillow. As he drifted off to sleep, his thoughts filled with visions of their new home, the warmth of his loving wife, and the joyful laughter of children.
Anna Rigg (Sins of the Mother)
Catharsis: i love good cries, loud sobs that soak your pillow the kinds that come at the end of a perfect book you’re gasping for air as droplets of salt water trickle down your cheeks into the corners of your mouth as your chest raises and falls and your vision is blurred by the tears but your mind is so clear and your every thought in that moment feels so meaningful and important and right it feels okay to just let it all out it makes you feel like you are free
Madisen Kuhn
The second letter was sealed plainly, with no crest. I flung myself onto my pillows, broke the seal impatiently, and read: My Dear Countess: You say you would prefer discourse to gifts. I am yours to command. I will confess my hesitancy was due largely to my own confusion. It seems, from my vantage anyway, that you are surrounded by people in whom you could confide and from whom you could obtain excellent advice. Your turning to a faceless stranger for both could be ascribed to a taste for the idiosyncratic if not to mere caprice. I winced and dropped the paper to the table. “Well, I asked for the truth,” I muttered, and picked it up again. But I am willing to serve as foil, if foil you require. Judging from what you reported of your conversation with your lady of high rank, the insights you requested are these: First, with regard to her hint that someone else in power lied about rendering assistance at a crucial moment the year previous, you will not see either contender for power with any clarity until you ascertain which of them is telling the truth. Second, she wishes to attach you to her cause. From my limited understanding of said lady, I suspect she would not so bestir herself unless she believed you to be in, at least potentially, a position of influence. There was no signature, no closing. I read it through three times, then folded it carefully and fitted it inside one of my books. Pulling a fresh sheet of paper before me, I wrote: Dear Unknown: The only foil--actually, fool--here is me, which isn’t any pleasure to write. But I don’t want to talk about my past mistakes, I just want to learn to avoid making the same or like ones in future. Your advice about the event of last year (an escape) I thought of already and have begun my investigation. As for this putative position of power, it’s just that. I expect you’re being confused by my proximity to power--my brother being friend to the possible king and my living here in the Residence. But believe me, no one could possibly be more ignorant or less influential than I. With a sense of relief I folded that letter up, sealed it, and gave it to Mora to send along the usual route. Then I went gratefully to sleep.
Sherwood Smith (Court Duel (Crown & Court, #2))
At some point I must have fallen asleep on the couch I’d been sharing with Chase because an explosion on the TV jerked me awake. “It’s just the movie,” he whispered in my direction and ran his fingers over my cheek, “don’t move yet Princess.” “Don’t move? Why?” “I’m almost done, give me another minute or two.” I heard his hand moving back and forth across the paper slowly and waited until he kneeled down in front of the couch so his face was directly in front of mine. My breath caught and his electric blue eyes glanced down to my barely parted lips. His tongue absently wetted his lips and his teeth lightly bit down on his bottom one as his gaze roamed my face. “Why couldn’t I move?” I managed to ask when he started closing the distance between us. He abruptly stopped and blinked a few times, “Oh, um. Well … here. Just don’t freak out, okay? I wasn’t trying to be creepy.” “You’re not supposed to tell someone not to freak out, those words alone cause them to freak out.” Chase smirked, “Okay, well then don’t hit me or use your pressure point training on me again.” Before I could roll my eyes at him, he brought his sketch pad up in front of me and my jaw dropped. I felt my cheeks burn and he took that the wrong way. Snatching the pad of paper back up, he cursed softly. “I knew it was creepy.” “Chase,” I breathed and shook my head in an attempt to clear my thoughts, “that wasn’t creepy. Can I see it again?” When he didn’t make an attempt to move I reached my arm toward the book, “Please.” He handed it over with a sigh and looked at me with a sad smile, “I’m sorry, but you looked too perfect. I couldn’t let that opportunity pass.” My stupid blush came back with force when he said that and I focused at his drawing. It was amazing, somewhat embarrassing, but remarkable none the less. With the shading and the detail he’d captured of my upper body and face, it almost looked like a black and white photo. It was perfect. From my chest, throat and slightly open mouth to the way my hair fell around my face and my eyelashes rested against my cheeks, it was one hundred percent me. He even had my hand clutching the pillow under my head that was resting on his leg, as well as the blanket that had been pulled up to the swell of my breasts. Goose bumps covered my body as I realized he’d spent however long staring at, and replicating, every part of me while I’d been completely unaware. He was wrong, it wasn’t creepy, it was beautiful and strangely intimate. “Chase, it–” I cleared my throat and tried again, “It’s incredible.” Incredible didn’t cover it. “Yeah?” I looked up into his eyes and smiled, “Yeah.” We stayed there staring at each other, my mind and heart completely torn in two. One half desperately wanted to act on the feelings his drawing had stirred up in me, and the other was screaming at me to sit up and scoot away from him. Before I could try to make a decision, another series of explosions came from the TV and we both jolted away from each other. My
Molly McAdams (Taking Chances (Taking Chances, #1))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
throwing a few more bodies on the blaze, if only to convince the world the Guard was made of monsters. He’ll kill Julian too, and Sara. They’re probably dead already. I can’t think of them at all. It’s too painful. Now my thoughts turn back to Maven himself, to cold blue eyes and the moment I realized his charming smile hid a beast. The bunk beneath me is hard, the blankets thin, with no pillow to speak of, but part of me wants to lie back down. Already my headache returns, throbbing with the electric pulse of this miracle boat. It is a firm reminder—there is no peace for me here. Not yet, not while so much more must be done. The list. The names. I must find them. I must keep them safe from Maven and his mother. Heat spreads across my face, my skin flushing with the memory of Julian’s little book of hard-won secrets. A record of those like me, with the strange mutation that gives us Red blood and Silver abilities
Victoria Aveyard (Glass Sword (Red Queen, #2))
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
It was spring, not winter or autumn, Paul thought with some lingering confusion. He listened to the layered murmur of wind against leaves, familiarly and gently disorienting as a terrestrial sound track, reminding people of their own lives, then opened his MacBook—sideways, like a hardcover book—and looked at the internet, lying on his side, with his right ear pressed into his pillow, as if, unable to return to sleep, at least in position to hear what, in his absence, might be happening there.
Tao Lin (Taipei)
You do not see any improvements you would make?" Miss Harding's smile turned mischievous. "Not at present. But I should have to see the inside. That is where ladies really excel, you know, in curtains and cushions and such." "Indeed," David murmured, remembering how Maude had filled the London house with bolts and piles of fabrics and wallpapers and pillows the instant they arrived. Everything in the very latest style. And then he thought of Emma's cosy sitting room, all books and family portraits and dog beds.
Amanda McCabe (Running from Scandal (Bancrofts of Barton Park, 2))
Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow and a blanket,” he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad.
Anonymous
A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
This was the second time Peter had sucked him off and he wasn’t any kind of expert, but he was sweet as hell. He went about it thoughtfully, curiously, as if paying close attention to what made Caleb react. Actually, there was no as if about it—that was exactly what Peter was doing. He was studying Caleb like a book. And Caleb wished him well, because all he was doing was babbling into the pillow he held over his head, and if Peter could make sense of any of that, good for him.
Cat Sebastian (Peter Cabot Gets Lost (The Cabots, #2))
Under his pillow lay the New Testament. He took it up mechanically. The book belonged to Sonia; it was the one from which she had read the raising of Lazarus to him. At first he was afraid that she would worry him about religion, would talk about the gospel and pester him with books. But to his great surprise she had not once approached the subject and had not even offered him the Testament. He had asked her for it himself not long before his illness and she brought him the book without a word. Till now he had not opened it. He did not open it now, but one thought passed through his mind: “Can her convictions not be mine now? Her feelings, her aspirations at least....
Fyodor Dostoevsky (Crime and Punishment)
I see the clouds as soft pillows and the ground as my bed. It's actually quite fun to change the thoughts in my head.
Wendy Lubell
1 A STRANGER IN THE NIGHT The moon shone in the rocking horse’s eye, and in the mouse’s eye, too, when Tolly fetched it out from under his pillow to see. The clock went tick-tock, and in the stillness he thought he heard little bare feet running across the floor, then laughter and whispering, and a sound like the pages of a big book being turned over. L. M. Boston, The Children of Green Knowe Rain fell that night, a fine, whispering rain. Many years later, Meggie had only to close her eyes and she could still hear it, like tiny fingers tapping on the windowpane. A dog barked somewhere in the darkness, and however often she tossed and turned Meggie couldn’t get to sleep. The book she had been reading was under her pillow, pressing its cover against her ear as if to lure her back into its printed pages. “I’m sure it must be very comfortable sleeping with a hard, rectangular thing like that under your head,” her father had teased the first time he found a book under her pillow. “Go on, admit it, the book whispers its story to you at night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
The next morning a squawking Fuzzbucket awoke Michele from her tossing and turning. Her head hurt from dreaming a series of chasing, getting-caught, getting-away dreams. She felt exhausted and not ready to hear about anymore crises from the three kids standing at the foot of her bed. "Michael! Move that drippy bottle," she grumbled. "It's a clue," Michael told her. "Big deal," Michele said, feeling ill at her brother and more ill at herself for taking it out on him. "Sorry, Mike," she added, reaching for the limp note he held out to her. She yawned. Rubbing the sleep from the corners of her eyes, she read the clue in a mumbled monotone: If not finding the head is what you fear, You'd better check out the Van . . ." "What the heck does this mean?" Michele asked irritably. "The rest of the word is washed away. It's just a smear of blue ink." She tossed the note back at them. "We know what it means!" Jo Dee squealed. "At least Brian does." Michele rubbed her tangled hair. The top of her head felt like a pile of pinestraw and she wasn't sure she liked Brian seeing her all messy. He just stood there in his neat jeans and tee shirt looking smart. "Oh, all right," she grumbled. "I give up. What does it mean?" "Well," said Brian. "I thought at first Van might be the beginning of the word "Vandyke" which is a pointy kind of beard like the artist Van Gogh wore." Michele yawned again and stretched back on her pillow as though she were bored and could doze off. "I know that," she barked. Brian sighed and turned on his heels. "C'mon, kids, let's leave Sleeping Ugly alone and start on this clue ourselves." "Wait!" Michele said, sitting upright. "I'm sorry. My head just hurts," she said, rubbing it dramatically as evidence. "Throbs—or rings?" Brian asked with a smile. "Clangs like a bell," Michele said, grinning back at him.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
I’m just happy because I like it when you call me Joshua,” he said, smiling. His fingers brushed the hair at the top of my forehead and he kissed me gently. There was something so intimate in the way he was with me I had to change the subject. “What’s this, Joshua?” I asked, looking away from him, picking up a dog-eared copy of Under a Flaming Sky from the upside-down box he used as a nightstand. I flopped onto my back. “I didn’t know you like to read.” He scooted down to lie next to me and propped himself on his elbow. “I like to read about fires.” I held the book over my face. “Is it any good? What’s it about?” I smiled at him. “Will you read me a chapter?” He took the book from me and leaned over the other side of the bed. “It’s about a firestorm in Minnesota, back in 1894.” When he came back up, he was wearing glasses. I blinked at him as he flipped to the dog-eared page, scooting to sit up against his pillows. “Shut the fuck up,” I said, staring at him. He looked over at me. “What?” “You wear glasses?” “Just for reading. Why?” Just when I thought the man couldn’t get any more attractive, he goes and puts on motherfucking glasses. “This is a joke, right? You are not allowed to get hotter than you already are. I forbid it.” He set the book down across his lap and grinned at me. “You like the glasses, huh?” He bounced his eyebrows. “Want me to keep them on the next time?” I giggled. “Yes, please.” He pulled the glasses down and then put them back on. His eyes got wide. “Oh, wow. Look how pretty you are!” I laughed and moved his book, climbing over his lap until I straddled him. His sweatshirt rode up my thighs. Then I held his cheeks in my hands and peppered kisses all over his face. He closed his eyes and let me, beaming like a happy little kid.
Abby Jimenez
ree-ree-reeeeee!” shouted Tim as he charged Broden, his teeth flashing and his tail wildly whipping along behind him, ready to smash his big toe. “Ahhhhhh!” he screamed, then Broden ran as fast as lightning as he dropped the gigantic bucket of food as he went squishy-squash through chicken caca all the way across the grass and toward the back door. His heart pounded and Broden thought he’d never been so scared in his life. He probably would have made it to the house and he probably would have been able to slam the door shut without Tim the Terrible catching him, but then a really awful thing happened. Broden’s right foot went slippery sliding in a humongous chicken-poopy mountain and he went flying through the air. “Ree-ree-reeeeeee!” screamed Tim as Broden landed on his back, his head landing on a dung hill pillow. Looking over, there was Tim, his mouth open and ready to bite his nose right off as he flew through the air right at him. “Nooo!” Broden cried out, trying to roll over and get out of the way of Tim’s attack. But he was too late. Tim the Terrible swooped down and landed right on his back as Broden was scrambling and crawling in an attempt to escape. Tim’s horsey-ride didn’t last long, though. When Broden looked back at Tim, wondering how he could escape the barbarian, a totally amazing thing happened right before his eyes. His chicken leapt into the air from her stump and spread out her glorious, shimmering black-feathered wings. For one moment, it seemed as if she were hovering in the sky with the sunshine glowing behind her and through her wings. But the next moment, it was as if she had a jetpack on as she came zooming through the air. Straight at Tim. His chicken came zipping down and Broden’s eyes got as big as
Katie Coughran (Broden and the Shark-Toothed Chicken (Broden and Cookie Book 1))