Facial Thickness Quotes

We've searched our database for all the quotes and captions related to Facial Thickness. Here they are! All 19 of them:

One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples. And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the color of their skin.
Bill Bryson (The Body: A Guide for Occupants)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure two West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows sett at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Merritt was dumbstruck at the sight of his clean-shaven face. Dear God. He was beyond handsome. The cushioning thick beard was gone, revealing the brooding masculine beauty of a fallen angel. His features were strong but elegantly refined, the cheekbones high, the mouth full and erotic.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The black-haired man she had seen in the courtyard was indeed McKenna. He was even larger and more imposing than he had seemed at a distance. His features were blunt and strong, his bold, wide-bridged nose set with perfect symmetry between the distinct planes of his cheekbones. He was too masculine to be considered truly handsome- a sculptor would have tried to soften those uncompromising features. But somehow his hard face was the perfect setting for those lavish eyes, the clear blue-green brilliance shadowed by thick black lashes. No one else on earth had eyes like that. "McKenna," she said huskily, searching for any resemblance he might bear to the lanky, love-struck boy she had known. There was none. McKenna was a stranger now, a man with no trace of boyishness. He was sleek and elegant in well-tailored clothes, his glossy black hair cut in short layers that tamed its inherent tendency to curl. As he drew closer, she gathered more details... the shadow of bristle beneath his close-shaven skin, the glitter of a gold watch chain in his waistcoat, the brutal swell of muscle in his shoulders and thighs as he sat on a rock nearby.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Hyperbolic Suggestion is—as one might infer from the term’s literal interpretation—a method of suggestion induced upon the subject (or subjects), in question, through the blatant and immoderate invocation of hyperbole. Simply stated, excessive exaggeration induces a trance upon the recipient, rendering him or her remarkably susceptible to suggestion. Thus, through the use of a multitude of descriptive adjectives and superlatives, neural mechanisms and pathways are overloaded, as canals and bypasses are burrowed into the thick of the gray matter. The dendrites are, through this process, tuned to a predetermined frequency by which the seeds of suggestion can be sown. When this occurs, the subject becomes incredibly compliant to any orders given at a certain tone of voice. In some cases, orders need not be given. The subject’s attitudes might well be so affected by the hyperbole as to affect his natural tendencies...Emmanuel silently wondered if there existed a perfect combination of words or phrases that could somehow—as in the case of Hyperbolic Suggestion—subvert even the most stubborn of wills. Then again, maybe it wasn’t so much the words as it was how they were spoken: if he achieved exactly the most desirable intonation, rhythm, timing, pitch and pronunciation in his speaking, would his verbal appeals somehow make greater inroads in garnering their consent? There had to be some optimal combination of aspirated consonants, diphthongs, facial expressions and inflection he could somehow affect in order to persuade them effectively. But it seemed that to search for this elusive mixture of ingredients would only prove an onerous task, conceivably of little benefit. In view of this sobering reality, he decided instead to try out a completely different approach from those previous: it occurred to him that his attempts at persuasion might be slightly more effective if he carried them out as dialogues, rather than as monologues.
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.
Joanne Harris (Chocolat (Chocolat, #1))
One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples.
Bill Bryson (The Body: A Guide for Occupants)
You’re trying to explain the teeth, right?”  I sounded pathetic, like a child who needed reassurance.  I tried not to fidget on top of that. He gave me the reassurance I needed in one of his rare nods. Okay.  No kissing.  Just him moving closer.  He slept at the foot of my bed every night.  That was pretty close—right on my feet—and no big deal.  But he had fur on when he did that.  Now he looked... I eyed him again.  My stomach did a funny flip.  Maybe my fear wasn’t about his reaction, but mine.  I was afraid I’d forget myself.  I needed his control.  I took a deep breath. “It’s okay then.  Go ahead, explain.  I’ll behave,” I promised quietly.  I saw his mustache twitch with a quick smile.  The canines explained some of the facial hair, but the full-bearded, crazy-man look seemed overkill. After a slight hesitation, he leaned forward again while keeping his hands loose at his sides.  I pushed back the fear and held still.  He didn’t stop his slow approach until his whiskers tickled the side of my neck and collarbone.  There he paused and inhaled deeply. As soon as he inhaled, I knew what he was doing, and although I didn’t move, fear blossomed.  Heart pounding, eyes wide, I waited for him to finish scenting me as a werewolf would a potential Mate, not a distant inhale, but an up-close sample of my scent, infinitely more potent.  His warm exhale sent goose bumps skittering over my arms.  I braced myself, anticipating some type of slip in his highly-praised control.  He leisurely inhaled once more then lifted his head, exhaling as he went. With his face only inches from mine, he opened his mouth to display his teeth again.  The canines had grown even more pronounced, the surrounding gums swollen from their thickness. I didn’t know what to say.  He had canines when in his human form because of me. “So, when you’re around me, they’re worse?  I guess that means they’re like that all the time.” He shrugged and casually took a step back.  I was unsure what the shrug meant. We
Melissa Haag (Hope(less) (Judgement of the Six #1))
My face is broken into bits, like my facial cells are glitching. My throat has the word Deep blended into it. Computer code looks like it’s pouring over my head, but there are words hidden in it. Some cut deep and are harsh. Weak. Lost. Silent. Others are nice. Safe. Sublime. Strong. The letters run into each other and drip down my head and face. Not like in the Matrix. No, this is more like thick green honey that spills over me, melting into different shades of rainbow colors on the bottom. Family. Friend. Father figure.
Briana Michaels (Glitch (Next Level, #1))
He pinched her side through the thick material of her sweater. “Where’s your freshman 15? You’re still a skinny little thing. I know your parents didn’t skip out on the meal plan.” Ryleigh kissed his stubble-spackled cheek. “I’ve gained five pounds. I’m a third of the way there, thank you.” Peter slipped a hand into the back pocket of her jeans, giving her butt a light squeeze. “I think it all went right here.” “Put me down.” She laughed, smacking his shoulder. Ryleigh trailed the pad of her thumb along his rough facial hair, noticing a foreign smattering of gray. “You’ll be a silver fox before 40 at this rate.” “Well, it’s definitely your fault. You stress me out. You’re making my hair turn white.
Leighann Hart (Having Rosenfeld (Rosenfeld Duet, #2))
I should be dead. But I’m not human, am I?” She swiped a tear of frustration off her face. “Whatever I am makes me stronger, faster, and scary as hell when fighting. I changed, scaled the top of a moving truck, and fought a guy shooting a gun at me.” She ran her hand across her face to wipe away the tears. “I’m a mess. The mud in that ravine got in all the cracks, even my underwear. But the injuries are already almost gone, and somehow, I know all this will heal. Based on you being all pissy, I assume your meeting didn’t go well.” “It took an unanticipated turn.” His tone was odd as he continued to stare at her. “What exactly do you do that involves secrecy and the Crown?” “I can’t tell you.” Something about how he looked at her was different. Her skin tingled like it had before she’d shifted. Survival instinct flared. “Did they order you to…kill me?” It came out of her on a fatigued exhale. Her shoulders drooped. His face remained remote as if trying to wall off emotion. He neither confirmed nor denied, which might as well have been a screaming affirmative. She dropped her chin. He said nothing, so she looked up. He stared intently at her, making her almost shrink in place under the gaze of those thunderous eyes. “Is this when you tell me to leave again?” she asked. “Would you go?” “If they ordered you to kill me, wouldn’t you be forced to come after me? To hunt me down? So, what’s the point in me running unless you like the hunt?” He pushed his hand through his dark hair and stepped away from her. Frustration oozed from him. Seeing him start to lose some of his composure made him less threatening. He wasn’t the robot assassin. She wanted to run her fingers through his thick hair and down his scruff-roughened chiseled jawline to soothe him. Would her touch, if done in comfort, affect him the way she suspected his touch would destroy her? From the way he simply stared at her, she guessed yes. The silence was killing her. “What’s going on here?” “No idea.” He muttered something under his breath that she couldn’t make out. He stepped toward her and slid a finger under her chin to tilt her face upward. Their eyes met and held. “I’m sorry someone hurt you. That you had to fight for your life and went through a windshield.” In a whisper, he added, “I should’ve been there.” The grit in his voice, the despair, as if he’d let her down, packed one hell of a punch. What was she supposed to do with that? Oh dear…God. His hold on her face, how his thumb gently stroked over the skin on her jaw… How he moved in so she could feel the hard surfaces of his body, the concrete chest and abs… All of it swirled together, turning her mind to mush, which was bad when she needed to remain alert. Death… her death was on the line. But she was about to make a very bad decision to let him do whatever the hell he wanted after that declaration. “I made a promise to erase Dom’s kiss. To make you forget. I never go back on my promises.” Like his promise to help her get answers? He didn’t lower his head, but stood there, hesitant. “You’re too hurt right now.” “Oh, for heaven’s sake.” She slid her good hand up his shoulders and neck. His muscles twitched under her touch, and his chest rose and fell more rapidly. Feeling how much just her hand on him affected him encouraged her to continue. Cradling the back of his head, she pressed her body into his. As she pulled him toward her mouth, his incredible size and power registered but didn’t intimidate. Didn’t scare her. Her mouth touched his. Warmth on warmth. Once… Twice… Three times. His lips were a lot softer than they appeared. The roughness of his facial scruff scratched her skin.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
there are plenty of Caucasians who have lips quite as thick and noses quite as broad as any of us. As a matter of fact there has been considerable exaggeration about the contrast between Caucasian and Negro features. The cartoonists and minstrel men have been responsible for it very largely. Some Negroes like the Somalis, Filanis, Egyptians, Hausas and Abyssinians have very thin lips and nostrils. So also have the Malagasys of Madagascar. Only in certain small sections of Africa do the Negroes possess extremely pendulous lips and very broad nostrils. On the other hand, many so-called Caucasians, particularly the Latins, Jews and South Irish, and frequently the most Nordic of peoples like the Swedes, show almost Negroid lips and noses. Black up some white folks and they could deceive a resident of Benin. Then when you consider that less than twenty per cent of our Negroes are without Caucasian ancestry and that close to thirty per cent have American Indian ancestry, it is readily seen that there cannot be the wide difference in Caucasian and Afro-American facial characteristics that most people imagine.
George S. Schuyler (Black No More)
and they wore thick white liner around their green eyes. Monti recognized the makeup as a way to avoid the cams the First Order employed. He noticed a white scarf coiled around their neck, big enough to pull up over mouth and nose, another facial recognition blocker.
Rebecca Roanhorse (Resistance Reborn (Journey to Star Wars: The Rise of Skywalker, #1))
During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure to West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows set at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Her hands groped around his neck, her fingers lacing through the thick shorn locks at the back of his head. The hard, clean contours of Keir's face rubbed against hers, a different feeling than the coarse tickle of his beard. But the mouth was the same, full and erotic, searingly hot. He consumed her slowly, searching with his tongue, licking deep into each kiss. Wild quivers of pleasure went through her, weakening her knees until she had to lean against him to stay upright. As her head tilted back, a forgotten tear slid from the outer corner of her eye to the edge of her hairline. His lips followed the salty track, absorbing the taste. Keir cradled her cheek in his hand, his shaken whisper falling hotly against her mouth. "Merry, love... my heart's gleam, drop of my dearest blood... you should have told me." Merritt heard her own weak reply as if from a distance. "I thought... in some part of your mind... you might have wanted to forget." "No." Keir crushed her close, nuzzling her hard against her hair and disheveling the pinned-up coils. "Never, love. The memory slipped out of reach for a moment, is all." His hand coasted slowly up and down her spine. "I'm so damned sorry for the way I've been trying to keep you at a distance. I dinna know you were already inside my heart." He paused before adding wryly, "Mind, I did have to jump from a three-story window, with little to break the fall but my own hard head." Taking one of her hands, he pressed her palm over his pounding heartbeat. "But you were still in here. Your name is carved so deep, a million years could no' erase it.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
together in such fashion. There was design in the arrangement; and in the midst of the circle of empty hogsheads might have been seen the contriver of this curious craft. He was, of course, a human being, and a man; but such an one as, under any circumstances, would arrest the attention of the beholder; much more in the singular situation in which he was then met with. He was a black man, in the fullest sense of the word; a true negro, with a skin shining like ebony; a skull of large size, and slightly square in shape, covered with a thick crop of curling wool, so close and short as to appear felted into the skin. A brace of broad ears stood prominently out from the sides of his head; and extending almost from one to the other, was a wide-gaping mouth, formed by a pair of lips of huge thickness, protruding far forward, so as to give to the countenance those facial outlines characteristic of the chimpanzee or gorilla. Notwithstanding his somewhat abnormal features, the expression of the negro’s face was far from being hideous. It was not even disagreeable. A double row of white teeth, gleaming between the purplish lips, could be exhibited upon ordinary occasions in a pleasant smile; and the impression derived from looking upon the countenance was, that the owner of it was rather good-natured than otherwise.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
He was a black man, in the fullest sense of the word; a true negro, with a skin shining like ebony; a skull of large size, and slightly square in shape, covered with a thick crop of curling wool, so close and short as to appear felted into the skin. A brace of broad ears stood prominently out from the sides of his head; and extending almost from one to the other, was a wide-gaping mouth, formed by a pair of lips of huge thickness, protruding far forward, so as to give to the countenance those facial outlines characteristic of the chimpanzee or gorilla.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
No longer am I the idiot with the long, flipped-out hair that would cover my eyes if I didn’t flick it to the side just right. I’ve grown into my own skin, I’ve filled out in the proper places, and I now have a thick coat of facial hair that can’t be defined as a hefty beard. Nor can it be described as just scruff,
Meghan Quinn (How My Neighbor Stole Christmas)