Fairies Poems And Quotes

Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand.

I never claimed to be Prince Charming, and my love isn’t a fairy tale type of love. I’m a fucked-up person with fucked-up morals. I won’t write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.

When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.

All the books of the world full of thoughts and poems are nothing in comparison to a minute of sobbing, when feeling surges in waves, the soul feels itself profoundly and finds itself. Tears are the melting ice of snow. All angels are close to the crying person.

SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.

She learned her hands in a fairy-tale, And her mouth on a valentine.

But here's a great thing about stories: they can be retold.

I cannot imagine a life without books. Without Father's stories of the ancient Greek gods and goddesses, without pirate stories and fairy tales and poems. Without the hope of another way, of freedom and adventure beyond what we have here and now. How dark life would be.

Devic Magic Woodland sprites, elves and nymphs Waltz in time take a glimpse Fairies hide the forest wit Mushrooms fly, agarics hit

Shed no tear! oh, shed no tear! The flower will bloom another year. Weep no more! oh, weep no more! Young buds sleep in the root’s white core. Dry your eyes! oh, dry your eyes! For I was taught in Paradise To ease my breast of melodies,— Shed no tear. Overhead! look overhead! ‘Mong the blossoms white and red— Look up, look up! I flutter now On this fresh pomegranate bough. See me! ’tis this silvery bill Ever cures the good man’s ill. Shed no tear! oh, shed no tear! The flower will bloom another year. Adieu, adieu—I fly—adieu! I vanish in the heaven’s blue,— Adieu, adieu! - Fairy Song

If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren't always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn't want anyone to know, or doesn't know how to tell anyone, that she is locked in a tower. Maybe she's a prisoner of a story she's heard all her life- that fairest means best, or that bruises prove she is worthy of love.

Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.

O gentle vision in the dawn: My spirit over faint cool water glides, Child of the day, To thee; And thou art drawn By kindred impulse over silver tides The dreamy way To me.

My Fairy Godmother is my heart sustaining me.

It is winter now, and the roses are blooming again, their petals bright against the snow. My father died last April; my sisters no longer write, except at the turning of the year, content with their fine houses and their grandchildren. Beast and I putter in the gardens and walk slowly on the forest paths. [from the poem, Beauty and the Beast: An Anniversary]

And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose....it made the stories look on the surface like 'a mere bubble of nonsense' within which it was possible to 'utter harsh truths, to say what you dare' about the state of women's lives. Because they were just stories, right? Harmless little fantasies?

..who threw their watches off the roof to cast their ballot for an Eternity outside of Time, and alarm clocks fell on their heads every day for the next decade, who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried, who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse and the tanked-up clatter of the iron regiments of fashion and the nitroglycerine shrieks of the fairies of advertising and the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality..

Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.

Away with them, away; we should not believe fairy stories if we wish to be good. Think of them as persons from the fairy wood.

A poem is a revelation, and it is by the brink of running water that poetry is revealed to the mind.

inside the cramped fitting room, she slips into dress after dress as if she´s trying to slip into someone else´s life. - much to her dismay, her reflection stays the same.

Yule—Yul log for the Christmas-fire tale-spinner—of fairy tales that can come true: Yul Brynner.

..this fairy tale.. will end prematurely with one of us reading a eulogy. -Funerals Are For Lovers

Each word was shaped with certainty, and I felt, more strongly than ever before in my life, that I had at last found my true path. I knew the story would change as I told it. No one can tell as tory without transforming it in some way; it is part of the magic of storytelling. Like the troubadors of the past, who hid their messages in poems, songs and fairy tales, I too would hide my true purpose [ … ] It was by telling stories that I would save myself.

Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him.

You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.

Do you remember the unbidden summer rain Washing the dew from mulberries away? Can you forget the scent of honey over fields, And those amber-colored acorns beads… And crowds of singing motley birds Around the foggy, misty lake? That’s where our childhood mirth Will be remained as a fairy-tale…

But I, being poor, have only my dreams; I have spread my dreams under your feet; Thread softly because you tread on my dreams.

But nobody writes fairy tales about the ugly and poems are not there for the broken and I will never find myself in the words of a hymn nor will any whispered prayer ever say my name (which name, which me am I looking for?) because I am shouting at a cross splintered into pieces by my angry fists, and crying at the stained glass falling like killing rain around me.

Because to him, who ponders well, My rhymes more than their rhyming tell Of the dim wisdoms old and deep That God gives unto man in sleep

Why do you live on the bank of a river?' was one of these questions. 'Because a poem in a revelation, and it is by the brink of running water that poetry is revealed to the mind.

From the bowed crowns of ancient trees simple soft human beauty spoke pure poems and symphonies; a world of noble intimations and charmingly civilized delights.

When someone asks for the secret to a happy marriage, remember you don't know. This is not a happy ending. This is not a fairy tale. This is the beginning of a life you haven't met.

Am I a Stalinist? A Capitalist? A Bourgeois Stinker? A rotten Red? No I’m a fairy with purple wings and white halo translucent as an onion ring in the transsexual fluorescent light of Kiev Restaurant after a hard day’s work

I fell into a restless sleep in which my dreams carried me away over misty valleys and moonlit woodlands toward a fairy glen, where I watched their beautiful midnight revels in silent awe as I whispered the words of my favorite poem. " 'You shall hear a sound like thunder, / And a veil shall be withdrawn, / When her eyes grow wide with wonder, / On that hill-top, in that dawn.

Never and never, my girl riding far and near In the land of the hearthstone tales, and spelled asleep, Fear or believe that the wolf in a sheepwhite hood, Loping and bleating roughly and blithely shall leap, My dear, my dear, Out of a lair in the flocked leaves in the dew dipped year, To eat your heart in the house in the rosy wood.

A fairy tale from the terrible past, My double goes to the interrogation, And then comes from the interrogation,

I love her fairy-wise mind.

An old man plays the bagpipes In a gold and silver wood; Queens, their eyes blue like the ice, Are dancing in a crowd.

The Bane ...where coxswain's dirt and seaman's shirts brushed bawdily upon her chest...

The extremity of her sensitivity impressed a richly idle princely family, of her discomfort, bothered as she had to be by the absurd softness of the ample beddings, not to mention the pillow piles aggravating her much lamented acrophobic dis-ease. [from the poem, Princess and the Pea]

Certainly not! I didn't build a machine to solve ridiculous crossword puzzles! That's hack work, not Great Art! Just give it a topic, any topic, as difficult as you like..." Klapaucius thought, and thought some more. Finally he nodded and said: "Very well. Let's have a love poem, lyrical, pastoral, and expressed in the language of pure mathematics. Tensor algebra mainly, with a little topology and higher calculus, if need be. But with feeling, you understand, and in the cybernetic spirit." "Love and tensor algebra?" Have you taken leave of your senses?" Trurl began, but stopped, for his electronic bard was already declaiming: Come, let us hasten to a higher plane, Where dyads tread the fairy fields of Venn, Their indices bedecked from one to n, Commingled in an endless Markov chain! Come, every frustum longs to be a cone, And every vector dreams of matrices. Hark to the gentle gradient of the breeze: It whispers of a more ergodic zone. In Reimann, Hilbert or in Banach space Let superscripts and subscripts go their ways. Our asymptotes no longer out of phase, We shall encounter, counting, face to face. I'll grant thee random access to my heart, Thou'lt tell me all the constants of thy love; And so we two shall all love's lemmas prove, And in bound partition never part. For what did Cauchy know, or Christoffel, Or Fourier, or any Boole or Euler, Wielding their compasses, their pens and rulers, Of thy supernal sinusoidal spell? Cancel me not--for what then shall remain? Abscissas, some mantissas, modules, modes, A root or two, a torus and a node: The inverse of my verse, a null domain. Ellipse of bliss, converge, O lips divine! The product of our scalars is defined! Cyberiad draws nigh, and the skew mind Cuts capers like a happy haversine. I see the eigenvalue in thine eye, I hear the tender tensor in thy sigh. Bernoulli would have been content to die, Had he but known such a^2 cos 2 phi!

I have a fairy by my side Which says I must not sleep, When once in pain I loudly cried It said "You must not weep" If, full of mirth, I smile and grin, It says "You must not laugh" When once I wished to drink some gin It said "You must not quaff". When once a meal I wished to taste It said "You must not bite" When to the wars I went in haste It said "You must not fight". "What may I do?" at length I cried, Tired of the painful task. The fairy quietly replied, And said "You must not ask". Moral: "You mustn't.

who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the iron regiments of fashion &the nitroglycerine shrieks of the fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality,

Floribert could neither sing nor recite these poems because they were without words, but he dreamed and felt them sometimes, especially in the evenings.

I would have been happy to stay, but as that poem says, I had promises to keep.

The wind blows over the lonely of heart, And the lonely of heart is withered away.

i am realizing that this fairy tale will not have a happily ever after instead it will end prematurely with one of us reading a eulogy • funerals are for lovers

How crazy it would be if the moon did spin and the earth stood still and the sun went dim! How absolutely ludicrous if snakes could walk and kids could fly and mimes did talk! How silly it would be if the nights were tan and the mornings green and the sun cyan! How totally ridiculous if horses chirped and spiders sang and ladies burped! How shocking it would be if the dragons ruled and the knights were daft but the fish were schooled! How utterly preposterous if rain were dry and snowflakes warm and real men cried! I love to just imagine all the lows as heights, and the salty, sweet, and our lefts as rights. Perhaps it is incredible and off the hook, but it all makes sense in a storybook! 

Dear . . . You’re the poem I couldn’t finish The journey I should have never started I saw tragedy in our ending My pen bled its heart out trying to change it But you were the fight I didn’t want to lose The addiction I didn’t want to quit Yet there was only one of us holding on I wasn’t attached to the man you are But the one you could be I tried to build where there was no foundation Create a fairy tale on blank pages But some stories need not be told, let alone written You’ll read my words and won’t be moved Your arrogance will not soften You won’t be changed Your heart, if you should have one, will not bend or break The worst part of it all Is this poem is about you and you’ll never even know it

I never claimed to be prince charming, and my love isn't a fairy tale type of love. I'm a fucked-up person with fucked-up morals. I won't write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you." - Alex Volkov

With the rumble of the waterfall in the distance, I slipped into sleep and dreamed of a red-haired girl holding a posy of white flowers. The words of Mr. Noyes's poem crept from the pages of my picture book and tiptoed into my mind. "Then you blow your magic vial, / Shape it like a crescent moon, / Set it up and make your trial, / Singing, 'Fairies, ah, come soon!

Poetry vs. Goldilocks A poem should be like the third bowl of Baby Bear's porridge in the Goldilock's fairy tale. Neither too hot, nor too cold; just right for the reader to consume.

It was a little budding rose, Round like a fairy globe, And shyly did its leaves unclose Hid in their mossy robe, But sweet was the slight and spicy smell It breathed from its heart invisible.

Sorrow (A Song) To me this world's a dreary blank, All hopes in life are gone and fled, My high strung energies are sank, And all my blissful hopes lie dead.-- The world once smiling to my view, Showed scenes of endless bliss and joy; The world I then but little knew, Ah! little knew how pleasures cloy; All then was jocund, all was gay, No thought beyond the present hour, I danced in pleasure’s fading ray, Fading alas! as drooping flower. Nor do the heedless in the throng, One thought beyond the morrow give, They court the feast, the dance, the song, Nor think how short their time to live. The heart that bears deep sorrow’s trace, What earthly comfort can console, It drags a dull and lengthened pace, 'Till friendly death its woes enroll.-- The sunken cheek, the humid eyes, E’en better than the tongue can tell; In whose sad breast deep sorrow lies, Where memory's rankling traces dwell.-- The rising tear, the stifled sigh, A mind but ill at ease display, Like blackening clouds in stormy sky, Where fiercely vivid lightnings play. Thus when souls' energy is dead, When sorrow dims each earthly view, When every fairy hope is fled, We bid ungrateful world adieu.

I found a room, both quiet and slow, a room where the walls are thick. Where pixie dust is kept in jars, and paper rockets soar to Mars, and battles leave no lasting scars as clocks forget to tick. I guard this room, both small and bare, this room in which stories live. Where Peter Pan and Alice play, and Sinbad sails at dawn of day, and wolves cry 'boy' to get their way when ogres won’t forgive. With you I’ll share my hiding place, this room under cloak and spell. We’ll snuggle up inside a nook, and read a venturous story book, that makes us question in a look what nonsense fairies tell. In fictive plots and fabled ends, Our happy-e’er-afters dwell!

Lamium Migraine dreams, jagged seams, A badge of love and pain. Or dreamy eyes, sleepy eyes, Drooping, closing, losing light. Packages scattered under the tree, Some torn open, some tied tight. Is there a heartbeat in those purple veins? Are those embryos or mouths or rosary beads? The color of my first dress, gathered with love, Fairy cups stirred with blades of grass, notes clustered on a windy score, Three blooms, three friends, alas! Grape flowers, cloud flowers, love flowers, Paper parasols upside down, a butterfly herd Stopped to rest by a deep green pool. Petals small as a child's tears good-bye, Dropped stitches everywhere From a blanket the color of sky.

The inside was full of trudging prose, compound-complex sentences that allowed the eye no rest, but the cover was a little lyric, as perfect in its way as that William Carlos Williams poem about the red wheelbarrow: a funnel filling with stars.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

Pay to go inside Neruda's home A body lies there with no dome. But right there in the front hall Lean a fairy against the icy wall. Oh Endless enigmas had the bard! Nice and large and calm backyard Ends In the middle of a rare room Rare portrait of revelishing gloom. Up climbing at the weird snail stair Does make you grasp for some air. And there's a room with bric-a-brac: Old and precious books all in a pack. Dare saying what I liked most of all? Enjoyed seeing visitors having a ball!

The Sea-fairies Slow sail'd the weary mariners and saw, Betwixt the green brink and the running foam, Sweet faces, rounded arms, and bosoms prest To little harps of gold; and while they mused, Whispering to each other half in fear, Shrill music reach'd them on the middle sea.

Someties it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art:. it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write - a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize. If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are! When one reads the verse of people who cannot write poems - people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets - it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry.

The only way to find rainbows is to look within your heart; the only way to live fairy tales is through the imagination and power of your mind; the only place to begin a search for peace is within your very soul; because rainbows, fairy tales and peace are treasures that grow from the inside out.

A flock of fairy wrens could land on grass stalks in the medieval garden. Splendidly whistling their fine stories, fluttering their wings before the Queen. The golden pear could be their gift, a very rare find in a world so bleak. The pear could be placed into the lap of the very tired and aged Queen. [Seeing Life Through the Bleak]

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

never claimed to be Prince Charming, and my love isn’t a fairy-tale type of love. I’m a fucked-up person with fucked-up morals. I won’t write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.

Believe me, if all those endearing young charms, Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Live fairy-gifts fading away, Thou wouldst still be adored, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still. It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervor and faith of a soul may be known, To which time will but make thee more dear! No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sunflower turns on her god when he sets The same look which she turned when he rose!

I never claimed to be Prince Charming, and my love isn’t a fairy-tale type of love. I’m a fucked-up person with fucked-up morals. I won’t write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.

How clear she shines ! How quietly I lie beneath her guardian light; While heaven and earth are whispering me, " To morrow, wake, but, dream to-night." Yes, Fancy, come, my Fairy love ! These throbbing temples softly kiss; And bend my lonely couch above And bring me rest, and bring me bliss. The world is going; dark world, adieu ! Grim world, conceal thee till the day; The heart, thou canst not all subdue, Must still resist, if thou delay ! Thy love I will not, will not share; Thy hatred only wakes a smile; Thy griefs may wound–thy wrongs may tear, But, oh, thy lies shall ne'er beguile ! While gazing on the stars that glow Above me, in that stormless sea, I long to hope that all the woe Creation knows, is held in thee ! And, this shall be my dream to-night; I'll think the heaven of glorious spheres [Page 104] Is rolling on its course of light In endless bliss, through endless years; I'll think, there's not one world above, Far as these straining eyes can see, Where Wisdom ever laughed at Love, Or Virtue crouched to Infamy; Where, writhing 'neath the strokes of Fate, The mangled wretch was forced to smile; To match his patience 'gainst her hate, His heart rebellious all the while. Where Pleasure still will lead to wrong, And helpless Reason warn in vain; And Truth is weak, and Treachery strong; And Joy the surest path to Pain; And Peace, the lethargy of Grief; And Hope, a phantom of the soul; And Life, a labour, void and brief; And Death, the despot of the whole !

The teeth sold to the fairies are tombstones in the graveyard of the fireflies. By their cold caught light you can make out the big house submerged in the backyard creek, thought-minnows spinning in motes in the attic. The lovely young parents, so long preserved, are showing signs of rot, the kitten named Princess, signs of invisibilty. But look, the old dolls are doing well; they smile and smile. And the witch? Darling, the witch was real.

THE SHADOWS Table of Contents Old Ralph Rinkelmann made his living by comic sketches, and all but lost it again by tragic poems. So he was just the man to be chosen king of the fairies, for in Fairyland the sovereignty is elective. It is no doubt very strange that fairies should desire to have a mortal king; but the fact is, that with all their knowledge and power, they cannot get rid of the feeling that some men are greater than they are, though they can neither fly nor play tricks. So at such times as there happens to be twice the usual number of sensible electors, such a man as Ralph Rinkelmann gets to be chosen. They

The empire cannot become a child again. Nobody can. It cannot simply give away its cannons, machines, and money and once again write poems in small peaceful cities and play sonatas. But it can take the path that the individual must also take when his life has led him to make mistakes and suffer profound torment. It can recall its previous past, its heritage and childhood, its maturation, its rise and fall, and it can find the power while recalling everything that essentially and immortally belongs to it. It must “go into itself,” as devout people say. And in itself, it will find its essence undestroyed, and this essence will not want to avoid its destiny but affirm it and begin anew out of its best and most profound qualities that have been rediscovered.

Here there was a cheerful boy At least he created tales and lived in joy. Nursery rhymes his grandmother told, Songs and tales emerged gladly in gold. Caring heart, affection spoke loud as brighter, He made the decision: he would be a writer! Rising laughters, crying tears, many feelings, Inserted everything and nothing was in vain. So he transformed the ugly into beautiful, Tales to amuse and make everyone sane, In there he went, without daydreams or zeal. As such it was born the icon of literature still. No one denied he was exceedingly bountiful. A ballerina loves the soldier in his world, Nothing gets involved in his fairy tales, Dancing from a poor weak boy to a king, Eccentric prince of charm in winged corners! Rare star of sweet tenderness, Sensible and masterful in tenderness, Emchanted kingdom of dreams and candor, Now a divine fire of a soul he shines. Havia um menino alegre porem so Ao menos criava contos e deles vivia Nas historias que contava sua avo, Seus contos surgiam pois ele os via. Carinho nao faltava em seu coracao ator, Havia tomado a decisao: seria escritor! Risos, lagrimas, sentimentos saos, Inseria tudo e nada era em vao. Transformava ate o feio em belo, Inadvertia e divertia com seu elo, Adiante ia, sem devaneios e zelo. Nascia assim o icone da literatura. A bailarina ama o soldado em seu mundo, Nada se interpunha em seus contos de fadas, De pobre menino fraco e cogitabundo, Era principe de encantos em cantos alados! Rara estrela de doce brandura, Sensata e magistral em ternura, Em seu reino de sonhos e candura, No fogo divino de sua alma fulgura.

Once upon a time There was a friend Who poured some ink To a pen, which had been dried up Since then There are pages, and books Cluttered by scribbling With or without a meaning When the ink was done Scribbling started In the earth, dust covered In the tranquil grounds of the temple And in the naked skies Among floating clouds Mesmerized by the dawn of love On top of mountains Like a fairy spreading her wings On fluttering wings of butterflies In paths, under the starry skies On piano keys, playing without a tune On sprays of vibrant blooms Even without a sweet fragrance Even among the debris, pungent flowing down the drain Among the eyes filled with emptiness Walking down the streets, In the battle field, drenched with blood Waiting for a flying bullet, which brings death…. There is a poem Each and every moment Each and every day! (Translated by Manel K R Fernando)

The Fairy Bride The fairy bride picked the lock And tiptoed through the summer wood She gave no mind to life behind Or shadows thrown by bad or good She gave no mind to wrong or right Or screeching call of owls at night She listened for the haunting cries That called her from her blushing bud Ferns unfurl a tickled fronds Laughing at her slightest brush Dewdrops glisten with green eyes Meadows sway with lightest hush A captive note arrests her breath Dreamers weave intricate maze Lithe and quick she shines the light Illuminating shadow glades She gives no mind to life and limb Or captor’s hiss from deep within Her purity will seize the thread Dangling loose from dreamer’s web She spins a silver spool of light To catch the rays of stars at night Now innocence can spread its wings Making haste for freedom flight She gives no mind to where they fly Or how tall grasses lift her high She clicks the lock and in she glides All nature hails the fairy bride

I seemed to hear a voice of lamentation out of the Golden Age. It told me that we are imperfect, incomplete, and no more like a beautiful woven web, but like a bundle of cords knotted together and flung into a comer. It said that the world was once all perfect and kindly, and that still the kindly and perfect world existed, but buried like a mass of roses under many spadefuls of earth. The faeries and the more innocent of the spirits dwelt within it, and lamented over our fallen world in the lamentation of the wind-tossed reeds, in the song of the birds, in the moan of the waves, and in the sweet cry of the fiddle. It said that with us the beautiful are not clever and the clever are not beautiful, and that the best of our moments are marred by a little vulgarity, or by a pin-prick out of sad recollection, and that the fiddle must ever lament about it all. It said that if only they who live in the Golden Age could die we might be happy, for the sad voices would be still; but alas! alas! they must sing and we must weep until the Eternal gates swing open.

Poet is Priest Money has reckoned the soul of America Congress broken thru to the precipice of Eternity the president built a War machine which will vomit and rear Russia out of Kansas The American Century betrayed by a mad Senate which no longer sleeps with its wife. Franco has murdered Lorca the fairy son of Whitman just as Maykovsky committed suicide to avoid Russia Hart Crane distinguished Platonist committed suicide to cave in the wrong America just as millions of tons of human wheat were burned in secret caverns under the White House while India starved and screamed and ate mad dogs full of rain and mountains of eggs were reduced to white powder in the halls of Congress no godfearing man will walk there again because of the stink of the rotten eggs of America and the Indians of Chiapas continue to gnaw their vitaminless tortillas aborigines of Australia perhaps gibber in the eggless wilderness and I rarely have an egg for breakfast tho my work requires infinite eggs to come to birth in Eternity eggs should be eaten or given to their mothers and the grief of the countless chickens of America is expressed in the screaming of her comedians over the radio

At the beginning or end of the day, after you step away from tablets and phones and people, spend at least five minutes in solitude. Let yourself dwell in the pause, between consciousness and unconsciousness, between masculine and feminine. If you notice longing or sadness travel up to consciousness through the fissure of the transition, consider moving toward it instead of brushing it aside. Notice what thoughts arise in response to the feeling, then gently bring your attention to it as if it were a fairy or a precious gem. Within this intentional liminal zone, trust where your body wants to lead you. You may want to do some gentle yoga; you may want to dance. You may feel called to sit near an open window and listen to the wind or watch the stars. You may gravitate toward the moon. If you find yourself face-to-face with the moon, listen to her wisdom. Watch for a poem or painting that may arrive. Trust the feelings that long to emerge. Pay attention to longing. Honor the images that float from unconsciousness to consciousness. Even if you’re tired and really “should” get to bed, find a way to express what comes through. Write, paint, dance, breathe, do nothing. Even your silhouette next to the window, drenched in moonlight, is an expression of the divine. Simply being you is enough.

A bomb here and a bullet there A bomb here and a bullet there, A wall riddled with bullets everywhere, A man dead, a woman crying, A young child crying and for nobody’s sake dying, A building collapsing somewhere, Homes on fire everywhere, A soldier scanning for enemies, A civilian seeking innocence in these wary faces who too are born of fairies, A state of emergency declared in the war torn regions, It is a crisis of all sorts, for humans, for every life form, and for my once familiar flock of pigeons, Feelings of nothingness and nowhere appear to dominate, Because that is what happens to mind when you have nothing to share but only hate, A bullet to kill someone you don't even know, A bomb to destroy a home that for someone is all he/she could ever know, All gone, all lost, all turned to ash, And from the sky a plane falls, it appears to be a fateful crash, Where someone will die soon, And it will be missed by many, and ah the pain of the moon, To not find him anywhere not even in the sky, For when you crash in wars you do not die, A part of you lies on Earth and a part of you hangs somewhere in the Sky, Confusing the angel of death whether to claim the remains that lie on the Earth or the hopes that died in the Sky, Wars do not end when bullets are not fired and bombs do not fall anymore, Because those who lose their hopes to wars are in a state of war forever and its immortal pain is what their hearts cannot ignore, For a few it is just about a bomb here and a bullet there, Unable to see injured memories and dying hopes everywhere!

NOBEL PRIZE–WINNER, British poet laureate, essayist, novelist, journalist, and short story writer Rudyard Kipling wrote for both children and adults, with many of his stories and poems focusing on British imperialism in India. His works were popular during the late nineteenth and early twentieth centuries, even though many deemed his political views too conservative. Born on December 30, 1865, in Bombay, India, Kipling had a happy early childhood, but in 1871 he and his sister were sent to a boarding house called Lorne Lodge in Southsea, where he spent many disappointing years. He was accepted in 1877 to United Services College in the west of England. In 1882, he returned to his family in India, working as a journalist, associate editor, and correspondent for many publications, including Civil and Military Gazette, a publication in Lahore, Pakistan. He also wrote poetry. He found great success in writing after his 1889 return to England, where he was eventually appointed poet laureate. Some of his most famous writings, including The Jungle Book, Kim, Puck of Pook’s Hill, and Rewards and Fairies, saw publication in the 1890s and 1900s. It was during this period that he married Caroline Balestier, the sister of an American friend and publishing colleague. The couple settled in Vermont, where their two daughters were born. After a quarrel with his brother-in-law and grumblings from his American neighbors about his controversial political views, Kipling and his family returned to England. There, Caroline gave birth to a son in 1896. Tragically, their eldest daughter died in 1899. Later, Kipling’s son perished in battle during World War I. In 1907 Kipling was awarded the Nobel Prize. He died on January 18, 1936, and his ashes are buried in Poets’ Corner in Westminster Abbey.

Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.

According to folk belief that is reflected in the stories and poems, a being who is petrified man and he can revive. In fairy tales, the blind destructiveness of demonic beings can, through humanization psychological demons, transformed into affection and love of the water and freeing petrified beings. In the fairy tale " The Three Sisters " Mezei de-stone petrified people when the hero , which she liked it , obtain them free . In the second story , the hero finding fairy , be petrified to the knee , but since Fairy wish to marry him , she kissed him and freed . When entering a demonic time and space hero can be saved if it behaves in a manner that protects it from the effects of demonic forces . And the tales of fortune Council hero to not turn around and near the terrifying challenges that will find him in the demon area . These recommendations can be tracked ancient prohibited acts in magical behavior . In one short story Penina ( evil mother in law ) , an old man , with demonic qualities , sheds , first of two brothers and their sister who then asks them , iron Balot the place where it should be zero as chorus, which sings wood and green water . When the ball hits the ground resulting clamor and tumult of a thousand voices, but no one sees - the brothers turned , despite warnings that it should not , and was petrified . The old man has contradictory properties assistants and demons . Warning of an old man in a related one variant is more developed - the old man tells the hero to be the place where the ball falls to the reputation of stones and hear thousands of voices around him to cry Get him, go kill him, swang with his sword , stick go ! . The young man did not listen to warnings that reveals the danger : the body does not stones , during the site heroes - like you, and was petrified . The initiation rite in which the suffering of a binding part of the ritual of testing allows the understanding of the magical essence of the prohibition looking back . MAGICAL logic respectful direction of movement is particularly strong in relation to the conduct of the world of demons and the dead . From hero - boys are required to be deaf to the daunting threats of death and temporarily overcome evil by not allowing him to touch his terrible content . The temptation in the case of the two brothers shows failed , while the third attempt brothers usually releases the youngest brother or sister . In fairy tales elements of a rite of passage blended with elements of Remembrance lapot . Silence is one way of preventing the evil demon in a series of ritual acts , thoughts Penina Mezei . Violation of the prohibition of speech allows the communication of man with a demon , and abolishes protection from him . In fairy tales , this ritual obligations lost connection with specific rituals and turned into a motive of testing . The duration of the ban is extended in the spirit of poetic genre in years . Dvanadestorica brothers , to twelve for saving haunted girls , silent for almost seven years, but eleven does not take an oath and petrified ; twelfth brother died three times , defeat the dragon , throw an egg at a crystal mountain , and save the brothers ( Penina Mezei : 115 ) . Petrify in fairy tales is not necessarily caused by fear , or impatience uneducated hero . Self-sacrificing hero resolves accident of his friend's seemingly irrational moves, but he knows that he will be petrified if it is to warn them in advance , he avoids talking . As his friend persuaded him to explain his actions , he is petrified ( Penina Mezei : 129 ) . Petrified friends can save only the blood of a child , and his " borrower " Strikes sacrifice their own child and revives his rescuers . A child is a sacrificial object that provides its innocence and purity of the sacrificial gift of power that allows the return of the forces of life.

On the ocean of feelings Poetry lies like a princess fairy When the current is opposite, she strives When in rhythm, she is merry…

The Argument of his Book I sing of Brooks, of Blossomes, Birds, and Flowers: Of April, May, of June, and July-Flowers. I sing of May-poles, Hock-carts, Wassails, Wakes, Of Bride-grooms, Brides, and of their Bridall-cakes. I write of Youth, of Love, and have Accesse By these, to sing of cleanly-Wantonnesse. I sing of Dewes, of Raines, and piece by piece Of Balme, of Oyle, of Spice, and Amber-Greece. I sing of Times trans-shifting; and I write How Roses first came Red, and Lillies White. I write of Groves, of Twilights, and I sing The Court of Mab, and of the Fairie-King. I write of Hell; I sing (and ever shall) Of Heaven, and hope to have it after all.

Giants in Jeans Sonnet 20 Who’s the saint, who’s the tyrant, Is not determined by the show of strength. Real mark of human character, Lies in your gentleness radiant. The strongest souls on earth, Keep their strength hidden unless needed, Whereas the shallow and the entitled, Walk around trotting over the hearts of the helpless. Turning the other cheek to the oppressor, May work in a world of fairies. In our primitive world of organic apes, Turning the other cheek means aiding inhumanities. Love is the only answer, there is no question, But it is a lover's duty to stand up to oppression.

She used to come for the Folklore Fridays. It was a pet project of Dad’s. People would come to the café and talk about Norfolk myths and legends, read short stories and poems. Sometimes there’d be a singer. Dad loved all that stuff. Black Shuck, the Lantern Men, the Fairy Cow, the Southwood Pond.

Deeply rooted in Celtic tradition, folklore, and mythology, fairies occupy a unique space within the realm of mythical creatures. Unlike iconic horror figures like vampires, werewolves, and zombies, fairies aren’t typically categorized as outright malevolent beings. In fact, their nature is multifaceted, as they are just as likely to grant wishes and bestow blessings as they are to mete out malicious retribution.

I never claimed to be Prince Charming, and my love isn't a fairy-tale type of love. I'm a fucked-up person with fucked up morals. I won't write you poems or serenade you under the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.

imagine a written version of the Cinderella story that begins and ends with a simple paraphrase of the Disney movie but contains, in between, a 10,000 word poem called “Cinderella’s Lament”—a brilliantly written feminist manifesto challenging most of the sexist assumptions in the original story. Imagine that the poem is written primarily from Cinderella’s perspective but includes speeches by the stepmother and stepsisters as well. The Cinderella of the poem (let us imagine) is as radical as the Disney version is safe. She questions some of her culture’s deepest values and beliefs that women should marry men, that rich and handsome princes are automatically desirable, that a man can love a woman even if he can’t remember what she looks like. The other characters in the poem are, of course, horrified by her unorthodox views, and they do everything they can to contradict her. Every time she speaks, they rebut everything she says. But Cinderella is a clever debater, and she holds her own. They go on arguing and arguing until the Fairy Godmother shows up and angrily puts an end to the debate. “I spent a lot of time and effort catching you a prince,” she tells Cinderella, “and you had better marry him fast if you don’t want to end up a pumpkin yourself.” Cinderella knows when she has been beaten, and she submits—not to a better argument, but to superior physical force. She marries the prince, and they live happily ever after—except, of course, they don’t, and we know they don’t because we have been made privy to Cinderella’s deepest thoughts.

Poetry and Ostrich Feathers A poet should leave his poem covered with a faint film of fairy dust, inviting the reader to bring his faint heart and an ostrich feather duster to the reading.

FAIRY-TALE   Suppose they really did live happily ever after. Suppose Cinderella was a good wife – and she could have been. I daresay she was reticent, timid, not one to make a fuss, or rock the boat, accustomed to orders and quiet in company. Suppose he was a good husband, the haughty prince, coddled from the cradle up. He might have pulled it off. He was in love after all, and love covers a multitude of offenses. Perhaps it wrapped up her social poverty and rough edges and lack of table manners in velvet and smoothed everything and the royal lovebirds got along just fine after all. Suppose that Belle forgot the beast-horns, the stamped image of his face framed with fur. Suppose she one day wrapped around his neck and felt only man-flesh there. Suppose Snow White stopped having nightmares about old women peddling apples, hook-nosed, cloaked, warted and long-fingered on her doorstep in the dusk. Suppose her prince one day learned to sleep the nights through, his fingers in her hair, no fear of jerking eyes wide to her screaming. I retain my right to believe in happy endings.

The Sad Boy Ay, his old mother was a glad one. And his poor old father was a mad one. The two begot this sad one. Alas for the single shoe The Sad Boy pulled out of the rank green pond, Fishing for fairies On the prankish advice Of two disagreeable lovers of small boys. Pity the unfortunate Sad Boy With a single magic shoe And a pair of feet And an extra foot With no shoe for it. This was how the terrible hopping began That wore the Sad Boy thin and through To his only shoe And started the great fright in the provinces above Brent Where the Sad Boy became half of himself To match the beautiful boot He had dripped from the green pond. Wherever he went weeping and hopping And stamping and sobbing, Pounding a whole earth into a half-heaven, Things split where he stood Into the left side for the left magic, Into no side for the missing right boot. Mercy be to the Sad Boy Scamping exasperated After a wide boot To double the magic Of a limping foot. Mercy to the melancholy folk On the Sad Boy's right. It was not for want of wandering He lost the left boot too And the knowledge of his left side, But because one awful Sunday This dear boy dislimbed Went back to the old pond To fish up another shoe And was quickly (being too light for his line) Fished in. Gracious how he kicks now All the little ripples up! The quiet population of Brent has settled down, And the perfect surface of the famous pond Is slightly pocked, marked with three signs, For visitors come to fish for souvenirs, Where the Sad Boy went in And his glad mother and his mad father after him.

Before they could decide what to do, the witches were upon them. Leona cackled even louder. Just look over there. You’ll see something scary. It’s Tinkerbell Mona Dressed up like a fairy! The witches squealed and guffawed. They snorted and wheezed and rolled on the ground. Mona waited until the laughter died down. Then her eyes flashed, and suddenly so did her magic wand. “Now I’ve got a poem for you,” she said, and pointed her wand straight at them. Ibbity bibbity, bobbity boad. Leona Fleebish, you’re a toad! Instantly, a bolt of white light shot out from the wand, Followed by a clap of thunder and a great puff of smoke! The next thing they knew, Wendell, Floyd, Mona, and Alice landed right back on the corner where their evening had begun. There wasn’t a witch in sight, and their bags were filled with wonderful, ordinary candy. Wendell stared at Mona’s wand. “How did you do that?” She just shrugged. “You said anything can happen on Halloween.” Later, they sat in Floyd’s living room, sorting their candy and sipping cocoa. “You know, Floyd,” said Wendell. “You make a pretty good pirate.” “Thanks. You’re a good mad scientist too, even if you are pink. But Mona was the best of all.” She smiled. “I guess being a fairy princess was okay. Still, I’m sort of glad it’s over. Now we can all get back to normal.” After a while, Leona Fleebish even stopped being a toad.

Besides, if she was able to get away, Dorothea would obtain the one thing that Avelina had dreamed of, written stories about, and imagined in many a long hour—true romantic love—about which the troubadours sang, the subject of epic poems and tales. No,

I never claimed to be Prince Charming and my love isn't fairy tale type of love. I'm a fucked-up person with fucked-up morals. I won't write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

I never claimed to be prince charming, and my love isn't a fairy tale type of love. I'm a fucked-up person with fucked-up morals. I won't write you poems or serenade you beneath the moonlight. But you are the only woman I have eyes for. Your enemies are my enemies, your friends are my friends, and if you wanted, I would burn down the world for you." - Alex Volkov

The Fairy Story (or Folk-tale if you prefer that name) has at any rate been altered: for in this case it has been welded into the 'history'. And not, I think, for the first time by our poet. Beowulf and the Monster were already grafted onto the court of Heorot before ever he made this poem. But however it was done, by one poet or a succession of them, it caused great changes not only of detail but of tone. And it did not leave the history unaffected. You have only to consider how different is magic, faerie, and the like when it takes place in the court of Camelot in the time of Arthur, that are placed in history and geography, from a mere fairy-tale; and how different is the atmosphere of Arthur's court for all its atmosphere of 'history' because of this fairy-element, to understand what I mean.

The hands you see floating above Will swiftly your bidding obey If your heart dreads not conquering Love In this place you may fearlessly stay.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.