Fade Up Relationship Quotes

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Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
Sierra D. Waters (Debbie.)
The most important quality in the man you decide to marry should be the ability to make you laugh. Beauty fades, careers end, money comes and goes, religions change, children grow up and move away, spouses get sick, struggles happen, family members die, senility sets in when your older, but the ability to make you giggle every day is the most precious gift God can give you to get through all of it.
Shannon L. Alder (300 Questions LDS Couples Should Ask Before Marriage)
Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened every day and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breath in and out. You’re going to be fine in about five minutes.
Kalyn Roseanne Livernois (High Wire Darlings)
When I looked up at the drink counter from my seat, I went still as a statue, barely breathing. I caught sight of such a wonderful man; one that had the power to stop my breath. Who was I? What was I? Where was I? Everything around me started to fade away. The guy blurred my vision and poisoned my conscience.
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
Relationships never truly ended, and even when people faded from you their effect was preserved somewhere in the particle physics of experience where everything is a compound made up of traces of everything else.
Ronan Hession (Panenka)
Companionate love is neurologically different from passionate love. Passionate love always spikes early, then fades away, while companionate love is less intense but grows over time. And, whereas passionate love lights up the brain’s pleasure centers, companionate love is associated with the regions having to do with long-term bonding and relationships. Anthropologist Helen Fisher, the author of Anatomy of Love and one of the most cited scholars in the study of sex and
Aziz Ansari (Modern Romance: An Investigation)
Not until I felt your sunshine, Did I realize that I had been in the shade. Not until I saw all your colors, Did I realize that mine had faded. Not until I heard your dreams, Did I realize that I was still sleeping. And not until I experienced my life with you, Did I realize that I was barely Breathing. NOT UNTIL I MET YOU by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
Somewhere buried deep in my heart was a longing for him, for us, for all that had remained unfinished. I only wished that my heart understood the way my mind did, that some questions could never be answered, that some words needed to remain unsaid, that some of our most significant relationships needed to be severed.
Jacqueline Simon Gunn (Before the Footprints Fade (Hudson River #2))
Newness wears off. This is something I’ve learned about relationships. I’ve had more than a few run their course, the idiosyncrasies that were once endearing becoming annoying, the jump of my heart into my throat at the sight of her lessening to a skip, then a pause, then the bare recognition that at some point slips into dread, and you know it’s time to end it. It’s different with Alex. The newness might have faded, which is inevitable, but it’s grown into something better. The panic of not being able to come up with something to say to her has settled into the comfort of companionable silence, my hand resting on her knee, or her head on my chest. The frantic need to be near her and know how she feels has morphed into an almost pleasant ache of missing her when she’s not with me, because I know we’ll be together again.
Mindy McGinnis (The Female of the Species)
Dear J., I want to explain something. After my dad set me on fire...Well...He died in jail while I was in the hospital getting skin grafts. And I never got to tell him how much he hurt me. Not just physically, but inside, you know? So I took it out on other things for a while. I'm better now. I get counseling for it, and I'm really better. But I'm not perfect. And I'm still fighting it. See... You're like the only person I have in my life that I really care about. I'm selfish about that. I don't want anybody to touch you. I want to keep you safe. That's why I hate this assignment so much. Now that I have you, I'm afraid to see you get hurt or messed up, like I was. I'm afraid I'll lose you, I guess. I wish you could always be safe. I worry a lot. If you weren't so damned independent...Ah, well. *smile* As much as we have been through in the past few months, we still don't know each other very well, do we? I want to change that about us. Do you? I want to know you better. Know what makes you happy and what scares you. And I want you to know that about me, too. I love you. I will try to never hurt you again. I know I'll screw up. But I'll keep trying, as long as you let me. Love, Cabe
Lisa McMann (Fade (Wake, #2))
IN ALL UNEQUAL relationships, those lacking a name or explicit recognition, there is usually one person who takes the initiative, who phones to suggest meeting up, while the other person has just two possibilities or ways of reaching the same goal of not fading away or vanishing, even though he or she believes that, whatever happens, this is sure to be his or her final fate. One way is simply to wait and do nothing, trusting that eventually the other person will miss you, that your silence and absence will become unexpectedly unbearable or even worrying, because we all very quickly grow accustomed to what is given to us or what is there.
Javier Marías (The Infatuations (Vintage International))
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
What happened to you?” she asked. “Bullets hurt,” he said. “It missed the artificial arm by two inches, damn the marksman. I hate people who can’t shoot straight.” “How many this time?” she asked with a smile. “Just one,” he said. “In the shoulder. It’s much better now.” He shook his head. “I’m getting too old for this. I’ve got so many broken bones that I can’t move fast enough anymore.” She smiled wider. “Someday you’ll find a woman who’s worth giving up the danger for.” The smile faded. “You’re like Tate. He loves his work. He probably lives on adrenaline. Funny. I never understood that before. Now suddenly everything is clear. I was living on pipe dreams.” He sighed. “It was more than his heritage that kept him away from you,” he said. “I knew, but I couldn’t explain it to you. Work like ours demands sacrifice. Any loved one can become a hostage. Any relationship can take away the edge we need when we’re under fire. A man with something to lose isn’t a man to send on a potential suicide mission. Take your mind off the objective for one minute, and you’re dead.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Decisions are difficult for many reasons, some reaching down into the very socket of being. John Gardner, in his novel Grendel, tells of a wise man who sums up his meditation on life’s mysteries in two simple but terrible postulates: “Things fade: alternatives exclude.” Of the first postulate, death, I have already spoken. The second, “alternatives exclude,” is an important key to understanding why decision is difficult. Decision invariably involves renunciation: for every yes there must be a no, each decision eliminating or killing other options (the root of the word decide means “slay,” as in homicide or suicide). Thus, Thelma clung to the infinitesimal chance that she might once again revive her relationship with her lover, renunciation of that possibility signifying diminishment and death.
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
Remember those cocaine addicts whose dopamine receptors (the tiny hands that grab neurochemicals) decreased after repeated drug use? Cocaine blasts the reward circuitry so that it pumps out massive amounts of exciting dopamine. This accounts for the high. Then two things happen simultaneously. First, the high begins to fade as the brain disposes of the extra dopamine. Second, because so much excess dopamine can damage or kill nerve cells, the cells protect themselves by reducing the number of dopamine receptors (little “hands”) on their surfaces. If a thunderstorm rolls in, you close all the windows and wait for it to pass. That’s what the cells do, except they assume that another storm is on the way, and stay closed up for a while. The addict has lowered her sensitivity to dopamine—a substance that helped give her the high. Now our addict feels rotten. She has two choices: Take more cocaine to jack up her mood artificially by saturating the remaining dopamine receptors, or suffer withdrawal symptoms. Withdrawal symptoms arise when the reward circuitry is starving for dopamine. Whether you have too few receptors for dopamine, or too little dopamine circulating around the nerve cells, you get the same result. Your reward circuitry batteries are low, leaving you with an acute desire to feel normal again.
Marnia Robinson (Cupid's Poisoned Arrow: From Habit to Harmony in Sexual Relationships)
If you see things with real insight, then there is no stickiness in your relationship to them. They come, pleasant and unpleasant, you see them and there is no attachment, They come and they pass. Even if the worst kinds of defilement come up, such as greed or anger, there enough wisdom to see their impermanent nature and allow them to fade away. If you react to them, by liking or disliking, that is not wisdom. You're only creating more suffering for yourself.
Ajahn Chah
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
Rachel Heffington
I dreamed not long ago of that market with all its vivid textures. I walked through the stalls with a basket over my arms as always and went right to Edita for a bunch of fresh cilantro. We chatted and laughed and when I held out my coins she waved them off, patting my arm and sending me away. A gift, she said. Muchas gracias, señora, I replied. There was my favorite panadera, with clean cloths laid over the round loaves. I chose a few rolls, opened my purse, and this vendor too gestured away my money as if I were impolite to suggest paying. I looked around in bewilderment; this was my familiar market and yet everything had changed. It wasn't just for me—no shopper was paying. I floated through the market with a sense of euphoria. Gratitude was the only currency accepted here. It was all a gift. It was like picking strawberries in my field: the merchants were just the intermediaries passing on gifts from the earth. I looked in my basket: two zucchinis, an onion, tomatoes, bread, and a bunch of cilantro. It was still half empty, but it felt full. I had everything I needed. I glanced over at the cheese stall, thinking to get some, but knowing it would be given, not sold, I decided I could do without. It's funny: Had all the things in the market merely been a very low price, I probably would have scooped up as much as I could. But when everything became a gift, I felt self-restraint. I didn't want to take too much. And I began thinking of what small presents I might bring to the vendors tomorrow. The dream faded, of course, but the feelings of euphoria and then of self-restraint remain. I've thought of it often and recognize now that I was witness there to the conversion of a market economy to a gift economy, from private goods to common wealth. And in that transformation the relationships became as nourishing as the food I was getting. Across the market stalls and blankets, warmth and compassion were changing hands. There was a shared celebration of abundance for all we'd been given. And since every market basket contained a meal, there was justice.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Independent Women Lucy Liu... with my girl, Drew... Cameron D. and Destiny Charlie's Angels, Come on Uh uh uh Question: Tell me what you think about me I buy my own diamonds and I buy my own rings Only ring your cell-y when I'm feelin lonely When it's all over please get up and leave Question: Tell me how you feel about this Try to control me boy you get dismissed Pay my own fun, oh and I pay my own bills Always 50/50 in relationships The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Tell me how you feel about this Who would I want if I would wanna live I worked hard and sacrificed to get what I get Ladies, it ain't easy bein' independent Question: How'd you like this knowledge that I brought Braggin' on that cash that he gave you is to front If you're gonna brag make sure it's your money you flaunt Depend on noone else to give you what you want The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Destiny's Child Wassup? You in the house? Sure 'nuff We'll break these people off Angel style Child of Destiny Independent beauty Noone else can scare me Charlie's Angels Woah All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that [repeat until fade]
Destiny's Child
I’d go with him. We’d be old enough. We’d make a whole new life together, a normal one. Ever since that bus ride, I’d been carrying my love for him around in my pocket. I should have handed it to him then and there in exchange for the gloves, but the briars and brickles of shame had been too sharp. By the time they receded, it felt stupid to bring it up. Then that faded, and all I could do was wait for an opening, some situation where he and I were hanging out and shooting love darts at each other. When it arrived, I’d say, all joshing, Hey, you remember when you thought I needed gloves? Yeah, he’d laugh. I’ve wanted to give you my paper airplane necklace ever since. And our relationship would bloom from there. Every day, I looked for this opening. It could be tomorrow. “Time to go,” Dad said, finally. His face was glistening. Me and Sephie’s pops and quarters were long gone and our stomachs were growling. We’d been sitting near the door, wishing Dad would take the hint and leave, but he’d kept up at that hot conversation with Bauer. We followed him outside. “Keep your friends close and your enemies closer,” Dad said when we finally slid inside the van, his voice full of bravado. Except I could tell he was scared. Mom wasn’t going to be happy that we were out so late on a school night and that Dad was driving drunk, but that wasn’t it. No, he looked jumping-ghost scared, and that made me uneasy. It did even worse to Sephie. It must have. That’s the only explanation for why she broke the rule about inviting conversation with Dad when he’d been drinking. “Are you okay, Daddy?” She hardly ever called him that anymore. I didn’t think he was going to respond, but he finally did, his voice all bluster. “As okay as a man can be in a country where nothing’s sacred.” I wondered what he meant. He and Bauer had talked about so many things. Well, I wasn’t going to
Jess Lourey (Unspeakable Things)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
And then, as slowly as the light fades on a calm winter evening, something went out of our relationship. I say that selfishly. Perhaps I started to look for something which had never been there in the first place: passion, romance. I aresay that as I entered my forties I had a sense that somehow life was going past me. I had hardly experienced those emotions which for me have mostly come from reading books or watching television. I suppose that if there was anything unsatisfactory in our marriage, it was in my perception of it—the reality was unchanged. Perhaps I grew up from childhood to manhood too quickly. One minute I was cutting up frogs in the science lab at school, the next I was working for the National Centre for Fisheries Excellence and counting freshwater mussel populations on riverbeds. Somewhere in between, something had passed me by: adolescence, perhaps? Something immature, foolish yet intensely emotive, like those favourite songs I had recalled dimly as if being played on a distant radio, almost too far away to make out the words. I had doubts, yearnings, but I did not know why or what for. Whenever I tried to analyse our lives, and talk about it with Mary, she would say, ‘Darling, you are on the way to becoming one of the leading authorities in the world on caddis fly larvae. Don’t allow anything to deflect you from that. You may be rather inadequately paid, certainly compared with me you are, but excellence in any field is an achievement beyond value.’ I don’t know when we started drifting apart. When I told Mary about the project—I mean about researching the possibility of a salmon fishery in the Yemen—something changed. If there was a defining moment in our marriage, then that was it. It was ironical, in a sense. For the first time in my life I was doing something which might bring me international recognition and certainly would make me considerably better off—I could live for years off the lecture circuit alone, if the project was even half successful. Mary didn’t like it. I don’t know what part she didn’t like: the fact I might become more famous than her, the fact I might even become better paid than her. That makes her sound carping.
Paul Torday (Salmon Fishing in the Yemen)
When we have to pay a lot for something nice, we appreciate it to the full. Yet as its price in the market falls, passion has a habit of fading away. Why, then, do we associate a cheap price with lack of value? Our response is a hangover from our long preindustrial past. For most of human history, there truly was a strong correlation between cost and value: The higher the price, the better things tended to be, because there was simply no way both for prices to be low and for quality to be high. It is not that we refuse to buy inexpensive or cheap things. It's just that getting excited over cheap things has come to seem a little bizarre. How do we reverse this? The answer lies in a slightly unexpected area: the mind of a four-year-old. Children have two advantages: They don't know what they're supposed to like and they don't understand money, so price is never a guide to value for them. We buy them a costly wooden toy made by Swedish artisans who hope to teach lessons in symmetry and find that they prefer the cardboard box that it came in. If asked to put a price on things, children tend to answer by the utility and charm of an object, not its manufacturing costs. We have been looking at prices the wrong way. We have fetishised them as tokens of intrinsic value; we have allowed them to set how much excitement we are allowed to have in given areas, how much joy is to be mined in particular places. But prices were never meant to be like this: We are breathing too much life into them and thereby dulling too many of our responses to the inexpensive world. At a certain age, something very debilitating happens to children. They start to learn about "expensive" and "cheap" and absorb the view that the more expensive something is, the better it may be. They are encouraged to think well of saving up pocket money and to see the "big" toy they are given as much better than the "cheaper" one. We can't directly go backwards; we can't forget what we know of prices. However, we can pay less attention to what things cost and more to our own responses. We need to rethink our relationship to prices. The price of something is principally determined by what it cost to make, not how much human value is potentially to be derived from it.
Alain de Botton (The School of Life: An Emotional Education)
Sam didn't need to hear the rest of it--- which was that before heading to the recycling center I planned to watch a few episodes of Buffy the Vampire Slayer. For research--- or so I told myself. The show had to be wildly inaccurate when it came to vampire details, but after two days of processing what had happened with Frederick the other night, my panic over the situation was fading. And my curiosity was growing. What was it like to be an immortal who drank human blood? Did Frederick's heart beat? What were the rules governing how he lived and ate... and died? It wasn't much, but without getting back in touch with Frederick himself, Buffy was about all I had for guidance. It had to be more accurate representation of vampires than Twilight or those old Anne Rice novels, right? Plus, it was an enjoyable show. The fact that Buffy also showed romantic human-vampire relationships had absolutely nothing to do with my interest, of course. Neither did the fact that I hadn't been able to get Frederick's pleading eyes, or his assurances that he would never hurt me, out of my head since the morning I first woke up on Sam's couch.
Jenna Levine (My Roommate Is a Vampire)
at Mike and then back at me. “I really don’t’ want to talk about this, but I have to say something. You know, my ex, Vanessa? Well, she would’ve never been okay with ordering food from here. She’d always say it was beneath her to eat anywhere that didn’t have a Michelin star. Said it was ‘uncouth’” “Well…that’s not very nice,” I responded. The warmth I’d been feeling from Tristan’s praise faded a little at the mention of his ex-fiancée, though I tried to keep my voice steady. He’d only mentioned her casually, and it wasn’t to praise her, so that had to be a good sign, right? At least, he was feeling comfortable enough to open up about his past relationships. It wasn’t as if the twit had bulldozed herself into his house like Brad did. “She wasn’t a very nice person now that I really think about it,” Tristan replied. “Mike warned me about her so many times. I really should’ve listened to him.” “Why didn’t you?” I asked before I could stop myself. “Coz he’s a bloody wanker!” Mike’s voice chimed in from the back seat. I didn’t realize he could hear our low voices, and the look on Tristan’s face said he’d probably rather talk about something else, but he continued on. He blew out long breath and continued. “Lots of reasons, none of which sound very good to me now. My parents liked her, though now I know a few more things… I think my father only liked the idea of her. My mum probably faked it for me.” I didn’t know what to say to that. I mean, I knew Tristan’s dad didn’t like me. The man called me a freakin’ strumpet for Christ’s sake! But I didn’t even know if his mom knew anything about me or if I even existed for that matter. I was a little worried maybe Tristan was trying to hide things, well, maybe trying to hide me. “I hope, maybe one day in the future… she’ll actually like me and not have to …to fake it.” My words tumbled out and seemed to plunge the car into an awkward silence. The only sound I could hear was my own breathing. The silence stretched past the point of comfort and just as I was about to take it all back, Tristan finally spoke. “My mum will adore you.” The remainder of the drive was made in silence and soon enough, we found ourselves at the door of Mike’s flat. Even Tristan seemed to need a moment to brush off the seriousness
Amanda Heartley (Oceans Apart Series Collection)
When the first day of the festival had concluded, I retired early, my feet aching and my body exhausted. Narian had left us after our tour of the grounds, and I had not seen him since, although I hoped he would come to me now. He did, but even as he dropped through my window, he seemed distracted, far away inside his own head. I tried to engage him in conversation, but found it to be mostly one-sided, for I could not hold his interest. Though there was no smooth way to launch into the necessary topic, I did so anyway, doubtful that he was even listening. “Are you upset that your family was with us today?” I asked. “You invited them?” Judging by the tone of his voice, I had landed upon the correct issue. “Yes. It made sense to do so.” “I suppose,” he replied, but I knew the answer did not reflect his actual thoughts. “They’re old friends of my family, Narian. And I thought perhaps you would…enjoy seeing them again.” “Alera, they don’t want my company.” “Your mother does.” His eyes at last met mine. “I spoke to her about you. She would give up her husband to regain her son.” “I doubt that’s true,” he said with a short laugh. “It is,” I insisted, reaching out to run a hand through his hair. I might have changed her words a little, but I understood her intent. “She told me so herself. Believe it.” Narian stared at me, a flicker of hope on his face that quickly faded into his stoic façade. “Even if what you say is true,” he said at last, “in order to have a relationship with her, with my siblings, I need to have one with Koranis.” “You’re right,” I admitted, for my dinner at the Baron’s home had proven that to be the case. He sat on the bed beside me and drew one knee close to his chest. “Koranis doesn’t want to be anywhere near me, and to be honest, I have no interest in a relationship with him. I have no respect for him.” Narian read the sympathy in my eyes. “It’s all right, Alera. I don’t need a family.” “Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.” I thought for a moment I had hit a nerve, but instead he made a joke out of it. “Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.” I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was.
Cayla Kluver (Sacrifice (Legacy, #3))
All the imaginaries of breakup are fading. Children finding it impossible to leave their families. It's the same with couples. They no longer split up. Why bother? Things are just the same everywhere else. You just negotiate your mutual indifference. It's the same with the political situation. Whatever the government, no one's keen to change it, since every alternative illusion is dead. Thus the politi cal relationship has got itself into the same conjugal neurosis as the couple or the rising generation. The price to be paid is that of a low intensity, a scaled-down demand, an air-conditioned intelligence which allows us never to cross the threshold of breakup.
Jean Baudrillard (Cool Memories)
When I was in a relationship, I was faithful.” “I have no proof of that.” The smile faded. “I wouldn’t do that. I don’t get the point. If someone’s unhappy, talk about it. If you can’t fix it, man up and be honest about wanting to leave.
Susan Mallery (Christmas on 4th Street (Fool's Gold #12.5))
Love has given me great pleasure but takes up too much time. I have often been in love. I am surprised when someone loves me. I do not consider myself handsome just because a woman thinks so. I sometimes feel like an imposter without knowing why, as if a shadow falls over me and I can't make it go away. If over time a woman I'm seeing starts to use the expressions I do, I may begin to pity her. I have left a woman because I didn't love her anymore and didn't like the way I was around her. I find something pleasant in the pain of a fading love. I have more good memories than bad ones. I masturbate less to pictures than to memories. I would like to have myself hypnotised by my wife, but I'm not married.
Édouard Levé
The more desired relationship is one of respect and trust. If so, this change can start with a change of attitude. If you observe Self 1, in its critical posture, it looks down at Self 2 and diminishes it (in its own eyes) with its disparaging thoughts. The other possibility is to learn to look up to Self 2. This is the attitude of respect based on true recognition of its natural intelligence and capabilities. Another word for this attitude is humility, a feeling that happens naturally in the presence of something or someone you admire. As you find your way to an attitude that slopes upward toward Self 2 with respect, the feelings and thoughts that accompany the controlling and critical attitude fade and the sincerity of Self 2 emerges. With an attitude of respect, you learn to speak in the language of the respected person.
W. Timothy Gallwey
Once commissions are vested on a schedule that prioritizes customer relationships, a lot of the ugliness that usually defines sales cultures disappears. Salespeople do a better job qualifying customers, the hypercompetition eases up, the backslapping fades, the teams align their expectations and their goals. It just works better. For everyone.
Tony Fadell (Build: An Unorthodox Guide to Making Things Worth Making)
We like to believe when something is over, it’s behind us. Finished. Done. A neat package we can tuck into our closet or toss with the trash. But everything we do, everyone we love, stays with us in one form or another. Feelings fade, yes, while experience changes us. And thank goodness. Experience is how we learn. It’s how we love better the next time. I’ve seen hundreds of clients amid a so-called breakup or divorce. Many mourn the end of a relationship years after the fact. Grief, pain, or general discomfort following the loss of love—even if you initiated its end—is inevitable. I’ve found if we can reframe this end point into something else, a gain, a path forward, we lessen our struggle. When we stop resisting, grief and pain become momentum propelling you into the next phase of your life. They signify not a closed door but a long hallway with many paths. When I ask my clients to swap the defeatist terminology of “breaking up” or “divorce” for “working through the end of our relationship,” at first, they almost always resist. “It’s so awkward,” they tell me. “Forced.” To which I reply, “Yes, and we know change is uncomfortable. Stay with it and see what comes. It’s an experiment, nothing more.” Soon, they might begin to talk of their “breakup,” catch themselves, and start again using new words. Instead of saying, “It’s so hard. I’m so miserable,” they say, “It hurts, but we’re continuing to work through it.” Aha! Now we can begin to focus not on the loss but what is gained. 48
Lauren Parvizi (La Vie, According to Rose)
Places Times Weather All these drew up my mother inside my thoughts, Rain especially. Falling past the trees, each drop throwing replicas into the air. In the same manner my tears would fall from my face. And so I searched for her in my dreams. And watched her walk away from me in real life. The anger in her eyes and her coldness that was who she was, Yet she walked away from me in real life. I knew this in the diminishment of my life.. Because she had been the nourishment of my life.. I don’t know if I was the one who packed my bags and left... Or she was the one who left me. But thoughts of her began fading from my mind and I stopped looking for her in my dreams.
Ayanda Ngema (They Raped Me: So, Now What?)
The anxiety Winnicott refers to is the profoundly disturbing loss of an emerging sense of self. For example, Ian had an extreme stress reaction when another child stood too close to him in the lunch line at school. His body went into fight-or-flight mode and he shoved her. The teacher told him that he might be sent home if he did not calm down, but her words likely held no meaning for him. The intensity of his distress kept his mind firmly rooted in the here and now, unable to imagine a future time. At that moment, as Ian’s teacher was standing over him and speaking in a harsh, reprimanding voice, his basic feeling that I am Ian might very well have faded away. This loss of
Claudia M. Gold (The Power of Discord: Why the Ups and Downs of Relationships Are the Secret to Building Intimacy, Resilience, and Trust)
I think I’m the only woman you’ve loved in forever. And you were going to pitch me out that fast, just because I make you nervous. I thought you didn’t trust me, but now I think you don’t trust yourself.” She shook her head. “I don’t want a man like that. I need a man with guts, who’s sure of himself. Confident enough to stand by me. I need a man who’s not afraid to take a risk or two for something important.” “I’ve taken a risk or two,” he said. “And you don’t scare me. Come up here on the porch.” “No. Not until you say that if we stay solid, there will be a real relationship and a family. I don’t want any of this ‘I don’t get involved’ shit. It’s all crap, Luke. You can have some time to be sure, I’m patient. But I’m not giving you up.” He smiled at her. “I don’t need time to be sure. I know how I feel.” “Still on that? Still that ‘never gonna happen’ bullshit?” “Okay, I guess it could happen,” he said. “If it did happen, it would happen with you. I just always thought you deserved more.” “More than everything I’ve ever wanted in the world? See what an idiot you turned out to be?” He had to laugh. She was something, this woman. “Shelby, come here. I don’t have to think about it—you’re the most solid thing I’ve ever had in my life. Now come here.” “I thought I wasn’t enough for you—but I was too much,” she said. “And you don’t get to decide what I deserve. What I deserve is a man who looks at me grow fat on his baby and feels pride. Love and pride.” “Okay then,” he said. “I love you. Come here.” “Not good enough. You have to say something to convince me this is worth the gamble. I came a long way and I came alone. I was betting on you, on us. I love you and you love me and I’m sick of screwing around. Say the right thing for once. Say something profound.” He stared at her and his smile slowly faded. He put his hands on his hips. He took a deep breath and felt tears gather in his eyes. “You’re all I need to be happy, Shelby,” he said. “You’re everything I need…” He actually surprised her. Her arms dropped from over her chest and she gaped at him for a second. “You’re everything,” he said. “It scares me to death, but I want it all with you. I want you for life. I want what you want, and I want it right now.” “Huh?” “Everything, Shelby. I want you to be the lead in my shoes that keeps me on the ground. The mother of my children. My best friend, my wife, my mistress. It’s a tall order.” He took a breath. “If you won’t quit, I won’t.” “You’re sure about that?” she asked him. “Sure it scares the hell out me you’ll change your mind? Or sure I want it all? Oh, yeah, honey. I’m sure.” “I won’t change my mind,” she said softly. “I can’t hear you!” he yelled. “I can’t hear you because you won’t come out of the frickin’ rain!” She ran up the porch steps and into his arms.
Robyn Carr (Temptation Ridge)
Companionate love is neurologically different from passionate love. Passionate love always spikes early, then fades away, while companionate love is less intense but grows over time. And, whereas passionate love lights up the brain’s pleasure centers, companionate love is associated with the regions having to do with long-term bonding and relationships.
Aziz Ansari (Modern Romance)
Passion may fade. Affection may wane. A heart may change. Falling in love can be a risky act if your love flows like driving a race car full speed ahead down the freeway. Risk assessment is needed for a romantic venture.
Florence Chow (Break-Up Survival: I Lost Him but I Found Myself)
I'd never really considered Mum's opinions about anything. Dad had opinions, I had opinions, but Mum was just Mum. She looked after everyone else. No one asked her what she thought. And all the time, she'd had these ideas - well thought-out and intelligent and brave. I felt a wave of sickness rising up in me. I'd never really seen her. I'd allowed her to be invisible, to fade into the background, to be defined in my mind only by her relationships with the rest of us, like so many women since the dawn of time. How could I have been so blind and self-centred?
Roz Watkins (The Devil’s Dice (DI Meg Dalton, #1))
But when the wave of passion sweeps over her, she does not renounce the brilliant smile of life, she does not hypocritically wrap herself up in a faded cloak of female virtue. No, she holds out her hand to her chosen one and goes away for several weeks to drink from the cup of love’s joy, however deep it is, and to satisfy herself. When the cup is empty, she throws it away without regret and bitterness. And again to work.
Kollontai Alexandra
The reality of social networking sites is that they provide platforms for online personae to interact with other online personae. Importantly, such relationships can be ended with a click of an 'unfriend,' 'unfollow,' or 'block' button. Breaking up like this constitutes a morally lightweight action. Certainly it flies in the face of Cicero's advice that a friendship 'should seem to fade away rather than to be stamped out.' The respect that Cicero demanded that we pay to a friendship, even one that has turned sour, did not anticipate the tenuous connection inherent in being a facebook friend.
Marilyn Yalom (The Social Sex: A History of Female Friendship)
Today the cloud is the central metaphor of the internet: a global system of great power and energy that nevertheless retains the aura of something noumenal and numnious, something almost impossible to grasp. We connect to the cloud; we work in it; we store and retrieve stuff from it; we think through it. We pay for it and only notice it when it breaks. It is something we experience all the time without really understanding what it is or how it works. It is something we are training ourselves to rely upon with only the haziest of notions about what is being entrusted, and what it is being entrusted to. Downtime aside, the first criticism of this cloud is that it is a very bad metaphor. The cloud is not weightless; it is not amorphous, or even invisible, if you know where to look for it. The cloud is not some magical faraway place, made of water vapor and radio waves, where everything just works. It is a physical infrastructure consisting of phone lines, fibre optics, satellites, cables on the ocean floor, and vast warehouses filled with computers, which consume huge amounts of water and energy and reside within national and legal jurisdictions. The cloud is a new kind of industry, and a hungry one. The cloud doesn't just have a shadow; it has a footprint. Absorbed into the cloud are many of the previously weighty edifices of the civic sphere: the places where we shop, bank, socialize, borrow books, and vote. Thus obscured, they are rendered less visible and less amenable to critique, investigation, preservation and regulation. Another criticism is that this lack of understanding is deliberate. There are good reasons, from national security to corporate secrecy to many kinds of malfeasance, for obscuring what's inside the cloud. What evaporates is agency and ownership: most of your emails, photos, status updates, business documents, library and voting data, health records, credit ratings, likes, memories, experiences, personal preferences, and unspoken desires are in the cloud, on somebody else's infrastructure. There's a reason Google and Facebook like to build data centers in Ireland (low taxes) and Scandinavia (cheap energy and cooling). There's a reason global, supposedly post-colonial empires hold onto bits of disputed territory like Diego Garcia and Cyprus, and it's because the cloud touches down in these places, and their ambiguous status can be exploited. The cloud shapes itself to geographies of power and influence, and it serves to reinforce them. The cloud is a power relationship, and most people are not on top of it. These are valid criticisms, and one way of interrogating the cloud is to look where is shadow falls: to investigate the sites of data centers and undersea cables and see what they tell us about the real disposition of power at work today. We can seed the cloud, condense it, and force it to give up some of its stories. As it fades away, certain secrets may be revealed. By understanding the way the figure of the cloud is used to obscure the real operation of technology, we can start to understand the many ways in which technology itself hides its own agency - through opaque machines and inscrutable code, as well as physical distance and legal constructs. And in turn, we may learn something about the operation of power itself, which was doing this sort of thing long before it had clouds and black boxes in which to hide itself.
James Bridle (New Dark Age: Technology and the End of the Future)
I often find people wondering why relationships seem to fade in intensity. Some possible light on the subject: When you first meet someone your whole world is about them! As time passes we as humans start to think about what we are GETTING from the relationship as opposed to what we are GIVING. I have read several books on the subject (and started to write one). It is ok (and natural) for a relationship to transition from the "new car" to the "old comfortable shoe". This is the way of humans. It's ok for the roaring flame to become a smoldering ember but every once in awhile we need to throw another chunk of wood on the fire to stoke it up and get that warmth that we desire. Keep your expectations reasonable!!!!
Nitya Prakash
His dismissal shouldn’t hurt. I’m only pretend-dating his son. I don’t even want to like Blake, and I will never meet this man again. Still, to be judged unworthy in so short a space of time really pisses me off. I at least deserve a shot. Blake vanishes into the bathroom. As I’m marshaling the nerve to try and start a polite conversation, Mr. Reynolds looks off into the distance, hoists his water glass, and lets out a sigh. “Fifty thousand dollars.” My first thought is that Blake must have told him about our deal after all. I sit in place, waiting for him to give some explanation, to make some sort of demand. But he takes a long swallow of water and doesn’t say anything more. I fold my hands in my lap. “Well?” he asks after a few interminable seconds. “I can’t wait forever.” He’s not even going to pretend to be polite, and I suspect that everything he says from here on out will only get worse. Fine. If he wants to play that way, I can come along for the ride. “No,” I say with my most charming smile. “You probably can’t. Five minutes of your time is worth a fortune. But my time is worth basically nothing. So if we want to keep staring at each other, I’ll win. Eventually.” He leans against the booth, letting his arm trail along the back. He has Blake’s wiry build, but there’s an edginess to him that Blake lacks, as if he has a low-voltage current running through him at all times. He drums his fingers against the table as if to dispel a constant case of jitters. His glare intensifies. “Cut the innocent act. If you’re smart enough to hold Blake’s interest, you’re smart enough to know what I’m talking about. My son is obviously emotionally invested in you, and I’d rather he not be hurt any more than necessary. If all you want is money, I’ll give you fifty thousand dollars to walk away right now.” I pause, considering this. On the one hand, fifty thousand dollars to walk away from a nonexistent relationship is a lot of money. On the other hand, technically, at this point, Blake has offered me more. Besides, I doubt Mr. Reynolds would ever actually pay me. He’d just spill everything to Blake, assuming that revealing my money-grubbing status would end this relationship. In other words, true to form, he’s being a dick. Surprise, surprise. “I see you’re thinking about it,” he says. “Chances are this thing, whatever it is, won’t last. We’ve established that you don’t really care about Blake. The only thing left to do is haggle over the price.” “That’s not what I’m thinking.” I pick up my own water glass and take a sip. “I think we need to make the stakes even. I’ll accept sixty-six billion dollars. I take cash, check, and nonliquid assets.” His knowing smirk fades. “Now you’re just being ridiculous.” I set my glass down. “No. I’m simply establishing that you don’t love your son, either.” He almost growls. “What the fuck kind of logic is that? Sixty-six billion dollars is materially different than fifty thousand.” The bathroom door opens behind us, and Blake starts toward us. Mr. Reynolds looks away from me in annoyance. Blake approaches the table and slides in next to me. He sits so close I can feel the warm pressure of his thigh against mine. He looks from me to his father and back. “What’s going on?” The fact that I’m not actually dating Blake, and don’t care about the state of his relationship with his terrible father, makes this extremely easy. “Your father and I,” I tell him sweetly, “are arguing over how much he’ll pay me to dump you. Stay out of this; we’re not finished yet.” “Oh.” A curiously amused look crosses Blake’s face. “He offered fifty thousand bucks,” I say. “I countered with sixty-six billion.” Blake’s smile widens. “She’s not negotiating in good faith,” Mr. Reynolds growls. “What the fuck kind of girlfriend did you bring?” “Don’t mind me.” Blake crosses his arms and leans back. “Pretend I’m not here. Carry on.
Courtney Milan
We could express this power in the following way: Most of the time we live in an interior world of dreams, desires, and obsessive thoughts. But in this period of exceptional creativity, we are impelled by the need to get something done that has a practical effect. We force ourselves to step outside our inner chamber of habitual thoughts and connect to the world. At these moments, suddenly exposed to new details and ideas, we become more inspired and creative. Once the deadline has passed or the crisis is over, this feeling of power and heightened creativity generally fades away. We return to our distracted state and the sense of control is gone. The problem we face is that this form of power and intelligence is either ignored as a subject of study or is surrounded by all kinds of myths and misconceptions, all of which only add to the mystery. We imagine that creativity and brilliance just appear out of nowhere, the fruit of natural talent, or perhaps of a good mood, or an alignment of the stars. It would be an immense help to clear up the mystery—to name this feeling of power, and to understand how it can be manufactured and maintained. Let us call this sensation mastery—the feeling that we have a greater command of reality, other people, and ourselves. Although it might be something we experience for only a short while, for others—Masters of their field—it becomes their way of life, their way of seeing the world. And at the root of this power is a simple process that leads to mastery—one that is accessible to all of us. The process can be illustrated in the following manner: Let us say we are learning the piano, or entering a new job where we must acquire certain skills. In the beginning, we are outsiders. Our initial impressions of the piano or the work environment are based on prejudgments, and often contain an element of fear. When we first study the piano, the keyboard looks rather intimidating—we don’t understand the relationships between the keys, the chords, the pedals, and everything else that goes into creating music. In a new job situation, we are ignorant of the power relationships between people, the psychology of our boss, the rules and procedures that are considered critical for success. We are confused—the knowledge we need in both cases is over our heads. Although we might enter these situations with excitement about what we can learn or do with our new skills, we quickly realize how much hard work there is ahead of us. The great danger is that we give in to feelings of boredom, impatience, fear, and confusion. We stop observing and learning. The process comes to a halt. If, on the other hand, we manage these emotions and allow time to take its course, something remarkable begins to take shape. As we continue to observe and follow the lead of others, we gain clarity, learning the rules and seeing how things work and fit together. If we keep practicing, we gain fluency; basic skills are mastered, allowing us to take on newer and more exciting challenges.
Robert Greene (The Concise Mastery (The Modern Machiavellian Robert Greene Book 1))