“
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?"
His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together."
"Then why did you lie to me?"
We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help.
"Why did you lie?" I murmured again.
Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer.
"Because we can't be together."
"Because of the age thing, right?" I asked. "Because you're my mentor?"
His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her."
I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
We love until we do not. For us, love doesn't fade gradually. It snaps like a branch bent too far.
”
”
Holly Black (The Darkest Part of the Forest)
“
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!”
Clary squinted at it. “Is it going to turn me into a rodent?”
“Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass.
“I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.”
“Brown?” Isabelle made a face.
“Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.”
Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.”
“You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.”
“Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.”
“There are worse things,” Magnus observed.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I am a man, and men do not drink pink drinks. Now, be gone, woman, and fetch me something brown." Jace said.
"Brown?" said Isabelle.
"Yes. Brown. It's a manly color. See? Alec is wearing it." Jace said.
"Well, it was black but it faded." Alec said.
"Well, I can always fix it up with something sparkly," Magnus said, holding a sparkley headband.
"Resist the urge, Alec, resist the urge." Simon said.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me.
Ash?
“Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.”
I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob.
“Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
With your face and your beautiful eyes and the coversations with the little white lies and the faded picture of a beautiful lie you carry me from your car up the stairs,and I broke down crying was she worth this mess? After everything and that little black dress.After everything i must confess...I need you <3'':)
-Taylor Swift
”
”
Taylor Swift (Taylor Swift - Fearless Songbook: Guitar Recorded Versions)
“
Call me," she whispered to him with a confidence that would fade as the days passed.
Qhuinn smiled a little. "Take care."
At the sound of the two words, Blay relaxed, his big shoulders easing up. In Qhuinn-landia, "Take care" was synonymous with "I'm never going to see, call or fuck you again.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
The thing that scares me is that some part of me understands where they're coming from. They took everything from us, you know? Why shouldn’t we be able to take it back if we have the power to?
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her."
"I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Claire was struggling through last summer’s diary volume when Myrnin popped in through the portal, wearing a big floppy black hat and a kind of crazy/stylish pimp coat that covered him from neck to ankles, black leather gloves, and a black and silver walking stick with a dragon’s head on it. And, on his lapel was a button that said, If you can read this, thank a teacher.
”
”
Rachel Caine (Fade Out (The Morganville Vampires, #7))
“
She smashes her knuckles into winter
As autumn's wind fades into black
She is the saint of all the sinners,
the one whose fallen through the cracks...
(iViva la Gloria!)
”
”
Billie Joe Armstrong
“
Black is the color that is no color at all.
Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
It is a road. A forgotten night sky broken up by faded stars.
It is the barrel of a new gun, leveled at your heart.
The color of Chubs's hair, Liam's bruises, Zu's eyes.
Black is a promise of tomorrow, bled dry from lies and hate.
Betrayal.
I see it in the face of a broken compass, feel it in the numbing grip of grief.
I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke.
It is the fire.
The spark.
Black is the color of memory.
It is our color.
The only one they'll use to tell our story.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Abruptly, Blay's blue stare found his.
And what Qhuinn saw in it caused him to falter: Love shone out of that face, unadulterated love untempered by the shyness that was very much part of his reserve.
Blay didn't look away.
And for the first time ... neither did Qhuinn.
He didn't know whether the emotion was for his cousin—it probably was-but he'd take it: He stared right back at Blaylock and let everything he had in his heart show in his face.
He just let that shit fly.
Because there was a lesson in this Fade ceremony tonight: You could lose the ones you loved in the blink of an eye-and he was willing to bet when it happened, you weren't thinking about all the reasons that could have kept you apart.
You thought of all the reasons that kept you together.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Some people are simply destined for meteoric lives, magnificently bright and awesome for a while until they slowly burnout and fade to black.
”
”
Michael Bowe (Skyscraper of a Man)
“
Fade to black. Or whatever color you like. If you can find a way to fade to pink or purple, please do.
”
”
David Levithan (Hold Me Closer: The Tiny Cooper Story)
“
All stories are recycled and all stories are unfair. Many get luck, and many get misery. Many are born to homes with books, many grow up in the swamps of war. In the end, all becomes dust. All stories conclude with a fade to black.
”
”
Shehan Karunatilaka (The Seven Moons of Maali Almeida)
“
Every year, the bright Scandinavian summer nights fade without anyone's noticing. One evening in August you have an errand outdoors, and all of a sudden it's pitch-black. It is still summer, but the summer is no longer alive.
”
”
Tove Jansson (The Summer Book)
“
I had a dream about you. Our relationship faded from red to white, and somewhere in the middle, in the pink zone, I told you I loved you and you returned it. However, at white, our relationship went black and I sought red in the arms of another woman.
”
”
Jarod Kintz (Dreaming is for lovers)
“
Oh, was that liquor of yours a stimulant?" asked Elena. "I wondered why he didn't fall asleep."
"Couldn't you tell?" chuckled Mayhew.
"Not really."
Miles twisted his head to take in Elena's upside-down worried face, and smile in weak reassurance. Sparkly black and purple whirlpools clouded his vision. Mayhew's laughter faded. "My God," he said hollowly, "you mean he's like that all the time?
”
”
Lois McMaster Bujold (The Warrior's Apprentice (Vorkosigan Saga, #2))
“
Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
”
”
Sierra D. Waters (Debbie.)
“
Batman: a force of chaos in my world of perfect order. The dark side of the Soviet dream. Rumored to be a thousand murdered dissidents, they said he was a ghost. A walking dead man. A symbol of rebellion that would never fade as long as the system survived.
Anarchy in black.
”
”
Mark Millar (Superman: Red Son)
“
THE JOURNEY
Above the mountains
the geese turn into
the light again
Painting their
black silhouettes
on an open sky.
Sometimes everything
has to be
inscribed across
the heavens
so you can find
the one line
already written
inside you.
Sometimes it takes
a great sky
to find that
first, bright
and indescribable
wedge of freedom
in your own heart.
Sometimes with
the bones of the black
sticks left when the fire
has gone out
someone has written
something new
in the ashes of your life.
You are not leaving.
Even as the light fades quickly now,
you are arriving.
”
”
David Whyte
“
You knew a book was amazing when you missed the transition from the sun shining to the sky fading to black
”
”
Brittainy C. Cherry (Disgrace)
“
That was seven years ago. The doctors told her father the memory would fade, like the big messy scar on her arm, but neither ever did.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
Time had not faded my memories (as I had prayed to God it might), nor had it healed my wounds as it is said always to do. I began each day with the hope that the next day would be better, my recollections a little less pointed, but I would awake to the same pain, as if a black lamp were burning eternally inside me, radiating darkness.
”
”
Orhan Pamuk (The Museum of Innocence)
“
I did my best to fight and claw my way back to the life I once knew, but panic had taken over and colors were swirling and fading all around me. It was all turning into a great cloud of blackness, just like the one I had seen in my dream. The looming cloud of nothingness I had feared for so long was finally grabbing me, wiping my world dark and blank. The darkness was thick and intense, an inky void that stretched to eternity in every direction. Eventually my panic burnt itself out and I simply stayed there in the dark, feeling as if someone had drained my adrenal glands. I was no longer responding to the dark with fear, but acceptance. In fact, curiosity was beginning to take over.
The longer I let myself stare into it, the less dark it appeared. After some time, I realized that it was all different shades of murky black and foggy gray overlapping and undulating, just out of focus. I blinked mentally and suddenly she was there, standing above me with concern etched in sooty-colored lines on her monochromatic face.
”
”
Misty Mount (The Shadow Girl)
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
And that's when Anna realized that what the wolf had been asking Bran for was death.
Impulsively, Anna stepped away from Charles. She put a knee on the bench she'd been sitting on and reached over the back to close her hand on Asil's wrist, which was lying across the back of the pew.
He hissed in shock but didn't pull away. As she held him the scent of wilderness, of sickness, faded. He stared at her, the whites of his eyes showing brightly while his irises narrowed to small bands around his black pupil.
"Omega," he whispered, his breath coming harshly.
”
”
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
“
Ala Moire let out a scream of agony, but as he fell he released a flame of white from his open hand. Armon was engulfed in a white brilliance and experienced a pain he had never felt before in all his dark life. His black robes fell to the floor, and the tattoos on his face faded to grey. Then Armon dissolved in a sheet of white, gone to join his ancestors.
”
”
Robert Reid (White Light Red Fire)
“
We stood for a moment, the brackish canal water teething at the stone,the last of the stars fading as the sky transformed from black to indigo. A pair of swans like large white clouds floated on the water, their heads tucked under their wings, as a gondola pulled up, a lantern on the prow, the gondolier on the stern, rubbing his sleepy eyes.
”
”
Gina Buonaguro
“
When it comes to love, Princess, rules blur, and traditions fade,
”
”
Rose B. Mashal (Black Keys (Colorblind, #1))
“
Maybe that was what true love meant: a bitterness that stayed on the tongue when everything else faded.
”
”
Zen Cho (Black Water Sister)
“
Western funerals: black hearses, and black horses, and fast-fading flowers. Why should black be the colour of death? Why not the colours of a sunset?
”
”
Daniele Varè (The Maker of Heavenly Trousers)
“
I let myself feel good for no reason. I let joy happen right there and then, and it's inside me and around me, it's the lights on the road ahead, the clean black of the night, the cold air coming through the window. It's like hearing a song for the first time and being struck by it, haunted by it, wanting to hunt it down and catch it, because the song sums up something you didn't know you wanted to say, giving you chills and goose bumps. But even as you find out what it's called, and you're thinking you'll download it, you've already lost. Because the feeling was right then and there and it's already fading like a dream.
You just have to see those times for what they are: a chance to look down at your life. And when you do, you see it's a skin made up of shiny little moments.
”
”
Kirsty Eagar (Raw Blue)
“
His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's guardians someday. I need to protect her at all cost. If a pack of Strigoi come, I need to throw my body between them and her."
"I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
The girl clung to the boy so she could chase away her dark. He was light, and she was fading. She was drowning, and she just couldn’t stop.
”
”
Rachel E. Carter (Last Stand (The Black Mage, #4))
“
When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
”
”
Orhan Pamuk (The Black Book)
“
Enzo looks up at me. Suddenly, the blackness in his eyes seems to fade, replaced by the familiar warm brown of his irises, the red slashes, the glow of life. I see a hint of his old self there, fighting through the darkness of the Underworld to gaze at me one last time. It is the look he’d given me when we used to dance.
This is the real Enzo.
“Let me go,” he whispers. It is his voice. It is the voice that once comforted me, gave me strength. And as I try to take in his words, the final tendrils of the tether linking us unravel from around my heart, freeing me.
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
Night is done, gone the moon, gone the stars
From the skies.
Fades the black of night
Comes the morn with rosy light.
Fold your wings, go to sleep,
Rest your gizzards, Safe you'll be for the day.
Glaux is nigh.
Far away is first black,
But it shall seep back
Over field
Over flower
In the twilight hour.
We are home in our tree.
We are owls, we are free.
As we go, this we know
Glaux is nigh.
”
”
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
“
What you write down sometimes leaves you forever, like old photographs left in the bright sun, fading to nothing but white. I pray for that sort of release.
”
”
Stephen King (The Man in the Black Suit: 4 Dark Tales)
“
It faded slowly, ebbing like the tide. He rolled onto his back, staring up, his head still aching. The black clouds were beginning to roll back, showing a widening strip of blue; the Angel was gone, the lake surging under the growing light as if the water were boiling.
Simon began to sit up slowly, his eyes squinted painfully against the sun. He could see someone racing down the path from the farmhouse to the lake. Someone with long black hair, and a purple jacket that flew out behind her like wings. She hit the end of the path and leaped onto the lakeside, her boots kicking up puffs of sand behind her. She reached him and threw herself sand behind her. She reached him and threw herself down, wrapping her arms around him. “Simon,” she whispered.
He could feel the strong, steady beat of Isabelle’s heart.
“I thought you were dead,” she went on. “I saw you fall down, and—I thought you were dead.”
Simon let her hold him, propping himself up on his hands. He realized he was listing like a ship with a hole in the side, and tried not to move. He was afraid that if he did, he would fall over. “I am dead.”
“ I know,” Izzy snapped. “I mean more dead than usual.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
You're my light, Amanda. In a life full of shadows, and darkness, and monsters, you're my light. When the blackness fades, and the memories subside, you'll be there. You're always there.
”
”
Jay McLean (More Than Him (More Than, #3))
“
Her smile faded. “Do you know the worst thing about it? I forgot him. Daemon was a friend, and I forgot him. That Winsol, before I was…he gave me a silver bracelet. I don’t know what happened to it. I had a picture of him. I don’t know what happened to that either. And then he gave everything he had to help me, and when it was done, everyone walked away from him as if he didn’t matter.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
The kids in the League knew about the camps-vaguely. There were only a few of us who had actually lived in one and experienced the life firsthand, but there was an unspoken rule we didn't talk about it. Everyone knew the truth, but the truth didn't live inside them the same way it did for us. They'd heard about the sorting machines, the cabins, the testing, but most of their stories were gossip, completely wrong. These kids had never stood for hours on end in an assembly lime. They didn't know fear came in the shape of a small black camera lens, an eye that followed you everywhere at all times.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
He saw the black water and the declining sun and the swan dipping down, its white wings flashing, and slowing and slowing till silver ripples carried it home. It was a scene which seemed the heart of this land. The lowing sun and the one star waking, white wings on a black water, and the smell of rain, and the long lane fading where a voice comes in the falling night.
--Ireland, said Scrotes.
--Yes, this is Ireland.
”
”
Jamie O'Neill (At Swim, Two Boys)
“
I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.
It's my fault. I am forgetting too much.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
That was the thing about life: even when the days faded to black, you were always given another chance, a second moment to try again to rise from the ashes.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
Inside, the horror he felt when she spoke those words— have you ever wondered if anyone truly loved you— hasn’t faded, but he can hide that. Easily. For the first time, he hates how easily. He hates that he can fold himself up so tightly in his own skin that there’s nothing real about him on the outside.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
Jace?" She offered him the glass.
"I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown."
"Brown?" Isabelle made a face.
"Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it."
Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded."
"You could dress it up with a sequined headband," Magnus suggested.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Dear Karen,
I've been thinking about Us, the story of us. How the fuck do I sum it up? Has it been perfect? Hardly. Any story with me at the center of it will never be anything less than a big smiling mess. But here's what I know for sure—our time in the sun has been a thing of absolute fucking beauty. The nightmares, the hangovers, the fucking and the punching. The gorgeous shimmering insanity of the city of ours. Where for years I woke up, fucked up, said I was sorry, passed out and did it all over again.
As a writer, I'm a sucker for happy endings. The guy gets the girl, she saves him from himself, fade to fucking black. As a guy who loves a girl, I realize there's no such thing. There's no sunset. There's just now, and there's just the two of us, which can be scary fucking ugly sometimes. But if you close your eyes and listen for the whisper of your heart—if you simply keep trying and never ever give up, no matter how many times you get it wrong, until the beginning and the end blur into something called until we meet again -- and that's it.
I didn't know how to finish it, because it's not over. It'll never be over, as longs as there's you, and there's me, and there's hope, and grace.
”
”
Hank Moody
“
There must be a way to fight this. To block out the black thoughts and make the voices go away. But with each memory fading, their hold on me strengthens. Soon the person I was, still am, will be gone. I'll be hollow.
”
”
Jeyn Roberts (Dark Inside (Dark Inside, #1))
“
I’ll always remember that’s you found me and brought me to the Lost Cities and showed me where I really belong. And that you came when I called for help and saved me from fading away. And you left everything behind to go with me when I joined the Black Swan. Need me to keep going? Because I can.”
His smile was a beautiful thing.
But it didn’t last.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
Marriage felt like a fading American institution, as relevant to me as the Elks Club. Plus, I considered myself punk rock, and punk rockers don't believe in boring societal conventions like marriage. We prefer boring societal conventions like punk rock.
”
”
Michael Ian Black (You're Not Doing It Right: Tales of Marriage, Sex, Death, and Other Humiliations)
“
Believe me. There was nothing good in always being second place. Next to you, I may as well have been invisible - at least when it came to the ladies. If I'd known, we'd both end up as bachelors, I wouldn't have been so jealous of you.'
'Jealous?' Akkarin's smile faded. He turned away to stare at the horizon. 'No. Don't be jealous.
”
”
Trudi Canavan (The Novice (Black Magician Trilogy, #2))
“
You are my life.” Though his words were barely a whisper, they seemed to echo from somewhere deep within him, enveloping my body and infusing me with something unshakable. “There is nothing I would not do to make you happy. Before I met you, my world was a string of days that were gray and empty. I had nothing to look forward to, and I cannot tell you what it was like, facing down eternity alone. Every day I wished for you. Every day I held on in hopes that eventually we would meet. And when I finally found you...”
He leaned in and kissed me again, astenderly as before. His hand slid underneath my shirt, splaying across my stomach, but the touch wasn’t sexual. It was as if he were trying to memorize me, just as I was trying to memorize him.
“I have existed for more eons than I remember. I have seen the sun rise and fall so many times that the days lost all meaning. For so long, they passed me by in a blur. But that night we met by the river—the night you gave up yourself in order to save a virtual stranger—my heart began to beat again.”
He took my hand and pressed it against his chest, and there it was—thump thump, thump thump, strong and beautiful. I would’ve given anything to keep his heart beating. The black abyss that had become my world in those hours I’d thought he was dead had faded, but it was a scar I would always bear. I couldn’t go back to that. Even if I had Milo, I would never have another Henry.
”
”
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
“
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain.
The cord snapped.
For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense.
Jem was dead.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light.
”
”
Jack London (White Fang)
“
He stared right back at Blaylock and let everything he had in his heart show in his face.
He just let that shit fly.
Because there was a lesson in this Fade ceremony tonight: You could lose the ones you loved in the blink of an eye - and he was willing to bet, when it happened, you weren't thinking about all the reasons that could have kept you apart. You thought of all the reasons that kept you together.
And, no doubt, how you wished you'd had more time. Even if you'd had centuries...
When you were young, you thought time was a burden, something to be discharged as fast as possible so you could be grown-up. But it was such a bait-and-switch - when you were an adult, you came to realize that minutes and hours were the single most precious thing you had.
No one got forever. And it was a fucking crime to waste what you were given.
-Qhuinn
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
The sooner you step up into the greater most authentic version of You, the sooner your fears will dissipate, the sooner your concerns will begin to fade, the sooner life will bend towards you. The more you will flow with life. You
”
”
Rebecca Campbell (Light is the New Black: A Guide to Answering Your Soul's Callings and Working Your Light)
“
And I shall take my leave of you now- unless you have plans to shoot me. In which case, I shall take you with me." He lifted up his other hand. In it was a small black handset. " Just so we're clear, the bomb that is wired to the undercarriage of my car will go off if my thumb contracts- which is precisely the kind of autonomic jerk that will occur if you put a bullet in my chest or my back. Oh and mayhap I should mention that the explosion has a radius that more than includes where you are, and the detonation is so efficient, you will not be able to dematerialize out of the zone fast enough"
Xcor laughed with genuine respect. "You know what they say about suicide, don't you. No Fade for them "
"Its not suicide if you shoot me first. Self-defense"
"And your willing to test that out?"
"If you are
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Death watched me, amusement once again lifting to his dark eyes. Unlike me with my bedraggled clothes and knotted hair, he looked good in the morning light streaming into my apartment. Okay, actually, he looked exactly the same as when I’d first seen him when I was five years old, but recently I’d come to appreciate the way his black T-shirt pulled tight over the expanse of his shoulders and his faded jeans hugged his ass. Not that I was looking, of course. I mean, he was Death.
”
”
Kalayna Price (Grave Dance (Alex Craft, #2))
“
See me. See me for who I am. I am magic. I am human. I am inhuman. See me. I am a boy. I am a girl. I am everything and nothing in between. See me. You do. You see me. You recoil in fear. You scream in anger. See me. I bleed. I ache. You see me, and you wish you hadn’t. You wish I was invisible. Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you can’t. You want me lost, but I am found in the breaths I take, in the spaces between heartbeats. I am found because I refuse to be in black and white, or any shade of gray. I am color. I am fire. I am the sun, and I will burn away the shadows until only light remains. And then you will have no choice but to see
”
”
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
“
I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic.
Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed.
“My beloved is dead,” he said out loud.
As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting.
She was… dead.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Foreign stars in the nights down there. A whole new astronomy Mensa, Musca, the Chameleon. Austral constellations nigh unknown to northern folk. Wrinkling, fading, through the cold black waters. As he rocks in his rusty pannier to the sea's floor in a drifting stain of guano. What family has no mariner in its tree? No fool, no felon. No fisherman.
”
”
Cormac McCarthy (Suttree)
“
No! No!” the star crackled desperately. “That’s wrong! I’m supposed to die!” “But I could save you if you’d let me catch you,” Michael told it gently. “No!” cried the star. “I’d rather die!” It dived away from Michael’s fingers. Michael plunged for it, but it was too quick for him. It swooped for the nearest marsh pool, and the black water leaped into a blaze of whiteness for just an instant. Then there was a small, dying sizzle. When Sophie hobbled over, Michael was standing watching the last light fade out of a little round lump under the dark water. “That was sad,” Sophie said.
”
”
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
“
I went outside. Tried taking in the billions of stars above, lingering long enough to allow each point of light the chance to scratch a deep hole in the back of my retina, so that when I finally did turn to face the dark surrounding forest I thought I saw the billion eyes of a billion cats blinking out, in the math of the living, the sum of the universe, the stories of history , a life older than anyone could have ever imagined. And even after they were gone--fading away together, as if they really were one--something still lingered in those sweet folds of black pine , sitting quietly, almost as if it too were waiting for something to wake.
”
”
Mark Z. Danielewski (House of Leaves)
“
Jared kept walking down the hall past rows of dead aristocrats. He was looking for someone. Then he saw her name, ELINOR LYNBURN, in faded gold on black wood. She looked even weirder than the dude in the white wig. She was wearing a cone-shaped headdress with a veil, and she seemed to be bald, which was hard luck on Elinor.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning.
And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car.
Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late."
Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms.
"Hunter!" she gasped as he carried her effortlessly toward the car.
He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
...we could see the parapet of Ryougoku Bridge, arching above the waves that flickered in the faint mid-autumn twilight and against the sky, as though an immense black Chinese ink stroke had been brushed across it. The silhouettes of the traffic, horses and carriages soon faded into the vaporous mist, and now all that could be seen were the dots of reddish light from the passengers' lanterns, rapidly passing to and fro in the darkness like small winter cherries.
”
”
Ryūnosuke Akutagawa
“
Mattia was right: the days had slipped over her skin like a solvent, one after the other, each removing a very thin layer of pigment from her tattoo, and from both of their memories. The outlines, like the circumstances, were still there, black and well delineated, but the colors had merged together until they faded into a dull, uniform tonality, a neutral absence of meaning.
”
”
Paolo Giordano (The Solitude of Prime Numbers)
“
When the tornado dwindled, a bolt of lightning streamed from Master Joroku’s sleeve. It wrapped around Patrick as if a noose. A flash and Patrick was yanked from Lyly’s arms. Patrick faded into the darkness then reappeared as a black mist. No wait … a cat! A black cat with glowing copper eyes. Joroku swiped his hand along the floor and Lyly’s feet jerked out from under her. She hovered delicately for only a moment over the paper. As Joroku moved his hands, Lyly spun as freely as a spinning wheel. Several times she twirled. As if with no friction, Lyly spun faster and faster. Joroku pounded his hand into the air and Lyly was sucked into the cloth paper. Lyly was gone.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
William slapped him on the shoulder, sending Sex into rapturous convulsions. “Before we do this, I’ve got one question for you. And you can’t lie. This is too important.”
A bit sick to his stomach at what such a debaucher could want to know, Paris cast his attention to the black-haired, blue-eyed he-devil. “Ask.”
“Are you going to suggest I kiss you for good luck or strength or whatever it is your sex demon needs?”
That earned the warrior a two-fingered salute.
“So that’s a no?” William asked.
Paris worked his jaw. “Here, let me help you off the cliff to the drawbridge.” With no more warning, he shoved William over the ledge. He thought he heard a fading, “ So not cool,” from the bastard as he fell…fell…
Splat.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
The fact that students passed him by in uniform and he was standing there in torn jeans and faded old concert T-shirt made me smile. The rebel in me could totally relate.
I stopped in front of him. "They're not going to let you stay in school dressed like that. I got a huge lecture for wearing a black shirt the other day."
He glanced my outfit, which didn't really diverge from my normal fashion, and arched an eyebrow. Black cargo pants, white tank, grey zip-up hoodie, with a blade strapped to my thigh and a dagger in my boot.
"What? Pants are black. Shirt is white. Blade stays." I grinned wider. "Because I'm special.
”
”
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
“
Is the child in that old photograph really an erstwhile version of you, your little hand waving farewell? The face of that child is nothing like the face you have now. That child’s face is now melding with the blackness behind you, before you, around you. The child is waving and smiling and fading as your car keeps skidding toward your abruptly curtailed future. Bye-bye.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
“
MOTHER – By Ted Kooser
Mid April already, and the wild plums
bloom at the roadside, a lacy white
against the exuberant, jubilant green
of new grass and the dusty, fading black
of burned-out ditches. No leaves, not yet,
only the delicate, star-petaled
blossoms, sweet with their timeless perfume.
You have been gone a month today
and have missed three rains and one nightlong
watch for tornadoes. I sat in the cellar
from six to eight while fat spring clouds
went somersaulting, rumbling east. Then it poured,
a storm that walked on legs of lightning,
dragging its shaggy belly over the fields.
The meadowlarks are back, and the finches
are turning from green to gold. Those same
two geese have come to the pond again this year,
honking in over the trees and splashing down.
They never nest, but stay a week or two
then leave. The peonies are up, the red sprouts,
burning in circles like birthday candles,
for this is the month of my birth, as you know,
the best month to be born in, thanks to you,
everything ready to burst with living.
There will be no more new flannel nightshirts
sewn on your old black Singer, no birthday card
addressed in a shaky but businesslike hand.
You asked me if I would be sad when it happened
and I am sad. But the iris I moved from your house
now hold in the dusty dry fists of their roots
green knives and forks as if waiting for dinner,
as if spring were a feast. I thank you for that.
Were it not for the way you taught me to look
at the world, to see the life at play in everything,
I would have to be lonely forever.
”
”
Ted Kooser (Delights and Shadows)
“
I watch as the branches of the chestnut tree slowly darken and turn black against the sky. the wind drops. the leaves are still. the sun fades and dips beyond the square of the window. the clouds are lit up with gold in the middle; deep dark lines score their edges. I watch the color leave them, watch it leak out in pink and purple, until the whole sky is burning and bruised and finally black. I watch the night come, and the day end. I understand that im saying goodbye. not just to this day itself, but to the world outside. outside. I'm giving up.
”
”
Sharon Dogar
“
The fading dawn colors revive momentarily, and the sky shines with lilac and daffodil, layering colors in clouds like quilts stacked on a bed. More birds chime into the morning air: a nuthatch’s nasal onk joins the crow’s croak and a black-throated green warbler’s murmur from the branches above the mandala. As the colors finally fade under the fierce gaze of their mother, the sun, a wood thrush caps the dawn chorus with his astounding song. The song seems to pierce through from another world, carrying with it clarity and ease, purifying me for a few moments with its grace. Then the song is gone, the veil closes, and I am left with embers of memory.
”
”
David George Haskell (The Forest Unseen: A Year's Watch in Nature)
“
Slowly the golden memory of the dead sun fades from the hearts of the cold, sad clouds. Silent, like sorrowing children, the birds have ceased their song, and only the moorhen's plaintive cry and the harsh croak of the corncrake stirs the awed hush around the couch of waters, where the dying day breathes out her last.
From the dim woods on either bank, Night's ghostly army, the grey shadows, creep out with noiseless tread to chase away the lingering rear- guard of the light, and pass, with noiseless, unseen feet, above the waving river-grass, and through the sighing rushes; and Night, upon her sombre throne, folds her black wings above the darkening world, and, from her phantom palace, lit by the pale stars, reigns in stillness.
”
”
Jerome K. Jerome
“
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink.
Powerful, vengeful, and full of fury.
Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans...
"Long live the King.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth.
The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death.
The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade.
The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
”
”
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
See me.
See me for who I am. I am magic. I am human. I am inhuman.
See me.
I am a boy. I am a girl. I am everything and nothing in between.
See me.
You do. You see me. You recoil in fear. You scream in anger.
See me.
I bleed. I ache. You see me, and you wish you hadn’t. You wish I was invisible.
Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you can’t.
You want me lost, but I am found in the breaths I take, in the spaces between heartbeats.
I am found because I refuse to be in black and white, or any shade of gray.
I am color. I am fire.
I am the sun, and I will burn away the shadows until only light remains.
And then you will have no choice but to see me.
”
”
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
“
To remember, for instance, that here just a year ago, just at this time, at this hour, on this pavement, I wandered just as lonely, just as dejected as to-day.
And one remembers that then one’s dreams were sad, and though the past was no better one feels as though it had somehow been better, and that life was more peaceful, that one was free from the black thoughts that haunt one now; that one was free from the gnawing of conscience — the gloomy, sullen gnawing which now gives me no rest by day or by night.
And one asks oneself where are one’s dreams. And one shakes one’s head and says how rapidly the years fly by! And again one asks oneself what has one done with one’s years.
Where have you buried your best days? Have you lived or not?
Look, one says to oneself, look how cold the world is growing. Some more years will pass, and after them will come gloomy solitude; then will come old age trembling on its crutch, and after it misery and desolation.
Your fantastic world will grow pale, your dreams will fade and die and will fall like the yellow leaves from the trees. . . .
Oh, Nastenka! you know it will be sad to be left alone, utterly alone, and to have not even anything to regret — nothing, absolutely nothing . . . for all that you have lost, all that, all was nothing, stupid, simple nullity, there has been nothing but dreams!
”
”
Fyodor Dostoevsky (White Nights)
“
Rest you here, enchanter, while the light fades,
Vision narrows, and the far
Sky-edge is gone with the sun.
Be content with the small spark
Of the coal, the smell
Of food, and the breath
Of frost beyond the shut door.
Home is here, and familiar things;
A cup, a wooden bowl, a blanket,
Prayer, a gift for the god, and sleep.
(And music, says the harp, And music.)
Rest here, enchanter, while the fire dies.
In a breath, in an eyelid's fall,
You will see them, the dreams;
The sword and the young king,
The white horse and the running water,
The lit lamp and the boy smiling.
Dreams, dreams, enchanter! Gone with the harp's echo
when the strings
Fall mute; with the flame's shadow when the fire
Dies.
Be still, and listen.
Far on the black air Blows the great wind, rises
The running tide, flows the clear river.
Listen, enchanter, hear
Through the black air and the singing air
The music….
”
”
Mary Stewart
“
He lowers my hand and untangles his fingers. The noise fades, my chest loosening by degrees until I can breathe, like coming up through water. Again my eyes are drawn to the leather cord around his neck, the charm buried beneath the black fabric of his shirt. My gaze drifts down his arms, past his rolled sleeves, toward the hand that just let go of mine. Even in the twilight I can see a faint scar.
“Looks like you’ve lost a couple fights of your own,” I say, running my fingers through the air near his hand, not daring to touch. “How did you get that?”
“A stint as a spy. I wasn’t much good.”
A crooked line runs down the back of his hand. “And that?”
“Scuff with a lion.”
Watching Wesley lie is fascinating.
“And that?”
“Caught a piranha bare-handed.”
No matter how absurd the tale, he says it steady and simple, with the ease of truth. A scratch runs along his forearm. “And that?”
“Knife fight in a Paris alley.”
I search his skin for marks, our bodies drawing closer without touching.
“Dove through a window.”
“Icicle.”
“Wolf.”
I reach up, my fingers hovering over a nick on his hairline.
“And this?”
“A History.
”
”
Victoria E. Schwab (The Archived (The Archived, #1))
“
Imaginings and resonances and pain and small longings and prejudices. They mean nothing against the resolute hardness of the sea. They meant less than the marl and the mud and the dry clay of the cliff that were eaten away by the weather, washed away by the sea. It was not just that they would fade: they hardly existed, they did not matter, they would have no impact on this cold dawn, this deserted remote seascape where the water shone in the early light and shocked her with its sullen beauty. It might have been better, she felt, if there had never been people, if this turning of the world, and the glistening sea, and the morning breeze happened without witnesses, without anyone feeling, or remembering, or dying, or trying to love. She stood at the edge of the cliff until the sun came out from behind the black rainclouds,
”
”
Colm Tóibín (The Blackwater Lightship)
“
White ain't nothing.'
Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.'
'Then how come Mr. Simms don't know that.'
'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.'
I stared questionably at Mama, not really understanding.
Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--'
'Like Big Ma's Papa and Mama?'
Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachael. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.'
She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free and many slaves ran away.
”
”
Mildred D. Taylor
“
Dear Amelia,
I hear there are giant jellyfish in the Arctic,
tentacles longer than train carriages.
Haystacks fly over cities in whirlwinds, and fish frogs and turtles rain on towns.
There are spaces of perfect nothing that they call black holes.
Nothing's impossible- that's what you think I'm trying to say.
But I'm not.
There are things that are impossible - unimaginable even- and here they are: That I broke you.
Betrayed you.
Said I'd given up on you. Sent you flying to a park in a thunderstorm.
That I've been wrong about you all along- saw something in your face each time you faded to your past, when the opposite was true.
That all this time you've been lost and that I won't get a second chance to find you.
Amelia your name is a song. It's a name you can't say without smiling or crying, without casting both shadows and light. But there are too many places to hide or get lost in a name like Amelia.
So this is me shouting that name. They say nobody ever escapes from a black hole. They don't know the strength in my Amelia. The strength in your grip when you want to stay out dancing- the strength in your wicked smile.
Riley
”
”
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
“
THE WEEPING WILLOW
Flowing was the water
showing in its mirror the willow trees.
The weeping willows in the water were washing their hair!
Striking the willows with their sparkling, bare swords
the red horsemen were running to where the sun sets!
Suddenly
like a bird
as if struck
in the wing
a wounded horseman rolled down from his horse!
He didn't shout,
he did'nt call back those who go along,
he just looked with brimming eyes
at the shining horseshoes of departing riders!
O what a pity!
What a pity for him that
no more he shall lie on the foaming necks of galloping horses,
no more he shall play his sword behind the white armies!
The sounds of the horseshoes fades away slowly,
the horsemen vanish at where the sun sets!
Horsemen horsemen red horsemen,
their horses winged with wind!
Their horses winged with...
Their horses winged...
Their horses...
Horse...
Life has passed like the wind winged horsemen!
The voice of the flowing water ceased.
The shadows shadowed
the colours wiped off.
Black coverings came down
over his blue eyes,
the weeping willows hung down
over his
yellow hair!
Weep not weeping willow
weep not,
in the mirror of the black water clasp not your hands!
clasp not your hands!
weep not!
”
”
Nâzım Hikmet
“
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.
Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.
Silver and blue, blue and silver.
Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.
The voice of Volkheimer: What you could be.
Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.
“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.
The wind moves through his undershirt. He is a kite, a balloon.
Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.
“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”
Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?
The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.
Why doesn’t the wind move the light?
Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.
“Stop,” he calls.
“Halt,” he calls.
But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
”
”
Anthony Doerr (All the Light We Cannot See)
“
As children, we fear the dark. Anything might be out. here. The unknown troubles us. Ironically, it is our fate to live in the dark. This unexpected finding of science is only about three centuries old. Head out from the Earth in any direction you choose, and—after an initial flash of blue and a longer wait while the Sun fades—you are surrounded by blackness, punctuated only here and there by the faint and distant stars. Even after we are grown, the darkness retains its power to frighten us. And so there are those who say we should not inquire too closely into who else might be living in that darkness. Better not to know, they say. There are 400 billion stars in the Milky Way Galaxy. Of this immense multitude, could it be that our humdrum Sun is the only one with an inhabited planet? Maybe. Maybe the origin of life or intelligence is exceedingly improbable. Or maybe civilizations arise all the time, but wipe themselves out as soon as they are able. Or, here and there, peppered across space, orbiting other suns, maybe there are worlds something like our own, on which other beings gaze up and wonder as we do about who else lives in the dark…Life is a comparative rarity. You can survey dozens of worlds and find that on only one of them does life arise and evolve and persist… If we humans ever go to these worlds, then, it will be because a nation or a consortium of them believes it to be to its advantage—or to the advantage of the human species… In our time we’ve crossed the Solar System and sent four ships to the stars… But we continue to search for inhabitants. We can’t help it. Life looks for life.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
White ain't nothing.'
Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.'
'Then how come Mr. Simms don't know that.'
'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.'
I stared questionably at Mama, not really understanding.
Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--'
'Like Big Ma's Papa and Mama?'
Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachel. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.'
She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free, and many slaves ran away.”
...
She was silent for a moment, then went on. 'Well, after a while, slavery became so profitable to people who had slaves and even to those who didn't that most people started to believe that black people weren't really people like everybody else. And when the Civil War was fought, and Mama Rachel and Papa Luke and all the other slaves were freed, people continued to think that way. Even the Northeners who fought the war didn't really see us equal to white people.
'So, now, even though seventy years have passed since slavery, most white people still think of us as they did then, that we're not as good as they are. And people like Mr. Simms hold onto that belief harder than some other folks because they have little else to hold onto. For him to believe that he is better than we are makes him think that he's important, simply because he's white.
”
”
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
“
She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.
”
”
Flannery O'Connor (The Complete Stories)
“
He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late.
It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters.
It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.
”
”
Ernest Hemingway (The Garden of Eden)
“
Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child.
Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.
”
”
Victor Hugo (Les Misérables)
“
My Floating Sea"
"Pastel colors reflect in my opening eyes and draw my gaze to a horizon where the waters both begin and end. This early in the day I can easily stare without blinking. The pale sea appears calm, but it is stormy just as often. I awe at the grandeur, how it expands beyond my sight to immeasurable depths. In every direction that I twist my neck, a beauteous blue is there to console me.
Flowing, floating ribbons of mist form on these pale waters. In harmony they pirouette, creating a stretch of attractive, soft swirls. Swoosh! The wind, its strength in eddies and twisters, smears the art of dancing clouds, and the white disperses like startled fairies fleeing into the forest. Suddenly all is brilliant blue.
The waters calm and clear. It warms me. Pleases me. Forces my eyes to close at such vast radiance. My day is spent surrounded by this ethereal sea, but soon enough the light in its belly subsides. Rich colors draw my gaze to the opposite horizon where the waters both begin and end. I watch the colors bleed and deepen. They fade into black.
Yawning, I cast my eyes at tiny gleams of life that drift within the darkened waters. I extend my reach as if I could will my arm to stretch the expanse between me and eons. How I would love to brush a finger over a ray of living light, but I know I cannot.
Distance deceives me.
These little breathing lights floating in blackness would truly reduce me to the tiniest size, like a mountain stands majestic over a single wild flower. I am overwhelmed by it all and stare up, in love with the floating sea above my head.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
We have imagined that a white hospital train with a white Diesel engine has taken you through many a tunnel to a mountainous country by the sea. You are getting well there. But you cannot write because your fingers are so very weak. Moonbeams cannot hold even a white pencil. The picture is pretty, but how long can it stay on the screen? We expect the next slide, but the magic-lantern man has none left. Shall we let the theme of a long separation expand till it breaks into tears? Shall we say (daintily handling the disinfected white symbols) that the train is Death and the nursing home Paradise? Or shall we leave the picture to fade by itself, to mingle with other fading impressions? But we want to write letters to you even if you cannot answer. Shall we suffer the slow wobbly scrawl (we can manage our name and two or three words of greeting) to work its conscientious and unnecessary way across a post card which will never be mailed? Are not these problems so hard to solve because my own mind is not made up yet in regard to your death? My intelligence does not accept the transformation of physical discontinuity into the permanent continuity of a nonphysical element escaping the obvious law, nor can it accept the inanity of accumulating incalculable treasures of thought and sensation, and thought-behind-thought and sensation-behind-sensation, to lose them all at once and forever in a fit of black nausea followed by infinite nothingness. Unquote.
”
”
Vladimir Nabokov (Bend Sinister)
“
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales.
He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one.
I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more.
I listened to them fade away till all I could hear was my memory of the sound.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
“
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical.
Beneath her fingers, the white lawn started to redden.
She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath.
He coughed weakly, shifted his head.
"Don't you dare die on me!"
His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free."
"Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?"
He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to."
The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running.
She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years."
He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..."
She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together.
When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you."
He moistened his lips. Whispered, "You were?"
"Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me."
"Yes, I did." The words were firmer, bitten off through clenched teeth.
She caught his anger. Was anger good. Would temper hold him to the world?
A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))