Fairies Are Real Quotes

I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?

So maybe it wasn't the fairy tale. But those stories weren't real anyway. Mine were.

I wished that, for once, faery tales – real faery tales, not Disney fairy tales – would have a happy ending.

I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables.

In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life, the pricesses kiss princes, and the princes turn into frogs.

Think of every fairy-tale villainess you've ever heard of. Think of the wicked witches, the evil queens, the mad enchantresses. Think of the alluring sirens, the hungry ogresses, the savage she-beasts. Think of them and remember that somewhere, sometime, they've all been real. Mab gave them lessons.

It's the problem with fairy tales. From far away, they seem so perfect. But up close, they're just as complicated as real life.

My point is that when you fall in love it's with a real person with flaws. Not with a perfect character from a fairy tale.

Kami'd always retold her fairy tales to make the fair maidens braver and more self-sufficient, but she had never had any real objection to the handsome prince.

Vanity, in a fairy tale, will make you evil. Vanity in the real world will drive you nuts. Vanity makes you say things like “I deserved a better life than this.

When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.

That's the thing about being the product of happily marries parents, You grow up thinking the fairy tale is real, and more than that, you think you're entitled to live it. So far, though, it wasn't working out as planned.

Tuesday, November 17th. 1896 ... I remember I used to half believe and wholly play with fairies when I was a child. What heaven can be more real than to retain the spirit-world of childhood, tempered and balanced by knowledge and common-sense.

There's nothing deeper than love. In fairy tales, the princesses kiss the frogs, and the frogs become princes. In real life,the princesses kiss princes, and the princes turn into frogs.

It could have been like a fairy tale. But fairy tales aren't real. Things don't work like that. There's a price for everything.

I'd been right from the start—soulmates were for fairy tales. In real life, people were just people, and they couldn't be trusted.

This true difference in me now: I had these experiances, these tales, more of this life. So maybe it wasn't the fairy tale. But those stories weren't real anyway. Mine were.

Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.

Despite the fairy-tale snowstorm out there, this isn’t Narnia. This is London, real life, where hearts get kicked and bruised and broken, but somehow they still keep beating.

But if fairies and monsters were real, so were the women who defeated them.

Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different. And while we're on the subject, I'd like to say a few words about escapism. I hear the term bandied about as if it's a bad thing. As if "escapist" fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or for children, is mimetic fiction, mirroring the worst of the world the reader finds herself in. If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real. As JRR Tolkien reminded us, the only people who inveigh against escape are jailers.

What I mean is, all the terrible things that happen in fairy tales seem real. Or not real, but genuine. Life is unfair, and the bad guys keep winning and good people die. But I like how that's not always the end of it...Evil is real, but so is good. They always say fairy tales are simplistic, black and white, but I don't think so. I think they're complicated. That's what I love about them.

She knows that whispers can be useful. Sometimes they contain real information. But usually they're fairy tales and lies. This is the worst kind of whisper, the kind that draws you in, gives you hope.

While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.

young maidens now days get misty eyed thinking about true love and the fathomless adoration you will share. It’s not like that. Real love is looking at someone and knowing that you wouldn’t mind waking up to their bad breath for the next century, and you are fine with them seeing you before you brush your hair and fix your face for the day.

The combination of razor-sharp wit (completely real) and his credentials (completely fake) had won them over in the end.

The truth is that when one is still a child-or even if one is grown up- and has been well fed, and has slept long and softly and warm; when one has gone to sleep in the midst of a fairy story, and has wakened to find it real, one cannot be unhappy or even look as if one were; and one could not, if one tried, keep a glow of joy out of one's eyes.

Your American fairytales end that way.  Real fairytales end in blood or tears.

Don't ever let anyone tell you that fairy tales aren't real. I drink a potion made from magic beans every day, and it brings me back to life.

Fairy tales give it to us straight. They tell us something profound and essential - that the woods are real, and dark, and full of wolves. That we will, at times, find ourselves hopelessly lost in them. But these tales also tell us that we are all that we need, that we have all we need - guts, smarts, and maybe a pocketful of breadcrumbs - to find our way home.

They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.

Why should a man be scorned, if, finding himself in prison, he tries to get out and go home? Or if, when he cannot do so, he thinks and talks about other topics than jailers and prison-walls? The world outside has not become less real because the prisoner cannot see it. In using Escape in this way the critics have chosen the wrong word, and, what is more, they are confusing, not always by sincere error, the Escape of the Prisoner with the Flight of the Deserter. just so a Party-spokesman might have labeled departure from the misery of the Fuhrer's or any other Reich and even criticism of it as treachery .... Not only do they confound the escape of the prisoner with the flight of the deserter; but they would seem to prefer the acquiescence of the "quisling" to the resistance of the patriot.

Our world is not safe. It is a toxic swamp populated by predators and parasites. The odds are stacked against us from the moment of conception. We survive only because we fight the elements, hunger, disease, each other. And, although civilization promises us safe harbor, that promise is a fairy tale. Only the storm is real. It comes for each of us. And we cannot win. We can only choose how we will suffer our defeat. We can meekly take our beatings, and die like lemmings, finding solace in the belief that we shall one day inherit the earth. Or, we can plunge into the chaos with eyes wide open, taking comfort instead from the bruises, scars, and broken bones which prove that we fought to live and die as gods.

Your love story was no fairy tale. More like a witch tale. Wicked and real and painful.

Simon?” “Yeah?” “Can you tell me a story?” He blinked. “What kind of story?” “Something where the good guys win and the bad guys lose. A nd stay dead.” “So, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra. He’d had a crush on her when he was eight. Not that this seemed like the time to mention it. “No.” The word was an exhaled breath. “We study fairy tales in school. A lot of that magic is real—but, anyway. No, I want something I haven’t heard yet.” “Okay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. “A long time ago, in a galaxy far, far away…

For the trouble with the real folk of Faerie is that they do not always look like what they are; and they put on the pride and beauty that we would fain wear ourselves.

It's only in fairy tales that princesses can afford to wait for the handsome prince to save them. In real life, they have to bust out of their own coffins and do the saving themselves.

A real flame of love is a subtle thing. It burns as a will-o'-the-wisp, dancing onward to fairy lands of delight. It roars as a furnace. Too often jealousy is the quality upon which it feeds.

Do you believe in 'fairy tales'?" I asked, looking up into Lissa's eyes. "What . . . What kind of fairy tales?" "The kind you aren't supposed to waste your life on." [...] The question was: How long did I have to figure out if the impossible was actually possible? Because if Dimitri showed up before I had a chance to find the 'dragon' in this story—Victor—things were going to get ugly. If Dimitri came for me before I could get to Victor and Robert, I'd have to fight him again. I couldn't wait for this magical cure. I'd have to kill Dimitri for real this time and lose any chance I might have to bring back my 'prince.' Damn. It's a good thing I work well under pressure.

Tell me now, fairy as you are - can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather, your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think too good for common purpose: it was the real sunshine of feeling - he shed it over me now.

As this world becomes increasingly ugly, callous and materialistic it needs to be reminded that the old fairy stories are rooted in truth, that imagination is of value, that happy endings do, in fact, occur, and that the blue spring mist that make an ugly street look beautiful is just as real a thing as the street itself.

Love in the real world doesn’t usually work out the way stories make us think it should. We don’t always get fairy-tale endings. People split up and move on. Just because you love someone doesn’t mean you can’t love someone else.” - Georgina to Brandy

the fairy tale stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: The reading makes all real woods a little enchanted.

The ass to end all asses,” I said, unable to stop myself. “The Holy Grail of asses. If we lived in a world with fairies and elves, there would be epic quests to go get that ass. I wanted to bite it.

Fairy tales are even better when they're real

But I'm collecting the story of his life. The real story.' Chronicler made a helpless gesture. 'Without the dark parts it's just some silly f—' Chronicler froze halfway through the word, eyes darting nervously to the side. Bast grinned like a child catching a priest midcurse. 'Go on,' he urged, his eyes were delighted, and hard, and terrible. 'Say it.' Like some silly faerie story,' Chronicler finished, his voice thin and pale as paper. Bast smiled a wide smile. 'You know nothing of the Fae, if you think our stories lack their darker sides. But all that aside, this is a faerie story, because you are gathering it for me.

Actually, the zapping light was kinda like Sookie’s fairy-light-thing. Do you think there’s any chance I’m a fairy?” “No, Z. Focus. True Blood is fiction. This is the real world.

Maybe there aren’t any happily ever afters, or white knights who ride in on valiant steeds to save the day. Maybe, in real life, Prince Charming isn’t always perfect – he’s just as flawed as everyone else in the tale. And that princess, alone in her tower? She’s not perfect either. Birds don’t braid her hair every morning, she can’t serenade wild forest creatures into servitude, and she doesn’t even own a ball gown. But she’s also smart enough to know not to accept poisoned apples from strangers, or prick her finger on deadly spindles. She doesn’t wait around for a prince to charge in and slay the dragon. Maybe she saves herself and in the end, rides off into her own goddamned sunset.

In fairy tales, there were always ogres or evil queens or circumstances to be overcome. But in real life, you could give everything you had, everything you were, for someone, and still fall short.

I shook my head, folding my arms around my waist. He was wrong; he was the one offering fairy dust, Peter Pan offering to carry me off to the Neverland of soulfinders and happily ever after. But he was too late. Last night i had to grew up and I now knew that such dreams did not exist; real life was more like living with Captain Hook's mercenary pirates than playing happy families in a treehouse

He didn’t think like other people. He didn’t dismiss magic out of hand, and he didn’t believe that fairy tales were just for children. He knew magic was real, because he’d felt it

About that Hogwarts trip," I start. His hand freezes on the doorknob. "Lil..." His voice is more serious. "You know it's not-" I almost pounce on him to cover his mouth with my palm. "Don't say it's not real." It's just as bad as saying fairies aren't real. One of them will die as a result. We have to keep the faith.

Leaf once told me that there was absolutely no difference between the Orphans’ fairy tales and the nose on my face, because both were only as real as I thought they were.

There is nothing so nice as supposing. It's almost like being a fairy. If you suppose anything hard enough it seems as if it were real.

Surely she knows --like I do--that fairy tales are just stories. That happy endings aren't real.

These are challenges,” Jack told her. “That’s it. We are going to win. You know why? Because it doesn’t matter if you’re in a fairy tale or here in real life, doing the right thing still counts for something. We’re going to win because we’re good, decent people trying to accomplish something noble.

For instance, dragons are deeply revered by the Chinese. According to legend they have megapowers that include weather control and life creation. And they’re seen as kind, benevolent creatures. Funny. Every fairy tale I’d ever heard involving dragons starred daring knights trotting off to kill said dragons. Probably the real reason every time East meets West they get pissed off and throw tea in our faces.

I was wrong to tell you that this is a story about the failures of love. No, it is about real love, true love. Imperfect, wretched, weak love. No fairy tales, no poetry. It is about the negotiations we undertake with ourselves in the name of love. Every day we struggle to decide what to give away and what to keep, but every day we make that calculation and we live with the results. This then is the true lesson: there is nothing romantic about love. Only the most naive believe it will save them. Only the hardiest of us will survive it. And yet, And yet! We believe in love because we want to believe in it. Because really what else is there, amid all our glorious follies and urges and weaknesses and stumbles? The magic, the hope, the gorgeous idea of it. Because when the lights go out and we sit waiting in the dark, what do our fingers seek? Who do we teach for?

Infuriatingly stupid analysts - especially people who called themselves Arabists, yet who seemed to know next to nothing about the reality of the Islamic world - wrote reams of commentary [after 9/11]. Their articles were all about Islam saving Aristotle and the zero, which medieval Muslim scholars had done more than eight hundred years ago; about Islam being a religion of peace and tolerance, not the slightest bit violent. These were fairy tales, nothing to do with the real world I knew.

I realize that for all my penchant in believing that there's more to the world than what we can see, that folk tales and fairy tales are based on real, if forgotten events, I never accepted that part of it as being real.

It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...

I felt that what I had been standing on had collapsed and that I had nothing left under my feet. What I had lived on no longer existed, and there was nothing left. My life came to a standstill. I could breathe, eat, drink, and sleep, and I could not help doing these things; but there was no life, for there were no wishes the fulfillment of which I could consider reasonable. If I desired anything, I knew in advance that whether I satisfied my desire or not, nothing would come of it. Had a fairy come and offered to fulfil my desires I should not have know what to ask. If in moments of intoxication I felt something which, though not a wish, was a habit left by former wishes, in sober moments I knew this to be a delusion and that there was really nothing to wish for. I could not even wish to know the truth, for I guessed of what it consisted. The truth was that life is meaningless. I had as it were lived, lived, and walked, walked, till I had come to a precipice and saw clearly that there was nothing ahead of me but destruction. It was impossible to stop, impossible to go back, and impossible to close my eyes or avoid seeing that there was nothing ahead but suffering and real death--complete annihilation.

Most kids don't believe in fairy tales very long. Once they hit six or seven they put away "Cinderella" and her shoe fetish, "The Three Little Pigs" with their violation of building codes, "Miss Muffet" and her well-shaped tuffet—all forgotten or discounted. And maybe that's the way it has to be. To survive in the world, you have to give up the fantasies, the make-believe. The only trouble is that it's not all make-believe. Some parts of the fairy tales are all too real, all too true. There might not be a Red Riding Hood, but there is a Big Bad Wolf. No Snow White, but definitely an Evil Queen. No obnoxiously cute blond tots, but a child-eating witch… yeah. Oh yeah.

This isn't one of your fairy tales, Fallon. This is real life, and in the real world you have to bust your ass for the happy ever after! When you find love, you take it. You grab it with both hands and you do everything in your power not to let it go. You can't just walk away from it and expect it to linger until you're ready.

I think that if a real princess was lost in this modern world and she could be whatever she wanted, she would be a musician,' Blanche said slowly. 'A violinist, or a harpist. That would be the only place where she could find solace for her lost kingdom.

Real fairy tales are not for the faint hearted. In them, children get eaten by witches and chased by wolves; women fall into comas and are tortured by evil relatives. Somehow, all that pain and suffering is worthwhile, though, when it leads to the ending: happily ever after. Suddenly it no longer matters if you got a B- on your midterm in French or if you're the only girl in the school who doesn't have a date for the spring formal. Happily ever after trumps everything. But what if ever after could change?

People tell you to write what you know, but I've found that writing what you know is much harder than making it up. It's easier to research a historical period than your own life, and it's much easier to deal with things that have a little less emotional weight and where you have a little more detachment. It's terrible advice! So this is why you'll find there's no such place as the Welsh valleys, no coal under them, and no red buses running up and down them; there never was such a year as 1979, no such age as fifteen, and no such planet as Earth. The fairies are real, though.

No, of course not. The Redemption is nothing like a fairy tale, Miss Prim. Fairy tales and ancient legends arelike the Redemption. Haven’t you ever noticed? It’s like when you copy a tree from the garden on a piece of paper. The tree from the garden doesn’t look like the drawing, does it? It’s the drawing that’s a bit, just a little bit, like the real tree.

In fairy-tales, witches always wear silly black hats and black cloaks, and they ride on broomsticks. But this is not a fairy-tale. This is about REAL WITCHES. The most important thing you should know about REAL WITCHES is this. Listen very carefully. Never forget what is coming next.

Pretty' doesn't mean 'good,' you know, Geneva. Real life isn't like fairy tales. 'Pretty' simply means that by accident you've got things arranged on your outside in an extra-pleasing manner. It doesn't tell a thing about your inside.

If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave. He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him. So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now. But this isn't a fairy tale, and he doesn't appear. We stand here for a long time. He really left. Because it was all that we could do.

In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.

I kiss her with everything I have. Like I'll never kiss her again. Because this is real, we finally made it to this place, and it's better than any fairy tale. Because I'm done letting people stop me. Because here, always, we deserve this good thing.

We stand there with this big smile of respect between us. It’s about as real a smile as girls can do for each other, considering we don’t practice real smiling every day, you know, cause maybe we too busy being flowers or fairies or strawberries instead of something honest and worthy of respect . . . you know . . . like being people.

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .

You're safe with me, Mira. And I'm safe with you." He kissed her again to prove it. And when the clock struck one - that lone, ominous tone hovering in the dark - they were still kissing. Her razor blade had snagged his shirt and nicked his chest, and they'd ended up lying in the grass, hidden inside a shadow, ignoring their names whenever someone called them. He traced her mouth again and again, like he still couldn't believe it was real. There would always be a part of him she couldn't know. A secret place where his heartbreak was stored, where lost innocence and regret filled the air like smoke. She had no desire to open that door ... but she didn't know if that would change one day. If the key would tempt her, if a fairy would manipulate her or she would just be curious. But she had to believe she could be strong enough to resist. That what she wanted - what they both wanted - mattered more than the path that had been laid out for them. She let her hand slip under his shirt to touch the heart mark on his back, and he brought her other hand to his lips, and kissed every finger he'd entrusted with the key. He was so much more than his curse, and she was so much more than the girl who could betray him. Together ... they could be anything.

For I need not remind such an audience as this that the neat sorting out of books into age-groups, so dear to publishers, has only a very sketchy relation with the habits of any real readers. Those of us who are blamed when old for reading childish books were blamed when children for reading books too old for us. No reader worth his salt trots along in obedience to a time-table.

Your love life is insignificant when it comes to raising your children to be respectable human beings. The moment you see them suffer or lower their standards because of your selfishness, is the day you should realize that nothing matters more than them. You are not just the queen or king of your fairy tale. The real story of your life is the gift of time God gave you with them.

They won't tell you about how Red Riding was the wolf and Snow White went back to kill the queen. Or that Cinderella's step family mysteriously disappeared after she became queen. They are afraid to let you know that Aurora woke up screaming because a strange man was kissing her without her consent. Or how Ariel had no problem killing the two timing prince and restoring herself to the sea. The fairy tales we should tell our daughter should be about strong women with real flaws and incredible qualities. Let's raise girls who don't just wait to be rescued, but take destiny in their own hands and charge to battle dragons and their enemies.

Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him.

You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.

It was a fairy tale, no fooling. It was unreality becoming real. This frightened her. Because people don't care for unreality becoming real. It pricks their well-fed minds, you see, with something like a hunger pang. They prefer the logical stuffiness of expectancy. It is only at certain times that they weaken, letting imagination in. That's the time to get them. (“The Disinheritors”)

I’ve never believed in fairy tales. One day, the fairies will tell this story. There will be a valiant prince, a part no doubt played in history by the brave Vartan who journeys to rescue his bride from a dragon. There will be fairies. There will be horse-birds and there will be an enchanted blade. But, I will no doubt be stricken from the tale, a cursed blemish on a shining story. Happy endings don’t always happen in the real world.

For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good. Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm. Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive. And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal. That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest. And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.

In the old stories, despite the impossibility of the incidents, the interest is always real and human.  The princes and princesses fall in love and marry--nothing could be more human than that.  Their lives and loves are crossed by human sorrows...The hero and heroine are persecuted or separated by cruel stepmothers or enchanters; they have wanderings and sorrows to suffer; they have adventures to achieve and difficulties to overcome; they must display courage, loyalty and address, courtesy, gentleness and gratitude.  Thus they are living in a real human world, though it wears a mythical face, though there are giants and lions in the way.  The old fairy tales which a silly sort of people disparage as too wicked and ferocious for the nursery, are really 'full of matter,' and unobtrusively teach the true lessons of our wayfaring in a world of perplexities and obstructions.

At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory — if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can’t understand or explain.

Let him tell them the truth. Before the Gospel is a word, it is silence. It is the silence of their own lives and of his life. It is life with the sound turned off so that for a moment or two you can experience it not in terms of the words you make it bearable by but for the unutterable mystery that it is. Let him say, "Be silent and know that I am God" (Psalm 46:10). Be silent and know that even by my silence and absence I am known. Be silent and listen to the stones cry out. Out of the silence let the only real news comes, which is sad news before it is glad news and that is fairy tale last of all.

Kiran says (the shelf) is full of stories. If it is, then I like fairy stories. Fairy stories are fair. In them wishes are granted, words are enchanted, the honest and brave make it safely through to the last page and the baddies either have to give up their wickedness for ever and ever, no going back, or get ruthlessly written out of the story, which they hardly ever survive. Also in fairy stories there are hardly any of those half-good half-bad people that crop up so constantly in real life and are so difficult to believe in...

We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.

Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.

Being the reader of a dark fairy tale is much like being the hero of one. Our lives are filled with pain, boredom, and fear. We want to venture into the dark wood, to see the oddities and the beauties it holds, and to test ourselves against them. So we pick up a book of fairy tales. The real ones. THe weird ones. The dark ones. We see oddities and beauties galore. We test our courage and our understanding. Finally, we put the book down and return to our lives. And hopefully, just like the hero of the fairy tale, we return stronger, richer, and wiser. In difficult times - of recession and violence and political bitterness - we long for a dark forest to which we can escape; and from which we can return, better than we were before.

I realized at that moment - observing his form move further away without once turning back - that I’d already begun to rebuild the imaginary wall between us. I was shielding my heart with stone cold feelings again, the only way I knew to protect it. I still planned to try my hand at prayer. If God would grant me this one request, if I could keep my only friend, I would give anything in return, even the treasured books trapped beneath my arm. I’d tasted enough of a dismal life to know that a real, true friend was of greater worth than the collection of every imagined fairy tale in the world.

In your life, right here and now, things like mermaids, fairies, witches and monsters are nothing but fairytales told to your grandchildren and stories you heard from your own grandparents as children. They exist only in your imagination. Did you ever think that there is a chance all this was once real, that it all existed? Perhaps yes, but you would then consider such thoughts irrational, that even if you were to believe it and try telling someone they would think you for mad. In my world those creatures are real – I’m real, and I am here to tell you of a story that happened in eons past in the majestic island of Aster." - Queen of Merfolk Asteria - Ninemia

Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.

The fairy tale is accused of giving children a false impression of the world they live in. But I think no literature that children could read gives them less of a false impression. I think what profess to be realistic stories for children are far more likely to deceive them. I never expected the real world to be like the fairy tales. I think that I did expect school to be like the school stories. The fantasies did not deceive me: the school stories did. All stories in which children have adventures and successes which are possible, in the sense that they do not break the laws of nature, but almost infinitely improbable, are in more danger than the fairy tales of raising false expectations… This distinction holds for adult reading too. The dangerous fantasy is always superficially realistic. The real victim of wishful reverie does not batten on the Odyssey, The Tempest, or The Worm Ouroboros: he (or she) prefers stories about millionaires, irresistible beauties, posh hotels, palm beaches and bedroom scenes—things that really might happen, that ought to happen, that would have happened if the reader had had a fair chance. For, as I say, there are two kinds of longing. The one is an askesis, a spiritual exercise, and the other is a disease.

We divide the world -to stop us feeling frightened- into wrong and into right, into black and into white, into real men and fairies, into status quo and scary. We divide the world into terrorists and heroes, into normal folk and weirdos, into good people and pedos, yeah we want the world binary, binary, but it's not that simple. We divide the world into liberals and gun-freaks, into atheists and fundies, into teetotallers and junkies, into chemical and natural, into fictional and factual, into science and supernatural, but it's actually, naturally, not that white and black The more you know, the harder you will find it, to make up your mind, and it doesn't really matter if you find you can't see which grass is greener -chances are it's neither- and either way it's easier to see the difference when you're sitting on the fence -cause it's not that simple- From: The Fence (An Anthem to Ambivalence)

His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts. "Those are…" "Patrick's?" "Well, his name isn't tattooed on them, but yeah, currently they are reserved for him." I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?" "Got it in one," he said, silver eyes twinkling. "You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it. "So, you're Patrick's soul mate." "No." "But you read the scroll. Only his sonuachar can do that." "Let me explain." I paused. "No, there is too much. Let me sum up." " The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions. "Ruadan, we're in a bit of crisis around here." "Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!" He jumped up and down, the swords held above his head, and did a victory dance. "You're like a big puppy!" I exclaimed. "A big, dumb puppy.

I am not sure whether I can make you understand it. It was something more than a prudent desire to avoid creatures alien in kind, very powerful, and very intelligent. The truth was that all I heard about them served to connect two things which one's mind tends to keep separate, and that connecting gave one sort of a shock. We tend to think about non-human intelligences in two distinct categories which we label "scientific" and "supernatural" respectively. We think, in one mood, of Mr. Wells' Martians (very unlike the real Malacandrians, by the bye), or his Selenites. In quite a different mood we let our minds loose on the possibility of angels, ghosts, fairies, and the like. But the very moment we are compelled to recognise a creature in either class as real, the distinction begins to get blurred: and when it is a creature like an eldil the distinction vanishes altogether. These things were not animals-to that extent one had to classify them with the second group; but they had some kind of material vehicle whose presence could (in principle) be scientifically verified. To that extent they belonged to the first group. The distinction between natural and supernatural, in fact, broke down; and when it had done so, one realised how great a comfort it had been-how it had eased the burden of intolerable strangeness which this universe imposes on us by dividing it into two halves and encouraging the mind never to think of both in the same context.

New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth." Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design. I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq. There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard. And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!" Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school. We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave. As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.

Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.