Fable Game Quotes

This isn’t a game to me, Fable. This is my life. And I want you to be a part of it … I want you and you only. I’m not sharing you with anyone else.

They (fables) teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches.

Here dwell together still two men of note Who never lived and so can never die: How very near they seem, yet how remote That age before the world went all awry. But still the game’s afoot for those with ears Attuned to catch the distant view-halloo: England is England yet, for all our fears– Only those things the heart believes are true. A yellow fog swirls past the window-pane As night descends upon this fabled street: A lonely hansom splashes through the rain, The ghostly gas lamps fail at twenty feet. Here, though the world explode, these two survive, And it is always eighteen ninety-five.

There are things I need to ask her. Not what happened, back then in the time I lost, because now I know that. I need to ask her why. If she remembers. Perhaps she’s forgotten the bad things, what she said to me, what she did. Or she does remember them, but in a minor way, as if remembering a game, or a single prank, a single trivial secret, of the kind girls tell and then forget. She will have her own version. I am not the centre of her story, because she herself is that. But I could give her something you can never have, except from another person: what you look like from outside. A reflection. This is part of herself I could give back to her. We are like the twins in old fables, each of whom has been given half a key.

But it was a gift. Not a game, or a war, not a battle of wills. Just a gift. Time, and memory, like lovers in a fable.

A fable from the Age of Heroes." The maester tsked. "You must put these dreams aside, they will only break your heart.

As I was saying before we were so rudely interrupted,” Tyrion began, “there is a serious flaw in Littlefinger’s fable. Whatever you may believe of me, Lady Stark, I promise you this—I never bet against my family.

Science has always been in conflict with narratives. Judged by the yardstick of science, the majority of them prove to be fables. But to the extent that science does not restrict itself to stating useful regularities and seeks truth, it is obliged to legitimate the rules of its own game.

So please stop pretending you were the only casualty in the game of you and me. Because I bled just like you did. I died a little that day too.

Yes, now my mind is easy, I know the game is won, I lost them all till now, but it's the last that counts. A very fine achievement I must say, or rather would, if I did not fear to contradict myself. Fear to contradict myself! If this continues it is myself I shall lose and the thousand ways that lead there. And I shall resemble the wretches famed in fable, crushed beneath the weight of their wish come true. And I even feel a strange desire come over me, the desire to know what I am doing, and why. So I near the goal I set myself in my young days and which prevented me from living. And on the threshold of being no more I succeed in being another. Very pretty.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

All the ancient histories, as one of our wits say, are just fables that have been agreed upon.” —VOLTAIRE

I have played the fox, now I must play the cat of the fable.

[Fables] teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches. This is what any of the religious texts teach us. They're all tales about characters who must confront life and overcome obstacles, figures setting off on a journey of spiritual enrichment through exploits and revelations. All holy books are, above all, great stories whose plots deal with the basic aspects of human nature, setting them within a particular moral context and a particular framework of supernatural dogmas.

The Merry Chrismouse by Stewart Stafford What a time for the merry Chrismouse, Making toys in his workshop/house, Everyone contributes, even his spouse, With Christmas cheer, no one will douse. A sprig of holly for a present tree, Blizzard snow is grated cheese, The kindly rodent set to please, When he comes on Christmas Eve. Nuts and seeds on their button table, Playing games and telling fables, Discarded tinsel on the wall of gable, In midwinter's icy spell unstable. A time for amnesia that felines exist, Kindness and joy at their fingertips, Baby mice excitedly make lists, To have many gifts when they insist. © Stewart Stafford, 2021. All rights reserved.

What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.

What ensued was a game of Coyote and Roadrunner that dragged on for more than a decade. Sixty letters went back and forth among Beaumont, St. Martin, and various contacts at the American Fur Company who had located St. Martin and tried to broker a return. It was a seller’s market with a fevered buyer. With each new round of communications—St. Martin holding out for more or making excuses, though always politely and with “love to your family”—Beaumont raised his offer: $250 a year, with an additional $50 to relocate the wife and five children (“his live stock,” as Beaumont at one point refers to them). Perhaps a government pension and a piece of land? His final plan was to offer St. Martin $500 a year if he’d leave his family behind, at which point Beaumont planned to unfurl some unspecified trickery: “When I get him alone again into my keeping I will take good care to control him as I please.” But St. Martin—beep, beep!—eluded his grasp. In the end, Beaumont died first. When a colleague, years later, set out to bag the fabled stomach for study and museum display, St. Martin’s survivors sent a cable that must have given pause to the telegraph operator: “Don’t come for autopsy, will be killed.

The ownership of land is not natural. The American savage, ranging through forests who game and timber are the common benefits of all his kind, fails to comprehend it. The nomad traversing the desert does not ask to whom belong the shifting sands that extend around him as far as the horizon. The Caledonian shepherd leads his flock to graze wherever a patch of nutritious greenness shows amidst the heather. All of these recognise authority. They are not anarchists. They have chieftains and overlords to whom they are as romantically devoted as any European subject might be to a monarch. Nor do they hold as the first Christians did, that all land should be held in common. Rather, they do not consider it as a thing that can be parceled out. “We are not so innocent. When humanity first understood that a man’s strength could create good to be marketed, that a woman’s beauty was itself a commodity for trade, then slavery was born. So since Adam learnt to force the earth to feed him, fertile ground has become too profitable to be left in peace. “This vital stuff that lives beneath our feet is a treasury of all times. The past: it is packed with metals and sparkling stones, riches made by the work of aeons. The future: it contains seeds and eggs: tight-packed promises which will unfurl into wonders more fantastical than ever jeweller dreamed of -- the scuttling centipede, the many-branched tree whose roots, fumbling down into darkness, are as large and cunningly shaped as the boughs that toss in light. The present: it teems. At barely a spade’s depth the mouldy-warp travels beneath my feet: who can imagine what may live a fathom down? We cannot know for certain that the fables of serpents curving around roots of mighty trees, or of dragons guarding treasure in perpetual darkness, are without factual reality. “How can any man own a thing so volatile and so rich? Yet we followers of Cain have made of our world a great carpet, whose pieces can be lopped off and traded as though it were inert as tufted wool.

Life is like a game of chess that you have to play even after losing the king.

One shadow was dark as ash, with the terrible face of a hound. Another was armored like the sun, golden and beautiful. Over them both loomed a giant in armor made of stone, but when he opened his visor, there was nothing inside but darkness and thick black blood. He lifted his eyes and saw clear across the narrow sea, to the Free Cities and the green Dothraki sea and beyond, to Vaes Dothrak under its mountain, to the fabled lands of the Jade Sea, to Asshai by the Shadow, where dragons stirred beneath the sunrise.

Rumours in the city: The statue galloped last night!'... 'And the stars are unfavourable!'... But despite these signs of ill-omen, the city was poised, with a new myth glinting in the corners of its eyes. August in Bombay: a month of festivals, the month of Krishna's birthday and Coconut Day; and this year - fourteen hours to go, thirteen, twelve -there was an extra festival on the calendar, a new myth to celebrate, because a nation which had never previously existed was about to win its freedom, catapulting us into a world which, although it had five thousand years of history, although it had invented the game of chess and traded with Middle Kingdom Egypt, was nevertheless quite imaginary; into a mythical land, a country which would never exist except by the efforts of a phenomenal collective will - except in a dream we all agreed to dream; it was a mass fantasy shared in varying degrees by Bengali and Punjabi, Madrasi and Jat, and would periodically need the sanctification and renewal which can only be provided by rituals of blood. India, the new myth - a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.

But despite these signs of ill-omen, the city was poised, with a new myth glinting in the corners of its eyes. August in Bombay: a month of festivals, the month of Krishna's birthday and Coconut Day; and this year - fourteen hours to go, thirteen, twelve - there was an extra festival on the calendar because a nation which had never previously existed was about to win its freedom, catapulting into a world which, although it had five thousand years of history, although it had invented the game of chess and traded with Middle Kingdom Egypt, was nevertheless quite imaginary; into a mythical land, a country which would never exist except by the efforts of phenomenal collective will - except in a dream we all agreed to dream; it was a mass fantasy shared in varying degrees by Bengali and Punjabi, Madrasi and Jat, and would periodically need the satisfaction and renewal which can only be provided by rituals of blood. India, the new myth - a collective fiction in which everything was possible, a fable rivaled only by the two other mighty fantasies: money and God.

Success is so much a numbers game. The more action you take, the more results you’ll see

Again and again he used to do this. Lad seemed to enjoy it, for he would stand at grave attention, as though listening to something the coon was confiding to him. “I’m sure he’s telling Laddie a secret when he does that,” said the Mistress. “Nonsense!” scoffed the Master. “We’re not living in fable-land. More likely the pesky coon is hunting Lad’s ear for fleas. Likelier still, it’s just a senseless game they’ve invented.

It is fabled that we slowly lose the gift of speech with animals, that birds no longer visit our windowsills to converse. As our eyes grow accustomed to sight they armor themselves against wonder. — Leonard Cohen, The Favorite Game. (Vintage; Reprint edition October 14, 2003) Originally published January 1st 1963.

Though the educational overlap is entirely logical, I’ve always been uncomfortable with the label “educational software.” I’ve always preferred the word “learning,” myself. Education is somebody else telling you what to think, while learning is opening yourself to new possibilities, and grasping a concept because you understand it on a personal level. To chastise us for our lack of historical accuracy is fair in the educational sense, but misses the point entirely when it comes to learning. Are Aesop’s fables meaningless because real mice can’t talk? What we encourage is knowledge-seeking in itself, and ownership of one’s beliefs. We want you to understand that choices have consequences, that a country’s fate can turn on a single act of diplomacy, and that historical figures were not black-and-white paragons of good and evil—not because we’ve told you, but because you’ve faced those complex dilemmas for yourself.

The proudest city in all the world was gone in an instant, its fabled empire vanished in a day, the Lands of the Long Summer scorched and drowned and blighted.

Story of my life I have a story, story of my life, Once a small boy, whose problems was rife, Of those long days, of those short nights, Fighting with my pals, studying in candle lights, Of that vunerable kid, whose life wasn't stable, who always believed in magic, and life is a fable, Of those small boy, who refused to weep, Even when it hurts, the pain was deep, Of those little eyes, of those big ears, Who hide behind his smile, his desires and his fears, Of those forgotten games, and lost toys, That once was his treasure, reason for rejoice, Of that empty corridoors and broken walls, That once was filled with stories and footfalls, Of that small boy, who now understands, Whatever happened was good, and with tides of time he withstands.

Change the game: 1. Adjust the arena. 2. Re-rig the rules. 3. Attack the plan. Change the story: 1. Describe the alternative. 2. Organize in narratives. 3. Make your fight a fable. Change the equation: 1. Act exponentially. 2. Act reciprocally. 3. Perform your power.